Subject: Re: LMFAP and Mike From: dan@wombat.gnu.ai.mit.edu (Dan Parmenter) Date: 1992-10-08, 07:00 Newsgroups: alt.tv.twin-peaks I'm not convinced that the "rules" of the Black Lodge denizens are so specific regarding which entity is the "true face", which is the "host" etc. Are we to assume, for example, that if the One-armer looked into a mirror, he'd see the Dwarf looking back at him? Perhaps MIKE and BOB operate by different rules. Furthermore, the Waiter and the Giant aren't necessarily related in that way either, as I recall, one or the other says "One and the same", which could be interpreted in a variety of different ways. The "metaphysics" of Twin Peaks are never really unambiguously laid out. I'm not even entirely certain about the relationship between the inhabiting spirit and the inhabited host. Leland began to resemble BOB and began to betray his otherworldly connections by dancing compulsively. Was this merely BOB egging the investigators on by giving them more and more clues, yet staying one step ahead at all times? We certainly never see Phil Gerard compulsively dance or take on characteristics of MIKE. My guess is that when BOB inhabits people he tends to shift forms a fair amount for his own amusement (and for dramatic purposes of course) whereas MIKE prefers a constant state. But who can say? Does Mrs. Tremond inhabit anyone? Do they all have "familiars" and hosts? One of my pet theories about TP has always been that the forces of good and the forces of evil are somewhat organized into particular relationships, whether in the "real" world or in the shadows of the supernatural. A perfect example of that is MIKE and BOB in the Black Lodge being paralleled by Mike and Bobby in our world, a relationship that Laura obliquely comments upon in FWWM. Both sets are partners in crime. What light this sheds on things is unclear, but I see it as one of the themes of TP - that there are peculiar parallels between our world and the spirit realm and more importantly, specific character dynamics which almost amount to a hierarchy of good and evil. There are constant battles between people and their "superiors" (people who have more power) such as the various conflicts between federal and local authorities (both in FWWM and Albert's early relations with Truman), Bobby being scared by Leo, who is in turn intimidated by Hank, who ultimately gets beaten up by Nadine :-) You get the picture. My other pet theory, which might also shed some light on things, is that the Dwarf and the Giant and the various other denizens of the Lodges, really are the dwarves, giants, wizards and witches of folklore but that they have simply changed with the times - dwarves (or at least this one) seem to favor kind of a Vegas look, whereas modern day giants favor natty white shirts and bow ties. MIKE, a sort of sorcerer type, seems to have abandoned the robes and pointy hats of his forebears in favor of more practical gear. Mrs. Tremond is clearly in the classic Crone mode. My point here being, the relationships between mythological creatures might shed some light on the relationships between these modern manifestations. - Dan -- ---------------------------------------------------------------------------- | Dan Parmenter |"I'm waiting for a time, when I can do without these | | dan@gnu.ai.mit.edu | things that make me feel this way all of the time" | | | - Spiritualized | ----------------------------------------------------------------------------
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