Season 2, Episodes 21–22: Miss Twin Peaks / Beyond Life and Death — June 10, 1991–August 27, 1992

joe@zitt <Joe Zitt> writes:

JZ=Not >that's< interesting! One possible bug: Were MIKE and Ben ever seen
JZ=together? It looks like one of the game rules (as it were) is that the

Mike & Ben Horne were seen together when Mike was at the Great Northern
looking for Bob.

tvd.

---
 . SLMR 2.1a . The owls are not what they seem.

Robert_Hooker@kcbbs.gen.nz (Robert Hooker) writes:

> >Well you are certainly correct about Lynchs' attitude to the female 
> >gender! In one of the epsiodes [I forget which one...] Mr Pinkle is 
> >selling Shelly the 'lifter' device to move Leo around with. When it 
> >doesn't work he remarks "Its like a woman, sometimes you have to hit 
> >it to make it work." 
> >                          -Special Agent Robert Hooker

I think you are having the old problem of attributing everything that happened
on Twin Peaks to David Lynch.  Other people did work on the show too!  Correct
me if I'm wrong, but I don't think Lynch had any party in the writing of that
episode.  It was a 2nd season episode and by the point Lynch was not very
involved in the show anyway.  So I doubt that that line reveals anything about
"Lynchs' attitude to the female gender."
-- ^ Steven Greco ^ (aka Windom Earle) slg20427@uxa.cso.uiuc.edu

Well you are certainly correct about Lynchs' attitude to the female 
gender! In one of the epsiodes [I forget which one...] Mr Pinkle is 
selling Shelly the 'lifter' device to move Leo around with. When it 
doesn't work he remarks "Its like a woman, sometimes you have to hit 
it to make it work." 
 
Now, I'm no feminist, but I have to admit I cringed at that!
 
 
On a slightly different note: Now Barb, you'd *really* get offended 
by a maniquin with no clothes on? Cultural differences I guess... [seriously 
though, I cant imagine ANYONE getting offended by a naked maniquin!]
The reason some womens groups in New Zealand were offended by the billboards 
was because [they claimed] Twin Peaks encouraged violence against women. 
They had no objection to the actual maniquin. [If they did, half the 
shops in Auckland would have to put curtains in their front windows!]
 
And the reason University students stole the billboards was because 
for about 2 weeks, Twin Peaks was 'cool hip and trendy' at university. 
And as you might know, if jumping off tall buildings was 'cool hip and 
trendy' lots of Uni students would do it!
 
 
                          -Special Agent Robert Hooker

In article <3849.1599228160@kcbbs.gen.nz> Robert_Hooker@kcbbs.gen.nz (Robert Hooker) writes:


   On a slightly different note: Now Barb, you'd *really* get offended 
   by a maniquin with no clothes on? Cultural differences I guess... [seriously 
   though, I cant imagine ANYONE getting offended by a naked maniquin!]
   The reason some womens groups in New Zealand were offended by the billboards 
   was because [they claimed] Twin Peaks encouraged violence against women. 
   They had no objection to the actual maniquin. [If they did, half the 
   shops in Auckland would have to put curtains in their front windows!]

No, I think you missed my point.  A naked mannequin is indeed simply a
naked mannequin.  However, a naked mannequin that is displayed
publicly as a sly reference to a woman who is found naked after being
raped and murdered is something more.  Like many emotionally charged
symbols, the context in which a representation of a naked woman's body
is presented has a great deal to do with the message it conveys.  You
say that Twin Peaks had not yet been shown there in Godzone at the
time the billboards appeared, but it was probably known that the
central motif of the show involved the murder of a young woman, or
else the ad campaign would have had little meaning other than as a
publicity grabber.  Such a depersonalization of the victim (who I
grant you is fictitious, but whom the show tries to make real enough
for us to care about her) can easily send a message that the producers
of the show have used the violence against women that repeatedly
appears as a device to generate thrills rather than in a serious
attempt to move an audience.

It was this particular use of a symbol that I personally found
objectionable.  Whether or not Twin Peaks encouraged violence against
women (and I think it probably didn't, although it certainly
demonstrated a fascination with it), I can see how such an ad campaign
could lead one to think that it did, or at least do nothing to dispell
such a perception.  The truth could of course only be found by
actually watching the show and drawing one's own conclusions based on
the presentation and context of the violence, but seeing a billboard
that says "this is how we choose to represent a victim of violence"
would not be a potent encouragement to see any more.

Anyway, I hope I've made myself clearer this time.  As a seasoned TP
viewer, you are no doubt aware of the multiple levels inherent in the
imagery of the show, whether or not they were deliberately put there
by its creators.  Since advertising relies heavily on imagery as well,
I don't think it's inappropriate to examine that imagery and its
effect in the same spirit.

Barb Miller

Daniel from Australia here.....thanks to everyone who mailed me or posted the
answers to my questions on the "LMFAP"....much appreciated!

As I'm new to this newsgroup, the questions I'm about to ask may seem old and
boring to some, but I hope they can please be answered :- answered :-

1. I am a bit confused about the Mike and One Armed Man (Gerad?) story...the
OAM when possessed by Mike tells Cooper "when Bob and I were killing
together..."...Who exactly is Mike?? I thought he was meant to be a "good" guy,
that is the opposite of Bob? What purpose was he meant to play??

2. I have read in the newsgroup that Mike also "possessed" Ben...was this when
Ben was "crazy" and playing armies etc.? If so, why??

3. What are your views on Bob??...Was he ever a real person? (Robertson living
next to Leyland when he was a boy?)

4. Exactly how many episodes were made??

That's all the questions for now, I'll post any more I think of later.

Looking forward to your answers!

Daniel.

I've been a Twin Peaks fan since the second season was aired, and have
been looking since for copies of the first season shows. I finally was
able to find them at a local "Block-Buster" video and rented the 7
episodes they had there.

I missed the original pilot (2-hour opener), but watched the movie-ized
version. What were the actual differences?

Were there only seven episodes the first year?  I ended up missing a
couple of the second season shows as well (Silly me, I thought I could
catch them during the summer re-runs last year).

How many episodes were there all together and what are their ID numbers?

Thanks,

-- Scott   

---
|=|=|=|=|=|    Scott A. Jordahl (Consultant)   |=|=|=|=|=|
|==|=|=|==|    Sun Microsystems - Mt. View, CA |==|=|=|==|
|=|=|=|=|=|    VOICE: [415] 366-5659           |=|=|=|=|=|
|==|=|=|==|    INTERNET: scottj@Eng.Sun.COM    |==|=|=|==|

Hello everybody,

Can anyone give me a date for the release of TP: FWWM in the UK,
and does anyone know where it'll be shown first (I presume it will
be on general release from the word go, but one never knows).

Yours in great anticipation,


Uncle Matty

In article <17715.2a335a92@levels.unisa.edu.au>, 9207987h@levels.unisa.edu.au writes...

} 1. I am a bit confused about the Mike and One Armed Man (Gerad?) story...
} the OAM when possessed by Mike tells Cooper "when Bob and I were killing
} together..."...Who exactly is Mike?? I thought he was meant to be a
} "good" guy, that is the opposite of Bob? What purpose was he meant to play??

He was a "bad guy" along with BOB, but then he "saw the face of God" and
reformed, cutting off his arm in repentence. Now he's dedicated to trying
to stop BOB.

} 2. I have read in the newsgroup that Mike also "possessed" Ben...was
} this when Ben was "crazy" and playing armies etc.? If so, why??

No, MIKE never possessed Ben.

} 3. What are your views on Bob??...Was he ever a real person? (Robertson
} living next to Leyland when he was a boy?)

No, he's a possessing spirit.

} 4. Exactly how many episodes were made??

One 2-hour pilot movie
Seven first season episodes (1-hour)
Twenty-two second season episodes (one 2-hour & twenty-one 1-hour)

-- "I want you to form a team of the most brilliant minds in network television." "Well, now, isn't that a contradiction in terms?" --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) boyajian@ruby.enet.dec.com

In article <l35om7INN8cc@exodus.Eng.Sun.COM>, scottj@Eng.Sun.COM (Scott A. Jordahl) writes...

} I missed the original pilot (2-hour opener), but watched the movie-ized
} version. What were the actual differences?

The first ~95 minutes of both are exactly identical -- up to the point
where Sarah Palmer wakes up from her nightmare. At that point, the original
pilot has another 30 seconds in which Sarah has a vision of someone (later
revealed to be Dr. Jacoby) digging up the necklace in the woods. From the
divergence point, the "movie-ized version" has about another 15-20 minutes
of material starting with Sarah remembering seeing Killer Bob in Laura's
bedroom that morning.

} Were there only seven episodes the first year?

Yes.

} How many episodes were there all together and what are their ID numbers?

First Season:

#    Airdate     Production #

0    08 Apr 90   Pilot [2-hour]
1    12 Apr 90   1001
2    19 Apr 90   1002
3    26 Apr 90   1003
4    03 May 90   1004
5    10 May 90   1005
6    17 May 90   1006
7    23 May 90   1007

Second Season:

8    30 Sep 90   2001  [2-hour]
9    06 Oct 90   2002
10   13 Oct 90   2003
11   20 Oct 90   2004
12   27 Oct 90   2005
13   03 Nov 90   2006
14   10 Nov 90   2007
15   17 Nov 90   2008
16   01 Dec 90   2009
17   08 Dec 90   2010
18   15 Dec 90   2011
19   12 Jan 91   2012
20   19 Jan 91   2013
21   02 Feb 91   2014
22   09 Feb 91   2015
23   16 Feb 91   2016
24   28 Mar 91   2017
25   04 Apr 91   2018
26   11 Apr 91   2019
27   18 Apr 91   2020
28   10 Jun 91   2021  [Shown in the US as a
29   10 Jun 91   2022   single 2-hour movie]

-- "I want you to form a team of the most brilliant minds in network television." "Well, now, isn't that a contradiction in terms?" --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) boyajian@ruby.enet.dec.com

In article <17715.2a335a92@levels.unisa.edu.au> 9207987h@levels.unisa.edu.au writes:
> >1. I am a bit confused about the Mike and One Armed Man (Gerad?) story...the
> >OAM when possessed by Mike tells Cooper "when Bob and I were killing
> >together..."...Who exactly is Mike?? I thought he was meant to be a "good" guy,
> >that is the opposite of Bob? What purpose was he meant to play??

MIKE and BOB were two spirits who used to celebrate in their evil together,
according to Coop's dream at the end of the second 1-hour episode, but MIKE
"saw the face of God, [and] was changed".  You can't really see this, but
BOB had a tattoo on his arm saying "Fire Walk With Me"; the OAM said he took
his entire arm off, presumably to remove his similar tattoo.  Now he's a
good guy.

Similarly, Mike Nelson and Bobby Briggs were two high-school punks who used
to deal drugs together, but in that same second one-hour episode, Mike says
he's through dealing drugs and splits with Bobby.  Now he's a good guy.
Chew on that for a while.

> >2. I have read in the newsgroup that Mike also "possessed" Ben...was this when
> >Ben was "crazy" and playing armies etc.? If so, why??

Just speculation, nothing to get excited about...  I think if the show had
been renewed, we'd discover that MIKE had either entered him at the end of
the Civil War plot, or in the final episode when he got his head bashed.

> >4. Exactly how many episodes were made??

First season: the two-hour pilot and seven one-hour episodes.  Second season:
a two-hour premiere and 21 regular episodes.

In article <13781@umd5.umd.edu>, jblum@lucy.umd.edu (Jon Blum) writes:
> >
> >MIKE and BOB were two spirits who used to celebrate in their evil together,
> >according to Coop's dream at the end of the second 1-hour episode, but MIKE
> >"saw the face of God, [and] was changed".  You can't really see this, but
> >BOB had a tattoo on his arm saying "Fire Walk With Me"; the OAM said he took
> >his entire arm off, presumably to remove his similar tattoo.  Now he's a
> >good guy.
> >
Interestingly, if you get ahold of the Euro-version pilot, you CAN see
the tattoo on BOB's arm.  In the basement scene (I can't recall exactly
when), BOB is wearing a jean jacket with the arms cut off.  At one point,
he turns so that his left arm is facing front.  On the left arm, just
below the shoulder, is the tattoo

FIRE       or else it's  FIRE
WALK                     WALK WITH
WITH                     ME
ME

In either case, the word FIRE is in letters twice as big as the
rest of the tattoo.  I'll try to remember to check my tape tonight.
I happened to catch this when watching the tape, but only was able
to read the tattoo with the help of freeze-frame.

A stupid question that all this raises:  why did BOB change from a 
sleeveless jean jacket to one with sleeves?  Can inhabiting spirits 
have costume changes???

The current BOB ensemble:  jean jacket, black shirt, black slacks,
                           work boots, eau-de-scorched-engine-oil cologne.
Anyone wanna come up with a spiritual rationale for this outfit?
-- Ed Hughes, SAS Institute | "I'll stay here and take more lithium." Cary, NC | --Crow, "Women of the Prehistoric Planet," MST3000 |

In <BpHqpw.2Bt@news.cso.uiuc.edu> slg20427@uxa.cso.uiuc.edu (^ Windom Earle ^ ) writes:

> >Robert_Hooker@kcbbs.gen.nz (Robert Hooker) writes:

>> >>Well you are certainly correct about Lynchs' attitude to the female 
>> >>gender! In one of the epsiodes [I forget which one...] Mr Pinkle is 
>> >>selling Shelly the 'lifter' device to move Leo around with. When it 
>> >>doesn't work he remarks "Its like a woman, sometimes you have to hit 
>> >>it to make it work." 
>> >>                          -Special Agent Robert Hooker

I don't think that a producer/writer/director having a character with a
certain attitude in their TV show means that they share that attitude. If
this was so Lynch would have a lot of conflicting attitudes.

In my opinion whoever wrote that line/episode realised that people who have
such neanderthal attitudes do exist....THERE WAS NO INDICATION THAT THEY
SUPPORTED HIS BEHAVIOUR. THIS IS LIKE SAYING LYNCH SUPPORTS RAPE BECAUSE
OF WHAT HAPPENED TO LAURA PALMER....of course I could be wrong.

:Walt

Robert_Hooker@kcbbs.gen.nz (Robert Hooker) writes:

> > Well you are certainly correct about Lynchs' attitude to the female 
> > gender! In one of the epsiodes [I forget which one...] Mr Pinkle is 
> > selling Shelly the 'lifter' device to move Leo around with. When it 
> > doesn't work he remarks "Its like a woman, sometimes you have to hit 
> > it to make it work." 
> >  

This doesn't say anything about Lynch's attitude toward females.  This 
just shows the attitude of Mr. Pinkle, a fictional character.  Fictional 
characters do not always, in fact do not usually, reflect the views of 
that character's creator.

Anyway, that scene was probably done with irony - look at who he is 
selling the 'lifter' to: a woman whose husband beats her.

Ken

..

Yep. True! I always make the mistake of thinking "Peaks=Lynch". So do 
a lot of other people mind you! :>
 
Wouldn't he [or Frost] have had fairly major control of things in the 
series though? I mean, it was after all, "Lynch/Frost productions", 
and he is quoted as saying he is love with the world of Twin Peaks! 
Now, ok, I'm not suggesting he approved every line in the script, but the 
the general storylines would have had to have got past him or frost 
first right?
 
 
 
                              
                     -Special Agent Robert Hooker

Yep. Ok. All you have said I agree with! It was *me* who missed the 
point! [I must have been late at night... at least thats my excuse!]
 
Tell me Barb, have you seen the film yet? I dont know if its been released 
in the States yet...
 
I saw a documentary on Cannes the other night. Had some interviews with 
Mr Lynch, in which he said [from memory] that he beleived in 'strong' 
content in films, and that film was a safe place to put violence. It 
was quite interesting. And plus I discovered that he sounds quite a 
bit different to Gordon Cole [apart from the volume] in real life! Unless 
he had the flu or something... :>

                     -Special Agent Robert Hooker

the release date for FWWM in the UK is around about the 20th of October.

L8r


-- ############################################################### # Garry Sturgeon # I wear a suit of armour made of # # gsturgeo@cs.strath.ac.uk # nothing but my mistakes. # ###############################################################

I checked the tape last night, and given the
limitations of my keyboard, here's the best 
representation that I can make of BOB's tattoo,
which is on his left shoulder:

------  -  ----    ------
|       |  |   \   |
|       |  |   /   |
|----   |  |---    |----
|       |  |  \    |
|       |  |   \   |
-       -  -    -  ------

\    / /\  |   |/
 \/\/ /--\ |__ |\
                 _ ___
          \    / |  |  |_|
           \/\/  |  |  | |
                        __
                 /\/\  |_
                /    \ |__

The tattoo is grouped a little tighter than this,
and looks to be blue or green in color.  Block 
lettering is used.  So go out and get a Pilot pen
and make your own handy tattoo for the premiere!!!! :->
-- Ed Hughes, SAS Institute | "I'll stay here and take more lithium." Cary, NC | --Crow, "Women of the Prehistoric Planet," MST3000 |

joe@zitt (Joe Zitt) writes:

> > jblum@lucy.umd.edu (Jon Blum) writes:
> > 
>> > > I think it could be symbolic in a different way than you intend -- perhaps
>> > > that Ben too could be possessed.  Think about it.  Ben's a bad man who has
>> > > seen the light and changed.  Does the name "MIKE" ring a bell?
> > 
> > Not >that's< interesting! One possible bug: Were MIKE and Ben ever seen
> > together? It looks like one of the game rules (as it were) is that the
> > posessor and posessee can't be in different places...
> > --
> > "Go to an extreme and then retreat to a more useful position"  --  Brian Eno
> > Joe Zitt        ...cs.utexas.edu!kvue!zitt!joe         (512)450-1916

Yes, Ben was seen with MIKE, but Mike could have posessed him later on.
                                         -=*=- Gregory C. Salmieri -=*=-

The end credits of Film 92 had last night as a backdrop a clip from ....
you guessed it FWWM.

So any UK Peakies can get an early glimpse if they catch the repeat
which I think is on a Thurs, 5:30.

The clip showed Laura wandering thru' the roadhouse looking upset with
Julee Cruise singing on stage.  I think it is a new song as well.

TTFN

    I am posting this for a friend. Any responses should be addressed
    to Summer Storm through this newsgroup. The views presented here
    do not necessarily reflect those of me or the company I work for.

    From: Summer Storm 

    Re: General responses to questions, new questions, comments, etc. 

    1. Will & Eileen could have been bro & sis, as was suggested in "... 
    could have been related... " If so, Donna's sisters are lucky not to 
    be pinheads! 

    2.  Thanks to the  person who posted  that the script  said, "Ben is 
    knocked  unconscious." It's  good to  know he's  alive. Did you guys 
    know he was the lead opposite Natalie Wood in "West Side Story?" 

    3. Sherilynn Fenn was also in a film recently about a mobster. She's 
    blonde in that also (a la 2 Moon Junction) and she plays a composite 
    of  women  in  the  mobster's  life.  Can't remember the name of the 
    mobster  or  the  movie.  She  was  also  in  Dec. 1990's Playboy. A 
    Peak-freak stocking stuffer if ever there was one. 

    4. To: the Univ. of So. Australia. The Diary of Laura Palmer is fun. 
    A one-sitting kind of book. By Jennifer Lynch. 

    5. To: CD Tavares: Donna  has 2 sisters. The one that  writes poetry 
    and lent Donna the bicycle when she met James at the roadhouse.  The 
    other sister played music at  the dinner where the Haywards  and the 
    Palmers laugh about Leland's hair turning white. 

    6. To: Jon Blum:  "The spirits seem to bond..." Do  the spirits ever 
    get  into  Laura,  psychically?  When  Leland  dies, doesn't he tell 
    Cooper that, "she was strong," and wouldn't let them in? 

    7. Some  favorite quotes: "I  love you sheriff  Truman." "As long as 
    the grapefruit are freshly squeezed." "... It's what we call a three 
    hanky crime." "Fellas, don't drink that coffee." 

    8. To: Mark Bixby: North Bend, WA. About 40 mi.  east of Seattle. Go 
    another 40 mi. east  to Roslyn and check out where Northern Exposure 
    is filmed.  The people in North Bend are  pretty over it with the TP 
    thing. Get to  the Mar T  Diner (RR) early  for a piece  of mediocre 
    cherry pie. Skip the coffee,  they must have imported the  stuff for 
    the series from Seattle. North Bend is strictly brown water country. 
    At the  Mar T, you can  also get maps of  the important sites of the 
    series. Snoqualmie Lodge  (The Great Northern) is  beautiful. Do the 
    trail to see the falls. Across the street diagonally from Mar T is a 
    souveneir  shop  with  tons  of  TP  paraphenalia.  Enjoy WA! It's a 
    gorgeous state. The Seattle music scene and capuccino are great. 

    9.  More  fav.  quotes:  "Diane,  I  am  holding in my hand a box of 
    chocolate bunnies." 

    10. Since I'm  new to this,  also, does anyone  know how to  get the 
    whole series on video?  I have it all except about  20 minutes, when 
    Parasite Cable went  down during a storm (aaargh!),  but I'd love to 
    have a second copy, no commercials,  etc. I asked locally, but to no 
    avail. 

    11. Trivia: No  cheating/looking at tape  #1: Who is  the very first 
    character we see? Also, there's a scene in the first episode that is 
    repeated almost word for word in the last episode. Remember it? 

    12. Could the log be Mike's arm?

    13. Someone posted  that D. Lynch  is notoriously right-winged.  I'm 
    sure that's right, since  I don't know much about him,  but isn't it 
    interesting  that he  would choose  a small,  white, family-oriented 
    town as a center of evil.  It seems anti-right to show the hypocrisy 
    that runs rampant beneath the thin veneer of "family values."

matt@castle.ed.ac.uk (M P Taylor) writes:

> >So any UK Peakies can get an early glimpse if they catch the repeat
> >which I think is on a Thurs, 5:30.

Well, I'm afraid I'm no UK Peaky (Peakie?). But I did watch the show.
Yes, not even the BBC is safe for the European Invasion :-)

> >The clip showed Laura wandering thru' the roadhouse looking upset with
> >Julee Cruise singing on stage.  I think it is a new song as well.

Was that Laura?! Either she had a pretty severe nose job, the scene was
shot after she died, they took another actress or it was a completely
new character alltogether. 
And don't tell me the other girl was Donna!

If this all happens to be true, I don't even WANT to see FWWM!

Bye,
Tobias

-- Tobias Kuipers | Two men need one money, but one kuipers@fwi.uva.nl | money need no men University Of Amsterdam | --From 'Delicious Demon' by The Netherlands | The Sugarcubes

Regarding this discussion of TP samples in music...

Over a year ago, I saw a techno single (I assume, it LOOKED like a typical 
techno release... cheap b&w cover, etc) called "Agent Cooper Lurvs (sic)  
Coffee" by Twin Phreaks.  Anyone know anything about this?  I considered 
picking it up, since it would probably be chock full of TP samples and the 
like, but it was pretty expensive (I think it was $10 or $11 CDN) for a 
two-track 12".


Greg
ecurrent@zooid.guild.org

--- WinQwk 2.0 #0

Ciao--


I am trying to put together a complete Second Season, but my episodes
are scattered throughout various tapes, I may be missing an episode
or two, and my memory is fuzzy as to the storylines. So can some
kind person email a short summary of the episodes from the second
from the episode when Major Briggs is kidnapped by the Light until
the episode before the 2 part finale.  I am having problems knowing
what episodes go in what order, and I am unsure if I am missing any.
Again I only need a brief summary for the episode following Major
Briggs kidnapping to the episode before the show finale.  

I feel really stupid for asking. Thanks in advance. But I want to
get things in order--which I should have done last year.


Sally--


-- Sally A. Wilson \\\\ In Heaven everything is fine.... Potato "Salad" Peel, Spud \\\\ You've got your good things, sally@mica.berkeley.edu \\\\ And I've got mine. \\\\ [David Lynch's _Eraserhead_]

Can someone please upload that Twin Peaks Chronology up here?
I think I have a early version but it isn't complete.

George Cifrancis III
gc3@jcnpc.uucp

Can anyone tell me which of the sound archives at audrey.sait.edu.au contains
this classic sound bite?  I've ftp'ed a number of files (some of which did
not decode properly) but I've yet to find this bit.  Anyone?  Please?

Oh yeah...  anyone else morning the fact that today is the one year anniversary
of the final U.S. broadcast?

:::: sigh ::::

..........................................................................
John Purlia          : My brain; not my company's brain.  My brain says...
jpurlia@qualcomm.com :      "Just about any movie could be made better
AppleLink:  AM0470   :       if one of the characters were a vampire."
..........................................................................

  Hello.....
  I'm a new Twin Peaks fan and would like to see the first season. I've seen the second
  season on tapes a friend made of the show but I haven't seen the first season yet. Does
  anybody out there know of a company that sells the first season on videotape or would 
  someone be willing to circulate the tapes to me? I would really appreciate an email reply.

                     Thanks.....

                      tripp wallin

wrum1@cs.aukuni.ac.nz (Walter Albert Rumsby) writes:
> > I don't think that a producer/writer/director having a character with a
> > certain attitude in their TV show means that they share that attitude. If
> > this was so Lynch would have a lot of conflicting attitudes.
> > 
> > In my opinion whoever wrote that line/episode realised that people who have
> > such neanderthal attitudes do exist....THERE WAS NO INDICATION THAT THEY
> > SUPPORTED HIS BEHAVIOUR. THIS IS LIKE SAYING LYNCH SUPPORTS RAPE BECAUSE
> > OF WHAT HAPPENED TO LAURA PALMER....of course I could be wrong.

I think you're right. If I was an author, I would write about such
people in order to point out how revolting people can be. If *all* of
Lynch's characters displayed that sort of behaviour, I would believe he
supported it.


-- The Leather Goddess \ Yamaha XV1000 (aka Lesley Walker) lesley@cavebbs.welly.gen.nz \ Yamaha XS650 Wellington, New Zealand. or lesley@actrix.gen.nz \ DoD#258

boyajian@ruby.enet.dec.com (The Man from Another Place) writes:
> > 9207987h@levels.unisa.edu.au writes...
> > 
> > } 1. I am a bit confused about the Mike and One Armed Man (Gerad?) story...
> > 
> > He was a "bad guy" along with BOB, but then he "saw the face of God" and
> > reformed, cutting off his arm in repentence. Now he's dedicated to trying
> > to stop BOB.

And the arm became the Little Man From Another Place? Is this
established, or speculation?


-- The Leather Goddess \ Yamaha XV1000 (aka Lesley Walker) lesley@cavebbs.welly.gen.nz \ Yamaha XS650 Wellington, New Zealand. or lesley@actrix.gen.nz \ DoD#258

In article <1992Jun11.004959.26917@actrix.gen.nz>, lesley@actrix.gen.nz (Lesley Walker) writes...

}} He was a "bad guy" along with BOB, but then he "saw the face of God"
}} and reformed, cutting off his arm in repentence. Now he's dedicated
}} to trying to stop BOB.

} And the arm became the Little Man From Another Place? Is this
} established, or speculation?

Speculation.

-- "I want you to form a team of the most brilliant minds in network television." "Well, now, isn't that a contradiction in terms?" --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) boyajian@ruby.enet.dec.com

Call me what you will, but after the final episode, I lost interest.
Here in Canada, there was never any repeats or any mention at all of
Twin Peaks.

What I want to know is, the movie that is being released,when is it
set.  Is if before or after the series.

Thanks for any info

jordan

In article <1992Jun10.115516.29823@pdn.paradyne.com> pitchon@paradyne.com (Howard Pitchon) writes:
> >    2.  Thanks to the  person who posted  that the script  said, "Ben is 
> >    knocked  unconscious." It's  good to  know he's  alive. Did you guys 
> >    know he was the lead opposite Natalie Wood in "West Side Story?" 

Mm-hm... and Russ Tamblyn (Jacoby) played Riff.

> >    6. To: Jon Blum:  "The spirits seem to bond..." Do  the spirits ever 
> >    get  into  Laura,  psychically?  When  Leland  dies, doesn't he tell 
> >    Cooper that, "she was strong," and wouldn't let them in?

In article <1992Jun11.072858.3952@engage.pko.dec.com> boyajian@ruby.enet.dec.com (The Man from Another Place) writes:
> >In article <1992Jun11.004959.26917@actrix.gen.nz>, lesley@actrix.gen.nz (Lesley Walker) writes...

> >}} He was a "bad guy" along with BOB, but then he "saw the face of God"
> >}} and reformed, cutting off his arm in repentence. Now he's dedicated
> >}} to trying to stop BOB.

> >} And the arm became the Little Man From Another Place? Is this
> >} established, or speculation?

> >Speculation.

Or rather, MIKE seeing the face of God (whatever that means) and chopping
the arm is established, but the LMFAP's origin is not official.  But still...
(*movie spoiler*)

Word has it that a scene where the LMFAP tells Cooper "i aM tHE aRM" (as
I try to approximate backwardspeak) in the Black Lodge was cut because
the script over-ran.

Pet peeve time:  it's "Man From Another Place" hence MFAP.  Check the
credits of any episode in which he appears.  If the creators of TP
found it unnecessary to include the word "little" in this character's 
"name" I think we should abide by that.

There.  That feels better.  :-)

In article <TSDAVIES.92Jun5201011@rodan.syr.EDU> tsdavies@rodan.syr.EDU (Real life?  Ha!) writes:
> >Rocky J Giovinazzo <giovin@risky.ecs.umass.edu> writes:

> >Rocky> different times.  One of the writers is ___ McInerney-- I'm
> >Rocky> doing this from memory.

> >Jay McInerney, by any chance?  The author of _Bright Lights, Big
> >City_, _Ransom_, _Story of My Life_, and _Brightness Falls_?

> >If so, sounds good to me!

> >Sam Hill Cabal, DS   tsdavies@mailbox.syr.edu

I don't have the article to confirm this right now, but I'm pretty certain
the two McInerney's mentioned are "one and the same."

Rocky

In article <l3fntnINNsea@jethro.Corp.Sun.COM> duane@thismoment.Corp.Sun.COM (Duane Day) writes:
> >Pet peeve time:  it's "Man From Another Place" hence MFAP.  Check the
> >credits of any episode in which he appears.  If the creators of TP
> >found it unnecessary to include the word "little" in this character's 
> >"name" I think we should abide by that.

Call me crazy, but I'd swear on my mother's grave that the credits to episode
#1002 listed Michael J Anderson as "Little Man From Another Place".

Of course, my mother isn't dead yet.  :-)

In article <708296497.27860@zooid.guild.org> jordan@zooid.guild.org (Daniel Baker) writes:
> >What I want to know is, the movie that is being released,when is it
> >set.  Is if before or after the series.

Yes.

Seriously, the movie will consist of three parts: the investigation of the
death of Teresa Banks one year before the series, the last seven days of
Laura Palmer's life, and a very very very brief sequence set after the
end of the series.  The inevitable "director's cut" video release would
probably include more of the epilogue, but the film runs overlong anyway.

In article <13887@umd5.umd.edu> jblum@lucy.umd.edu (Hi ho -- Kermit the Frog here...) writes:
> >In article <l3fntnINNsea@jethro.Corp.Sun.COM> duane@thismoment.Corp.Sun.COM (Duane Day) writes:
>> >>Pet peeve time:  it's "Man From Another Place" hence MFAP.  Check the
>> >>credits of any episode in which he appears.  If the creators of TP
>> >>found it unnecessary to include the word "little" in this character's 
>> >>"name" I think we should abide by that.
> >
> >Call me crazy, but I'd swear on my mother's grave that the credits to episode
> >#1002 listed Michael J Anderson as "Little Man From Another Place".
> >
> >Of course, my mother isn't dead yet.  :-)
> >
also oN The cd he's credited as the little from another place

-giaN

After all the negative reviews in the press about FWWM, here's some good news!

According to Liz Smith's Gossip column of June 12:

                    'Twin Peaks' Freaks Love Film in Japan

In Japan, the big-screen movie "prequel" to David Lynch's cult TV series "Twin
Peaks" is knocking 'em dead.  The response to "Twin Peaks: The Last Seven Days
of Laura Palmer" (sic) has been overwhelming.  "Peaks freaks" have even staged
mock funerals and wakes for Laura (you remember, of course, that the discovery
of her plastic-wrapped body ignited the TV series).  The film opens in this
country in August.

                                   #   #   #

Maybe if this continues, there's hope for move movies or episodes?

--
-------------------------------------------------------------------------------
"I lived in my head mostly."                | Jim Pellmann (jgp@rational.com)
"That's not a bad neighborhood."            | RATIONAL
"There were some pretty strange neighbors." | Santa Clara, California

Someone asked me to repost the recent reviews of FWWM, so here's a repeat of
all the recent articles (including some info on "On The Air", "The Hotel", and
"Boxing Helena" at the bottom):

NOTE: THERE ARE NO MAJOR SPOILERS HERE, BUT IF YOU DON'T WANT TO KNOW EVEN
THE MOST BASIC DETAILS (LIKE WHICH CHARACTERS ARE IN THE MOVIE), DELETE NOW.
------------------------------------------------------------------------------

After all the negative reviews in the press about "Fire Walk With Me" (see 
below), here's some good news!

According to Liz Smith's Gossip column of June 12:

                    'Twin Peaks' Freaks Love Film in Japan

In Japan, the big-screen movie "prequel" to David Lynch's cult TV series "Twin
Peaks" is knocking 'em dead.  The response to "Twin Peaks: The Last Seven Days
of Laura Palmer" (sic) has been overwhelming.  "Peaks freaks" have even staged
mock funerals and wakes for Laura (you remember, of course, that the discovery
of her plastic-wrapped body ignited the TV series).  The film opens in this
country in August.

                                   #   #   #

Maybe if this continues, there's hope for move movies or episodes?  The US
release date for FWWM is August 28.

------------------------------------------------------------------------------

I think I saw a message along this line a while ago, but anyway here 
goes:
 
 
For those that have read the Coop diary [is there a fan who HASN'T read 
it?], there was a piece in it regarding Coops father [a map maker] who 
discovered a new creator on the moon. It was called Coopers Creator.
the funny thing was the this creator was on the boundary between the 
light and dark sides of the moon. 
Now, this has to be a reference to the white/black lodges, or maybe 
a reference to 'good' Cooper 'bad' Cooper [shadow selves etc]. Doesn't 
it? 
 
Input needed!
 
 
PS: Is there REALLY a creator called "Cooper Creator"?

Robert Hooker writes:

> >   For those that have read the Coop diary [is there a fan who HASN'T read 
> >   it?],   

I'm a fan and haven't read it.  I've seen every episode at least 3 times each, so
I might even call myself a big fan.  Who wrote the diary?  Lynch? Frost? 
Has Lynch given it his blessing (so to speak)? 

Kevin

Mark your calanders folks, "On the air" starts June 20th.  ABC must have something against Lynch, I believe the 20th is a Saturday night!!!
-- Alan Wigodski "Boy! That's the ugliest mouse I've Michigan State University ever seen. And look, It's beating Bj790@cleveland.freenet.edu up on our cheese." Ren and Stimpy 1991

In article <1992Jun11.072858.3952@engage.pko.dec.com> boyajian@ruby.enet.dec.com (The Man from Another Place) writes:
> >In article <1992Jun11.004959.26917@actrix.gen.nz>, lesley@actrix.gen.nz (Lesley Walker) writes...
> >
> >}} He was a "bad guy" along with BOB, but then he "saw the face of God"
> >}} and reformed, cutting off his arm in repentence. Now he's dedicated
> >}} to trying to stop BOB.
> >
> >} And the arm became the Little Man From Another Place? Is this
> >} established, or speculation?
> >
> >Speculation.

The reason some people think this is because the LMFAP says in the final
episode (in the Lodge) to Cooper "I am the arm ..."

In article <KWH.92Jun12163948@GLOBE.EDRC.CMU.EDU> kwh@CS.CMU.EDU (Kevin Hartmann) writes:
> >
> >Robert Hooker writes:
> >
>> >>   For those that have read the Coop diary [is there a fan who HASN'T read 
>> >>   it?],   
> >
> >I'm a fan and haven't read it.  I've seen every episode at least 3 times each, so
> >I might even call myself a big fan.  Who wrote the diary?  Lynch? Frost? 
> >Has Lynch given it his blessing (so to speak)? 

It was written by Scott Frost, who I presume is Mark Frost's son - a similar
arrangement to Jenny Lynch (David's daughter) writing the Diary. It seems
fairly "official" to me.

Seriously though, you should read it. It is very revealing (about Coop's past
and showing how his character developed), very interesting, and very, VERY
funny in a lot of places. I have never read another book that was so brooding/
depressing on one page and hilarious the next. And, as I also said, it is great
background reading in improving one's understanding of the show.

Info to fellow Scandinavians (and to make the rest of you envious...):

  TP is now being rerun twice a week on "Kanal 1". Days seems to wary,
  (Euro football championship is playing around with TV schedules.
  The third episode is being broadcats today.  2nd chance to tape TP!
-- :: clindh@abalon.se :: o/ :: :: :: Abalon AB, Stockholm, Sweden :: /@ :: Earth. :: :: 59.19 N, 17.57 E :: <|\ acro :: Love it or leave it. :: :: * All disclaimers apply * :: | phil :: ::

According to the Chicago Tribune, it indeed airs Saturday, June 20th, at
8:30pm CST, on ABC (Channel 7 'round these here parts).  "The cast and crew of
a variety program try to cope with the chaos and magic of live television,
circa 1957, in this new half-hour ensemble comedy.  In the opener, pandemonium
hits during the first live broadcast of 'The Lester Guy Show.'"
BRIEF: "(Premier) Staffers of a '50s variety show cope with chaos. Created
by David Lynch and Mark Frost."

clindh@abalon.se (Christer Lindh) writes:


> >Info to fellow Scandinavians (and to make the rest of you envious...):

> >  TP is now being rerun twice a week on "Kanal 1". Days seems to wary,
> >  (Euro football championship is playing around with TV schedules.
> >  The third episode is being broadcats today.  2nd chance to tape TP!

Yeah, I live in Denmark and right now Sweden is my favourite country
in the whole wide world... Danm that's good TV :-)

Christian
-- M. Christian Holmgreen / joker@diku.dk / mochmch@uts.uni-c.dk student, University of Copenhagen, Dept. of Computer Science "Human errors can only be avoided if one can avoid the use of humans"

In article <1992Jun13.121121.14869@ucc.su.OZ.AU>, timh@extro.ucc.su.OZ.AU (Timothy James Hatfield) writes:
> > 
> > In article <KWH.92Jun12163948@GLOBE.EDRC.CMU.EDU> kwh@CS.CMU.EDU (Kevin Hartmann) writes:
>> >>
>> >>Robert Hooker writes:
>> >>
>>> >>>   For those that have read the Coop diary [is there a fan who HASN'T read 
>>> >>>   it?],   
>> >>
>> >>I'm a fan and haven't read it.  I've seen every episode at least 3 times each, so
>> >>I might even call myself a big fan.  Who wrote the diary?  Lynch? Frost? 
>> >>Has Lynch given it his blessing (so to speak)? 
> > 
> > It was written by Scott Frost, who I presume is Mark Frost's son - a similar
> > arrangement to Jenny Lynch (David's daughter) writing the Diary. It seems
> > fairly "official" to me.
> > 
> > Seriously though, you should read it. It is very revealing (about Coop's past
> > and showing how his character developed), very interesting, and very, VERY
> > funny in a lot of places. I have never read another book that was so brooding/
> > depressing on one page and hilarious the next. And, as I also said, it is great
> > background reading in improving one's understanding of the show.
> >  

I'm pretty sure that Scott Frost is Mark Frost's brother.  There was an article
on him in the "New Zealand Listener" a few months back in which he described
the circumstances in which the book was written - basically he had a free hand,
with Lynch and his brother perhaps providing some initial ideas and (I presume)
checking the final copy before it went to press.  All this is from memory
however - I'll have to track down the original article later.

I've just finished reading both "Twin Peaks books".  While I agree that they
are imaginative and alternately scary and amusing, I wonder what stock we can
put in them in terms of interpreting the series or the film (an issue which
begs a few theoretical questions).  I doubt very much whether the version of
the Teresa Banks inquiry in Cooper's "autobiography" will be consistent with
the "Fire Walk With Me" account.  The books are themselves a variation on
the television series -  interpretations "as seen by Jennifer Lynch" and "heard
by Scott Frost" - rather than an integral part of the visual texts.  Both the
"Star Trek" television series and the "Star Wars" films have produced similar
literary spin-offs, books and stories that have never (to the best of my 
knowledge) influenced later cinematic followups (which are themselves not
always consistent with the earlier films/series).  "Splinter of the Mind's Eye"
did not influence "The Empire Strikes Back" and nor, I suspect, will 
"The Secret Diary of Laura Palmer" provide a blueprint for "Fire Walk With Me".

Richard.

FYI again, I believe it's three times a week, monday, wedensday and sunday.
Please correct me if I'm wrong !

/Sture

Hi,
Somebody ask me to repost the timeline of FWWM, so i'm doing it.
(in a different post)

I would send it to the audrey.*.ftp but:

 a) i don't know how to do it (could anybody tell me, please)
 b) maybe we'd better wait until the US release, and correct & comment
    the timeline.

--Manuel@Japan

Does anyone know whether the GIF images of Sherilyns Playboy portfolio are
available on an FTP site anywhere. I know there are the ones on Audrey but
i am looking for the playboy ones in particular.

Cheers

Dave


-- -------------------------------------------------------------------------------- Dave Blackburn Everything I say and wear may be Dept. Comp Sci & App. Maths taken down and used against me. Aston University blackbdj@uhura.aston.ac.uk

I have just hooked about seven people on Twin Peaks by renting the 
first seven episodes (the first season) but I do not own copies of 
the second season.  The new Peak Freaks are about to kill me!!
Would anyone be able to send me (I'll pay of course!!) the second 
season tapes..I really need them!!!  
Please reply by email asap!!!!!!!
Thanks a bunch.....
Jim Zimmerman
jaz29707@uxa.cso.uiuc.edu

PS.  Thanks again in advance.

Greg Clow <ecurrent@zooid.guild.org> writes:
> >Regarding this discussion of TP samples in music...

Well we all know about Moby "Go."

There's a track on the Give Peace A Dance Volume 1 compilation by a group
called Sunsonic.  I can't remember the name of the song, but it features
Audrey saying "God I love this music... isn't it too dreamy?" over and over
again.  It said it was from an album called Melting Down On Motor Angel but
I haven't been able to find it...

-- Jon Drukman (finely honed machine) uunet!sco!jondr jondr@sco.com ------------------------------------------------------------------------------- Always note the sequencer - this will never let us down.

** SPOILERS **** SPOILERS **** SPOILERS **** SPOILERS **** SPOILERS **

This is a timeline for the film FWWM that
YOU SHOULDN'T HAVE BEEN READING THIS 
( oh, shut up, Bob ! )
I have used part of the script posted by st911277@pip.cc.brandeis.edu.
The movie I saw in Japan (May 16th) was a two hours and ten minutes cut.

Manuel@Japan
pece@taurus.cse.kyutech.ac.jp


=="Fire Walk With Me, Teresa Banks and the Last Seven Days of Laura Palmer"==

** SPOILERS **** SPOILERS **** SPOILERS **** SPOILERS **** SPOILERS **

PART I ( 30 minutes ) TERESA BANKS

February 1988

Opening scene: Teresa Banks' body wrapped in plastic floating through Hells 
Canyon, drifting along in Wind River.
Then it jumps to Gordon Cole at his office. He is talking on the phone  to FBI 
agent Chester Desmond, who is in the middle of an arrest (something weird with 
a school bus and children crying). Gordon tells Desmond to meet him at the 
Portland private airport. Desmond arrives and meets the other agent that will 
work on the case, Sam Stanley.  
Here is a really cool scene involving communication
between the agents using a code ( that is a girl dressed in red, "dancing").
Stanley and Desmond go to investigate Banks' murder.  
Here they have trouble with the local lawmen : sheriff Cable and
deputy Cliff Howard.
[ which was probably what prompted Cooper to have his talk with Truman in 
the first episode about who is really in charge when the bureau is called in]
At 4:30 p.m. they start Bank's autopsy. 
Stanley found the "T" under the fingernail. Teresa's ring is missing.
They  finish the autopsy at 3:30 a.m. and then go to eat to Hap's dinners.
Banks worked there for a month. They asked some questions to the waitress.
[ In some way, Deer Meadow is an "Inverted-TP" or "Black-TP : the peolpe at
the sheriff's office are nasty, Desmond's methods are not like Cooper's, 
Hap's and its fat waitress Irene are the opposite to the RR ] 
Irene to FBI agents: 
" You want to hear about our specials? (pause) We don't have any."
Following day they go to the "Fat Trout", the trailer park were Teresa lived.
They see a strange woman.
Stanley takes the corpse back to Portland.
Desmond goes back to the Fat Trout and finds a mound of dirt under a trailer.
The ring is on the mound. He takes it.

It is 16 February, 10:10 a.m.  
Here we switch to Cooper. He has come to  
see Gordon at the FBI offices in Philadelphia. He has had a dream.
He does a really funny thing with the security TV camera 
[ wait to see the movie ]

It gets really weird. There is an agent named Phillip Jeffries(David Bowie).  
He cames in. Gordon(?) says that he has been missing for two years. 
Jeffries says "We are not gonna talk about Judy" and
" I've been to one of their meetings ".
We see a dream-like scene at a convenience store.  Everyone is there:
In the foreground the Man from Another Place (Mike) and Bob sit at a 
formica table.  Behind them on plastic torn chairs huddle Mrs. Tremond and
her grandson. There is some corn, too.  One Big Woodsman with full beards 
sits quietly.  
We have more of the strange talking but they don't talk backwards
all the time. Bob : "We live inside a dream ".
The scene ends, and Jeffries is vanished again .
[and that's all the Bowie you will see]. 
Albert: "Desmond has disappeared."
Cooper is brought in. He goes to  Deer Meadow.
There was an old woman and her grandson living in the Fat Trout some
time ago. On the front window of Desmond's car someone has written, 
in red, "Let's rock".
Cooper: "Diane, I think he will kill again".

PART II ( more than 90 minutes ) THE LAST SEVEN DAYS OF LAURA PALMER

One year later.
Cooper was right.  Laura did have a bad habit.  
It turns out that that habit was very very bad.  In every scene
she takes a line or two of cocaine and any pills she can get her hands on.

17 Feb (Friday) [DAY 1]   

Morning: Donna and Laura walk to the school. 
Bobby loves Laura, Laura sees James behind Bobby's back, 
and Mike is going out with Donna.
At Donna's,  Donna and Laura talk about boys and other things.
Laura: "And the angels wouldn't help you because they are all gone away" 
Laura goes home and finds pages missing from her secret diary.  
She panicks and goes to see Harold Smith.
She tells him she thinks Bob took the pages and that Bob has been having
he since she was 12.  Laura says Bob wants to be [inside] her or 
he will kill her.

[ At the FBI office, Cooper and Albert talk about the next victim ]

18 Feb (Saturday) [DAY 2]

Shelley helps Laura with Meals on Wheels.  
Mrs. Tremond and her grandson give Laura a picture. 
It is a view of Laura's bedroom door from outside the bedroom . 
She goes home and finds Bob looking for her diary in her room.
She runs outside.  Minutes later Leland comes out of the house.  
Laura: "Oh, God. No. Not him!"
She goes to Donna's, crying.
At dinner Leland tells Laura that her hands are filthy.
"There is dirt under this fingernail. Go and wash your hands".
10:35 p.m. Mrs Palmer, smoking, and Leland in their room.
Leland cries, goes to say Laura that he loves her.
That night, the picture given to Laura as a present from Mrs. Tremond 
magically reveals the Red Room.  On a table, is Teresa's ring, 
which has symbols identical to those of Owl Cave .
Cooper tells Laura not to take the ring.
TMFAP says to Cooper " Do you know who I am?..I am The Arm..
And I sound like this..."   He makes an Indian whooping noise .
We come out of the picture and see Laura in bed.  
She wakes and looks next to her.  
She  discovers Annie Blackburn lying in bed with her.  
She has blood around her mouth and she says, 
"My name is Annie.  I've been with Laura and Dale.  The good Dale is
in the lodge and he can't leave.  Write it in your diary."  
Annie disappears and the ring is in Laura's hand. 
She opens the door to go out, and sees herself in the picture.
[ but this happens to be a dream, too]

19 Feb (Sunday) [DAY 3]

Laura wakes up. Opens her hand. No ring.
Leo abuses Shelly. Bobby phones him about a drug deal.
Leo doesn't want to deal with Bobby because he hasn't paid him $50,000,
so Bobby phones Jacques Renault.   
Nigth: Laura goes to the Bang Bang and meets the Log Lady outside.
Laura cries listenig to the song at BangBang.
Donna has followed her.
They hitch up with two truckers and go to a sort of Disco-bar cross
the border.  They see Ronette Pulaski.
Quite an "intense" scene.
Ronette and Laura talk about Teresa Banks. "It's a year since her death".
Jacques: "Come to the cabin this week, girls. Thursday".
Ronette tells Laura that Donna is doing it with one of the truckers.
Laura is afraid for Donna and gets her out of there.

20 Feb (Monday) [DAY 4]

Donna and Laura discuss last night.
Laura: "Life is full of misteries, Donna" .
Laura and Leland in his car. 
Gerard says to Laura, "It's him.  It's your father", 
but she can't hear him because Leland is making so much noise with his car.  
Leland has flashback to when he was involved with Teresa with Flesh World 
Magazine.
Leland: "Who am I?". Teresa: "I don't know". Leland: "That's good".
Another flashback : Leland sees Laura and Ronettte in a room
of the same Motel he is staying with Teresa.
Laura asks Leland if he went back home last week during the day.  
Evening: Laura has flashback and begins to put the pieces together.
Leland has flashback to when he killed Teresa Banks.

21 Feb (Tuesday) [DAY 5]

Day: Laura meets Bobby at school
Night: Bobby and Laura go into the woods to pick up drugs.
Deer Meadow deputy Cliff Howard brings the cocaine for Jacques.  
Laura grabs the coke, Cliff pulls out his gun, and Bobby shoots him
twice or three times and kills him.
[ this is somehow different to the other killing of the Diary ]
Laura: "Bobby, you have killed Mike"

22 Feb (Wednesday) [DAY 6]

Day: James goes to Laura's. He missed her last nigth. Leland watches.
Night: Sarah is drugged by Leland- sees a white horse.  
Laura snorts three lines. 
Bob enters Laura's room and puts hand between her legs.  
Bob turns into Leland. She screams and passes out.

23 Feb (Thursday) [DAY 7]

"Last morning": At breakfast table Leland asks Laura what is wrong.  
Laura says to stay away. He knows she knows and he knows what he has to do.

[ we don't see Josie's english lesson at 5:00 p.m. ]
[ we don't see how Bobby meets Leo ]
[ we don't see Leland calling Laura from Ben's office ]

"Last night": 

Laura goes to see Bobby.  
James calls at 9:30, while she is dressing for the cabin.
He comes by.  Leland sees Laura jump on his bike.  They drive.
Laura tells him that Bobby has killed someone.  
Laura screams with agony, says "James I love you" and runs away at
the corner of Sparkwood and 21.  
Laura runs to Packard Logging Road and meets Jacques, Leo, and Ronette.  
They go to Jacques' cabin.  Jacques ties Laura and Ronette up.  
Both are half-naked.  Waldo is screeching.
Jacques stradles Laura and hurts her.
Leland appears, grabs a bottle and knocks out Jacques.  Leo takes off.
Laura gets hysterical.
Philip Gerard runs like a madman up to Jacques' cabin.
Leland marches the girls through woods.  Gerard arrives too late.  
Leland and girls arrive at train car.  
Leland wraps twine around Laura's arm, bending her arms back.  
Laura sees herself turn into Bob.  Laura says,
"No, you have to kill me...No you can't have me.  Kill me."  
Gerard arrives at train car.
Ronette prays, and sees and angel in the train car .
Ronette opens the door a little, but then she is hit and
flies over Gerard and knocked unconscious.  
Gerard listens to the sounds of murder inside the car.  
Laura screams.  Knife enters flesh.  Bob screams.
Bloody knife goes through the air.  Leland screams. 
Leland/Bob lowers the plastic shrouded Laura into the river.  
Leland stumbles into Glastonbury Grove. He enters the Red Room.  
Gerard and MFAP sit facing him.  Leland stops and divides.  
One half becomes Bob. The other half floats up and becomes Leland.  
Bob reaches up and grab's Leland's wound. Bob heals Leland's wound.  
Gerard and TMFAP speak together "Bob, you're not going home without me.  
I want all my garmonbozia (corn)."

The corpse is found.

[Well that's the end of the second part]

EPILOGUE

[The part we've all been waiting for, is only a few minutes long]

Laura and Cooper are in the Red Room. 
She is sitting, and he stands by her side, with a hand on her shoulder. 
They smile and look happy.
An angel appears, floating. Laura cries of happines, and laughs.

[ close-up of Laura's face smiling. Credits ]

[ THE END ]


[NOTE: the folowing scene happens one night (day 4 or 6 or 7)

Laura is looking at a picture in her room: three children are eating
at a table, and there is an angel with them. While she is looking,
the angel disapperas from the picture.]


Well this is all. Thanks again to st911277@pip.cc.brand<eis.edu.

--Manuel@Japan

Hey, D'ya think Saab will send me some tapes with my dashpot I just
ordered from them? Please let it be true, an engine that idles, and
Twin Peaks Re-runs to add to my collection! Life is good!

--

===============================================================================
"Diane..as we know from experiments  | I do not have insomnia! I just forget 
conducted on GI's during the Korean  |             to sleep.
War, sleep deprivation is a one way  | Matt Frazer, mfrazer@skidmore.edu
ticket to temporary psychosis, and   | 5 Stevens Way Durham NH 03824
I'm working on a three day jag."     | Skidmore College Saratoga Springs 
-FBI Special Agent Dale Cooper       |          New York 12866
===============================================================================
                              Be Seeing You!
===============================================================================

ecurrent@zooid.guild.org (Greg Clow) writes:

> > Over a year ago, I saw a techno single (I assume, it LOOKED like a
> > typical techno release... cheap b&w cover, etc) called "Agent Cooper
> > Lurvs (sic) Coffee" by Twin Phreaks.  Anyone know anything about this? 

I have this and one other directly TP-related single (outside of the usual
soundtrack and Julee Cruise releases):

------------------------------------------------------------------------------
Twin Freaks: Agent Cooper Lurvs Coffee                                  [1991]

   12":1991 BE (SSR Records 12 SSR 114)
  4:57Agent Cooper Lurvs Coffee (original mix)
  5:10Agent Cooper Lurvs Coffee (loglady remix)
  6:22Agent Cooper Lurvs Coffee (moonless night remix)

------------------------------------------------------------------------------
One-Eyed Jacks: Falling                                                 [1991]

   CD5:1991 UK (RCA PD-44434)
  3:59Falling (the log lady mix) (short version)
  3:52Falling (the ronette pulaski mix)
  5:53Falling (the log lady mix)

------------------------------------------------------------------------------

They're both pretty decent; the Twin Freaks disc is pretty standard post-
new beat Benelux techno with some well-chosen samples on the A-side and a
nice dark-n-evil (almost ambient in mood) mix on the B.  The One-Eyed
Jacks cover of "Falling" is laid over a funky-drummer style beat and is
pretty good but the three versions are really close to one another -- the
log lady mixes use the "Diane, entering the town of Twin Peaks" sequence
very well in the opening (the only sample used on the single and they only
appear once per mix) but also have a weak-ass rap over the break.  The
other mix loses the rap but also loses the sample.  I've never seen either
single in a US store, and they're both almost certainly long out of print. 

There's also an excellent (if somewhat obvious) Audrey Horne sample --
"God, I love this music . . . isn't it *too* dreamy?" -- in the song
"Driveaway" by Sunsonic, which turns up on the Give Peace A Dance: A CND
Compilation album (2CD, UK 1991, CND DISARM2CD).

--
Lazlo (lazlo@triton.unm.edu)

JUST SAY NO to these witty but tedious epigrams

From "The Couch Critic" column by Jeff Jarvis in the June 20 TV Guide:

ON THE AIR
ABC, Saturdays, 9:30 PM (ET)

Watch out, world. TV's bizarre genius, David Lynch, is back with a vengeance
and with a new sitcom that makes "Twin Peaks" look plain and sane. "On the
Air" is militantly, stubbornly weird. It's a show about the making of a show
in 1957. So it looks like the movie "My Favorite Year." But it also looks
like a bad dream brought on by KGB pharmaceuticals.

Miguel Ferrer, a "Twin Peaks" find, leads the ensemble as president of
Zoblotnick Broadcasting, producer of the improbably popular "Lester Guy Show."
Lester (Ian Buchanan) is forever knowcked unconscious by falling ducks and
such. The sound-effects operator, Blinky, was blind in the pilot but now
(apparently to render him inoffensive) he has a visual disorder that makes his
eyesight resemble an MTV ad--so he hits all the wrong buttons, and guns bark.

The show's dog hates the sponsor's dog food, so he is lashed to his bowl. And
the director, Vladja Gochktch ("Laverne & Shirley"'s Squiggy, David Lander),
speaks with an indeterminate and undecipherable accent: "Can oo scram?" he
asks Marla Rubinoff, token dumb blonde. "Do you want me to leave?" she
replies, hurt. The director's English-to-English translator explains, "Mr.
Gochktch is asking if you're able to scream." "Scram! Scram!" he screams and,
finally, she does.

The pilot, about the launch of "Lester Guy," is the best episode I saw; it was
directed by Lynch and is marked with his endearing insanity. But the whole
series is strange; its jokes are proud to be dumb and its slapstick belongs on
"Ren & Stimpy." Sometime I'm not sure who's supposed to laugh--us at the show
or Lynch at us. But you'll have to admit: it is different. And that's why
we'll watch, especially in the dry, dull summertime.

This happens to be TV's best summer ever, because, as TV Guide reported, we'll
be getting as many as 25 new series. Sure, some of it is shruggable stuff.
But summertime can be filled with bold experiments, like 1968's "The Prisoner,"
another weird series that became a cult classic. I wouldn't want to meet the
cult that grows up around "On the Air," but grow it will. In my office, Couch
Potato World Headquarters, one group watched the pilot and sneered. My group
watched and howled. But nobody shrugged. And that's what makes "On the Air" a
break from the ordinary, and a perfect summer series.

# # #

And in the "Saturday Guidelines" column of the same issue:

"Twin Peaks" creators David Lynch and Mark Frost bring a similar kind of
quirkiness to the spoof "On the Air," a new summer series that takes a
behind-the-scenes look at TV broadcasting circa 1957. Unlike "Peaks," the
accent here is on broad comedy, and tonight's debut revolves around a variety
show's disastrous live premiere. Other "Twin Peaks" alumni include composer
Angelo Badalamenti, who has written a playful jazz score.

# # #
--
-------------------------------------------------------------------------------
"I lived in my head mostly." | Jim Pellmann (jgp@rational.com)
"That's not a bad neighborhood." | RATIONAL
"There were some pretty strange neighbors." | Santa Clara, California

If you are reading this, then obviously my first mailing to this conference
was a success!

Anyway, I have a couple of questions:

1) Did anyone subscribe to the TP gazzette and order any T-shirts/mugs?

2) Does anyone here know of the offer available to us UK TP video buyers ? -
   we have the oppurtunity to acquire enamel caption badges, and wacky
   caption t-shirts. Does anyone know whether these t-shirts are the same
   as the original t-shirts available through the gazzette phone number??

3) Does anyone here have a copy of the Limited edition collectible card art
   from Twin Peaks, with the 76 location/character/quotes, cards??
   - I have, but I have not talked to a fan who has acquired these.

I am trying to collect any and all TP paraphanelia..<sp?> - info appreciated.

Any feedback greatly appreciated, either through here or via email to:
jpr@cix.compulink.co.uk.
or GT Net : 050/058. (DataNET! BBS - +44245323693, 24 Hrs V32/HST)

Regards,
James Radley.


------------------------------
"I'm the sultan of sentiment"
-Albert Rosefield, Twin Peaks-
------------------------------

Hi !

sorry to use this group to find someone, but i got no chance otherwise :-(
so if your name ist not Gisbert Fanselow, pls. ignore this article...

otherwise: I got your TP tapes ready, pls. contact me, I lost your
address :-(

now we come back to our regular program.

wiljo

-- wiljo@freeside.ki.open.de "Let the void come and bring an end to the tyranny of hope"

  (1) Phillip Michael Gerard meet Al Bundy

  (2) A picture of Dale Cooper next to the FBI warning about
  pirating videotapes

From: APUCORLE@IDBSU.IDBSU.EDU
Newsgroups: rec.arts.tv
Subject: Another "On the Air" Review
Message-ID: <9206162056.AA15216@ucbvax.Berkeley.EDU>
Date: 16 Jun 92 21:47:29 GMT
Sender: daemon@ucbvax.BERKELEY.EDU
Lines: 44

This is from the latest issue of Entertainment Weekly:

ABC is dumping this new creation from Twin Peaks boys
David Lynch and Mark Frost - about the early days of
live TV - into a summertime spot that will probably
attract few viewers, which lets you know what the
network thinks of On The Air.

But what do TV networks know?  Sure, On The Air is
unfunny, but not in a stupid Who's The Boss? way -
rather, in a bizarre, so-corny-it's-surreal way.
The premise?  Each week we're shown a new episode
of The Lester Guy show, a 1957 New York variety
show hosted by Guy (Ian Buchanan, the oily Richard
Tremayne in Twin Peaks).  The Guy show is always
a disaster, full of props that fall apart, backdrops
that tip over, performers who enter on the wrong
cue.  This is due, in part, to the fact that Guy's
director, played by David L. Lander (Squiggy in
Laverne & Shirley), speaks in an unplaceable,
impenetrable accent - no one know what the devil
he's saying.

But it's also because Guy and the rest of the cast
and crew are boobs, incompetents, and fools who are
forever misunderstanding and fighting with each
other.  We are also shown the reactions of '50's
families watching Guy in their homes:  Everyone
is a happy, grinning moron.

On The Air is a one-joke sitcom that makes explicit
the message that always lurked behind Twin Peaks'
towering pine trees - that TV is stupid, and people
will watch anything.  Its undisguised contempt is
pretty enthralling.  B+

+========================+=====================================+
| Phil Corless           | Bitnet: APUCORLE@IDBSU              |
| Boise State University | Internet: APUCORLE@IDBSU.IDBSU.EDU  |
+========================+=====================================+
| "People want to know how much you care before they care      |
|  how much you know."                                         |
|                       - James F. Hind                        |
+==============================================================+

--
-------------------------------------------------------------------------------
"I lived in my head mostly."                | Jim Pellmann (jgp@rational.com)
"That's not a bad neighborhood."            | RATIONAL
"There were some pretty strange neighbors." | Santa Clara, California

Could someone post (or send to me privately) the address of the ftp site
where Twin Peaks files are kept?  Specifically, I'm looking for the file
that list possible origins of the names of characters on the show.  Any
help will be appreciated, and I'll pour the coffee next time you're in 
town...

Gary W. "where *are* those
 hickory sticks, ben?" Olson     "It's not true unless it makes you laugh,
SWEDE@DRYCAS.CLUB.CC.CMU.EDU      but you don't understand until it makes 
member - net.cultural.elite       you cry."               ("Illuminatus!")

HA!  For once we Canadians see something first!
"On The Air" was on CBC tonight at 7:30.  I just happened to be 
flipping around on the TV and saw Lynch and Frost in the opening credits!

Don't miss it folks, It's hilarious, and _very_ strange.  The final scene
had me rolling on the floor!

----------------------
Kevin Fluet
fluet@ee.ualberta.ca
----------------------

   I haven't seen Eric Da Re in the cast list.  Also we have Norma,
but not Ed  or Nadine.  I'll probably go see it, but I'm not
hopeful.

 ON THE AIR was on the air in Canada last night.  7:30 local time one CBC.
 
 The previously posted reviews have detailed the basic storyline so I 
don't think this will have any plot surprises.
 From the opening music (mellow music, interspersed with rude noises)
 my wife and I enjoyed it!
 There are a lot of sight gags/ slapstick jokes, most of which were quite
 funny. At the beginning we see the producer (I think) sitting there with
 a cup of coffee in each hand, shaking, spilling coffee ( "my nerves!, my 
 nerves!").  Later in the show the flooring under the puddle of coffee
 curls up just as a camera rolls onto it.  The camera falls over and
 as a result the viewers all have to turn their heads sideways or turn
 their TVs over..(including one family all in undershirts who may have
 been related to the Norwegian in Twin Peaks :-) )
 
 An Audrey look a like provides "translation" services for everyone it
 seems, she can understand the outrageous accent of Mr. Gochktch, the 
 silent looks from Lester Guy, even Betty the (not so) dumb blonde.
 
 Albert is back !  At least Miguel Ferrer's character in this show
 is at least as nasty, with a nasty female side-kick.
 
 Mickey and Blinky the sound effects team are hilarious.
  
 
 We were howling by the end of the show. (Like the TV Guide columnist
Jeff Jarvis).
  
          
 I think I will watch it again when it plays on Saturday night on the
American channel.
   
   Ken De Cruyenaere      U of Manitoba.

In article <Bq0vAv.7ys@ux1.cso.uiuc.edu> ceblair@ux1.cso.uiuc.edu (Charles Blair) writes:
> >   I haven't seen Eric Da Re in the cast list.  Also we have Norma,
> >but not Ed  or Nadine.  I'll probably go see it, but I'm not
> >hopeful.

Be a bit more hopeful -- he was in the script.  So were Ed and Nadine,
if I remember, but they got left on the cutting-room floor along with
Pete, Truman, Josie, et cetera.

Help!!
If anyone can supply 2nd season tapes that I could borrow I would 
really appreciate it!!!  I've hooked a bunch of friends on it here
in Cham-bana and I would like to show them the rest of this great 
series..

Jim Zimmerman
jaz29707@uxa.cso.uiuc.edu

David Lynch is supposed to be a guest on

The Tonight Show with Jay Leno

this evening.  I would imagine to talk about On The Air and FWWM.


Just wanted to spread the news.

Scott

-- - Scott Anguish - sanguish@digifix.com (NextMail)

I have everything except this episode! (VHS)

2005 = rescue of Audrey and Leland's hearing.  Not sure what
else since I onyl saw it the first time around.

Will be more than happy to send a tape to someone and
pay postage, etc.

That's all...
BBC

Did anyone see David on the Tonoght Show last night.  I thought he was  
great, and very patient with dumb questions from Jay Leno.  I was upset  
with Jay, because it seemed to me that Jay was out to make David look like  
a fool.  He should have concentrated of David's work, but instead, he  
asked David questions that would make him sound weird.  The whole time he  
kept commenting on how wacko Dave is, and never thought to ask him about  
FWWM, or anything else Dave is working on.  He mentioned On The Air for  
about 1 minute.  Does anyone else have comments ohn his appearience?

mfrazer@scott.skidmore.edu (Matthew Frazer) writes:

> >Hey, D'ya think Saab will send me some tapes with my dashpot I just
> >ordered from them? Please let it be true, an engine that idles, and
> >Twin Peaks Re-runs to add to my collection! Life is good!

Why don't you ask them :-)

Well suddenly when I had given up on Swedish television, they fixed everything
by this rerun.  This time I got to see the first two episodes which I missed
last time.  Well, it's interesting to see how all the characters are introduced
one by one in the first few episodes.  I mean when you already know them
so well.  One interesting thing is the first time Sarah sees BOB.  
(She is sitting, talking to Donna and she suddenly thinks it's Laura.  When she
hugs Donna, she sees BOB sort of crouching by Lauras bed (?)
It's interesting, knowing that Leland "had" Bob at that time, how quickly 
Leland gets there when she starts screaming.  I wonder if Lynch meant that
she was actually looking at Leland.  

A lot of other tv-shows are actually made up as they are produced. I wonder if
anyone knows how far into future episodes TP was really planned.  I mean in 
the first episodes I'm sure all this with Leland was planned but I'm not so 
sure about the later episodes, and the ending at the black lodge.  They seem 
to have been made up later on.  Any ideas??

Also when the show was first broadcast in Sweden there was quite a long 
break after Coop was shot in his hotelroom.   A lot of people even thought
that was the end of it all and it was really disappointing.  It was hard to
get any information about when it would start again.   When it started again 
it seemed a little different. Sort of like it was moving in another direction.
Was there really a break in the production of new episodes at that point or
was it just a unique thing for the Swedish broadcast?

Well all is great now when the show is back on the air, and FWWM is starting
July 3rd here.  What about in the US?

l8r,

*----------------------------------------------------------------------------*
|            Gunnar Andersson   --  d1gunnar@dtek.chalmers.se                |
|              Chalmers University of Technology, Sweden                     |
*----------------------------------------------------------------------------*

In article <12298@chalmers.se> d1gunnar@dtek.chalmers.se (Gunnar Andersson) writes:
> >mfrazer@scott.skidmore.edu (Matthew Frazer) writes:
> >
> >A lot of other tv-shows are actually made up as they are produced. I wonder if
> >anyone knows how far into future episodes TP was really planned.  I mean in 
> >the first episodes I'm sure all this with Leland was planned but I'm not so 
> >sure about the later episodes, and the ending at the black lodge.  They seem 
> >to have been made up later on.  Any ideas??

I'm bloody well sure that the show was made up as it went along.  There
was a long production break after the episode where Cooper got shot (the
time that corresponded to the break between the first and second season
of the show in America -- the first season included the pilot and the
next seven episodes, and the second season was a full year's order of
22 episodes).  As you said, at this point in the story the narrative
makes a complete left turn.  Consider:

* BOB, who had only been seen in dreams and images, starts taking a hand
in the actual plot.  Other fantasy elements like the Giant appear quite
prominently at this point.

* Donna's personality changes radically, from demure high-school girl to a
sort of junior Catwoman.

* The pacing of the episodes slows down tremendously. 

* New characters who are blatantly comic (Dick Tremayne) or melodramatic
(Jean Renault) come on the scene -- much more far-fetched than the original
regulars' characterization. 

* Andy suddenly starts acting like Gomer Pyle with a lobotomy.

It was almost a completely different show by the middle of the second
season, and it seems to me that there was almost no continuity between the
two.  In fact, at the end of the first season, Lynch was quoting as saying
that the plans for the series were very much up in the air at that point,
and that the producers had known all along who killed Laura Palmer, but
that they hadn't decided exactly how or when to reveal it.  A clear sign
that the show's writing was spread out over a lo-o-o-o-ng time.

(To open up another old debate, this lack of planning that showed up in
the second season was why I doubt that the _first_ season was well-planned
at the time of the shooting of the pilot movie.)

In article <1992Jun19.130903.19832@cs.rose-hulman.edu>, patterjd@NeXTwork.Rose-Hulman.Edu (Jeffrey D Patterson) writes:
> > 
> > Did anyone see David on the Tonoght Show last night.  I thought he was  
> > great, and very patient with dumb questions from Jay Leno.  I was upset  
> > with Jay, because it seemed to me that Jay was out to make David look like  
> > a fool.  He should have concentrated of David's work, but instead, he  
> > asked David questions that would make him sound weird. 

Well, he succeeded, but Lynch didn't exactly make it hard.  That line about
"I like home cooking, but not done in the home; cooking in the home leaves
smells in the house and a film of grease on the counters and on the walls"
was about the strangest thing I have heard OUTSIDE of one of his films.  It
was exactly like listening to Gordon Cole and his line about the chihuahua.
-- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet...

C. D. Tavares writes
> > In article <1992Jun19.130903.19832@cs.rose-hulman.edu>,  
patterjd@NeXTwork.Rose-Hulman.Edu (Jeffrey D Patterson) writes:
>> > > asked David questions that would make him sound weird. 
> > 
> > Well, he succeeded, but Lynch didn't exactly make it hard.  That line about
> > "I like home cooking, but not done in the home; cooking in the home leaves
> > smells in the house and a film of grease on the counters and on the walls"
> > was about the strangest thing I have heard OUTSIDE of one of his films.  It
> > was exactly like listening to Gordon Cole and his line about the chihuahua.
> > -- 

It sounds like David Lynch suffers from an Anxiety Disorder like OCD  
(Obsessive-Compulsive Disorder).  A number of us have talked about that around  
here, and we all agree that the idiosyncrasies he displays are almost TEXTBOOK  
for OCD.

Its true that Jay didn't really give Lynch a far shake though.  And it  
was almost word for word identical to another Lynch interview on either Tonight  
Show or Letterman.

If you want more info on OCD, let me know.

-- - Scott Anguish - sanguish@digifix.com (NextMail)

Has anybody got any gifs of the actresses from TP.?
If so could they email them to me or post them to this group..if possible.
T.

Well well fellow peakers...

Just as the new batman movie hits the nation I spent some time at a local mall
in Toledo Ohio looking for a gift for my father when I ran across a B Dalton
bookstore selling (among other things) all of the ^TP^ books for $1.00/book 

 Shortly afterward a walked into a videostore to see all of the tapes for
the first season selling for $9.75/movie  And to finish this story I ran across
 a kids t-shirt at Spencer's gifts " Twin Peaks Police"  (crest of the two
mountains in the backround) for only 97 cents!!!!!!


Life sucks......
     I wish FWWM would get to a local theater!


Cheers!


Don Kasprzak

In article <4118@transfer.stratus.com>, cdt@sw.stratus.com (C. D. Tavares) 
writes:
> >  That line about
> > "I like home cooking, but not done in the home; cooking in the home leaves
> > smells in the house and a film of grease on the counters and on the walls"
> > was about the strangest thing I have heard OUTSIDE of one of his films.  It
> > was exactly like listening to Gordon Cole and his line about the chihuahua.


This I don't remember.  What line about the chihuahua?

Terry Carroll
"My political views are something you can't know,
So vote for me, not Ross Perot" - Al Stewart

Just got through watching the premiere of On the Air,
which has got to be (IMHO) the stupidest sitcom ever
aired.... but, just about the funniest I've ever seen.
I was rolling on the floor for the last ten minutes.
_dd_

                           The ^Twin Peaks^ Timeline
                            Compiled by Edwin Nomura

This has been extensively revised since the last posting.  Changes are in almost
every episode.

     This timeline covers only events mentioned or that have taken place in  the
television  series  Twin  Peaks.   Material  from  other books or tapes has been
ignored.  There are spoilers all throughout so don't even read about an  episode
if you haven't seen the entire series and don't want spoilers.

     This version incorporates fairly  detailed  events  from  the  movie  _Twin
Peaks:  Fire  Walk  With  Me and the Last Seven Days of Laura Palmer_, so if you
don't want spoilers, then don't read.  All entries preceded by a # are from  the
movie.   My  source  for the movie is the shooting script, dated August 8, 1991.
There have been posts saying that in releases so far overseas that  many  scenes
have  been  trimmed.  Shortly after the movie is released here on Aug 28, I will
make the appropriate changes and post a final version.

     This timeline is based off of one begun by Jerry Boyajian.  Many thanks  go
to  Ed  Hughes,  David  Coufal and all others who have posted transcriptions and
summaries which I've incorporated here.

     A   copy   will    be    made    available    via    anonymous    ftp    at
audrey.levels.unisa.edu.au (130.220.16.88) in pub/twin-peaks/timeline.Z

This timeline is for private use only and may be distributed freely.


Edwin Nomura
enomura@ucsd.edu

--

1913 (approx) (Truman to Sternwood, 2005)
   -- Joshua Palmer, Leland's grandfather, brings over the family

?? (Jerry to Ben, 2008)
   -- Ben, Jerry, and Louise Dombrowski dancing on the hook rug

1959 (Will to Cooper, 2001)
   -- Elks Club fire

1962 (Will and Truman to Cooper, 2010)
   -- Dwayne Milford first runs for mayor

1965 (approx)
   -- Windom Earle may have begun searching for the Black Lodge (Cooper to
      Truman, 2021)
   -- FBI loans out Earle to the Air Force (Gordon to Cooper, 2018)
   -- Ed and Norma get together ("for 4 years," Ed to Cooper, 2001)

1969 (Briggs to Cooper, 2013)
   -- Project Bluebook officially disbanded









                                     - 2 -


1969 (approx)
   -- Bookhouse Boys formed ("going on 20 years now," Truman to Cooper, 1003)
   -- Eileen gets love letters from Ben ("20 years," Ben to Eileen, 2018)
   -- Norma runs off with Hank.  Ed and Nadine get together and marry.  On
      the honeymoon, Ed shoots out Nadine's eye accidentally. (Ed to Cooper,
      2001)

Mar ("20th anniversary," Shelly to Norma, 2021)
   -- Norma wins the first Miss Twin Peaks pageant

Apr
   -- Hank and Norma get married ("20 years ago, next month," Hank to Norma,
     1007)
   -- Norma begins working at the RR  ("20 years this April," Norma to Nadine,
     2007)

Jul (one of Jacoby's umbrellas, 1007)
   -- Jacoby's umbrella from Kahala Hilton

1974 (Cooper to Jerry, 2008)
   -- Jerry graduates last in his class of 142 from Gonzaga University

Aug (one of Jacoby's umbrellas, 1007)
   -- Jacoby's umbrella: I first lay eyes on Wimsey

?? (Audrey to Donna, 1002)
   -- Ben sings to Laura

1981 (approx) (Catherine to Pete, 2014)
   -- Eckhardt plans Andrew's death

1982 (approx) ("for 3 years," Cooper to Truman, 2014)
   -- Cooper and Earle begin playing chess everyday for three years.  Cooper
      never wins.

1983
   -- Andrew Packard brings Josie over from Hong Kong to be his wife ("6 years
      ago," Truman to Cooper, 1000)
   -- Josie's job begins ("6 years," Jonathan to Josie, 2004)

1983 (approx) (Will to Andy and Dick, 2014)
   -- Nicky born after conceived in assault.  Mother dies in childbirth.

1984 ("5 years,"  Ben to Audrey, 2007)
   -- Ben takes on as owner of OEJ

1984 (approx) ("I was 13 or 14," Donna to Harold, 2005)
   -- Donna and Laura meet Josh, Rick and Tim

1985
   -- Caroline killed while under Earle's and Cooper's assigned protection.
      Cooper is wounded and Earle is institutionalized. ("4 years ago,"
      Cooper to Truman, 2014)
   -- Jeffrey first beats Evelyn ("4 years ago," Malcolm to James, 2012)









                                     - 3 -


1986
   -- Cooper has a dream where he learns the deductive technique he exercises
      in 1002 and becomes deeply moved by the plight of the Tibetan people
      ("3 years ago," Cooper to Truman, 1002)
   -- The real Mrs. Tremond's mother dies (Tremond to Donna, 2009)

Apr 1986 (Cooper to Leo, 1003)
   -- Leo cited for an illegal U turn

1987 ("1 1/2 years," Lucy to Cooper, 2004)
   -- Andy and Lucy start going out

Aug (approx)
   -- Josie hires Hank to kill Andrew Packard but Catherine and Andrew stage
      his death in a boating accident [Truman first tells Cooper Packard
      died "last year" (1000) but later tells him it happened "a year and a
      half ago" (1001)]
   -- Hank takes the fall for the killing of an unnamed vagrant, is convicted
      of vehicular manslaughter and sent to jail

Nov (Cooper to Leo, 1003)
   -- Leo cited for a drunk and disorderly

1988
   -- Something at Mr. Blodgett's barn causes Andy to break down and cry
      ("last year," Truman to Andy, 1000)
   -- Denise discovers wearing women's clothes calms him ("last year," Denise
      to Cooper, 2011)

#Jan
#   -- Teresa moves into the Canyon Trailer Park (Teresa's file, FWWM)
#   -- Teresa rents a trailer from Mrs. Simmons (Rodd to Desmond and Stanley,
#      FWWM)
#   -- Teresa and another girl come looking for work at Hap's.  There's only
#      one opening so Teresa takes it.  Irene nevers sees the friend again.
#      (Irene to Desmond and Stanley, FWWM)

#Feb [Fire Walk With Me (movie) - 8/28/92
#     Written by David Lynch and Bob Engels
#     Directed by David Lynch]

#   "just before [Teresa's] time" (Irene to Desmond and Stanley, FWWM)
#   -- Teresa's left arm goes dead for three days

#   -- Teresa Banks' body, wrapped in plastic, floats through Hells Canyon,
#      drifting along in Wind River

#   -- Gordon's office in Portland.  He calls for Agent Chester Desmond.
#   -- Fargo, North Dakota.  Desmond and another agent are in the middle of
#      busting some prostitutes.  Desmond's car phone rings and Cole tells
#      him he's needed out west.
#   -- Airport outside of Portland.  Desmond arrives.  In the security lounge,
#      Cole introduces him to Sam Stanley.  Lil walks in, wearing a red wig,
#      and does a dance.  She makes a sour face, walks in place, puts one









                                     - 4 -


#      hand in her pocket, and makes a fist with the other while blinking
#      both eyes.  Cole says it's her mother's sister girl and holds four
#      fingers in front of his eyes.  Cole will be heading back to Philadelphia
#      today.
#   -- On the highway, Desmond explains Lil's dance to Stanley.  The sour face
#      means they're gonna have problems with the local authorities.  Both
#      eyes blinking means there's going to be trouble higher up - Desmond
#      guesses a sheriff and a deputy.  The one hand in her pocket means they
#      are hiding something and the other hand made into a fist means they are
#      going to be belligerent.  Walking in place means there's going to be a
#      lot of legwork.  Desmond figures Cole saying "mother's sister's girl"
#      means the sheriff's uncle is in federal prison.  The red wig means
#      they are headed into a dangerous situation.  Stanley noticed that the
#      dress was altered.  Desmond explains it means drugs.  There was a
#      blue rose pinned to her dress but Desmond won't explain what it
#      means.  Stanley asks about Cole's tie but Desmond says it's just Cole's
#      bad taste.

#   4:30 pm (Cable to Desmond)
#   -- Desmond and Stanley arrive at the sheriff's station in Deer Meadow.
#      The deputy, Cliff Howard, and the secretary try to get them to wait
#      around for a long time but Desmond pinches Cliff's nose and walks into
#      the sheriff's office.  Desmond demands all pertinent information
#      regarding Teresa Banks from a belligerent Sheriff Cable.  On his way
#      out, Desmond notices a framed newspaper clipping on the wall.  It
#      reads "Cable Bends Steel" and there is a picture of Cable bending
#      a steel bar into a U shape.
#   -- As Desmond and Stanley walk to the adjoining morgue, they see a pile
#      of steel bars.  Stanley figures the entire office, furniture included,
#      is worth $27,000.
#   -- At the morgue, Desmond reads Teresa's file.  She worked the night shift
#      at Hap's Truck Stop.  No one came to claim the body and no next of kin.
#      Stanley pulls out a special machine, then into his recorder, he reports
#      a crushed skull, probable cause repeated blows to the back of the head.
#      They notice that her ring is missing and Desmond doesn't find it in the
#      personal effects.  Stanley finds something under Teresa's ring finger.
#      It's the letter T.

#   3:33 am (clock on wall)
#   -- Stanley zips up Teresa in a body bag
#   -- Stanley and Desmond head out to Hap's Diner.  There in the manager's
#      office, they question the manager Jack.  Someone is working in the room
#      on a light that keeps buzzing and shorting.  He doesn't know what he's
#      doing so he pokes at the wiring.
#   -- At the counter, they question Jack's wife Irene.  Irene pours them some
#      coffee and Stanley cases the restaurant.  She says that Teresa worked
#      for a month, could never get to work on time and had a problem with
#      cocaine.  Irene never actually saw her use it, though.
#       Old guy: {gets Desmond's attention}  You talking about that little
#         girl that was murdered?
#       Desmond: You have something to tell us?
#       OG: yeah.
#       D: What?
#       OG: I can tell shit from shinola.  Gets me a long way down the road.









                                     - 5 -


      Desmond sees Stanley holding his coffee in his left hand so he asks
      him the time.  Stanley spills his coffee over himself.  Irene, about to
      go off duty, mentions that Teresa's left arm, for three days just
      before she died, went completely dead.

#   Dawn
#   -- Desmond and Stanley arrive at Canyon Trailer Court and wake up Carl
#      Rodd (he has a sign on his door, "Do not disturn before 9 a.m... ever").
#      Rodd is louder than Cole.  Desmond and Stanley look around Teresa's
#      trailer.  They find no ring.  Stanley writes into a notebook, muttering,
#      "$5600."  Desmond notices a picture hanging on the wall.  Under a
#      magnifying glass, he sees Teresa's wearing a ring in it.
#   -- After Rodd brings them some coffee, Cliff pokes his head into the
#      trailer.  He says that he lives there also and was at a party the night
#      Teresa died.
#       Desmond:  Did you know Teresa Banks?
#       Cliff:  Got a couple of cups of coffee at Hap's from her.  That's it.
#         By the way where do you get off questioning a lawman?  I could ask
#         you the same question.
#       D:  No you couldn't.
#   -- Cliff heads off to work.  Desmond bends down and finds a Titleist
#      golf ball under the trailer.

#   Midday
#   -- At the Sheriff's station, Cable won't let the FBI take the body.
#      Cable challenges Desmond to a discussion.  Desmond kicks his ass.
#   -- Stanley gets in the crime van with Teresa's body, on his way to Portland

#   Day
#   -- Desmond is back at the trailer park.  Carl points out which trailer
#      is Cliff's, then goes back into his own.  Desmond walks around Cliff's
#      trailer, then gets a strange feeling.  He looks past Teresa's trailer
#      to the edge of the park where he sees a hand appear in the window
#      of a trailer.  The hand disappears.  Desmond walks over to the trailer
#      and sees a mound of dirt with a small indentation at the top.  Teresa's
#      ring is in it.  He reaches out to touch it and disappears.

#(Thursday) (Cooper to Diane, FWWM)

#   Day
#   -- Philadelphia.
#       Cole:  EVERY SYLLABLE OF EVERY WORD IS THE SOUND OF TWO HANDS
#         CLAPPING.  IS THAT WHAT YOU SAID, ALBERT?
#       Albert:  Six to eight hands clapping.  I was referring to the
#         possibility of a little silence.
#       {The phone rings, Cole answers}
#   -- Cooper is in Diane's office, trying to figure out what she changed.
#      He's got it.  She moved the clock 12 inches to the left.  Now she
#      has to clean the coffee cup.  He goes over to Cole and Albert.
#      Cole tells him that Desmond has disappeared.

#   Day
#   -- Stanley's apartment in Spokane.  There are adding machines on
#      workbenches everywhere.  He shows Cooper his special machine then









                                     - 6 -


#      the letter he found under Teresa's fingernail.

#   4:20 pm (Cooper to Diane)
#   -- Rodd points the way to Cliff's trailer but Cooper picks up the same
#      vibe that struck Desmond and walks in the opposite direction.
#      He finds tire tracks where a trailer used to be.
#       Cooper:  Can you tell me who's trailer it was... and who stayed in
#         the trailer?
#       Carl:  An old woman and her grandson.
#       Cooper:  Can you tell me what their names were?
#       Carl: Chalfont.  Weird.  Chalfont was the name of the folks that
#         rented the space before they did.  Two Chalfonts.
#      Cooper feels something and stands.  He sees a car under a tree and
#      close to the tracks.  It's Desmond's.
#       Cooper:  {into recorder}  Diane, it's 4:20 in the afternoon.  I am
#         standing here at Wind River where they found the body of Teresa
#         Banks.  Diane, this case has got a strange feeling for me.  Not
#         only has Agent Chester Desmond disappeared but this is one of
#         Cole's Blue Rose cases.  The clues that were found by Agent
#         Desmond and Agent Stanley have led to dead ends.  The letter
#         below the fingernail gives me the feeling that the killer will
#         strike again.  But like the song says, "...who knows where or
#         when."

9 Feb (Andy to Cooper, 2001)
   -- Leo in jail in Hungry Horse, Montana

Aug
   -- Laura gets her safety deposit box ("6 months ago," clerk to Cooper, 1000)
   -- Laura begins seeing Dr. Jacoby ("6 months," Jacoby to Cooper, 1004)

Sep
   -- Leo cited for an aggravated assault.  Charges later dropped. (Cooper to
      Leo, 1003)
   -- Ernie Niles gets out of jail ("6 months," Ernie to Hank, 2008)

Oct
   -- Lucy starts seeing Dick every Thursday night ("for 3 months," Lucy to
      Dick, 2003)

Dec
   -- Laura begins seeing James ("2 months ago," Donna to mom, 1001)
   -- Laura and James are in the woods and Laura recites some poem about
      fire, and asks James "You want to play with fire, little boy?
      Would you like to play with Bob?" ("one night when we first started
      seeing each other," James to Truman, 2001)

Jan 1989
   -- Truman starts seeing Josie ("6 weeks," Truman to Cooper, 1000)
   -- Lucy and Dick have an encounter on a display bed in Horne's Home
      Furnishings ("6 weeks," Lucy to Dick, 2003)

5 Feb (Sunday) (Cooper to James, 1000)
   -- Laura and James and the locket









                                     - 7 -


6 Feb (Monday) (date at top of page in diary, 1000)
   -- "Day One" (entry in Laura's diary).

12 Feb (Sunday)
   -- The picnic ("2 Sundays ago," James to Cooper, 1001)

15 Feb (Wednesday)

   9:15 pm ("last night," Donna to Laura)
   -- James calls Donna looking for Laura

#16 Feb (Thursday) ("seven days before")

#   Morning
#   -- In Twin Peaks, Laura walks outside her house.

#   10:10 am (Cooper to Cole [Cooper incorrectly says it is the 15th])
#   -- In Philadelphia, Cooper tells Cole that he is worried about today
#      from a dream he told him about.  He then looks at the calendar and
#      checks his watch.  He walks from the room into the hallway and looks
#      into the lens of the surveillance camera.  He runs into to the
#      surveillance room and sees an empty hallway on the monitor.
#   -- In Buenos Aires, Phillip Jeffries checks into a hotel, The Palm Deluxe.
#      The bellhop picks up Jeffries' bag and they head up to his room, 612.
#   -- Cooper runs back to the hall, then back to the surveillance room.
#      The monitor shows an empty hallway.  He runs back into the hallway.
#      Behind him, at the end of the hall, a door opens and Phillip
#      Jeffries enters the hallway, headed towards Cooper, who doesn't see
#      him because he is staring intently into the camera.  Cooper runs
#      back to the surveillance room and sees on the monitor himself staring
#      into the camera, then Phillip Jeffries walking past him towards the
#      camera.
#   -- Gordon calls Cooper to his office.  Albert and Cole are staring
#      bug-eyed at Jeffries.
#       Cole:  PHILLIP!
#       Albert:  {stands up}  Phillip!
#       {Jeffries moves into the room, Cooper steps in}
#       Cooper:  Phillip?
#       Cole:  COOPER, MEET THE LONG LOST PHILLIP JEFFRIES.  YOU MAY HAVE
#         HEARD OF HIM AT THE ACADEMY.
#       Jeffries:  I'm not going to talk about Judy.  Keep Judy out of this.
#       Cooper:  But...
#       Cole:  STAND FAST, COOP.
#       J:  {pointing at Cooper}  Who do you think that is there?
#       A:  Suffered some bumps on the old noggin', eh, Phil?
#       Cole:  WHAT THE HELL DID HE SAY?  {pointing at Cooper}  THAT'S
#         SPECIAL AGENT DALE COOPER.  {focusing on Jeffries}  ARE YOU
#         OKAY, JEFFRIES?  WHERE THE HELL HAVE YOU BEEN?
#       J:  I want to tell you everything, but I don't have a lot to go on.
#         But I'll tell you one thing: Judy is positive about this.
#       A:  How interesting.  I thought we were going to keep Judy out
#         of this.
#       J:  {sits down}  Listen to me carefully.  I saw one of their
#         meetings.  It was above a convenience store.









                                     - 8 -


#       A:  Who's meeting?  Where have you been?
#       Cole:  FOR GOD'S SAKE, JEFFRIES, YOU'BE BEEN GONE DAMN NEAR TWO YEARS.
#       J:  It was a dream.  {takes Albert's arm}  We live inside a dream.
#       A:  And it's raining Post Toasties.
#       J:  NO, NO.  I found something... in Seattle at Judy's... And then,
#         there they were...  {Albert's about to say something, but Cole
#         stops him}  They say quietly for hours.
#      Flashback:
#       Six people in a large, barren, filthy room.  Cheap plastic storm
#       windows flap in the cold win.  The Man From Another Place (Mike)
#       and BOB sit at a formica table.  Behind them on plastic torn chairs
#       huddle Mrs. Tremond and her grandson.  Two big woodsmen with full
#       beards sit quietly.  [Dialogue is subtitled]
#       First woodsman:  We have descended from pure air.
#       MFAP:  Going up and down.  Intercourse between the two worlds.
#       BOB:  Light of new discoveries.
#       Mrs. Tremond:  Why not be composed of materials and combinations
#         of atoms?
#       Grandson:  This is no accident.
#       MFAP:  This is a formica table.  Green is its color.  {touches table}
#       FW:  Our world.
#       MFAP:  With chrome.  And everything will proceed cyclically.
#       Second Woodsman:  Boneless.
#       Mike:  Yes, find the middle place.
#       BOB:  {screams with anger}  I HAVE THE FURY OF MY OWN MOMENTUM.
#       G:  Fell a victim.
#       MFAP:  {raises hand}  Fire Walk With Me.
#       BOB:  {claps his hand, circle of fire appears in room}
#         Fire Walk With Me.
#       {Through the circle is the red room.  BOB crawls in, Mike yells
#       and leaps in after him.}
#       SW:  Thus time moves on.
#      Back in the FBI office:
#       J:  I followed.  {begins to cry, to himself:}  The ring... ring...
#       Cole:  {hinting}  ALBERT, I'LL TAKE THAT SECOND MINERAL WATER.
#         { Albert gets the message and leaves discreetly}  PHILLIP, LET'S
#         CALM DOWN AND GET ALL OF THIS INTERESTING STORY ON PAPER.  {into
#         intercom}  HELLO... HELLO.  {nothing but static, the wiring and
#         fluorescent lights start to hum}  LET ME HEAR SOME GOOD NEWS.  MY
#         DEVICE IS FAULTY.  WHERE THE HELL IS THE SOUND IN THIS THING?
#         {pounds intercom}  MAYDAY...
#       J:  {hearing "may," turns to look at the calendar}  May?  1989?
#       {Calendar shows 1989.  Cooper looks out of the room to see if anyone
#         is coming to help Cole.  Static grows louder.}
#       Cole:  WHAT... AM I ALONE?  {Cole turns back to Jeffries, who has
#         disappeared.  Papers from Cole's desk are sticking to Jeffries'
#         chair.}  HE'S GONE.
#       Cooper: {back into the room}  What?
#       Cole:  ALBERT, COME BACK HERE.  HE'S GONE.  CALL THE FRONT DESK.
#       A: {on phone}  I've got the front desk right now.  He never
#         was here.  No record of him entering the building... and the
#         doctors should be here any minute.
#       Cole:  GREAT.  I, MYSELF, AM GOING TO BE READY FOR THEM.
#       Cooper:  What's going on?









                                     - 9 -


#       {Albert rushes back into room}
#       Cole:  QUICKLY MEN... WORD ASSOCIATION, COOP.  WHAT ARE YOU THINKING
#         ABOUT RIGHT NOW?
#       Cooper:  Teresa Banks.
#       Cole:  Albert?
#       A:  Tylenol.
#       Cole:  WHY ARE YOU THINKING ABOUT TERESA BANKS, COOP?
#       Cooper:  It was a year ago today that Teresa Banks was killed.  I'm
#         wondering if the murderer will ever kill again.
#       Cole:  ALBERT, WHY TYLENOL?
#       A:  No offense, sir, but after a day with you it is mandatory.
#   -- Back in Buenos Aires, Jeffries is standing in the hallway of the hotel.
#      The wall behind him is seared black and smoking.  A maid whimpers,
#      trying to stave away an epileptic fit.  The bellhop turns back to see
#      Jeffries.
#       J:  {to Bellhop}  Hey... hey...
#       Bellhop:  {half crying}  Oh, Mr. Jeffries.  De shit it come out of
#       my ass!  Santa Maria, where did you go?
#   -- Cooper plays back the surveillance camera tape for Cole.
#       Cooper:  He was here.
#   -- Donna joins Laura in walking to school.  They talk about math, James
#      calling Donna last night, Laura knowing Bobby seeing someone else,
#      and Bobby being pissed because he think's Laura's seeing someone else.
#   -- Donna runs into Mike at school
#   -- James and Laura agree to meet at 2:30
#   -- Laura ducks into the bathroom to do a quick hit of cocaine.
#      Schoolbell rings.
#   -- Bobby's late to school again.  He kisses the trophy case with Laura's
#      picture in it.
#
#   2:30 pm (clock on wall)
#   -- James and Laura meet in the custodian's room.  She says she loves him
#      but it doesn't matter.  They make love on the floor.
#
#   End of school (bell ringing)
#   -- Bobby's pissed at Laura since he couldn't find her for the last hour

#   After school
#   -- Donna and Laura are eating nuts at Donna's.  Eileen rolls in to check
#      on the nuts and motors out.  They talk about James, Bobby, and Mike.
#       D:  Do you think that if you were falling in space you would slow
#         down after a while or go faster and faster?
#       L:  Faster and faster.  For a long time you wouldn't feel anything.
#         Then you would burst into fire... forever.
#   -- Laura returns home.  No one else is home.  She goes to her room,
#      lights up a cigarette, takes the cocaine out of her public diary
#      and takes a snort.  She gets out her private diary from behind the
#      dresser, ready to write in it, when she notices pages are missing.
#      She panics, taking it and running from the room.  Down the stairs,
#      she nearly collides with her mother, arms full of groceries.  She
#      asks to use the car and Sarah reminds her she'll never be a smoker
#      if she doesn't start.
#   -- Laura arrives at Harold's.
#       L:  My secret diary.  There are pages missing.









                                     - 10 -


#       H:  Who would do that?
#       L:  Bob.
#       H:  But Bob isn't real.
#       L:  The pages are gone.  That's real.
#       H:  Maybe.
#       L:  Bob is real. He's been having me since I was 12.  {Harold is
#         stunned}  The diary was hidden too well.  He's the only one who
#         could know where it was.  He's getting to know me, now.  _He's
#         real._  He speaks to me.
#       H:  What does Bob say?
#       L:  {whispering}  He wants to be me... or he will kill me.
#       H:  No... No...
#       L:  {strangely}  Oh, yes... yes...  {starts toward Harold}
#       H:  What?  Please.
#       L:  {Feeling of Bob comes over her.  She screams.  Harold steps
#         back.  Laura grabs him.}  FIRE WALK WITH ME.  {buries her face
#         in his shoulder, whispers}  The trees... the trees...  {they
#         break}  You have to hide the diary, Harold.  You made me write
#         it all down.  He doesn't know about you.  You'll be safe.  {stares
#         at him, eyes wide, suspicious}  You're not Bob are you, Harold?
#         If you are, you can kill me right now.  Kill me right now,
#         if you are.
#       H:  Laura, no.  I'm not.  I'm not Bob.  {begins to shake and cry}
#         Poor Laura.  I wish I could help you.  {holds her}
#       L:  I hate him, I hate it.  Sometimes I love it.  But now I'm
#         afraid.  I am so afraid.
#       H:  But you're strong Laura... so much stronger than I... How can
#         I help you?  I can't.  I can't even go outside.  {Laura touches
#         his cheek}  What about James?  Can't James help you?  You two
#         are so in love.
#       L:  {flat}  He's in love with a girl who's dead.  {hands him the
#         diary}  It _is_ dangerous for you to have it.  I'm sorry.
#       H:  I'm so sorry, Laura.
#       L:  {kisses him passionately}  I don't know when I can come back.
#         Maybe never.  {She leaves, out to the car, starts the car and takes
#         a snort of cocaine}

#   Night
#   -- Laura returns home to her mother setting the table.
#   -- Sarah puts the rest of the dinner at the table.  Laura is already
#      seated.  Leland enters, pretending he is a giant.  He says the
#      Norwegians are coming next week and teaches the two a little
#      Norwegian.

#  11:30 pm (clock)
#  -- Laura sneaks out of the house
#  -- A big semi comes to a stop on the highway.  Laura gets in.  She snorts
#     some cocaine then gets on top of him.  An owl hoots.

#17 Feb (Friday)

#   Day
#   -- Cooper tells Albert he feels the murderer will strike again.  He
#      predicts the victim to be a blonde woman in high school, sexually









                                     - 11 -


#      active, on drugs, and crying out for help.  He says she is preparing
#      a great abundance of food at this moment.
#   -- Nadine and Ed enter the RR for coffee while Norma sends Shelly to
#      go help Laura take the Meals on Wheels meals to the car.  As Laura
#      puts the dinners into the back of the car, she sees Mrs. Tremond and
#      her grandson in the parking lot waving for her to come over.  Laura
#      walks over, and Mrs. Tremond holds out a framed picture.
#       T:  This would look nice on your wall.
#       {Laura takes the picture.  It's of a room with flowered wallpaper
#         and a dark doorway in its corner}
#       G:  He's looking for a book with pages torn out.  He's walking
#         towards the hiding place.  He's moving under the fan right now.
#      Laura sees Shelly coming out of the RR with another load of meals.
#      She turns back to see the Tremonds walking away, unrealistically far,
#      then tells Shelly she can't do Meals on Wheels today.  Shelly goes
#      in to tell Norma she will be doing today's run.  Norma says okay, then
#      begins to cry.
#   -- Laura runs home, holding the picture.  She enters her house, moving
#      slowly, when she gets to her room, she sees Bob standing in her room,
#      having pulled out the dresser.  He smiles at her and she bolts from
#      the room.  She runs across two front yards to a big tree, crying, and
#      watches as Leland walks out of the house, into his car and drive off.
#      L:  What?  It can't be... It can't be him... no... no...
#      A woman walks over to see if she is okay.  Laura goes back into the
#      house, slowly.  Nothing.  She runs to Donna's.  They talk about
#      being friends while Doc tries to make a rose appear out of a
#      magician's handkerchief.  The trick had worked at Sparkwood and 21.
#      Eileen brings in muffins for the girls.  Leland calls for Laura.

#   Night
#   -- Laura arrives home for dinner.  Leland points out that Laura hasn't
#      washed her hands yet and looks at her fingernails, particularly at her
#      ring finger.  Leland badgers her about the half-heart necklace she
#      is wearing until Laura gets up to wash her hands.

#   10:35 pm (clock)
#   -- Leland and Sarah get ready for bed, when Leland begins to cry.  He
#      can't remember the last time he told Laura he loves her, so he goes
#      to do that.  Laura is frozen with a tear in her eye.  After he leaves,
#      she remembers she left the picture on the neighbor's lawn so she goes
#      and gets it, and puts it on her wall.
#   -- Laura dreams.
#       {Mrs. Tremond's picture.  Into the picture and through the doorway.
#       There's another room.  Mrs. Tremond is standing there, beckoning
#       us towards her and through another doorway.  Through the second
#       doorway.  Another room.  Mrs. Tremond's grandson is standing there,
#       holding his hands above him.  Into the space above his hands.
#       Ring of fire.  Into the ring of fire.  Red room.  MFAP walks into
#       the red room to a table.  A ring is there.  Cooper enters.
#       MFAP:  {to Cooper}  Is it future?  Or is it past?  Do you know who
#         I am?  I am The Arm.  And I sound like this...  {Puts his hands
#         in front of his lips and makes the Indian whooping sound, picks
#         up the ring.  It's Teresa's.  The symbols on it are identical to
#         those at Owl cave.}









                                     - 12 -


#       Cooper:  {to camera}  Don't take the ring... Laura, don't take the
#         ring.
#       {MFAP moves the ring towards us.}
#       {Laura is half awakened, tries to move her left arm, but it's
#         asleep.  She moves it with her right arm.  Sounds like someone's
#         calling her name.  She turns to her right to see Annie Blackburn
#         in bed with her, blood around her mouth.
#       Annie:  My name is Annie:  I've been with Laura and Dale.  The good
#         Dale is in the lodge and he can't leave.  Write it in your diary.
#       {Sarah calls Laura, distant, mournful.  Laura looks at the door,
#         then at her bed.  Annie's gone.  In her hand is Teresa's ring.
#         She screams.  She gets up, goes to the door, opens it.  Dark on
#         the other side.  She looks back at the picture and sees herself in
#         the doorway looking back into the darkened rooms where Mrs.
#         Tremond and her grandson were.  Laura in the picture turns around
#         and looks down at her room, sees herself asleep.}
#       {Laura wakes from the dream, looks at the picture.  Nothing.
#         Her hand.  No ring.  She throws away the picture then does some
#         cocaine.}

#18 Feb (Saturday)

#   Morning
#   -- James comes over to Laura's wondering where she was last night.
#      Leland comes out and James leaves.  Leland asks who he was.
#   -- Laura on the stairs, fan turning slowly.  Bob talks to her.  Sarah's
#      looking for a sweatshirt that Laura points out she is wearing.

#   Day
#   -- Leo shows Shelly how to scrub the floor.  He hits her and the phone
#      rings.
#       L:  {on phone}  What are you doing calling me here?...
#         No way, you already owe me money...  Five thousand to be exact.
#         {looks over to see if Shelly heard}
#       S:  {silently mouthing to herself}  Five thousand???
#   -- At the RR, Bobby gets off the phone with Leo, then calls Jacques,
#      who says he has a friend who has what Bobby wants.  Bobby writes some
#      stuff down on a napkin.

#   Night
#   -- Donna arrives at Laura's just as she is getting ready to leave.
#      Laura leaves in her mother's car.  Donna gets in hers and follows.
#      At the first stop sign, Laura takes a hit of cocaine.  Laura arrives
#      at the Roadhouse.  At the entrance, she meets the Log Lady who looks
#      like she was waiting.
#       LL:  When this kind of fire starts, it is very hard to put out.
#         {Touches her.  Laura moves in behind it.}
#       L:  {whispers}  Margaret?
#       LL:  The tender bows of innocence burn first and the wind rises -
#         then all goodness is in jeopardy.
#   -- Inside the Roadhouse, a singer sings on stage.  Laura makes eye contact
#      with Jacques behind the bar.  Laura sits.  Jacques nods to a couple
#      of bikers who come over to her with drinks.  One slides her a fifty
#      with some cocaine.  They talk rough about getting it on when Donna









                                     - 13 -


#      comes over to the table, wanting to get in on the action.  At first,
#      Laura says no, but sees that Donna is serious and lets her join them.
#   -- Tommy's driving, sitting next to a case of beer.  Laura and Donna
#      sandwich  Buck in the back.  Laura hides a hit of cocaine from Donna.
#      They start to party when Buck does an Indian whoop.  Laura flashbacks
#      to the MFAP yodelling.  Donna starts to make out with Buck.
#   -- Laura, Donna, Buck, and Tommy arrive at a border truck stop.  Laura
#      does a hit, Donna refuses when Buck offers.  Tommy pisses.
#   -- Inside the truck stop, the bartender presses a release underneath the
#      counter that allows Laura and her friends to pass through a door
#      marked, "Partyland."  They meet Jacques.  Buck drops a red depth
#      charge in Donna's drink.  A heavy metal band plays on stage.
#      Laura's topless, dancing with Buck and another friend.  Later,
#      Donna's stoned, dancing with Tommy.  She sees Laura's blouse and
#      ties it around her waist.  Ronette's here too.  She mentions it's
#      been a year since Teresa was killed and that she was gonna get rich
#      blackmailing somebody.  Jacques mentions that she even called him
#      asking what Laura's father looked like.  Laura starts to get it on
#      with Buck when she hears BOB, "See what we can do to Donna?"  Laura
#      screams at Jacques to get Donna out and at Donna to never ever wear
#      her clothes.

#19 Feb (Sunday)

#   Late morning
#   -- Church lets out
#   -- Nadine shows Ed how to skin a deer
#   -- Truman tells Josie they should go public and why he doesn't like
#      fish eyes
#   -- The OAM in a motel room, in a deep sweat, kneels in front of a circle
#      of twelve lit candles, fighting for air and struggling to hear
#      something
#   -- At the Hayward's, Donna tells Laura she can't remember last night
#   -- Leland flashbacks to Laura and Ronette sitting on a bed
#   -- Leland and Laura leave to meet Sarah for breakfast
#   -- Leland stops at a red light at Sparkwood and 21, a logging truck
#      in front of them.  Laura smells something burning.  A car that was
#      tailing them races around the logging truck and comes back around,
#      stopping on Leland's side.  It's the OAM.  Leland starts to rev
#      the engine while staying on the brakes.
#       OAM:  You stole the corn.  I had it canned above the store.
#         {Leland panics, the car slowly screeches towards the logging truck}
#         {shouting to Laura}  Miss, the look on her face when it was
#         opened.  There was a closeness.  Like the formica table top.
#         {the car smokes, making horrendous sounds, barely able to hear OAM}
#         The thread will be torn, Mr. Palmer, the thread will be torn.
#         {Leland turns to Laura, he's sweating profusely.  The OAM holds
#         up his hand with a ring on the little finger.  Leland starts
#         blowing the horn.}  It's him.  It's your father.  {Laura can't
#         make him out with the noise}
#      The light turns green and Gerard takes off.  Leland drives into a
#      service station.
#   -- Leland flashes back to himself answering Teresa's ad in Fleshworld
#      and their meeting in room 123 of the Blue Diamond City Motel.









                                     - 14 -


#   -- Leland upset that someone would accost them like that out of the blue
#   -- Leland flashes back to himself arriving at the Blue Diamond and
#      seeing Laura and Ronette on the bed.  He is about to leave but
#      Teresa catches him.  He tosses her some money and takes off.
#   -- Laura asks Leland if he came home last week during the day
#   -- Leland's flashback.  He gets a call at work from Teresa.
#   -- Leland and Laura arrive at the RR

#   8:00 pm (clock)
#   -- Laura flashbacks.  She remembers the ring the OAM had, and the one
#      the MFAP had.  It's the same.  Then she remembers being at the Blue
#      Diamond with Ronette and Teresa walking saying the guy had split.
#      She sees Teresa is wearing this same ring.  Then:
#       Laura:  {to herself}  The same ring...
#       BOB:  That's not important.  I will tell you what is important.
#         The fan will soon be starting.
#       L:  Who are you?  Who are you REALLY?
#       B:  I am the One who wants to breathe thru your nose and taste
#         thru your mouth.
#   -- Leland flashbacks to him crushing Teresa's skull

#21 Feb (Tuesday)

#   Morning
#   -- Laura eats her breakfast.  Leland reminds her it's Johnny Horne's
#      birthday.
#   -- In her room, Laura does her last line of cocaine - her packet is empty.

#   Day
#   -- Laura tells Bobby at school she needs more and they agree to meet at 11
#   -- Laura runs into James and they agree to meet later in the afternoon
#   -- Johnny's birthday at Ben's office.  Ben tries to blow up a large
#      rubber Indian.  Johnny steps in his cake.  Leland looks at Laura's
#      picture on Ben's desk.  Sylvia asks why there are no pictures of
#      her, Johnny or Audrey there.  Jerry and Leland talk about the French.
#      Jerry mentions that they love the trees more than anything.  Leland
#      mentions that Sarah's cousin is French and can't stop talking about
#      the trees around here.
#   -- At the sheriff's station, Hawk reports to Truman that Joey just
#      called.  Bernie left Canada an hour ago.  They and Andy prepare to set
#      a trap for him.
#   -- Laura arrives quietly at Ben's after Johnny's party.  He gives her
#      some cocaine.  She says she'll do more than kiss him for it.

#   10:59 pm (clock)
#   -- Bobby roars through the night, radio blasting
#   -- Laura sneaks out of the house and meets Laura two front yards away.
#      They toot up while he drives.
#   -- Pete pulls into Big Ed's Gas Farm for some gas.  Ed fills it up and
#      wipes the windshield.  There's a spot on the inside so Ed hands Pete
#      a rag.
#       Pete:  {as he cleans}  Even this heavy work beats being at home with
#         the ball and chain.
#       Ed:  Brother, I hear you talkin'.









                                     - 15 -


#   -- Bobby and Laura in the woods.  They toot up and wait.  Deputy Cliff
#      Howard shows up, saying Jacques sent him.  He pulls out a large
#      bag of cocaine.  Laura grabs it out his hand.  Cliff takes out his
#      gun and Bobby shoots him.  Three times.  An owl hoots.
#   -- Laura at home, on the stairs.
#       BOB:  _I_ want to kill thru you.
#       Laura:  {stops cold on the stairs, lookin up at the fan}  No.
#       B:  I want you to kill _for me_.
#       L:  No.  Never.  You'll have to kill me.
#       B:  I want you to kill _for me_.

22 Feb (Wednesday)

#   Day
#   -- At school, Bobby shows Laura the $10,000 they were going to use to
#      pay for the drugs th night before.  He gives it to her, she's to put
#      it in her safety deposit box.
#   -- Out in the woods, Bobby discovers the coke is baby laxative
   -- Maddy feels Laura's in trouble (Maddy to Donna and James, 1005)

#   Night
#   -- Laura in her room tooting up.  Jacoby calls.  She says she has already
#      made two tapes.
#   -- Leland gives Sarah a glass of milk.  After she finishes it, he walks
#      into the hallway and hits the fan switch.  Laura freezes.  Sarah
#      nods, sees the white horse and falls asleep.  Laura, on her bed,
#      pressed up against the headboard, sees BOB appear in the window and
#      enter the room.  He moves on top of her, hand between her legs.
#      She fights, holding his face, trying to see it.  BOB becomes Leland.
#      She passes out.
   -- Laura writes in her secret diary (Donna to Cooper, 2009)
        February 22.  Last night I had the strangest dream. I was in a
        red room with a small man, dressed in red, and an old man
        sitting in a chair.  I tried to talk to him.  I wanted to tell
        him who BOB is, because I thought he could help me.  But my
        words came out slow and odd.  It was frustrating trying to talk.
        I got up and walked to the old man.  Then I leaned over and
        whispered the secret in his ear.
        Somebody has to stop BOB.  BOB's only afraid of one man.  He
        told me once.  A man named Mike.  I wonder if this was Mike in
        my dream.  Even if it was only a dream, I hope he heard me.  No
        one in the real world would believe me.

23 Feb (Thursday)

#   Morning
#   -- Laura gets ready for school.  She tells Leland to stay away from her.
#      He knows she knows and he knows what he has to do.
#   -- She goes to school.  The day is a blur.

   After school
   -- Ronette's parents think she went to work at the perfume counter but
      she had in fact quit (Hawk to Cooper, 1002)










                                     - 16 -


   5:00 pm (Josie to Cooper and Truman, 1001)
   -- Laura arrives at Josie's for her English lessons

   6:00 pm ("an hour later," Josie to Cooper and Truman, 1001)
   -- Laura leaves Josie's.  L: I think now I understand how you feel about
      your husband's death.

   Early evening
#   -- Sarah and Laura at dinner.  Laura says she hates asparagus.  Sarah
#      says Ben asked Leland to stay late to plan for the Norwegians.
   -- Last entry in Laura's diary:  "Nervous about meeting J. tonight."
      (She remarks about having asparagus for dinner again, 1000)
   -- Laura writes in her secret diary (Donna to Cooper, 2009)
        February 23.  Tonight is the night that I die.  I know I have
        to because it's the only way to keep BOB away from me.  The
        only way to tear him out from inside.  I know he wants me.  I
        can feel his fire.  But if I die he can't hurt me anymore.
   -- Bobby meets with Leo and gives him $10,000 (Bobby to Mike, 1001)
   -- Leo calls Shelly ("last night," Shelly to Bobby, 1000)
   -- Ben is with Catherine (Ben to Jerry, 2008)
#   -- Laura arrives at Bobby's.  Bobby tells her it was baby laxative.
#      She says she's out and Bobby gives her some.  She leaves.
#   -- Lucy over the intercom tells Truman that Josie called thinking she
#      heard a prowler

   9:00 - 9:30 pm
   -- Laura returns home from Bobby's.  (Sarah Palmer tells Truman she last saw
      Laura when she got home about 9:00, 1000).  Bobby answers yes when
      Cooper asks him, "she was studying at your house until about 9:30.
      Isn't that right?", 1000)

#   9:30 pm (clock)
#   -- Laura says goodnight to her mother, then does three lines of coke in
#      her room
#   -- James calls [Albert confirmed, however, that the one call Laura
#       received was placed from Ben's office, 2009], she says they'll meet
#       in 15 minutes.  She does another line of cocaine then swallows some
#       pills.
#   -- Laura sneaks out of her house. (James to Cooper, 1001) She sees
#      Leland come home and hides.  Leland gets out of the car and looks
#      right where Laura is hiding.  She can't tell if she's spotted.
#      Leland goes inside.  James arrives and she gets on his bike as Leland
#      watches out the front window.

   10:00 pm
   -- Leland calls Laura from Ben's office (Cooper to Truman and Albert, 2009)

#   Night
#   -- James and Laura stop at a clearing in the woods.  They talk bitterly
#      about love.  Laura mentions Bobby killed someone and that even Donna
#      doesn't know her.

   12:30 pm
#   -- Laura jumps off James' bike at Sparkwood and 21, cries, "James, I love









                                     - 17 -


#      you," and runs off (James to Cooper, 1001)
   -- Laura meets up with Ronette, Leo, and Jacques at the Packard Logging
      Road.

   12:00 - 4:00 am
   -- Estimated time of Laura's death according to the preliminary autopsy
      (Doc Hayward to Cooper and Truman, 1001)
#   -- At Jacques',  everyone is high.  Laura is tied up, though she's
#      screaming against it tonight.  Ronette is also tied up.  Waldo pecks
#      at her, and Leo puts a OEJ chip in her mouth and says, "Bite the
#      bullet, baby."  Leland appears at the window, unseen.  Leo wants some
#      of Laura and Jacques wants some of the bourbon, but Leo holds the
#      bottle tight.  Jacques decks Leo, grabs the bottle and heads outside.
#      Leland trips, grabs the bottle and knocks it over Jacques' head.
#      Leo hears the crash and comes outside to see Jacques bleeding.
#      [Jacques thinks Leo hit him, Jacques to Cooper, 1007]  Leo
#      panics and takes off for his corvette.  Leland goes inside.  His
#      smiling eyes are on Laura as he rapes Ronette.  Laura is hysterical.
#   -- At her cabin, the Log Lady listens, her tattoo burning beet red
#   -- Leo marches the two tied up girls through the woods.
#   -- Out of breath, the OAM arrives at the cabin, too late.  He can hear
#      screams.  OAM:  Bob, I can hear you singing.
#   -- At the train car.
#       {Leland hauls the two girls inside and shuts the door.  Completely
#         quiet.  BOB and Leland going in and out like breathing.  Girls
#         shuddering as he circles them.  He ties Laura up with the twine,
#         bending the arms back.}
#       Laura:  {whispers}  Are you going to kill me?
#   -- Gerard tearing through the woods
#   -- Train car.
#       {Leland hoists Laura up so that she hovers facing the floor a foot
#         off it.  He places a mirror directly under her face.  In the mirror,
#         Laura sees herself turn into BOB.  Leland screams.
#       Leland:  DON'T MAKE ME DO IT.
#       Laura:  NO, YOU HAVE TO KILL ME.
#       Leland:  I always thought you knew it was me.
#       Laura:  {to BOB in the mirror}  NO!  YOU CAN'T HAVE ME.  {to Leland}
#         KILL ME.
#       Gerard: {arrives outside, bangs on the door} LET ME IN.  LET ME IN.
#         {Ronette pushes it open a little with her feet, Gerard reaches up
#         to help her when she flies over his head, having been hit.
#         Ronette hits the ground, head bent back at an odd angle.  Gerard
#         listens to the sounds.  Laura screaming.  Knife entering flesh.
#         BOB screaming.  Bloody knife through air.  Leland screaming.
#         Gerard leans in, takes a look, steps back laughing, yells at BOB}
#         THAT'S HIS OWN DAUGHTER YOU'RE KILLING.  {Laughs, runs away.
#         Leland stumbles out, with Laura wrapped in plastic.  His shirt is
#         puffed out, a bloody towel inside.
#   -- Leland lowers Laura into the river
#   -- Leland at Glastonberry Grove.  He pulls the diary pages out of his
#      pocket and drops them and the towel.  He enters the circle beyond
#      the curtains.  Gerard is just leaving the other side of the room.
#      Leland walks through the red room down a corridor into the red room
#      again.  Gerard and the MFAP are sitting side by side in a chair









                                     - 18 -


#      facing him.  Leland stops and divides.  One half becomes BOB,
#      the other floats up abd becomes Leland, transparent.  BOB reaches
#      up and grabs Leland's wound, healing it.  Gerard and the MFAP in
#      unison [subtitled]:  BOB, you're not going home without me.  I want
#      my garmonbozia.
   -- James rides around the rest of the night (James to Donna, 1000)

24 Feb (Friday)   [Episode 1000 (pilot) - 4/8/90, 8/5/90
                   Written by Mark Frost and David Lynch
                   Directed by David Lynch]

   5:00 am (Betty to Sarah)
   -- Bobby goes running

#   Dawn
#   -- At high tide, Laura's body floats up to and bumps against logs

   "Just after dawn" (Truman to Bobby)
   -- Josie at the mirror
   -- Pete Martell discovers Laura's body:  "She's dead...wrapped in plastic"
      He calls Truman.
   -- Truman and Doc Hayward identify the body as Laura Palmer's.  Andy
      takes pictures and breaks down and cries.
   -- Sarah can't find Laura.  She calls the Briggs' and the football coach.
   -- Audrey gets in a car for school
   -- Ben and Leland have meeting with Norwegians.  Ben mentions he has
      information that the sawmill will go belly up within a year.
   -- Leland receives news about Laura.
   -- Heidi's late to work at the RR.
        S: What kept you, Heidi?  Seconds on knockwurst this morning?
        H: I couldn't get my car started.
        S: Too busy jump starting the old man, huh?
        B: I thought you Germans were always on time.
        N: I thought the only time you cared about, Bobby, was making time.
      Leo called Shelly from afar last night so Bobby takes her home.  Leo's
      home so he drops her off and takes off.
   -- Leland makes a positive ID of Laura's body
   -- At Twin Peaks High, Audrey changes her shoes, and James meets Donna
      J: "Nice day for a picnic."  Bobby arrives at school and is wanted in
      the office.  In class ("Terry Franklin... Martha Grimes..."), Donna
      notices Laura's empty seat after a cop talks to the teacher.  Bobby's
      in room 107.
   -- Bobby is questioned, then arrested
   -- Principal Wolchezk makes the announcement.  Students grieve.

   Mid-morning
   -- Truman questions Sarah.  Hawk is gathers items out of Laura's room.
      Truman gets the message that Ronette is missing
   -- Josie has Pete "push the plug" and makes an announcement that work
      will stop today in memory of Laura.  Catherine fires Fred Truax.
   -- Ronette is found wandering along the tracks

   10:00 (approx) (Nadine to Ed)
   -- James stops at Big Ed's Gas Farm.









                                     - 19 -


        J: Laura's dead.
        E: I heard.
        J: She was the one.
      James has a note for Donna.  Nadine
      sends Ed off to get the drapes ("They said those drapes would
      be ready by 10") at Gentleman Jim's (Nadine to Norma, 1001)

   11:30 am (Cooper to Diane)
   -- Cooper enters Twin Peaks (He had lunch at the Lamplighter Inn)

   2:46 pm (clock on wall)
   -- Cooper meets Truman and reminds him that he is in charge.  They check
      on Ronette.  She was raped several times, and Cooper finds nothing under
      her fingernail.  Truman to Cooper: "as far as we know, [Ronette and
      Laura] hardly knew each other."  Ronette: "no, don't go there"
   -- Cooper and Truman take an elevator with a one-armed man.  Dr. Jacoby
      meets and tells them he wants to go to the morgue.  Truman
      says no.  Jacoby also says that Laura's parents didn't know she was
      seeing him.
   -- Cooper and Truman check on Laura.  Cooper finds an "R" under Laura's left
      ring finger and mentions that he knew he would see this again.  He tells
      Diane to give this to Albert, not Sam.
   -- Donna comes to Big Ed's Gas Farm looking for James.  Mike comes by to
      get Donna but Ed kicks him off the property.  Nadine yells at Ed about
      the drapes and Ed gives Donna James' note for her.
   -- Cooper and Truman investigate Laura's diary.  There's a safety deposit
      box key and a bag with what looks like cocaine residue.  C: Diane, I'm
      holding in my hand a small box of chocolate bunnies.
   -- Andy and team find the train car
   -- Cooper and Truman question Bobby.  Cooper doesn't think he did it and
      shows the picnic video to him.  Bobby says he didn't do drugs and
      thinks a moment when Cooper mentions the letter J.

   3:45 (clock on wall)
   -- Audrey walks into the Norwegians' meeting.  She mentions Laura's death.
   -- Bobby and Mike talk about going after a biker.  Lucy overhears.
   -- Cooper questions Donna.  She says some hiker shot the picnic video.
      He wants to know who she's protecting.
   -- Lucy is about to tell Cooper what she overheard from Bobby and Mike, but
      he already knows - the person they're looking for is a biker.
   -- James with the locket on a thong

   4:00 pm (approx)
   -- "The Norwegians are leaving!" (one of Ben's employees tells the
      concierge Ben would be back by 4:00 for the final signing of the deal
      with the Norwegians and Ben arrives as the Norwegians are leaving)

   4:10 pm (Cooper to Diane)
   -- Cooper and Truman at the train car.  They find the necklace, on a chain,
      with half of the heart and a note, "Fire, walk with me."
   -- James with the locket on a thong
   -- Sylvia tells the nurse to tell Johnny that Laura won't be coming back

   Late afternoon









                                     - 20 -


   -- Cooper and Truman at the bank.  Inside Laura's safety deposit box are
      over $10,000 and a copy of Fleshworld with Ronette's picture in it.
   -- Leo finds two kinds of cigarette butts in the ashtray and threatens
      Shelly
   -- Norma calls Ed.  They agree to meet at the Roadhouse at 9:30.

   Early evening
   -- Town meeting where Cooper addresses the community leaders.  He says that
      one year ago, almost to the day, in the southwest corner of the state,
      a girl by the name of Teresa Banks was found dead and because of
      "irrefutable similarities," he believes that same perpetrator killed
      Laura and almost killed Ronette.
   -- Leo calls Mike looking for Bobby and wanting the other half of the
      money ("yesterday," Mike to Bobby, 1001)

   9:30 pm (approx) (James to Donna in note)
   -- Donna sneaks out after overhearing her parents talk about the necklace.
      Harriet works on her poem.
   -- Mike and Bobby arrive at the Hayward's looking for Donna.  Doc discovers
      she is missing.  The boys head for the Roadhouse.
   -- Doc calls Cooper and Truman who are staking out the Roadhouse about
      missing Donna.
   -- Ed and Norma talk about leaving their respective spouses for each
      other. Cooper and Truman see Mike and Bobby arrive, then Donna.
      Truman calls for backup.  Fight breaks out, Joey Paulson takes Donna to
      meet James.  Ed gets his ass kicked by Bobby.  His drink was drugged
      and the bartender was Jacques Renault. (Ed to Cooper, 1001)
      Jacoby follows Leo but loses him and instead follows Joey and Donna.
      (Jacoby to Cooper, 2001)  Cooper and Truman pursue but lose Joey and
      Donna.  James and Donna talk about Laura.  He says Laura mentioned
      something about a guy getting killed. They kiss, then bury the locket.
      James is arrested.
   -- Doc picks up Donna at the station.  James is put in a cell.

   12:28 am (Cooper to Diane)
   -- Truman and Cooper have coffee and donuts.  Truman recommends the
      Great Northern for Cooper.
   -- Bobby and Mike bark at James.  Bobby: "When you least expect it."
   -- Truman meets Josie, has been seeing her for about 6 weeks
   -- Catherine tells Ben on the phone that Truman is with Josie again, and
      they agree to meet to talk about it.
   -- Sarah has a vision of the locket on a thong dug up by person
      unknown
   -- Jacoby digs up the locket (Jacoby to Cooper, 2001)

   4:00 am (Nadine to Norma, 1001)
   -- Nadine thinks up of the idea of using cotton balls to make her drape
      runners silent

25 Feb (Saturday)   [Episode 1001 - 4/12/90, 8/11/90
                     Written by Mark Frost and David Lynch
                     Directed by Duwayne Dunham]

   6:18 am (Cooper to Diane)









                                     - 21 -


   -- Cooper's up and describes the room to Diane

   6:50 am (approx) (Cooper tells Diane he'll breakfast in about half-an-hour)
   -- Cooper goes to breakfast, where he meets Audrey

   Morning
   -- Cooper rattles off the day's schedule to Truman, who's stuffin' his face
      with a donut.  C: "Harry, I really have to urinate!"
   -- Cooper and Truman get autopsy results from Dr. Hayward.  He couldn't
      bring himself to do the autopsy himself.
   -- Shelly discovers Leo's shirt soaked with blood and hides it
   -- Cooper and Truman question James.  He says Laura jumped off his bike
      at Sparkwood at 21 last night.  He flashes back on Feb 5 when Laura
      broke the locket.
   -- Leo can't find his shirt
   -- Mike and Bobby talk in jail cell about Leo
   -- The Donna and Laura picnic video

   10:30 am (Donna to Eileen)
   -- Donna to mom: Laura's been seeing James for 2 months.  Donna is sad but
      happy.
   -- Cooper meets Ed and gets a call from Albert.  Truman and Ed discuss the
      stakeout.  Ed thinks his drink was drugged at the Roadhouse.  The
      bartender was Jacques Renault.
   -- Norma runs into Nadine buying cotton balls at the general store
   -- James released into Ed's custody, Mike and Bobby released

   "Just barely morning" (Pete to Josie)
   -- Cooper and Truman talk to Josie.  Catherine calls Josie to tell her
      shutting down the mill the day before cost $87,000.  Pete: There was
      a fish... *in* the percolator.
   -- Catherine meets Ben.  They plan to torch the sawmill.

   Afternoon
   -- Donna visits the Palmers.  Sarah has a vision of Laura on Donna, and
      killer BOB

   Late afternoon/early evening (exterior shot is dark)
   -- Hawk questions the Pulaskis, spots one-armed man
   -- Ben confronts Audrey about her involvement with the Norwegians leaving
   -- Bobby and Major Briggs have words over dinner.  Briggs socks Bobby
      when he lights up.
   -- Cooper and Truman talk to Norma about Laura's involvement with the Meals
      on Wheels program, and the Log Lady says her log saw something the night
      Laura died.
        C: Can I ask her about her log?
        T: Many have.

   Later in evening
   -- Leo cuts open a football then beats up Shelly over the lost shirt
      when she gets home
   -- James has dinner at the Haywards'
   -- Jacoby listens to tape from Laura, takes out the locket on a thong
        "Hey what's up doc?  It's Laura Palmer, in case you haven't guessed.









                                     - 22 -


        I'm making you another one of these tapes, which, as you already know,
        I've mailed to you in one of the envelopes you gave me.  It's
        Thursday the 23rd and I'm so bored.  Actually, I'm in kind of a weird
        mood.  God, James is sweet, but he's so dumb.  I should've met you
        a long time ago, Dr. Jacoby, 'cause right now I can take just so much
        of sweet.  I just know I'm gonna get lost in those woods again tonight.
        I just know it.  Remember me telling you about that mystery man?
        Well -
   -- Bob Lydecker assaulted outside a bar in Lowtown, a section of Twin Peaks
      (Truman to Cooper, 1004)

[Episode 1002 - 4/19/90, 8/18/90
Written by Mark Frost and David Lynch
Directed by David Lynch]

Saturday evening (continued)
   -- Jerry Horne gets back from Paris with some baguettes.  Ben tells him
      about the Norwegians leaving and Laura's murder.  They go to OEJ.
   -- Mr. and Mrs. Hayward hit the sack
   -- Ben and Jerry at OEJ.  Ben wins the coin toss for the new girl.
      Blackie:  "When you really want love, you'll find it waiting for you."

   Midnight (clock at Haywards')
   -- James and Donna have their heart-to-heart
   -- Hawk calls Cooper, tells him that Ronette recently quit at the perfume
      counter at Horne's and about seeing the OAM
   -- Person unknown (Audrey, 1003) slips a note under Cooper's door ("Jack
      with one eye")
   -- Bobby and Mike meet with Leo in the woods.  Bobby sees someone with Leo.
      Not all of the coke is in the football since Bobby and Mike don't have
      all the money - Laura had the other half.  Leo mentions Laura's wild
      life and Shelly's infidelity.  Leo: "Leo needs a new pair of shoes!"
   -- Nadine is up all night working on her silent drape runners (Nadine
      to Ed, 1002)

26 Feb (Sunday)

   Morning
   -- Ed drops grease on Nadine's drape runners.  Nadine's arms bend back.
   -- Cooper prepares for his rock/bottle experiment
   -- Shelly turns off a commercial for "Invitation to Love" and Bobby visits
   -- Ed comes into the RR for a cup of coffee
   -- Cooper teaches Truman, Hawk, Andy and Lucy about Tibet.
   -- Rock/bottle:
                             1 "James Hurley, secret boyfriend"
                !            2 "Josie Packard, was instructed in English by
                U3             Laura."  Bottle wobbled slightly.
              !---!          3 "Dr. Lawrence Jacoby, Laura's psychiatrist."
              2   !            Bottle was struck but did not break.
              !   !          4 "Johnny Horne, Laura was his special education
       !----! !   ! !--1-!     tutor."   Rock hit trash can.
       !    ! !   ! !    !   5 "Norma Jennings, she helped Laura organize the
       !    ! !   ! !    !     Meals on Wheels program."
                5            6 "Shelly Johnson, waitress at diner, friend."









                                     - 23 -


                               Rock hit tree, then Andy.
                             7 Jack with one eye.  No rock thrown.
                             8 "Leo Johnson, husband of Shelly, drives a truck,
                               connection with Laura unknown."  Bottle struck.

   Late morning (after church)
   -- Donna meets Audrey at the RR who puts a tune on the juke.  A: "God,
      I love this music.  Isn't it too dreamy?"

   Afternoon ("Are we going to have to stand here all afternoon?"  Albert to
              Lucy)
   -- Cooper and Truman examine the bloody rag.  Hawk found it 1/2 mile from
      the train car.  [Albert later says Hawk found it 5 miles away, 2001]
   -- Albert and team arrive.
        A: What the hell kind of a two-bit operation are they running out
          of this treehouse, Cooper?
        C: Albert, this is Sheriff Truman.
        A: I have seen some slipshod backwater burgs, but the place takes
          the cake.  What are we waiting for?  Christmas?!  We've got work to
          do damnit!  They're putting this girl in the ground tomorrow and
          we wasted half the day traveling out here to the middle of nowhere.
        C: Albert, I suggest you and your team should get started.
        T: I'll have one of my men escort you over to the morgue.
        A: That'd be fine.
        C: Results from the local pathologist lab.  {hands Albert the report}
        A: {examining it}  Welcome to amateur hour.  Looks like an
          all-nighter boys.
        T: Albert, got a minute?  {draws Albert aside}  I hear that you're
          real good at what you do.
        A: Yeah, that's correct.
        T: Well, that's good.  'Cause normally if a stranger walked into
          my station talkin' that kinda crap, he'd be lookin' for his
          teeth two blocks up on queer street.

   Night
   -- Nadine ecstatic about her now-silent runners
   -- Pete and Catherine talk.  Pete sneaks safe key to Josie and she finds two
      ledgers there.
   -- Leland has a breakdown to the strains of Glen Miller.  Sarah: What's
      going on in this house?!
   -- Cooper dreams:
      A series of sudden images, as if illuminated by a strobe light with
      darkness in between:
        Cooper in a chair, the dwarf
        Laura's mother running downstairs [from 1000]
        BOB at foot of Laura's bed
        A bloody cloth [in the railroad car?]
        Laura dead
        BOB crouched at Laura's bed  [Sarah's vision]
      The One-Armed Man:
        [As written in the script.  Some have said the closed caption differs]
        Through the darkness of futures past,
        The magician longs to see,
        One..chance...out..between two worlds...









                                     - 24 -


        Fire...walk with me.
        We lived among the people -- I think you say convenience store?
        We lived above it.  I mean it like it is, as it sounds.  I too
        have been touched by the devilish one; tattoo on the left shoulder.
        Ah, but when I saw the face of God, I was changed.  I took the
        entire arm off.  My name is Mike.  His name is BOB.
      BOB, crouched in some room full of clutter (tantalizingly
      unrecognizable metal objects) like an attic or basement.  He looks
      around and says:
        Mike?  Mike?  Can you hear me?  [he turns to look at the camera]
        Catch you with my death bag!
        You may think I've gone insane, but I promise I *will* kill again!
      A small mound of dirt with a gold necklace on it, surrounded by a
      ring of twelve candles.  A puff of wind; the candles blow out.
      An older Agent Cooper (in his 50s or so) is sitting in a red-carpeted,
      red-curtained lounge.  Laura Palmer is sitting a few chairs away from
      him, dressed in a slinky black dress and looking very elegant.  There
      is a strange scraping noise - a distorted silhouette of a person,
      backlit against a doorway -- it seems to be shuddering somehow -- the
      scraping noise gets faster.  Suddenly the distorted silhouette turns
      around.  It's The Little Man From Another Place.  The scraping sound
      was him rubbing his palms together.  He's got a cheerful, wide smile,
      and he says (in twisted, reversed backwards English):
        Let's rock!
      He sits in one of the chairs.  There is a pause.  A black shadow drifts
      slowly over the red curtains, over their heads. Laura puts one finger
      next to her nose, looking significantly at Cooper.  Then:
      LMFAP: [to Cooper]  I've got good news.  That gum you like is going to
        come back in style.  [noticing Cooper staring at Laura]  She's my
        cousin.  But, doesn't she look almost exactly like Laura Palmer?
      Cooper: [to LMFAP]  But she is Laura Palmer.
        [to Laura]  Are you Laura Palmer?
      Laura: [arching her back weirdly]  I feel like I know her,
        but sometimes my arms bend back.
      LMFAP: She's filled with secrets.  Where we're from, the birds sing a
        pretty song, and there's always music in the air.
      Slow jazz music begins to play.  The Little Man From Another Place
      stands and starts a jerky dance.  Laura stands, crosses to Cooper,
      kisses him, and whispers something in his ear.
    -- Cooper jerks awake, with his special Cooper Cowlick pointing straight
         up.  He calls Truman and says he knows who killed Laura Palmer -
         but it can wait till morning.

week of Feb 27 ("last week," Shelly to Bobby, 2007)
   -- Shelly takes in a pair of Leo's boots for repair.  There's a tape
      in the heel.

27 Feb (Monday)   [Episode 1003 - 4/26/90, 8/28/90
                   Written by Harley Peyton
                   Directed by Tina Rathborne]

   7:15 am (Cooper to Diane)
   -- Cooper meets with Audrey over breakfast and chat about OEJ and Laura.
      He then tells Truman and Lucy about his dream. [In actuality, he









                                     - 25 -


      describes the ending to the European version]:
      C: Harry, let me tell you about a dream I had last night.
      T: Tibet?
      C: No... you were there. Lucy, so were you.  Harry, my dream is a code
        waiting to be solved.  Break the code, solve the crime.
      L: Break the code, solve the crime...
      C: In my dream, Sarah Palmer has a vision of her daughter's killer.
        Deputy Hawk sketched his picture.  I got a phone call from a
        one-armed man named Mike. The killer's name was BOB.
      T: Mike and Bobby?
      C: No, different Mike, different BOB.  They lived above a convenience
        store.  They had a tatoo: Fire Walk With Me.  Mike couldn't stand
        the killing anymore, so he cut off his arm.  BOB vowed to kill
        again, so Mike shot him.  Do you know where dreams come from?
      T: Not really.  L: No, no.
      C: Acetylcholine neurons fire high voltage impulses into the forebrain.
        These impulses become pictures, the pictures become dreams - but
        no one knows why we choose these particular pictures.
      T: So what was the end of this dream?
      C: Suddenly it was 25 years later.  I was old, sitting in a red
        room.  There was a midget in a red suit and a beautiful woman.  The
        little man told me that my favorite gum was coming back into style and
        didn't his cousin look exactly like Laura Palmer, which she did.
      T: What cousin?
      C: The beautiful woman.  She's filled with secrets; sometimes her arms
        bend back; where she's from, the birds sing a pretty song, and
        there's always music in the air.  The midget did a dance, Laura
        kissed me, and she whispered the name of the killer in my ear."
      T: Who was it?
      C: I don't remember.
      T, L: Damn.
      C: Harry, our job is simple - break the code, solve the crime.

   -- Fight at the morgue - Ben and Doc Hayward won't let Albert continue with
      his autopsy
      Albert: Mr. Horne, I realize that your position in this fair
        community pretty well guarantees venality, insincerity, and a rather
        irritating method of expressing yourself.  Stupidity, however, is not
        a necessarily inherent trait.  Therefore, please listen closely - you
        can have a funeral any old time.  You dig a hole, you plant a coffin.
        I, however, cannot perform these tests next year, next month, next
        week or tomorrow - I must perform them now.  <drill noise--VEEP
        VEEP!> I've got a lot of cutting and pasting to do, gentlemen, so
        why don't you please return to your porch rockers and resume whittling.
        {puts glasses on, starts up the drill, about to drill Laura's head}
      Doc: That does it, I'm taking charge of the body and you don't touch
        Laura from this moment on.  {pulls the drill plug}
      A: {whips off the glasses, grabs Doc}  The hell you -
      {Truman and Cooper arrive as Ben intervenes}
      C: Gentlemen, gentlemen!
      T: What's going on?
      D: Thank God.
      A: Cooper, this old fool is obstructing an investigation.  Cuff 'im.
      D: He won't release Laura's body for the funeral - he's not human.









                                     - 26 -


      T: What's the holdup?
      A: Please Cooper, I do not suffer fools gladly and fools with badges
        never.  I want no interference from this hulking boob, is that clear?
      T: I've had just about enough of your insults.
      A: Well I've had enough of uh, morons and halfwits, dolts, dunces,
        dullards and dumbbells, and you chowderhead yokel, you blithering
        hayseed, you've had enough of me?
      T: Yes, I have.  {socks Albert}

   Mid to late morning (?)
   -- Cousin Madeleine arrives to the strains of "Daddy!" on ItL
   -- Norma is told of Hank's pending parole
   -- Cooper and Truman talk to Leo
   -- Bobby and father have words again

   12:27 pm (Cooper to Diane)
   -- Cooper and Truman leave for the funeral after Albert's autopsy report
      Laura was tied up twice, two kinds of twine.  It was cocaine in her
      diary, waiting on the toxicology report.  Traces of soap at the back
      of her neck.  Died of numerous cuts.  Plastic fragment found in
      stomach (portion of OEJ chip with the letter J, fax from Gordon to
      Cooper, 1004).  Cooper won't sign Albert's report of Truman punching him.
   -- Ed and Nadine have a quiet moment.  James declines to go to the funeral.
   -- Audrey checks on her family through a peephole.  Ben and Sylvia fight
      over whether or not to take Johnny to the funeral.  Dr. Jacoby comforts
      Johnny.

   Early afternoon
   -- Laura's funeral.  James and Bobby fight.  Leland freaks out.

   Evening (full moon)
   -- Shelly demonstrates Leland's coffin ride
   -- Truman, Hawk, and Ed talk to Cooper about someone running drugs into
      Twin Peaks, and about a sort of evil out in the woods
   -- Cooper meets the Bookhouse Boys (Truman, Ed, James, Joey, Hawk) and they
      question Bernard Renault at the Bookhouse.
   -- Jacques calls Leo for help.  Shelly hides the gun.
   -- Catherine eavesdrops on Josie and Truman.  Josie shows Harry the safe,
      but one of the ledgers is missing.  Catherine has it.
   -- Cooper meets Jacoby at the cemetery
   -- Josie raises the possibility to Truman of Andrew having been murdered
   -- Cooper talks with Hawk about spirits and Laura at the Roadhouse, then the
      two take a drunken Leland home.

28 Feb (Tuesday)   [Episode 1004 - 5/3/90, 9/1/90
                    Written by Robert Engles
                    Directed by Tim Hunter]

   Morning
   -- Bernard Renault makes bail (Truman to Cooper)

   Day
   -- Andy sketches BOB from Sarah Palmer's description.  She, at Leland's
      insistence, then describes her vision of someone digging up the necklace.









                                     - 27 -


      Donna's thinking.
   -- Lucy watches ItL
   -- Cooper questions Jacoby
   -- Gordon calls Cooper.  Andy shows the BOB sketch to Cooper.
   -- Hawk tracks down the OAM to the Timber Falls motel, where at the
      same time, Ben and Catherine are having a rendezvous, and are being
      staked out by Josie.  Catherine says the bogus ledger has the mill
      turning a profit, and tells Ben where the real one is.  She picks up
      a OEJ chip Ben drops.
   -- Cooper and the boys arrive.  Andy drops his gun and it goes off.  They
      question Philip Michael Gerard.  His suitcase is full of shoes and he
      says he lost his arm in a car accident and his tattoo said "Mom" (Bob?).
   -- Audrey gets Donna to agree to help her find Laura's killer
   -- Norma goes to Hank's parole meeting, who's sporting a 3:3 domino
   -- Cooper and the boys visit the Lydecker Clinic and confiscate files
   -- Bobby has rendezvous with Shelly and she gives him Leo's bloody shirt
   -- Cooper, Truman, Hawk and Andy practice in the shooting range.  Lucy's
      mad at Andy.
   -- James runs into Madeleine Ferguson at the RR diner, after speaking with
      Donna on the phone

   5:00 pm (approx) (parole board'll call about 5)
   -- Norma gets a call from the prison.  Hank is being paroled.
   -- Ben talks to Jerry about some Icelanders, then Audrey talks to Ben about
      learning the family business by starting work at the department store.
      Someone (Leo) calls Ben to meet him in half an hour.
   -- A fax arrives from Gordon with a reconstruction of the plastic piece
      found in Laura's stomach.  Andy comes across the file on Waldo, a mynah
      bird belonging to Jacques Renault.  The cops race to Jacques' apartment.
      They find Leo's bloody shirt there, planted by Bobby.

   5:30 pm (approx) ("meet me in 1/2 an hour," Ben to Leo)
   -- Ben meets Leo by the river and they make plans about setting fire to the
      mill.  Bernard's body is lying on the ground. Leo confesses to killing
      him and reports that frere Jacques is hiding out in Canada.
      Leo tapes this conversation. (tape, 2008)

   Evening
   -- James and Donna go to the buried necklace and find it missing.  An owl
      watches.  Donna talks James out of going to the police.

   12:50 am (clock on table)
   -- Pete chats with Josie and retires.  She gets a call from Hank.

01 Mar (Wednesday)   [Episode 1005 - 5/10/90, 9/8/90
                      Written by Mark Frost
                      Directed by Lesli Linka Glatter]

   4:28 am (Cooper to Diane) (full moon)
   -- Cooper is woken up by singing Icelanders

   Morning
   -- Cooper meets Audrey in the hotel restaurant
   -- Ben and Jerry discuss the Sons of Odin.  Jerry's got a leg of lamb.









                                     - 28 -


   -- Cooper meets Truman and Andy at Jacques' place.  The blood on Leo's shirt
      is determined to be AB-.  It doesn't match Laura's but matches Jacques'.

   9:14 am (clock on wall)
   -- Lucy's out sick (Cooper to Lucy, 1006)
   -- Nadine is off to the patent office in Fairville
   -- Bobby has breakfast at Shelly's.  Andy comes looking for Leo.  Leo calls.
   -- Norma drops by Ed's and they agree to cool their relationship for awhile
   -- Audrey has her job interview at daddy's store
   -- James and Donna meet.  His dad was a musician who ran off and his mom's
      an alcoholic.
   -- Cooper discovers Laura's ad in Fleshworld
   -- Madeleine meets with James and Donna at the RR and agrees to help them
   -- Hank, now out on parole, shows up at the RR to start work.  Shelly
      watches ItL.
   -- The Briggs family goes to see Dr. Jacoby.  Jacoby asks if Laura laughed
      and Bobby cried after the first time they had sex.  Bobby says Laura
      made him sell drugs so she could get them.
   -- Cooper, Truman, Hawk, and Doc Hayward go hiking:
      As they approach the cabin, a crow lands on a nearby branch and
      eyes them.  The Log Lady appears and the crow caws.
      LL:   "It's about time you got here."
        {To no one in particular} "They move so slowly when they're not
         afraid.  Come on, then, my log does not judge."
        { They follow her inside. }
      LL:   "I've got tea.  I've got cookies.  No cake."
      Coop: "That's very kind ma'am, but I don't believe..."
      Hawk: "What kind of cookies?"
      LL:   "Sugar.  The owls won't see us in here."
      Doc:  "A cup of tea would be very nice."
      LL:   {To HST & Coop} "Shut your eyes and you'll burst into flames."
      HST:  {Strolling to the table} "Thanks Margaret."
      LL:   "We'll let it steep."
        { All sitting at the table.  Coop goes for a cookie, and Margaret
        slaps his hand. }
      LL:   "Wait for the tea.  The fish aren't running."
      HST:  "You've been expecting us, Margaret?"
      LL:   "You're two days late, but that's you're concern.  My log saw
        something, something significant."
      HST:  "What did your log see?"
      LL:   "Tea first.  Then be ready."
        "My husband was a logging man.  He met the devil.  Fire is the devil
        hiding like a coward in the smoke."
      Doc:  "It was the day after the wedding, wasn't it Margaret?"
      Hawk: "The wood holds many spirits, doesn't it Margaret?"
      LL:   {Gesturing with log to Coop} "You can ask it now."
      Coop: "What did you see that night - the night Laura Palmer was killed."
      LL:   "I'll do the talking."
        "Dark.  Laughing.  The owls were flying.  Many things were blocked.
        Laughing.  Two men.  Two girls.  Flashlights pass by the woods over
        the ridge.  The owls were near.  The dark was pressing in on her.
        Quiet then.  Later, footsteps.  One man passed by.  Screams.
        Far away.  Terrible.  Terrible.  One voice."
      Coop: "Man or girl?"









                                     - 29 -


      LL: "Girl.  Further up over the ridge, the owls were silent."
      { As they leave on the way to discovering Jacques' cabin, the crow leaves
      the branch it has been on all this time and follows, landing on a branch
      when they stop once again.  We get a close-up of its blinking eye.       }

   4:00 pm (cuckoo clock)
   -- Cooper, Truman, Hawk, and Doc find Jacques' cabin and discover clues
      given to Cooper in his dream - music, red drapes, twine, blood, OEJ
      chip missing the J portion.

   Evening
   -- Party at the Great Northern for the Icelanders.  Ben and Catherine meet
      in private, Audrey eavesdrops.  Catherine confronts Ben about the OEJ
      chip, slaps him 3 times, says lets burn the mill now.
   -- Leland freaks out to music
   -- Madeleine calls Donna.  She found a tape of Laura's.
   -- Back at the party, Ben surreptitiously meets with Josie.  She found the
      ledger where he said it would be.  Ben: "we can proceed.  Tomorrow
      night."
   -- Leo gets home and is beat up by Hank.  "I told you to mind the store, not
      open up your own franchise."  Leo gets pissed at Shelly who shoots him.
   -- Cooper arrives back at his room to find Audrey in his bed

[Episode 1006 - 5/17/90, 9/8/90
Written by Harley Peyton
Directed by Caleb Deschanel]

Wednesday evening (continued) (1/2 moon)
   -- Cooper has a talk (and that's all) with Audrey

02 Mar (Thursday)

   Morning
   -- Andy arrives at the station.  Lucy won't talk to him and gets a call from
      a doctor.
   -- Cooper, Truman, and Doc Hayward are trying to get Waldo to speak
   -- Hawk shows up with a forensics report on Jacques' cabin and says that
      Jacques is now working as a dealer at OEJ.  There were definitely 3
      guests at Jacques' cabin - Laura, Ronette, and Leo.

   Afternoon
   -- Leo spots Bobby arriving at his house to see Shelly.  She tells him she
      shot Leo.  Leo then takes off when he hears on the police band radio
      about Waldo.
   -- Maddy, Donna, and James listen to the tape that Maddy found.
        What's up doc?  Just a few words before I go to sleep.  I feel
        like I'm gonna dream tonight.  Big bad ones, you know?  The kind
        you like.  It's easier talking into the recorder.  I guess I feel
        like I can say anything.  All my secrets - the naked ones.  I know
        you like those, doc.  I know you like me too.  That'll be my little
        secret, okay?  Just like your little coconut.  Why is it so easy
        to make men like me?  And I don't even have to try very hard.
        Maybe if it was harder -
      They plot to get the missing tape (2/23) they believe Jacoby has.









                                     - 30 -


   -- Audrey and another girl, Jenny, are working the perfume counter at
      Horne's.  Audrey hides in manager Emory Battis' office to listen in on
      his conversation with Jenny concerning her sideline work at OEJ.
   -- Cooper receives his ear plugs (Cooper to Diane, 1007)

  12:10 pm (clock on wall)
   -- At the RR Diner, Hank palms a lighter that a customer left, and
      has thoughts about Big Ed after a talk with Shelly.  Truman comes in with
      Cooper and warns Hank to keep clean.
   -- Audrey gets Black Rose's number from Jenny
   -- Nadine is home watching "Invitation to Love" and feeling miserable
      because the patent attorney she went to didn't like her drape runner
      idea.  Ed comes in, comforts her, and encourages her to keep trying.
   -- Truman stops by Josie's and asks about her being at the Timber Falls
      Motel on Tuesday.  She tries to deny it but then tells him about Ben and
      Catherine and about overhearing Catherine's plan to burn the mill.
   -- Letter from Harold to Donna (Look into the Meals on Wheels) arrives at
      the RR (Norma to Donna, 2001)

   Evening (Cooper to Truman)
   -- Truman and Ed rendezvous with Cooper at the hotel.  Truman tells Cooper
      about Josie's problem.  Cooper seems suspicious.  Audrey shows up looking
      for Cooper just as they leave.
   -- Mr. Neff, an insurance agent, shows up at Catherine's about an unsigned
      policy.  Josie was to get $1,000,000 upon Catherine's death.  Neff
      offers to help Catherine.
   -- Catherine finds her bogus ledger missing
   -- Audrey leaves a note under Cooper's door and notices an Asian man
      (Tojamura's assistant) checking in a couple of doors down from Cooper
   -- Leo shoots Waldo and drives off, but not before Waldo's last words are
      recorded.  "Laura, Laura, don't go there.  Hurting me, hurting me.  Stop
      it, stop it, stop it.  Leo, no, Leo no."
   -- Cooper and Ed show up at OEJ posing as "Fred and Barney" and meet
      Blackie.  Ed craps, Cooper jacks.
   -- Maddy sneaks out, though she is seen by Leland, to meet James and Donna.
   -- Ben and Jerry eat ice cream, then Jerry goes off with the Icelanders to
      OEJ for a signing party for the Ghostwood deal
   -- Ben calls Josie about Catherine.  Josie says she'll "get Catherine there"
      and that it is "planned for tonight."
   -- Audrey meets Blackie.  She ties a cherry stem into a knot with her
      tongue, and is hired at OEJ
   -- Jacques relieves the previous dealer at the blackjack table where Cooper
      is playing
   -- Dr. Jacoby is watching ItL on tv when he gets a call from "Laura." At the
      gazebo, Maddy, disguised as Laura, is waiting with James and Donna
      and Bobby is watching them. The whole tableaux is being watched by a
      mysterious heavy breather.
   -- Jacoby takes off to find out what's going on with "Laura" while James and
      Donna sneak into his office to search for the missing tape.  Bobby has
      followed them there and sticks a bag of cocaine in James' gas tank.

[Episode 1007 - 5/23/90, 9/15/90
Written and directed by Mark Frost]










                                     - 31 -


Thursday evening/Friday morning (continued)
   -- James and Donna enter Jacoby's place, find paper umbrellas, the (slightly
      different) missing tape and half the locket on a chain
   -- Jacoby, watching "Laura" is beaten by person unknown (Leland).  He smells
      scorched engine oil (Jacoby to Cooper, 2003)
   -- Audrey meets with Blackie and notices Cooper on a monitor
   -- Cooper talks with Jacques, sets him up.  Jacques says the bird had a
      thing for Laura.  Leo put a chip in Laura's mouth while the bird was
      attacking her and said, "bite the bullet, baby."
   -- Leo kidnaps Shelly
   -- Jacques arrested, struggles, is about to shoot Truman when Andy shoots
      him
   -- Bobby, Maddy, Donna listen to the tape, as Will takes off for a
      hospital emergency.
        "Hey what's up doc?  It's Laura, in case you haven't guessed.  It's
        Thursday the 23rd and I'm so bored.  Actually, I'm in kind of a weird
        mood.  God, James is sweet, but he's so dumb.  And right now I can only
        take so much of sweet.  Hey, remember that mystery man I told you
        about?  Well, if I tell you his name then you're gonna be in trouble.
        He wouldn't be such a mystery man anymore, but you might be history,
        man.  I think a couple of times he's tried to kill me.  But guess what?
        As you know, I sure got off on it.  Isn't sex weird?  This guy can
        really light my F-I-R-E.  He's a red corvette... Uh oh, here comes mom
        with milk and cookies.  Later, Lawrence.  Bye bye."
   -- Leo prepares to burn the mill with Shelly tied up in it.  Timer set for
      one hour.
   -- Nadine writes a note and takes pills
   -- Hank receives $90,000 from Josie for the job 18 months ago.  He says
      doing business with someone is for life and slits both their thumbs.
   -- Catherine is upset.  She can't find the ledger.  She deviously asks for
      Pete's help.
   -- Ed, Hank, and Andy tell other deputies what happened within earshot of
      Lucy.  Andy makes his move and she announces she is pregnant.
   -- Lucy receives call from "Leo" (Bobby) to check out James.  "He's an easy
      rider."
   -- Cooper and Truman question Jacques.  He was in the cabin with Leo, Laura,
      and Ronette.  He and Leo had fought and had hit him with a whisky bottle.
   -- Hayward tells Cooper and Truman that Jacoby said he saw Laura
   -- Catherine gets a call from Hank.  "It's at the mill, what you're looking
      for."
   -- Hank tries to sweet talk Norma

   3:25 am (clock on wall)
   -- Ed finds Nadine unconscious.  He calls for an ambulance. The address is
      422 Riverside.
   -- Lucy gives message to Cooper and Truman from Leo (Bobby).  Leland asks
      Truman about a suspect.
   -- James gives Cooper Laura's tape.  Cooper tells him Jacoby is in the
      hospital and confronts him about the cocaine found in his gas tank.
   -- Icelanders (Einar Thorson) sign the Ghostwood contract
   -- Ben tells Hank to proceed
   -- Bobby goes to see Shelly, is attacked by Leo, who is shot by Hank
   -- Catherine finds Shelly and frees her.  Fire starts.
   -- Leland kills Jacques.  Jacoby sees him. (Jacoby to Cooper, 2003)









                                     - 32 -


   -- Pete goes into burning sawmill after Catherine
   -- Ben signs the contract and goes to see the new girl (Audrey)
      "Close your eyes. This is the stuff as dreams are made of."

   4:37 am (Cooper to Diane)
   -- Cooper returns to his room, notices the quiet, picks up a note addressed,
      "My special agent," receives a phone call from Andy and is shot by person
      unknown.  It's Josie (2016).
   -- Briggs receives the message "The owls are not what they seem" ("around
      the time I was shot," Cooper to Briggs, 2002)

03 Mar (Friday)  [Episode 2001 - 9/30/90
                 Written by Mark Frost
                 Directed by David Lynch]

   Early morning (4:45? am)
   -- Room service waiter delivers Cooper's warm milk, hangs up phone on
      Andy.  "I've heard about you."
   -- The Giant appears:
      G: "I will tell you three things.  If I tell them to you and they come
        true, then will you believe me?"
      C: "Who's that?"
      G: "Think of me as a friend."
      C: "Where do you come from?"
      G: {Shaking head} "The question is: where have you gone?"
         "The 1st thing I will tell you is: There's a man in a smiling bag."
      C: "Man in a smiling bag..."
      G: "The 2nd thing is: The owl's are not what they seem.
          The 3rd thing is: Without chemicals, he points."
      C: "What do these things mean?"
      G: "This is all I'm permitted to say.  Give me your ring.  I will
        return it to you when you find these things to be true."
      {Takes Coop's ring} "We want to help."
      C: "Who's we?"
      G: "One last thing.  Leo locked inside Hungry Horse.  There's a clue at
        Leo's house.  You will require medical assistance."
   -- Jerry gives heroin to Blackie
   -- Audrey evades Ben, Jerry calls him away: Brother Ben, we got an S-N-A-G.
   -- Cooper tells Diane things he'd like to've done until Andy, Hawk, and
      Truman arrive

   7:45 am
   -- Lucy updates Cooper. Truman and Doc Hayward are present.
      C: Doc, when the will is invoked, the recuperative powers of the physical
         body are simply extraordinary.  Just give me a couple of hours to
         get dressed.
   -- Shelly, in her hospital bed, cries for Bobby

   Morning
   -- Cooper sees Jacques' body wheeled away in a bag
        C: Is that bag smiling?
        Truman: Smiling?
        Lucy: What's there to smile about?
   -- Ronette has a vision, "Laura..."









                                     - 33 -



   Day
   -- Sarah asks Maddy if she misses Beth (her mom).  Maddy describes her
      dream (the rug) and Leland sports a new 'do, singing Mairzy Doats:
        Mairzy doats and dozy doats
        and little lambzy divy.
        A kiddly divy, too, wooden shoe?
        Now if the words sounds queer,
        and funny to your ear,
        a little bit jumbled and jivy,
        Sing:
        Mares eat oats and does eats oats
        and little lambs eat ivy.
        A kid'll eat ivy, too, wouldn't you?
      Maddy sees something in the rug.
   -- Ben and Jerry talk.  Ben wants to know about Catherine and Leo's status.
      Leland arrives, singing Mairzy Doats.  The brothers dance.
   -- Cooper determines what happened at Leo's.
      C: Sheriff, get your mind off Shelly - for a moment.
      Hawk finds a tarp smelling of gasoline.  Albert and team arrive.  Andy
      steps on a board and walks like a chicken, underneath are a pair of
      Circle Brand boots and cocaine.
      A: And it's another great moment in law enforcement history.
   -- "Hot _damn_, that pie's good!"
   -- Maddy meets with Donna at the RR and gives her Laura's shades that she
      wanted and breaks her own.  They agree to "keep it quiet."
      D: Maybe the sun won't go up tomorrow if you wash your hair.  Think
         like that and you're gonna go crazy.
      Norma gives Donna a letter that got to the RR "yesterday:" Look into
      the Meals on Wheels.  The log lady spits out her gum.
   -- Albert examines Cooper: "You were shot by a right handed person 5 foot
      6 to 5 foot 10 inches tall at a distance of less than 3 feet."
      Cooper tries to get Albert to open up to the locals.
      A: After the square dance, maybe we can all take a hayride.
      Andy reports that Leo was in jail in Hungry Horse, Montana on 2/9/88.
      A: Where do they keep his water dish?
   -- The OAM arrives at the station to "sell shoes" to Truman (to Lucy)
   -- Truman questions James.  Cooper demands and gets the locket on a thong
      from James.
      C: Jacoby!  I didn't figure he had anything to do with this at all.
         Sometimes, you just get lucky.
   -- Donna arrives at the station in Laura's shades, smoking and meets
      James in his cell.
      J: When did you start smoking?
      D: I smoke every once in a while.  Helps relieve tension.
      J: When did you get so tense?
      D: When I started smoking.
   -- Cooper has Andy and Lucy look through the back issues of the last three
      years of Fleshworld for Teresa Banks.
      C to D: Diane, just received the back issues of Fleshworld.  Good work.
              It's nice to see some cooperation with the law especially from
              a company that preys on human weaknesses.
   -- Hayward examines Jacoby, who's reeling from the hospital food.  Cooper
      and Truman arrive.  Cooper confronts Jacoby with the locket on a thong:









                                     - 34 -


      I don't want any baloney, magic tricks or psychological mumbo jumbo.
      Jacoby said the night after Laura died, he followed Leo, lost him,
      saw and followed James and Donna and dug up the locket.
      J: Laura was, was in fact, no she was living a double life.  Two people.
         Yeah, but then, then when I saw her that last time, she
         I dunno, she seemed to've reached a kind of peace with herself.  Now
         I believe that what she in fact, she had arrived at was the decision
         to end her life.
      T: Are you saying Laura wanted to die?
      C: Doctor, Laura Palmer did not commit suicide.
      J: No, no, but maybe she allowed herself to be killed.
      Jacoby smelled scorched engine oil the night before.
   -- Bobby visits Shelly, brings her flowers
   -- Cooper, Truman, and Albert spot Bobby in the hospital.  A: Sheriff
      Truman, to see this kind of investigative genius at work is just a
      real treat for me.
      They meet Ed in the hall.
      Ed: I never believed in fate, Agent Cooper.  Always felt, you make your
          own way, you take care of your own, and you pick up after yourself.
      Albert: Farmer's Almanac?
      Cooper: Albert, I would like to speak to Ed.
      Truman: Albert, I'll buy you a cup of coffee.
      Ed tells his tale of how he was with Norma but married Nadine and
      shot her eye out accidently on their honeymoon.  James drops by.  Cooper
      sees the smiling bag.  Albert goes to check in at the Great Northern.
   -- Pete is disgusted by the hospital food
   -- Norma visits Shelly in her room, then sees Ed caring over Nadine
   -- Bobby runs into his father at the RR:
      MB: "Bobby, may I share something with you?"
      BB: "Okay."
      MB: "A vision I had in my sleep last night, as distinguished from a
        dream, which is mere sorting and cataloguing of the day's events by
        the subconscious.  This was a vision, fresh and clear as a mountain
        stream, the mind revealing itself to itself.  In my vision, I was on
        the veranda of a vast estate, a palazzo of some fantastic proportion.
        There seemed to emanate from it a light from within, this gleaming,
        radiant marble.  I'd known this place.  I had in fact been
        born and raised there.  This was my first return.  A reunion with the
        deepest well-springs of my being.  Wandering about, I noticed happily
        that the house had been immaculately maintained.  There'd been added
        a number of additional rooms, but in a way that blended so seamlessly
        with the original construction, one would never detect any difference.
        Returning to the house's grand foyer, there came a knock at the door.
        My son was standing there.  He was happy and carefree, clearly living
        a life of deep harmony and joy.  We embraced, a warm and loving
        embrace, nothing withheld.  We were, in this moment, one.  My vision
        ended and I awoke with a tremendous feeling of optimism and
        confidence in you and your future.  That was my vision of you.  I'm
        so glad to have had this opportunity to share it with you.  I wish
        you nothing but the very best in all things."
      BB: "Thank you Dad."
      Bobby appears moved.  Hank asks Briggs how the pie was and salutes him.
   -- Norma won't talk about Shelly and Bobby recognizes Hank as he who
      shot Leo.









                                     - 35 -


   -- Cooper and Albert tell their theory of what happened on 2/23:
        C: The night Laura Palmer was killed, it appears she made 2
           appointments.  In her diary, she had written, "Nervous about
           meeting J. tonight."  I now believe this was a reference to James
           Hurley.  She was nervous because she planned to tell him she
           didn't want to see him anymore.  Before she snuck out of the
           house, she received a phone call.
        A: We believe it was Leo Johnson making a second appointment
           for some time later that night.
        C: Laura met James, was with him until 12:30 when, at the intersection
           of Sparkwood and 21, she jumped from the bike and ran into
           the woods.  We believe that it was there that she met up with
           Jacques Renault, Leo Johnson and Ronette Pulaski.  Together
           they drove to the foot of the trail leading to Jacques' cabin.
           They climbed the trail, they were heard passing by the cabin of
           the Log Lady.  They reached Jacques Renault's cabin at approximately
           1 am.  Drugs and alcohol were consumed.  Laura was tied up
           and had sexual relations with both Leo and Jacques.  Waldo the
           bird was let out of his cage and attacked Laura.  Leo and
           Jacques fought.  Jacques went outside and passed out.  When he
           came to, Leo and the girls were gone.  We believe Leo hiked
           back down the trail to his Corvette alone, leaving the girls behind.
        A: The reason being, there was a third man.
        C: Deputy Hawk found evidence of a third man outside the window
           of Jacques' cabin.
        A: The third man took Laura and Ronette to the train car, where
           they were tied up.  Laura for the 2nd time, Ronette for the 1st.
        C: Using a blunt object, the killer hit Ronette and knocked her
           unconscious.  He must've been so intent on killing Laura, he
           didn't realize that Ronette regained consciousness and escaped.
        A: He either didn't know or he didn't care. He made a small mound
           of dirt and put the half heart necklace of Laura's on top.  He
           then placed a small cut out letter R under the nail of her
           left ring finger.  You'll recall he placed the letter T under
           the fingernail of Teresa Banks.  He, uh, left a note written in
           blood, "Fire, walk with me."
        C: Here's the interesting thing.  The blood on the note was tested.
           It doesn't match Leo's, Jacques', Laura's or Ronette's.
        A: So we surmise the killer wrote the note in his own blood.  It's a
           rare type, AB negative.  The towel that Deputy Hawk found five
           miles down the tracks was soaked in blood of that type.  He
           also found, near the towel, scraps of faded paper.
        C: The scraps may have been left by the killer.  They'll be sent
           back to Washington DC for testing.
        {Andy cries}
        A: I know, Andy, I know, I know, I know.  It's what we call a real
           three hanky crime.
        Andy: Albert Roserfelt.  I don't like the way you talk smart about
              Sheriff Truman or anybody.  You just shut your mouth! {Exits}
        C: Laura Palmer is dead.  Jacques Renault is dead.  Ronette
           Pulaski and Leo Johnson are in comas.  Waldo the bird is dead.
           This leaves only the third man.
   -- Truman gives Pete a ride home. P: This smoke inhalation is nasty
      business.  I feel like somebody taped my lips to the tailpipe









                                     - 36 -


      of a bus.
      Josie left a note; she went to Seattle, she goes shopping every 3
      months.  An Asian man calls, asking for her, then he makes a collect
      call to Hong Kong.
   -- Ben and Jerry meet with Hank.  Hank confirms he put Catherine in the mill
      and they hope to frame the arson on her and Leo.
   -- Audrey meets with Blackie, who's not pleased with her not satisfying the
      owner
   -- Andrew helps out Catherine to survive (Catherine to Pete, 2014)

   Night
   -- Donna calls Norma about taking over Laura's Meals on Wheels route.
      She'll use the RR station wagon.
   -- At the Hayward Supper Club, Gersten plays the piano and Harriet
      recites a poem:
        "It was Laura
        And I saw her glowing.
        In the dark woods,
        I saw her smiling.
        We were crying
        And I saw her laughing.
        In our sadness,
        I saw her dancing.
        It was Laura
        Living in my dreams.
        It was Laura.
        The glow was life.
        Her smile was to say
        It was all right to cry.
        The woods was our sadness.
        The dance was her calling.
        It was Laura
        And she came to kiss me goodbye."
      Donna sits on her hands. Leland sings "Get Happy" and collapses.

   11:55 pm (Cooper to Diane)
   -- Cooper goes to bed.  C to D: I'm dog tired.  A man can only go long
        without submitting to a period of rest.  For as we know from experiments
        conducted on American GI's during the Korean War, sleep deprivation
        is a one way ticket to temporary psychosis.  And I'm working on a
        3 day jag.
   -- Audrey prays for Cooper
   -- The Giant returns:
      G: "Sorry to wake you."
      C: "I'm not dreaming."
      G: "I forgot to tell you something."
      C: "You were right about the smiling bag."
      G: "The things I tell you will not be wrong.  Better to listen then to
        talk."
      C: "I believe you."
      G: "Don't search for all the answers at once.  A path is formed by
        laying one stone at a time.  One person saw the third man.  Three have
        seen him, yes.  But not his body.  One only.  Known to you.  Ready now
        to talk.  One more thing: you forgot something."









                                     - 37 -


      C: "What?"
      { Flash of green gets zapped into Coop. He lies alone in the dark,
      blinking.  }
   -- Ronette has a vision.  Train car, BOB with dead Laura and the mound
      of dirt.  BOB running, teeth clamping down.  Laura screaming, BOB
      pounding.  Laura dead, BOB laughing.

04 Mar (Saturday)   [Episode 2002 - 10/6/90
                     Written by Harley Peyton
                     Directed by David Lynch]

   Morning
   -- Cooper talks to Albert about Tibet over breakfast:
      C: Buddhist tradition first came to the land of snow in the fifth
        century AD.  The first Tibetan came to be touched by the Dharma was
        King Hathatha Rignamputsan.  He and succeeding generations came to be
        collectively called the Happy Generations.  Now some historians place
        them in the Water Snake Year, two-thirteen AD; others in the year
        of the water ox 173 AD.  Amazing isn't it?  The Happy Generations.
      A: Agent Cooper, I am thrilled to pieces that the Dharama came to King
        Hohoho, I really am, but right now I am trying hard to focus on the
        more immediate problems of our own century right here in Twin Peaks.
      C: Albert, you'd be surprised at the connection between the two.
      A: Color me amazed.
      Albert tells of Cooper's ex-partner Windom Earle escaping from a mental
      institution.  The Asian man watches Cooper drink coffee.

   9:00 am (Donna to Norma, 2001)
   -- Donna meets Norma regarding Meals on Wheels

   Afternoon
   -- Donna delivers a meal to Mrs. Tremond.  Her grandson makes the creamed
      corn disappear.  "Sometimes things can happen just like this."
      "J'ai une a^me solitaire."  Tremond mentions Harold next door and leaves
      a note under his door.  "She seemed like a very nice girl."
   -- Cooper and Truman see Ronette and wrestle with the stools.  They show
      sketches of Leo and BOB to her.  She reacts violently to the second.
      "Tr- tr- tr-"
   -- Ben and Jerry contemplate over which ledger to burn then decide to roast
      marshmallows
   -- Andy fights scotch tape at the RR.  The log lady enters and Norma tells
      not to spit her gum out in the restaurant so she swallows it.  The Log
      Lady then tells the Major to "deliver the message" and chews her gum
      again.
   -- Andy tells Lucy he's sterile:
      Listen to me, Lucy Moran, you just listen.  When the Takoma
      Sperm Bank was looking for donors, naturally I applied.  It's my civic
      duty and I like whales.  A routine physical examination revealed that
      I'm sterile.  Sure I thought it meant I didn't have to take a
      bath, but the doctors told me the truth.  They told me I can't have
      babies.  So what I wanna know now is why are you having one and how?
   -- Hank sees Cooper and Truman, signs his parole form.  Hank was a Bookhouse
      Boy.  Ben calls: Audrey's missing.
   -- Jerry shows Ben the unsigned insurance policy.  Ben calls Einar Thorson -









                                     - 38 -


      Leland's already called.  Leland recognizes Bob; he lived next door to
      his grandfather's summer home on Pearl Lake.  J: Is this real Ben?  Or
      some strange and twisted dream?

   8:08 pm (clock on wall)
   -- Shelly sees Leo on life support.  Norma's waiting to drive her home.
   -- Lucy gets a call but hangs up on him because he remains anonymous
   -- At OEJ, Audrey questions Battis.  He recruited Laura and Ronette to work
      at OEJ.  Laura used drugs one weekend so they got rid of her.
   -- Bobby and Shelly scheme over Leo

   Night
   -- Cooper reports Windom Earle's flight to Diane.  The Major visits.
      BRIGGS: I have a message for you.
      COOPER: From whom?
      BRIGGS: I'm not at liberty to reveal the nature of my work.  This
        secrecy pains me from time to time.  Any bureaucracy that
        functions in secret inevitably lends itself to corruption.
        But these rules I have pledged to uphold and I believe a
        pledge is sacred.
      Briggs shows Cooper the message: /THE/OWLS/ARE/NOT/WHAT/THEY/SEEM/
      It came from the woods of Twin Peaks (Riley to Cooper, 2012)
   -- James sings with Donna and Maddy.  James and Maddy exchange looks, Donna
      gets jealous, then gets a call from Harold Smith.  Maddy sees BOB.
   -- Cooper dreams.  Giant, Ronette, walking man.  "The owls are not what
      they seem," says the Giant.  Flash.  "The owls are not what they seem,"
      says Briggs.  Flash.  Giant.  BOB with owl superimposed on his face.
      Sarah on the stairs.  The walking man is BOB.  He is awoken by a call
      from Audrey.  She is caught by Blackie.
   -- Nadine rips two pairs of leather restraints at the hospital (Will to
      Ed, 2003)

05 Mar (Sunday)   [Episode 2003 - 10/13/90
                   Written by Robert Engles
                   Directed by Lesli Linka Glatter]

   6:40 am (clock on wall)
   -- Ronette is in the throes of a violent seizure.  Truman turns off a
      machine by her bed, then tells Cooper and Albert, who have just arrived,
      that she took out her IV.  Cooper pulls out a 'B' from under Ronette's
      fingernail.
   -- Cooper enlightens Albert and Truman about his visitations from the Giant
   -- Andy calls in sick today (Hawk to Lucy)

   12:30 pm (?) (Harold's watch)
   -- Donna visits Harold, who gives her a flower to put on Laura's grave.
      He's known Laura since she started the Meals on Wheels. She pulls on a
      piece of paper sticking out of a drawer.
   -- Cooper and Truman discuss BOB.                     R   B   T
      Albert reports: the B from Ronette's              Mrs. Palmer
      finger was from a Fleshworld.           Maddy ----===========---- Cooper
      The cocaine found in James' cycle                   Ronette
      matches that found in Leo's house and Jacques' car.
      Cooper was shot with a Walther PPK.









                                     - 39 -


      Albert and Truman trade words:
      ALBERT: You listen to me.  While I will admit to a certain cynicism, the
       fact is that I am a nay-sayer and hatchet man in the fight against
       violence.  I pride myself in taking a punch and I'll gladly take
       another, because I choose to live my life in the company of Gandhi and
       King.  My concerns are global.  I reject absolutely revenge,
       aggression, and retaliation.  The foundation of such a method...is
       love. I love you, Sheriff Truman.
      COOPER: Albert's path is a strange and difficult one.
   -- James is released
   -- Lucy looks for words with R, B, and T.  Richard Tremayne, her lunch date,
      arrives at the station.  Hawk offers two more words: prohibited, robot.
   -- Leland drops by and tells Cooper, Truman, and Hawk about the man in the
      sketch - he lived in a white house, across a vacant lot from his
      grandfather's place on Pearl Lakes.  His name was Robertson and he used
      to flick matches at him, "you wanna play with fire, little boy?"  Leland
      flicks a match nicely himself into an ashtray.  Cooper picks it up and
      blows it out.

   Afternoon
   -- Andy buys boots from the OAM while he was waiting (Andy to Cooper, 2004)
   -- At the RR, Lucy and Dick have words over lunch.  They used to go out
      every Thursday night for three months, but he hasn't called in 6 weeks,
      since their encounter in Horne's Home Furnishings.  She tells him of her
      pregnancy.
   -- James and Maddy discuss Donna.  She arrives at an opportune moment, while
      they're holding hands, and storms out.
   -- Emory videotapes Audrey as Blackie shoots her up
   -- The OAM shows shoes to Truman, sees the sketch of BOB, gets dizzy
      and heads for the bathroom
   -- Shelly drops by the station and tells Cooper and Truman she won't give
      a statement against Leo.  Cooper smells an insurance scam and wonders
      who's behind it.
   -- The OAM has spasms in the toilet stall, flushes the toilet and the
      spasms cease.  He drops his needle.  Mike takes over.
   -- Cooper meets Ben at the Great Northern, who tells him to watch his step
      with Audrey.  The Asian Man watches and follows Cooper.
   -- Jean Renault gives Audrey some English caramel
   -- Emory recognizes Cooper on the monitor.  Jean and Nancy, Blackie's
      sister, arrive.  They and Blackie scheme.  Jean wants Cooper and Blackie
      wants money.  He'll be the go-between for 30%.
   -- Truman gets a call from Pete - Josie will be back tomorrow afternoon.
      Hawk has information about the white house - it's boarded up and no name
      on the mailbox.  Truman tells Cooper about the OAM and flinches when
      Cooper reminds him that in his dream, the OAM knew BOB.  Cooper finds the
      needle in the bathroom.

   4:15 (?) (clock on wall)
   -- Ed visits Nadine who is strapped to her bed.  He sings to her, and she
      breaks her straps and wakes up.  She's 18.
   -- Cooper and Truman visit Jacoby in his hospital room.  His wife is there.
      Hypnotized, he says he smelled engine oil at the park, and he saw
      Jacques' killer










                                     - 40 -


   Night (full moon)
   -- Donna brings Harold's flower to Laura's grave and has a one-way
      conversation with her
   -- James sees Maddy at the Palmer home.  He's depressed since his mom came
      home.  Donna once again catches them at another opportune moment.
   -- Maddy cries to Leland, "Everybody thinks I'm Laura, but I'm not!"
      Cooper and Truman arrive to arrest Leland for the murder of Jacques.
   -- Donna goes over to Harold's and finds Laura's secret diary next to a
      knife

06 Mar (Monday)   [Episode 2004 - 10/20/90
                   Written by Jerry Stahl and Mark Frost,
                              Harley Peyton, Robert Engles
                   Directed by Todd Holland]

   Early morning
   -- Cooper and Truman question Leland, who admits to killing Jacques
   -- Doc Hayward and Andy discuss Andy's sterility.  Doc asks for another
      sample.  Andy, with a copy of Fleshworld, runs into Lucy on the way to
      the restroom.
   -- Truman tells Cooper no one named Robertson ever lived in the white house.
      Andy runs into a deputy, "Sorry, Bob."  Cooper notices Andy's wearing
      Circle Brand Boots.

   "Not even 9:30" (Ben to Louie)
   -- Louie tells Ben that travel critic M. T. Wentz is coming to town
   -- Jean, who "sells insurance to small businesses," visits Ben with the
      video of Audrey and the condition that Cooper bring the ransom money

   Afternoon
   -- Donna picks up lunches from the RR
   -- Norma tells Hank about M. T. Wentz.  He says there's enough time and
      takes off.
   -- At Harold's, he shows Donna the secret diary and reads from it.  Donna
      suggests giving it to the sheriff but Harold disagrees.
   -- Ben shows the Audrey video to Cooper and asks him to deliver the money
   -- Josie returns
   -- At OEJ, Emory brings Audrey to Jean.  Audrey says Emory hit him.  Jean
      kills Emory.
   -- Andy approaches Lucy.  Cooper has a talk with her.
   -- Cooper asks Truman a favor.  He needs the best Bookhouse Boy.

   7:05 (clock on wall) (1/2 moon)
   -- Hank and Norma patronize a large man at the RR.  Hank lifts his billfold
      and finds it is Daryl Lodwick, District Attorney.
   -- Donna meets Maddy at the RR and asks her help in getting the secret diary
   -- Truman confronts Josie about the mill, she seduces him on the couch.
      A mystery man watches outside the window in the rain (Asian man?).
   -- Judge Clinton Sternwood arrives at the station and meets Lucy, Cooper
      and the sheriff.
   -- Dick Tremayne arrives, offers Lucy money for an abortion, and is kicked
      out by her.
   -- Andy, who overhears Lucy crying, brings in Leland to meet with the Judge.
      Sid arrives.









                                     - 41 -



   Evening
   -- Ben bows to Mr. Tojamura who checks in.  Louie calls Norma - she thinks
      it's M. T. Wentz.
   -- Josie introduces her cousin Jonathan to Pete.  Jonathan tells Josie her
      job is to sell the mill and she is expected in Hong Kong by Mr. Eckhardt.

   9:30 pm
   -- Truman meets Cooper at the Roadhouse
   -- Hank at the RR gets a visit from the Asian man and is beaten up

07 Mar (Tuesday)   [Episode 2005 - 10/27/90
                    Written by Barry Pullman
                    Directed by Graeme Clifford]

   6:42 am (Cooper to Diane)
   -- Cooper awakes, chewing on his ear plug, and finds Audrey's note

   Morning
   -- Hawk tells Truman of his finds - two old ladies at the white house.
      They never heard of a Robertson.
   -- Lucy leaves for Tacoma.  She'll stay at sister Gwen and Larry's for
      two days.
   -- Cooper tells Truman he knows where Audrey is
   -- Mr Pinkle demonstrates for Bobby and Shelly the Leo-lifter apparatus
      while Bobby reads Shooting
   -- Leland's hearing.  Truman defends, Andy sketches.  Ben chews on nuts and
      leaves.  Leland's released.
   -- Donna delivers lunch to Harold and makes a deal.  He'll read the diary if
      she tells her story.  She taunts him outside, he collapses.
   -- Leo's hearing.  He's ruled incompetent to stand trial.  The Judge,
      Cooper, and Truman have a drink.  Cooper doesn't think Leo did it.
      Truman tells Shelly Leo's coming home.  Judge tells Cooper to keep an
      eye on the woods.
   -- Ed brings Nadine home.  She rips off the refrigerator door.
   -- Tojamura meets Ben and offers him 5 million dollars for Ghostwood
      [His assistant is the Asian man from 1006]
   -- At the Great Northern, Bobby is snooping around Hank

   Noon ("Expect a call tomorrow. Noon," Jean to Ben, 2004)
   -- Cooper meets Ben.  They get a call from Jean with instructions on where
      and when to deliver the money.  Ben has Hank follow Cooper.
   -- Donna and Maddy plot to get the diary
   -- At OEJ, Jean arms himself.  Nancy reports that Audrey is asleep.
   -- Andy mans the phones at the station.  He calls the Doc for the results
      of his sperm test.  "I'm a whole damn town!" to Truman as he's zipping
      his fly.  He sees Gwen's number, calls, and gets an abortion clinic.
   -- Cooper and Truman plan.  Hawk enters and reports that the OAM is staying
      at the Robin's Nest.  No one's seen him for "a day, a day and a half."
      He found a mysterious drug.  They try to keep their plans from Hank.

   Night (1/2 moon)
   -- Maddy gets some coffee at the RR.  James follows.
   -- Donna tells a story to Harold









                                     - 42 -


   -- Cooper and Truman bust into OEJ.  An owl sees them.  There's a roll of
      plastic on the stairs.
   -- Harold shows Donna some orchids
   -- Cooper runs into Nancy and gets Audrey
   -- Truman watches Jean kill Blackie and lick her blood on his lips.  Hawk
      saves Cooper and Truman.
      H: "Good thing you guys can't keep a secret."
   -- Hank is caught outside by Jean and is identified as DA Lodwick (billfold)
   -- Maddy and Donna are caught by Harold

[Episode 2006 - 11/3/90
 Written by Harley Peyton & Robert Engles
 Directed by Lesli Linka Glatter]

   Night (con't)
   -- James rescues Donna and Maddy.  Harold sprays his plants and grieves.
   -- Cooper brings Audrey to the Bookhouse
   -- Maddy leaves Donna and James, who share a moment
   -- Truman recognizes Jean in a book of criminals and points him out to
      Cooper, who begins to feel remorse for getting Audrey messed up in his
      problems
   -- Cooper gives back the money to Ben and tells him what happened.  Ben hugs
      him, then the briefcase.

08 Mar (Wednesday)

   Morning
   -- Bobby brings Leo home.  He and Shelly get their first check - it's only
      $700, it was supposed to be $5000.  Leo groans.
   -- Donna tells Truman about the secret diary.  Gordon Cole arrives ("sounds
      real good, Sheriff, but I already ate"), with Albert's report: vicuna
      fibers were found outside Cooper's room, the OAM's chemicals were weird
      stuff, and the scraps of paper found near the train site were diary
      pages.  Hawk brings in the OAM. G: "There's the one-armer now!"
   -- Ben sees Audrey.  A: "I'm aware of a lot of new things too, Daddy."
      "I saw so much."

   1:50 pm (clock on wall)
   -- Nadine comes home from shopping
   -- Jonathan rapes Josie and gives her a one way ticket to Hong Kong.  She
      says she hasn't received her insurance money nor the money from Ben.
      She's waited five years for this.  The plane leaves at midnight.
   -- Maddy says goodbye to James at a dock.  She leaves tomorrow.
   -- Ben meets Josie at his office.  They drink to the fire.  She got Pete's
      signature and wants her money.  He threatens, she threatens.  He gives
      her the check from Tojamura, she gives him the contract.
   -- Bobby and Shelly party around Leo.  They make out in front of him, Leo
      moves.
   -- Cooper meets Gordon.  Albert thinks Cooper is in over his head.  Gordon's
      worried over Pittsburgh.  Cooper gets an unmarked letter with an opening
      chess move (P to K-4) from Windom Earle.
   -- Leland meets with Ben and proves himself, while pocketing fur off of a
      stuffed fox.  Jerry's on his way to Tokyo.










                                     - 43 -


   Night
   -- Truman arrives as Josie's leaving.  He is introduced to Jonathan as "Mr.
      Lee," Josie's assistant.  He tells her he loves her, she hesitates, then
      leaves.
   -- Ben meets with Tojamura.  Leland sings.  Pete chats with Tojamura:
      Pete: The King and I!  [to Tojamura] Do you like musicals?
      Tojamura: No.
      Pete: Not even Fiddler on the Roof?  Made me weep like a little baby.
      Tojamura: I find adherence to fantasy troubling and unreasonable.
   -- Cooper questions Mike:
      M:  There is no need...for medicine.  I am not in pain.
      C:  Who are you?
      M:  My name is Mike.
      C:  What are you?
      M:  I am...an inhabiting spirit.
      C:  Who is Phillip Gerard?
      M:  He is host to me.
      C:  You spoke to me in my dream...about BOB.
      M:  Mmm.  He...was...my familiar.
      C:  Where does BOB come from?
      M:  That...cannot be revealed.
      C:  What does BOB want?
      M:  He is BOB...eager for fun.  He wears a smile... Everybody run!
          Do you understand the parasite? It attaches itself to a life form and
          feeds.  Eh.  BOB requires a human host.  He feeds on fear...and the
          pleasures.  They are his children.  I am similar to BOB.  We once
          were partners.
      M and C in unison:
          Through the darkness of futures past,
          The magician longs to see.
      M:  One...chance out, between two worlds,
          Fire...walk with me.
          Oh, but then...I saw the face of God...and was purified.  I took off
          the arm...but remained... close to this vessel, inhabiting from time
          to time, for ONE, SINGLE, PURPOSE.
      C:  To find BOB [produces sketch of Bob].
      M:  TO STOP HIM!  This [points to sketch] is his true face.  But few can
          see it.  The gifted...and the damned!
      C:  Is BOB near us now?
      M:  For nearly forty years.
      C:  Where?
      M:  Ah.  A large house, made of wood, surrounded by trees.  The house is
          filled with many rooms, each alike, but occupied by different souls,
          night after night.
      C:  The Great Northern Hotel!

09 Mar (Thursday)  [Episode 2007 - 11/10/90
                    Written by Mark Frost
                    Directed by David Lynch]

   Early morning
   -- Mike babbles, Gordon tells Truman about the diary pages.  Gordon is on
      his way to Bend Oregon, "hush hush" business.
   -- Note arrives for Donna at Tremonds', it's a page of Laura's secret









                                     - 44 -


      diary ("morning after poor Harold died," Mrs. Tremond to Donna, 2009)

   7:24 am (clock on shelf)
   -- Andy shows guests to Mike, who says "no...no..."  Navy sailors bounce
      handballs.  Ben enters the room and Mike faints.
   -- Hawk discovers Harold's body

   9:05 am (clock on mantelpiece)
   -- Maddy tells Leland and Sarah she's leaving tomorrow.  "I'll come
      galloping back often!"
   -- Cooper and Truman find the French note on Harold's body, "I'm a lonely
      soul."  Hawk finds the torn diary.
   -- Bobby and Shelly pay their bills and end up with $42.  She wants Bobby to
      take a necklace back.  Leo's truck's been impounded.  Leo screams and
      spits, "new shoes."  Leo had Shelly take in a pair of boots "last week."
   -- Audrey confronts Ben with what she knows.  He's owned OEJ for five years.
      Laura worked there a short time, Battis recruited her without his
      knowledge.  He slept with her.

   Day
   -- A tearful Shelly tells Norma she's quitting.  Nadine and Ed arrive.
      Norma's been working there "20 years this April."  Nadine crushes a
      glass.
   -- Bobby and Mike get back to Leo's with the boots and find a tape in the
      heel.

   2:47 pm (Cooper to Diane)
   -- Cooper pieces together the diary.  There are repeated references to BOB.
      Audrey arrives and tells him what she found out about Ben.

   Night (full moon) (Albert puts Maddy's death between 10 and 12 and
      Truman says they took Ben in after that, 2009)
   -- Ben gets a fax from Jerry - he's talked with the people in Osaka and
      it's thumbs up.  Hawk, Andy, Truman, and Cooper arrive to take Ben in
      for questioning.
   -- At the Palmer house, a record skips at the end, and Sarah (drugged)
      crawls down the stairs, "Leland."
   -- Ben is brought to the station.  The Log Lady tells Cooper, "We don't know
      what will happen or when, but there are owls in the Roadhouse."  She
      acknowledges that something is happening.
   -- Pete runs into Tojamura - it's Catherine
   -- Sarah sees a white horse and faints.  Leland's at the mirror.
   -- At the Roadhouse, Donna meets James and they discuss Harold.  The Log
      Lady arrives with Cooper and Truman.  The navy sailors are there also.
      Donna lip syncs.
   -- Cooper and the Log Lady see the giant, "It is happening again."
   -- Leland at the mirror, sees BOB.  Maddy smells something burning and is
      killed by Bob/Leland.  An 'O' is put underneath her fingernail.
   -- The waiter from the Great Northern tells Cooper, "I'm so sorry."  Bobby
      and Donna appear moved.  Cooper's thinking hard.

10 Mar (Friday)   [Episode 2008 - 11/17/90
                   Written by Scott Frost
                   Directed by Caleb Deschanel]









                                     - 45 -


   Morning
   -- Leland plays indoor golf.  Donna and James drop by and miss their chance
      to say goodbye to Maddy.  Leland says he dropped Maddy off at the bus
      station not 20 minutes ago.  Leland excuses himself and talks to Sarah.
      After Donna and James leave, Leland packs the club into his bag
      (Maddy's in there) and leaves.  His license plate says "The Timber
      State."
   -- Ben brushes his teeth in his cell when Jerry arrives back from Japan.
      Ben says he was with Catherine the night Laura died.  Ben and Jerry
      reminisce about Louise Dombrowski dancing with a flashlight.
   -- Lucy's back with her sister Gwen

   10:03 am (Cooper to Diane)
   -- Cooper and Truman come across Leland dancing with his golf club.
      Truman tells Leland Ben's been arrested.  Cooper asks him to get back
      to him if he remembers anything about Ben.
        T: Everything OK?
        C: I'm not sure.

   Late morning
   -- Doc Hayward takes a blood sample from Ben.  Jerry defends, and Cooper
      and Truman question him.  Jerry's license to practice law has been
      revoked in IL, FL, AL, MA.
   -- Bobby makes a copy of Leo's tape and writes a letter for Ben
   -- Norma's mom Vivien arrives with her new husband Ernie, a financial
      analyst.  He says he's through with gambling, but leaves a paper on
      the counter and Norma sees "$1000 Houston by 3 points" written on it.
   -- The OAM ("he's close...") bumps the deputy and escapes from his room
   -- Hank returns to the RR and smooth talks Norma
   -- Truman and Pete look through a pair of binoculars at a pileated
      woodpecker.  They trade stories about Josie and get funny feelings.
      Truman leaves with Cooper.  The OAM is missing.
   -- Andy sees Lucy with Gwen's baby and faints

   1:40 pm (?) (Ben's watch)
   -- Pete delivers a voice message to Ben from Catherine.  She'll testify
      for the mill.  Ben throws a tantrum.
   -- Leland sings "Surry With a Fringe on Top" while driving.  Cooper's
      whistling the same tune in a different key.  They nearly collide.
      Truman pulls Leland over and they chat.  Leland mentions Ben made a
      phone call at 10 pm the night Laura died and mentioned a "derry"
      or diary.  Leland offers to show Cooper his new clubs and appears
      to almost whack Cooper with one when Truman calls him away - they
      found the OAM, near the waterfall.

   Afternoon
   -- Hawk brings in the OAM to the station.  Lucy attends to Andy
      while Gwen gabs.  Andy tells Lucy about his sperm.
   -- The OAM examines Ben.  Truman charges Ben with the murder of Laura.
      The OAM is taken to back to the hotel.  Cooper tells Truman he doesn't
      think Ben did it.

   8:30 pm (Vivien to Hank)
   -- Norma, Hank, Ernie and Vivien have dinner together, Hank's got a









                                     - 46 -


      new domino - double 4.  When the ladies are in the powder room, Hank
      and Ernie talk.  They were prison buddies.  Ernie Niles, "The
      Professor," got out 6 months ago.  He met Vivien at a Republican
      fund raiser.  He says he doesn't gamble anymore.

   11:05 pm (clock on table)
   -- Cooper makes a quick message to Diane
   -- Audrey visits Cooper.  Cooper gets a call.
   -- Cooper and Truman identify Maddy's body

11 Mar (Saturday)   [Episode 2009 - 12/1/90
                     Written by Mark Frost, Harley Peyton and Robert Engles
                     Directed by Tim Hunter]

   Morning
   -- Albert reports: letter O under Maddy's fingernail, fur in her hand
      from a dead, stuffed fox.  Cooper asks for 24 hours to finish it.
      Albert:   Cooper... an observation.  I don't know where this is headed,
        but the only one of us with the coordinates for this destination in his
        hardware is you.  Go on whatever vision quest you require.  Stand on
        the rim of the volcano, stand alone and do your dance.  Just find
        this beast before he takes another bite.
      Cooper:   <Sigh>  God help me, I don't know where to start.
      Hawk:     You're on the path.  You don't need to know where it leads.
        Just follow...
   -- James gives Donna a ring.  Donna mentions last night.
   -- Vivien doesn't like Norma's eggs.
   -- Andy's French surprises Donna
   -- Donna, Cooper, and Andy arrive at the Tremonds.  A younger Mrs. Tremond
      answers the door.  Her mother passed away 3 years ago and she has no
      children.  She has a letter addressed to Donna that was in her mail
      the morning after Harold died.  It's a page from Laura's diary:
        February 22.  Last night I had the strangest dream. I was in a
        red room with a small man, dressed in red, and an old man
        sitting in a chair.  I tried to talk to him.  I wanted to tell
        him who BOB is, because I thought he could help me.  But my
        words came out slow and odd.  It was frustrating trying to talk.
        I got up and walked to the old man.  Then I leaned over and
        whispered the secret in his ear.
        Somebody has to stop BOB.  BOB's only afraid of one man.  He
        told me once.  A man named Mike.  I wonder if this was Mike in
        my dream.  Even if it was only a dream, I hope he heard me.  No
        one in the real world would believe me.
        February 23.  Tonight is the night that I die.  I know I have
        to because it's the only way to keep BOB away from me.  The
        only way to tear him out from inside.  I know he wants me.  I
        can feel his fire.  But if I die he can't hurt me anymore.
   -- Cooper questions the OAM.
      M: BOB and I, when we were killing together, it was this, this
        perfect relationship.  Appetite, satisfaction, a golden circle.
      C: A golden circle.  A ring.  My ring.  I gave my ring to the
        giant.
      M: He is known to us here.
      C: Then he's real.









                                     - 47 -


      M: As real as I.  {laughs}  He can help you find BOB.
      C: How?
      M: You must ask him first.
      C: How do I do that?
      M: You have all the clues you need.  The answers are not here,
        my friend,  {touches Cooper's forehead} the answers are here.
        {touches Cooper's chest}
   -- Cooper, standing in a hall at the Great Northern, thinking hard,
      sees the waiter.  "I know about you.  That milk'll cool down on you
      but it's getting warmer now."
   -- Cooper, Truman and Albert examine Ben's office.  Albert says Maddy
      was killed the night before last between 10 and 12.  He also has
      Ben's blood test results.

   12:43 pm (clock on wall)
   -- Andy calls Dick while Lucy watches - they need to talk
   -- Tojamura sees Ben.  He wants the contract signed or the money
      returned.  Ben signs it and Tojamura reveals his true identity.
   -- Leland comes home to Donna.  She's got a tape of her, Maddy and James
      singing for Maddy.  Leland recognizes Laura's shades on Donna and
      she mentions Laura's secret diary.  Leland gets a call from Beth -
      Maddy never made it home.  He chews gum, dances with Donna, and hugs
      her hard.  Truman's at the door for Leland.
   -- Donna tells James about Maddy.  He leaves her crying.

   3:00 pm (clock on wall)
   -- At the Roadhouse, Ben eats nuts.  Cooper and Truman are at the bar.
      Truman brings Leland, Ed arrives and they clear the room.  Hawk brings
      Bobby and Leo.  Major Briggs brings the waiter, who gives Cooper a
      stick of gum.  Leland: "I know that gum.  That's my most favorite gum
      in the world."  Cooper remembers: Laura: "My father killed me."  The
      Giant gives Cooper his ring back.

   3:55 (clock on wall)
   -- Cooper and Truman trick Leland into a cell.  He freaks.
   -- At gunpoint, Leland is cuffed and read his rights.  Leland/BOB
      confesses to killing Laura and Maddy.  He mentions Pittsburgh and
      Cooper is noticeably shaken.
   -- Dick and Andy listen to Lucy.  Dick smokes.
   -- Cooper tells his story of how the answer was staring him in the
      face all this time - Leland's dancing, grey hair, Robertson, the
      letters, the secret diary.  Leland recites Mike's poem and BOB's
      response.  The sprinklers go off and Leland rams his head into the door.
      <Cooper, Albert, and Truman burst into the room. The sprinkler system
      has gone off and water is pouring over them all>
      Cooper: Call an ambulance! <Cooper kneels next to Leland and cradles
        Leland's head in his lap.  For the rest of the scene he strokes
        Leland's hair and face, comforting him.>
      Leland: Oh God!  Laura!  I killed her.  Oh my God, I killed my daughter.
        I didn't know.  Forgive me.  Oh God.  I was just a boy.  I saw him
        in my dream.  He said he wanted to play.  He opened me and I
        invited him and he came inside me.
      Cooper: He went inside.
      Leland: When he was inside, I didn't know.  When he was gone, I









                                     - 48 -


        couldn't remember.  He made me do things.  Terrible things.  He said
        he wanted lives.  He wanted others, others that they could use, like
        they used me.
      Cooper: Like Laura.
      Leland: They wanted her.  They wanted Laura.  But she was strong.  She
        fought.  She wouldn't let him in.  Oh God.  They had me kill that
        girl, Teresa.  And they said if I didn't give them Laura, they'd have
        me kill her, too.
      Cooper: But she wouldn't let them in.
      Leland: They said she'd die before she'd let them.  Then they made me
        kill her.  Oh God, have mercy on me.  What have I done?  What
        have I done?  Oh God.  I love her.  I love her with all my heart.
        My angel, forgive me.
      <Cooper looks to Albert, who shakes his head -- apparently Leland
      isn't going to live>
      Cooper: Leland.  Leland, the time has come for you to seek the path.
        Your soul has set you face to face with the clear light and
        you are now about to experience it in its reality.  Wherein all
        things are like the void and cloudless sky and the naked
        spotless intellect is like a transparent vacuum, without
        circumference or center.  Leland, in this moment, know yourself
        and abide in that state.  Look to the light, Leland.  Find the
        light.
      Leland: I see it.
      Cooper: Into the light, Leland.  Into the light.
      Leland: I see... Her.  She's there.
      Cooper: Into the light, Leland.
      Leland: She's beautiful.
      Cooper: Into the light.
      Leland: Laura?
      Cooper: Don't be afraid.
      <Leland dies. Wordlessly Cooper pushes his own hair back and looks up.
      The sprinklers shut off>

   Late afternoon
   -- Cooper, Albert and Truman, meet Briggs and talk about BOB
   -- An owl flying by some wrecked cars

14 Mar (Tuesday)   [Episode 2010 - 12/8/90
                    Written by Tricia Brook
                    Directed by Tina Rathborne]

   Day
   -- Cooper explains to Sarah what happened the night Maddy died and
      Leland's final moments
   -- Leland's wake.  Dr. Jacoby's back from Hawaii. Dougie pulls his brother's
      (Mayor Dwayne Milford) ear.  Dougie owns the newspaper and is
      engaged to be married.  Cooper: Harry, I'm really gonna miss this place.
   -- Dr. Jacoby and Ed ask to have 35 year old Nadine admitted to school
   -- Audrey sees Cooper, who tells his tale of Earle.  A: "Friendship is
      the foundation of any lasting relationship."

   12:35 pm (clock on wall)
   -- Bobby puts on Leo's clothes and goes to see Ben









                                     - 49 -


   -- Catherine talks to Truman.  She says a guardian angel saved her and
      directed her to the summer cabin on Pearl Lakes.  There appears to
      be an owl-shaped smudge on her cheek.
   -- Dick talks to Lucy while she's replacing ceiling light bulbs.  She
      nearly falls but Dick's oblivious.  Andy offers to be friends.
   -- Cooper says goodbye to Truman, who gives him a green butt skunk hook
      and a Bookhouse Boy patch.  He says goodbye to Hawk, Andy and Lucy,
      when Roger Hardy arrives with a mountie and tells Cooper he has been
      suspended from the FBI.
   -- Audrey gets Bobby in to see Ben, but gets kicked out.  They go to
      get ice cream. B: Cup or cone? A: Mmmm...cone. I like to lick.
   -- Roger and the mountie question Cooper, who surrenders his gun and
      badge.  They only knew of two deaths, and Cooper didn't know about
      Battis.  Truman stands up for Cooper.
   -- Nadine Butler tries out for cheerleading

   6:20 pm (clock on wall)
   -- Shelly brushes Leo's teeth.  Bobby calls, Leo moves.

   Night (full moon)
   -- Vivien reveals herself to Norma, who kicks her out
   -- Hank brings Ernie to Jean at OEJ.  Jean's assistant is the mountie -
      he'll put some of the stolen cocaine in Cooper's car
   -- Josie, injured, returns to Truman's place
   -- Cooper and Briggs around a campfire:
      COOPER: At the time I did what I thought was right.  I must now face
        the consequences.
      BRIGGS: You can do no more.
      (Cooper and Major Briggs, roasting marshmallows over a campfire.)
      COOPER: You know, Major, I find myself thinking a lot about BOB.
        If he truly exists.
      BRIGGS: Yeah, I've pondered that same question continuously since this
        horror was revealed.
      COOPER:   I try to imagine him out there, incarnate, looking for
        another victim to inhabit.
      BRIGGS:   There are powerful forces of evil in the world.  It is some
        men's fate to face great darkness.  We each choose how to react.
        If the choice is fear, then we become vulnerable to darkness.
        There are ways to resist.  You, sir, were blessed with certain
        gifts.  In this respect, you are not alone.  Have you ever heard
        of the White Lodge?
      COOPER: The White Lodge.  No, I don't believe I have.
      (Briggs appears to ponder what he should say about this.)
      (Angle on the woods from the point of view of some unknown entity,
      moving through the woods.)
      COOPER:   Major, I'm going to take a moment here.  I feel the call of
        nature.  There's nothing quite like urinating out in the open air.  I
        look forward to hearing more about this White Lodge.
        (Cooper moves off into the woods. Major Briggs laughs, gives
        the departing Cooper a "thumb's-up".)
        When I return.  From my journey.
      (Lingering on Briggs, who looks off in the direction of Cooper's
      exit with a speculative expression.  An owl hoots.  Major Briggs looks
      up, alarmed.)









                                     - 50 -


      (Cooper urinating in the woods.  An owl hoots in the tree above him.
      Cooper watches the owl.  Suddenly a brilliant white light appears
      behind him.  Cooper turns toward the light.)
      (Angle on Briggs, bathed in blinding white light.)
      BRIGGS:   COOPER!  COOPER!
      (A robed figure appears in the light, backlit.  No features are visible.)
      (Cooper dashes through the woods to the camp site.  The Major is gone.)
      COOPER: Major Briggs?  MAJOR?
      (Cooper looks at the light.  It seems to be receding into the woods.
      Cooper runs toward it.  He reaches the top of a small hill and freezes,
      looking into the light.  The light blinks out.)

15 Mar (Wednesday)   [Episode 2011 - 12/15/90
                      Written by Barry Pullman
                      Directed by Duwayne Dunham]

   Morning
   -- James cycles
   -- Mrs. Briggs talks to Cooper and Truman about her husband's disappearance.
      Being "in the woods is very significant," he "talks about them
      constantly." He left some notes by his bedside table so she'll call back
      later.
   -- Andy and Hawk found a present for Mr. & Mrs. Milford
   -- Gordon calls from Bend (a temp patches him through - Lucy's helping
      with the wedding).  Dennis Bryson from the DEA will be arriving.
   -- Cooper presents no defense to Roger
   -- Nadine asks Donna about Mike
   -- James cycles to Wallies and meets Evelyn Marsh.  She asks if he would fix
      her husband's Jaguar which she drove into a ditch.

   12:18 pm (clock on wall)
   -- Andy leaves flowers for Lucy
   -- Dick brings Nicky, his charge from Happy Helping Hand, to the station.
      Andy offers him a malt.
   -- Cooper, Truman, and Hawk discuss the White Lodge:
      HAWK: Cooper, you may be fearless in this world, but there are other
        worlds.
      COOPER: Tell me more.
      HAWK: My people believe that the White Lodge is a place where the
        spirits that rule man and nature here reside.
      TRUMAN: Local legend.  Goes way back.
      HAWK: There is also a legend of a place called the Black Lodge...
        the shadow-self of the White Lodge.  The legend says that
        every spirit must pass through there on the way to perfection.
        There, you will meet your own shadow-self.  My people call
        it "The Dweller on the Threshold."
      COOPER: "The Dweller on the Threshold..."
      HAWK: But it is said, if you confront the Black Lodge with imperfect
        courage, it will utterly annihilate your soul.
   -- Dennis arrives. He and Cooper worked together in Oakland.  An RCMP
      officer says he stole drugs.
   -- Nadine leg presses 600 lbs.
   -- Josie tells Truman about Eckhardt. He took her off the streets in Hong
      Kong at 16 and taught her about life and business. She was afraid for her









                                     - 51 -


      life when she met Andrew, a business partner. She says she believes
      Eckhardt is responsible for Andrew's death. She escaped from the airport
      at Seattle.
   -- Roger has pie at the RR (story on Leland in his paper)
   -- Hank and Ernie return.  When Norma asks Ernie if he caught anything, he
      spins a tale she doesn't buy.  Vivien's returned to Seattle.
   -- Nicky blows whip cream in Dick's face and spins Andy's seat
   -- James looks at Jeffrey's '48 Jaguar.  Her husband, Jeffrey, travels
      extensively.  She'll provide room and board while he works on the car.
   -- Ben watches old footage of the groundbreaking ceremony for the Great
      Northern.  Hank arrives: "Ben, I have had an absolutely killer schedule."
      Ben wants to rearrange furniture.  Hank tells him OEJ has been taken
      over.  Ben makes shadow figures.
   -- Cooper gets an envelope from Windom Earle.  P to Q4.
      "Of course, you couldn't help but take note of my emphatically
      traditional opening.  I must say, your responding move was nothing
      if not reflective of your predilection for the tidy and fastidious.
      See how my response to you begins to lead us towards a classical
      confrontation?  But there's doubt in your mind: what are my true
      intentions?  How will you answer this time?  Hobgoblins, Dale...
      consistency...predictability, giving rise to patterns.  We both
      know only too well how these patterns leave you vulnerable to
      attack.  You with your wounds, I with mine, let me paint you a
      picture: my knights will skirmish, lanes of power and influence
      will open through my bishops and rooks, pawns will naturally
      be forfeit.  I'm even prepared to sacrifice my queen because,
      I assure you, dear Dale, my goal will be attained at any cost;
      the king must die!"
   -- The Milford wedding.  Dwayne objects.
   -- The reception.  Denise tells Cooper he found cocaine in Cooper's car
      and explains what happened with him and his cross-dressing.
   -- Cooper dances with Audrey, Andy with Denise.  Log lady likes the cake.
   -- Josie tells Catherine Thomas Eckhardt killed Andrew and she should be
      careful.  Catherine employs Josie as her maid.  Andrew's alive:
      "Everything's going exactly as we planned."  He and Catherine will be
      waiting for Eckhardt.

16 Mar (Thursday)   [Episode 2012 - 1/12/90
                     Written by Harley Peyton & Robert Engles
                     Directed by Caleb Deschanel]

   7:00 am (Catherine to Josie, 2011)
   -- Catherine will have breakfast.  Coffee, juice, dry toast, oatmeal.

   Morning
   -- Bobby tries again to blackmail Ben, who's acting too weird for it to
      take.  Ben: "You know what you have to have in this life?  Balance,
      distance, symmetry."  He's stacked his furniture.  Eventually he hires
      Bobby to spy on Hank.  Lana runs by screaming.
   -- Cooper is discussing houses with a real estate agent, Irene.  A coin
      flip leads him to like Dead Dog Farm, an estate with a mysterious past
      where no one stays for long.
   -- Andy, Dick and Lucy visit with Nicky's case worker, Jane.  Nicky is
      an orphan who has been through many foster homes, and is the victim of









                                     - 52 -


      "persistent random misfortune." Truman breaks up the meeting calling
      Andy to an emergency at the Great Northern.
   -- Truman, Doc Hayward and Andy investigate Dougie Milford, dead in his
      hotel bed.  Dwayne comes in and grieves, accusing the wife of murder by
      sex.  Andy doesn't cry.  "My Secret Life" by Chris Gerrity is found
      on the bed.
   -- In the hallway, Hawk is talking/flirting with the widow.  H: "When
      something really big goes down, I'm the man."

   10:10 am (clock on wall)
   -- Nadine has joined the wrestling team and takes district champion Mike in
      one fall while asking him out
   -- Mike complains to Donna about Nadine.  D: "I'm not that good of an
      actress."
   -- James meets Malcolm Sloan, who poses as Evelyn Marsh's brother (Evelyn
      to James, 2014), and is Jeffrey Marsh's driver.  He says Marsh abuses
      Evelyn.  Once a fortnight he beats her and she breaks something of his.
      M: "I'm sorry, am I being obscure?"
   -- At Dead Dog Farm, Cooper notices some tire tracks: "A Jeep, a four-
      wheeler and a luxury sedan."  In the house he deduces a meeting took
      place in the past few hours.  He finds baby laxative and cocaine dust.
   -- Dick fixes a flat (reading the instructions) while Nicky is being
      irritating.  While Nicky is away from the car, it falls off the jack.
      Nicky panics and runs to hug Dick (who is unhurt).

   Day
   -- Cooper comes to tell Truman about Dead Dog Farm, but instead visits
      with Air Force Colonel Riley investigating Major Briggs.  Briggs is a
      great pilot and his disappearance makes the cold war look like the
      sniffles.  "The owls are not what they seem" was broadcast from
      the woods, not deep space -- maybe from the White Lodge ("That's
      classified").  Cooper mentions seeing an owl before Briggs disappeared.
   -- James and Evelyn flirt and kiss.  James encourages her to leave her
      husband but she refuses.  When Jeffrey comes home she runs to greet him.
   -- Bobby, returning to Ben's office with photos, sees Audrey who flirts
      with him but doesn't kiss him.  Audrey goes to her secret listening
      place.
   -- Ben, who is working on a civil war model ("Gettysburg, day 1"), accepts
      the photos from Bobby and gives him a raise.  Audrey eavesdrops.
   -- Pete and Catherine enjoy a romantic meal, served by Josie in a maid
      outfit.  Pete is bothered by Catherine's treatment of Josie, but is
      having too much fun to make an issue of it.
   -- Cooper brings Diane up to date:
      "Diane, I'm holding in my hand a nationally distributed newspaper.  My
      opening move [P to Q4] responding to Windom Earle's opening move was
      printed in the personal column as per my instructions, but I have
      already received his response to this yesterday.  He anticipated my
      response to his opening move perfectly.  He's toying with me, Diane.
      I wonder where he is and what he's planning."
      Audrey knocks and offers Cooper Bobby's photos she has just stolen from
      her father's office.  Cooper identifies them as Hank, Ernie, Jean Renault
      and the mountie, meeting at Dead Dog Farm.  Denise comes in, and Audrey
      kisses Cooper on her way out.  Cooper briefs Denise.
      D: I may be wearing a dress but I still pull my panties on one leg at a









                                     - 53 -


         time, if you know what I mean.
      Cooper: Not really...

   Night
   -- At the RR, Ed looks depressed, prompting Norma to suggest they can still
      be friends and to take his hand, all this secretly witnessed by Hank,
      sporting a 3:4 domino.
   -- Dick tells Andy he thinks Nicky is the devil
   -- In Truman's office, Dwayne continues to accuse Lana of murder.  Doc says
      it was a natural heart attack.
   -- In the hallway, all the men watch Lana being escorted to a room.  They
      begin collectively reciting Shakespeare.
   -- Lucy tries to call the sheriff to the phone, but gets no response.  She
      eventually finds all the men literally spellbound by Lana telling
      stories.
   -- Denise visits Ernie at the RR.  At the Great Northern, Cooper and Denise
      interrogate Ernie.  They apparently want to let him off, using him to
      catch the big guys.  Denise will pose as a buyer from Seattle and Ernie
      will arrange for a deal between Renault and Denise.
   -- James hears Evelyn and Jeffrey fighting.  Malcolm tells James the first
      beating was four years ago.  He swears to kill Jeffrey.
   -- Bobby goes home to find his mother sitting in the dark grieving over the
      Major's disappearance.  She flips on an owl lamp and Bobby tells his
      mother about the Major's vision.  Suddenly the lights go out and the
      major materializes in the house, wearing a vintage pilot's outfit
      (leather jacket and goggles) and asking how long he's been gone.
      Betty: Is everything all right?
      Garland: No, dear...not exactly.


17 Mar (Friday)  [Episode 2013 - 1/19/90
                  Written by Harley Peyton
                  Directed by Todd Holland]

   Morning
   -- Fade up on night time sky/field of stars.  Camera pans
      slowly to right.
         VOICE: (whispers) Cooperrr...
      In the background, a chittering noise is heard.  A yellow
      symbol consisting of three equilateral triangles overlapping
      slightly at their apexes (like the international radiation
      symbol) appears spinning in the center of the screen and
      rapidly moves towards the camera with a screaming noise.
      When it hits the camera, the screen erupts with flames.
         BRIGGS (V.O.): I remember stepping from the flames.  A
           vague shape in the dark.  Then nothing.
      Slow fade from flames to Major Garland Briggs.  He is
      seated on a throne of stone in the middle of a jungle.
      The camera moves slowly towards him.
         BRIGGS: 'Til I found myself standing by the cold
           remains of our campfire.  Two days later.
         HAYWARD (Distorted V.O.): Major, there are some new techniques
           that might help us break through your amnesia.
         BRIGGS: Well, my memories are immune from regression.









                                     - 54 -


           I can feel them...
      A wolf begins to growl in the background.
         BRIGGS: ...they're palpable, the smells, the sensation.
           Everything is known to me, yet somehow beyond my reach.
         COOPER (distorted V.O.): Do you remember anything else?
         BRIGGS: Very little, save for one disturbing image
           of a giant owl, pervasive.
      The wolf continues to growl.
         COOPER (distorted V.O.): A giant owl?
      With a flash of light, we cut to a brief negative image of an owl flying,
      then to a close shot of the back of the Major's neck, where there is a
      small red scar identical to the 3-triangle symbol seen before.  Cut
      to Briggs face.  The flash is revealed to be from an Instamatic
      camera that Doc Hayward used to take a picture of the scar.
      The camera slowly pulls back from Briggs.  The scene is the
      Sheriff's Station Conference Room, the time is apparently morning.
      Major Briggs, Agent Cooper, Doc Hayward and Sheriff Truman
      are present.
         COOPER: A giant owl?  How big?
         BRIGGS: (fidgeting with his fingers) Enough to cloud my mind and
           memory.
         HAYWARD: (handing the instant picture he has just taken to Cooper)
           Three triangular scars behind the right ear, in perfect proportion.
         TRUMAN: Major Briggs...what exactly does your work involve?
         BRIGGS: That information...as I've repeated endlessly
           to myself...classified.  Though the keeping of
           secrets ... seems less meaningful to me now.
           (Pause.  The Major is nervous and shaken.)
           Perhaps there are sources of information that are
           so important as to transcend the human need
           to conspire.  Information of such weight that
           pertains not ... (Garland pauses.  He begins to
           lose control of his emotions.)  Oh, God!  Is
           this meant for the soul?!  My soul?
         COOPER: Major--perhaps you'd better start back at the beginning.
         BRIGGS: Are you familiar with...Project Bluebook?
         COOPER: Yes sir, I am.  The Air Force investigation into
           the phenomenon of Unidentified Flying Objects.
         BRIGGS: Officially disbanded in 1969.  But, there are those
           of us who ... continue in an _unofficial_ capacity.
           Examining the heavens as before...in the case of
           Twin Peaks, the earth below.
      Cooper and Truman look at each other.
         BRIGGS: We are searching for a place called the White Lodge.
      Briggs stops talking as the door opens and two M.P.s step in.
         M.P. #1: Major Briggs?
         BRIGGS: I've been expecting you.
         TRUMAN: Now hold on just a minute, fellas.
         M.P. #1: Colonel Riley's orders.
         TRUMAN: I don't care what orders you got, this is my
           station and Major Briggs happens to be a friend of mine.
         BRIGGS: Harry (Briggs rises).   I'm afraid we will have to continue
           this discussion at a later date.
         TRUMAN: Are you sure you wanna to go with them?









                                     - 55 -


         BRIGGS: (Nods) Yeah. (to Cooper) Goodbye.
         M.P. #1: Major.
      A sprinkler drips onto the photo Cooper is holding {we hear the
      "hand shakes" sound from 2020}.
   -- Denise and Cooper have Ernie call Jean for the setup
   -- Dick tells Andy Nicky's records were sealed and returned to the
      orphanage
   -- Cooper asks Lucy if she's seen anything from Earle in the newspapers
   -- At the RR, Ed tells Norma, "We need to talk"
   -- Shelly's fed up with taking care of Leo and slaps Bobby who's going
      out again, as Invitation to Love plays on the TV.  Leo's eye twitches.
   -- Ed gets a call from James who wants all his money ($12) sent to him
      at Wallies
   -- Evelyn asks James about his girls and for his help

   9:25 am (clock on wall)
   -- Mike tries to fight off Nadine at the RR
   -- Hank asks Norma where's she's going
   -- Josie answers the door to Truman who can't keep his hands off her
   -- Audrey visits Ben's battlefield and calls Jerry
   -- Ed answers the door to Norma
   -- Hawk prepares Ernie with a bug:
      (Hawk is attaching a "wire" to Ernie with adhesive tape)
      E: Ouch!  Will you mind the chest hair, will ya?
      H: You're sweatin' like a pig, Mr. Niles!
      E: Oh, thanks a lot!  That's nervous perspiration, man, hyperhydrosis.
         It's a childhood condition--and I didn't notice it 'til the war.
         Korea, remember that?  Do ya?  I was leading a battalion up towards
         the 49th parallel.  We were just a bunch of fresh-faced kids.
         I didn't know what kinda hell we were steppin' into.
      C: Ernie!  Ernie, I want you to focus on the here and now.  Repeat your
         instructions to me, step by step.
      E: Okay.  Uh...I take...Denise...up to Dead Dog Farm.  I introduce her to
         Renault.
      C: Right.
      E: I, uh...take Renault through the buy...complete the transaction, and
         get the hell out of there, huh?
      C: Good.  Harry--that's when you come in. (Truman nods)  By golly...I
         sure wish I could join you fellas.  But I've temporarily lost my
         enforcement franchise.
      E: Heh, I bet.
      T: Well...I've been givin' that some thought. (tosses badge to Cooper)
         Consider yourself deputized.  The bureau's loss is my gain.
      (Cooper looks at the badge--it's number 13.)
      C: (happily)  I hope I can live up to this.
      H: (finishes wiring Ernie)  He's done.  You might want to towel him off
         before we go! (wipes his hands, exits)
      E: Ah, come on!  (to Cooper and Truman)  Uh...how long will it, uh...
         take you guys to storm the farmhouse after, uh, I complete the buy?
      C: (pinning on his badge)  You go out, we come in.
      E: Can I, can I ask you a question?
      T: What, Ernie?
      E: Don't make me do this!  This isn't my line of work!  I'm a coward!  I
         don't do this kind of thing, I'm a CPA!









                                     - 56 -


      T: Ernie.
      C: Ernie.
      E: (laughs nervously) Just a momentary lapse.  I'm okay, I'm...I'm cool.
         Let's go do it, huh?
      C: Where's Denise?
      T: Haven't seen her.
      (Door opens.  Dennis enters dressed as a man, hair pulled back into a
       ponytail)
      D: (proudly)  You can call me Dennis!  Oh, I don't know, somehow it
         seemed...more appropriate.  (Cooper beams, absolutely delighted)
         Whadda you think?
      (Truman whistles appreciatively)
   -- Andy and Dick at the Dorritt Home for Boys
      D: Our investigation must proceed "sub rosa."  We may have to pick the
         lock.  Tricky business, that.  (Andy opens the unlocked door)  Voila!
         We enter!
      A: Where is everybody?
      D: Lunch!  Here we are, the case files.  N...N...N...(turns to another
         set of files) N!  Nales...Nester...Netherby...Needleman, Nicholas.
         Needleman, our little Nicky!
      A: We can read it in the car!
      D: Oh, patience, Andrew.
      A: (increasingly nervous) Dick!
      D: Sh!  The usual background information...mmm...birthplace...initial
         adoption...  mm-hmm!  First of several, it seems.
      A: Dick!
      D: (oblivious to Andy)  Ah, the plot thickens.  Where are thy secrets,
         little Nicky?
      (The Brewsters appear at the door, wave eagerly.  Andy sees them.)
      A: Dick!
      (The Brewsters enter.  Dick jumps up, startled, and clumsily hides
      Nicky's file in his trenchcoat.)
      B: Hi!
      (Andy, petrified, crosses and stands beside Dick.)
      B: We're the Brewsters.  (laughs)  I know we're a little early.  It's
         just that we're so darn eager to see him.  Can we see him?  Where's
         Donny?
      D: D--Uh, little Donny is...uh, dead.  (The Brewsters look horrified.)
         Eh!  Dead tired, I mean.  I'm afraid little Donny, he isn't feeling up
         to snuff.
      B: Well, he was in perfect health only yesterday.
      (Dick is stumped.)
      A: Dick!
      D: Just a minute...*Woody*.  Let me finish helping these good people.
         Now--where were we?

   Afternoon
   -- Ed answers the door to Donna who's looking for James.  She'll deliver
      the money the James.
   -- Norma leaves and Nadine rescues Ed from Hank
   -- Bobby sees Ben, then Audrey.  A: I think Daddy needs an injection.
   -- Catherine visits Ben
   -- James shows Evelyn the fixed car who seduces him as Malcolm watches.
      The bottle of champagne disappears off the car seat.









                                     - 57 -


   -- At Dead Dog Farm, Ernie's shirt smokes, blowing the cover.  Hawk calls
      for backup as Cooper exchanges himself for Ernie and Dennis.

   Evening (1/2 moon)
   -- Evelyn leaves James in bed to go at it with Malcolm
   -- Jean, the mountie, and Cooper in the center room:
      C:  Is my death so important to you?
      R:  My two brothers die...I hold you responsible.
      C:  Why?
      R:  Well...before you came here...Twin Peak was a simple place.
          My brothers deal dope to the teenagers and the truckdrivers...
          oh...One Eyed Jack welcomed the businessman and the tourist...
          quiet people lived a quiet life.  Then--a pretty girl die,
          and you arrive...and everything change.  My brother Bernardo,
          shot, and left to die in the...the woods.  A grieving father
          smother my remaining brother with, ah...the pillow.
          Kidnaping...death...suddenly, ah, the quiet people...they're
          quiet no more.  Suddenly the...the simple dream, become the
          nightmare.  So.  If you die, maybe you will be the last to die.
          Maybe you brought, ah...the nightmare...with you.  And maybe...
          the nightmare will *die* with you.
   -- Dennis in a RR uniform, delivers food.  Cooper shoots Jean with a
      gun hidden in Dennis' panty hose and Dennis kicks the mountie's ass.
   -- Shelly wakes to intermittent power to find Leo
   -- Power's off at the station.  Lucy says there were two fires and an
      explosion.  Cooper finds a dead person pointing to a chessboard:
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  |     | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  |     | WP  | WP  |     | WP  | WP  |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w| ?  b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BQ  | BP  |     |
      |    b|    w|    b|    w|    b|    w| ?  b| ?  w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     | BP  |     | BP  | BP  |     |     |     |
      |    w|    b|    w|    b|    w| ?  b| ?  w| ?  b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  |     | BK  |     | BB  |     |     |
      |    b|    w|    b|    w| ?  b| ?  w| ?  b| ?  w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      b = black square  w = white square
      B = black piece   W = white piece
      K= king  Q = queen  B = bishop  N = knight  R = rook  P = pawn









                                     - 58 -


      ? denotes square not visible or partially obscured

[Episode 2014 - 2/2/91
 Written by Scott Frost
 Directed by Uli Edel]

Friday evening (continued)
   -- Truman, Cooper, and Doc Hayward investigate the dead body - there's a
      black pawn in the mouth.  Cooper says it's a vagrant, and makes several
      predictions borne out by investigation (type of wound, an abandoned
      car ...).
   -- Audrey plots with Bobby to save the Horne empire.  AUDREY:  From now on,
      Bobby, it's me you suck up to.
   -- Leo stalks Shelly with an axe, as an owl watches.  LEO:  Bad girl.
      Bobby returns home and after a struggle, Shelly stabs Leo in the leg who
      runs away into the woods.

18 Mar (Saturday)

   Day
   -- Cooper's been cleared, but the suspension remains.  Truman gives us the
      bird and offers the vagrant murder case to deputy Cooper.  Hawk reports
      Hank is in the hospital - he missed the drug deal because he was "hit by
      a bus." Shelly called to report Leo's awakening.
   -- Andy tells Lucy about his and Dick's theory of Nicky killing his parents
      at the age of 6
   -- James meets Jeffrey, who gets in the car and drives off.
   -- At the RR, Ed and Doc Hayward discuss Nadine's dating and sex life.
      Donna took the van to look for James who's "out west a couple of hours."
   -- Ed tells Norma about the Nadine/Hank fight.  Norma says Truman will
      arrest Hank for parole violation.  Ed and Norma plan a romantic weekend.
      NORMA:  People will find out.  ED: Let 'em.
   -- James prepares to leave.  Evelyn puts the moves on him.  J:  It's wrong!
   -- Cooper talks with Truman:
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  | WN  | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BN  |     |     |    Captured:
      |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
      +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
      | BP  | BP  | BP  |     | BP  | BP  | BP  | BP  |









                                     - 59 -


      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      T: So how does chess figure into all this?
      C: Because Windom Earle and I played a game every day for three years.
         He felt that all of life could be found in the patterns and conflicts
         on the board.  (pauses)  Because I never beat him.  (pauses)  Now it's
         my turn.  I'll publish my response in the Twin Peaks Gazette.  I don't
         know what else to do.
      T: Coop, you're gonna have to give me some more information here.
      C: Harry, I've brought some baggage to town I haven't told you about.
         (sits) Windom Earle was my first partner.  Everything I know about the
         law and the bureau, I owe to him.  Four years ago, we drew the
         assignment of protecting a material witness in a federal crime.  She
         was, uh...very beautiful...very gentle woman.  Her name was Caroline.
         She and I fell in love.  One night, I...failed in my vigilance.  An
         attack was made; I wasn't ready.  I was wounded and I lost
         consciousness.  (swallows hard)  When I came to, she was in my arms,
         she...she was dead, she'd been stabbed.
      T: The wounds on the vagrant.
      C: Identical.  The killer was never found.  My wound healed; Windom Earle
         went mad.  Institutionalized until his recent escape.
      T: So why is he after you?
      C: Harry--Caroline was Windom Earle's wife.
      (Truman has been sitting on the edge of his desk.  Now, he sits in his
      chair, taken aback.)
      T: So...he blames you for her death.
      C: (shakes his head, leans forward)  It's much worse than that.  I think
         he killed her.  And I think he committed the crime that she originally
         witnessed.  Harry-- Windom Earle's mind is like a diamond!  It's cold,
         and hard, and brilliant.  I think he feigned the insanity that sent
         him away, but at some point he lost the ability to distinguish between
         what's right and what's wrong.  You don't know what he's capable of,
         Harry...you don't know!
   -- Donna shows up at Wallies looking for James but finds Evelyn instead.
      Evelyn said he had done some work for her and then headed off to Mexico.
   -- James wrestles with his emotions
   -- Audrey ushers Jerry into Ben's office.  BEN: "Jeb!"  Dr. Jacoby is there.
      He says Ben's reversal of the South's fortunes is a healthy way for Ben
      to recover from his own defeat.
   -- Briggs staggers into the sheriff's office and collapses.  Lucy checks her
      lip stick.
   -- Briggs, Truman and Cooper at the station:
      (Briggs, Cooper, and Truman are all sucking down huge glasses of water.
       Lucy is standing nearby with a pitcher of water.)
      L: More?
      C: I'm fine.
      T: Fine, Lucy.
      B: Fine.
      (Lucy exits.)
      T: Major--what happened?
      B: Well, as men who have dedicated their lives to service, I know that









                                     - 60 -


         you're able to understand how sacred I hold a pledge of allegiance.
         And the cost one must pay when breaking a pledge.
      C: It can be very great.
      B: Well, the Air Force, *I thought*, was not unlike other societies of
         men dedicated to the fight for the good.  (pauses, mops his brow)
         Gentlemen, frankly I'm worried.  When my superiors questioned me about
         my disappearance, they exhibited a degree of suspicion and intolerance
         bordering on the paranoic.  I must now admit that their motivation in
         the search for the White Lodge is not ideologically pure.  I believe
         that during my disappearance I was taken to the White Lodge.  I can
         remember, virtually nothing.  But I have the clear, intuitive sense
         that there's...  much trouble ahead.
      C: Major?  What kind of trouble?
      B: I am unaware of the form it will take.  (pauses)  I will return.
         Until that time, I will be in the shadows if you need me.  Good day,
         gentlemen.
      C: Good day, Major.
      (the Major exits.)
      T: In the shadows.  Can you beat that?
      C: No...
   -- Jacoby, Lana, Cooper, Truman, Hawk at the station
      (Cooper and Truman enter the meeting room after Hawk.  Jacoby and Lana
       are waiting there.)
      J: Good.  I wanted all of you to hear this.  I've just spent almost the
         last twenty-four hours with this charming young lady, and as you can
         see, uh...  I have no bruises, no broken bones...any claims by her
         deceased husband's brother that she's cursed or somehow responsible
         for a death is nonsense.  Now what she does, in fact, possess is a
         heightened sexual drive.  And a working knowledge of technique,
         anatomy, and touch, that few men have ever had the pleasure of
         experiencing, or the skills to match.
      T: Is it *hot* in here?
      C: Yeah.
      H: Yep.
      C: Lana, let me be the first to congratulate you.
      L: Thank you!  Well--I could never have done it without Dr. Jacoby.
      J: Heh, heh, heh, heh, heh.  Okay.  Well then, we're gonna go bowling.
         See ya later, guys!
   -- Dwayne Milford is in the lobby with a shotgun, threatening to shoot Lana.
      Cooper suggests that the mayor and the widow go alone into the conference
      room to work it out.  Truman: Now what?  Cooper: We wait.
   -- The cops enter the conference room to find the widow and the mayor
      making wedding plans.
   -- Catherine reveals Andrew Packard to Pete.  P: "We forgot the weenies!"
      Catherine and Andrew knew of the attempt on Andrew's life so they staged
      it.  Eckhardt tried to kill him after he got the better of him in a
      business deal.  It was planned for 6 years.

   Dusk
   -- Eckhardt and Jones check into the Great Northern
   -- Truman shows Cooper a Seattle newspaper story -- Jonathan is dead.
      Truman suspects Josie and asks Cooper to investigate.  C: "If you
      say drink coffee, I'll drink coffee."
   -- Doc Hayward tells Dick and Andy about Nicky's past.  His mother was an









                                     - 61 -


      immigrant, maid at the Great Northern.  She was impregnated during a
      rape, died in child birth.  Nicky was in an orphanage, then adopted.
      His adopted parents were killed in a car crash.  Lucy is indignant that
      the men had suspected Nicky of wrong-doing.  She swats a fly.
      Dick and Andy break down and cry.
   -- It comes down at the Marsh place.  Evelyn says Jeffrey died in a car
      crash, the brake lines were cut.  JAMES: "You set me up!"  Evelyn says
      she loves James, and hopes he gets away.  Police arrive.  James is
      sneaking away.  Donna is there in the shadows, and they run away
      together.

   Night
   -- Leo walking through the woods.  Gratuitous owl shots.  There is a cabin
      with a light on.  Leo walks in and meets Windom Earle.

19 Mar (Sunday)   [Episode 2015 - 2/9/21
                   Written by Harley Peyton and Robert Engles
                   Directed by Diane Keaton]

   Day
   -- Evelyn and Malcolm tell the cops about James
   -- At Wallies the cops watch an opera, while James and Donna talk
      as the bartender persists in listening in.  Donna wants to talk to Ed,
      James wants to talk to Evelyn.
   -- Donna calls Ed
   -- Cooper and Truman question Shelly and Bobby, who says that Hank shot Leo
   -- Albert ("Get a life, punk!") tells Cooper about Earle's leavings at
      five different police departments in different cities, each an article of
      Caroline's clothing.
   -- Earle makes music as Leo awakens
   -- Ed and Norma discuss their future when Nadine rips off the door
      and joins them in bed.  She says she knows about them, mentions Mike,
      and bends her 2nd place wrestling trophy.
   -- Cooper and Truman question Josie
   -- Pete returns with a load of dry cleaning.  Cooper takes a sample from
      a coat.
   -- Thomas calls Josie.  Catherine listens.
   -- Ben continues on in the war.  Johnny is present in his Indian headdress.
      Bobby trumpets.
   -- Evelyn and Donna trade words at Wallies until Malcolm comes for Evelyn
   -- Albert's report.  The dead Asian man was Jonathan Kumagai.  The fibers
      found outside Cooper's door and from Josie's coat are a perfect match.
      Truman reports the dead vagrant's name was Eric Powell.  Powell was
      Caroline's maiden name.
   -- Pete beats Toad, Cooper and Doc Hayward in chess
   -- Shelly gets her job back and cleans the ice cream cone
   -- Truman tells Norma Hank is going back to jail

   Night (1/2 moon)
   -- Josie answers the door to Eckhardt, who dines with Catherine.  They
      debate over what to do with Josie.
   -- James confronts Evelyn, who's blowing smoke rings.  She confesses and
      seduces him.  Malcolm knocks him out.
   -- The North surrenders and Ben's back









                                     - 62 -


   -- Earle prepares himself and tutors Leo in penmanship
   -- Donna stumbles into Evelyn and Malcolm scheming.  Fiasco results
      in Evelyn shooting Malcolm.
   -- Cooper looks at a picture of Caroline as Earle walks out of the elevator.
      Earle leaves a message for Audrey.
   -- Cooper finds a mask and a message from Earle in his bed.

20 Mar (Wednesday)   [Episode 2016 - 2/16/91
                      Written by Tricia Brook
                      Directed by Lesli Linka Glatter]

   Morning
   -- Cooper and Truman listen to Earle's tape.  They decide to call Pete
      for Cooper's next move.  Lucy: Paper and Pete, got it - I'll do it
      alphabetically!
   -- Pete answers Lucy's call then serves breakfast to Catherine and Andrew.
      Josie enters, sees Andrew and faints.
   -- Truman reads the paper, an article on the Asian man's death
   -- Hank (on crutches) and Hawk in Truman's office.  Truman accuses Hank of
      shooting Leo.  Hank says he was home with Norma then, and offers to deal
      info on Packard's death for freedom.  No deal.  Hawk kicks Hank's
      crutch out from under him.
   -- Albert's report regarding the gun:
      A: This is the bullet we removed from you.  This is the one that was
         excavated from the dead man's skull.  Same bullets, same gun, same
         killer.  Let's go get her.
      C: Albert, hold your horses.
      A: Coop--I appreciate any reluctance you might have for busting your
         pal's old lady, but the woman ventilated you and left you for dead.
      C: (holds up his hand) Albert--I don't take it personally.  What about
         the gloves, the powder tests?
      A: News at five.  All right, fine, you're not mad, but there's an
         epidemic of multiple gunshot wounds following this chick around,
         she is a menace.
      C: (nods) I'll talk to her.  Maybe she'll confess, turn herself in.
      A: Maybe she'll grow wings and join the circus. (leaves)
   -- Audrey working as concierge at the Great Northern.  J.J. Wheeler walks
      in; he claims to have seen Audrey years ago playing Heidi.  Audrey has
      mail -- a note containing a torn piece of paper with writing, and a
      note inviting her to "save the one you love" by attending "a gathering
      of angels" at the Roadhouse that night.
   -- Ed replaces some figurines on a shelf when Nadine returns from school
      early. She confesses to Ed her love for Mike.  NADINE: "We have to
      call a spade a spade.  We're breaking up."
   -- Cooper pleads the truth from Josie.  Catherine listens in.  COOPER: "I
      don't know what place [Harry] occupies in your heart, but I do know that
      you own his."  Josie is unresponsive.  After Cooper leaves, Catherine
      badgers Josie while oozing slime.  Catherine says Josie will have to
      see Eckhardt alone that night.  JOSIE: "He'll kill me."  Catherine
      casually exposes a gun in the book case which Josie grabs and fondles.
   -- Health-conscious Ben, Bobby, Jerry, Audrey and John Justice Wheeler plot
      business.  Ben reveals there is an endangered species on the
      mill/Ghostwood property: the pine weasel.
      B: I give you...the little pine weasel.  Found only in our tri-county









                                     - 63 -


         area...  it is nearly extinct.
      J: (happily) They're incredible roasted.
      Ben will use this fact to stop development until he is in the driver's
      seat.  BEN: "And then, I'm considering a run for the Senate."

   1:16 (clock on wall)
   -- Earle the truck driver leaves the RR, leaving a note for Shelly.
      Norma is on the phone with her sister, Annie, who lives at a
      convent.  Shelly reads the note, identical to Audrey's.
      Ed comes in and proposes to Norma.
   -- Leo whittles under Earle's instruction
   -- Norma visits Hank in jail, asks for a divorce.  Hank promises to reform
      and asks for an alibi regarding Leo.  Norma refuses, although Hank
      swears he'll die if he goes back to prison.  HANK: "You're his whore,
      Norma."  NORMA: "I'd rather be _his_ whore than your wife."

   5:00 pm (A to C: "News at five.")
   -- Pete selects a move that will give Earle "sleepless nights" and not
      allow him to capture any pieces for 5-6 moves.  It appears to be P to
      QN-3.  This is just about the only legal move in that corner of the
      board (to Cooper's right) that would prevent any immediate capture.
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  | WN  | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BN  | BP  |     |    Captured:
      |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
      +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
      | BP  | BP  | BP  |     | BP  | BP  |     | BP  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
   -- Albert says the powder on Josie's glove proves she shot Cooper.  There
      was a positive ID of her in Seattle.
   -- Andrew visits Josie putting on makeup in her room.  He says he loved her
      though she didn't love him and she should go to Eckhardt who can
      get her out of the country.

   Dusk
   -- James and Donna meet for a picnic in the mountains.  James is going to









                                     - 64 -


      continue traveling around.  Donna will return to TP.  They will continue
      to love each other and meet again some day. Evelyn is going to stand
      trial and James will be a witness.

   Evening
   -- Truman comes to see Josie.  Catherine says she's gone to see Eckhardt.
   -- Eckhardt and Andrew meet in the elevator.  Andrew says he is alive
      because Josie betrayed Eckhardt.  Something about Josie in love with
      Truman.  ECKHARDT: "I have taken care of [Truman]."
   -- Ben, Audrey and Jack at supper.  Jack is in business of saving troubled
      businesses with environmental problems.  Ben is called away;
      attraction/repulsion/defensiveness between Audrey and Jack ensues.

   9:30 pm
   -- Shelly, Audrey and Donna meet at the Roadhouse.  They put their three
      pieces of paper together. Earle watches from the bar.
      "See the mountains kiss high heaven
      And the waves clasp one another.
      No sister flower would be forgiven
      If it disdained its brother.
      And the sunlight clasps the earth,
      And the moonbeams kiss the sea.
      What is all this sweet work worth,
      If thou kiss not me?"
   -- Cooper practices fly fishing in his room.  Catherine calls to let him
      know where Josie is.  He grabs his gun and goes to investigate.  He hears
      a shot and opens Eckhardt's door.  Eckhardt stands up and dies.
      Josie and Cooper point guns at each other.
      J: He tried to kill me.
      C: Is that what you'll say about me, Josie--that I tried to kill you?
         What about Jonathan?  Did he try to kill you, too?
      J: He...he was taking me back.
      C: Why did you shoot me, Josie?
      J: Because you came here.  I knew this day was going to come.  I'm not
         going to jail!  I can't!
      (Truman enters, gun drawn)
      H: Put it down, Josie.
      J: Ah!  Harry?!
      H: PUT IT DOWN!!
      J: Harry--forgive me.  I never meant to hurt you. (takes several sharp
         breaths, closes her eyes, hugs the gun to her chest, and collapses on
         the bed)
      H: (rushes to her, cradles her in his arms) Josie!  Josie?!  Josie!
         (looks up) She's dead.
      (Truman and Josie on the bed disappear, spotlight appears.  BOB climbs
      onto the bed from the floor on the far side, laughing maniacally, until
      he is on his hands and knees on the bed)
      B: Coop!  What happened to Josie?! (continues to laugh)
      (BOB disappears, the little Man From Another Place appears, dances on
      the bed, and disappears.  Truman and Josie reappear as before.  Josie's
      face appears in the knob of the nightstand, crying out in torment)

21 Mar (Tuesday)   [Episode 2017  -  3/28/91
                    Written by Barry Pullman









                                     - 65 -


                    Directed by James Foley]

[Cooper's Prologue: March 28th, Thursday night.  Diane, I want to bring you
up to speed on a few recent developments.  Nadine Hurley, 35 years old,
persists in the belief that she is a high school girl.  She has apparently
fallen in love with Mike Nelson, high school varsity star.
   Word has it that Bobby Briggs is shacked up with Shelly the waitress.
Shelly's husband, Leo, has awakened from his coma and is somewhere in
the woods.
   Ben Horne has suddenly become an environmentalist, and enlisted the
aid of trusted friend John Justice Wheeler to help him save the pine
weasel.
   As for me...I find myself suffused with a vague sense of contentment;
a premonition of happiness.  I hope I will be ready when it comes.  Mean-
while, there's Windom Earle, my former partner.  Windom continues to play
his deadly game of chess.  Deadly, Diane, because every time he removes
a piece from the board, Earle takes a human life.  I have enlisted the
aid of chess champion Pete Martell, in hopes of formulating a stalemate
game.  In the meantime, I can only wait for Earle's next move.
   Major Briggs has returned from his disappearance in the woods, but
remembers nothing.  He cannot explain the mysterious tattoo on his neck.
   Diane, Josie Packard is dead, possibly from fear.  And while I am
absolutely certain that she tried to take my life, I feel both sadness
and even sympathy.  Sheriff Truman is suffering terribly as a result.
   When Josie died, I saw a vision, revealing BOB, and the midget from
my dream.  Windom Earle...BOB...the midget...is there a connection, Diane?
Do these events foretell BOB's return?  I hope not...for all our sakes.]

   Morning
   -- Truman thinks of Josie in a darkened room and Hawk comes in offering
      breakfast.  Truman refuses, finding solace in a bottle of Jack Daniels.

   11:18 am (clock on wall)
   -- Annie, Norma's sister, arrives and is to start working at the RR
   -- The Log Lady touches the Major's tattoo
   -- Hawk tells Cooper about Truman's condition.  Doc said he can't figure
      Josie's cause of death.  Her body weight was 65 lbs.
   -- Windom talks to Leo about the country life, while Leo fetches things.
      Windom's got himself a laptop.  He gets the latest move from Cooper
      in the paper.  He doesn't like it.
   -- People from the Great Northern & Horne's store set up for a benefit
      show to save the pine weasel.  Pinkle's to give a talk about the pine
      weasel.  John and Audrey ramble then plan a picnic.
   -- Cooper visits Truman and gives him the scoop on Josie.  She had multiple
      felons and two arrests for prostitution besides the shooting of Eckhardt,
      Jonathan, and Cooper himself.  Truman kicks him out.
   -- Catherine looks at plans and is visited by Jones, Eckhardt's executive
      assistant.  She's got a gift for Catherine.
   -- Dr. Gerald Craig (Earle), a friend of Dr. Hayward's, comes by, talks with
      Donna and leaves a gift for Will
   -- Pete looks for a stalemate game but he informs Cooper that at
      least six men are lost by such a game.  Andy and Lucy argue over the
      knight's hook move.
   -- Cooper, the Log Lady, and Major Briggs compare notes. Margaret, at age 7,









                                     - 66 -


      Major Briggs:        Margaret:               took a walk in the woods and
        /    /            /             /      was told that she had
       /    /            /             /           disappeared for a day. She
      /____/____        /    /     //        got a tattoo on her leg. She
           /            /           /           also heard an owl when her
          /            /__________ /__________  husband died. All three have
         /____                                    heard that call as well as
                                                   seen the light.

   Afternoon
   -- John sings to Audrey at their picnic
   -- Will and Eileen return. Donna tells him about Dr. Craig.  She's informed
      that Dr. Craig was his roommate and also drowned years ago.  The gift
      contains a note: KN to KB3.  The phone number given to Donna by Dr. Craig
      was for a cemetery.
      [The board presently:
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  |     | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     | WN  |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BN  | BP  |     |    Captured:
      |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
      +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
      | BP  | BP  | BP  |     | BP  | BP  |     | BP  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+                        ]
   -- Ed and Nadine discuss their future with Jacoby
   -- Mrs. Hayward answers the door to Ben who kisses her on the cheek.
      Donna watches.

   6:05 pm (?) clock on wall
   -- Norma shows a flier to Shelly about the Miss Twin Peaks contest.  "Easy
      Rider" Earle says she'd be perfect for it.  Cooper meets Annie and gets a
      good strong cup of coffee she made.  Windom in disguise watches Annie with
      Cooper, who notices Annie's scar.  Cooper looks puzzled after Earle
      leaves unnoticed.

   Dusk
   -- Hawk gets Cooper.  A drunken Truman wrecked all the furniture in the









                                     - 67 -


      Bookhouse and Cooper calms him down.
   -- Mr. & Mrs. Inkman (Nadine and Mike) rent the honeymoon suite at the
      Great Northern.  A friend, Susan, recognizes Mike.  Nadine smashes the
      bell.
   -- Ben speaks for the Stop Ghostwood campaign.  Dick is host for the fashion
      show.  Lucy and Andy model bright plaid colors.
   -- Ben chats with Catherine at the bar, convinced he's a reformed person
   -- Pinkle speaks about the pine weasel and takes one of its cage.
      It becomes attracted to the studs and cheap cologne of Dick's,
      bites his nose and gets loose.  Chaos ensues.  Jack catches Audrey.
   -- Jones knocks out a Bookhouse guard and gets into sleeping Truman's bed

[Episode 2018  -  4/4/91
Written by Harley Peyton & Robert Engels
Directed by Duwayne Dunham]

Tuesday evening (continued)
   -- Jones puts some perfume on Truman's and her lips.  He sees Josie in his
      haze and she tries to strangle him.  They struggle and Truman triumphs.

22 Mar (Wednesday)

   Morning
   -- Audrey delivers breakfast to John's room
   -- Truman tells Cooper that Jones won't speak to anyone but the South
      African consulate.  There's a bonsai delivered this morning "from Josie."
      Doc tells Coop about Earle at his house.  Gordon arrives as Earle
      listens via the bugged bonsai.  Earle was apparently high on the same
      drug, Haliperidol, as the OAM, as well as involved with Project
      Bluebook.  Gordon reinstates Cooper and gives him a new Smith and Wesson
      10 mm.
   -- Leo picks some cards from Earle: Queen of Clubs (Donna), Queen of
      Diamonds (Audrey), Queen of Spades (Shelly), King of Spades (Cooper).
      The Queen of Hearts (blank) will be Miss Twin Peaks.
   -- Donna, at the Great Northern, sees her mom with Ben.  Mike and Nadine
      check out.  Donna and Audrey chat and wonder about their parents.
   -- Eileen and Ben discuss some happenings 20 years ago.  She's got some
      old letters.  Donna and Audrey eavesdrop.  Eileen says stay away from
      her.
   -- At the RR, Gordon's cure for a hangover sends Truman running for the
      restrooms.  Gordon notices Shelly, likes what he sees and makes his
      move.  He can hear her perfectly.
   -- Cooper and Annie chat about a chickadee he saw out the window.  He tells
                      / her a joke about penguins, and she
                    /           mentions his sketch looks just
                        /               like the one at Owl Cave.
                      /
               /    /       /        /    -<      >-               /           /           -------------/--------------
                    /                           /
                      /
   -- Donna reads a postcard from James at San Francisco.  He's off to Mexico.
      Her father asks about James and she asks about her mom and Ben.  He
      seems like he's hiding something.  Flowers arrive anonymously for Eileen.
   -- Prof. Edward (Earle) Perkins runs into Audrey at the library.  He









                                     - 68 -


      identifies her poem as Shelley.
   -- Shelly and Annie chat about Cooper
   -- Lucy, playing chess, chats with Andy as he climbs down a rope.  He's
      going spelunking.
   -- Pete just called in the next move:
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WR  |     | WB  | WK  | WQ  | WB  | WN  | WR  |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     | WN  |     |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     |     |     | BN  | BP  | BP  |    Captured:
       |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
       +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
       | BP  | BP  | BP  |     | BP  | BP  |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+                      ]
      Cooper's in gear and ready to go.  Cooper mentions that Shelly took
      Gordon down to Doc's regarding his hearing.
   -- Johnny Horne shoots buffalo
   -- Ben thinks Audrey's the best man for the job and informs her that her
      plane to Seattle leaves in an hour.  John shows up to see this.  He and
      Ben chat about how Ben can be good.  He mentions he's fallen in love with
      Audrey and they munch on carrots.

   Night
   -- At Owl Cave, Andy slips and falls.  Cooper, Truman, and Hawk are also
      there.  They see the symbol on the wall.  An owl flies around them.
      Andy swings at it with his pick and hits the symbol.  The middle
      diamond falls out revealing a pole with a petroglyph on the end.
      The owl flies away.

   9:05 pm (Cooper to Diane)
   -- Cooper, after making a quick message to Diane [incorrectly saying it's
      Thursday], runs into Annie at the Great Northern bar.
      Dale: Hello Annie.
      Annie: Hi.
      D: Can I get you something... oh,
      A: No, no, I have a rum and tonic.
      D: I see.
      A: One of the sisters used to put rum in her tea and I thought it was









                                     - 69 -


         exotic, so...
      D: It's all new to you isn't it?
      A: I feel constantly amazed. Stunned. Music and people-- the way they
         talk and laugh and the way some of them are so clearly in love.  It's
         like a foreign language to me.  I know just enough of the words to
         realize how little I understand.
      D: Man, I'd love to see the world through your eyes.
      A: Why?
      D: Oh, there are some things I might do different if I had the chance.
      A: Me too.
      [Annie reaches for her drink-- Dale notices the suicide scar -- and
      Annie notices him noticing.  She pulls back her hand to cover her wrist.]
      A: You see, the thing is I failed before and [pause] I'm just afraid it
         might happen again.
      D: You want to talk about it?
      A: Not yet.
      D: Maybe I can help.
      A: Can you?
      D: If you want me to.
      A: I'm stubborn, extremely willful.
      D: I can handle that.
      A: Some people think I'm strange.
      D: I know the feeling.
      A: [laughs] I couldn't promise you that I would always make sense or do
         things that you'd expect me to do.
      D: Annie I don't expect anything.
      A: Then I accept your kind and generous offer.
      D: Good.  I'm glad.
   -- Earle explores Owl Cave:
      [The bright light of Windom's flashlight and then we see his figure in
      Owl Cave as he appears to be looking for something.
      He comes across the uncovered "petroglyph."]
      Windom: My, my, my. What have we ...  [while turning his flashlight to
        other parts of the cave] ...here?
                         /      [Shot of the same petroglyph but upside
                        /        down on the ceiling from Windom's
                       /         point of view.  This one is enclosed
                      /          in a diamond.]
                     /                      /    /                 /    /         /    /         /         /          /  /  /  /
                    /    /  /  /
                               /
                              /
                             /
                           /
                           /
                          /
                         /
      W: Could it be?  [Looks back at the petroglyph on the wall.]  Yes.
         [Looks back at the ceiling.]  The symbol inverted.
         [laughs a wheezing kind of little laugh]  Now.
      [Struggling a little, Windom grasps the stone shaft on the wall with his
       right hand and rotates it counter-clockwise until the symbol on the wall
       is the same as the one on the ceiling.  Andy's axe stuck in the "fire"
       symbol begins to move as a trembling sound begins.  The axe is now









                                     - 70 -


       directly above the petroglyph on the wall.  The axe falls out
       of the wall as the walls begin to shake more.  Windom is backing out
       of the cave with tiny laughs of satisfaction.  Dust coming off of the
       wall fills the screen.]

23 Mar (Thursday)   [Episode 2019 - 4/11/91
                     Written by Mark Frost & Harley Peyton
                     Directed by Johnathan Sanger]

   Morning
   -- Cooper, Andy, Hawk, and Truman are back at Owl Cave and find a new
      petroglyph.  The tracks they find are the same ones outside the
      powerstation.  Cooper deduces it was Earle.
      _______________________________________________________________________

      BLACK                              O        lollipops
      BLOB                               |  O  O
                                      ____  |  |  O  O
              O                           -----   |  |  O  O
              |                       /       ______   |  |           |   /
            giant   o                /              ----__           _|_ /
              |   little            /PEAK             /  antlers____|SUN|____
              |    man             /                 /              |___|
             /    /             /    @            /              /  |                                   /        ~~~~~~~~  / PEAK        /    |                                            ~~~~LAKE~~/                                  flame  4  =falls=~~~~~~ /     @                              (cave)    ||||||| ~~~~
               oo                   |||||||
       XX    o    o                 |||||||
       XX   o ring o                |||||||         (various crisscrossing
             o    o                 |||||||            lines everywhere)
               oo

                                                      M A Y O R

                                                         M C

                                                     C H E E S E
      _______________________________________________________________________
   -- Earle talks to Leo and a punk who thought he was invited to a party,
      about the White Lodge and the Black Lodge.  On a computer is the
      petroglyph from Owl Cave.
      Earle: Once upon a time, there was a place of great goodness, called the
       White Lodge.  Gentle fawns gamboled there amidst happy, laughing
       spirits.  The sounds of innocence and joy filled the air.  And when
       it rained, it rained sweet nectar that infused one's heart with a
       desire to live life in truth and beauty.  Generally speaking, a
       ghastly place, reeking of virtue's sour smell.  Engorged with the
       whispered prayers of kneeling mothers, mewling newborns, and fools,
       young and old, compelled to do good without reason.  Heh-heh!
          But, I am happy to point out that our story does not end in this
       wretched place of saccharine excess.  For there's another place, its
       opposite; a place of almost unimaginable power, chock full of dark
       forces and vicious secrets.  No prayers dare enter this frightful maw.
       Spirits there care not for good deeds or priestly invocations; they
       are as like to rip the flesh from your bone as greet you with a happy
       "Good day!"  And if harnessed, these spirits in this hidden land of









                                     - 71 -


       unmuffled screams and broken hearts would offer up a power so vast that
       its bearer might reorder the earth itself--to his liking!  Now!  This
       place I speak of--is known as the Black Lodge.  And I intend to find it.
   -- Pete tries to create a poem on Josie but is interrupted by
      Catherine.  She hasn't been able to open the box left by Eckhardt's
      assistant.  Pete tells her it's a puzzle box that could take
      YEARS to open.  Catherine: "Open it!  I've been trying for days."
   -- At the RR Bobby tries to convince Shelly to enter the Miss TP pageant
   -- Elsewhere at the RR, Lana tries to convince the mayor to help her
      win the contest since he's a judge
   -- Cooper enters and orders coffee and donuts from Annie for his team,
      and makes a date with Annie (a nature study) for this afternoon.
      He overhears a piece of the poem Shelly was reciting and gets her
      piece of the poem.  Blue plate special is 'Hearty Beaver Broth'.
   -- Cooper tells Truman that the message was from Earle.  It was the poem
      that he sent to Caroline.  Hawk brings in Donna's portion of the poem,
      but Audrey is out of town.  Cooper asks for Leo's arrest report.
   -- Major Briggs points out an error in Andy's chalkboard rendition
      of the petroglyph.  He's dreamed of it.  Cooper says that Leo's
      disappearance, Earle and Owl Cave are all related.  He asks for
      Briggs' help, who ponders his situation and dedication to his work.
      We see a silhouette of a hooded figure.  When it comes toward the screen,
      a starscape is seen inside, and an owl flies in the starscape and we
      then see a wall of fire appear.  Briggs agrees to help.  Hawk brings in
      Leo's arrest report, which Cooper compares to the poem and concludes
      it was Leo's handwriting.
   -- Dick and Ben chat. Ben: Sometimes the urge to do bad...is nearly
      overpowering.
   -- The punk is in a papermache (pawn) and Earle asks for an arrow. Leo
      doesn't want to but those shocks from his collar convinces him to.
      Earle loads a crossbow and shoots the punk.

   3:35 pm (clock on wall)
   -- The Miss Twin Peaks Committee (Doc Hayward, the Mayor, and Pete) meets
      and listens to Ben who wants the topic of the pageant to be to save the
      forests
   -- Miss TP contestants gather.  Mike: "Do you have any idea what a
      combination of sexual maturity and superhuman strength can result in?"

   3:36 pm (grandfather clock)
   -- Truman and Catherine talk about Josie and why she did what she did.
      She shows him the puzzle box.  Pete shows up and drops it,
      opening it.  The contents seems to be another puzzle box which consists
      of two concentric rings of symbols.  The inner ring is made
      up of symbols corresponding to the phases of the moon.  The outer ring
      is made up mostly of zodiac symbols.
        Clock position       Inner Symbol           Outer Symbol
                             (moonphase)            (zodiac)
        --------------------------------------------------------
        12:00                Full Moon              Libra
        1:30                 Waxing Gibbous         Pisces
        3:00                 First Quarter          Cancer (modified)*
        4:30                 Waxing Crescent        Unknown**
        6:00                 New Moon               Aries









                                     - 72 -


        7:30                 Waning Crescent        Sagittarius
        9:00                 Third Quarter          Taurus
        10:30                Waning Gibbous         Gemini
      * The Cancer symbol differs from that shown in the dictionary.
        Essentially, it's like a lowercase sigma with a long , straight
        tail and another similarly modified sigma, rotated 180 degrees,
        directly beneath it.
      ** This symbol is a large circle with four much smaller circles
         just outside it at clock positions 10:30, 11:30, 12:30, and 1:30.
         The overall effect is that of a paw.  Perhaps it's a different
         sign for Leo.

   Sometime after 4:00 (Cooper tells Annie he'll pick her up at 4:00 sharp)
   -- Annie and Coop in a boat.  Annie tells Cooper that she had
      one senior year boyfriend and because of him, there are scars on her
      wrist before she entered the convent.  Cooper kisses her twice.
      Earle watches.
   -- A wine tasting party which Dick is hosting with a bandaged nose
   -- Gordon again speaks normally to Shelly.  When Cooper and Annie
      appear Gordon tells them and Shelly that he's leaving but
      he'll try to return to TP to be with Shelly.  He gives her
      two kisses, the first interrupted by Bobby who is expressing
      his disbelief.
   -- Lana and Andy find banana and chocolate in the taste of
      the wine they taste.  Lucy spits wine in Dick's face.

   Night (1/2 moon)
   -- Jack and Cooper chat about love.  Jack receives a telegram and
      quickly makes arrangements to check out.
   -- Donna still wants to know about Eileen's involvement with Ben,
      and she is thinking of studying overseas.  Eileen wants more peas.
   -- Hooded silhouette but with a half moon where the head is.  The owl flies.
   -- Cooper and the police at the gazebo.  There's a crate on the gazebo.
      On it there's a ring on a sign that says "PULL ME".  Cooper does
      from a distance using a police line tied to the ring and a
      rock.  He shoots the rock and the crate opens.  The punk is
      in a chess piece sculpture with a sign saying that "Next time it will
      be someone you know."

      [The board presently:
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WR  |     |     | WK  | WQ  | WB  | WN  | WR  |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     | WN  |     |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |









                                     - 73 -


       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     |     |     | BN  | BP  | WB  |    Captured:
       |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
       +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
       | BP  | BP  | BP  |     | BP  | BP  |     |     |    BP by WB
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+                      ]

[Episode 2020 - 4/18/91
 Written by Harley Peyton & Robert Engels
 Directed by Stephen Gyllenhaal]

Thursday evening (continued)
   -- The cops haul the pawn off the gazebo.  A friend of the punk in
      the pawn describes how "Scott," wearing a weird suit, came out of the
      woods, saying he had beer so Rusty Tomaski the punk went with him.
      Andy cries.  Cooper thinks Earle is playing off the board since
      Earle didn't tell him his move.

24 Mar (Friday)

   Morning
   -- Lucy tells Truman that Hawk is feeding breakfast to some guy she's never
      seen before because he looked sad.  She tells Andy tomorrow is D-Day
      (Dad Day) when she'll choose the father of her baby.  She's also
      going to enter the Miss Twin Peaks contest and Andy's got some ideas
      for her speech.
   -- At the Great Northern, Jack checks to see if there are any messages
      for him from Audrey
   -- Doc Hayward, after examining Ben, gives him a clean bill of health,
      and tells him to stay away from Eileen.  Ben says not as long as the
      lie survives.  Jack enters, looking for Audrey.  He has to leave
      because his partner was murdered.
   -- Donna Marie Hayward finds a blank space on her birth certificate
      under the "Father" entry and some pictures of her parents with Ben.
      The mother's maiden name entry is Eileen Hayward.  Hawk is on the phone
      for her.
   -- Audrey returns and runs into Hawk who tells her it is important
      to see Cooper immediately
   -- Jack and Ben chat.  Jack's got to take his partner's place in the
      Rain Forest business.  He's got something for Audrey.
   -- Briggs has Cappy look for symbols and has some information for Cooper
      and Truman.  Earle was the best and brightest of them, but became
      obsessive and destructive when the attention turned from outer space
      to Twin Peaks and so was removed from the project.
      E: These, uh, these evil sorcerers, uh,...dugpas, they're called...they,
        uh, cultivate evil for the sake of evil, nothing else, they, uh,
        express themselves in darkness, for darkness without leavening motive,
        uh--Now this, this ardent purity allows them to access a secret place
        where the cultivation of evil proceeds in exponential fashion, and









                                     - 74 -


        with it, the furtherance of evil's resulting power!  Th-this place of
        power is tangible and as such it can be found, entered, and perhaps
        utilized in, in some fashion.  Th-the dugpas have, have, many names
        for it, but chief among them (coughs) is the, uh, is the Black Lodge.
        You don't believe me, do you?  You think I'm mad.  Overworked.
        Go away.
      C: (pauses tape, sighs)  Gentlemen, when Windom Earle arrived in Twin
        Peaks I assumed he had come for vengeance.  For me.  But I
        miscalculated.  He has insinuated himself into the lives of people I
        care for, he has murdered innocents; he has engaged us in subterfuge
        and red herring-- a fish I don't particularly care for.  But all of
        these acts are merely camouflage; he's been after something else all
        along.  The Black Lodge.  Fellas, we need to find out what this
        (points to monitor), the Black Lodge, has to do with that! (points to
        drawing of map)
      Cooper and Truman will look through the old files and Briggs will go
      for a walk.
   -- Earle, eavesdropping on Cooper, Truman, and Briggs, laughs.  Leo
      pockets the shocker.
   -- At the RR, a pie-eater's hand shakes.  Bobby and Shelly discuss her
      speech and his recent inattention to Shelly.  Cooper's on the phone
      for Shelly.

   7:52 am (clock on wall)
   -- At the roadhouse, the mayor tells Lana she's gonna win since the other
      judges are gonna be Norma and Dick.  She says she'll marry after she
      wins.
   -- Cooper has Shelly, Audrey, and Donna compare stories of running into
      strange people.  Shelly recognizes Leo's handwriting.  Cooper tells them
      they need to check into the sheriff's everyday at 9 am and 9 pm.
   -- Earle babbles, Leo cleans, recognizes Shelly on the card and shocks
      himself
   -- Audrey enters the Great Northern just missing Jack on his way out.
      Ben wants Audrey to enter Miss Twin Peaks so she can speak about his
      cause.  He mentions Jack's flight so she takes off, getting Pete,
      who babbles about seeing Josie's face, to drive her.  Something
      surprises Ben.
   -- Cooper and Truman ponder the petroglyph.  Andy goes to call Mrs.
      Briggs to find out about Briggs who should've arrived by now.
      Cooper talks about Annie then gets the hand shakes.
   -- Briggs in the woods, stops at a tree, touches it and his tattoo,
      and is shot by Earle in a horse outfit
   -- Jack prepares to take off

   10:34 am (clock on wall)
   -- Cooper and Annie chat then kiss.  Plates fall.
   -- Pete and Audrey catch up to Jack.  They proclaim their love for each
      other and she says she's a virgin and wants him to make love with her.
      Pete cries and gets the hand shakes.
   -- Earle interrogates Briggs strung up on a target.  Windom: "What do you
      fear most...in this world?"  Major: "The possibility that love is
      not enough."
      Briggs: "There's a time if Jupiter and Saturn meet, they will receive
      you."  He also says something like "That gum you like is coming back"









                                     - 75 -


      backwards.
   -- Andrew and Catherine fiddle with the puzzle box.  After trying Eckhardt's
      birthday and his own birthday, he tries the day the gift arrived and it
      opens, revealing another box.  Andrew smashes it, revealing a metal box.
   -- Annie and Cooper dance.  She mentions entering the Miss Twin Peaks
      pageant.  The Giant appears to Cooper with a mouthed warning, "no, no."

   Dusk
   -- Pete wakes in his truck.  The jet takes off for Brazil.  Audrey's still
      here.  Pete: "There are many cures for a broken heart.  But nothing
      quite like a trout's leap in the moonlight..."
   -- Leo and Briggs writhe in pain.  Earle determines the petroglyph is a
      map.
   -- Cooper's vision of the Giant ends.  Mayor: "This isn't right.  There's
      something wrong here."

   Night
   -- BOB appears in Glastonberry Grove, "I'm out!"

25 Mar (Saturday)   [Episode 2021 - 6/10/91
                     Part 1 Written by Barry Pullman
                     Directed by Tim Hunter]

  Morning
   -- Leo reaches for the key and frees Briggs.  L: "Save Shelly"
   -- Ghostly Earle returns with a new game for Leo.  He's got something
      in a bag.

  1:05 pm (clock on wall)
   -- Norma, Shelly, and Annie chat about the Miss Twin Peaks pageant.
      Norma won the first one 20 years ago.
   -- Ben and Audrey talk about Jack.  He's got some philosophy books
      from which he hopes to learn how to be good.  Audrey reports that
      the Packards are using the Twin Peaks Savings and Loan to funnel cash
      to their Ghostwood project.  Ben hopes to expose this and still wants
      Audrey to make a speech.
   -- Andy stares at the petroglyph.  Cooper tells Truman about how he thinks
      Josie died of fear and a vision of BOB immediately afterwards.  Earle
      eavesdrops and talks to Leo about getting Miss Twin Peaks.  Leo's teeth
      are clamped on a string from which a flimsy cage of spiders hang over
      him.
   -- Pinkle has the Miss Twin Peaks contestants rehearse a dance.  The mayor,
      Dick, and Norma discuss criteria, then Lana seduces Dick in a storage
      room.

  1:17 pm (Cooper to Diane)
   -- Cooper tells Diane he just finished his second meditation.  Annie
      arrives wanting help with her speech.  The pageant is in 6 hours.
      They end up in bed.
   -- Nadine shows slides of her wrestling.  Jacoby has Nadine (with Mike)
      and Ed (with Norma) discuss their breaking up.  Both proclaim they
      are getting married.
   -- Briggs is picked up by Hawk
   -- Cooper and Truman attempt to question Briggs.  Cooper smells haliperidol









                                     - 76 -


      on him.  Andy looks at the petroglyph again.
   -- Andrew, Pete, and Catherine are still wrestling with the box.  Andrew
      finally shoots it open.  Inside is a key, which Catherine puts in a
      cake-saver so it is in plain sight.
   -- Donna demands the truth from uncooperative Will and Eileen
   -- Andy looks at the petroglyph again.  Cooper figures out from a book
      that the petroglyph tells of a time when Jupiter and Saturn are in
      conjunction.  Briggs mutters "protect the queen" and "fear and love
      open the doors."  Andy knocks the bonsai to the floor.  Truman goes
      to pick it up and discovers the bug.

   7:00 (approx) (Annie to Cooper, "in 6 hours")
   -- The Miss Twin Peaks pageant, opening dance number.  Pinkle makes his
      move on the Log Lady.  Talent competition begins.  Lucy dances.
   -- Earle as the Log Lady knocks out Bobby.  Lana dances.
   -- Audrey makes her speech.  Donna demands and gets the truth from Ben.
      He's her father.
   -- Annie makes her speech.  Earle watches from the rafters.
   -- Lucy makes her announcement to Andy and Dick that she wants Andy to
      be the baby's father.  Andy then goes to look for Cooper.
   -- Annie is named Miss Twin Peaks.  Lights go out and chaos ensues as
      Nadine is hit on the head with a sandbag, Cooper sees Earle, and
      Earle takes Annie.  Power is restored and Andy tells Cooper he's
      figured out the petroglyph to be a map.

[Part 2 Written by Mark Frost & Harley Peyton & Robert Engels
        Directed by David Lynch]

  Night
   -- Lucy and Andy discuss what happened at the pageant
   -- Cooper, with Truman and Hawk, ponders the petroglyph and "Fire walk with
      me."  Pete enters and says the Log Lady stole his truck which had 12
      rainbow trout in the bed.  The circle of 12 sycamore trees is where
      Hawk found the bloody towel and ripped pages - Glastonberry Grove.  The
      Log Lady arrives with some oil which her husband said is the opening to
      a gateway.  Cooper determines it to be what Jacoby smelled.  Ronette is
      brought in and recognizes the smell of that oil from the night Laura
      died.
   -- Earle takes Annie to the circle of trees and beyond the red curtains
   -- Nadine is 35 again.  She wants to know who Mike is, why Norma is there,
      and where her drape runners are.
   -- Ben apologizes to Eileen.  Donna cries for Will to be her father.
      Slyvia walks in and Will belts Ben, who hits his head on the fireplace.
   -- Andrew switches the mystery key with another he has for a safety
      deposit box
   -- Cooper and Truman find Pete's truck.  They head into the woods.
      Cooper goes alone, with Truman following, and sees an owl and the
      sycamore trees.  He enters the curtains into the red room.  The
      little man from another place is there.  Another man sings, then
      disappears.
   -- Andy comes looking for Truman

26 Mar (Sunday)










                                     - 77 -


  Morning
   -- 10 hours later, Truman and Andy are still waiting for Cooper

  7:25 am (Andrew's watch)
   -- Audrey practices civil disobedience and chains herself to the bank vault.
      Security guard answers the phone, "it's a boy!  It's a boy!"
      Andrew and Pete arrive and open the safety deposit box to discover a bomb
      that goes off.  Eckhardt's note: Got you, Andrew, Love, Thomas.
   -- Bobby tells Shelly he wants to marry her.
        S: Oh, what kept us, Heidi?  Seconds on knockwurst this morning?
        H: I couldn't get my car started.
        S: Too busy jump starting the old man... again.
        B: I thought you Germans were always on time.
   -- Leo still surviving
   -- Jacoby brings Sarah to Mr. and Mrs. Briggs.  Sarah has a message for
      Garland:  "I'm in the Black Lodge...with Dale Cooper."
   -- LMFAP:  "I'm waiting for you."
   -- Cooper and the little man from another place sitting in the red room.
      LMFAP:  When you see me again, it won't be me.  This is the waiting room.
              Would you like some coffee?  Some of your friends are here.
      Laura:  Hello Agent Cooper.  {winks, snaps her fingers}  I'll see you
              again in 25 years.  Meanwhile... {presents her hands}
      Great Northern room service waiter:  Hoo! Woo, woo, woo, woo {with hand
              in front of mouth--the "Indian noise"}  Hallelujah!
      LMFAP:  Hallelujah!
      GNRSW:  Coffee.  Coffee.  Coffee.  Coffee.  Coffee.  Coffee. {sets down
              solid coffee for Cooper}
      Giant:  {sits down}  One and the same.
      {LMFAP rubs his hands.  Cooper picks up his coffee - it's liquid.  When
              he's about to drink, it's solid.  LMFAP continues rubbing his
              hands.  The coffee's liquid.  LMFAP continues rubbing his
              hands.  The coffee's viscous.}
      LMFAP:  Wow, Bob, wow.  Fire walk with me.
      {Fire.  A scream.  Strobe effect.  Cooper walks to the other room.
              Identical furniture but empty.  Back to the original room.}
      LMFAP:  Wrong way
      {Cooper goes back to to the other room.  LMFAP babbles excitedly. Then:}
      LMFAP:  Another friend.
      {Maddy enters wearing a black dress identical to Laura's.  LMFAP
              continues to babble, ducks behind a chair.}
      Maddy:  I'm Maddy.  Watch out for my cousin. {can't see whether her eyes
              are white}
      {Cooper goes back to the original room.  It's empty.  Then:}
      LMFAP (shadow self):  Doppelganger
      Laura  (shadow self):  {presenting hands}  {angrily}  Meanwhile
              {screams, climbs up on the chair, runs up to Cooper, flash of
               Earle's shadow self}
      {Back to the other room.  Empty, but Cooper is bleeding from his stomach.
      There's a trail of blood on the floor-- Cooper follows it back to the
              original room.  Caroline and Cooper on the floor bleeding.  No,
              it's Annie.  Annie gets up.}
      Cooper:  Caroline?  Annie?  Annie?  Annie?  Annie?  Annie?  Annie?
      {Cooper goes back to the other room.  Annie/Caroline is standing there,
              wearing the black dress from the pageant}









                                     - 78 -


      Annie:  Dale.  I saw the face of the man who killed me.
      Cooper:  Annie...the face of the man who killed you?
      Annie:  It was my husband.
      Cooper:  Annie?
      Annie:  Who's Annie?  It's me, it's me, it's me.
      Cooper:  Caroline?
      {Annie changes to Caroline (shadow self), in Caroline's dress}
      Caroline (shadow self):  You must be mistaken.  I'm alive.
      {Laura (shadow self) screaming, then turns into Windom Earle.}
      {Annie, in pageant dress, appears off to the side, vanishes}
      Earle:  Dale Cooper.  If you give me your soul, I'll let Annie live.
      Cooper:  I will.
      {Earle stabs Cooper.  Fire.  Rewind.  BOB appears, grabs Earle}
      BOB:  {to Earle}  Be quiet.  Be quiet.  {to Cooper}  You go.  He is wrong.
              He can't ask for your soul.  I will take his.  {a spout of fire
              appears over Earle's head, and his head slumps forward}
      {Cooper's shadow self enters as Cooper leaves, crouches beside BOB, and
              laughs with him}
      {Cooper exits into the hallway}
      Leland (shadow self):  I did not kill anybody.
      {Cooper's shadow self chases Cooper and catches up to him.  BOB laughs.}

   Night
   -- Cooper and Annie are back
   -- Will tends to Cooper in his bed.  Annie's at the hospital and will be
      okay.  Cooper gets up, "I need to brush my teeth."  In the bathroom,
      BOB has Cooper ram his head into the mirror.  "How's Annie?!"
#   -- Annie is brought on a stretcher to the hospital emergency ward
#   -- The red room.
#       {MFAP stands with Cooper}
#       MFAP:  Is it future?  Or is it past?  Do you know who I am?
#         I am The Arm.  And I sound like this...  {Indian whooping noise}
#       Cooper:  {looking at table}  Where is the ring?
#       MFAP:  Someone else has it now.
#       Cooper:  That would indicate that it's the future.
#       MFAP:  The later events have never been kept a secret.
#       Cooper:  Where am I?  _And how can I leave?_
#       MFAP:  You are here and there is no place to go...
#         {shouts}  BUT HOME!  {laughs uncontrollably}
#   -- Nurse attends to Annie.
#       Annie:  My name is Annie.  I've been with Laura and Dale.  The good
#         Dale is in the lodge and he can't leave.  Write it in your diary.
#      The nurse slides the ring off of Annie's finger.  She goes to another
#      room and puts it on.
#   -- Truman and Doc tend to Cooper, who says he slipped and hit his head on
#      the mirror and that it struck him as funny.
#   -- Laura is sitting on Cooper's lap in the red room



-- /\__Edwin Nomura -- enomura@ucsd.edu__________.:___________.____________/\ / \\ .:. . : . : / \\ / \\\ : .:: : : Fire walk with me :.. : . : / \\\ / \\\\..::..:::.:::::.:.:.....:::::...::..:...:::::.:.:::::.:....::.../ \\\\

Two questions concerning the new Lynch/Frost series:

There was talk of a "pilot" and of a character originally being blind
in it. Was this pilot seen by anybody or is it what aired this
past Saturday?

Second, was there anything before the opening credits on the first
show? My VCR didn't start taping until midway through the
credits so I'd like to know if I missed something.

Thanks.

emmanuel@well.sf.ca.us

In article <1992Jun18.125826.893@ccu.umanitoba.ca> kdc@ccu.umanitoba.ca () writes:
> > There are a lot of sight gags/ slapstick jokes, most of which were quite
> > funny. At the beginning we see the producer (I think) sitting there with
> > a cup of coffee in each hand, shaking, spilling coffee ( "my nerves!, my 
> > nerves!").  Later in the show the flooring under the puddle of coffee
> > curls up just as a camera rolls onto it.  The camera falls over and
> > as a result the viewers all have to turn their heads sideways or turn
> > their TVs over..(including one family all in undershirts who may have
> > been related to the Norwegian in Twin Peaks :-) )
> > 
> > Albert is back !  At least Miguel Ferrer's character in this show
> > is at least as nasty, with a nasty female side-kick.
> > 
Miguel/Albert has a knack for insulting that flows so amazingly well.  It
would be great if they kept him ultra-nasty to everyone except the owner of
the station (on the hotline) where he would be ultra-subservient.  I hope
Lynch continues to use bizarre metaphor such as the fire coming out of the
phone.  This series looks like it might be able to showcase more of Lynch's
bizarre sensibilities for the sake of spectacle.

> > Mickey and Blinky the sound effects team are hilarious.
> >
Can someone out there tell us a bit about Blinky's ailment where he see's
29.27 (?) more than we do.  How based in reality is it?  Anyway, the segment
where it was explained was truly twisted.  MORE MORE MORE the weirder the better

> > I think I will watch it again when it plays on Saturday night on the
> >American channel.
> >   
Hmmmmm...we got Twin Peaks before the Americans and we get On The Air before
them as well.  Simultaneous similtude?????????????

Yay David and Mark!!!!!!!!!!!!!!!!!!!!!!!!!!!!

ferenc

>> >> Over a year ago, I saw a techno single (I assume, it LOOKED like a
>> >> typical techno release... cheap b&w cover, etc) called "Agent Cooper
>> >> Lurvs (sic) Coffee" by Twin Phreaks.  Anyone know anything about this?

> >I have this and one other directly TP-related single (outside of the usual
> >soundtrack and Julee Cruise releases):

There was a 'techno'/house track released over here in the UK, called
"Go, Moby, Go" (I think), it was a sample of the Twin Peaks Laura Palmers
Theme sequence, the dum-dum, da-dum, dum-dum, dum - bit.
It had this sample running over a fairly racy techno backing...no
Twin Peaks character samples.


Regards,
JPRadley.

Did any one elce see "On The Air." I thought it was great (not as good as 
Peaks or Blue Velvit (but then it is a diferent type of story), but I 
couldn't stop laughing.                                         -=*=- 
Gregory C. Salmieri -=*=-                                                  

 /-------------------------------------------------------------------------\
| It's all a game...                                                        |
|                        Gregory C. Salmieri                                |
|                                                       ...It's all the same|
 \-------------------------------------------------------------------------/

We saw the preview of On The Air on Saturday. Worth waiting for, we
thought. But this week's TV guide (from our local newspaper) doesn't
list it as airing again next Saturday at 9:30. What gives? Does anyone
know when the next installment will be?

Thanks in advance,
laura fullton
laura@rhumba.oit.unc.edu

laura@rhumba.oit.unc.edu (Laura Fullton) writes:

> >We saw the preview of On The Air on Saturday. Worth waiting for, we

CERTAINLY worth waiting for....I can already sense the characters
starting to grow on me.  Betty is so goll-darned cute!

> >list it as airing again next Saturday at 9:30. What gives? Does anyone
> >know when the next installment will be?

It's listed at the same time next week in our local tv listings.  Next
week's episode is said to feature Betty on a quiz-show!
 
"OOT LOKES LORK VEEN GOAT AR HOOT UN ER HOONDTS!"
 
....e

--
Ed Stastny, visual arts editor SOUND NEWS AND ARTS.  
INTERNET: ed@odin.unomaha.edu            "Eez eet steenkee?"
SOUND: PO Box 31104/ Omaha,NE 68132      "JOST HOW YOU LIKE IT..."
::need artwork done? leave me email, or write for portfolio info::

In article <Z5RqmB4w164w@whitebase.ukp.com>, salmieri@whitebase.ukp.com (Gregory Salmieri) writes...

} Did any one elce see "On The Air." I thought it was great (not as good as 
} Peaks or Blue Velvit (but then it is a diferent type of story), but I 
} couldn't stop laughing.

I thought it was the *weirdest* fucking thing I have *ever* seen on TV. I
loved it.

-- "I want you to form a team of the most brilliant minds in network television." "Well, now, isn't that a contradiction in terms?" --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) boyajian@ruby.enet.dec.com

In article <ed.709189233@odin> ed@odin.unomaha.edu (Ed Stastny) writes:
> >
> >It's listed at the same time next week in our local tv listings.  Next
> >week's episode is said to feature Betty on a quiz-show!
> > 
> >"OOT LOKES LORK VEEN GOAT AR HOOT UN ER HOONDTS!"
> >....e

Well, upon further investigation, it looks like On The Air is being
pre-empted here in NC by the 1992 Miss North Carolina Scholarship
Pageant. Arghhh! Any North Carolinians on this group whose local
ABC affiliate *isn't* going to carry the pageant? 

laura fullton
laura@rhumba.oit.unc.edu

My wife and I were at a friend's house the other night eagerly awaiting
the pilot episode of "On The Air." Being a major Twin Peaker, I couldn't
wait to see what Frost/Lynch had up their sleaves.  Well they didn't
disappoint me!  What a great, strange and funny show!  It was great
seeing a television comedy without stupid sex jokes, little kids looking
cute and awful writing! ("Growing Pains," "Who's the Boss," "Full
House," etc.....) 

If you didn't get a chance to see last week's show...please don't miss
the next episode! 

Love to hear other comments on the show.


Saul Markowitz
Public Relations
Carnegie Mellon University

In article <geFRWGq00WBMM1eqhW@andrew.cmu.edu> sm6t+@andrew.cmu.edu (Saul Markowitz) writes:
> >My wife and I were at a friend's house the other night eagerly awaiting
> >the pilot episode of "On The Air." Being a major Twin Peaker, I couldn't
> >wait to see what Frost/Lynch had up their sleaves.  Well they didn't
> >disappoint me!  What a great, strange and funny show!  
> > [...]
> >Love to hear other comments on the show.

I loved it, too.  I particularly liked one blatant Peaks reference/comment:  
(very minor "On The Air" 6/21 episode spoiler below:)






right in the middle of the unbridled chaos near the end of the episode, 
Lynch cuts briefly to the "Network Executives" who are seated in front of
a very familiar-looking red curtain.  Even though the weirdest thing that
has ever been broadcast on TV is happening live before their very eyes,
every one of them is slumped over in his chair, sleeping.  Just perfect.

I thought the close-up of the clock on the acoustical-tile wall was perhaps
another subtle reference.

Fellow people who watched OTA:

As you may have guessed by the title, I missed the show!!  If someone
could send me a brief plot summary, etc. to my E-Mail address above, it would
be greatly appreciated.

Thanks!
Mike Massing

A few comments on On The Air.  It was a great show for television.  Very  
original and funny.  One could easily tell it was a product of Frost and  
Lynch.  It had a TP flavor in its humor.  It seems to me that Lynch is  
trying to pay more attention to style this time around instead of plot,  
because in the first episode I could not decipher any plot yet formed.

I saw "On the Air", I thought it was totally sick, twisted, and more than
perverse. It was a typical David Lynch type show. IN short, I LOVED IT!!!!

In <1992Jun21.032548.489@ucsu.Colorado.EDU> darr@ucsu.Colorado.EDU (David Darr) writes:



|Just got through watching the premiere of On the Air,
|which has got to be (IMHO) the stupidest sitcom ever
|aired.... but, just about the funniest I've ever seen.
|I was rolling on the floor for the last ten minutes.
|_dd_

Does anyone in the Bay Area (near Mtn View would be ideal) have this
on tape?  I'm kicking myself for missing it, and I'd love to see it.

advThanksance,

sj"Your prejudice won't keep you warm tonight" - m

This is only a test.....honest!

I apologize in advance if my subject of matter is inappropriate
for this newgroup, but my itching curiosity is occupying too much of
my already decreasing brain cells.  If you have watched _Blue Velvet_
please let know what you make of the movie.  I would like to know how
each scenes interrelated to make this film.  I have a vague idea, but
there are a lot of leaks that I have no explanations for.  Your help will
be greatly appreciated.  Thanks.

Kurtis Kim
Seeker of Truth
kkim@anat3d1.anatomy.upenn.edu

In article <26PI02zb17eg01@JUTS.ccc.amdahl.com>, tjc50@juts.ccc.amdahl.com (Terry Carroll) writes:
> > This I don't remember.  What line about the chihuahua?

Gordon Cole walks into Truman's office where Cooper and Truman are talking
and greets Cooper with a line about, "Coop, you look to me just like a
something, something Mexican Chi-wow-wow."  (Damn, the memory is the
first to go.)
-- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet...

In article <1992Jun21.073600.19347@well.sf.ca.us>, emmanuel@well.sf.ca.us (Emmanuel Goldstein) writes:
> > Two questions concerning the new Lynch/Frost series:
> > 
> > There was talk of a "pilot" and of a character originally being blind
> > in it. Was this pilot seen by anybody or is it what aired this
> > past Saturday?

That's what aired.  The "Blinky" guy was blind (well, of course, not
actually blind, just blind for all practical purposes).

> > Second, was there anything before the opening credits on the first
> > show? My VCR didn't start taping until midway through the
> > credits so I'd like to know if I missed something.

Nope, there was no teaser.  The first scene of the show is Betty and
Paula(?).  (Was it just me, or did the "director" go out of his way
in his first line to make it sound like "Maddie and Laura"?)
-- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet...

In article <geFRWGq00WBMM1eqhW@andrew.cmu.edu>, sm6t+@andrew.cmu.edu (Saul Markowitz) writes:
> > It was great
> > seeing a television comedy without stupid sex jokes

Unless you count yet another totally clueless blonde as a stupid sex joke.

But I must admit I was laughing so hard I had to play the last five
minutes over three times in order to see it all.
-- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet...

In article <125kqkINNr3t@agate.berkeley.edu>, sally@anableps.berkeley.edu (S. A. Wilson) writes:
> > -- 
> > Sally A. Wilson               \\\\      In Heaven everything is fine....
> > Potato "Salad" Peel, Spud      \\\\     You've got your good things,
> > sally@mica.berkeley.edu         \\\\    And I've got mine.
> >          \\\\     [David Lynch's  _Eraserhead_]

Oh yeah.  Did everybody make the connection between Betty's "Tweedle-dee"
song and "In heaven, everything is fine?"
-- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet...

Hey does anyone have a cast/actor list for the show? If
so can someone print it.

Also, how many episode were made?



-- Sally A. Wilson \\\\ In Heaven everything is fine.... Potato "Salad" Peel, Spud \\\\ You've got your good things, sally@mica.berkeley.edu \\\\ And I've got mine. \\\\ [David Lynch's _Eraserhead_]