Subject: Major Briggs is Back! From: lecl@quads.uchicago.edu (elizabeth e. leclair) Date: 1991-01-13, 06:53 Newsgroups: alt.tv.twin-peaks First, a brief editorial comment on the return of TP: AAAAAALLLLLLLRRRIIIIIIIIGGGGHHHHTTT, BAAAABBY! There were about twenty people gathered in festive mood for our ritual of cultural renewal (i.e., watching TP) in the big-screen television room last night. It's a social experience that goes a long way. My thoughts: -- In a single episode, Major Briggs has, IMHO, become the central figure of mystery in the town of Twin Peaks. Remember the first few episdoes when he was just a mere militaristic shell, commander of a disfuntional family? The narrative style developing his character has been patient and great. First his revelead "vision" to Bobby-- corny but it linked him with other visionaries such as Coop. Then the owl message, and much later the conversation about the White Lodge. During his absence, Lynch indirectly builds his character into something big; note the scene where the Air Force commander suggests Briggs' capacity for some awesome power. Finally, when Mrs. Briggs is sitting up on the sofa during the ominous storm (when was the last time you saw HER?), we get her sense of loss, but at the same time we know she knows more than we do about the Major's abilities and his disappearences. When the Major reappeared as a weary aviator, materializing in the midst of a blackout and reuniting with his wife-- wow. What a terribly human, but at the same time otherworldy scene. Who else besides the giant can come and go like that? The TP bonus question (besides "WHERE is BOB?") is "WHAT is Major Briggs?" -- Crticism of the week: I'm dissapointed that we now have yet another battered wife in the show. The James subplot is bad enough without still more intimations and/or displays of woman-beating, as we had in the Shelley-Leo encounters. I guess now that Leo is spitting up soup the writers felt we had to return to the maintain the previous quotient by providing yet another beautiful female trapped by her husband, ready to be saved by her boyfriend. Sick and pointless. Oh well, you win some, you lose some. At least now there is some material to talk about! Elizabeth E. LeClair International House (Lecl@midway.uchicago.edu)