Season 2, Episodes 21–22: Miss Twin Peaks / Beyond Life and Death — June 10, 1991–August 27, 1992

In article <109772@sgi.sgi.com>
sjohnson@texas.vlsi.sgi.com (Scott Johnson) writes:

}Did anyone else notice the paleness of all of the characters at the
}beginning?  Especially Windom when he first appears.  It looked like
}he'd been rolling in the flour.  And when he smiled, I thought his
}teeth were black.  Am I going crazy?  No one else has mentioned it,
}but I'm sure the three of us watching it all freaked.  Then we
}noticed everyone seemed pale.  Maybe we were just sensitive.  I
}loaned out my tape or I'd check it again.
}
Yes, he was. Very strange. I interpreted it as seeing WE from Leo's
perspective -- shocked-out, drugged-out, and abused in general.
Poor Leo.

 --- Joe M.

In article <91163.081011BJGLEAS@auvm.american.edu> BJGLEAS@auvm.american.edu (bj gleason) writes:
> >I can't see how anybody is saying that the people in the bank are alive.  The
> >bomb in the vault in the basement blew out the windows (rather violently) on th
> >e
> >street level of the bank.  That had to have been on werid explosion to do all
> >that damage an NOT kill Pete and Audrey...

Was the vault in the basement?  If so, then let me ask you this:  how did
good old Delbert's glasses get blown off his face, UP A FLIGHT OF STAIRS,
and out the front windows of the bank to land in a Douglas Fir, without
even breaking them?!!

I think the vault was on the main floor of the bank and not downstairs at
all.  Or maybe Lynch just wanted to create the Amazing Delbert Bomb-Proof
Stealth Smart Glasses.

--
Rob Jellinghaus                 | "Next time you see a lie being spread or
Autodesk, Inc.                  |  a bad decision being made out of sheer
robertj@Autodesk.COM            |  ignorance, pause, and think of hypertext."
{decwrl,uunet}!autodesk!robertj |    -- K. Eric Drexler, _Engines of Creation_

If you haven't seen the final episode then what are you doing on this
bulletin board?


Anyway, I'm beginning to get upset by the use of the word "doppleganger"
for what Bob does.  Bob posseses people, perhaps shifting their 
soul/essense/personality to the black lodge, but he uses (then discards)
the actual body. 

In fact, Bob may simply pre-empt the personality of the user.  Check
Leland's behavior:

He killed the fat frenchman (memory fails).  A brutal act,
but motivated by fatherly revenge, not Bob's kill-lust.  Also,
he killed the dude in a non-Bob like manner.   This would
indicate that Bob's possesion pre-empts the Leland personality,
who has no memory of whats going on.  I kind of see Leland's soul trapped
in the Black Lodge, where Bob can extract information from him, so as
to maintain the Leland act.

However, when Bob leaves Leland's body, Leland claims to remember all
the horrible things Bob did with his body ... perhaps Bob "clued him in"
as a parting shot ...

What goes on in the black lodge has its own set of rules: presumably
the physical reality in the black lodge is a manifestation of the
occupant's mental state (that is, it is a dream world).  Having
two Coopers there is just a way of viewing the internal battle within
Coop as Bob takes possesion ... Bob has split off the evil in Cooper, and
given it sufficient power that it appears a seperate entity.  Alternate:
the evil Cooper is just an image (like the images of Laura, Maddy & etc.)
used to shake Cooper enough to allow Bob to get a mental foothold.

Further more, whatever is going on is not a science:  It defies the
rational/spiritual approach (Cooper) and the manic/magic approach
(Earle).  Bob may be capable of many different approaches.

Of course, in the final scene, it appears that Bob is showing off to
Cooper:  Staying hidden in the back of Cooper's mind until he is alone,
then taking control slowly (slow enough for Coop to try and brain himself)
as Coop realizes what is happening.

Typical Lynch:  not enough puzzle pieces to make any definate statement.
However, I really doubt we'll see two Coops out in the real world.  This
could go anywhere, assuming there IS a followup.

-- +-----------------------------------------------------+ | Hi Tech Howie "Nature Rewards Arrogance" | | "Fortune Favors "No particular hurry, Officer, | | the Bold" why do you ask?" | +-- Howard_Ship@vos.stratus.com --------------------+

In article <1991Jun12.163840.14068@dialogic.com>
 gerry@dialogic.com (Gerry Lachac) writes:
> >In article <5529@autodesk.COM> robertj@unreal.uucp
 (Young Rob Jellinghaus) writes:
>> >>
>> >>The Giant and the Dwarf--one and the same--
> >
> >
> >Actually, the impression I got was that the old waiter, the one who
> >brought Coop the milk after he was shot, was the "one and the same"
> >with the Giant.  Especially the way they both faded in and out in the
> >same chair.

I agree.  Notice that when Coop was shot, the waiter (a.k.a. Senor
Droolcup, thanks to Albert) and the Giant both were benevolent,
but while the Giant gave Coop clues and predictions, both the Giant
and Droolcup are powerless to otherwise intervene. i.e. The Giant apparently
has great power, but leaves the fighting up to Coop. Droolcup could
easily have helped the wounded Coop, but just kept coming back to give
Coop the thumbs-up sign.

Interestingly, some cultures revere people with mental disabilities
as seers, possibly because some exhibit savantism--remember Rainman??
-- James Mihaychuk,Physics,U of Manitoba- "But... this one goes to eleven!"

In article <53901@apple.Apple.COM> larryy@Apple.COM (Larry Yaeger) writes:

   That said, there are a couple of things that I wish had been addressed...

   One of my biggest outstanding mysteries is who the heck was the hooded figure
   in the last few episodes.  That really looked all mystical and important, but
   was completely ignored in the wrap-up.

Perhaps it was the same figure that appeared to Major Briggs when he
disappeared?  The Major referrred to this figure as ``a guardian''
when being interrogated by Windom Earle.

-30-
Bob

``God, I love the military mind.''

In article <6083@lectroid.sw.stratus.com> hship@sw.stratus.com (Howard Ship) writes:
> >But, Lynch sometimes doesn't care about "reality", so its possible Audrey
> >will be back in a wheelchair (in the mythical TP:TMP).

Or is that TP:TNG (AAAaaaaarghhh, no!!!)
doug

In article <1991Jun12.145705.14894@eagle.lerc.nasa.gov> xxmartn@lims01.lerc.nasa.gov (Jeff Martin) writes:


> >Did anyone else notice that when Coop first entered the BL, there was a 
> >ball of yeelowish light (from Trumans perspective)...and when CooBob 
> >returned the was a ball of RED light ?????????>
> >
> >Hmmm.....

To me, the first seemed like a "white" spotlight, and the second red.


-----------------

   One word sums up probably the responsibility of any Vice President,
   and that one word is 'to be prepared.'

                            --- Vice President Dan Quayle
-----------------

What was the gizmo that WE zapped Copper with supposed to do?
Kill him, stun him or what?

#No, a doppel-ganger is simply a double (a double-goer, literally).
#Your doppelganger is a creature/person who looks exactly like you.
#Stories about them often treat them as if they're mere reflections,
#without any independent existence.  Sometimes they're just doubles,
#though.  Anyone out there have some more information on the folklore
#of doppelgangers?

Well, I recall reading in one book that if you ever touch your 
doppelganger, both of you vanish--like an early version of 
matter/antimatter!    There's a Poe story that deals with this kind of 
thing ("William Wilson"), except that they don't vanish....

Cheers--MVB

"What's the sense in ever thinkin' 'bout the tomb/When you're much too 
busy returning to the womb?"--TMBG
Disclaimer:  Not my planet, monkeyboy!

In article <R493SHT@cs.swarthmore.edu> pouncy@campus.swarthmore.edu writes:
> >I also read a few witch biographies about leaders 
> >of these covens from the 1950's and early 60's.  I stand by
> >my statements.  I am not a witch, and do not pretend to represent
> >witch views.    ^^^^^^^^^^^^^^^^
                 ^^^^^^^^^^^^^^^^
Sir Bedevere:How do we tell if she is made of wood?

Eric Idle/Idiot: Build a bridge out of 'er!!!!

Sir B.:Ahhhhh...  But cannot bridges also be made of stone? :-)  ;-)  :-)


-- James Mihaychuk,Physics,U of Manitoba- "But... this one goes to eleven!"

Damn glad it didn't happen this way... ;)


Scene:  Everything is fuzzy.  Slowly, things swim into focus.  Back
lit shadows of people, faces becoming clearer, clearer:  BOB, Leland,
Doc Hayward, Sarah, Dr. Jacoby, Ben Horne, Donna...

Camera pulls back.

Full cut:  Laura Palmer's room.  Shot of the bed.  It's early morning,
judging from the lighting.  Laura waking up, everyone leaning over the
bed looking concerned.  Laura wakes with a start, sits up.


Laura:  "Geez, I just had the *WEIRDEST* dream!  Dr. Jacoby, you were
there, and Ben, and Daddy...  and you too, Bob, but you *weren't* a
gardener..."



Grinz,




--
---- jbone@Sun.COM --------------------------------------------------
------------------------------------------------------ Jeff Bone ----
                                                                   --

In article <14953@exodus.Eng.Sun.COM>, alan@ikkyu.Eng.Sun.COM (Alan Marr, Animation) writes:
> > Regarding Audrey and Pete:  Audrey was some distance away from the
> > blast which took place in a very large room.  Furthermore, the bomb
> > appeared to be simple explosive and not a pipe bomb or something more
> > deadly.  The blast was undoubtedly channeled by the shape of the safety
> > deposit box so that Packard got it full force in the head.  That would
> > have absorbed a lot of the energy and Pete off to the right was
> > probably well shielded by the door of the box.

As Marge Simpson would say, "HmmmmmmmmmmMM!"  Somebody's glasses blew out the door
of the bank, or out a window.  If they were the old banker's glasses it must have
been some blast, since he was nowhere near the bomb.  If they were Andrew's, they
would have had to blow around a corner, out the vault door, and then outside, again
making it quite some blast.  I doubt Andrew's bulk would be effective at shielding
something like that.
-- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet...

In article <53901@apple.Apple.COM>, larryy@Apple.COM (Larry Yaeger) writes:
> > Interesting interpretation.  I took the head-butting action to be BOB
> > demonstrating his complete control over Coop, in a manner similar to what
> > he did to Leland in the sheriff's office.  And the genuinely spooky
> > "How's Annie" repetition to be BOB's gleeful wallowing in the belief
> > that Coop's last non-BOB-controlled thoughts would have been better turned
> > to his own safety than to Annie's.

I'm with you on the butting -- but I felt the "How's Annie" quote was BOB laughing
at how easily Truman and Doc were taken in by BOB's own acting, pretending he still
is the normal, "goody-goody" Coop.
-- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet...

In article <20441@sdcc6.ucsd.edu> jsnell@sdcc13.ucsd.edu (Jason Snell) writes:
> >
> >* Briggs is the guy. He's the one who is told by the Log Lady that "Coop
> >  Is With Me at the Black Lodge"... he's got to be the one to save him.
> >
Log Lady? Don't you mean Sarah Palmer?


-- Bill Downing, President Email: bdowning@unixland.natick.ma.usDOWNING ASSOCIATES, INC. 68 Washington St, Natick, MA 01760 508-655-3040

In article <7062@vela.acs.oakland.edu> rjohnson@vela.acs.oakland.edu (R o d Johnson) writes:
   In article <1991Jun11.171334.11904@panix.uucp> jhawk@panix.uucp (John Hawkinson) writes:
   >One little anomaly I noticed in the Black (/white?) Lodge scene last night:
   >  After Cooper has gone from room to room a couple times, the statue which is
   >in the hallway dissapears. Any comments?

   I thought, while I was watching it, that there's a statue at *one* end
   of the hallway and not the other.  I assumed it was put there in part
   to serve as a reference point so that we could tell which room was
   which.  At some point, though, it seemed that things got totally
   turned around and inconsistent, sort of like the scene in "Yellow
   Submarine" where Our Heroes run in one hotel room door and then out of
   the door across the corridor.

[In what follows, I'm calling the first of the red curtained rooms
that Cooper enters, ``the waiting room'', just to have some name for
it.]

The first five times Cooper goes through the hallway, there is a
statue at ``the far end'' (i.e. the end away from ``the waiting room''
or its current incarnation, and away from the camera).  Moreover,
Cooper is filmed fairly consistently: when he is moving away from
``the waiting room'' end, he is filmed from behind, moving toward the
statue, away from the camera; when he is moving toward ``the waiting
room'' end, he is filmed from the front, moving away from the statue,
toward the camera.  (This assumes there is only one statue in the
hallway(s) with the statue.)  When Cooper leaves the room where he
starts to bleed from the stomach, which was the room away from ``the
waiting room'' end, he is filmed, as usual, approaching the camera.
But there is no statue behind him.  The point of view then cuts to a
position from behind Cooper and there is no statue in front of him,
either.  I take it that the different camera angle is meant to let us
know that this is a hallway without a statue at either end.

The hallway where Cooper meets Leland is also a hallway without a
statue, since we see the hallway from Cooper and Doppel-Cooper's
viewpoints, and there's no statue at either end.  Also, I believe that
the camera position is different in this scene, and is at what was
formerly ``the far end'' of the hallway.  Since this is where Cooper
starts to run away from his Doppelganger, towards the room where he
entered the XXX Lodge, this is probably a deliberate shift in camera
point of view.  I'm not completely certain of this, however.  Up until
Cooper encounters Caroline for the first time, we see him enter and
exit each room he's in, and it's possible to chart his course.
However, we don't see him leave the room where he meets Caroline;
there is a cross-fade, to a shot of the camera panning up a hallway,
with Cooper saying ``Annie'' over and over.  At this point, it's not
clear where the next room, where he encounters Windom Earle et al, is.
In the climactic race with his Doppelganger, it looks like Cooper
crosses two hallways and goes through a room.  The last room of the
chase seems to be the original ``waiting room''.  If it is, the
Doppelganger catches Cooper at the spot where Cooper entered the XXX
Lodge (which makes sense, since ``Cooper'' then reappearsin
Glastonbury Grove.  Also, if I'm right about the orientation.  The
Doppelganger enters at a point diagonally opposite from where Cooper
entered the XXX Lodge.

-30-
Bob

``You go.''

In article <TOM.91Jun11151809@kether.webo.dg.com>, tom@kether.webo.dg.com (Tom Sullivan) writes:
> > In article <1991Jun11.115808.18912@crim.ca> vroomen@bond.crim.ca (Louis C. Vroomen) writes:
> >    And now, what of WE?  Is he a permanent resident of the BL?  It is interesting
> >    that when WE wants to take Coop's soul, it looks like he is using a knife
> >    but Bob just pulls it out.  And the soul comes out as flames?  Fire, come
> >    walk with me -- Soul, come walk with me?
> > 
> > I think it's interesting also that before that happened, Coop already
> > was bleeding from a wound.  Was this the wound (that would follow, ie
> > a premonition)?  Also, puncturing aorta's seems to be WE's trademark...

1) BOB is a magician.  WE is still just a magician wannabe.

2) The wound was much lower.  It was his gunshot wound, not a heart wound.

-- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet...

This is a question for Twin Peaks and Prisoner fans.

I have watched TP since it began and thought the finale was
strange, but being a fan of the show, I understood to some
degree what the wierdness was all about.  In other words,
I knew about TP-things like shadow-selves, Caroline's murder,
BOB, etc., so things did make some kind of sense.  I imagine
that to a newcomer, though, it would have seemed like utter
chaos.

Now, speaking of utter chaos, that's what the last episode
of The Prisoner seemed like to me.  However, I've only seen
three or so episodes of The Prisoner (including the first one),
so I'm willing to suppose that the last show really does make 
sense provided one is familiar with the rest of The Prisoner
series.

So that is my question.  If one watches every episode of The
Prisoner and then sees the last episode, does it make sense
at all?  Or is it truly the hodgepodge that it seems to a newcomer
like me to be?

Just curious.  Thanks in advance,

Mike Grosvald
_________________________________________________________________________
"There is nothing that a good defense . . .cannot beat a better offense."
  --The Vice-President
_________________________________________________________________________

I have to agree with everyone who's said that the "end" of the show
does *NOT* necessitate killing or renaming the group.  That's 100%
absolutely ludicrous.  There is and will continue to be enough to
discuss concerning Twin Peaks to justify its continued existance.

alt.tv.t-p should be *the* forum for continued lobbying and support
for further TP ventures, news concerning such, status on such, news
about TP paraphenalia :P ;), TP conventions (it'll happen), stuff
from COOP, and all the rest of that jazz, not to mention the more
serious ;) discussion concerning what the hell it all meant.


Even if this is the "end" of TP, mark my words:  the cult status is
just beginning.  You take things for granted until you don't have
them anymore...  the *only* time it will be appropriate to discuss
removing, rescoping, or renaming this newsgroup will be when the
USENET stats show that it no longer has sufficient readership to
justify its existance.



Yrs,


--
---- jbone@Sun.COM --------------------------------------------------
------------------------------------------------------ Jeff Bone ----
                                                                   --

In article <1991Jun12.145705.14894@eagle.lerc.nasa.gov>, xxmartn@lims01.lerc.nasa.gov (Jeff Martin) writes:
> > Did anyone else notice that when Coop first entered the BL, there was a 
> > ball of yeelowish light (from Trumans perspective)...and when CooBob 
> > returned the was a ball of RED light ?????????

It was just the usual "BOB" spotlight.  It was red because it was shining on the red
curtains.  It was yellow in the other shot because the curtains had already
disappeared.
-- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet...

I was wondering how Annie got out of the Black Lodge.  Possibilities:

1.  Annie was in the Venus statue and got knocked out with Coop.

   [ Comparisons between Venus de Milo and Suicide Annie deleted. ]

2.  Annie was posessed by Mike and marked with the trademark forehead bash.

3.  Bob let her out doing the honorable thing. - No way.

I think Annie and Coop are still in the black lodge.  After all, a red
room must be just as nice a place to stay as the Great Northern or a
convent. :-)

If they are in the black lodge, they can find the path to the white lodge,
with the help of the giant, and escape.  

-jerry

SPOILERS follow...

I like to see Twin Peaks as an extended riff on the conflicts of
love, especially the way love fragments into desire, violence, and
fear.  After all, at the heart of the TP story is a tale of childhood
sexual abuse--a father's seduction and murder of a beloved and
seductive daughter.

Other Twin Peaks romances share the illicit and/or violent elements
of the Leland/Laura relationship--Leo and Shelly's sadomasochistic
marriage; Hank and Norma's similarly twisted marriage; the
"accidental" shooting during Ed and Nadine's honeymoon (they got
married, remember, because Norma cheated on Ed); Shelly's adultery
with Bobby; Ed's adultery with Norma; and of course Cooper's adultery
with Caroline, and Caroline's murder by Windom.

Then there are all those ominous hints about past romances--whatever
horrible events drove Annie to the convent, for example.  And let's
not forget demonic Little Nicky and his parents.  Characters' passion
for Laura, too, leads to violent death--e.g. Maddy, and poor Harold.

I keep expecting someone to start singing "You Always Hurt the One
You Love," or (more cinematically appropriate) "Love Kills" (from
Queen's soundtrack for "Metropolis").

The second season seems to have devoted itself to spreading this
theme around with occult imagery.  What I think we're seeing in these
latest episodes is Lynch's typical heaping up of any gruesome
allusions that seem to fit the theme, like he's building some massive
gothic fugue or Wagnerian opera.  So he hauls out Greek mythology
with all the unseemly romantic and family relationships of its gods
and goddesses (I love the image of the dismembered Venus in the
hallway); and he throws in Arthurian legend (recall Arthur's
illegitimacy, and Sir Launcelot's adulterous affair with Arthur's
wife Guinivere; I picture Windom Earle as an Arthur gone mad, and
Cooper as the well-meaning but tragically flawed Launcelot); and he
throws in Stanley Kubrick movies like "The Shining," where a
murderous father is chasing his wife and son (shouting "Redrum") down
empty hallways, driven by adulterous spectres from the past.

The result is one big vat of symbolic stew, tasty but incoherent.

The lodges thing, IMHO, seems to say that in the real world these
conflicting aspects of love are mixed together, making love both
blissful and hellish, but in the occult world souls divide, sides are
taken, as first the "dark side" (a la Star Wars) of a soul drops out
in the Black Lodge, then the good moves toward the light of the White
Lodge.

The planets symbolize this split; when the two conjoin one can pass
between this world (where life, because of love and passion, is
constantly conjoining opposites) and the otherworld (whatever it is).
So I like the idea proposed that the checkerboard tile indicates that
Black and White Lodges are overlapping.

Or something like that...who the hell knows, anyway?  In the end, I
think the plot and symbolism of TP are incidental; sometimes they
work, sometimes they don't.  If you want plot you're better off with
afternoon soaps.  What you really have to savor in Twin Peaks are the
brilliant characterizations and powerful moods.  The bank scene was
pure genius.

BTW, Marvin Kitman, in a New York Newsday column Monday trashing TP,
said, "For you die-hards, incidentally, there's a 'Twin Peaks: The
Movie' coming along.  My sources say it goes back to the early glory
days of Laura Palmer live."  That should complicate matters.:)

Sorry if this is too long...or obvious...

/Ned                         | "Don't let yourself be hurt this time."
walsh@cunixa.cc.columbia.edu |       --Falling

several people have pointed out that the last 2 episodes were in
the can long before the final decision to cancel TP; after that, at most
minor changes were made to the existing footage.

keeping that in mind, it seems to me that the entire finale, MINUS
the last five minutes (BoB+CooP) makes a fairly normal (for TP) season 
finale--this leaves us with cooper+annie laying on the grass and multiple 
other fates undecided.

seems to me possible that the ONLY change that was made was the
addition of the Bob in Coop ending.

it would be a fascinating look into Lynch's mind to know what, if
anything, changed when he found the show would be cancelled.

rob

>>>>> >>>>> On 12 Jun 91 01:31:33 GMT, billc@apple.com (Bill Cockayne) said:

>> > >* How about this.. Catherine planted the bomb in the safety
>> > >  deposit box because she was getting sick of Andrews taking
>> > >  over.  Only she didnt think that Pete would be there.. or
>> > >  maybe she didnt care..
> > 
> > Yes, Catherine planted the bomd...the question is, what did Catherine 
take 
> > out of the deposit box before she planted the bomb ???

billc> If Catherine planted the bomb, why was the note signed by Thomas?

billc> "We're tiny, we're tooney, we're all a little looney!"
billc> M @O2X  %7L$ 21". Y0[!"YX@>YU<*#!IT#")TY0@T3LPD[9N,(&?'&J<H0R
billc> ME&"  '240XE:=*,;_ECQ @5:R9U7PC(VLWQY>:YSRUS&1PCD>44S\G,+!*R!
billc> M00=  "@.X*)Q(FA!#4( @@RQA7"^AD%@$$4=ELZA#=5AG%MH#0AN82%N^(>9
billc> .
billc> .
billc> .

So Bill, what's the uu file?

(Lance Visser) writes:
> >Fall out is also to an extent open to the interpretation
> >of the viewer.  People see different things in it and in many
> >cases what they are seeing is themselves and their own ideas 
> >about the issues/concepts dealt with in the show filtered though
> >the show.

     Hmm...  "Fall Out" as a Rorscharch (sp!) test.  What a concept!
One could make the case that the episode itself has no more meaning
than an inkblot on a piece of cardboard, and that the meaning is
solely in the interpretation of the viewer!
     I'm not going to argue this case, but it's an interesting
concept...

.sigless Tony

     It truly is a hodge-podge.  If you see the whole series a
couple of times through and think a lot about it, you'll be able to
make some sense out of it-- but probably not the same sense hundreds
of other Prisoner fans have made of it, and almost certainly not the
same sense PMcG intended.  :-)

.sigless Tony

In article <1991Jun12.031830.11584@risky.ecs.umass.edu> giovin@medr3.ecs.umass.edu (Rocky J Giovinazzo) writes:
> >In article <53901@apple.Apple.COM> larryy@Apple.COM (Larry Yaeger) writes:
>>> >>>[and referring to my interpreting a petroglyph symbol near the circle of
>>> >>>trees as the Black & White Lodges]
>>> >>>I can see how you interpreted the symbol this way, but doesn't it look
>>> >>>more like a small well of water?
>> >>
> >[drawing and other stuff deleted]
>> >>... Hence the top portion is
>> >>completely shaded in as white, and the lower portion is a doubly-ringed black
>> >>oval.  Doesn't really look like a well.  And it's not in the center of the
>> >>ring, but outside just to the left on the "map".  The Access Guide has a
>> >>good rendering of the petroglyph (even though it has a statement to the
>> >>effect that no cave markings were ever found or some such in the text?).
> >
> >Your drawing looks different from the one I'm talking about.
> >I was referring to the symbol directly to the left of the circle of
> >trees.  This drawing has the top portion shaded black and the other two
> >sections with no shading (white).  The separation between the regions is
> >in a wavy form (i.e. water) and the sides turn up like the sides of a
> >deep puddle or small (tiny) body of water.  Is this the symbol you mean?
> >Either way, I think that the map clearly marks the lodges as being above
> >the circle of trees.  There is a wavy line like a curtain with a dot in
> >each wave.  Above this are the LMFAP and the giant along with a large
> >colored circle and three other symbols.
> >
> >By "a dot in each wave" I mean something like this:
> >./\. /\. /\. /\. /\. /\  
> >/. \/. \/. \/. \/. \/. \
> >
> >Rocky Giovinazzo

Hmm, we're definitely talking about the same symbol.  I can't make out any
wavy interface between the black and white portions on my screenshot, but
then I can't make out anything that looks like turned up sides either.
Guess I'll have to dig out the Access Guide.  I suppose the symbol could
be a pool with oil over water or somesuch.  Still looks suggestive of the
Black and White Lodges to me, though.

I see the wavy line with dots above the circle, and I can understand how
you'd interpret it as a curtain.  Not that it necessarily disqualifies
the interpretation, but the line that makes up that wave extends on beyond
the wavy portion, and looks like any of the other terrain and river
demarcations.  And other, very similar wavy line segments appear at various
places around the map (e.g., immediately to the left of the crab-shaped
set of lines at the bottom, and again further left after a near vertical
straight line), though no others have the dots.

Dunno... for the time being (as if it really matters) I'll stick with my
interpretation of the black & white symbol as the location/door-to the
Black & White Lodges.

I'm glad we get to carry on these discussions here!  I have been feeling
profoundly sad since the show ended... between the (at least temporary)
possession of Coop by BOB story element, and the all to real (at least
temporary) end of the show, I've been in a real funk.  These discussions
help!
-- -larryy@apple.com "You wouldn't recognize a *subtle plan* if it painted itself purple, and danced naked upon a harpsichord, singing, 'Subtle Plans are Here Again'." - Edmund Blackadder

There's been a lot of loose talk about planetary conjunctions. Just so you
know, in our world, Venus, Mars, and Jupiter are very close together in 
the evening sky. I've been watching them draw together for months (look, 
not only am I a needs-a-life Twin Peaks feeb, I'm an astronomy feeb too).
 
Saturn, according to my Casio "Cosmo Phase" watch, is just about opposite 
Jupiter (and Venus and Mars) right now: the two big planets are as far apart 
as they can be.

       Angus MacDonald;  idddev@well.sf.ca.us
Opinions expressed in this message are solely my own.

In article <1991Jun12.011112.15844@agate.berkeley.edu>, jbuck@forney.berkeley.edu (Joe Buck) writes:
> > In article <544@wybbs.mi.org> meyers@wybbs.mi.org (John Meyers) writes:
>> > >   Okay, the ending. If this were a cliffhanger, it would be great ending.
>> > >We would be spellbound all summer, waiting to find out what happens. But
>> > >assuming Lynch knew that the show was over by this time...
> > 
> > He didn't, dammit!  What we saw last night was filmed months ago, and
[verbage deleted]

Uh, Joe, shut off the flamethrower. At the beginning of the very same message
you replied to, I stated the same thing you did - that the shows had been
filmed before the cancellation. The last statment (and the one that seemed
to spark the flame) was was a completely hypothetical note to lead in to other
comments, answering to those who thought the shows were some kind of conclusion
to the series. I probably should have rephrased the second line of the para-
graph, but STILL.... 
> > 

> > Joe Buck
> > jbuck@galileo.berkeley.edu {uunet,ucbvax}!galileo.berkeley.edu!jbuck



-- __ , |John M. Meyers _/ meyers@wybbs.UUCP (_/_ / /)) _ _ _ _ | \ sharkey!wybbs.mi.org!meyers _/(//)/) / / (-'(/(-'/ ' '-,| "I only laughed away your tears, (/""""""""""""""(_/"""""""""" | but even jesters cry!" - Fish

In article <1991Jun12.211818.1697@casbah.acns.nwu.edu>, stvan@casbah.acns.nwu.edu (Laurel Smith Stvan) writes:
> > 
> > What was the gizmo that WE zapped Copper with supposed to do?
> > Kill him, stun him or what?

It was a unreasonably fancy-looking remote control device that simply set off the smoke bomb
between him and Cooper.
-- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet...

In article <1991Jun12.011652.13194@grebyn.com>, fi@grebyn.com (Fiona Oceanstar) writes:

[the quote of my message delete]
> > Gra-TU-i-tous, you say!  Hmmmmphh.  At least *some* of us out here think
> > that "Twin Peaks" is just as much fun for its portrayal of *love*
> > relationships (perish the thought (-:), as it is for the fantasy, the 
> > mystery, and the post-modern film-buff stuff.  In other words, the scene
> > between Coop and Annie is a scene about *romance*--the power of love to
> > open the White Lodge, and all that.  Just because Lynch let us down by
> > not doing more with the White Lodge concept, doesn't mean he can't do
> > a good love scene.  Not all sex is "gratuitous."
> > 
Don't get me wrong! I'm certainly not against love (really!) and I
certainly think that Coop deserved his chance for romance, but *I* thought
that scene looked really out of place. (Perhaps watching every episode of the
show in 2 days can take its toll.) Sorry that my message represented a tiny
minority, mainly, myself. :-)


> > --all in good fun,
> > Fiona

                                                And taking it that way,
   
                                                       John


-- __ , |John M. Meyers _/ meyers@wybbs.UUCP (_/_ / /)) _ _ _ _ | \ sharkey!wybbs.mi.org!meyers _/(//)/) / / (-'(/(-'/ ' '-,| "I only laughed away your tears, (/""""""""""""""(_/"""""""""" | but even jesters cry!" - Fish

jhawk@panix.uucp (John Hawkinson) writes:

> >One little anomaly I noticed in the Black (/white?) Lodge scene last night:
> >  After Cooper has gone from room to room a couple times, the statue which is
> >in the hallway dissapears. Any comments?
> >-- 

On a second watching I kept track of this.  If you take the statue as
indicating WHICH room Cooper is in (no statue by the entrance to the
first -- called the "Waiting Room" by the LMFAP -- and a statue by the
entrance to the second room), then Cooper moves back and forth between
the 1st and 2nd rooms several times.*

Then... Laura reappears with glassy eyes and starts screaming.
Flashes of Windom Earle's face are alternated with hers.  I take this
to mean that WE is now controlling what Cooper sees.

After this scene, we never see the statue again, the logical
conclusion being that either Cooper keeps entering the same room (the 1st)
over and over again, or he is running between the 1st room and a
doppelganger ("the wrong room") 1st room.


*the only divergence from consistent spatial relationships is when
Cooper looks in the 2nd room for the first time.  The furniture is in
the corner closest to him.  Subsequently, it is in the far corner.
-- ///////////////////////////////////////////////////////////////////////// / Louise Marks Internet: marks@skat.usc.edu / / University of Southern California BITNET: marks@uscvm / /////////////////////////////////////////////////////////////////////////

In article <wR5c42w163w@zitt> joe@zitt (Joe Zitt) writes:
<
<Oh, yeah, SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER
<
<It seems that Coop has, after all, been taken over by BOB -- or has he?
<What was with the apparent antiCoops that we saw in the lodge? Did one of
<them return rather than the real one, leaving Coop himself still inside
<the lodge?
<A friend with whom I watched the show has pointed out that it's wide open
<for a sequel, since BOB is still on the loose, and Coop is either fighting
<the spirit which has possessed him, or is on the inside of the lodge, trying
<to get out.

It seems to me the two are the same.  "Entering" a Lodge consists
of a change in one's perceptive faculties.  I.e. the Lodges are not *places*;
they are right here and it's only a change inside you that lets you
experience them while the ordinary world seems to have disappeared.
Presumably for a person who is sufficiently "developed" this change
in perception can be effected by an act of will.  "Normal" people
and "normal" occult beings cannot do that unless the configuration
of some "ambient" energies makes such a change of perception particularly
easy (this happens when Jupiter and Saturn meet).

Yes, the shadow self of Cooper is "out".  That is -- due to his
moment of weakness -- his "psychic" energies have reoriented themselves
in a super-nasty way.  The bad stuff now has a "majority vote" among
the forces of his soul.

Something like that.

The question of "but where did their material bodies go while
in the 'waiting room'?" is not very important.  Maybe people who are
near are also affected by some kind of light trance.

<Did we ever see the White Lodge? Are we, indeed, sure that there is one?
<Is the Waiting Room part of either lodge? Did Laura lose her battle and
<become part of the Black Lodge?

I suppose when you are in the waiting room (and I am inclined
to think we haven't seen the Lodges themselves yet) -- or when you
are in the equivalent state of consciousness -- you are able to see
the good and bad components as *separate beings*, not unified as usual.
It is only a mode of perception that doesn't necessarily correspond
to an "objective truth".  So Laura is one Laura but she is manifest
as two beings -- while Coop/whoever is in that state.  Coop himself
becomes two Coops (or so it seems to him) and while in this state
the two sides can fight for the territory.

<So, we never did get to see Diane... and the scene with Gordon from the
<trailer didn't make the cut...

That scene was from several episodes ago.

<This was clearly one of the bloodiest shows I've seen made for primetime.
<Ben, Coop, Annie, and, I think, someone else, had serious untended head
<wounds.

Seems like Bob's favorite wound.

<The MFAP said that he'd show up again as someone else -- who?

As his other (negative) self.

<Was that Laura reflected in the coffee cup in the end titles?

Looked like her.

<It seems that the dream sequence from earlier in the series does indeed
<happen 25 years later -- but that seems to be an unpossessed Coop in that
<sequence. What does this tell us about who has come back as Coop?

See above.

<When did Ronette get better?

I don't know, what difference does it make?

<Where did the Log Lady go when Earle replaced her? How did she get back?

I thought this was funny, like Roger Ebert's "predictable tree"
fallacy.

<How did Coop know exactly when she'd show up at the sherrif's office?

He made an appointment with her.

Jan Bielawski
Computervision, San Diego
jpb@calmasd.prime.com

In article <1991Jun12.144222.12777@grebyn.com> fi@grebyn.com (Fiona Oceanstar) writes:
> >I am very much in favor of transmuting a.t.t-p into 
> >alt.fan.david-lynch, but I don't think that we need
> >restrict our discourse to the great man himself.  We
> >can also talk about artists who work in much the same vein--
> >filmmakers, novelists, etc., who write about the weird,
> >thhorrible, and the sublime, with a similar commitment
> >to style.

I'm for maintaining the status quo in this instance.  TP is as much
Mark Frost's creation as David Lynch, and it's TP I'm interested in,
not Lynch as such.  I *definitely* don't favor watering down a.t.t-p
with discussions of Katherine Dunn or whoever.  No reason that that
can't happen in rec.arts.books, or alt.weird-horrible-sublime, or
whatever.  

But leave this group alone.  There's no pressing need for
change--alt.tv.prisoner doesn't seem to be worried--so why change?  If
there's a need for another group, create that too.  Let a thousand
flowers bloom.

-- Rod Johnson * rjohnson@vela.acs.oakland.edu * (313) 650 2315 "All wax is wedding wax" --Gertrude Stein

In article <1991Jun12.130812.6155@eagle.lerc.nasa.gov>, xxmartn@lims01.lerc.nasa.gov (Jeff Martin) writes:

[quotes of quotes deleted]

> > ok how's this for an ending....
> > 
> > Coop and Annie in bed.
> > 
> > Annie: "I'm so tired...I feel like I've been through the worst dream in my 
> > life.."
> > 
> > Coop: "Everything's fine now. It all works out in the end."
> > 
> > Camera pans to mirror over dresser. We see Coop and Annie lying in bed.  
> > Copp slowly raiser up and looks directly into the mirror.
> > 
> > Cut to close up of Coops face..slowly a BoB-like grin comes across his face.
> > 
> > credits.
> > 

I think that is, here we go, AN EVEN >BETTER< ENDING.

But then, I've been known to hold unpopular opinions. :-)

                                               John

  __        ,                 |John M. Meyers - meyers@wybbs.UUCP
 (_/_ /     /)) _    _  _   _ |"As you grow up and leave the playground where  
 _/(//)/)  / / (-'(/(-'/ ' '-,|you kissed your prince and found you frog,
(/""""""""""""""(_/"""""""""" |remember the Jester who showed you tears - a
                               Script for Tears." - Marillion

In article <6094@lectroid.sw.stratus.com> hship@sw.stratus.com (Howard Ship) writes:
> > ...
> >
> >What goes on in the black lodge has its own set of rules: presumably
> >the "physical" reality in the black lodge is a manifestation of the
> >occupant's mental state (that is, it is a dream world).  Having
> >two Coopers there is just a way of viewing the internal battle within
> >Coop as Bob takes possesion ... 

While I don't agree with everything Hi Tech Howie had to say in this posting,
I think the above statements are right on.  Note: I added the quotes around
the word physical, since I'd rather reserve the unquoted use of that word
to describe the physical world we all experience.

I've been thinking about this for a little while, and it seems as if Lynch
may have set himself up with a really nice cinematic device here.  It'll
be interesting to see if he uses it this way (assuming, oh please goddess,
he gets a chance to):  Instead of a choice between Cooper being possessed,
fighting for his soul strictly within his physical body, and his doppelganger
being out in the physical world while he is trapped in the Black Lodge,
perhaps both are true.  That is, if the events that transpire in the
Lodges are dream-like manifestations of the psychological/spiritual events
transpiring in the physical realm, then Lynch could produce a film where
all the internal struggles of his protagonist could be given "physical"
form.  Where more traditional movies are limited to troubled facial
expressions or Dr. Strangelove-style left-hand-fighting-the-right-hand
methods for expressing internal conflict, the Twin Peaks movie (PLEASE!)
could carry on two interwoven storylines/story-settings.  So, when Dale
is trying to fight back in the physical world, and, say, is experiencing
a brief period of success against BOB, we could cut to scenes of good-Dale
temporarily overcoming bad-Dale in the Lodge/Red-Room environment.  And
vice versa.

For this to be exciting, the Lodge environment would have to be expanded
from just the Red Room, I think, or even the most dedicated TP fans (myself
included) would begin to suffer from claustrophobia and boredom.  But
since the whole Lodge reality has been mulching in Lynch's mental garden
of earthly delights for some time now, I'd like to see his expanded vision
of the Lodges.  (I must confess, I had hopes that we would get some of this
in the Season Finale.)

Since Major Briggs and Annie could conceivably enter the Lodges directly to
try to help Dale at that level, while Truman, Hawk, Andy and Albert try to
contain the possessed Dale's carnage in the physical realm (with, possibly,
the Log Lady able to occasionally communicate messages between the realms),
we could witness quite an epic struggle for self preservation and self
control by Dale from two entirely different vantage points, using two
entirely distinct metaphors.

Ah well, just a thought...
-- -larryy@apple.com "You wouldn't recognize a *subtle plan* if it painted itself purple, and danced naked upon a harpsichord, singing, 'Subtle Plans are Here Again'." - Edmund Blackadder

Spoilers for 6/10 TP episode.

So, is Cooper's doppelganger on the loose, while Dale is trapped in
the Black Lodge or has Bob inhabited him?  I'm more inclined to the
former, but there are problems with the theory.  If Dale is in the
Black Lodge, why would Laura say they would meet in 25 years?  They're
drinking thick black coffee together!  That would lead to Bob/Dale
being outside the Lodge, and can't return until Jupiter and Saturn
realign (25 years).

What's the consensus on the two red-curtained rooms?  Was one the
Black Lodge, the other the White?  I think it was a succession of
rooms leading farther and farther into the Black Lodge.  Cooper never
made it to the White Lodge because he failed in his confrontation with
his evil-self/Bob (he tried to run away).

Why was Leland in the Black Lodge (well, in the hall)?  It had to be
the "good" Leland--he didn't have the white hair, and told Cooper he
didn't do anything wrong (I forget the exact quote).  When Leland died
in the jail cell, Cooper told him to follow the white light,
presumably to heaven.

As always, the answers leave you with more questions.  Classic Twin
Peaks.  I thought the first 30-45 minutes were rushed, like they were
trying to resolve some of the lesser plot lines.  I found it in stark
contrast to previous Peaks, where you had the slow-motion-nightmare
pace.  The last hour was excellent.  Keep eating that cherry pie!
-- Jeff Hansen /\ ----------- "How's Annie?" / \/\ Internet: jmh@aal.itd.umich.edu /___/__\ Jeff_Hansen@ub.cc.umich.edu BitNet: userHCQ7@ubumich

This is the first posting of the complete timeline, including all
episodes shown in the United States.  I have made numerous additions
and revised much of the whole thing.

This timeline is based off of one begun by Jerry Boyajian.
Many thanks go to Ed Hughes, David Coufal and all others who have posted
transcriptions and summaries which I've incorporated here.
This is for non-profit purposes.

A copy will be made available via anonymous ftp at audrey.sait.edu.au
(130.220.16.88) in pub/twin-peaks/timeline.Z

Edwin Nomura
enomura@ucsd.edu

--

1969 approx ("going on 20 years now," Truman to Cooper, 1003)
   -- Bookhouse Boys formed

March 1969 ("20th anniversary," Shelly to Norma, 2021)
   -- Norma wins the first Miss Twin Peaks pageant

April 1969
  -- Hank and Norma get together ("20 years ago, next month," Hank to Norma,
     1007)
  -- Norma begins working at the RR  ("20 years this April," Norma to Nadine,
     2007)

1983 ("6 years ago," Truman to Cooper, 1000)
   -- Andrew Packard brings Josie over from Hong Kong to be his wife

1985 ("4 years ago," Cooper to Truman, 2014)
   -- Caroline killed while under Earle's and Cooper's assigned protection

1986 ("3 years ago," Cooper to Truman, 1002)
   -- Cooper has a dream where he learns the deductive technique he exercises
      in 1002 and becomes deeply moved by the plight of the Tibetan people

April 1986 (Cooper to Leo, 1003)
   -- Leo cited for an illegal U turn

August 1987 (approx)
   -- Andrew Packard supposedy dies, in a boating accident.  In actuality,
      Hank is responsible, and is to receive $90,000 payment from Josie.
      [Truman first tells Cooper Packard died "last year" (1000) but later
      tells him it happened "a year and a half ago" (1001)]
   -- Hank Jennings takes the fall for the killing of an unnamed vagrant,
      is convicted of vehicular manslaughter and sent to jail.

November (Cooper to Leo, 1003)
   -- Leo cited for a drunken disorderly

August 1988
   -- Laura gets her safety deposit box ("6 months ago," clerk to Cooper, 1000)
   -- Laura begins seeing Dr. Jacoby (Jacoby to Cooper, 1004)

September (Cooper to Leo, 1003)
   -- Leo cited for an aggravated assault.  Charges later dropped.

December
   --  Laura begins seeing James ("2 months ago," Donna to mom, 1001)

January 1989
   -- Truman starts seeing Josie (Truman to Cooper)

05 Feb (Sunday) (Cooper to James, 1000)
   -- Laura and James and the locket

06 Feb (Monday) (date at top of page in diary, 1000)
   -- "Day One" (entry in Laura's diary).

12 Feb (Sunday)
   -- The picnic ("2 Sundays ago," James to Cooper, 1001)

22 Feb (Wednesday)
   -- Maddy feels Laura's in trouble (Maddy to Donna and James, 1005)

23 Feb (Thursday)

   5:00 pm (Josie to Cooper and Truman, 1001)
   -- Laura arrives at Josie's for her English lessons.  Josie says Laura left
      an hour later.

   Sometime after dinner
   -- Last entry in Laura's diary:  "Nervous about meeting J. tonight."
      (She remarks about having asparagus for dinner again, 1000)
   -- Bobby meets with Leo (Bobby to Mike, 1001)

   9:00 - 9:30 pm
   -- Laura returns home from Bobby's.  (Sarah Palmer tells Truman she last saw
      Laura when she got home about 9:00 (1000).  Bobby answers yes when
      Cooper asks him, "she was studying at your house until about 9:30.
      Isn't that right?")

   9:30 pm
   -- Laura snuck out of her house (James to Cooper, 1001)

   10:00 pm
   -- Leland calls Laura from Ben's office (Cooper to Truman and Albert, 2009)

   12:30 pm
   -- Laura jumps off James' bike at Sparkwood and 21 and runs off (James to 
      Cooper, 1001)

   12:00 - 4:00 am
   -- Estimated time of Laura's death according to the preliminary autopsy
      (Doc Hayward to Cooper and Truman, 1001)

24 Feb (Friday)   [Episode 1000 (pilot) - 4/8/90, 8/5/90
   Written by Mark Frost and David Lynch
   Directed by David Lynch]

   "Just after dawn" (Truman to Bobby)
   -- Pete Martell discovers Laura's body:  "She's dead...wrapped in pastic"
      He calls Truman.
   -- Truman and Doc Hayward identify the body as Laura Palmer's.  Andy
      takes pictures and breaks down and cries.
   -- Sarah can't find Laura.  She calls the Briggs' and the football coach.
   -- Ben and Leland have meeting with Norwegians.  Ben mentions he has
      information that the sawmill will go belly up within a year.
      Leland receives news about Laura.
   -- Bobby takes Shelly home from the RR
   -- Leland makes a positive ID of Laura's body
   -- At Twin Peaks High, outside of class, James meets Donna ("Nice day for a
      picnic").
   -- In class, Donna notices Laura's empty seat after a cop talks to the
      teacher
   -- Bobby is questioned, then arrested
   -- Principal Wolchezk makes the announcement.  Students grieve.

   Mid-morning
   -- Truman questions Sarah.  Hawk is gathering items out of Laura's room.
      Truman gets the message that Ronnette is missing
   -- Josie has Pete "push the plug" and makes an announcement that work
      will stop today in memory of Laura.  Catherine fires a worker.
   -- Ronnette is found wandering along the tracks

   10:00 (approx.) (Nadine to Ed)
   -- James stops at Big Ed's Gas Farm.  He has a note for Donna.  Nadine
      sends Ed off to get the drapes ("They said those drapes would
      be ready by 10.")

   11:30 am (Cooper to Diane)
   -- Cooper enters Twin Peaks (He had lunch at the Lamplighter Inn)

   Noon/early afternoon
   -- Cooper meets Truman and they check on Ronnette.  Truman to Cooper: "as
      far as we know, [Ronnette and Laura] hardly knew each other."  Ronnette:
      "no, don't go there"
   -- Cooper and Truman take an elevator with a one-armed man.  Dr. Jacoby
      meets and tells them he wants to go to the morgue.  Truman
      says no.  Jacoby also says that Laura's parents didn't know she was
      seeing him.
   -- Cooper and Truman check on Laura.  Cooper finds an "R" under Laura's left
      ring finger.
   -- Donna comes to Big Ed's Gas Farm looking for James.  Mike comes by to
      get Donna but Ed kicks him off the property.  Nadine yells at Ed about
      the drapes and Ed gives Donna James' note for her.
   -- Cooper and Truman investigate Laura's diary.  There's a safety deposit
      box key and a bag with what looks like cocaine residue.
   -- Andy and team find the train car
   -- Cooper and Truman question Bobby.  Cooper doesn't think he did it.
   -- Audrey walks into the Norwegians' meeting.  She mentions Laura's death.
   -- Bobby and Mike talk about going after a biker.  Lucy overhears.
   -- Cooper questions Donna.  She says some hiker shot the picnic video.
      He wants to know who she's protecting.
   -- Lucy is about to tell Cooper what she overheard from Bobby and Mike, but
      he already knows - the person they're looking for is a biker.
   -- James with the locket on a thong

   4:00 pm (approx.)
   -- "The Norwegians are leaving!" (one of Ben's employees tells the
      concierge Ben would be back by 4:00 for the final signing of the deal
      with the Norwegians and Ben arrives as the Norwegians are leaving)

   4:10 pm (Cooper to Diane)
   -- Cooper and Truman at the train car.  They find the necklace, on a chain,
      with half of the heart and a note, "Fire, walk with me."
   -- James with the locket on a thong
   -- Sylvia tells the nurse to tell Johnny that Laura won't be coming back

   Late afternoon
   -- Cooper and Truman at the bank.  Inside Laura's safety deposit box are
      over $10,000 and a copy of Fleshworld.
   -- Leo finds two kinds of cigarette butts in the ashtray and threatens
      Shelly
   -- Norma calls Ed.  They agree to meet at the Roadhouse at 9:30.

   Early evening
   -- Town meeting where Cooper addresses the community leaders.  He says that
      one year ago, almost to the day, in the southwest corner of the state,
      a girl by the name of Teresa Banks was found dead and because of
      "irrefutable similarities," he believes that same perpetrator killed
      Laura and almost killed Ronnette.
   -- Leo calls Mike (Mike to Bobby, 1001)

   9:30 pm (approx.)
   -- Donna sneaks out after overhearing her parents talk about the necklace.
   -- Mike and Bobby arrive at the Hayward's looking for Donna.  Doc discovers
      she is missing.  The boys head for the Roadhouse.
   -- Doc calls Cooper and Truman who are staking out the Roadhouse about
      missing Donna.
   -- Big Ed and Norma talk about leaving their respective spouses for each
      other. Cooper and Truman see Mike and Bobby arrive, then Donna.
      Truman calls for backup.  Fight breaks out, Joey Paulson takes Donna to
      meet James.  Cooper and Truman pursue but lose them.  James and Donna
      talk about Laura.  He says that Laura mentioned something about a guy
      getting killed. They kiss, then bury the locket.  Jacoby watches
      all this (2001).  James is arrested.
   -- Doc picks up Donna at the station.  James is put in a cell.

   12:28 am (Cooper to Diane)
   -- Truman and Cooper have coffee and donuts.  Truman recommends the
      Great Northern for Cooper.
   -- Bobby and Mike bark at James.  Bobby: "When you least expect it."
   -- Truman meets Josie, has been seeing her for about 6 weeks
   -- Catherine tells Ben on the phone that Truman is with Josie again, and 
      they agree to meet to talk about it.
   -- Sarah has a vision of the locket on a thong dug up by person
      unknown (Jacoby).

25 Feb (Saturday)   [Episode 1001 - 4/12/90, 8/11/90
     Written by Mark Frost and David Lynch
     Directed by Duwayne Dunham]

   6:18 am (Cooper to Diane)
   -- Cooper's up and describes the room to Diane

   6:50 am approx. (Cooper tells Diane he'll breakfast in about half-an-hour)
   -- Cooper goes to breakfast, where he meets Audrey

   Morning
   -- Cooper rattles off the day's schedule to Truman, who's stuffin' his face
      with a donut.  C: "Harry, I really have to urinate!"
   -- Cooper and Truman get autopsy results from Dr. Hayward.  He couldn't
      bring himself to do the autopsy himself.
   -- Shelly discovers Leo's shirt soaked with blood and hides it
   -- Cooper and Truman question James.  He says Laura jumped off his bike
      at Sparkwood at 21 last night.  He flashes back on Feb 5 when Laura
      broke the locket.
   -- Leo can't find his shirt
   -- Mike and Bobby talk in jail cell about Leo
   -- The Donna and Laura picnic video

   10:30 am (Donna to Eileen)
   -- Donna to mom: Laura's been seeing James for 2 months.  Donna is sad but
      happy.
   -- Cooper meets Ed and gets a call from Albert.  Truman and Ed discuss the
      stakeout.  Ed thinks his drink was drugged at the Roadhouse.  The
      bartender was Jacques Renault.
   -- Norma runs into Nadine buying cotton balls at the general store
   -- James released into Ed's custody, Mike and Bobby released

   "Just barely morning" (Pete to Josie)
   -- Cooper and Truman talk to Josie.  Pete: There was a fish... *in* the
      percolator.
   -- Catherine meets Ben.  They plan to torch the sawmill.

   Afternoon
   -- Donna visits the Palmers.  Sarah has a vision of Laura on Donna, and
      killer BOB
   -- Jenny's first day at One-Eyed Jack's (not shown but mentioned later)

   Late afternoon/early evening (exterior shot is dark)
   -- Hawk qustions the Pulaskis, spots one-armed man
   -- Ben confronts Audrey about her involvement with the Norwegians leaving
   -- Bobby and Major Briggs have words over dinner.  Briggs socks Bobby
      when he lights up.
   -- Cooper and Truman talk to Norma about Laura's involvement with the Meals
      on Wheels program, and the Log Lady says her log saw something the night
      Laura died

   Later in evening
   -- Shelly gets home and is beaten by Leo over the lost shirt
   -- James has dinner at Haywards'
   -- Jacoby listens to tape from Laura, takes out the locket on a thong
   -- Bob Lydecker assaulted outside a bar in Lowtown, a section of Twin Peaks
      (Philip Michael Gerard to Cooper, 1004)

[Episode 1002 - 4/19/90, 8/18/90
Written by Mark Frost and David Lynch
Directed by David Lynch]

Saturday evening (continued)  
   -- Jerry Horne gets back from Paris with some baguettes.  Ben tells him
      about the Norwegians leaving and Laura's murder.  They go to OEJ.
   -- Mr. and Mrs. Hayward hit the sack
   -- Ben and Jerry at OEJ.  Ben wins the coin toss for the new girl.
      Blackie:  "When you really want love, you'll find it waiting for you."

   Midnight (clock at Haywards')
   -- James and Donna have their heart-to-heart
   -- Hawk calls Cooper, tells him that Ronnette recently quit at the perfume
      counter at Horne's and about seeing the OAM
   -- Person unknown (Audrey) slips a note under Cooper's door ("Jack with one
      eye")
   -- Bobby and Mike meet with Leo in the woods.  Bobby sees someone with Leo.
      Not all of the coke is in the football since Bobby and Mike don't have
      all the money - Laura had the other half.  Leo mentions Laura's wild
      life and Shelly's infidelity.  Leo: "Leo needs a new pair of shoes!"

26 Feb (Sunday)

   Morning
   -- Ed drops grease on Nadine's drape runners.  Nadine's arms bend back.
   -- Cooper prepares for his rock/bottle experiment
   -- Shelly turns off a commercial for "Invitation to Love" and Bobby visits
   -- Cooper teaches Truman, Hawk, Andy and Lucy about Tibet.
   -- Ed meets Norma at the RR
   -- Rock/bottle:
                             1 "James Hurley, secret boyfriend"
                !            2 "Josie Packard, was instructed in English by
                U3             Laura."  Bottle wobbled slightly.
              !---!          3 "Dr. Lawrence Jacoby, Laura's psychiatrist."
              2   !            Bottle was struck but did not break.
              !   !          4 "Johnny Horne, Laura was his special education
       !----! !   ! !--1-!     tutor."   Rock hit trash can.
       !    ! !   ! !    !   5 "Norma Jennings, she helped Laura organize the
       !    ! !   ! !    !     Meals on Wheels program."
                5            6 "Shelly Johnson, waitress at diner, friend."
                               Rock hit tree, then Andy.
                             7 Jack with one eye.  No rock thrown.
                             8 "Leo Johnson, husband of Shelly, drives a truck,
                               connection with Laura unknown."  Bottle struck.
   -- Ed meets Norma at the RR

   Late morning (after church)
   -- Haywards meet Audrey at the RR who puts on music on the juke.  "God,
      I love this music.  Isn't it too dreamy?"

   Afternoon ("Are we going to have to stand here all afternoon?"  Albert to
              Lucy)
   -- Cooper and Truman examine the bloody rag.  Hawk found it 5 miles from
      the train car.
   -- Albert and team arrive

   Night
   -- Nadine ecstatic about her now-silent runners
   -- Pete and Catherine talk.  Pete sneaks safe key to Josie and she finds two
      ledgers there.
   -- Leland has a breakdown to the strains of Glen Miller
   -- Cooper dreams:
      A series of sudden images, as if illuminated by a strobe light with
      darkness in between:
Cooper in a chair, the dwarf
Laura's mother running downstairs [from 1000]
BOB at foot of Laura's bed
A bloody cloth [in the railroad car?]
Laura dead
BOB crouched at Laura's bed  [Sarah's vision]
      The One-Armed Man:
Through the darkness of future past,
The magician longs to see
One..chants...out..between two worlds...
Fire...walk with me.
We lived among the people -- I think you say convenience store?
We lived above it.  I mean it like it is, as it sounds.  I too
have been touched by the devilish one; tattoo on the left shoulder.
Ah, but when I saw the face of God, I was changed.  I took the
entire arm off.  My name is Mike.  His name is BOB.
      BOB, crouched in some room full of clutter (tantalizingly
      unrecognizable metal objects) like an attic or basement.  He looks
      around and says:
Mike?  Mike?  Can you hear me?  [he turns to look at the camera]
Catch you with my death bag!
You may think I've gone insane, but I promise I *will* kill again!
      A small mound of dirt with a gold necklace on it, surrounded by a
      ring of candles.  A puff of wind; the candles blow out.
      An older Agent Cooper (in his 50s or so) is sitting in a red-carpeted, 
      red-curtained lounge.  Laura Palmer is sitting a few chairs away from
      him, dressed in a slinky black dress and looking very elegant.  There 
      is a strange scraping noise - a distorted silhouette of a person,
      backlit against a doorway -- it seems to be shuddering somehow -- the 
      scraping noise gets faster.  Suddenly the distorted silhouette turns
      around.  It's The Little Man From Another Place.  The scraping sound
      was him rubbing his palms together.  He's got a cheerful, wide smile,
      and he says (in twisted, reversed backwards English):
Let's rock!
      He sits in one of the chairs.  There is a pause.  A black shadow drifts
      slowly over the red curtains, over their heads. Laura puts one finger
      next to her nose, looking significantly at Cooper.  Then:
      LMFAP: [to Cooper]  I've got good news.  That gum you like is going to 
come back in style.  [noticing Cooper staring at Laura]  She's my
cousin.  But, doesn't she look almost exactly like Laura Palmer?
      Cooper: [to LMFAP]  But she is Laura Palmer.
[to Laura]  Are you Laura Palmer?
      Laura: [arching her back weirdly]  I feel like I know her,
 but sometimes my arms bend back.
      LMFAP: She's filled with secrets.  Where we're from, the birds sing a 
pretty song, and there's always music in the air.
      Slow jazz music begins to play.  The Little Man From Another Place
      stands and starts a jerky dance.  Laura stands, crosses to Cooper,
      kisses him, and whispers something in his ear. 
      -- Cooper jerks awake, with his special Cooper Cowlick pointing straight
 up.  He calls Truman and says he knows who killed Laura Palmer -- 
 but it can wait till morning.

27 Feb (Monday)   [Episode 1003 - 4/26/90, 8/28/90
   Written by Harley Peyton
   Directed by Tina Rathborne]

   7:15 am (Cooper to Diane)
   -- Cooper meets with Audrey over breakfast and chat about OEJ and Laura.
      He then tells Truman and Lucy about his dream. [In actuality, he
      describes the ending to the European version]:
      "Harry... you were there. Lucy, so were you.  In my dream, Sarah Palmer
      has a vision of her daughter's killer.  Deputy Hawk sketched his
      picture.  I got a phone call from a one-armed man named Mike. The
      killer's name was BOB.... They lived above a convenience store.  They had
      a tatoo: Fire, Walk With Me.  Mike couldn't stand the killing anymore,
      so he cut off his arm.  BOB vowed to kill again, so Mike shot him....
      Suddenly it was 25 years later.  I was old, sitting in a red
      room.  There was a midget in a red suit and a beautiful woman.  The
      little man told me that my favorite gum was coming back into style and
      didn't his cousin look exactly like Laura Palmer, which she did....
      She's filled with secrets; sometimes her arms bend back; where she's
      from, the birds sing a pretty song, and there's always music in the air.
      The midget did a dance, Laura kissed me, and she whispered the name of
      the killer in my ear."
      He can't remember the killer's name.
   -- Fight at the morgue - Ben and Doc Hayward won't let Albert continue with
      his autopsy
      Albert: Mr. Horne, I realize that your position in this fair
community pretty well guarantees venality, insincerity, and a certain
        irritating manner of expressing yourself.  Stupidity, however, is not
        a necessarily inherent trait.  Therefore, please listen closely - you
        can have a funeral any old time.  You dig a hole, you plant a coffin.
        I, however, cannot perform these tests next year, next month, next
        week or tomorrow - I must perform them now.  <drill noise--VEEP
        VEEP!> I've got a lot of cutting and pasting to do, gentlemen, so
        why don't you please return to your porch rockers and resume whittling.
      Truman slugs him.

   Mid to late morning (?)
   -- Cousin Madeline arrives to the strains of "Daddy!" on ItL
   -- Norma is told of Hank's pending parole
   -- Cooper and Truman talk to Leo
   -- Bobby and father have words again

   12:27 am (Cooper to Diane)
   -- Cooper and Truman leave for funeral after Albert's autopsy report
      Laura was tied up twice, two kinds of twine.  Traces of soap at the back
      of her neck.  Died of numerous cuts.
   -- Ed and Nadine have a quiet moment.  James declines to go to the funeral.
   -- Audrey checks on her family through a peephole.  Ben and Sylvia fight
      over whether or not to take Johnny to the funeral.  Dr. Jacoby comforts
      Johnny.

   Early afternoon
   -- Laura's funeral.  James and Bobby fight.  Leland freaks out.

   Evening (full moon)
   -- Shelly demonstrates Leland's coffin ride
   -- Truman, Hawk, and Ed talk to Cooper about someone running drugs into
      Twin Peaks, and about a sort of evil out in the woods
   -- Cooper meets the Bookhouse Boys (Truman, Ed, James, Joey, Hawk) and they
      question Bernard Renault at the Bookhouse.
   -- Jacques calls Leo for help.  Shelly hides the gun.
   -- Catherine eavesdrops on Josie and Truman.  Josie shows Harry the safe,
      but one of the ledgers is missing.  Catherine has it.
   -- Cooper meets Jacoby at the cemetary
   -- Cooper talks with Hawk about spirits and Laura at the Roadhouse, then the
      two take a drunken Leland home.

28 Feb (Tuesday)   [Episode 1004 - 5/3/90, 9/1/90
    Written by Robert Engles
    Directed by Tim Hunter]

   Day
   -- Andy sketches BOB from Sarah Palmer's description.  She, at Leland's
      insistance, then describes her vision of someone digging up the necklace.
      Donna's thinking.
   -- Lucy watches ItL
   -- Cooper questions Jacoby
   -- Gordon calls Cooper.  Andy shows the BOB sketch to Cooper.
   -- Hawk tracks down the OAM to the Timber Falls motel, where at the
      same time, Ben and Catherine are having a rendezvous, and are being
      staked out by Josie.  Catherine says the bogus ledger has the mill
      turning a profit, and tells Ben where the real one is.  She picks up
      a OEJ chip Ben drops.
   -- Cooper and the boys arrive and question Philip Michael Gerard the OAM.
      He has a suitcase full of shoes.  Andy drops his gun and it goes off.
   -- Bernard Renault makes bail (not shown but mentioned later)
   -- Audrey gets Donna to agree to help her find Laura's killer
   -- Norma goes to Hank's parole meeting
   -- Cooper and the boys visit the Lydecker Clinic and confiscate files
   -- Bobby has rendezvous with Shelly and she gives him Leo's bloody shirt
   -- Cooper, Truman, Hawk and Andy practice in the shooting range.  Lucy's
      mad at Andy.
   -- James runs into Madeline Ferguson at the RR diner, after speaking with
      Donna on the phone

  5:00 pm approx (parole board'll call about 5)
   -- Norma gets a call from the prison.  Hank is being paroled.
   -- Ben talks to Jerry about some Icelanders, then Audrey talks to Ben about
      learning the family business by starting work at the department store.
      Someone (Leo) calls Ben to meet him in half an hour.
   -- A fax arrives from Gordon with a reconstruction of the plastic piece
      found in Laura's stomach.  Andy comes across the file on Waldo, a mynah
      bird belonging to Jacques Renault.  The cops race to Jacques' apartment.
      They find Leo's bloody shirt there, planted by Bobby.

   Evening
   -- Ben meets Leo by the river and they make plans about setting fire to the
      mill.  Bernard's body is lying on the ground. Leo confesses to killing
      him and reports that frere Jacques is hiding out in Canada.
      (Leo tapes this conversation)
   -- James and Donna go to the buried necklace and find it missing

   12:50 am (clock on table)
   -- Pete chats with Josie and retires.  She gets a call from Hank.

01 Mar (Wednesday)   [Episode 1005 - 5/10/90, 9/8/90
      Written by Mark Frost
      Directed by Lesli Linka Glatter]

   4:28 am (Cooper to Diane)
   -- Cooper is woken up by singing Icelanders

   Morning
   -- Cooper meets Audrey in the hotel restaurant
   -- Ben and Jerry discuss the Sons of Odin.  Jerry's got a leg of lamb.
   -- Cooper meets Truman and Andy at Jacques' place.  The blood on Leo's shirt
      is determined to be AB-.  It doesn't match Laura's but matches Jacques'.

   9:14 am (clock on wall)
   -- Bobby has breakfast at Shelly's.  Andy comes looking for Leo.  Leo calls.
   -- Norma drops by Ed's and they agree to cool their relationship for awhile
   -- Audrey has her job interview at daddy's store
   -- James and Donna meet.  His dad was a musician who ran off and his mom's
      an alcoholic.
   -- Cooper discovers Laura's ad in Fleshworld
   -- Madeline meets with James and Donna at the RR and agrees to help them
   -- Hank, now out on parole, shows up at the RR to start work.  Shelly
      watches ItL.
   -- The Briggs family goes to see Dr. Jacoby.  Bobby says Laura made him
      sell drugs.
   -- Cooper, Truman, Hawk, and Doc Hayward go hiking:
      As they approach the cabin, a crow lands on a nearby branch and
      eyes them.  The Log Lady appears and the crow caws.
      LL:   "It's about time you got here."
        {To no one in particular} "They move so slowly when they're not 
         afraid.  Come on, then, my log does not judge."
        { They follow her inside. }
      LL:   "I've got tea.  I've got cookies.  No cake."
      Coop: "That's very kind ma'am, but I don't believe..."
      Hawk: "What kind of cookies?"
      LL:   "Sugar.  The owls won't see us in here."
      Doc:  "A cup of tea would be very nice."
      LL:   {To HST & Coop} "Shut your eyes and you'll burst into flames."
      HST:  {Strolling to the table} "Thanks Margaret."
      LL:   "We'll let it steep."
        { All sitting at the table.  Coop goes for a cookie, and Margaret
        slaps his hand. }
      LL:   "Wait for the tea.  The fish aren't running."
      HST:  "You've been expecting us, Margaret?"
      LL:   "You're two days late, but that's you're concern.  My log saw 
        something, something significant."
      HST:  "What did your log see?"
      LL:   "Tea first.  Then be ready."
        "My husband was a logging man.  He met the devil.  Fire is the devil
        hiding like a coward in the smoke."
      Doc:  "It was the day after the wedding, wasn't it Margaret?"
      Hawk: "The wood holds many spirits, doesn't it Margaret?"
      LL:   {Gesturing with log to Coop} "You can ask it now."
      Coop: "What did you see that night - the night Laura Palmer was killed."
      LL:   "I'll do the talking."
        "Dark.  Laughing.  The owls were flying.  Many things were blocked.  
        Laughing.  Two men.  Two girls.  Flashlights pass by the woods over 
        the ridge.  The owls were near.  The dark was pressing in on her.
        Quiet then.  Later, footsteps.  One man passed by.  Screams.
        Far away.  Terrible.  Terrible.  One voice."
      Coop: "Man or girl?"
      LL: "Girl.  Further up over the ridge, the owls were silent."
      { As they leave on the way to discovering Jacques' cabin, the crow leaves
      the branch it has been on all this time and follows, landing on a branch
      when they stop once again.  We get a close-up of its blinking eye.       }

   4:00 pm (cuckoo clock)
   -- Cooper, Truman, Hawk, and Doc find Jacques' cabin and discover clues
      given to Cooper in his dream

   Evening
   -- Party at the Great Northern for the Icelanders.  Ben and Catherine meet
      in private, Audrey eavesdrops.  Catherine confronts Ben about the OEJ
      chip, slaps him 3 times, says lets burn the mill now.
   -- Leland freaks out to music
   -- Madeline calls Donna.  She found a tape of Laura's.
   -- Back at the party, Ben surreptitiously meets with Josie.  She found the
      ledger where he said it would be.  Ben: "we can proceed.  Tommorrow
      night."
   -- Leo gets home and is beat up by Hank.  "I told you to mind the store, not
      open up your own franchise."  Leo gets pissed at Shelly who shoots him.
   -- Cooper arrives back at his room to find Audrey in his bed

[Episode 1006 - 5/17/90, 9/8/90
Written by Harley Peyton
Directed by Caleb Deschanel]

Wednesday evening (continued) (1/2 moon) 
   -- Cooper has a talk (and that's all) with Audrey

02 Mar (Thursday)

   Morning
   -- Andy arrives at the station.  Lucy won't talk to him and gets a call from
      a doctor.
   -- Cooper, Truman, and Doc Hayward are trying to get Waldo to speak
   -- Hawk shows up with a forensics report on Jacques' cabin and says that
      Jacques is now working as a dealer at OEJ.  There were defenitely 3
      guests at Jacques' cabin - Laura, Ronnette, and Leo.

   Afternoon
   -- Leo spots Bobby arriving at his house to see Shelly.  He then takes off
      when he hears on the police band radio about Waldo.
   -- Maddy, Donna, and James listen to the tape that Maddy found.  They plot
      to get the missing tape (2/23) they belive Jacoby has.
   -- Audrey and another girl, Jenny, are working the perfume counter at
      Horne's.  Audrey hides in manager Emory Battis' office to listen in on
      his conversation with Jenny concerning her sideline work at OEJ.
   -- Cooper receives his ear plugs (Cooper to Diane, 1007)

  12:10 pm (clock on wall)
   -- At the RR Diner, Hank palms a lighter that a customer left, and
      has thoughts about Big Ed after a talk with Shelly.  Truman comes in with
      Cooper and warns Hank to keep clean.
   -- Audrey gets Black Rose's number from Jenny
   -- Nadine is home watching "Invitation to Love" and feeling miserable
      because the patent attorney she went to didn't like her drape runner
      idea.  Ed comes in, comforts her, and encourages her to keep trying.
   -- Truman stops by Josie's and asks about her being at the Timber Falls
      Motel on Tuesday.  She tries to deny it but then tells him about Ben and
      Catherine and about overhearing Catherine's plan to burn the mill.

   Evening (Cooper to Truman)
   -- Truman and Ed rendezvous with Cooper at the hotel.  Truman tells Cooper
      about Josie's problem.  Cooper seems suspicious.  Audrey shows up looking
      for Cooper just as they leave.
   -- Mr. Neff, an insurance agent, shows up at Catherine's about an unsigned
      policy.  Josie was to get $1,000,000 upon Catherine's death.
   -- Catherine finds her bogus ledger missing
   -- Audrey leaves a note under Cooper's door and notices an Asian man
      (Tojamura's assistant) checking in a couple of doors down from Cooper
   -- Leo shoots Waldo and drives off, but not before Waldo's last words are
      recorded.  "Laura, Laura, don't go there.  Hurting me, hurting me.  Stop
      it, stop it, stop it.  Leo, no, Leo no."
   -- Cooper and Ed show up at OEJ posing as "Fred and Barney" and meet
      Blackie.  Ed craps, Cooper jacks.
   -- Maddy sneaks out, though she is seen by Leland, to meet James and Donna.
   -- Ben and Jerry eat ice cream, then Jerry goes off with the Icelanders to
      OEJ for a signing party for the Ghostwood deal
   -- Ben calls Josie about Catherine.  Josie says she'll "get Catherine there"
      and that it is "planned for tonight."
   -- Audrey meets Blackie.  She ties a cherry stem into a knot with her
      tongue, and is hired at OEJ
   -- Jacques relieves the previous dealer at the blackjack table where Cooper
      is playing
   -- Dr. Jacoby is watching ItL on tv when he gets a call from "Laura." At the
      gazebo, Maddy, disguised as Laura, is waiting with James and Donna
      and Bobby is watching them. The whole tableux is being watched by a
      mysterious heavy breather.
   -- Jacoby takes off to find out what's going on with "Laura" while James and
      Donna sneak into his office to search for the mising tape.  Bobby has
      followed them there and sticks a bag of cocaine in James' gas tank.

[Episode 1007 - 5/23/90, 9/15/90
Written and directed by Mark Frost]

Thursday evening/Friday morning (continued)  
   -- James and Donna enter Jacoby's place, find paper umbrellas, the (slightly
      different) missing tape and half the locket on a chain
   -- Jacoby, watching "Laura" is beaten by person unknown (Leland)
   -- Audrey meets with Blackie and notices Cooper on a monitor
   -- Cooper talks with Jacques, sets him up.  Jacques says the bird had a
      thing for Laura.  Leo put a chip in Laura's mouth while the bird was
      attacking her and said, "bite the bullet, baby."
   -- Leo kidnaps Shelly
   -- Jacques arrested, struggles, is about to shoot Truman when Andy shoots
      him
   -- Bobby, Maddy, Donna listen to the tape, as Will takes off for a
      hospital emergency.
"Hey what's up doc?  It's Laura, in case you haven't guessed.  It's
Thursday the 23rd and I'm so bored.  Actually, I'm in kind of a weird
mood.  God, James is sweet, but he's so dumb.  And right now I can only
take so much of sweet.  Hey, remember that mystery man I told you
about?  Well, if I tell you his name then you're gonna be in trouble.
He wouldn't be such a mystery man anymore, but you might be history,
man.  I think a couple of times he's tried to kill me.  But guess what?
As you know, I sure got off on it.  Isn't sex weird?  This guy can
really light my F-I-R-E.  He's a red corvette... Uh oh, here comes mom
with milk and cookies.  Later, Lawrence.  Bye bye."
   -- Leo prepares to burn the mill with Shelly tied up in it.  Timer set for
      one hour.
   -- Nadine writes a note and takes pills
   -- Hank receives $90,000 from Josie for the job 18 months ago.  He says
      doing business with someone is for life and slits both their thumbs.
   -- Catherine is upset.  She can't find the ledger.  She deviously asks for
      Pete's help.
   -- Ed, Hank, and Andy tell other deputies what happened within earshot of
      Lucy.  Andy makes his move and she announces she is pregnant.
   -- Lucy receives call from "Leo" (Bobby) to check out James.  "He's an easy
      rider."
   -- Cooper and Truman question Jacques.  He was in the cabin with Leo, Laura,
      and Ronnette.  He and Leo had fought and had hit him with a whisky bottle.
   -- Hayward tells Cooper and Truman that Jacoby said he saw Laura
   -- Catherine gets a call from Hank.  "It's at the mill, what you're looking
      for."
   -- Hank tries to sweet talk Norma

   3:25 am (clock on wall)
   -- Ed finds Nadine unconscious.  He calls for an ambulance. The address is
      422 Riverside.
   -- Lucy gives message to Cooper and Truman from Leo (Bobby).  Leland asks
      Truman about a suspect.
   -- James gives Cooper Laura's tape.  Cooper tells him Jacoby is in the
      hospital and confronts him about the cocaine found in his gas tank.
   -- Icelanders (Einar Thorson) sign the Ghostwood contract
   -- Ben tells Hank to proceed
   -- Bobby goes to see Shelly, is attacked by Leo, who is shot by Hank
   -- Catherine finds Shelly and frees her.  Fire starts.
   -- Leland kills Jacques
   -- Pete goes into burning sawmill after Catherine
   -- Ben signs the contract and goes to see the new girl (Audrey)
      "Close your eyes. This is the stuff as dreams are made of."

   4:37 am (Cooper to Diane)
   -- Cooper returns to his room, notices the quiet, picks up a note addressed,
      "My special agent," receives a phone call (Andy) and is shot by person
      unknown (Josie).

03 Mar (Friday)  [Episode 2001 - 9/30/90
 Written by Mark Frost
 Directed by David Lynch]

   Early morning (4:45? am)
   -- Room service waiter delivers Cooper's warm milk, hangs up phone on
      Andy.  "I've heard about you."
   -- The Giant appears:
      G: "I will tell you three things.  If I tell them to you and they come
true, then will you believe me?"
      C: "Who's that?"
      G: "Think of me as a friend."
      C: "Where do you come from?"
      G: {Shaking head} "The question is: where have you gone?"
 "The 1st thing I will tell you is: There's a man in a smiling bag."
      C: "Man in a smiling bag..."
      G: "The 2nd thing is: The owl's are not what they seem.
  The 3rd thing is: Without chemicals, he points."
      C: "What do these things mean?"
      G: "This is all I'm permitted to say.  Give me your ring.  I will
return it to you when you find these things to be true."
      {Takes Coop's ring} "We want to help."
      C: "Who's we?"
      G: "One last thing.  Leo locked inside Hungry Horse.  There's a clue at 
Leo's house.  You will require medical assistance."
   -- Jerry gives heroin to Blackie
   -- Audrey evades Ben, Jerry calls him away: Brother Ben, we got an S-N-A-G.
   -- Cooper tells Diane things he'd like to've done until Andy, Hawk, and
      Truman arrive

   7:45 am
   -- Lucy updates Cooper. Truman and Doc Hayward are present.
      C: Doc, when the will is invoked, the recuperative powers of the physical
 body are simply extraordinary.  Just give me a couple of hours to
 get dressed.
   -- Shelly, in her hospital bed, cries for Bobby

   Morning
   -- Cooper sees Jacques' body wheeled away in a bag
C: Is that bag smiling?
Doc: Smiling?
Lucy: What's there to smile about?
   -- Ronnette has a vision, "Laura..."
                                                     
   Day
   -- Sarah asks Maddy if she misses Beth (her mom).  Maddy describes her
      dream (the rug) and Leland sports a new 'do, singing Mairzy Doats:
Mairzy doats and dozy doats
and little lambzy divy.
A kiddly divy, too, wooden shoe?
Now if the words sounds queer,
and funny to your ear,
a little bit jumbled and jivy,
Sing:
Mares eat oats and does eats oats
and little lambs eat ivy.
A kid'll eat ivy, too, wouldn't you?
      Maddy sees something in the rug.
   -- Ben and Jerry talk.  Ben wants to know about Catherine and Leo's status.
      Leland arrives, singing Mairzy Doats.  The brothers dance.
   -- Cooper determines what happened at Leo's.
      C: Sherrif, get your mind off Shelly - for a moment.
      Hawk finds a tarp smelling of gasoline.  Albert and team arrive.  Andy
      steps on a board and walks like a chicken, underneath are a pair of
      Circle Brand boots and cocaine.
      A: And it's another great moment in law enforcement history.
   -- Maddy meets with Donna at the RR and gives her Laura's shades that she
      wanted and breaks her own.  They agree to "keep it quiet."
      D: Maybe the sun won't go up tommorow if you wash your hair.  Think
 like that and you'll go crazy.
      Norma gives Donna a letter that got to the RR "yesterday:" Look into
      the Meals on Wheels.  The log lady spits out her gum.
   -- Albert examines Cooper: "You were shot by a right handed person 5 foot
      6 to 5 foot 10 inches tall at a distance of less than 3 feet."
      Cooper tries to get Albert to open up to the locals.
      A: After the square dance, we can all go for a hayride.
      Andy reports that Leo was in jail in Hungry Horse, Montana on 2/9/88.
      A: Where do they keep his water dish?
   -- The OAM arrives at the station to "sell shoes" to Truman (to Lucy)
   -- Truman questions James.  Cooper demands and gets the locket on a thong
      from James.
      C: Jacoby!  I didn't figure he had anything to do with this at all.
 Sometimes, you just get lucky.
   -- Donna arrives at the station in Laura's shades, smoking and meets
      James in his cell.
      J: When did you start smoking?
      D: I smoke every once in a while.  Helps relieve tension.
      J: When did you get so tense?
      D: When I started smoking.
   -- Cooper has Andy and Lucy look through the back issues of the last three
      years of Fleshworld for Teresa Banks.
      C to D: Diane, just received the back issues of Fleshworld.  Good work.
      It's nice to see some cooperation with the law especially from
      a company that preys on human weaknesses.
   -- Hayward examines Jacoby.  Cooper and Truman arrive.  Cooper confronts
      Jacoby with the locket on a thong: I don't want any baloney, magic
      tricks or psychological mumbo jumbo.
      Jacoby said the night after Laura died, he followed Leo, lost him,
      saw and followed James and Donna and dug up the locket.
      J: Laura was, was in fact, no she was living a double life.  Two people.
 Yeah, but then, then when I saw her the last time, she
 I dunno, she seemed to've reached a kind of peace herself.  Now I
 believe that what she in fact, she had arrived at was the decision
 to end her life.
      T: Are you saying Laura wanted to die?
      C: Laura Palmer did not commit suicide.
      J: No, but maybe she allowed herself to be killed.
      Jacoby smelled scorched engine oil the night before.
   -- Bobby visits Shelly, brings her flowers
   -- Cooper, Truman, and Albert spot Bobby in the hospital.  A: Sherrif
      Truman, to see this kind of investigative genius at work is just a
      real treat for me.
      They meet Ed in the hall.
      Ed: I never believed in fate, Agent Cooper.  Always felt, you make your
  own way, you take care of your own, you pick up after yourself.
      Albert: Farmer's Almanac?
      Cooper: Albert, I would like to speak to Ed.
      Truman: Albert, I'll buy you a cup of coffee.
      Ed tells his tale of how he was with Norma but married Nadine and
      shot her eye out accidently on their homeymoon.  James drops by.  Cooper
      sees the smiling bag.  Albert goes to check in at the Great Northern.
   -- Pete is disgusted by the hospital food
   -- Norma visits Shelly in her room, then sees Ed caring over Nadine
   -- Bobby runs into his father at the RR:
      MB: "Bobby, may I share something with you?"
      BB: "Okay."
      MB: "A vision I had in my sleep last night, as distinguished from a
dream, which is mere sorting and cataloguing of the day's events by
the subconscious.  This was a vision, fresh and clear as a mountain
stream, the mind revealing itself to itself.  In my vision, I was on
        the veranda of a vast estate, a palazzo of some fantastic proportion.
There seemed to emanate from it a light from within, this gleaming,
radiant marble.  I'd known this place.  I had in fact been
born and raised there.  This was my first return.  A reunion with the
deepest well-springs of my being.  Wandering about, I noticed happily
that the house had been immaculately maintained.  There'd been added
a number of additional rooms, but in a way that blended so seamlessly
with the original construction, one would never detect any difference.
Returning to the house's grand foyer, there came a knock at the door.
My son was standing there.  He was happy and carefree, clearly living
a life of deep harmony and joy.  We embraced, a warm and loving
embrace, nothing withheld.  We were, in this moment, one.  My vision
        ended and I awoke with a tremendous feeling of optimism and
confidence in you and your future.  That was my vision of you.  I'm
so glad to have had this opportunity to share it with you.  I wish
you nothing but the best in all things."
      BB: "Thank you Dad."
      Bobby appears moved.  Hank asks Briggs how the pie was and salutes him.
   -- Norma won't talk about Shelly and Bobby recognizes Hank as he who
      shot Leo.
   -- Cooper and Albert tell their theory of what happened on 2/23:
C: The night Laura Palmer was killed, it appears she made 2
   appointments.  In her diary, she had written, "Nervous about
   meeting J. tonight."  I now believe this was a refernce to James
   Hurley.  She was nervous because she planned to tell him she
   didn't want to see him anymore.  Before she snuck out of the
   house, she received a phone call.
A: We believe it was Leo Johnson making a second appointment
   for some time later that night.
C: Laura met James, was with him until 12:30 when, at the intersection
   of 21 and Sparkwood, she jumped from the bike and ran into
   the woods.  We believe that it was there that she met up with
   Jacques Renault, Leo Johnson and Ronette Pulaski.  Together
   they drove to the foot of the trail leading to Jacques' cabin.
   They climbed the trail, they were heard passing the cabin of
   the Log Lady.  They reached Jacques Renault's cabin at approximately
   1 am.  Drugs and alcohgol were consumed.  Laura was tied up
   and had sexual relations with both Leo and Jacques.  Waldo the
   bird was let out of his cage and attacked Laura.  Leo and
   Jacques fought.  Jacques went outside and passed out.  When he
   came to, Leo and the girls were gone.  We believe Leo hiked
   back down to his Corvette alone, leaving the girls behind.
A: The reason being, there was a third man.
C: Deputy Hawk found evidence of a third man outside the window
   of Jacques' cabin.
A: The third man took Laura and Ronette to the train car, where
   they were tied up.  Laura for the 2nd time, Ronette for the 1st.
C: Using a blunt object, the killer hit Ronette and knocked her
   unconscious.  He must've been so intent on killing Laura, he
   didn't realize Ronette regained consciousness and escaped.
A: He either didn't know or he didn't care. He made a small mound
   of dirt and put the half heart necklace of Laura's on top.  He
   then placed a small cut out letter R under the nail of her
   left ring finger.  You'll recall he placed the letter T under
   the fingernail of Teresa Banks.  He, uh, left a note written in
   blood, "Fire, walk with me."
C: Here's the interesting thing.  The blood on the note was tested.
   It doesn't match Leo's, Jacques', Laura's or Ronette's.
A: So we surmise the killer wrote the note in his own blood.  The
   rare type, AB negative.  The towel that Deputy Hawk found five
   miles down the tracks was soaked in blood of that type.  He
   also found, near the towel, scraps of faded paper.
C: The scraps may have been left by the killer.  They'll be sent
   back to Washington DC for testing.
{Andy cries}
A: I know, Andy, I know, I know, I know.  It's what we call a real
   three hanky crime.
Andy: Albert Rosenfeld.  I don't like the way you talk smart about
      Sherrif Truman or anybody.  You just shut your mouth! {Exits}
C: Laura Palmer is dead.  Jacques Renault is dead.  Ronette
   Pulaski and Leo Johnson are in comas.  Waldo the bird is dead.
   This leaves only the third man.
   -- Truman gives Pete a ride home. P: This smoke inhalation is nasty
      business.  I feel like somebody taped my lips to the tailpipe
      of a bus.
      Josie left a note; she went to Seattle, she goes shopping every 3
      months.  An Asian man calls, asking for her, then he makes a collect
      call to Hong Kong.
   -- Ben and Jerry meet with Hank.  Hank confirms he put Catherine in the mill
      and they hope to frame the arson on her and Leo.
   -- Audrey meets with Blackie, she's not pleased with her not satisfying the
      owner

   Night
   -- Donna calls Norma about taking over Laura's Meals on Wheels route.
      She'll use the RR station wagon.
   -- At the Hayward Supper Club, Gersten plays the piano and Harriet
      recites a poem:
        "It was Laura
        And I saw her glowing.
        In the dark woods,
        I saw her smiling.
        We were crying
        And I saw her laughing.
        In our sadness,
        I saw her dancing.
        It was Laura
        Living in my dreams.
        It was Laura.
        The glow was life.
        Her smile was to say
        It was all right to cry.
        The woods was our sadness.
        The dance was her calling.
        It was Laura
        And she came to kiss me goodbye."
      Donna sits on her hands. Leland sings "Get Happy" and collapses.

   11:55 pm (Cooper to Diane)
   -- Cooper goes to bed.  C to D: I'm dog tired.  A man can only go long
without submitting to a period of rest.  As we know from experiments
conducted on American GI's during the Korean War, sleep deprivation
is a one way ticket to temporary psychosis.  And I'm working on a
3 day jag.
   -- Audrey prays for Cooper
   -- The Giant returns:
      G: "Sorry to wake you."
      C: "I'm not dreaming."
      G: "I forgot to tell you something."
      C: "You were right about the smiling bag."
      G: "The things I tell you will not be wrong.  Better to listen then to
talk."
      C: "I believe you."
      G: "Don't search for all the answers at once.  A path is formed by
laying one stone at a time.  One person saw the third man.  Three have
seen him, yes.  But not his body.  One only.  Known to you.  Ready now
        to talk.  One more thing: you forgot something."
      C: "What?"
      { Flash of green gets zapped into Coop. He lies alone in the dark,
      blinking.  }
   -- Ronnette has a vision of BOB and Laura

04 Mar (Saturday)   [Episode 2002 - 10/6/90
     Written by Harley Peyton
     Directed by David Lynch]

   Morning
   -- Cooper talks to Albert about Tibet over breakfast:
      C: Buddhist tradition first came to the land of snow in the fifth
century AD.  The first Tibetan came to be touched by the Dharma was
King Hathatha Rignamputsan.  He and succeeding generations came to be
collectively called the Happy Generations.  Now some historians place
them in the Water Snake Year, two-thirteen AD; others in the year
of the water ox 173 AD.  Amazing isn't it?  The Happy Generations.
      A: Agent Cooper, I am thrilled to pieces that the Dharama came to King
Hohoho, I really am, but right now I am trying hard to focus on the
 more immediate problems of our own century right in Twin Peaks.
      C: Albert, you'd be surprised at the connection between the two.
      A: Color me amazed.
      Albert tells of Cooper's ex-partner Windom Earle escaping from a mental
      institution.  The Asian man watches Cooper drink coffee.

   Afternoon
   -- Donna delivers a meal to Mrs. Tremond.  Her grandson makes the creamed
      corn disappear.  "Sometimes things can happen just like this."
"She seemed like a very nice girl."
   -- Cooper and Truman see Ronnette and wrestle with the stools.  They show
      sketches of Leo and BOB to her.  She reacts violently to the second.
      "Tr- tr- tr-"
   -- Ben and Jerry contemplate over which ledger to burn then decide to roast
      marshmallows
   -- Andy fights scotch tape at the RR.  The log lady enters and tells the
      Major to "deliver the message."
   -- Andy tells Lucy he's sterile:
      Listen to me, Lucy Moran, you just listen.  When the Takoma
      Sperm Bank was looking for donors, naturally I applied.  It's my civic
      duty and I like whales.  A routine physical examination revealed that
      I'm sterile.  Sure I thought it meant I didn't have to take a
      bath, but the doctors told me the truth.  They told me I can't have
      babies.  So what I wanna know now is why are you having one and how?
   -- Hank sees Cooper and Truman, signs his parole form.  Hank was a Bookhouse
      Boy.  Ben calls: Audrey's missing.
   -- Jerry shows Ben the unsigned insurance policy.  Ben calls Einar Thorson -
      Leland's already called.  Leland recognizes Bob; he lived next door to
      his grandfather.  J: Is this real Ben? Or some twisted dream?

   8:08 pm (clock on wall)
   -- Shelly sees Leo on life support.  Norma's waiting to drive her home.
   -- Lucy gets a call but hangs up on him because he remains anonymous
   -- At OEJ, Audrey questions Battis.  He recruited Laura and Ronnette to work
      at OEJ.  Laura used drugs one weekend so they got rid of her.
   -- Bobby and Shelly scheme over Leo

   Night
   -- Cooper reports Windom Earle's flight to Diane.  The Major visits.
      BRIGGS: I have a message for you.
      COOPER: From whom?
      BRIGGS: I'm not at liberty to reveal the nature of my work.  This
secrecy pains me from time to time.  Any bureaucracy that
functions in secret inevitably lends itself to corruption.
But these rules I have pledged to uphold and I believe a
pledge is sacred.
      Briggs shows Cooper the message: /THE/OWLS/ARE/NOT/WHAT/THEY/SEEM/
   -- James sings with Donna and Maddy.  James and Maddy exchange looks, Donna
      gets jealous, then gets a call from Harold Smith.  Maddy sees BOB.
   -- Cooper is awaken from a dream by a call from Audrey.  She is caught by
      Blackie.

05 Mar (Sunday)   [Episode 2003 - 10/13/90
                   Written by Robert Engles
                   Directed by Lesli Linka Glatter]
 
   6:40 am (clock on wall) 
   -- Ronnette is in the throes of a violent seizure.  Truman turns off a
      machine by her bed, then tells Cooper and Albert, who have just arrived,
      that she took out her IV.  Cooper pulls out a 'B' from under Ronnette's
      fingernail.
   -- Cooper enlightens Albert and Truman about his visitations from the Giant
 
   12:30 pm (?) (Harold's watch)
   -- Donna visits Harold, who gives her a flower to put on Laura's grave. 
      He's known Laura since she started the Meals on Wheels. She pulls on a
      piece of paper sticking out of a drawer.
   -- Cooper and Truman discuss BOB.                     R   B   T
      Albert reports: the B from Ronnette's             Mrs. Palmer
      finger was from a Fleshworld.           Maddy ----===========---- Cooper
      The cocaine found in James' cycle                   Ronnette
      matches that found in Leo's house and Jacques' car.
      Cooper was shot with a Walther PPK.
      Albert and Truman trade words:
      ALBERT: You listen to me.  While I will admit to a certain cynicism, the
       fact is that I am a nay-sayer and hatchet man in the fight against
       violence.  I pride myself in taking a punch and I'll gladly take
       another, because I choose to live my life in the company of Gandhi and
       King.  My concerns are global.  I reject absolutely revenge,
       aggression, and retaliation.  The foundation of such a method...is
       love. I love you, Sheriff Truman.
      COOPER: Albert's path is a strange and difficult one.
   -- Lucy looks for words with R, B, and T.  Richard Tremayne, her lunch date,
      arrives at the station.  Hawk offers two more words: prohibited, robot.
   -- Leland drops by and tells Cooper, Truman, and Hawk about the man in the
      sketch - he lived in a white house, across a vacant lot from his
      grandfather's place on Pearl Lakes.  His name was Robertson and he used
      to flick matches at him, "you wanna play with fire, little boy?"  Leland
      flicks a match nicely himself into an ashtray.  Cooper picks it up and
      blows it out.
 
   Afternoon
   -- At the RR, Lucy and Dick have words over lunch.  They used to go out
      every Thursday night for three months, but he hasn't called in 6 weeks,
      since their encounter in Horne's Home Furnishings.  She tells him of her
      pregnancy.
   -- James and Maddy discuss Donna.  She arrives at an opportune moment, while
      they're holding hands, and storms out.
   -- Emory videotapes Audrey as Blackie shoots her up
   -- The OAM shows shoes to Truman, sees the sketch of BOB, gets dizzy
      and heads for the bathroom
   -- Shelly drops by the station and tells Cooper and Truman she won't give
      a statement against Leo.  Cooper smells an insurance scam and wonders
      who's behind it.
   -- The OAM has spasms in the toilet stall, flushes the toilet and the
      spasms cease.  He drops his needle.  Mike takes over.
   -- Cooper meets Ben at the Great Northern, who tells him to watch his step
      with Audrey.  The Asian Man watches and follows Cooper.
   -- Jean Renault gives Audrey some English caramel
   -- Emory recognizes Cooper on the monitor.  Jean and Nancy, Blackie's
      sister, arrive.  They and Blackie scheme.  Jean wants Cooper and Blackie
      wants money.  He'll be the go-between for 30%.
   -- Truman gets a call from Pete - Josie will be back tommorow afternoon.
      Hawk has information about the white house - it's boarded up and no name
      on the mailbox.  Truman tells Cooper about the OAM and flinches when
      Cooper reminds him that in his dream, the OAM knew BOB.  Cooper finds the
      needle in the bathroom.
 
   4:15 (?) (clock on wall)
   -- Ed visits Nadine who is strapped to her bed.  He sings to her, and she
      breaks her straps and wakes up.  She's 18.
   -- Cooper and Truman visit Jacoby in his hospital room.  His wife is there.
      Hypnotized, he says he smelled engine oil at the park, and he saw
      Jacques' killer
 
   Night (full moon)
   -- Donna brings Harold's flower to Laura's grave and has a one-way
      converstion with her
   -- James sees Maddy at the Palmer home.  He's depressed since his mom came
      home.  Donna once again catches them at another opportune moment.
   -- Maddy cries to Leland, "Everybody thinks I'm Laura, but I'm not!"
      Cooper and Truman arrive to arrest Leland for the murder of Jacques.
   -- Donna goes over to Harold's and finds Laura's secret diary next to a
      knife
 
06 Mar (Monday)   [Episode 2004 - 10/20/90
                   Written by Jerry Stahl and Mark Frost,
                              Harley Peyton, Robert Engles
                   Directed by Todd Holland]
 
   Early morning
   -- Cooper and Truman question Leland, who admits to killing Jacques
   -- Doc Hayward and Andy discuss Andy's sterility.  Doc asks for another
      sample.  Andy, with a copy of Fleshworld, runs into Lucy on the way to
      the restroom.
   -- Truman tells Cooper no one named Robertson ever lived in the white house.
      Andy runs into a deputy, "Sorry, Bob."  Cooper notices Andy's wearing
      Circle Brand Boots.
 
   "Not even 9:30" (Ben to Louie)
   -- Louie tells Ben that travel critic M. T. Wentz is coming to town
   -- Jean, who "sells insurance to small businesses," visits Ben with the
      video of Audrey and the condition that Cooper bring the ransom money
 
   Afternoon
   -- Donna picks up lunches from the RR
   -- Norma tells Hank about M. T. Wentz.  He says there's enough time and
      takes off.
   -- At Harold's, he shows Donna the secret diary and reads from it.  Donna
      suggests giving it to the sheriff but Harold disagrees.
   -- Ben shows the Audrey video to Cooper and asks him to deliver the money
   -- Josie returns
   -- At OEJ, Emory brings Audrey to Jean.  Audrey says Emory hit him.  Jean
      kills Emory.
   -- Andy approaches Lucy.  Cooper has a talk with her.
   -- Cooper asks Truman a favor.  He needs the best Bookhouse Boy.
   -- M.T. Wentz to arrive today

   7:05 (clock on wall) (1/2 moon)
   -- Hank and Norma patronize a large man at the RR.  Hank lifts his billfold
      and finds it is Daryl Lodwick, District Attorney.
   -- Donna meets Maddy at the RR and asks her help in getting the secret diary
   -- Truman confronts Josie about the mill, she seduces him on the couch.
      A mystery man watches outside the window in the rain (Asian man?).
   -- Judge Clinton Sternwood arrives at the station and meets Lucy, Cooper
      and the sheriff.
   -- Dick Tremayne arrives, offers Lucy money for an abortion, and is kicked
      out by her.
   -- Andy, who overhears Lucy crying, brings in Leland to meet with the Judge.
      Sid arrives.
 
   Evening
   -- Ben bows to Mr. Tojamura who checks in.  Louie calls Norma - she thinks
      it's M. T. Wentz.
   -- Josie introduces her cousin Jonathan to Pete.  Jonathan tells Josie her
      job is to sell the mill and she is expected in Hong Kong by Mr. Eckhardt.
 
   9:30 pm
   -- Truman meets Cooper at the Roadhouse
   -- Hank at the RR gets a visit from the Asian man and is beaten up
 
07 Mar (Tuesday)   [Episode 2005 - 10/27/90
                    Written by Barry Pullman
                    Directed by Graeme Clifford]
 
   6:42 am (Cooper to Diane)
   -- Cooper awakes, chewing on his ear plug, and finds Audrey's note
 
   Morning
   -- Hawk tells Truman of his finds - two old ladies at the white house.
      They never heard of a Robertson.
   -- Lucy leaves for Tacoma.  She'll stay at sister Gwen and Larry's for
      two days.
   -- Cooper tells Truman he knows where Audrey is
   -- Mr Pinkle demonstrates for Bobby and Shelly the Leo-lifter apparatus
   -- Leland's hearing.  Truman defends, Andy sketches.  Ben chews on nuts and
      leaves.  Leland's released.  His grandfather, Joshua, brought them over
      75 years ago.
   -- Donna delivers lunch to Harold and makes a deal.  He'll read the diary if
      she tells her story.  She taunts him outside, he collapses.
   -- Leo's hearing.  He's ruled incompetent to stand trial.  The Judge,
      Cooper, and Truman have a drink.  Cooper doesn't think Leo did it.  
      Truman tells Shelly Leo's coming home.
   -- Ed brings Nadine home.  She rips off the refrigerator door.
   -- Tojamura meets Ben and offers him 5 million dollars for Ghostwood
   -- At the Great Northern, Bobby is snooping around Hank
 
   Noon ("Expect a call tommorow. Noon." Jean to Ben)
   -- Cooper meets Ben.  They get a call from Jean with instructions on where
      and when to deliver the money.  Ben has Hank follow Cooper.
   -- Donna and Maddy plot to get the diary
   -- At OEJ, Jean arms himself.  Nancy reports that Audrey is asleep.
   -- Andy mans the phones at the station.  He calls the Doc for the results
      of his sperm test.  "I'm a whole damn town!" to Truman as he's zipping
      his fly.  He sees Gwen's number, calls, and gets an abortion clinic.
   -- Cooper and Truman plan.  Hawk enters and reports that the OAM is staying
      at the Robin's Nest.  No one's seen him for "a day, a day and a half."
      He found a mysterious drug.
 
   Night
   -- Maddy gets some coffee at the RR.  James follows.
   -- Donna tells a story to Harold
   -- Cooper and Truman bust into OEJ.  There's a roll of plastic on theu
      stairs.
   -- Harold shows Donna some orchids
   -- Cooper runs into Nancy and gets Audrey
   -- Truman watches Jean kill Blackie.  Hawk saves Cooper and Truman.
      H: "Good thing you guys can't keep a secret."
   -- Hank is caught outside by Jean and is identified as DA Lodwick (billfold)
   -- Maddy and Donna are caught by Harold
 
[Episode 2006 - 11/3/90
 Written by Harley Peyton & Robert Engles
 Directed by Lesli Linka Glatter]
 
   Night (con't)
   -- James rescues Donna and Maddy.  Harold sprays his plants and grieves.
   -- Cooper brings Audrey to the Bookhouse
   -- Maddy leaves Donna and James, who share a moment
   -- Truman recognizes Jean in a book of criminals and points him out to
      Cooper, who begins to feel remorse for getting Audrey messed up in his
      problems
   -- Cooper gives back the money to Ben and tells him what happened.  Ben hugs
      him, then the briefcase.
 
08 Mar (Wednesday)
 
   Morning
   -- Bobby brings Leo home.  He and Shelly get their first check - it's only
      $700, it was supposed to be $5000.  Leo groans.
   -- Donna tells Truman about the secret diary.  Gordon Cole arrives ("sounds
      real good, Sherrif, but I already ate"), with Albert's report: vicuna
      fibers were found outside Cooper's room, the OAM's chemicals were weird
      stuff, and the scraps of paper found near the train site were diary
      pages.  Hawk brings in the OAM. G: "There's the one-armer now!"
   -- Ben sees Audrey.  A: "I saw so much." "I'm aware of a lot of new things
      too, Daddy."
 
   1:50 pm (clock on wall)
   -- Nadine comes home
   -- Jonathan rapes Josie and gives her a one way ticket to Hong Kong.  She
      says she hasn't received her insurance money nor the money from Ben.
      She's waited five years for this.  The plane leaves at midnight.
   -- Maddy says goodbye to James at a dock.  She leaves tomorrow.
   -- Ben meets Josie at his office.  They drink to the fire.  She got Pete's
      signature and wants her money.  He threatens, she threatens.  He gives
      her the check from Tojamura, she gives him the contract.
   -- Bobby and Shelly party around Leo.  They make out in front of him, Leo
      moves.
   -- Cooper meets Gordon.  Albert thinks Cooper is in over his head.  Gordon's
      worried over Pittsburgh.  Cooper gets an unmarked letter with an opening
      chess move (P to K-4) from Windom Earle.
   -- Leland meets with Ben and proves himself, while pocketing fur off of a
      stuffed dog.  Jerry's on his way to Tokyo.
 
   Night
   -- Truman arrives as Josie's leaving.  He is introduced to Jonathan as "Mr.
      Lee," Josie's assistant.  He tells her he loves her, she hesitates, then
      leaves.
   -- Ben meets with Tojamura.  Leland sings.  Pete chats with Tojamura:
      Pete: The King and I!  [to Tojamura] Do you like musicals?
      Tojamura: No.
      Pete: Not even Fiddler on the Roof?  Made me weep like a little baby.
      Tojamura: I find adherence to fantasy troubling and unreasonable.
   -- Cooper questions Mike:
      M:  There is no need...for medicine.  I am not in pain.
      C:  Who are you?
      M:  My name is Mike.
      C:  What are you?
      M:  I am...an inhabiting spirit.
      C:  Who is Phillip Gerard?
      M:  He is host to me.
      C:  You spoke to me in my dream...about BOB.
      M:  Mmm.  He...was...my familiar.
      C:  Where does BOB come from?
      M:  That...cannot be revealed.
      C:  What does BOB want?
      M:  He is BOB...eager for fun.  He wears a smile... Everybody run!
          Do you understand the parasite? It attaches itself to a life form and
          feeds.  Eh.  BOB requires a human host.  He feeds on fear...and the
          pleasures.  They are his children.  I am similar to BOB.  We once
          were partners.
      M and C in unison:
          Through the darkness of future past,
          The magician longs to see.
      M:  One...chants out, between two worlds,
          Fire...walk with me.
          Oh, but then...I saw the face of God...and was purified.  I took off
          the arm...but remained... close to this vessel, inhabiting from time
          to time, for ONE, SINGLE, PURPOSE.
      C:  To find BOB [produces sketch of Bob].
      M:  TO STOP HIM!  This [points to sketch] is his true face.  But few can
          see it.  The gifted...and the damned!
      C:  Is BOB near us now?
      M:  For nearly forty years.
      C:  Where?
      M:  Ah.  A large house, made of wood, surrounded by trees.  The house is
          filled with many rooms, each alike, but occupied by different souls,
          night after night.
      C:  The Great Northern Hotel!
 
09 Mar (Thursday)  [Episode 2007 - 11/10/90
                    Written by Mark Frost
                    Directed by David Lynch]
 
   Early morning
   -- Mike babbles, Gordon tells Truman about the diary pages.  Gordon is on
      his way to Bend Oregon, "hush hush" business.
 
   7:24 am (clock on wall)
   -- Andy shows guests to Mike, who says "no...no..."  Navy sailors bounce
      handballs.  Ben enters the room and Mike faints.
   -- Hawk discovers Harold's body
 
   9:05 am (clock on wall)
   -- Maddy tells Leland and Sarah she's leaving tommorow.  "I'll come
      galloping back often!"
   -- Cooper and Truman find the French note on Harold's body, "I'm a lonely
      soul."  Hawk finds the torn diary.
   -- Bobby and Shelly pay their bills and end up with $42.  She wants Bobby to
      take a necklace back.  Leo's truck's been impounded.  Leo screams and
      spits, "new shoes."  Leo had Shelly take in a pair of boots "last week."
   -- Audrey confronts Ben with what she knows.  He's owned OEJ for five years.
      Laura worked there a short time, Battis recruited her without his
      knowledge.  He slept with her.
 
   Day
   -- A tearful Shelly tells Norma she's quitting.  Nadine and Ed arrive.
      Norma's been working there "20 years this April."  Nadine crushes a
      glass.
   -- Bobby and Mike get back to Leo's with the boots and find a tape in the
      heel.
 
   2:47 pm (Cooper to Diane)
   -- Cooper pieces together the diary.  Audrey arrives and tells him what she
      found out about Ben.
 
   Night (full moon) (Albert puts Maddy's death bewteen 10 and 12 and
      Truman says they took Ben in after that, 2009)
   -- Ben gets a fax from Jerry - he's talked with the people in Osaka and
      it's thumbs up.  Hawk, Andy, Truman, and Cooper arrive to take Ben in
      for questioning.
   -- At the Palmer house, a record skips at the end, and Sarah (drugged)
      crawls down the stairs, "Leland."
   -- Ben is brought to the station.  The Log Lady tells Cooper, "We don't know
      what will happen or when, but there are owls in the Roadhouse."  She
      acknowledges that something is happening.
   -- Pete runs into Tojamura - it's Catherine
   -- Sarah sees a white horse and faints.  Leland's at the mirror.
   -- At the Roadhouse, Donna meets James and they discuss Harold.  The Log
      Lady arrives with Cooper and Truman.  The navy sailors are there also.
      Donna lip syncs.
   -- Cooper and the Log Lady see the giant, "It is happening again."
   -- Leland at the mirror, sees BOB.  Maddy smells something burning and is
      killed by Bob/Leland.  An 'O' is put underneath her fingernail.
   -- The waiter from the Great Northern tells Cooper, "I'm so sorry."  Bobby
      and Donna appear moved.  Cooper's thinking hard.

10 Mar (Friday)   [Episode 2008 - 11/17/90
   Written by Scott Frost
        Directed by Caleb Deschanel]

   Morning
   -- Leland plays indoor golf.  Donna and James drop by and miss their chance
      to say goodbyw to Maddy.  Leland says he dropped Maddy off at the bus
      station not 20 minutes ago.  Leland excuses himself and talks to Sarah.
      After Donna and James leave, Leland packs the club into his bag
      (Maddy's in there) and leaves.  His license plate says "The Timber
      State."
   -- Ben brushes his teeth in his cell when Jerry arrives back from Japan.
      Ben says he was with Catherine the night Laura died.  Ben and Jerry
      reminisce about Louise Dombrowski dancing with a flashlight.
   -- Lucy's back with her sister Gwen

   10:03 am (Cooper to Diane)
   -- Cooper and Truman come across Leland dancing with his golf club.
      Truman tells Leland Ben's been arrested.  Cooper asks him to get back
      to him if he remembers anything about Ben.
T: Everything OK?
C: I'm not sure.

   Late morning
   -- Doc Hayward takes a blood sample from Ben.  Jerry defends, and Cooper
      and Truman question him.
   -- Bobby makes a copy of Leo's tape and writes a letter for Ben
   -- Norma's mom Vivien arrives with her new husband Ernie, a financial
      anaylist.  He says he's through with gambling, but leaves a paper on
      the counter and Norma sees "$1000 Houston by 3 points" written on it.
   -- The OAM ("he's close...") bumps the deputy and escapes from his room
   -- Hank returns to the RR and smooth talks Norma
   -- Truman and Pete look through a pair of binoculars at a pileated
      woodpecker.  They trade stories about Josie and get funny feelings.
      Truman leaves with Cooper.  The OAM is missing.
   -- Andy sees Lucy with Gwen's baby and faints

   1:40 pm (?) (Ben's watch)
   -- Pete delivers a voice message to Ben from Catherine.  She'll testify
      for the mill.  Ben throws a tantrum.
   -- Leland sings "Surry With a Fringe on Top" while driving.  Cooper's
      whistling the same tune in a different key.  They nearly collide.
      Truman pulls Leland over and they chat.  Leland mentions Ben made a
      phone call at 10 pm the night Laura died and mentioned a "derry"
      or diary.  Leland offers to show Cooper his new clubs and appears
      to almost whack Cooper with one when Truman calls him away - they
      found the OAM, near the waterfall.

   Afternoon
   -- Hawk brings in the OAM to the station.  Lucy attends to Andy while
      while Gwen gabs.  Andy tells Lucy about his sperm.
   -- The OAM examines Ben.  Truman charges Ben with the murder of Laura.
      The OAM is taken to back to the hotel.  Cooper tells Truman he doesn't
      think Ben didi it.

   8:30 pm (Vivien to Hank)
   -- Norma, Hank, Ernie and Vivien have dinner together, Hank's got a
      new domino - double 4.  When the ladies are in the powder room, Hank
      and Ernie talk.  They were prison buddies.  Ernie Niles, "The
      Professor," got out 6 months ago.  He met Vivien at a Republican
      fund raiser.  He says he doesn't gamble anymore.

   11:05 pm (clock on table)
   -- Audrey visits Cooper.  Cooper gets a call.
   -- Cooper and Truman identify Maddy's body

11 Mar (Saturday)   [Episode 2009 - 12/1/90
     Written by Mark Frost, Harley Peyton and Robert Engles
     Directed by Tim Hunter]

   Morning
   -- Albert reports: letter O under Maddy's fingernail, fur in her hand
      from a dead, stuffed fox.  Cooper asks for 24 hours to finish it.
      Albert:Cooper... an observation.  I don't know where this is headed,
        but the only one of us with the coordinates for this destination in his
hardware is you.  Go on whatever vision quest you require.  Stand on
the rim of the volcano, stand alone and do your dance.  Just find
this beast before he takes another bite.
      Cooper:<Sigh>  God help me, I don't know where to start.
      Hawk:You're on the path.  You don't need to know where it leads.
        Just follow...
   -- James gives Donna a ring.  Donna mentions last night.
   -- Vivien doesn't like Norma's eggs.
   -- Andy's French surprises Donna
   -- Donna, Cooper, and Andy arrive at the Tremonds.  A younger Mrs. Tremond
      answers the door.  Her mother passed away 3 years ago and she has no
      children.  She has a letter addressed to Donna that was in her mail
      the morning after Harold died.  It's a page from Laura's diary:
February 22.  Last night I had the strangest dream. I was in a
red room with a small man, dressed in red, and an old man
sitting in a chair.  I tried to talk to him.  I wanted to tell
him who BOB is, because I thought he could help me.  But my
words came out slow and odd.  It was frustrating trying to talk.
I got up and walked to the old man.  Then I leaned over and
whispered the secret in his ear.
Somebody has to stop BOB.  BOB's only afraid of one man.  He
told me once.  A man named Mike.  I wonder if this was Mike in
my dream.  Even if it was only a dream, I hope he heard me.  No
one in the real world would believe me.
February 23.  Tonight is the night that I die.  I know I have
to because it's the only way to keep BOB away from me.  The
only way to tear him out from inside.  I know he wants me.  I
can feel his fire.  But if I die he can't hurt me anymore.
   -- Cooper questions the OAM who says, "you have all the clues you need."
   -- Cooper, standing in a hall at the Great Northern, thinking hard,
      sees the waiter.  "I know about you.  That milk'll cool down on you
      but it's getting warmer now."
   -- Cooper, Truman and Albert examine Ben's office.  Albert says Maddy
      was killed the night before last between 10 and 12.  He also has
      Ben's blood test results.

   12:43 pm (clock on wall)
   -- Andy calls Dick while Lucy watches - they need to talk
   -- Tojamura sees Ben.  He wants the contract signed or the money
      returned.  Ben signs it and Tojamura reveals his true identity.
   -- Leland comes home to Donna.  She's got a tape of her, Maddy and James
      singing for Maddy.  Leland recognizes Laura's shades on Donna and
      she mentions Laura's secret diary.  Leland gets a call from Beth -
      Maddy never made it home.  He chews gum, dances with Donna, and hugs
      her hard.  Truman's at the door for Leland.
   -- Donna tells James about Maddy.  He leaves her crying.

12 Mar (Sunday)

   3:00 am (clock on wall)
   -- At the Roadhouse, Ben eats nuts.  Cooper and Truman are at the bar.
      Truman brings Leland, Ed arrives and they clear the room.  Hawk brings
      Bobby and Leo.  Major Briggs brings the waiter, who gives Cooper a
      stick of gum.  Leland: "I know that gum.  That's my most favorite gum
      in the world."  Cooper remembers: Laura: "My father killed me."  The
      Giant gives Cooper his ring back.
   
   3:55 (clock on wall)
   -- Cooper and Truman trick Leland into a cell.  He freaks.
   -- At gunpoint, Leland is cuffed and read his rights.  Leland/BOB
      confesses to killing Laura and Maddy.  He mentions Pittsburgh and
      Cooper is noticeably shaken.

   Early morning
   -- Dick and Andy listen to Lucy.  Dick smokes.
   -- Cooper tells his story of how the answer was staring him in the
      face all this time - Leland's dancing, grey hair, Robertson, the
      letters, the secret diary.  Leland recites Mike's poem and BOB's
      response.  The sprinklers go off and Leland rams his head into the door.
      <Cooper, Albert, and Truman burst into the room. The sprinkler system
      has gone off and water is pouring over them all>
      Cooper: Call an ambulence! <Cooper kneels next to Leland and cradles
Leland's head in his lap.  For the rest of the scene he strokes
Leland's hair and face, comforting him.>
      Leland: Oh God!  Laura!  I killed her.  Oh my God, I killed my daughter.
I didn't know.  Forgive me.  Oh God.  I was just a boy.  I saw him
in my dream.  He said he wanted to play.  He opened me and I
invited him and he came inside me.  When he was inside, I
didn't know.  When he was gone, I couldn't remember.  He made me
do things.  Terrible things.  He said he wanted lives.  He wanted
others, others that they could use, like they used me.
      Cooper: Like Laura.
      Leland: They wanted her.  But she was strong.  She fought.  She wouldn't
let him in.  Oh God.  They had me kill that girl, Teresa.  And
they said if I didn't give them Laura, they'd have me kill
her, too.
      Cooper: But she wouldn't let them in.
      Leland: They said she'd die before she'd let them.  Then they made me
kill her.  Oh God, have mercy on me.  What have I done?  What
have I done?  Oh God.  I love her.  I love her with all my heart.
My angel, forgive me.
      <Cooper looks to Albert, who shakes his head -- apparently Leland
      isn't going to live>
      Cooper: Leland.  Leland, the time has come for you to seek the path.
Your soul has set you face to face with the clear light and
you are now about to experience it in its reality.  Wherein all
things are like the void and cloudless sky and the naked
spotless intellect is like a transparent vacuum, without
circumference or center.  Leland, in this moment, know yourself
and abide in that state.  Look to the light, Leland.  Find the
light. 
      Leland: I see it.
      Cooper: Into the light, Leland.  Into the light.
      Leland: I see... Her.  She's there.
      Cooper: Into the light, Leland.
      Leland: She's beautiful.
      Cooper: Into the light.
      Leland: Laura?
      Cooper: Don't be afraid.
      <Leland dies. Wordlessly Cooper pushes his own hair back and looks up.
      The sprinklers shut off>

   Day
   -- Cooper, Albert and Truman, meet Briggs and talk about BOB
   -- An owl flying by some wrecked cars

15 Mar (Wednesday)   [Episode 2010 - 12/8/90
      Written by Tricia Brook
      Directed by Tina Rathborne]

   Day
   -- Cooper explains to Sarah what happened the night Maddy died and
      Leland's final moments
   -- Leland's wake.  Dr. Jacoby's back from Hawaii.  Mayor Dwayne Milford
      pulls his brother Dougie's ear.  Dougie owns the newspaper and is
      engaged to be married.  The Mayor first ran for that office in '62.
      Cooper to Truman: Harry, I'm really gonna miss this place.
   -- Dr. Jacoby and Ed ask to have 35 year old Nadine admitted to school
   -- Audrey sees Cooper, who tells his tale of Earle
   -- Bobby puts on Leo's clothes and goes to see Ben
   -- Catherine talks to Truman.  She says a guardian angel saved her and
      directed her to the summer cabin on Pearl Lakes.  There appears to
      be an owl-shaped smudge on her cheek.
   -- Dick talks to Lucy while she's replacing ceiling light bulbs.  Andy
      offers to be friends.
   -- Cooper says goodbye to Truman, who gives him a green butt skunk hook
      and a Bookhouse Boy patch.  He says goodbye to Hawk, Andy and Lucy,
      when Roger Hardy arrives with a mountie and tells Cooper he has been
      suspended from the FBI.
   -- Audrey gets Bobby in to see Ben, but gets kicked out.  They go to
      get ice cream. B: Cup or cone? A: Mmmm...cone. I like to lick.
   -- Roger and the mountie question Cooper, who surrenders his gun and
      badge.  They only knew of two deaths, and Cooper didn't know about
      Battis.  Truman stands up for Cooper.
   -- Nadine Butler tries out for cheerleading
   -- Shelly brushes Leo's teeth.  Bobby calls, Leo moves.

   Night
   -- Vivien reveals herself to Norma, who kicks her out
   -- Hank brings Ernie to Jean at OEJ.  Jean's assistant is the mountie -
      he'll put some of the stolen cocaine in Cooper's car
   -- Josie, injured, returns to Truman's place
   -- Cooper and Briggs around a campfire:
      COOPER: At the time I did what I thought was right.  I must now face
the consequences.
      BRIGGS: You can do no more.
      (Cooper and Major Briggs, roasting marshmallows over a campfire.)
      COOPER: You know, Major, I find myself thinking a lot about BOB.
If he truly exists.
      BRIGGS: Yes, I've pondered that same question continuously since this
horror was revealed.
      COOPER:I try to imagine him out there, incarnate, looking for
another victim to inhabit.
      BRIGGS:There are powerful forces of evil in the world.  It is some
men's fate to face great darkness.  We each choose how to react.
If the choice is fear, then we become vulnerable to darkness.
There are ways to resist.  You, sir, were blessed with certain
gifts.  In this respect, you are not alone.  Have you ever heard
of the White Lodge?
      COOPER: The White Lodge.  No, I don't believe I have.
      (Briggs appears to ponder what he should say about this.)
      (Angle on the woods from the point of view of some unknown entity,
      moving through the woods.)
      COOPER:Major, I'm going to take a moment here.  I feel the call of
        nature.  There's nothing quite like urinating out in the open air.  I
look forward to hearing more about this White Lodge.
(Cooper moves off into the woods. Major Briggs laughs, gives
the departing Cooper a "thumb's-up".)
When I return.  From my journey.
      (Lingering on Briggs, who looks off in the direction of Cooper's
      exit with a speculative expression.  An owl hoots.  Major Briggs looks
      up, alarmed.)
      (Cooper urinating in the woods.  An owl hoots in the tree above him.
      Cooper watches the owl.  Suddenly a brilliant white light appears
      behind him.  Cooper turns toward the light.)
      (Angle on Briggs, bathed in blinding white light.)
      BRIGGS:COOPER!  COOPER!
      (A robed figure appears in the light, backlit.  No features are visible.)
      (Cooper dashes through the woods to the camp site.  The Major is gone.)
      COOPER: Major Briggs?  MAJOR?
      (Cooper looks at the light.  It seems to be receding into the woods.
      Cooper runs toward it.  He reaches the top of a small hill and freezes,
      looking into the light.  The light blinks out.)

16 Mar (Thursday)   [Episode 2011 - 12/15/90
     Written by Barry Pullman
     Directed by Duwayne Dunham]

   Morning
   -- James cycles
   -- Mrs. Briggs talks to Cooper and Truman about her husband's disappearence.
      Being "in the woods is significant," he "talks about them constantly."
      He left notes by his bedside table so she'll call back later.
   -- Andy and Hawk found a present for Mr. & Mrs. Milford
   -- Gordon calls from Bend (a temp patches him through - Lucy's helping
      with the wedding).  Dennis Bryson from the DEA will be arriving.
   -- Cooper presents no defense to Roger
   -- Nadine asks Donna about Mike
   -- James cycles to Wallies and meets Evelyn Marsh

   12:18 pm (clock on wall)
   -- Andy leaves flowers for Lucy
   -- Dick brings Nicky, his charge from Happy Helping Hand, to the station.
      Andy offers him a malt.
   -- Cooper, Truman, and Hawk discuss the White Lodge:
      HAWK: Cooper, you may be fearless in this world, but there are other
worlds.
      COOPER: Tell me more.
      HAWK: My people believe that the White Lodge is a place where the
spirits that rule man and nature here reside.
      TRUMAN: Local legend.  Goes way back.
      HAWK: There is also a legend of a place called the Black Lodge...
the shadow-self of the White Lodge.  The legend says that
every spirit must pass through there on the way to perfection.
There, you will meet your own shadow-self.  My people call
it "The Dweller on the Threshhold." 
      COOPER: "The Dweller on the Threshhold..."
      HAWK: But it is said, if you confront the Black Lodge with imperfect
courage, it will utterly annihilate your soul.
   -- Dennis arrives. He and Cooper worked together in Oakland.  An RCMP
      officer says he stole drugs.
   -- Nadine leg presses 600 lbs.
   -- Josie tells Truman about Eckhardt. He took her off the streets in Hong
      Kong at 16 and taught her about life and business. She was afraid for her
      life when she met Andrew, a business partner. She says she believes
      Eckhardt is responsible for Andrew's death. She escaped from the airport
      at Seattle.
   -- Roger has pie at the RR (story on Leland in his paper)
   -- Hank and Ernie return.  When Norma asks Ernie if he caught anything, he
      spins a tale she doesn't buy.  Vivien's returned to Seattle.
   -- Nicky blows whip cream in Dick's face and spins Andy's seat
   -- James looks at Evelyn's '48 Jaguar.  Her husband, Jeffrey, travels
      extensively.  She'll provide room and board while he works on the car.
   -- Ben watches old footage of the groundbreaking ceremony for the Great
      Northern.  Hank arrives: "Ben, I have had an absolutely killer schedule."
      Ben wants to rearrange furniture.  Hank tells him OEJ has been taken
      over.  Ben makes shadow figures.
   -- Cooper gets an envelope from Windom Earle.  P to Q4.
      "Of course, you couldn't help but take note of my emphatically
      traditional opening.  I must say, your responding move was nothing
      if not reflective of your predilection for the tidy and fastidious.
      See how my response to you begins to lead us towards a classical
      confrontation?  But there's doubt in your mind: what are my true
      intentions?  How will you answer this time?  Hobgoblins, Dale...
      consistency...predictability, giving rise to patterns.  We both
      know only too well how these patterns leave you vulnerable to
      attack.  You with your wounds, I with mine, let me paint you a
      picture: my knights will skirmish, lanes of power and influence
      will open through my bishops and rooks, pawns will naturally
      be forfeit.  I'm even prepared to sacrifice my queen because,
      I assure you, dear Dale, my goal will be attained at any cost;
      the king must die!"
   -- The Milford wedding.  Dwayne objects.
   -- Denise tells Cooper s/he found cocaine in Cooper's car and explains
      what happened.
   -- Cooper dances with Audrey, Andy with Denise
   -- Josie tells Catherine Thomas Echhardt killed Andrew and she should be
      careful.  Catherine employs Josie as her maid.  Andrew's alive:
      "Everything's going exactly as we planned."  He and Catherine will be
      waiting for Eckhardt.

17 Mar (Friday)   [Episode 2012 - 1/12/90
                   Written by Harley Peyton and Robert Engles
   Directed by Caleb Deschanel]

   Morning
   -- Bobby tries again to blackmail Ben, who's acting too weird for it to
      take.  B: "You know what you need in this life? Balance, distance,
      symmetry."  He's stacked his furniture.  Eventually he hires Bobby to spy 
      on Hank; Bobby is thrilled.
   -- Cooper is discussing houses with a real estate agent (Irene).  A coin
      flip leads him to like Dead Dog Farm, an estate with a mysterious past
      where no one stays for long.
   -- Andy, Dick and Lucy visit with Nickie's case worker.  Nickie is an orphan
      who has been through many foster homes, and is the victim of "persistent
      random misfortune." Truman breaks up the meeting calling Andy to an
      emergency at the Great Northern.
   -- Truman, Doc Hayward and Andy investigate Dougie Milford, dead in his
      hotel bed.  Dwayne comes in and grieves, accusing the wife of murder by
      sex.  Andy doesn't cry.  "My Secret Life" by Chris Gerrity is found
      on the bed. 
   -- In the hallway, Hawk is talking/flirting with the widow.  H: "When
      something big goes down, I'm the man."

   10:10 pm (clock on wall)
   -- Nadine has joined the wrestling team and takes district champion Mike in
      one fall while asking him out
   -- Mike complains to Donna about Nadine.
   -- James meets Malcolm Sloan - Evelyn Marsh's brother, Jeffrey Marsh's
      driver.  He says Marsh abuses Evelyn.  Once a fortnight she breaks one
      of his things.
   -- At Dead Dog Farm, Cooper notices some tire tracks: "A Jeep, a four-
      wheeler and a luxury sedan."  In the house he deduces a meeting took
      place in the past few hours.  He finds baby laxative and cocaine dust.
   -- Dick fixes a flat (reading the instructions) while Nicky is irritating.
      While Nicky is not touching the car and facing the other way, the car
      falls off the jack.  Nicky panics and runs to hug Dick (who is unhurt).

   Day
   -- Cooper comes to tell Truman about Dead Dog Farm, but instead visits
      with Air Force Colonel Rilly investigating Major Briggs.  Briggs is a
      great pilot.  "The owls are not what they seem" was broadcast from
      the woods, not deep space -- maybe from the White Lodge ("That's
      classified").  Cooper mentions seeing an owl before Briggs disappeared.
   -- James and Evelyn flirt and kiss.  James encourages her to leave her
      husband but she refuses.  When Jeffrey comes home she runs to greet him.
   -- Bobby, returning to Ben's office with photos, sees Audrey who flirts
      with him but doesn't kiss him.  Audrey goes to her secret listening
      place.
   -- Ben, who is working on a civil war model ("Gettysburg, day 1"), accepts
      the photos from Bobby and gives him a raise.  Audrey eavesdrops.
   -- Pete and Catherine enjoy a romantic meal, served by Josie in a maid
      outfit.  Pete is bothered by Catherine's treatment of Josie, but is
      having too much fun to make an issue of it.
   -- Cooper brings Diane up to date:
      "Diane, I'm holding in my hand a nationally distributed newspaper.  My
      opening move [P to Q4] responding to Windom Earle's opening move was
      printed in the personals column as per my instructions, but I have
      already received his response to this yesterday.  He anticipated my
      response to his opening move perfectly.  He's toying with me, Diane.
      I wonder where he is and what he's planning."
      Audrey knocks and offers Cooper Bobby's photos she has just stolen from
      her father's office.  Cooper identifies them as Hank, Ernie, Jean Renault
      and the mountie, meeting at Dead Dog Farm.  Denise comes in, and Audrey
      kisses Cooper on her way out.  Cooper briefs Denise.
      D: I may wear a dress but I still put on my panties one leg at a time,
 if you know what I mean.
      Cooper: Not really...

   Night
   -- At the RR, Ed looks depressed, prompting Norma to suggest they can still
      be friends and to take his hand, all this secretly witnessed by Hank,
      sporting a 3:4 domino.
   -- Dick tells Andy he thinks Nicky is the devil
   -- In Truman's office, Dwayne continues to accuse Lana of murder.  Doc says
      it was a natural heart attack.
   -- In the hallway, all the men watch Lana being escorted to a room.  They
      begin collectively reciting Shakespeare.
   -- Lucy tries to call the sheriff to the phone, but gets no response.  She
      eventually finds all the men literally spellbound by Lana telling
      stories.
   -- Denise visits Ernie at the RR.  At the Great Northern, Cooper and Denise
      interrogate Ernie.  They apparently want to let him off, using him to
      catch the big guys.  Denise will pose as a buyer from Seattle and Ernie
      will arrange for a deal between Renault and Denise.
   -- James hears Evelyn and Jeffrey fighting.  Malcolm tells James the first
      beating was four years ago.  He swears to kill Jeffrey.
   -- Bobby goes home to find his mother sitting in the dark grieving over the
      Major's disappearance.  She flips on an owl lamp and Bobby tells his
      mother about the Major's vision.  Suddenly the lights go out and the
      major materializes in the house, wearing a vintage pilot's outfit
      (leather jacket and goggles) and asking how long he's been gone.
      Betty: Is everything all right?
      Garland: No, dear...not exactly.


18 Mar (Saturday)  [Episode 2013 - 1/19/90
                    Written by Harley Peyton
    Directed by Todd Holland]

   Morning
   -- Fade up on night time sky/field of stars.  Camera pans
      slowly to right.
 VOICE: (whispers) Cooperrr...                                 
      In the background, a chittering noise is heard.  A yellow
      symbol consisting of three equilateral triangles overlapping
      slightly at their apexes (like the international radiation
      symbol) appears spinning in the center of the screen and
      rapidly moves towards the camera with a screaming noise.
      When it hits the camera, the screen erupts with flames.
 BRIGGS (V.O.): I remember stepping from the flames.  A
   vague shape in the dark.  Then nothing.
      Slow fade from flames to Major Garland Briggs.  He is
      seated on a throne of stone in the middle of a jungle.
      The camera moves slowly towards him.
 BRIGGS: 'Til I found myself standing by the cold
   remains of our campfire.  Two days later.
 HAYWARD (Distorted V.O.): Major, there are some new techniques
   that might help us break through your amnesia.
 BRIGGS: Well, my memories are immune from regression.
   I can feel them...
      A wolf begins to growl in the background.
 BRIGGS: ...they're palpable, the smells, the sensation.
   Everything is known to me, yet somehow beyond my reach.
 COOPER (distorted V.O.): Do you remember anything else?
 BRIGGS: Very little, save for one disturbing image
   of a giant owl, pervasive.
      The wolf continues to growl.
 COOPER (distorted V.O.): A giant owl?
      With a flash of light, we cut to a brief negative image of an owl flying,
      then to a close shot of the back of the Major's neck, where there is a
      small red scar identical to the 3-triangle symbol seen before.  Cut
      to Briggs face.  The flash is revealed to be from an Instamatic
      camera that Doc Hayward used to take a picture of the scar.  
      The camera slowly pulls back from Briggs.  The scene is the
      Sheriff's Station Conference Room, the time is apparently morning.
      Major Briggs, Agent Cooper, Doc Hayward and Sheriff Truman
      are present.
 COOPER: A giant owl?  How big?
 BRIGGS: (fidgeting with his fingers) Enough to cloud my mind and
           memory.
 HAYWARD: (handing the instant picture he has just taken to Cooper)
   Three triangular scars behind the right ear, in perfect proportion.
 TRUMAN: Major Briggs...what exactly does your work involve?
 BRIGGS: That information...as I've repeated endlessly
   to myself...classified.  Though the keeping of
   secrets ... seems less meaningful to me now.
   (Pause.  The Major is nervous and shaken.)
   Perhaps there are sources of information that are
   so important as to transcend the human need
   to conspire.  Information of such weight that
   pertains not ... (Garland pauses.  He begins to
   lose control of his emotions.)  Oh, God!  Is
   this meant for the soul?!  My soul?
 COOPER: Major--perhaps you'd better start back at the beginning.
 BRIGGS: Are you familiar with...Project Bluebook?
 COOPER: Yes sir, I am.  The Air Force investigation into
   the phenomenon of Unidentified Flying Objects.
 BRIGGS: Officially disbanded in 1969.  But, there are those
   of us who ... continue in an _unofficial_ capacity.
   Examining the heavens as before...in the case of 
   Twin Peaks, the earth below.
      Cooper and Truman look at each other.
 BRIGGS: We are searching for a place called the White Lodge.
      Briggs stops talking as the door opens and two M.P.s step in.
 M.P. #1: Major Briggs?
 BRIGGS: I've been expecting you.
 TRUMAN: Now hold on just a minute, fellas.
 M.P. #1: Colonel Riley's orders.
 TRUMAN: I don't care what orders you got, this is my
   station and Major Briggs happens to be a friend of mine.
 BRIGGS: Harry (Briggs rises).   I'm afraid we will have to continue
   this discussion at a later date.
 TRUMAN: Are you sure you wanna to go with them?
 BRIGGS: (Nods) Yeah. (to Cooper) Goodbye.
 M.P. #1: Major.                               
   -- Denise and Cooper have Ernie call Jean for the setup
   -- Dick tells Andy Nicky's records were sealed and returned to the
      orphanage
   -- Cooper asks Lucy if she's seen anything from Earle in the newspapers
   -- At the RR, Ed tells Norma, "We need to talk"
   -- Shelly's fed up with taking care of Leo and slaps Bobby who's going
      out again, as Invitation to Love plays on the TV.  Leo's eye twitches.
   -- Ed gets a call from James who wants all his money ($12) sent to him
      at Wallies
   -- Evelyn asks James about his girls and for his help

   9:25 am (clock on wall)
   -- Mike tries to fight off Nadine at the RR
   -- Hank asks Norma where's she's going
   -- Josie answers the door to Truman who can't keep his hands off her
   -- Audrey visits Ben's battlefield and calls Jerry
   -- Ed answers the door to Norma
   -- Hawk prepares Ernie with a bug:
      (Hawk is attaching a "wire" to Ernie with adhesive tape)
      E: Ouch!  Will you mind the chest hair, will ya?
      H: You're sweatin' like a pig, Mr. Niles!
      E: Oh, thanks a lot!  That's nervous perspiration, man, hyperhydrosis.
 It's a childhood condition--and I didn't notice it 'til the war.  
 Korea, remember that?  Do ya?  I was leading a batallion up towards
 the 49th parallel.  We were just a bunch of fresh-faced kids.
         I didn't know what kinda hell we were steppin' into.
      C: Ernie!  Ernie, I want you to focus on the here and now.  Repeat your
 instructions to me, step by step.
      E: Okay.  Uh...I take...Denise...up to Dead Dog Farm.  I introduce her to
 Renault.
      C: Right.
      E: I, uh...take Renault through the buy...complete the transaction, and
         get the hell out of there, huh?
      C: Good.  Harry--that's when you come in. (Truman nods)  By golly...I
         sure wish I could join you fellas.  But I've temporarily lost my
 enforcement franchise.
      E: Heh, I bet.
      T: Well...I've been givin' that some thought. (tosses badge to Cooper)
 Consider yourself deputized.  The bureau's loss is my gain.
      (Cooper looks at the badge--it's number 13.)
      C: (happily)  I hope I can live up to this.
      H: (finishes wiring Ernie)  He's done.  You might want to towel him off
 before we go! (wipes his hands, exits)
      E: Ah, come on!  (to Cooper and Truman)  Uh...how long will it, uh...
 take you guys to storm the farmhouse after, uh, I complete the buy?
      C: (pinning on his badge)  You go out, we come in.
      E: Can I, can I ask you a question?
      T: What, Ernie?
      E: Don't make me do this!  This isn't my line of work!  I'm a coward!  I
 don't do this kind of thing, I'm a CPA!
      T: Ernie.
      C: Ernie.
      E: (laughs nervously) Just a momentary lapse.  I'm okay, I'm...I'm cool. 
 Let's go do it, huh?
      C: Where's Denise?
      T: Haven't seen her.
      (Door opens.  Dennis enters dressed as a man, hair pulled back into a
       ponytail)
      D: (proudly)  You can call me Dennis!  Oh, I don't know, somehow it
 seemed...more appropriate.  (Cooper beams, absolutely delighted)
 Whadda you think?
      (Truman whistles appreciatively)   
   -- Andy and Dick at the Dorritt Home for Boys
      D: Our investigation must proceed "sub rosa."  We may have to pick the
 lock.  Tricky business, that.  (Andy opens the unlocked door)  Voila!
 We enter!
      A: Where is everybody?
      D: Lunch!  Here we are, the case files.  N...N...N...(turns to another
 set of files) N!  Nales...Nester...Netherby...Needleman, Nicholas.
 Needleman, our little Nicky!
      A: We can read it in the car!
      D: Oh, patience, Andrew.
      A: (increasingly nervous) Dick!
      D: Sh!  The usual background information...mmm...birthplace...initial
 adoption...  mm-hmm!  First of several, it seems.
      A: Dick!
      D: (oblivious to Andy)  Ah, the plot thickens.  Where are thy secrets,
 little Nicky?
      (The Brewsters appear at the door, wave eagerly.  Andy sees them.)
      A: Dick!
      (The Brewsters enter.  Dick jumps up, startled, and clumsily hides
      Nicky's file in his trenchcoat.)
      B: Hi!
      (Andy, petrified, crosses and stands beside Dick.)
      B: We're the Brewsters.  (laughs)  I know we're a little early.  It's
 just that we're so darn eager to see him.  Can we see him?  Where's
 Donny?
      D: D--Uh, little Donny is...uh, dead.  (The Brewsters look horrified.) 
 Eh!  Dead tired, I mean.  I'm afraid little Donny, he isn't feeling up
 to snuff.
      B: Well, he was in perfect health only yesterday.
      (Dick is stumped.)
      A: Dick!
      D: Just a minute...*Woody*.  Let me finish helping these good people.
 Now--where were we?
  
   Afternoon
   -- Ed answers the door to Donna who's looking for James.  She'll deliver
      the money.
   -- Norma leaves and Nadine rescues Ed from Hank
   -- Bobby sees Ben, then Audrey.  A: I think Daddy needs an injection.
   -- Catherine visits Ben
   -- James shows Evelyn the fixed car who seduces him as Malcolm watches
   -- At Dead Dog Farm, Ernie's shirt smokes, blowing the cover.  Hawk calls
      for backup as Cooper exchanges himself for Ernie and Dennis.

   Evening (1/4 moon)
   -- Evelyn leaves James in bed to go at it with Malcolm
   -- Jean, the mountie, and Cooper in the center room:
      C:  Is my death so important to you?
      R:  My two brothers die...I hold you responsible.
      C:  Why?
      R:  Well...before you came here...Twin Peak was a simple place.
  My brothers deal dope to the teenagers and the truckdrivers...
  oh...One Eyed Jack welcomed the businessman and the tourist...
  quiet people lived a quiet life.  Then--a pretty girl die,
  and you arrive...and everything change.  My brother Bernardo,
  shot, and left to die in the...the woods.  A grieving father
  smother my remaining brother with, ah...the pillow.
  Kidnaping...death...suddenly, ah, the quiet people...they're
  quiet no more.  Suddenly the...the simple dream, become the
  nightmare.  So.  If you die, maybe you will be the last to die.
  Maybe you brought, ah...the nightmare...with you.  And maybe...
  the nightmare will *die* with you.
   -- Dennis in a RR uniform, delivers food.  Cooper shoots Jean with a 
      gun hidden in Dennis' panty hose and Dennis kicks the mountie's ass.
   -- Shelly wakes to intermittent power to find Leo
   -- Power's off at the station.  Lucy says there were two fires and an
      explosion.  Cooper finds a dead person pointing to a chessboard:
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  |     | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  |     | WP  | WP  |     | WP  | WP  |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w| ?  b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BQ  | BP  |     |
      |    b|    w|    b|    w|    b|    w| ?  b| ?  w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     | BP  |     | BP  | BP  |     |     |     |
      |    w|    b|    w|    b|    w| ?  b| ?  w| ?  b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  |     | BK  |     | BB  |     |     |
      |    b|    w|    b|    w| ?  b| ?  w| ?  b| ?  w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      b = black square  w = white square
      B = black piece   W = white piece
      K= king  Q = queen  B = bishop  N = knight  R = rook  P = pawn
      ? denotes square not visible or partially obscured

[Episode 2014 - 2/2/91
 Written by Scott Frost
 Directed by Uli Edel]

Saturday evening (continued)
   -- Truman, Cooper, and Doc Hayward investigate the dead body - there's a
      black pawn in the mouth.  Cooper says it's a vagrant, and makes several
      predictions borne out by investigation (type of wound, an abandoned
      car ...).
   -- Audrey plots with Bobby to save the Horne empire.  AUDREY:  From now on,
      it's me you suck up to.
   -- Leo stalks Shelly with an axe, as an owl watches.  LEO:  Bad girl.
      Bobby returns home and after a struggle, Shelly stabs Leo in the leg who
      runs away into the woods.

19 Mar (Sunday)

   Day
   -- Cooper's been cleared, but the suspension remains.  Truman offers the
      vagrant murder case to deputy Cooper.  Hawk reports Hank is in the
      hospital - he missed the drug deal because he was "hit by a bus."
      Shelly called to report Leo's awakening.
   -- Andy tells Lucy about his and Dick's theory of Nicky killing his parents
      at the age of 6
   -- James meets Jeffrey, who gets in the car and drives off.  Evelyn
      puts the moves on James.  JAMES:  IT'S WRONG!!!
   -- At the RR, Ed and Doc Hayward discuss Nadine's dating and sex life.
      Donna took the van to look for James who's "out a couple of hours west."
   -- Ed tells Norma about the Nadine/Hank fight.  Norma says Truman will
      arrest Hank for parole violation.  Ed and Norma plan a romantic weekend.
      NORMA:  People will find out.  ED: Let 'em.
   -- James prepares to leave
   -- Cooper talks with Truman:
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  | WN  | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BN  |     |     |    Captured:
      |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
      +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
      | BP  | BP  | BP  |     | BP  | BP  | BP  | BP  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      T: So how does chess figure into all this?
      C: Because Windom Earle and I played a game every day for three years.
 He felt that all of life could be found in the patterns and conflicts
 on the board.  (pauses)  Because I never beat him.  (pauses)  Now it's
 my turn.  I'll publish my response in the Twin Peaks Gazette.  I don't
 know what else to do.
      T: Coop, you're gonna have to give me some more information here.
      C: Harry, I've brought some baggage to town I haven't told you about.
 (sits) Windom Earle was my first partner.  Everything I know about the
 law and the bureau, I owe to him.  Four years ago, we drew the
 assignment of protecting a material witness in a federal crime.  She
 was, uh...very beautiful...very gentle woman.  Her name was Caroline.
 She and I fell in love.  One night, I...failed in my vigilance.  An
 attack was made; I wasn't ready.  I was wounded and I lost
 consciousness.  (swallows hard)  When I came to, she was in my arms,
 she...she was dead, she'd been stabbed.
      T: The wounds on the vagrant.
      C: Identical.  The killer was never found.  My wound healed; Windom Earle
 went mad.  Institutionalized until his recent escape.
      T: So why is he after you?
      C: Harry--Caroline was Windom Earle's wife.
      (Truman has been sitting on the edge of his desk.  Now, he sits in his
      chair, taken aback.)
      T: So...he blames you for her death.
      C: (shakes his head, leans forward)  It's much worse than that.  I think
 he killed her.  And I think he committed the crime that she originally
 witnessed.  Harry-- Windom Earle's mind is like a diamond!  It's cold,
 and hard, and brilliant.  I think he feigned the insanity that sent
 him away, but at some point he lost the ability to distinguish between
 what's right and what's wrong.  You don't know what he's capable of,
 Harry...you don't know!
   -- Donna shows up at Wallies looking for James but finds Evelyn instead.
      Evelyn said he had done some work for her and then headed off to Mexico.
   -- Audrey ushers Jerry into Ben's office.  BEN: "Jeb!"  Dr. Jacoby is there.
      He says Ben's reversal of the South's fortunes is a healthy way for Ben
      to recover from his own defeat.
   -- Briggs staggers into the sheriff's office and collapses.  Lucy checks her
      lip stick.
   -- Briggs, Truman and Cooper at the station:
      (Briggs, Cooper, and Truman are all sucking down huge glasses of water.
       Lucy is standing nearby with a pitcher of water.)
      L: More?
      C: I'm fine.
      T: Fine, Lucy.
      B: Fine.
      (Lucy exits.)
      T: Major--what happened?
      B: Well, as men who have dedicated their lives to service, I know that
 you're able to understand how sacred I hold a pledge of allegiance.
 And the cost one must pay when breaking a pledge.
      C: It can be very great.
      B: Well, the Air Force, *I thought*, was not unlike other societies of
 men dedicated to the fight for the good.  (pauses, mops his brow)
 Gentlemen, frankly I'm worried.  When my superiors questioned me about
 my disappearance, they exhibited a degree of suspicion and intolerance
 bordering on the paranoic.  I must now admit that their motivation in
 the search for the White Lodge is not ideologically pure.  I believe
 that during my disappearance I was taken to the White Lodge.  I can 
 remember, virtually nothing.  But I have the clear, intuitive sense
 that there's...  much trouble ahead.
      C: Major?  What kind of trouble?
      B: I am unaware of the form it will take.  (pauses)  I will return.
 Until that time, I will be in the shadows if you need me.  Good day,
 gentlemen.
      C: Good day, Major.
      (the Major exits.)
      T: In the shadows.  Can you beat that?
      C: No...
   -- Jacoby, Lana, Cooper, Truman, Hawk at the station
      (Cooper and Truman enter the meeting room after Hawk.  Jacoby and Lana
       are waiting there.)
      J: Good.  I wanted all of you to hear this.  I've just spent almost the
 last twenty-four hours with this charming young lady, and as you can
 see, uh...  I have no bruises, no broken bones...any claims by her
 deceased husband's brother that she's cursed or somehow responsible
 for a death is nonsense.  Now what she does, in fact, possess is a
 heightened sexual drive.  And a working knowledge of technique,
 anatomy, and touch, that few men have ever had the pleasure of
 experiencing, or the skills to match.
      T: Is it *hot* in here?
      C: Yeah.
      H: Yep.
      C: Lana, let me be the first to congratulate you.
      L: Thank you!  Well--I could never have done it without Dr. Jacoby.
      J: Heh, heh, heh, heh, heh.  Okay.  Well, we're gonna go bowling.  See ya
 later, guys!
   -- Dwayne Milford is in the lobby with a shotgun, threatening to shoot Lana.
      Cooper suggests that the mayor and the widow go alone into the conference
      room to work it out.  Truman: Now what?  Cooper: We wait.
   -- Cooper: "OK, long enough."  The cops enter the conference room to find
      the widow and the mayor making wedding plans.
   -- Catherine reveals Andrew Packard to Pete

   Dusk
   -- Eckhardt and a young female escort check into the Great Northern
   -- Truman shows Cooper a Seattle newspaper story -- Jonathan is dead.
      Truman suspects Josie and asks Cooper to investigate.
   -- Doc Hayward tells Dick and Andy about Nicky's past.  His mother was an
      immigrant, maid at the Great Northern.  She was impregnated during a
      rape, died in child birth.  Nicky was in an orphanage, then adopted. 
      His adopted parents were killed in a car crash.  Lucy is indignant that
      the men had suspected Nicky of wrong-doing.  She swats a fly.
   -- It comes down at the Marsh place.  Evelyn says Jeffrey died in a car
      crash, the brake lines were cut.  JAMES: "You set me up!"  Evelyn says
      she loves James, and hopes he gets away.  Police arrive.  James is
      sneaking away.  Donna is there in the shadows, and they run away
      together.

   Night
   -- Leo walking through the woods.  Gratuitous owl shots.  There is a cabin
      with a light on.  Leo walks in and meets Windom Earle.

20 Mar (Monday)   [Episode 2015 - 2/9/21
           Written by Harley Peyton and Robert Engles
   Directed by Diane Keaton]

   Day
   -- Evelyn and Malcolm tell the cops about James
   -- At Wallies, the cops watch an opera, while James and Donna talk
      as the bartender persists in listening in.  Donna wants to talk to Ed,
      James wants to talk to Evelyn.
   -- Donna calls Ed
   -- Cooper and Truman question Shelly and Bobby, who says that Hank shot Leo
   -- Albert ("Get a life, punk!") tells Cooper about Earle's leavings at
      five different post offices in different cities, each an article of
      Caroline's clothing.
   -- Earle makes music as Leo awakens
   -- Ed and Norma discuss their future in bed when Nadine rips off the door
      and joins them in bed.  She says she knows about them, mentions Mike,
      and bends her 2nd place wrestling trophy.
   -- Cooper and Truman question Josie
   -- Pete returns with a load of dry cleaning.  Cooper takes a sample from
      a coat.
   -- Thomas calls Josie.  Catherine listens.
   -- Ben continues on in the war.  Johnny is present in his Indian headdress.
      Bobby trumpets.
   -- Evelyn and Donna trade words at Wallies until Malcolm comes for Evelyn
   -- Albert's report.  The dead Asian man was Johnathan Kumagi.  The fibers
      found outside Cooper's door and from Josie's coat are a perfect match.
      The dead vagrant's name was Eric Powell.  Powell was Caroline's maiden
      name.
   -- Pete beats Toad, Cooper and Doc Hayward in chess
   -- Shelly gets her job back and cleans the ice cream cone
   -- Truman tells Norma Hank is going back to jail

   Night
   -- Josie answers the door to Eckhardt, who dines with Catherine.  They
      debate over what to do with Josie.
   -- James confronts Evelyn, who's blowing smoke rings.  She confesses and
      seduces him.  Malcolm knocks him out.
   -- The North surrenders and Ben's back
   -- Earle prepares himself and tutors Leo in penmanship
   -- Donna stumbles into Evelyn and Malcolm scheming.  Fiasco results
      in Evelyn shooting Malcolm.
   -- Cooper looks at a picture of Caroline as Earle walks out of the elevator.
      Earle leaves a message for Audrey.
   -- Cooper finds a mask and a message from Earle in his bed.

21 Mar (Tuesday)   [Episode 2016 - 2/16/91
    Written by Tricia Brook
    Directed by Lesli Linka Glatter]

   Morning
   -- Cooper and Truman listen to Earle's tape.  They decide to call Pete
      for Cooper's next move.  Lucy: Paper and Pete - I'll do it
      alphabetically!
   -- Pete answers Lucy's call then serves breakfast to Catherine and Andrew.
      Josie enters, sees Andrew and faints.
   -- Truman reads the paper, an article on the Asian man's death
   -- Hank (on crutches) and Hawk in Truman's office.  Truman accuses Hank of
      shooting Leo.  Hank says he was home with Norma then, and offers to deal
      info on Packard's death for freedom.  No deal.  Hawk kicks Hank's
      crutch out from under him.
   -- Albert's report reagrding the gun:
      A: This is the bullet we removed from you.  This is the one that was
         excavated from the dead man's skull.  Same bullets, same gun, same
 killer.  Let's go get her.
      C: Albert, hold your horses.
      A: Coop--I appreciate any reluctance you might have for busting your
 pal's old lady, but the woman ventilated you and left you for dead.
      C: (holds up his hand) Albert--I don't take it personally.  What about
 the gloves, the powder tests?
      A: News at five.  All right, fine, you're not mad, but there's an
 epidemic of multiple gunshot wounds following this chick around,
 she is a menace.
      C: (nods) I'll talk to her.  Maybe she'll confess, turn herself in.
      A: Maybe she'll grow wings and join the circus. (leaves)
   -- Audrey working as concierge at the Great Northern.  Some hunk walks
      in; he claims to have seen Audrey years ago playing Heidi.  Audrey has
      mail -- a note containing a torn piece of paper with writing, and a
      note inviting her to "save the one you love" by attending "a gathering
      of angels" at the Roadhouse that night.
   -- Ed replaces some figurines on a shelf when Nadine returns from school
      early. She confesses to Ed her love for Mike.  NADINE: "We have to
      call a spade a spade.  We're breaking up."
   -- Cooper pleads the truth from Josie.  Catherine listens in.  COOPER: "I
      don't know what place Harry occupies in your heart, but I do know that
      you own his."  Josie is unresponsive.  After Cooper leaves, Catherine
      badgers Josie while oozing slime.  Catherine says Josie will have to
      see Eckhardt alone that night.  JOSIE: "He'll kill me."  Catherine
      casually exposes a gun in the book case which Josie grabs and fondles.
   -- Bobby, Ben, Jerry, Audrey and John Justice Wheeler plot business.
      Ben reveals there is an endangered species on the mill/Ghostwood
      property: the pine weasel.
      B: I give you...the little pine weasel.  Found only in our tri-county
 area...  it is nearly extinct.
      J: (happily) They're incredible roasted.
      Ben will use this fact to stop development until he is in the driver's
      seat.  BEN: "And then, I'm considering a run for the Senate."

   1:16 (clock on wall)
   -- Earle the truck driver leaves the RR, leaving a note for Shelly. 
      Norma is on the phone with her sister, Annie, who lives at a
      convent.  Shelly reads the note, identical to Audrey's.
      Ed comes in and proposes to Norma.
   -- Leo whittles under Earle's instruction
   -- Norma visits Hank in jail, asks for a divorce.  Hank promises to reform
      and asks for an alibi regarding Leo.  Norma refuses, although Hank
      swears he'll die if he goes back to prison.  HANK: "You're his whore." 
      NORMA: "I'd rather be his whore than your wife."
   -- Pete selects a move that will give Earle "sleepless nights" and not
      allow him to capture any pieces for 4-5 moves.  It appears to be P to
      QN-3.  This is just about the only legal move in that corner of the
      board (to Cooper's right) that would prevent any immediate capture. 
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  | WN  | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BN  | BP  |     |    Captured:
      |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
      +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
      | BP  | BP  | BP  |     | BP  | BP  |     | BP  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
   5:00 pm (A to C: "News at five.")
   -- Albert says the powder on Josie's glove proves she shot Cooper.  There
      was a positive ID of her in Seattle.
   -- Andrew visits Josie putting on makeup in her room.  He says he loved her
      though she didn't love him and she should go to Eckhardt who can
      get her out of the country.

   Dusk
   -- James and Donna meet for a picnic in the mountains.  James is going to
      continue traveling around.  Donna will return to TP.  They will continue
      to love each other and meet again some day. Evelyn is going to stand
      trial.

   Evening
   -- Truman comes to see Josie.  Catherine says she's gone to see Eckhardt.
   -- Eckhardt and Andrew meet in the elevator.  Andrew says he is alive
      because Josie betrayed Eckhardt.  Something about Josie in love with
      Truman.  ECKHARDT: "I've already taken care of him."
   -- Ben, Audrey and Jack at supper.  Jack is in business of saving troubled
      businesses with environmental problems.  Ben is called away;
      attraction/repulsion/defensiveness between Audrey and Jack ensues.

   9:30 pm
   -- Shelly, Audrey and Donna meet at the Roadhouse.  They put their three
      pieces of paper together. Earle watches from the bar.
      "See the mountains kiss high heaven
      And the waves clasp one another.
      No sister flower would be forgiven
      If it disdained its brother.
      And the sunlight clasps the earth,
      And the moonbeams kiss the sea.
      What is all this sweet work worth,
      If thou kiss not me?"
   -- Cooper practices fly fishing in his room.  Catherine calls to let him 
      know where Josie is.  He grabs his gun and goes to investigate.  He hears
      a shot and opens Eckhardt's door.  Eckhardt stands up and dies.
      Josie and Cooper point guns at each other.
      J: He tried to kill me.
      C: Is that what you'll say about me, Josie--that I tried to kill you?
 What about Jonathan?  Did he try to kill you, too?
      J: He...he was taking me back.
      C: Why did you shoot me, Josie?
      J: Because you came here.  I knew this day was going to come.  I'm not
 going to jail!  I can't!
      (Truman enters, gun drawn)
      H: Put it down, Josie.
      J: Ah!  Harry?!
      H: PUT IT DOWN!!
      J: Harry--forgive me.  I never meant to hurt you. (takes several sharp
  breaths, closes her eyes, hugs the gun to her chest, and collapses on
 the bed)
      H: (rushes to her, cradles her in his arms) Josie!  Josie?!  Josie!
         (looks up) She's dead.  
      (Truman and Josie on the bed disappear, spotlight appears.  BOB climbs
      onto the bed from the floor on the far side, laughing maniacally, until
      he is on his hands and knees on the bed)
      B: Coop!  What happened to Josie?! (continues to laugh)
      (BOB disappears, the little Man From Another Place appears, dances on
      the bed, and disappears.  Truman and Josie reappear as before.  Josie's
      face appears in the knob of the nightstand, crying out in torment)

22 Mar (Wednesday)   [Episode 2017  -  3/28/91
      Written by Barry Pullman
      Directed by James Foley]

[Cooper's Prologue: March 28th, Thursday night.  Diane, I want to bring you
up to speed on a few recent developments.  Nadine Hurley, 35 years old,
persists in the belief that she is a high school girl.  She has apparently
fallen in love with Mike Nelson, high school varsity star.  
   Word has it that Bobby Briggs is shacked up with Shelly the waitress.
Shelly's husband, Leo, has awakened from his coma and is somewhere in
the woods.
   Ben Horne has suddenly become an environmentalist, and enlisted the 
aid of trusted friend John Justice Wheeler to help him save the pine
weasel.
   As for me...I find myself suffused with a vague sense of contentment;
a premonition of happiness.  I hope I will be ready when it comes.  Mean-
while, there's Windom Earle, my former partner.  Windom continues to play
his deadly game of chess.  Deadly, Diane, because every time he removes 
a piece from the board, Earle takes a human life.  I have enlisted the
aid of chess champion Pete Martell, in hopes of formulating a stalemate
game.  In the meantime, I can only wait for Earle's next move.
   Major Briggs has returned from his disappearance in the woods, but
remembers nothing.  He cannot explain the mysterious tattoo on his neck.
   Diane, Josie Packard is dead, possibly from fear.  And while I am
absolutely certain that she tried to take my life, I feel both sadness
and even sympathy.  Sheriff Truman is suffering terribly as a result.
   When Josie died, I saw a vision, revealing BOB, and the midget from
my dream.  Windom Earle...BOB...the midget...is there a connection, Diane?
Do these events foretell BOB's return?  I hope not...for all our sakes.]

   Morning
   -- Truman thinks of Josie in a darkened room and Hawk comes in offering
      breakfast.  Truman refuses, finding solace in a bottle of Jack Daniels.

   11:18 am (clock on wall)
   -- Annie, Norma's sister, arrives and is to start working at the RR
   -- The Log Lady touches the Major's tattoo
   -- Hawk tells Cooper about Truman's condition.  Doc said he can't figure  
      Josie's cause of death.  Her body weight was 65 lbs.
   -- Windom talks to Leo about the country life, while Leo fetches things.
      Windom's got himself a laptop.  He gets the latest move from Cooper
      in the paper.  He doesn't like it.
   -- People from the Great Nothern & Horne's store set up for a benefit
      show to save the pine weasel.  Pinkle's to give a talk about the pine
      weasel.  John and Audrey ramble then plan a picnic.
   -- Cooper visits Truman and gives him the scoop on Josie.  She had multiple
      felons and two arrests for prostitution besides the shooting of Eckhardt,
      Jonathan, and Cooper himself.  Truman kicks him out. 
   -- Catherine looks at plans and is visted by Jones, Eckhardt's executive
      assistant.  She's got a gift for Catherine.
   -- Dr. Gerald Craig (Earle), a friend of Dr. Hayward's, comes by, talks with
      Donna and leaves a gift for Will
   -- Pete looks for a stalemate game but he informs Cooper that at
      least six men are lost by such a game.  Andy and Lucy argue over the
      knight's hook move.
   -- Cooper, the Log Lady, and Major Briggs compare notes. Margaret, at age 7,
      Major Briggs:        Margaret:               took a walk in the woods and
/\    /\            /\             /\      was told that she had
       /  \  /  \          /  \           /  \    disappeared for a day. She
      /____\/____\        /    \/\     /\/    \    got a tattoo on her leg. She
   /\            /        \   /        \   also heard an owl when her
  /  \          /__________\ /__________\  husband died. All three have
 /____\                                    heard that call as well as
   seen the light.

   Afternoon
   -- John sings to Audrey at their picnic
   -- WIll and Eileen return. Donna tells him about Dr. Craig.  She's informed
      that Dr. Craig was his roommate and also drowned years ago.  The gift
      contains a note: KN to KB3.  The phone number given to Donna by Dr. Craig
      was for a cemetary.
      [The board presently:
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  |     | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     | WN  |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BN  | BP  |     |    Captured:
      |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
      +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
      | BP  | BP  | BP  |     | BP  | BP  |     | BP  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+                        ]
   -- Ed and Nadine discuss their future with Jacoby
   -- Mrs. Hayward answers the door to Ben who kisses her on the cheek.
      Donna watches.

   6:05 pm (?) clock on wall
   -- Norma shows a flier to Shelly about the Miss Twin Peaks contest.  "Easy
      Rider" Earle says she'd be perfect for it.  Cooper meets Annie and gets a 
      good strong cup of coffee she made.  Windom in disguise watches Annie with
      Cooper, who notices Annie's scar.  Cooper looks puzzled after Earle
      leaves unnoticed.

   Dusk
   -- Hawk gets Cooper.  A drunken Truman wrecked all the furniture in the
      Bookhouse and Cooper calms him down.
   -- Mr. & Mrs. Inkman (Nadine and Mike) rent the honeymoon suite at the
      Great Northern.  A friend, Susan, recognizes Mike.  Nadine smashes the
      bell.
   -- Ben speaks for the Stop Ghostwood campaign.  Dick is host for the fashion
      show.  Lucy and Andy model bright plaid colors.
   -- Ben chats with Catherine at the bar, convinced he's a reformed person
   -- Pinkle speaks about the pine weasel and takes one of its cage.
      It becomes attracted to the studs and cheap cologne of Dick's,
      bites his nose and gets loose.  Chaos ensues.
   -- Jones knocks out a Bookhouse guard and gets into sleeping Truman's bed

[Episode 2018  -  4/4/91
Written by Harley Peyton & Robert Engels
Directed by Duwayne Dunham]

Wednesday evening (continued)
   -- Jones puts some perfume on Truman's and her lips.  He sees Josie in his
      haze and she tries to strangle him.  They struggle and Truman triumphs.

23 Mar (Thursday)

   Morning
   -- Audrey delivers breakfast to John's room
   -- Truman tells Cooper that Jones won't speak to anyone but the South
      African consulate.  There's a bonsai delieverd this morning "from Josie."
      Gordon arrives as Earle listens via the bugged bonsai.  Earle was
      apparantly high on the same drug, Haliperidol, as the OAM, as well as
      involved with Project Bluebook.  Gordon reinstates Cooper and gives him
      a new Smith and Wesson 10 mm.
   -- Leo picks some cards from Earle: Queen of Clubs (Donna), Queen of
      Diamonds (Audrey), Queen of Spades (Shelly), King of Spades (Cooper).
      The Queen of Hearts (blank) will be Miss Twin Peaks.
   -- Donna, at the Great Northern, sees her mom with Ben.  Mike and Nadine
      check out.  Donna and Audrey chat and wonder about their parents.
   -- Eileen and Ben discuss some happenings 20 years ago.  She's got some
      old letters.  Donna and Audrey eavesdrop.  Eileen says stay away from
      her.
   -- At the RR, Gordon's cure for a hangover sends Truman running for the
      restrooms.  Gordon notices Shelly, likes what he sees and makes his
      move.  He can hear her perfectly.
   -- Cooper and Annie chat about a chickadee he saw out the window.  He tells
      /\her a joke about penguins, and she
    /    \mentions his sketch looks just
    \    /like the one at Owl Cave.
      \/
       /\    /  \     /\
     /    -<      >-     \
   /         \  /          \
 -------------/\--------------
    /    \
    \    /
      \/
   -- Donna reads a postcard from James at San Francisco.  Her father asks
      about James and she asks about her mom and Ben.  He seems like he's
      hiding something.  Flowers arrive anonymously for Eileen.
   -- Prof. Edward (Earle) Perkins runs into Audrey at the library.  He
      identifies her poem as Shelley.
   -- Shelly and Annie chat about Cooper
   -- Lucy, playing chess, chats with Andy as he climbs down a rope.  He's
      going spelunking.
   -- Pete just called in the next move:
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WR  |     | WB  | WK  | WQ  | WB  | WN  | WR  |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     | WN  |     |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     |     |     | BN  | BP  | BP  |    Captured:
       |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
       +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
       | BP  | BP  | BP  |     | BP  | BP  |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+      ]
      Cooper's in gear and ready to go.  Truman mentions that Shelly took
      Gordon down to Doc's regarding his hearing.
   -- Johnny Horne shoots buffalo
   -- Ben thinks Audrey's the best man for the job and informs her that her
      plane to Seattle leaves in an hour.  John shows up to see this.  He and 
      Ben chat about how Ben can be good.  He mentions he's fallen in love with
      Audrey and they munch on carrots.

   Night
   -- At Owl Cave, Andy slips and falls.  Cooper, Truman, and Hawk are also
      there.  They see the symbol on the wall.  An owl flies around them.
      Andy swings at it with his pick and hits the symbol.  The middle
      diamond falls out revealing a pole with a petroglyph on the end.
      The owl flies away.

   9:05 pm (Cooper to Diane)
   -- Cooper, after making a quick message to Diane, runs into Annie at the
      Great Northern bar.
      Dale: Hello Annie.
      Annie: Hi.
      D: Can I get you something... oh,
      A: No, no, I have a rum and tonic.
      D: I see.
      A: One of the sisters used to put rum in her tea and I thought it was
 exotic, so...
      D: It's all new to you isn't it?
      A: I feel constantly amazed. Stunned. Music and people-- the way they
         talk and laugh and the way some of them are so clearly in love.  It's
         like a foreign language to me.  I know just enough of the words to
         realize how little I know.
      D: I'd love to see the world through your eyes.
      A: Why?
      D: There are some things I might do different if I had the chance.
      A: Me too.
      [Annie reaches for her drink-- Dale notices the suicide scar -- and 
      Annie notices him noticing.  She pulls back her hand to cover her wrist.]
      A: You see, the thing is I failed before and [pause] I'm just afraid it
 might happen again.
      D: You want to talk about it?
      A: Not yet.
      D: Maybe I can help.
      A: Can you?
      D: If you want me to. 
      A: I'm stubborn, extremely willful.
      D: I can handle that.
      A: Some people think I'm strange.
      D: I know the feeling.
      A: [laughs] I couldn't promise you that I would always make sense or do
 things that you'd expect me to do.
      D: Annie I don't expect anything.
      A: Then I accept your kind and generous offer.
      D: Good.  I'm glad.
   -- Earle explores Owl Cave:
      [Thw bright light of Windom's flashlight and then we see his figure in
      Owl Cave as he appears to be looking for something.
      He comes across the uncovered "petroglyph."]
      Windom: My, my, my. What have we ...  [while turning his flashlight to
        other parts of the cave] ...here?
 /\[Shot of the same petroglyph but upside
/  \ down on the ceiling from Windom's
       /    \ point of view.  This one is enclosed
      /      \ in a diamond.]
     /        \
    / /\    \
   /    /  \    \
  /    /    \    \
 /     \    /     \
 \  \  /\  /\  /  /
  \  \/ \/  \/  /
   \            / 
    \          /
     \        /
      \     /
       \    /
\  /
 \/
      W: Could it be?  [Looks back at the petroglyph on the wall.]  Yes.
 [Looks back at the ceiling.]  The symbol inverted. 
 [laughs a wheezing kind of little laugh]  Now.
      [Struggling a little, Windom grasps the stone shaft on the wall with his 
       right hand and rotates it counter-clockwise until the symbol on the wall
       is the same as the one on the ceiling.  Andy's axe stuck in the "fire" 
       symbol begins to move as a trembling sound begins.  The axe is now
       directly above the petroglyph on the wall.  The axe falls out 
       of the wall as the walls begin to shake more.  Windom is backing out
       of the cave with tiny laughs of satisfication.  Dust coming off of the
       wall fills the screen.]

24 Mar (Friday)   [Episode 2019 - 4/11/91
   Written by Mark Frost & Harley Peyton
   Directed by Johnathan Sanger]

   Morning
   -- Cooper, Andy, Hawk, and Truman are back at Owl Cave and find a new
      petroglyph.  The tracks they find are the same ones outside the
      powerstation.  Cooper deduces it was Earle.
      _______________________________________________________________________
      
      BLACK                              O        lollipops
      BLOB                               |  O  O
                                      ____  |  |  O  O
              O                           -----   |  |  O  O
              |                       /\       ______   |  |        \   |   /
            giant   o                /  \            ----__          \ _|_ /
              |   little            /PEAK\             /\  antlers____|SUN|____
              |    man             /      \           /  \            |___|
             / \   / \            /    @   \         /    \          /  |  \
                                 /        ~~~~~~~~  / PEAK \       /    |   \
                                         ~~~~LAKE~~/        \
                          flame  4  =falls=~~~~~~ /     @    \
                          (cave)    ||||||| ~~~~
               oo                   |||||||
       XX    o    o                 |||||||
       XX   o ring o                |||||||         (various crisscrossing
             o    o                 |||||||            lines everywhere)
               oo
      
                                                      M A Y O R
      
                                                         M C
      
                                                     C H E E S E
      _______________________________________________________________________
   -- Earle talks to Leo and a punk who thought he was invited to a party,
      about the White Lodge and the Black Lodge.  On a computer is the
      petroglygh from Owl Cave.
      Earle: Once upon a time, there was a place of great goodness, called the
       White Lodge.  Gentle fawns gamboled there amidst happy, laughing
       spirits.  The sounds of innocence and joy filled the air.  And when
       it rained, it rained sweet nectar that infused one's heart with a
       desire to live life in truth and beauty.  Generally speaking, a
       ghastly place, reeking of virtue's sour smell.  Engorged with the
       whispered prayers of kneeling mothers, mewling newborns, and fools,
       young and old, compelled to do good without reason.  Heh-heh!
  But, I am happy to point out that our story does not end in this
       wretched place of saccharine excess.  For there's another place, its
       opposite; a place of almost unimaginable power, chock full of dark
       forces and vicious secrets.  No prayers dare enter this frightful maw.
       Spirits there care not for good deeds or priestly invocations; they 
       are as like to rip the flesh from your bone as greet you with a happy
       "Good day!"  And if harnessed, these spirits in this hidden land of
       unmuffled screams of broken hearts would offer up a power so vast that
       its bearer might reorder the earth itself--to his liking!  Now!  This
       place I speak of--is known as the Black Lodge.  And I intend to find it.
   -- Pete tries to create a poem on Josie but is interrupted by
      Catherine.  She hasn't been able to open the box left by Eckhardt's
      assistant.  Pete tells her it's a puzzle box that could take
      YEARS to open.  Catherine: "Open it!  I've been trying for days."
   -- At the RR Bobby tries to convince Shelly to enter the Miss TP pageant
   -- Elsewhere at the RR, Lana tries to convince the mayor to help her
      win the contest since he's a judge
   -- Cooper enters and orders coffee and donuts from Annie for his team,
      and makes a date with Annie (a nature study) for this afternoon.
      He overhears a piece of the poem Shelly was reciting and gets her
      piece of the poem.  Blue plate special is 'Hearty Beaver Broth'.
   -- Cooper tells Truman that the message was from Earle.  It was the poem
      that he sent to Caroline.
   -- Major Briggs points out an error in Andy's chalkboard rendition
      of the petroglyph.  He's dreamed of it.  Cooper says that Leo's
      disappearance, Owl Cave, and Earle are all related.  He asks for
      Briggs' help, who ponders his situation and dedication to his work.
      We see a silhouette of a hooded figure.  When it comes toward the screen,
      a starscape is seen inside, and an owl flies in the starscape and we
      then see a wall of fire appear.  Briggs agrees to help.  Hawk brings in
      Leo's arrest report, which Cooper compares to the poem and concludes
      it was Leo's handwriting.
   -- Dick and Ben chat. Ben: Sometimes the urge to do bad...is nearly
      overpowering.
   -- The punk is in a papermache (pawn) and Earle asks for an arrow. Leo
      doesn't want to but those shocks from his collar convinces him to.
      Earle loads a crossbow and shoots the punk.

   3:35 pm (clock on wall)
   -- The Miss Twin Peaks Committee (Doc Hayward, the Mayor, and Pete) meets
      and listens to Ben who wants the topic of the pageant to be to save the
      forests
   -- Miss TP contestants gather.  Mike: "Do you have any idea what a
      combination of sexual maturity and superhuman strength can result in?"

   3:36 pm (grandfather clock)
   -- Truman and Catherine talk about Josie and why she did what she did.
      She shows him the puzzle box.  Pete shows up and drops it,
      opening it.  The contents seems to be another puzzle box which consistsi
      of two concentric rings of symbols.  The inner ring is made
      up of symbols corresponding to the phases of the moon.  The outer ring
      is made up mostly of zodiac symbols.
Clock position       Inner Symbol           Outer Symbol
                         (moonphase)            (zodiac)
--------------------------------------------------------
12:00                Full Moon              Libra
 1:30                 Waxing Gibbous         Pisces
 3:00                 First Quarter          Cancer (modified)*
 4:30                 Waxing Crescent        Unknown**
 6:00                 New Moon               Aries
 7:30                 Waning Crescent        Sagittarius
 9:00                 Third Quarter          Taurus
10:30                Waning Gibbous         Gemini
      * The Cancer symbol differs from that shown in the dictionary.
Essentially, it's like a lowercase sigma with a long , straight
tail and another similarly modified sigma, rotated 180 degrees,
directly beneath it.
      ** This symbol is a large circle with four much smaller circles
 just outside it at clock positions 10:30, 11:30, 12:30, and 1:30.
 The overall effect is that of a paw.  Perhaps it's a different
 sign for Leo.

   Sometime after 4:00 (Cooper tells Annie he'll pick her up at 4:00 sharp)
   -- Annie and Coop in a boat.  Annie tells Cooper that she had
      one senior year boyfriend and because of him, there are scars on her 
      wrist before she entered the convent.  Cooper kisses her twice.
      Earle watches.
   -- A wine tasting party which Dick is hosting with a bandaged nose
   -- Gordon again speaks normally to Shelly.  When Cooper and Annie
      appear Gordon tells them and Shelly that he's leaving but
      he'll try to return to TP to be with Shelly.  He gives her
      two kisses, the first interrupted by Bobby who is expressing
      his disbelief.
   -- Lana and Andy find banana and chocolate in the taste of
      the wine they taste.  Lucy spits wine in Dick's face.
   -- Jack and Cooper chat about love.  Jack receives a telegram and
      quickly makes arrangements to check out.
   -- Donna still wants to know about Eileen's involvement with Ben,
      and she is thinking of studying overseas.  Eileen wants more peas.
   -- Hooded silhouette but with a half moon where the head is.  The owl flies.
   -- Cooper and the police at the gazebo.  There's a crate on the gazebo.
      On it there's a ring on a sign that says "PULL ME".  Cooper does
      from a distance using a police line tied to the ring and a
      rock.  He shoots the rock and the crate opens.  The punk is
      in a chess piece scupture with a sign saying that "Next time it will
      be someone you know."

      [The board presently:
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WR  |     |     | WK  | WQ  | WB  | WN  | WR  |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     | WN  |     |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     |     |     | BN  | BP  | WB  |    Captured:
       |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
       +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
       | BP  | BP  | BP  |     | BP  | BP  |     |     |    BP by WB
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+      ]

[Episode 2020 - 4/18/91
 Written by Harley Peyton & Robert Engels
 Directed by Stephen Gyllenhaal]

Friday evening (continued)
   -- The cops haul the pawn off the gazebo.  A friend of the punk in
      the pawn describes how Scott, wearing a weird suit, came out of the
      woods, saying he had beer so Rusty Tomaski the punk went with him.
      Andy cries.  Cooper thinks Earle is playing off the board since
      Earle didn't tell him his move.

25 Mar (Saturday)

   Morning
   -- Lucy tells Truman that Hawk is feeding breakfast to some guy she's never
      seen before because he looked sad.  She tells Andy tommorow is D-Day
      (Dad Day) when she'll choose the father of her baby.  She's also
      going to enter the Miss Twin Peaks contest and Andy's got some ideas
      for her speech.
   -- At the Great Northern, Jack checks to see if there are any messages
      for him from Audrey
   -- Doc Hayward, after examining Ben, gives him a clean bill of health,
      and tells him to stay away from Eileen.  Ben says not as long as the
      lie survives.  Jack enters, looking for Audrey.  He has to leave
      because his partner was murdered.
   -- Donna Marie Hayward finds a blank space on her birth certificate
      under the "Father" entry and some pictures of her parents with Ben.
      Hawk is on the phone for her.
   -- Audrey returns and runs into Hawk who tells her it is important
      to see Cooper immediately
   -- Jack and Ben chat.  Jack's got to take his partner's place in the
      Rain Forest business.  He's got something for Audrey.
   -- Briggs has Cappy look for symbols and has some information for Cooper
      and Truman.  Earle was the best and brightest of them, but became
      obsessive and destructive when the attention turned from outer space
      to Twin Peaks and so was removed from the project.
      E: These, uh, these evil sorcerers, uh,...dugpas, they're called...they,
uh, cultivate evil for the sake of evil, nothing else, they, uh, 
express thenselves in darkness, for darkness without leavening motive,
uh--Now this, this ardent purity allows them to access a secret place
where the cultivation of evil proceeds in exponential fashion, and
with it, the furtherance of evil's resulting power!  Th-this place of
power is tangible and as such can be found, entered, and perhaps
utilized in, in some fashion.  Th-the dugpas have, have, many names
for it, but chief among them (coughs) is the, uh, is the Black Lodge.
You don't believe me, do you?  You think I'm mad.  Overworked.
Go away.
      C: (pauses tape)  Gentlemen, when Windom Earle arrived in Twin Peaks I
assumed he had come for vengeance.  For me.  But I miscalculated.
He has insinuated himself into the lives of people I care for, he has
murdered innocents; he has engaged us in subterfuge and red herring--
a fish I don't particularly care for.  But all of these acts are
merely camouflage; he's been after something else all along.  The 
Black Lodge.  Fellas, we need to find out what this (points to
monitor), the Black Lodge, has to do with that! (points to drawing of
map)
      Cooper and Truman will look through the old files and Briggs will go
      for a walk.
   -- Earle, eavesdropping on Cooper, Truman, and Briggs, laughs.  Leo
      pockets the shocker.
   -- At the RR, a pie-eater's hand shakes.  Bobby and Shelly discuss her
      speech and his recent inattention to Shelly.  Cooper's on the phone
      for Shelly.

   7:52 am (clock on wall)
   -- At the roadhouse, the mayor tells Lana she's gonna win since the other
      judges are gonna be Norma and Dick.  She says she'll marry after she
      wins.
   -- Cooper has Shelly, Audrey, and Donna compare stories of running into
      strange people.  Shelly recognizes Leo's handwriting.  Cooper tells them
      they need to check into the sherrif's everyday at 9 am and 9 pm.
   -- Earle babbles, Leo cleans, recognizes Shelly on the card and shocks
      himself
   -- Audrey enters the Great Northern just missing Jack on his way out.
      Ben wants Audrey to enter Miss Twin Peaks so she can speak about his
      cause.  He mentions Jack's flight so she takes off, getting Pete,
      who babbles about seeing Josie's face, to drive her.
   -- Cooper and Truman ponder the petroglyph.  Andy goes to call Mrs.
      Briggs to find out about Briggs who should've arrived by now.
      Cooper talks about Annie then gets the hand shakes.
   -- Briggs in the woods, stops at a tree, touches it and his tattoo,
      and is shot by Earle in a horse outfit
   -- Jack prepares to take off

   10:34 am (clock on wall)
   -- Cooper and Annie chat then kiss.  Plates fall.
   -- Pete and Audrey catch up to Jack.  They proclaim their love for each
      other and she says she's a virgin and wants him to make love to her.
      Pete cries and gets the hand shakes.
   -- Earle interrogates Briggs strung up on a target.  Windom: "What is your
      greatest fear...in this world?"  Major: "The possibility that love is
      not enough."
      Briggs: "There's a time if Jupiter and Saturn meet, they will receive
      him."  He also says something like "That gum you like is coming back"
      backwards.
   -- Andrew and Catherine fiddle with the puzzle box.  After trying Eckhardt's
      birthday and his own birthday, he tries the day the gift arrived and it
      opens, revealing another box.  Andrew smashes it, revealing a metal box.
   -- Annie and Cooper dance.  She mentions entering the Miss Twin Peaks
      pageant.  The Giant appears to Cooper with a mouthed warning, "no, no."
      Mayor: "This isn't right.  There's something wrong here."

   Dusk
   -- Pete wakes in his car.  The jet takes off for Brazil.  Audrey's still
      here.  Pete: "There are many cures for a broken heart.  But nothing
      quite like a trout's leap in the moonlight..."  
   -- Leo and Briggs writhe in pain.  Earle determines the petroglyph is a
      map.

   Night
   -- BOB appears in Glastenberry Grove, "I'm out!"

26 Mar (Sunday)   [Episode 2021 - 6/10/91
   Part 1 Written by Barry Pullman
   Directed by Tim Hunter]

  Morning
   -- Leo reaches for the key and frees Briggs.  L: "Save Shelly"
   -- Ghostly Earle returns with a new game for Earle.  He's got something
      in a bag.

  1:05 pm (clock on wall)
   -- Norma, Shelly, and Annie chat about the Miss Twin Peaks pageant.
      Norma won the first one 20 years ago.
   -- Ben and Audrey talk about Jack.  He's got some philosophy books
      from which he hopes to learn how to be good.  Audrey reports that
      the Packards are using the Twin Peaks Savings and Loan to funnel cash
      to their Ghostwood project.  Ben hopes to expose this and still wants
      Audrey to make a speech.
   -- Andy stares at the petroglyph.  Cooper tells Truman about how he thinks
      Josie died of fear and a vision of BOB immediately afterwards.  Earle
      eavesdrops and talks to Leo about getting Miss Twin Peaks.  Leo's teeth
      are clamped on a string from which a flimsy cage of spiders hang over
      him.
   -- Pinkle has the Miss Twin Peaks contestants rehearse a dance.  The mayor,
      Dick, and Norma discuss criteria, then Lana seduces Dick in a storage
      room.

  1:17 pm (Cooper to Diane)
   -- Cooper tells Diane he just finished his second meditation.  Annie
      arrives wanting help with her speech.  The pageant is in 6 hours.
      They end up in bed.
   -- Nadine shows slides of her wrestling.  Jacoby has Nadine (with Mike)
      and Ed (with Norma) discuss their breaking up.  Both proclaim they
      are getting married.
   -- Briggs is picked up by Hawk
   -- Cooper and Truman attempt to question Briggs.  Cooper smells haliperidol
      on him.  Andy looks at the petroglyph again.
   -- Andrew, Pete, and Catherine are still wrestling with the box.  Andrew
      finally shoots it open.  Inside is a key, which Catherine puts in a
      cake-saver so it is in plain sight.
   -- Donna demands the truth from uncooperative Will and Eileen
   -- Andy looks at the petroglyph again.  Cooper figures out from a book
      that the petroglyph tells of a time when Jupiter and Saturn are in
      conjunction.  Briggs mutters "protect the queen" and "fear and love
      open the door."  Andy knocks the bonsai to the floor.  Truman goes
      to pick it up and notices the bug.

  Late afternoon/Early evening
   -- The Miss Twin Peaks pageant, opening dance number.  Pinkle makes his
      moves on the Log Lady.  Talent competition begins.  Lucy dances.
   -- Earle as the Log Lady knocks out Bobby.  Lana dances
   -- Audrey makes her speech.  Donna demands and gets the truth from Ben.
      He's her father.
   -- Annie makes her speech.  Earle watches from the rafters.
   -- Lucy makes her announcement to Andy and Dick that she wants Andy to
      be the baby's father.  Andy then goes to look for Cooper.
   -- Annie is named Miss Twin Peaks.  Lights go out and chaos ensues as
      Nadine is hit on the head with a sandbag, Cooper sees Earle, and
      Earle takes Annie.  Power is restored and Andy tells Cooper he's
      figured out the petroglyph to be a map.

[Part 2 Written by Mark Frost & Harley Peyton & Robert Engels
Directed by David Lynch]

  Night
   -- Lucy and Andy discuss what happened at the pageant
   -- Cooper, with Truman and Hawk, ponders the petroglyph and "Fire walk with
      me."  Pete enters and says the Log Lady stole his truck which had 12
      rainbow trout in the bed.  The circle of 12 sycamore trees is where
      Hawk found the bloody towel and ripped pages - Glastenberry Grove.  The
      Log Lady arrives with some oil which her husband said is the opening to
      a gateway.  Cooper determines it to be what Jacoby smelled.  Ronette is
      brought in and recognizes the smell of that oil from the night Laura
      died.
   -- Earle takes Annie to the circle of trees and beyond the red curtains
   -- Nadine is 35 again.  She wants to know who Mike is, why Norma is there,
      and where her drape runners are.
   -- Ben apologizes to Eileen.  Donna cries for Will to be her father.
      Slyvia walks in and Will belts Ben, who hits his head on the fireplace.
   -- Andrew switches the mystery key with another he has for a safety
      deposit box
   -- Cooper and Truman find Pete's truck.  They head into the woods.
      Cooper goes alone, with Truman following, and sees an owl and the
      sycamore trees.  He enters the curtains into the red room.  The
      little man from another place is there.  Another man sings, then
      disappears.
   -- Andy comes looking for Truman

27 Mar (Monday)

  Morning
   -- 10 hours later, Truman and Andy are still waiting for Cooper

  7:25 am (Andrew's watch)
   -- Audrey practices civil disobedience and chains herself to the bank vault.
      Andrew and Pete arrive and open the safety deposit box to discover a bomb
      that goes off.
   -- Bobby tells Shelly he wants to marry her.  Heidi arrives for work.
   -- Leo still surviving
   -- Jacoby brings Sarah to Mr. and Mrs. Briggs.  Sarah has a message for
      Garland:  "I'm in the Black Lodge...with Dale Cooper"
   -- Cooper and the little man from another place sitting in the red room.
      LMFAP:  When you see me again, it won't be me.  This is the waiting room.
      Would you like some coffee?  Some of your friends are here.
      Laura:  Hello Agent Cooper.  {winks, snaps her fingers}  I'll see you in
      25 years.  Meanwhile {presents her hands}
      Great Northern room service waiter:  Hoo! Woo, woo, woo, woo {with hand 
      in front of mouth--the "Indian noise"}  Hallelujah!
      LMFAP:  Hallelujah!
      GNRSW:  Coffee.  Coffee.  Coffee.  Coffee.  Coffee.  Coffee. {sets down
      solid coffee for Cooper}
      Giant:  One and the same.
      {LMFAP rubs his hands.  Cooper picks up his coffee - it's liquid.  When
      he's about to drink, it's solid.  LMFAP continues rubbing his
      hands.  The coffee's liquid.  LMFAP continues rubbing his
      hands.  The coffee's viscous.}
      LMFAP:  Wow, Bob, wow.  Fire walk with me.
      {Fire.  Strobe effect.  Cooper walks to the other room.  Identical
      furniture but empty.  Back to the original room.}
      LMFAP:  Wrong way
      {Cooper goes back to to the other room.  LMFAP babbles excitedly. Then:}
      LMFAP:  Another friend.
      {Maddy enters wearing a black dress identical to Laura's.  LMFAP
      continues to babble, ducks behind a chair.}
      Maddy:  I'm Maddy.  Watch out for my cousin. {can't see whether her eyes
      are white}
      {Cooper goes back to the original room.  It's empty.  Then:}
      LMFAP (shadow self):  Doppleganger
      Laura  (shadow self):  {presenting hands}  {angrily}  Meanwhile
      {screams, climbs up on the chair}
      {Back to the other room.  Empty, but Cooper is bleeding from his stomach. 
      There's a trail of blood on the floor-- Cooper follows it back to the
      original room.  Caroline and Cooper on the floor bleeding.  No,
      it's Annie.  Annie gets up.}
      Cooper:  Caroline?  Annie?  Annie?  Annie?  Annie?  Annie?  Annie?
      {Cooper goes back to the other room.  Annie/Caroline is standing there,
      wearing the black dress from the pageant}
      Annie:  Dale.  I saw the face of the man who killed me.
      Cooper:  Annie...the face of the man who killed you?
      Annie:  It was my husband.
      Cooper:  Annie?
      Annie:  Who's Annie?  It's me, it's me, it's me.
      Cooper:  Caroline?                       
      {Annie changes to Caroline, in Caroline's dress}
      Caroline (shadow self):  You must be mistaken.  I'm alive.
      {Laura (shadow self) screaming, then turns into Windom Earle.}
      {Annie, in pageant dress, appears off to the side, vanishes}
      Earle:  Dale Cooper.  If you give me your soul, I'll let Annie live.
      Cooper:  I will.
      {Earle stabs Cooper.  Fire.  Rewind.  BOB appears, grabs Earle}
      BOB:  {to Earle}  Be quiet.  Be quiet.  {to Cooper}  You go.  He is wrong.
      He can't ask for your soul.  I will take his.  {a spout of fire
      appears over Earle's head, and his head slumps forward}
      {Cooper's shadow self enters as Cooper leaves, crouches beside BOB, and
      laughs with him}
      {Cooper exits into the hallway}
      Leland (shadow self):  I did not kill anybody.
      {Cooper's shadow self chases Cooper and catches up to him.  BOB laughs.}


   Night
   -- Cooper and Annie are back
   -- Will tends to Cooper in his bed.  Annie's at the hospital and will be
      okay.  Cooper gets up, "I need to brush my teeth."  In the bathroom,
      BOB has Cooper ram his head into the mirror.  "How's Annie?" 

-- Edwin Nomura -- enomura@ucsd.edu -- _________________________________________ ! "Welcome to my world, involve yourself within my dream" - Slayer ! ! "As you realize only in dreams, do dreams come true" - Debbie Gibson ! ^^~~~~~~~~~~~~----------_______________________________________________________/

A friend of mine pointed out that it was actually ANNIE who said "I saw the
face of the man who killed me-it was my husband." While the natural temptation
is to think that the words were coming from/referring to Caroline, what if
(Evil)Cooper/Bob (I like the CooBob abbreviation, too) stays incognitio long 
enough to marry Annie? Then....hmmm.


-Dan Becker

PS: I, too, can't wait for the timeline; two of my friends, TP fends both,  
missed all the episodes from January to the present because they were overseas.

In article <P2XF43w164w@darkside.com> mikul@darkside.com (Bronze Tooth) writes:

> >Also, don't be holding on to your breath about Twin Peaks being picked
> >up by Fox (tm) or some other cable channel.   Twin Peaks sported a 
> >crew of over 250 which, salaryWise, is unatainable by anyone other
> >than a major network.    This isn't Airwolf, ya'know.

I'm not an expert on this, but my understanding is that Twin Peaks is
produced by Lynch/Frost productions and sold to ABC at some price that
both ABC and L/F productions agreed upon.  If L/F decide to hire 10 new
people for their crew, they don't go to ABC to ask about it, they just
cover their costs however they can.  In other words, a network's ability
to carry a show is not dependent on the salaries of 250 people but
rather is dependent on whatever price a show is set at.  (Of course,
this price per episode is probably high for TP anyway.)

Rocky Giovinazzo

In article <1428@grapevine.EBay.Sun.COM> jguy@lilith.EBay.Sun.COM writes:
> >
> >I have to agree with everyone who's said that the "end" of the show
> >does *NOT* necessitate killing or renaming the group.  That's 100%
> >absolutely ludicrous.  There is and will continue to be enough to
> >discuss concerning Twin Peaks to justify its continued existance.
> >

I would like to point out that Australia is *waaaay* behind
the Rest Of The World ... The episode in which Leland dies
was only shown last week !
This would suggest that alt.tv.twin-peaks will be around for
quite a while yet  (maybe we'll just rename it to aus.tv.twin-peaks :)


David T Cook | e-mail: dcook@spam.adelaide.edu.au | Phone: +61 8 228 5709
Assistant Computer Manager, Stats, Pure and Applied Maths LMG, Adelaide Uni
"The wonderful thing about USENET is that anyone can express their opinion."
"The worrying thing is that they _do_."

Sorry for the overseas netters, but I think that at this point it's rather
futile to continue marking items as spoilers for the June 10 episodes; over
half of the 300 posts since 6/10 didn't have a warning.

Dan Becker

blowfish@triton.unm.edu (rON.) corrected my sloppy astronomy:

>> >>Yes, a statue of _Venus._  Saturn and Jupiter are not alone in the current
>> >>planetary conjuction -- even in the smoggy skies off Manhattan we can see
>> >>that Venus is the brightest of the three... I took the Venus de Milo to be
>> >>Annie, Coop's Venus, and when the statue disappeared, I feared the worst for
>> >>her.  Or was it just that this symbol of love had fled?

> >Probably because the three planets currently in conjunction are Venus,
> >Jupiter and MARS.

I got caught up in all the planetary symbolism of the last episode...
Here, if anyone's interested, is the output of the wonderful COSMOS demo
posted to comp.binaries.ibm.pc for 9 PM June 10th, for the approximate
latitude and longitude of Twin Peaks (well, Spokane -- TP isn't in my atlas):


The following are for   06/10/1991   21:00:00 DST
                        06/11/1991   04:00:00 GMT

Days since Jan 0 1980:   4,180.16667          Updating: 1 Hour

Body       Right Asc       Declination       Altitude (deg)   Azimuth (deg)
---------------------------------------------------------------------------

Sun         05h 15m         +23x 03'            -2.80x           309.47x
Mer         04h 47m         +22x 28'            -6.90x           314.76x
Ven         08h 32m         +21x 13'            26.17x           273.40x
Mars        08h 48m         +19x 18'            27.50x           268.97x
Jup         08h 53m         +18x 17'            27.69x           267.14x
Sat         20h 34m         -19x 09'           -25.04x            91.43x
Ura         18h 59m         -23x 09'           -12.25x           111.03x
Nep         19h 06m         -21x 44'           -12.41x           108.75x
Plu         15h 17m         -02x 00'            34.92x           146.04x
Moon        03h 51m         +24x 09'           -11.32x           327.07x

(Windows has turned the degree-signs into x's.)


Thanks also to barb@zurich.ai.mit.edu (Barb Miller) for the lovely note
on Persephone.  Today I browsed through the Larousse Encyclopedia of
Mythology looking for parallels -- all I came up with was a ritual (Plains
Indian, I think) in which the chief must drink a huge quantity of porridge
from a pit dug in the ground.  Not nearly so poetic.  (Also caught a note
on the function of birds in Native American myths: usually intermediaries
between man and the gods of the heavens.  So much for my theory that the
Owls, hunters by night, are the opposite of the good Hawk, named for a
hunter by day.)

Michael Flory (mjf@cunixb.cc.columbia.edu)

In article <TOM.91Jun11180959@kether.webo.dg.com>, tom@kether.webo.dg.com (Tom Sullivan) writes:
> > In article <ufkjunklwa@ads.com> ellon@ADS.COM (Ellon Schnaible) writes:
> > 
> > 
>> >>In article <TOM.91Jun11015926@kether.webo.dg.com> tom@kether.webo.dg.com (Tom Sullivan) writes:
>>> >>>What about Cooper saying "I Will" to Windom Earle's request to him
>>> >>>about trading his soul for Annie's life?  Is THIS why Bob now has
>>> >>>Cooper?  Note that Bob popped right in at that point, but mentioned
>>> >>>that Windom had overstepped his "authority"...Hmmmm......
> > 
> > 
>> >>Ok, maybe I wasn't paying enough attention, but... didn't BoB tell 
>> >>coop that Earle couldn't ask for his soul, and then BoB took Earles
>> >>soul.  When did he get into Cooper?  I just don't "get it".
> > 
> > Maybe it was Coop's williingness to do so that gave Bob an upper hand?
> > Maybe it was Coop's fear of his doppleganger?  Note the wound that
> > Coop suffers before WE stabs him...Maybe it was there UNTIL he
> > actually get's stabbed by WE (backwards time??)...Hmmm...


Ok, let's get some things straightened out. First, what happened is:
-Windham tells Cooper that C must give W his (C's) soul to save Annie.
-C says "I will." W stabs C, some wierd reverse video, W unstabs C, and Bob
appears.
-B grabs W, tells him to shut utells C that W isn't allowed/isn't capable? (I
think the wording was "He can't.." do that.
-B says that he (B) will take W's soul. As punishment? In substitution? I don't
know.

I think that this part is NOT where Coop gets into serious trouble. Rather, it
is when he starts to become more and more afraid, running away more and more
quickly from each "person" he meets.

It seems pretty clear to me that Bob "gets into" Cooper (or the anti-Cooper
manages to be the one to come out of the lodge) when the anti-Cooper catches
Cooper.


Pshew.

-Dan "grumpy young man" Becker

In article <1991Jun12.231946.1612@agate.berkeley.edu> grosvald@herb-ox.berkeley.edu (Mike Grosvald) writes:
> >
> >Now, speaking of utter chaos, that's what the last episode
> >of The Prisoner seemed like to me.  However, I've only seen
> >three or so episodes of The Prisoner (including the first one),
> >so I'm willing to suppose that the last show really does make 
> >sense provided one is familiar with the rest of The Prisoner
> >series.

The last episode of the prisoner is "not" a conventional
television drama and if you approach it as such, its going to
come across as pure Chaos.  Its a drama of ideas and concepts 
rather than a conventional "ending" where everyone dies or
goes home happy.

Fall out is also to an extent open to the interpretation
of the viewer.  People see different things in it and in many
cases what they are seeing is themselves and their own ideas 
about the issues/concepts dealt with in the show filtered though
the show.

The more you see the rest of the episodes, the more you
are going to read into or see in fallout.  The Prisoner as a series
is a story on multiple levels.

> > (Larry Yaeger) writes:
>> >> (Rocky J Giovinazzo) writes:
> >      [and referring to my interpreting a petroglyph symbol near the 
> >       circle of trees as the Black & White Lodges]
>> >>I can see how you interpreted the symbol this way, but doesn't it look
>> >>more like a small well of water?

>> >>     [drawing and other stuff deleted]
> >... Hence the top portion is
> >completely shaded in as white, and the lower portion is a doubly-ringed black
> >oval.  Doesn't really look like a well.  And it's not in the center of the
> >ring, but outside just to the left on the "map".  The Access Guide has a
> >good rendering of the petroglyph (even though it has a statement to the
> >effect that no cave markings were ever found or some such in the text?).

>> >> [description of my interpretation of the symbol.  The black & 
>> >> white parts are reversed from the above.]

> >Hmm, we're definitely talking about the same symbol.  I can't make out any
> >wavy interface between the black and white portions on my screenshot, but
> >then I can't make out anything that looks like turned up sides either.
> >Guess I'll have to dig out the Access Guide.  I suppose the symbol could
> >be a pool with oil over water or somesuch.  Still looks suggestive of the
> >Black and White Lodges to me, though.
I think you could be right about the symbol being 2 rooms
separated by a corridor.  The symbol is on the left side of the circle
of trees rather than being inside of it (meaning that it wouldn't be a
symbol for the pool of liquid we saw).  Also, I guess that the
access guide has the coloring (black/white) reversed 
from what we saw on TV.  The "turned up sides"
part is also clear in the access guide so I don't know what that would
mean expect maybe that the lodges are underground-- as Major Briggs
suggested earlier.

> >I see the wavy line with dots above the circle, and I can understand how
> >you'd interpret it as a curtain.  Not that it necessarily disqualifies
> >the interpretation, but the line that makes up that wave extends on beyond
> >the wavy portion, and looks like any of the other terrain and river
> >demarcations.  And other, very similar wavy line segments appear at various
> >places around the map (e.g., immediately to the left of the crab-shaped
> >set of lines at the bottom, and again further left after a near vertical
> >straight line), though no others have the dots.
  Ok-- so I guess the wavy line could just be a river-- but I still
don't know why the dots are there or why the giant/LMFAP are above the
wavy line.
  Also, since, from your message, you seem to have the access
guide, look at the owl cave drawing and then look at the back of the
book.  Glastonberry Grove, on the left of the owl cave drawing is
located on the far west part of the real Twin Peaks map-- bordering
Idaho.  This means that the 2 mountains on the owl cave map (the ones
with the big swirls on them) are the ones way to the west, partially in
Idaho.  This also means that owl cave is marked by either the symbol at
the foot or head of the giant-- kind of like, "You are here."
Anyway, the point was, that the waterfall drawing does not
correspond to White Tail Falls in front of the Great Northern.  It also
puts that crab thing, whatever it is, at "Railroad Cemetary."  Hmmm...

Rocky Giovinazzo

OK, about Pete and Audrey's surviving the bomb blast:

-Many people mention something about them (and Andrew) having a chance if the
timer is "slow enough." BUT WE SAW THE BOMB BLOW RIGHT AFTER ANDREW OPENED THE
DOOR! NO ONE LEFT THE ROOM!

-With all the debate about using the "glasses in the tree" as proof of either
Andrew's or the attendant's death, and of the force of the explosion, it seems
odd that everybody is ignoring the shot of the bank's windows getting blasted
out. Furthermore, was the vault downstairs? I didn't see any windows in the
bank scenes, and I can't remember if there were stairs in the corner. In
anycase, an explosion that blew out the windows probably was too strong for
Pete to be saved by the door on the safety deposit box. And Audrey, well, she
was chained to the door that the blast would have gone through en route to the
windows. ouch!

Of course, this doesn't mean that anyone is dead; it just means that it would
take a Lynchian twist to prevent the deaths of Pete and Audrey--otherwise, I
thinkthey'd certainly be toast. 

This doesn't answer any questions, but I hope it'll squash the thread on "could
they have survived?" Probably not...Oh, well.

-Dan Becker


PS/Addendum: Iwrote this after wading through all the posts since 6/10, except
the 50 or so immediaately before this one. Wouldn't you know that in that
range, there are 4 other posts on the same topic? 
So now *I'm* dragging the thread out. You can't win.

In article <1991Jun11.162522.17747@cica.indiana.edu> will@ogre (William Sadler) writes:

> >
> >   Maybe I am reading some of this in, but the finale seemed to be using
> >   a whole bunch of imagery borrowed from Arthurian legends and even
> >   Adonis myths.  The presence of the 12 rainbow trout, the 12 sycamores,
> >   the name of the grove (supposedly the burial place of King Arthur),
> >   and the wound in Cooper's side are all elements of what someone has
> >   termed "fisher-king" archetypes as found in grail stories, the Golden
> >   Bough, etc.  Supposedly what happens is that the knight, in this case
> >   Cooper, finds entrance into some separate place representing the
> >   psyche (?) and is there presented with 3 questions.  He doesn't have
> >   to even answer them in most cases, just be a righteous guy, and he
> >   gets the grail which he then applies to the king's wound restoring the
> >   king and the land.

To me, the connection with the Grail legend is tenuous at best.  While
the direct explanation of the name Glastonbury in the script clearly
brought King Arthur into it, I never thought about the Grail until you
mentioned it.  I had an image of King Arthur and Queen Guinevere lying
in the graves which were discovered at Glastonbury Abbey (and
purported to be those of the legendary King and Queen) and connected
that with the thought of Cooper and Annie lying in the grove the next
morning, Windom Earle's chess queen and Queen of Hearts having mutated
into Guinevere.  But this all came into things with about the same
abruptness as the White Lodge, once WKLP started winding down.  This
fuels my suspicion that this was originally intended as a season
finale, with perhaps some sort of Arthurian theme coming in to take over for
the Hero's Adventure.

I had wondered about the significance of the fish (since Windom Earle
seemed to find their presence empowering and appropriate), but I don't
think the Fisher King is really it.  [It does perhaps give some actual
significance to Pete and Audrey's night fishing trip, which was never
mentioned in this episode after all our speculation that it would be
curtains for Audrey--it was simply an explanation for how the 12
rainbow trout appeared in the truck.]  The parallels just don't seem
to be that strong to me.  I should say that my knowledge of that
legend comes mainly from the Parsifal story (not the Galahad version
in Malory), so perhaps you are referring to a version that has more
elements in common with what we saw last night.

But in the legend, I don't recall the knight being asked three
questions.  Rather, it is his failure to ASK any questions that causes
him to have to leave the castle and pass through many more trials
before he can again encounter the Grail and restore the Fisher King
and the wasteland that the King's land has become.  [Well--so maybe
Cooper SHOULD have asked what was in that cup of coffee.  Maybe it
could have healed all those wounds that we kept seeing on people...
The Holy Grail as a cup of coffee?  In Twin Peaks, it wouldn't
surprise me.   Hmm...]

> >   Since Cooper becomes wounded I would guess that he
> >   is the "arthur" figure and that he is either going to have to
> >   restore himself (from inside the Black Lodge ?) or someone is going to
> >   have to do it for him.  If Lynch holds true to arthurian legends it would
> >   be a child without a father, or maybe even a child Annie might have(?).

Actually, since the writers brought in King Arthur at this late date,
I would have to give that role to Windom Earle (in a twisted sort of
way).  Caroline could be Guinevere and that would make Cooper be
Lancelot.  I don't think Cooper wants to be King of anything; his
character is much better suited to the role of the knight of
exceptional ability, very close and loyal to the King, but at the same
time the secret lover of the Queen.  Having killed off the first Queen
(Caroline), Windom Earle has to pursue Cooper and set up another Queen
for him to love, refusing to let go of that triangle relationship.

> >
> >   It's been a while since I studied this stuff, but the imagery was
> >   obviously there.  Re-read Catch-22 for another use of the Fisher-king
> >   archetype in a modern setting. 

Yes, I can see that pieces of the imagery were there, but again I
don't think they were put together in a way to make a complete
parallel to the story--yet.  I don't see Cooper as Fisher King;
perhaps Windom Earle or Bob could be said to rule over a wasteland,
although neither of them seems to be wounded.  Cooper does indeed seem
to bungle his first test when presented with the mysteries within the
White/Black/Red Lodge, but the penalty he pays for that is much more
extreme than that paid by the Grail Knight.  I'm not ready to go out
on this limb yet.

Barb Miller

 xxmartn@lims01.lerc.nasa.gov (Jeff Martin) comments:

> >BTW, does anyone else think Hawk was underused ???

I couldn't agree more!  I have a pet theory, that Hawk is the 
(daytime hunting bird) counterpart to the owls (nighttime 
hunting birds).  But the opposition is weakened by the fact
that in N American Indian mythology, birds are usually inter-
mediaries between man and the upper, not lower, gods.

But as for the actual character of Hawk: yes, he is in
many ways the true guide for everyone in the Sheriff's 
Department.  He is clearly pure of heart.  I am a little
surprised he didn't accompany Coop to the Lodges.

Michael Flory (mjf@cunixb.cc.columbia.edu)

In article <TOM.91Jun12105435@kether.webo.dg.com> tom@kether.webo.dg.com (Tom Sullivan) writes:
> >
> >   In article <BARB.91Jun11222614@aarau.ai.mit.edu> barb@zurich.ai.mit.edu (Barb Miller) writes:
> >
> >   >And the sponsors were different.  Where were the Yuppie car
> >   >commercials? 
> >
> >   Did you miss the Lexus commercial???
> >
Probably.  I did go out to get a donut at one point, even though there
wasn't any Lucy to tell me to do that.

  Let's start with something productive, like a severe flame against all those
who waste this space whining like a bunch of crybabies about the ending.  David
 Lynch did NOT do anything bad to you, and all these death threats are getting
a little tedious and annoying.  Lynch did not engineer this to be the series fi
nale; he has been trying desparately to get the show continued, and is apparent
ly going to make a movie.  He WILL wrap this up, and I'm reasonably convinced t
hat the message of the show is that love will conquer evil.

  Another flame to all those that are misinterpreting the quotes in the BL, in
my opinion anyway:
       1.LMFAP: The next time you see me it won't be me

         He is not referring to himself but to Cooper!

       2.Giant: One and the same

         He may be referring to Cooper and BOB as CooBob

  And what about that bank explosion?  The vault is not in the basement, but on
the ground floor, as another poster proves by the fact that the glasses fly out
 the window.  Andrew had better be dead, or the show will lose a lot of credibi
lity.  Pete is either dead or not at all well.  Audrey may not be that badly of
f!  He was handcuffed to the grille, and would have been saved from being throw
n against solid objects!  The glasses, I think, are Andrew's so the blast did
not necessarily kill the bank manager, as others have supposed.  Who cares that
 the glass shattered?  Glass would shatter even from a small bomb.  The builing
 is relatively unharmed.  The bomb was probably Eckhart's and not Catharine's.
 Couldn't she have killed Andrew whenever she wanted?  It's Eckhart that knew h
e was alive yet didn't know how to find him.

  Finally, I don't know that Cooper really failed that miserably at the BL.  He
 did "protect the queen" and prove his love for Annie.  He did a very good job
at controlling the fear that would have destroyed me after two minutes, let alo
ne a day.  The important thing is that Annie and Coop are alive, and that WE is
 defeated.  Coop will be rescued by a combination of the Major's spirituality a
nd Annie's love.  (That bit about Laura seeing him in 25 years refers to the dr
eam, not that he'll be trapped for that long.)  One quick last word about "time
wasting scenes".  They are not a waste of time.  Senor Drrolcup, the bank manag
er, the BL, the Miss TP Contest were all fine examples of directors who are
able to create an immense amount of tension and suspense.  Do all these aggrava
ted people really believe that this wasn't MEANT to be a draining experience?
I haven't seen so many artistically dead critics since Maddie's murder (When so
 many people complained about the "glorification of violence against women").
This is nonsense; it's just the director playing off our fear as much as BOB do
es.

Kyle R. Krom      Penn State Univ. Chem. Dept.  krk4@psuvm.psu.edu

xxmartn@lims02.lerc.nasa.gov (Jeffrey Martin) writes:

>> >>The drawn out scenes that
>> >>some complain of "red room" and maybe that banker getting Audrey
>> >>wauter were absolutely wonderful.

> >They were absolutely BOORING!!!!!!!!!!!
> >I fell asleep twice waiting for the banker to get the water.  I kept 
> >thinking, "they could use this wasted time to futher the good vs. evil line
> >..to me it seems they ran out of ideas.

let see, maybe if we crammed every possible loose end in, at the
price of quality, and sped helter skelter through every characters
persona they could have cut out that "looong" scene huh?  But yeah,
no reason to have some bizzarre effect when you can have action,
action, action eh?

> >The Red Room was the worst excuse for cheap set I have ever seen.  It 
> >reminded me of "Plan 9 from Outer Space" (a movie so BAD it's great)..this 
> >was soo Bad, its bad.

yeah, again Lynch should have pumped millions of bucks into special
effects to please the massess.  Where were those lazers anyway?
*sheesh*  go watch the Terminator or something.

> >Ok, but don't waste my time leaving so many threads dangling.  If they ARE 

It's been going on for months now, so dont waste your own time and
stop watching it.  No one tied you to a chair did they?  It was filmed
before they *knew* it was cancelled, so we just have to deal with some
things.

> >Agreed...I though having Coop possessed by BOB in the end was a nice touch.

hey we agree on something.  :-)

>> >>A true gem, Mr. Lynch!  Bravo.
> >        ^^^
> >a piece of coal

Well coal to one person is anothers diamond.  It's all just a matter
of personal perspective and opinion.....and Lynch gives you the ability to
judge that yourself instead of judging his perceptions.  THAT is what
the gem is about.

.....................................
It's Happening Again...
-=====-                       -=====-
  -=-    John  Exby  (guest)    -=-
   -  grubin@tramp.Colorado.EDU  -

In article <1991Jun12.203231.10391@milton.u.washington.edu> roger@wrq.com (Roger Fulton) writes:
> >In article <1991Jun11.212725.19036@zip.eecs.umich.edu> welcher@eecs.umich.edu (James Welcher) writes:

>> >>These lyrics are from a song the Indigo Girls cover called
>> >>"(Everybody) Get Together".  I can't recall the songwriter at the moment.

> >I don't know the name of the songwriter, but this song was
> >originally performed by the Youngbloods.

It was written by Dino Valente.



-- Rod Johnson * rjohnson@vela.acs.oakland.edu * (313) 650 2315 "All wax is wedding wax" --Gertrude Stein

>>> >>> On 12 Jun 91 18:38:48 GMT, dmm0t@holmes.acc.Virginia.EDU (Dave Meyer) said:
::> In article <1991Jun11.230108.21290@risky.ecs.umass.edu> giovin@medr0.ecs.umass.edu (Rocky J Giovinazzo) writes:
> >In article <TOM.91Jun11015926@kether.webo.dg.com> tom@kether.webo.dg.com (Tom Sullivan) writes:
>> >>What about Cooper saying "I Will" to Windom Earle's request to him
>> >>about trading his soul for Annie's life?  Is THIS why Bob now has
>> >>Cooper?  Note that Bob popped right in at that point, but mentioned
>> >>that Windom had overstepped his "authority"...Hmmmm......
> >
> >This may have been a test of Cooper's love for Annie-- I guess he 
> >"passed" this part?  Although he failed otherwise.

::> I think he "passed" this part by reacting with love rather than fear.
::> Later, when he runs from doppelganger-Laura and his own doppelganger,
::> he fails because he's reacting with fear.  I think.

::> -- 
::> David M. Meyer                                   | dmm0t@virginia.edu
::> Department of Mechanical & Aerospace Engineering | (804) 924-7926
::> University of Virginia                           |


That makes sense to me.  I rewatched it last night, and noted again
that it appears that the Coopleganger caught Cooper just before he
(now Cooperganger) and Annie appear in the grove and red light.
Cooper was injured after running from the Lauraganger (the bleeding).

Forgive me if this is contradicted by canon (I haven't read the
autobiography)
I seem to recall that WE was a good man who taught Coop 
everything about being an FBI agent. And then something happened.
And he became evil and insane. ...
Tom Van Horne

In article <3594@sirius.ucs.adelaide.edu.au> laurel@cs.adelaide.edu.au (Laurel) writes:
> >
> >
> >+^o^+^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-+-o-+
> >|   | Murray Chapman                          muzzle@cs.uq.oz.au       |   |
> >| o |                                                                  | o |
> >|   | University of Queensland      "I'd rather have a bottle in front |   |
> >| o | St Lucia, Queenland            of me than a frontal lobotomy"    | o |
> >|   | AUSTRALIA                               - Tom Waits              |   |
> >| o |                                                                  | o |
> >+^-^+^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-------------+---+
> >                                                          \__          | o |
> >                                        Hate that! ----->    +^-^-^-^-^-^-^-
> >Hate to be picky but isn't it "I'd rather have a *full* bottle in front
> >of me than a frontal lobotomy"
> >Maybe Tom Waits got it wrong?? Dunno...
> >
I think Groucho Marx said it a looooooooong time ago.  Without the *full*.

That's one small step for a man; one giant leap for mankind.  There!  I've said it!  Now I guess everyone can quote *ME* for saying that from now on.


     ferenc

   As I looked back on it just recently, I really don't know if
it was or wasn't my imagination.  Here's what I originally saw/heard.

  1) When Coop bashed his head into the mirror, I thought I had
      caught a glimpse of Laura Palmer's face/hair in the mirror.
  2) ... I also heard LP's voice scream at the impact.

   Now pay CLOSE ATTENTION!!!  I do not want to be misquoted out of
context!                          ( === )
   In reality, I did NOT see LP's face/hair in the mirror in that first
quick glimpse      ( === )
before the impact.  I did double-check that.
   However, the hair color to LP's and BoB's is quite similar, and I
listened again and again to see if it was indeed LP screaming at the
impact of Coop's forehead into the mirror.  I still cannot tell.

   This is about as subtle a hint as you can get, guys!  If it is a
scream, then Lynch is possibly making a STRONG connection between LP
and BoB...  stronger than we are making, at least.  My only suggestion
is that as there are many things out there which are "one and the same,"
including the Giant and his double (disputed, I prefer butler), AND
the doppleganger BoB/Laura.  She never was, after all, in any way pure.
And "one and the same" should NOT necessarily be taken SO @#%:damn
literally!!!  It could be a mere inference to state of mind, or a matter
of LP being a part of BoB's amalgamation of souls.

   These are cursory ideas, and NOT theories.  If you have any substantial
insights to reply to this in more than two sentences (i.e. no "Gee, I heard
the scream, too." -- end sig), then PLEASE send me your thoughts, as I
don't feel like fishing through the many ridiculous replies to get to
the equally many intelligent replies.

Thanks.
          Must Dash   -- Dave
=========================================================================
David J. Hrencecin   || "Of course I'm mad!  If I weren't MAD, I
dxh107@psuvm.psu.edu ||    would've gone INSANE long ago !!! "
;-)                  ||                             -- Brother Theodore

>>>>> >>>>> On 12 Jun 91 20:46:17 GMT, hship@sw.stratus.com (Howard Ship) said:

>> >> Anyway, I'm beginning to get upset by the use of the word "doppleganger"
>> >> for what Bob does.  Bob posseses people, perhaps shifting their 
>> >> soul/essense/personality to the black lodge, but he uses (then discards)
>> >> the actual body. 

Actually, I think this is an idea of what *we* do.  In other words,
all of us have a Yin and a Yang side, but here in TP, expanded to the
extremes of Good and Evil.  In Lynch's TP universe, there is a
corruptable dark side that must be conquored (Hawk's statement of
first going through the BL to reach the WL).  The doppleganger is a
split we ourselves possess that allow Bob to do what you are describing.

>> >> In fact, Bob may simply pre-empt the personality of the user.  Check
>> >> Leland's behavior:

>> >> He killed the fat frenchman (memory fails).  A brutal act,
>> >> but motivated by fatherly revenge, not Bob's kill-lust.  Also,
>> >> he killed the dude in a non-Bob like manner.   This would
>> >> indicate that Bob's possesion pre-empts the Leland personality,
>> >> who has no memory of whats going on.  I kind of see Leland's soul trapped
>> >> in the Black Lodge, where Bob can extract information from him, so as
>> >> to maintain the Leland act.

AFTER his gains control.  Here is possibly where the struggle lies with ones
own dark side.  There's not enough real information to go on though in
trying to speculate as to the exact process of becoming em-Bob'ed.

>> >> What goes on in the black lodge has its own set of rules: presumably
>> >> the physical reality in the black lodge is a manifestation of the
>> >> occupant's mental state (that is, it is a dream world).  Having
>> >> two Coopers there is just a way of viewing the internal battle within
>> >> Coop as Bob takes possesion ... Bob has split off the evil in Cooper, and
>> >> given it sufficient power that it appears a seperate entity.

Good theory!

>> >>...stuff deleted...

>> >> Of course, in the final scene, it appears that Bob is showing off to
>> >> Cooper:  Staying hidden in the back of Cooper's mind until he is alone,
>> >> then taking control slowly (slow enough for Coop to try and brain himself)
>> >> as Coop realizes what is happening.

Another good theory, but Coop didn't seem himself even before that (of
course who *would*!).  But upon waking, he gave no greeting to Harry,
and his how's Annie seemed to have lost it's previous gush.

In article <28568451.3089@ics.uci.edu>, bvickers@bonnie.ics.uci.edu (Brett J. Vickers) writes...
> >xxmartn@lims01.lerc.nasa.gov writes:
>> >>Fire, WALK WITH ME !!!!!!!!!!
>> >>
>> >>I though we had killed that one.
> > 
> >Jeff Martin:
> > 
> >Have you ever thought of writing an article with a little SUBSTANCE?
> >I can't tell you how annoyed I am when I see you quote an entire article,
> >and then add one little line that says, "Yeah I noticed that too!"  Argh!
> >Some of us don't have all the time in the world to be reading article after
> >meaningless article.  Your one/two-liner articles (there are tons of them)
> >waste more bandwidth than they're worth.  Not to mention your 10-line
> >signature.
> > 
> >Methinks you should take a look at the net etiquette rules.
> > 

Get a life.



-----------------

   One word sums up probably the responsibility of any Vice President,
   and that one word is 'to be prepared.'

                            --- Vice President Dan Quayle
-----------------

(Found in the trash bin behind Lynch/Frost productions:)

The finale - Version 4 

Bob is standing beside the entrance to the Black Lodge. Andy comes up to
him with a cup of coffee. Andy trips, falls, spills the coffee onto Bob.

Bob:I'm MELTING!!!!! MELTING!!!! AAAAAAAHHHHHHHHHHhhhhhhhhhh

Bob disappears into the oily puddle.

Andy:Well, I guess good always triumphs over evil!

Cooper walks up.

Coop:Good work Andy!

Coop pats andy on the back.

Andy:Agent Cooper, I found that evil murderer you asked me about,
Windom Earle, so I put him in the jail cell for you.

Coop gives Andy the thumbs up sign.

Coop:Andy, you're allright!

Pete walks up.

Pete:Hi guys! Guess what? Audrey's getting married to that
 jet pilot fellow.

Coop:really?

Pete:Yep. I sure hope he takes her fishing from time to time,
      she's such a dear heart!

Andy:I'm sure they will make a lovely couple.

Coop:Yes, I'm sure they will. Marriage is both strange and wonderful.

Sherriff Truman walks up.

Truman:Well guys, I had to break up a little fight at Ed & Nadine's,
but everything is back to normal now. Seems that Nadine is
back to normal, and so Ed and Nadine can get on with their
life now.

Andy:But what about Norma?

Truman:They're going to marry her too. She'll live with them.

Andy:Oh. (looks thoughtful)

Cut to Hayward living room. Ben Horne is in the living room with
Doc Hayward and Mrs. Hayward. Donna walks in.

Donna:You!

Ben:Yes, Donna, I wanted to be good. I had to tell them.
I'm actually James's father!

All:AAAAAAAAAAAAAAAAAAAhhhhhhhhhhhhhhhh!!!

Cut to the log lady's home:

Log Lady:Well, here goes!

She pours an oily substance all over the log. There is a little
smoke, then a huge flash of light, and she is holding in her arms:
The Log Man!!! (Try to get Arnold Schwartzenegger for this role!)

Log Man:Hi Honey, I'm home! (smiles)

Cut to the Double R:

Bobby and Shelley are leaning over the counter talking.

Bobby:Let's get married!

Shelley:Ok!

Bobby:But what about LEO?

Shelley:I got a judgement against him for divorce, by default,
He never even showed up!!!

Bobby:Wow, Shelley, Wow!

Cut to TV set:

Chet:Jade, I'm so glad we came out of this okay!

Jade:Oh, Chet! But what happened with Emerald?

Chet:She and Montanna are opening up a diner in a faraway
town, they won't bother us again!

Jade:Oh, Chet! (They embrace)

Camera pans back to reveal bedroom, and in the bed, Leo, with
a cup of coffee and a piece of cherry pie, smiling, and next
to Leo, Heidi! Heidi takes a bite from her donut.

Cut to The Great Northern Lobby:

   The giant walks up to the desk.

Giant:If you tell me the price for a room, then can I believe you?

Clerk:Of course sir. This is a high class joint!  Front!

Little man from another place walks up wearing bellboy's uniform.
He grabs the giant's bag.

LMFAP:Waulk theeeeese waaaaaay! (smiles, rolls eyes around)

LMFAP starts walking to the beat of the jazz music, snapping
his fingers with his free hand, dancing toward the room.
The giant looks amazed, then starts following, doing
the same dance.

Cut to the Sherriff's Department.

Lucy:Now that I've decided that you will be the father, we can
start buying the wardrobe for the baby!

Andy:Lucy, will you marry me?

Lucy:Oh, Andy, yes!

Lucy and andy kiss over the counter, Hawk walks through, notices
them, and shakes his head slightly while he continues walking.


Cut to the Double R:


Agent Cooper walks in.

Cooper:Norma! You're looking good! Nice to see you! Major Briggs,
I have the most amazing things to tell you about the
green butt skunk! Have you been fishing lately?

Annie:Well hello there!

Coop:Hi Annie. (pauses) Annie: I've been doing alot of thinking
lately, and it has become clear to me that I've been focusing
beyond the edges of the board too long, and that when a man
can't picture the necessity for life as it should be and the
beauty of a douglas fir or making love with a beautiful woman
        you feel genuine affection for, that the whole universe can
be changed somehow.

Annie passes out, crashes to the floor.

Coop whips out pocket recorder.

Coop:Diane, what ever did happen to the balanced national budget?

Norma picks up Annie, starts reviving her.

Coop:How's Annie?

Norma:She'll be fine. 

Coop:Good.

Coop joins Norma with Annie, Annie comes around

Coop:Annie, will you marry me?

Annie:Oh, yes! I accept!

Coop:(smiles) Then our adventures are just beginning!
Come on everybody! There's going to be a group
wedding at the roadhouse!

Briggs:Agent Cooper, there's been one thing I've been
meaning to ask you.

Coop:Yes  major, what is it?

Briggs:I've been wondering about this for a long time now,
and so I have to ask you:
Are cherry pies really enough?

Coop:Only if you get three pieces. With coffee.


Laura Palmer walks in.


Laura Palmer:Hi everybody, I'm back!

All:Where have you been?

Laura Palmer:I had the strangest dream, I dreamed I died. And
you were there, and you, and you, and you! But, everything's
fine now, so I'll be back in school on Monday.

Everybody smiles and nods approval.

Roll credits, background sun setting over Twin Peaks. An owl
is seen flying out of town, it passes the camera view on its
way out.

This was a much better ending! It tied all the loose ends together, and
everyone was happy, just like real life and The Golden Girls. Why did
they use that stupid script they chose instead of yours?

Curious

Dear Twin Peakers,

I have seen 21 episodes of Twin Peaks on BBC2 and never missed one.
I also heard a terrible rumour that the 22'thd episode will be the 
last one. Is it true? I understand that it has been on TV in the USA
so, please inform me about the real number of episodes and will there
be another Lynch/Frost serie? Please keep me informed because it has
no publicity in The Netherlands.

Joost van Lawick van Pabst

Joost van Lawick van Pabst
The Hague, The Netherlands
email: jlph7@fel.tno.nl
phone: +31 70 352 11 39

I haven't time to read all the posts this morning (!) but the bunch I did
read seem to have interpreted things differently....ANNIE IS DEAD!!!!! I
thought she was alive, too, and shivered at the idea of BOB/Cooper tormenting
her, but my astute fellow Peakers rewound the tape.  Cooper wakes up, asks
how's Annie, and the Sheriff then looks at Doc H., not at Coop, and answers
that she is fine and in the hospital.  Just at that moment, Doc puts his
head down very dramatically. So...STOP TALKING ABOUT ANNIE, except that I
suppose she walks somewhere, still.  *That* depresses me.

I'm going to miss all of you!

Ilana Reisner

lark@greylock.tivoli.com (Lar Kaufman) writes:

> > At this point, it looks like alt.tv.twin-peaks must pass on.  I suggest 
> > that perhaps it is time to form alt.arts.david-lynch to follow the key 
> > creative genius that spawned TP.  

Yeah, but (*heresy alert!*) the only other thing by Lynch that I like is
<Industrial Symphony #1>. Maybe alt.tv.mark-frost would be more
appropriate... or maybe alt.arts.obscure-but-wonderful... or maybe
alt.arts.little-man.wow.bob.wow...

It is happening again.      It is happening again.      It is happening again.
Joe Zitt ...cs.utexas.edu!kvue!zitt!joe (512)450-1916

In article <9106111945.AA09997@ucbvax.Berkeley.EDU> ST601287@BROWNVM.BROWN.EDU (Mark Hessman) writes:
> >
> >     OK, a few thoughts scattered randomly about the last episode(s) :
> >
> >     How conscious is Leo?  If fully, why doesn't he take advantage of the
> >fact and free himself, either getting the appropriate keys while Windom's
> >out or by brute strength?  What happened to the madman from the first
> >season?

And why hasn't Major Briggs come back to save him?  Did the 
drugged state cause him not to know how to get back?  Likely, but I   
think that he would have at least tried.  After all, Leo did save his
life.

> >
> >     All throughout the finale, Cooper was so damn passive.  The side of
> >good really has done nothing throughout without evil being one step ahead
> >of them all the way.  Coop ignored the giant's warning; even when he realized
> >that Windom was waiting on the outcome of the Miss Twin Peaks pageant, all
> >he did after getting there was watch (and clap =) ).  He was a model of in-
> >action all the way through.  If anything, Andy was the one who made the most
> >progress -- the map, the revelation of the bonsai bug, etc.  Coop was even
> >passive inside the Lodge.  I expected at least something from the man who
> >was on top of everything not so long ago.  The way things were, he was almost
> >a bit player... it was Windom who made everything happen; Coop was just
> >following and watching.
> >

I agree with the this.  It may not have been in character as far
as the writers and directors were concerned, but I wanted Coop to say
something and do something in the Waiting Rooms.  It reminded me of all
of the people who walk into the old shed where Jason is and let 
themselves be killed.  Bah!

> >
> >     The Ben/Audrey scene was pretty cliched, though I liked the fire as a
> >backdrop while Ben was reverently praising the texts he had with him.  I
> >almost expected at least one of them to end up (accidentally of course) in

Ben's conversion from non-psychic evil to non-psychic good is
now taking another step.  From his reading he will become psychic (or
at least semi-psychic) good.  Although it may be a while since those 
books are pretty long and deep.  The forces will now marshal to rescue 
Coop.  See the listing of psychic and non-psychic, good and evil people
that I gave a long while back.  


> >     Entering the Lodges, both for Earle and Coop, was easier than anyone
> >thought... the 'fear'/'love' thing really didn't seem to enter into it at
> >all.  I get the feeling that if Donna had been at the grove, the curtains
> >would have appeared for her too... =)  And wasn't Earle's 'entrancing' of
> >Annie silly?

And no oil needed to get in.  Someone said that the oil was just
to make the mental connection, but I was expecting more than that.  It 
could be that the 'puddle' was really oil and this was another clue for
Coop as to the gateways location.

> >
> >     Lynch did a good job of flouting our expectations when he cut to the
> >bank scene right after Coop entered the Lodge.  And the bank teller was
> >great.

I could not help but see Tim Conway playing the part of the old
guy in the bank.  That scene was good.

> >
> >     Why, and how, did Ben suddenly change when his wife came barging in
> >to his scene with the Haywards?  Before he sounded troubled, but at least
> >honest -- genuinely trying to do the right thing but going about it in the
> >most wrong way.  Afterwards his voice lost all its conviction; he sounded
> >merely wimpy and afraid, giving Doc Hayward the righteousness with which to

Obviously you're not married.  :-)

> >
> >     How did Cooper's 'dark side' come into being?  And after Bob seemed to
> >allow him to go, too... that part was more whimsical than anything else.  Is
> >Bob the master of the Black Lodge, or just a character in it?  Why didn't we
> >get anyone really new inside such a heretofore unforeseen place?

Coop's dark side was there all along, see other people's
discussion of Hawk's comment.  However when he failed to love his enemy
and lay down his life for WE's even though WE was evil, he gave his 
dark side the strength it needed to come out.  It may have come out any
way but I think Coop could have vanquished it if he had made that
sacrifice.  The sacrifice for WE would have much greater than one for 
Annie.

> >                                                 -- Mark

charles d. kincaid
statman@sole.stat.ufl.edu   <------#####    NeXTMail

Did anyone notice an article in the Pittsburgh Press yesterday about the
planets (venus, mars, jupiter and the moon?) nearing each other this weekend?
They refer to it as a near miss (to the eye, really still a great
distance away). 
The article said that the last time they were this close was 25 years ago and
that it is believed that a past alignment was thought to be the star of 
Bethlehem.  

When Laura Palmer said that she would see Cooper in 25 years, do you think
it was possible she meant 25 years in the past somehow?  It is strange that
the alignment date was exactly 25 years ago.  

I can copy the article here if anyone is interested.  I left the article at
home (reason why I am not sure of exact planets).

G'day,

Firstly, a disclaimer: I've only seen one episode of TP (that in which Maddy
get's killed), but I'm hooked anyway.  I read this newsgroup religiously now
& I feel ready to make a fool of myself with asking some naive questions.

:-)

I've been *unable* to resist reading the SPOILERS about the ending of TP (NB
I'm in Australia so we have a few more episodes to go before we see it). I'm
in a spin now and I have a couple of questions that are nagging at me that I
am hoping some more experienced TP'ers may be able to help explain.

1) How can "love be enough"? {Put another way I believe "love is not enough"
   as has been mentioned often in postings here relates to the Yin/Yang like
   nature of the spiritual conflict/battles going on in TP.}

   Does anyone think that the hateful/evil forces for any specific personal-
   ity in the TP world will have to combine with the good side/forces to end
   in "victory" in the conflict?

   On the surface of it I see the existence of Bob and the requirement for a
   "perfect courage" to be disproofs of such a thesis as the above. But what
   is "perfect courage" anyway?  Also, has Mike ever been seen in the series
   (the Mike that Bob is afraid of).  If not I'm willing to speculate that a
   reason could be that Mike is anti-Bob. {Of course the doppleganger count-
   erparts from the Black Lodge scene you all talk about do not seem to have
   different names to their counterparts. :-)  Shooting down my own theory?}

2) Arthurian legend as pointed to in the SPOILERS leads me to ask about some
   ones reference that I read  to Leo as "Leo the Lion Hearted" with respect
   to was there a "Lion Hearted" individual in Arthurian legend (or am I now
   thinking of Robin Hood's story and of King Richard the LH'ed. :-))

There may be a lot to shoot down in my above thoughts but then remeber that I
have *seen* almost nothing of the series ** s o  f a r **.  :-)

Thanking you in advance for your consideration of my questions.

yours truly,
Lou Cavallo.
   
PS: thanks to all the TP'ers that helped me overcome my problems with making
a properly unpacked version of the TP timeline.  It's great!  And lastly, it
has impressed me no end that over 300 posts have been made to this newsgroup
since the ending of TP in only a couple of days. Is this some kind of USENET
record?

finale stuff follows:

Random comments on "The End":

I think this was a great season finale, and is probably better than any 
'series finale' that they may have come up with.  You want a sense of
closure, go read a harlequin romance.   Lynch has left us with an open
wound in our cerebral cortex (brain damage?).  I don't think it would be
possible to terminate all the major and minor plotlines in this series,
short of some sort of (choose one) mass murder/ alien invasion /nuclear
war / all of the above.  Besides, now we can make up our own episodes.

As with the series in general, you had to forget about what real humans
would do in some of the situations, epecially in regards to law enforce-
ment.  Like, they're not going to cancel the beauty pageant?  And the
lack of any effort to search for WE?  And assuming I did have visions
of giants on a regular basis, I would sure as hell listen to what they
were trying to tell me.

Geez, it took them this long to figure out that those are astrological
symbols?  Of course maybe the 4H club is behind it.

I loved the scenes with the old banker.  They were EXCRUCIATING to watch,
especially with the story in the WL/BL developing.  The fact that Lynch
used it before made it even more painful, because you knew it would take
_forever_.  

The beauty pageant scene worked pretty well (boy, that Lucy sure can
dance, but she has a poor sense of prenatal care!).  Bobby sure made
a quick recovery, seeing how he was clobbered with that log.  Not
even a bandaid.  Wonder if his personality has changed?.

The WL/BL scenes confused the hell out of me.  Haven't had time to 
watch them again, but I think there may be some cryptography going
on in the dialog.  The palindrome "wow, bob, wow" might indicate some
point of reference.  (Just another theory...)  

I think some of you may have been disappointed by the cheap set approach
to the lodges.  I think many were envisioning some kind of apocalyptic
struggle between the forces of good and evil, sort of a Tolkienesque
wizard/demon thing.  Lynch portrayed the struggle as more of an internal
one (Good Dale, Bad Dale), in which no one is completely white or black
(lodge).  You were expecting Cooper the Barbarian?

Well, I'll post again after I watch it again.  Until then...

jimbo

In article <1991Jun11.141138.30900@cunixf.cc.columbia.edu> howie@cunixf.cc.columbia.edu writes:
 >And what ever happened to The One Armed Man?
 >
 >------------------------------------------------------------
 >Howie Kaye                              howie@columbia.edu
 >Columbia University                     hlkcu@cuvma.bitnet
 >UNIX Systems Group                      ...!rutgers!columbia!howie

Let's see, as I recall Richard Kimble had a fight with him on top some
amusement park ride, and he fell to his death.  Just ask Lt. Girard!

jimbo

From the Shorter Oxford English Dictionary (the only thing on hand right now):

Doppelganger(1895) = Double-Ganger

Doubleganger(1830) The apparition of a living person; a double, a wraith.

Is there a chess game going on in the Red Room sequence?  Cooper would
be a knight for the white side, making one-up-two-over diagonal moves
between squares/rooms, pursuing Annie, who WE has absconded to serve
as a black queen.  Then WE proposes Coop as the white knight be
sacrificed for the black queen...but for some reason it's an illegal
move ("He can't do that")... and I don't know what happens next but
the white knight/cooper is then being chased across the board by the
black night/cooper.  Or would he be a king?  ala King Arthur/Queen
Guinivere?  Doesn't really seem to work, does it.  But the chess motif
in earlier WE episodes got me thinking...plus the black side/white
side idea, and the way a chess board consists of mirrored black/white
pieces...

/Ned

Why did Annie stop resisting WE as soon as she was pulled
inside the ring of trees?  Why wasn't there any change, that
we could see, in Cooper when he entered the ring?

Why did Truman not try to investigate the ring when Coop had
been gone for such a long time?

In article <1991Jun11.100453.24130@ux1.cso.uiuc.edu>,
krol@ux1.cso.uiuc.edu (Ed Krol) writes:
|> jeff@casbah.acns.nwu.edu (Jeffrey D Williamson) writes:
|> 
|> >this was supposed to be the big finale. But I have some advice for
|> you.
|> >Just look at this episode as if it were the *season* finale for
|> Season 2,
|> >then think about what would be happening next fall (or in the
|> theatrical
|> >release, Lynch willing).
|> >
|> Yeah, the problem is what we got is a cliffhanger with no hope
|> of rescue.  I certainly felt "I devoted two years for this!".
|> If it were comming back in the fall I probably wouldn't watch in
|> earnest.  Oh well.
|>  

Forgive me if this has been rehashed; I got 275 more articles to go through
and not enough time to do it now.  Why is everyone on Lynch's case for leaving
this a cliff-hanger?  The people who deserve the bitching-at are the
programming
executives at ABC.  I'm under the impression that when the series went
on
hiatus the first time the last six episodes (including the two-hour
finale)
were partially written and shot.  By the time the word actually came out
that
the series was cancelled (May 22), the final two episodes must have been
ready
to go also.  With the production costs for one episode being as high as
I've
heard, do you think ABC gives a damn that it wasn't wrapped up in a nice
little
ending?  All I want to know is where the show's going to show up
next...

And when do the t-shirts and bumper stickers appear?  "How's Annie?"

Dale Cooper Lives.

-- -------------------------------------------------------------------- Ken Hughes | (hughes@sol.csee.usf.edu) | "..... corn nuts ........." FT-Ph D student, PT-ex-sysadm | Dept of Comp Sci and Eng | .... _Heathers_ University of South Florida | --------------------------------------------------------------------

I rewatched the first two episodes after the hiatus last night.  In
the scene where Gordon Cole notices Shelley's beauty in the diner,
he comments that she "reminds me of the babe with no arms".  Coop
responds "Venus de Milo".  Gordon answers "the name's Venus, but..."

Spooky to see the Venus, the symbol of love, appearing and disappearing.
Has to be a reason for this!

Someone commented that it was easy to get into the BL.  Not true.  Coop
got in through his love for Annie. WE got in by using Annie's fear.
As Briggs said, "fear and love open the door".


 Brian WOOD    *House address 710 -- same as Blue Lady's apt in Blue Velvet
               *Just got through studying major religious works like Ben Horne
               *Live next to a grove of TREES
               *My wife's aunt's name is Annie; my sister's name is Anne
               *My wife grew up next to a forest; next street - Glastonbury

This response left intentionally blank.

In article <1991Jun12.195524.19468@grebyn.com> fi@grebyn.com (Fiona Oceanstar) writes:
> >By the way: Venus and Jupiter are conjoint right now--you can
> >see them low in the sky after dusk--and Mars is supposed to
> >join them soon--like this coming weekend.

Actually, Mars has been between Venus and Jupiter for over a week now.  It is
substantially dimmer, so can go unnoticed.  I think it's also a bit higher in
the sky than the other two at the moment.

|-Ian Novack (Particle Man)----------------------------ian@lerch.jpl.nasa.gov-|
| "There're only two songs in me, and this one is      Jet Propulsion Lab     |
|  the third." -- They Might Be Giants                 Pasadena, CA           |
|-Disclaimer: They might be fake, they might be lies. -- They Might Be Giants-|

No one yet knows why ph600fem@sdcc14.ucsd.edu said:
> >     Hmm...  Let's see, to make things interesting, how about a
> >poll?  List your favorite episodes, in order.  I'll assign 17 points
> >for every first place vote, 16 points for every second place vote,

I can't decide that way.  How about a tier or grade system instead?
How does one decide that Arrival is worth 17 and The Schizoid Man only 16,
for instance?

> >We'll ignore the "Alternate" versions of "Chimes of Big Ben" and
> >"Arrival."  We'll fight the urge to ignore "Do Not Forsake...," and
> >we'll give it its one point for everybody who votes.  :-)

Do you (or does anyone) have a list of all the differences in the alternate
Arrival/Chimes?  I've seen part of the alternate Chimes and I guess you can
rent it, but this is the first I've heard of a different Arrival...

-- Jon Drukman (edited for television) uunet!sco!jondr jondr@sco.com ------------------------------------------------------------------------------- Always note the sequencer - this will never let us down.

> >In most of his other works, Lynch sends his protagonist(s) through
> >Chapel Perilous, only to have them return, wounded, perhaps, but
> >unbowed and victorious at the end.  The outcome of Cooper's expedition
> >to Chapel Perilous is unique (at least in his post-Eraserhead work.)

Someone has been reading "The Cosmic Connection", hasn't he?  I just
HAD to buy that book...my birthday is July 23, the date the so-called
cosmic connection to Sirius is at a max.


Brian WOOD    *House address 710 -- same as Blue Lady's apt in Blue Velvet
              *Just got through studying major religious works like Ben Horne
              *Live next to a grove of TREES
              *My wife's aunt's name is Annie; my sister's name is Anne
              *My wife grew up next to a forest; next street - Glastonbury

It has been mentioned before that Lynch is making fun of the public.
This was never so clearly explained (at least to me) then through
the use of the spiders above Leo. The viewing public are represented
as the spiders in the cage, not being able to change their fate (i.e.,
not being able to affect changes in the show). The string represents
twin peaks (the show) and how at this time it is being held on by a 
thread. Leo kinda represents the balance the show is in, i.e., what
will happen in the future. It also represents a vision of the 
cliff hanger that Twin Peaks is known for.
Those are my thoughts anyway.

I awlays wanted to know who does that to my toothpaste. Now I know.

My girlfriend asked that question last night when we watched the finale
over again.  Could it be something as simple as the show's inability
to get the actress (her name eludes me) for the appearance?




                                        Clay Speicher
                                        speicher@mwunix.mitre.org

From the Academic American Encyclopedia [machine-readable data file]:


ARTICLE 0088550-0
TITLE double
ARTICLE The double (German; Doppelganger or "double walker") is a
literary device known since ancient times and refers to a
psychological mirror image or a split personality. The twin
images generally reflect good and evil. The device is best
illustrated in such works of German romantic fiction as Jean
Paul Richter's Siebenkas (1796), where the neologism
Doppeltganger was first used, and E. T. A. Hoffmann's Die
Doppeltganger (1822). But the double character is also found in
Plautus's Amphitryon, Edgar Allan Poe's William Wilson, Robert
Louis Stevenson's Dr. Jekyll and Mr. Hyde, Dostoyevsky's The
Double, and Joseph Conrad's The Secret Sharer. VICTOR TERRAS
Bibliography: Rogers, Robert, A Psychoanalytic Study of the
Double in Literature (1970); Tymms, Ralph, Doubles in Literary
Psychology (1949).

(See, this is what happens to you when you work at a library . . .

---SueBee)

In article <1991Jun11.212725.19036@zip.eecs.umich.edu> welcher@eecs.umich.edu (James Welcher) writes:
> >
> >Sound familiar?  The last verse:
> >
> >"You hold the key to love and fear,
> > In your trembling hand  <---------------Obvious "quivering hand"
> > Just one key unlocks them both,                 reference
> > It's there at your command."
> >
> >
> >These lyrics are from a song the Indigo Girls cover called
> >"(Everybody) Get Together".  I can't recall the songwriter at the moment.
> >It's obviously a reference to WHITE AND BLACK LODGES!!!
> >

I don't know how old you are, but another group in the 1960s (the Byrds?)
wrote this song, "C'mon people now...gotta love one another right now."
I think the year was like 1968. The Indigo Girls have done a cover of
this song. It has nothing to do with Twin Peaks.

-- Lynn Schneider lzs@indetech.com {sun,sharkey,pacbell}!indetech!lzs Fremont, CA

In <ABC1B3FF00A00BB3@ulkyvx.bitnet> RMDELC01@ulkyvx.BITNET (Rose Marie Delckum) writes:


>> >>From: appel@xcf.Berkeley.EDU (Shannon D. Appel)

>>> >>> Someone mentioned that to me this morning (i.e. that the two rooms
>>> >>> was white and black lodge).
>>> >>> Has anyone sorted out what was in each place (there are 3 rooms right?
>>> >>> Waiting room, and two others?)  Perhaps if we break down what was
>> >>
>> >>there was only _ONE_ room.  At first it looked like two, with the middle
>> >>passage in between them.  Then, near the end, when Coop starts wildly running
>> >>about, he is going in a circle, with each entrance bringing him to the same
>> >>room from different sides.  Look more carefully at those last 15 minutes,
>> >>people.  Good and evil the same? or someone thought it would look cool?


> >      I beg to differ.  After it was all over my boyfriend
> >brought out the old graph paper and we mapped the whole
> >thing.  Now I'm sorta fuzzy on it, cause after watching it
> >for the 20th time I was getting somewhat burned out.  But,
> >here are his conclusions:

> >Okay, one of the clues is the statue in the hallway.  It's
> >there for a while, and then it disappears.  Alos, there is
> >one room without furniture.  So, we came to the conclusion
> >there are 3 rooms and 2 hallways, one hallway with a statue,
> >one without.  Or, looking at this map, maybe there's three
> >hallways.  That's it!  Okay.  There's the ahllway into the
> >waiting room, which has a statue in it.  Then, there's
> >another hallway (also with a statue) that leads to the room
> >where Coop faced Bob and Shadow-Laura.  Then, there's a
> >third hallway without a statue that leads to the empty room.
> >I think.  But this was the basic idea.  I think I'll shut up
> >till he gets home and let him post and explain all his
> >breakdowns etc.


I get the feeling that if he stepped out of one room for a second
then stepped back in it, it would be totally different.  i.e. I
don't think you can map a place such as the Black Lodge, just as
I doubt there is a map of heaven.

sj

In <14947@exodus.Eng.Sun.COM> marc@porsche944.Eng.Sun.COM (Marc Schneider) writes:

> > BTW- was it just me or were the way to many commercials durring the 
> >last episode. If ABC sold that much airtime to advertisers, it makes
> >you wonder why they ever canceled the show?

I think they bunched up the commercials.  If you noticed, for the first
time there were no commercials between the credits and the first scene,
and no commercials for the next 20 minutes.  Same for the very end.
There were no commercials for the last 25 minutes (except right before
the final credits of course).

sj

In article <7087@male.EBay.Sun.COM> duane@thismoment.EBay.Sun.COM (Duane Day) writes:
> >In article <109772@sgi.sgi.com> sjohnson@texas.vlsi.sgi.com (Scott Johnson) writes:
>> >>Did anyone else notice the paleness of all of the characters at the
>> >>beginning?  Especially Windom when he first appears.  It looked like
>> >>he'd been rolling in the flour.  And when he smiled, I thought his
>> >>teeth were black.  Am I going crazy? 

No you're not crazy, his face was white and his teeth were black

[stuff deleted]
> >
> >I'll reaffirm what you saw, also:  Windom was indeed pale, and his
> >teeth were black - in fact, his whole mouth seemed dark.  Snacking
> >on tarantulas, perhaps.  

Sorry to be the nit-picker here ... But Windom likes to play with both
disguises and make-up .  The white-face and black teeth/mouth are the
standard for Japanese Kabuki Theatre.  It's just something else for us
to read more into re: the Black and White Lodges.



-- * H. Allisson Roome * haroome@rodan.acs.syr.edu * I've been cute * * aka - Allie or even at times * :INTERNET: * and I've been * * Harrisson - thanks to the VISA* haroome@suvm.BITNET * sexy. Sexy is * * card processor who can't read * <self-explanatory> * much better ;-) *

If we ever figure out what the hell happened in the last 30 minutes,
we'll be happy to tell you!


 Brian WOOD    *House address 710 -- same as Blue Lady's apt in Blue Velvet
               *Just got through studying major religious works like Ben Horne
               *Live next to a grove of TREES
               *My wife's aunt's name is Annie; my sister's name is Anne
               *My wife grew up next to a forest; next street - Glastonbury

In article <TOM.91Jun11015926@kether.webo.dg.com> tom@kether.webo.dg.com (Tom Sullivan) writes:
> >What about Cooper saying "I Will" to Windom Earle's request to him
> >about trading his soul for Annie's life?  Is THIS why Bob now has
> >Cooper?  Note that Bob popped right in at that point, but mentioned
> >that Windom had overstepped his "authority"...Hmmmm......

I'd like to point out that Cooper didn't SELL his soul, he SACRIFICED
it to save Annie.  Pretty powerful stuff, that, at least in classic
epic literature.  That's why I believe it's not Cooper that Bob's
possessing, but, as many have pointed out, the doppelganger, and it
won't take much effort for Cooper to break free and put Bob back in
the Black Lodge.

Last night I phoned Scott Frost again, and got a couple
fresh bits of into.

Probable good news (?):

  Details are not final for the Twin Peaks movie, but the
  commitments to do it are quite close to being nailed down.

Probable bad news (IMHO):

  Lynch wants the movie to be about the last 7 days of
  Laura Palmer's life.  The threads left hanging in the
  last TV episode will probably hang forever -- and what
  sort of place is Peaks without Coop?

Also, they had been negotiating with foreign sources for
funding to continue the TV series but did not secure the
necessary support.

Scott also said his book was doing particularly well in
foreign markets, where the TV show has also been successful.
Apparently it's drawn enough attention that the Australians
have been interviewing him by telephone.


P.S.:  He's about to wrap up a non-Peaks movie script
and is looking for work...  Anyone need a good script?


------------------
Paul Raveling
Raveling@Unify.com

In article <1991Jun12.030007.7871@risky.ecs.umass.edu> giovin@medr3.ecs.umass.edu (Rocky J Giovinazzo) writes:

Of course, the scene was so confusing (i.e. Annie
   saying that she knows who killed her and then saying to Cooper, "You
   must be mistaken." <- what the heck does that mean?) that this isn't
   completely clear.

Well, the bodies that the ``women'' in this scene have don't always
correspond to who they claim to be:

Annie (in dark dress, no glazed over eyes): Dale.  I saw the face of
the man who killed me
Cooper: Annie... you saw the face of the man who killed you?
Annie: It was my husband.
Cooper: Annie?
Annie: Who's Annie?  It's me, it's me, it's me.
Cooper: Caroline?
Cut to Cooper's POV.  It's Caroline, in pastel-colored dress, with
glazed eyes.
Cooper: Caroline?
Caroline: You must be mistaken.  I'm alive.
(sometime during the course of this, we cut to a side shot, and it's
Annie, but in the pastel dress.  I'm don't believe we see her eyes
well enough to tell if they're glazed.)

So, the first apparition looks like Annie, but acts like Caroline.
She transmogrifies into something that looks like Caroline, but acts
like Annie (who denies being Caroline, i.e. dead), who then turns into
a combination of the two (Annie's appearance, Caroline's dress).

Or so it seems to me, anyway.

-30-
Bob

``You go.''

In  <20438@sdcc6.ucsd.edu>  orovner@sdcc13.ucsd.edu (Oleg Rovner) writes:
> > 7. How many of you ever watch ABC? Now, how many will be
> > watching once Peaks is gone? Oh yeah, "perfect strangers" and
> > "who's the boss" are on top of MY list. So, how about letting
> > ABC just how many viewers they lost with the cancellation, not
> > just less viewing hours, but less real live viewers.

Unless your TV doesn't have any way of changing channels, and you were
leaving it on ABC the rest of the time just so you could watch TP, how are
you going to convince them that you're going to watch it less now than you
did with TP, with the obvious exception of that one hour a week.  Were you
watching the other shows because you thought ABC was so great to give you
TP?  TV ratings points are not based on how many people watch a station in a
given week, they are based on the specific time slot.

-- Bill rubin@watson.ibm.com

Here's some more symbolism for all of you who haven't had enough of it yet!

The Black Lodge is the opposite of OZ!

Consider these references:

  1. Garland Briggs asks about JUDY GARLAND, who starred as Dorothy
     in the Wizard of Oz.

  2. When Briggs emerges from the woods, he asks where the castle is.
     (Though this could have been a reference to the castle of the
     king of Romania!)

  3. Near the black and white firepit portal stands Pete's truck,
     which has twelve RAINBOW trout.  Thus the portal could be said to
     be over the rainbow.

  4. The wizard used fire to strike fear into Dorothy and her friends.

  5. Water was used to kill the wicked witch, just as the sprinklers
     removed Bob from Leland.

  6. The colors RED and GREEN are opposites.  The red traffic light
     is akin to the red room, the green light to peacefulness.  The
     emerald city in the land of Oz was, of course, GREEN.

  7. David Lynch used Oz references extensively in 'Wild at Heart'.

  8. The promo for the return of TP to Thursdays on ABC had Coop acting
     as Dorothy in bed, surrounded by his (her) friends.  This promo
     may have been more symbolic than we knew!

Here's the answer to how Coop gets out of the Black Lodge: he clicks
his heels together 3 times and repeats "There's no place like home."


Brian WOOD    *House address 710 -- same as Blue Lady's apt in Blue Velvet
              *Just got through studying major religious works like Ben Horne
              *Live next to a grove of TREES
              *My wife's aunt's name is Annie; my sister's name is Anne
              *My wife grew up next to a forest; next street - Glastonbury

Help! My VCR decided to go gronk on Monday... if there's a kind soul in
net-land who'd be willing to make me a copy of the Final Episode I will:

1. Happily pay tape & mail costs etc.
2. Be eternally grateful.

Please reply on email.

Kind regards,

--

 ______________________________.
/_____________________________/|
|     Chris Anderson          ||
| chrisa@beldar.ma30.bull.com ||
|_____________________________|/

>>>>> >>>>> On 12 Jun 91 01:31:33 GMT, billc@apple.com (Bill Cockayne) said:

>> > >* How about this.. Catherine planted the bomb in the safety
>> > >  deposit box because she was getting sick of Andrews taking
>> > >  over.  Only she didnt think that Pete would be there.. or
>> > >  maybe she didnt care..
> > 
> > Yes, Catherine planted the bomd...the question is, what did Catherine 
take 
> > out of the deposit box before she planted the bomb ???

billc> If Catherine planted the bomb, why was the note signed by Thomas?

billc> "We're tiny, we're tooney, we're all a little looney!"
billc> M @O2X  %7L$ 21". Y0[!"YX@>YU<*#!IT#")TY0@T3LPD[9N,(&?'&J<H0R
billc> ME&"  '240XE:=*,;_ECQ @5:R9U7PC(VLWQY>:YSRUS&1PCD>44S\G,+!*R!
billc> M00=  "@.X*)Q(FA!#4( @@RQA7"^AD%@$$4=ELZA#=5AG%MH#0AN82%N^(>9
billc> .
billc> .
billc> .

So Bill, what's the uu file?

In article <1991Jun11.171423.12867@milton.u.washington.edu> roger@wrq.com (Roger Fulton) writes:
<Many posters are starting to "quote," "Fire, come walk
<with me."
<
<***THIS WAS NEVER SAID ON TP.***  WHAT WAS SAID WAS:
<"Fire, walk with me."

Actually, it is "Fire walk with me" (no comma).  Up to now it could
have been also interpreted as "firewalk with me" were it not for last
episode's subtitles.

Jan Bielawski
Computervision, San Diego
jpb@calmasd.prime.com

In article <1991Jun11.175006.25864@fcom.cc.utah.edu> rcapener@cc.utah.edu writes:
<For anyone who cares the planets Mars, Venus, and Jupiter will come
<together this week.  And that is mentioned by Cooper in the last 
<episode.  Anyway, this week is when the planets will be the closest
<to each other for 126 years.

When Cooper says something like "we have to look at the ephemeris"
the close-up show that follows is that of some Mickey Mouse planetary
drawing instead of the real ephemeris: a table of numbers.  I though
that was silly.

<I was disappointed by the last episode due to the fact that many things
<were left up in the air.  It was big let down.

I loved it!  

<Bert Nelson
<Weber State University (pronounced WEEBER, not WEBBER)
<bnelson@cc.weber.edu

Jan Bielawski
Computervision, San Diego
jpb@calmasd.prime.com

In article <MATTHEW.91Jun5155352@matthew.ntl02.decnet.nokia.fi>, matthew@matthew.ntl02.decnet.nokia.fi (Matthew Faupel) writes:
> > Being a newcomer to this newsgroup I appear to have missed the first 1500 or so entries...
> > I don't suppose anyone out there could be kind enough to repost the episode numbering and
> > plot summary articles that (so I infer from reading the messages) have been previously
> > posted.
> > 
> > Ta muchly, 
> > Matthew.
> > ---*) Amnesiac the Wizard


well, i don't have them, but i'd like to second that request, plus add on a
little fantasy request of my own.  something that could be a really neat-o
addition to my library would be something along the lines of the postscript
star trek, next generation episode guide that's around.  i would do it if
i had the knowledge (of episodes and the actual process of making it).  does
anyone have the interest in doing this?  right now seems the perfect point
in time to compile such a thing, as the show is at a stopping point for the
moment.  so, whaddya say?!
-- +================================================================++==========++ ! "God's masterpieces fart at one another in the bath." -- Kafka ++ ^_^ ++ !----------------------------------------------------------------++ / !^! \ ++ ! S. Duncan!, Student and Nervous Wreck, Miami University. ++ (.) ++ ! scd@einstein.bgsu.edu --or-- scduncan@miavx1.bitnet ++ ! ++ !----------------------------------------------------------------++ *_/ \_* ++ ! "better get it when you get hit, rolling around on the floor, ++ !^! ++ ! out the door, up the stairway where the chumps play, kicking ++ ++ ++ ++ ! them down and finding it found on the carpet, where the pump ++ What? ++ ! fit, a bass in your face with a sign for your mind saying down ++----------++ +=I'm down down with the bass..." -- M. Watt of the tHUNDERbROOM ============++

So larryy@Apple.COM (Larry Yaeger) says:
> >I think he was referring to the fact the he also had a doppelganger.
> >And, contrary to James Mihaychuk and some others, I don't think the MFAP
> >is necessarily from the Black Lodge.  In fact, if I had to pick, I'd say
> >he was from the White Lodge, but, as we see in this final episode, it
> >appears that everyone has a dark side.  And I sure don't think that the
> >MFAP *is* BOB.  Course I could be wrong!

Hmm.  I've never doubted that the LMFAP is Bob, and not just because
of the dancing Leland + LMFAP thing:  remember when Josie died, in
Coop's vision he first saw the LMFAP dancing on the bed; then Bob
came out from behind it with no more LMFAP.  This was the first time
Coop saw Bob in his Silva-form, I believe, except for the drawing of
Bob.  What was the consensus of the net about the double-appearance back
when it happened?

 I also noticed WE's pale face and black teeth. My first thought was he'd 
been out experimenting with this and that to get into the Black Lodge. Who
knows what sort of nasty things he'd been eating. I wondered if it might not
have been whatever was in the sack. This was a chilling thought after we
found out about the spiders. 
 I had an odd reaction to the last hour of the movie and wondered if anyone
else had a similar feeling. I felt like I'd dreamt the entire thing before.
I think alot of this was set up by Lynch in repeating short pieces of dialog
and using similar sets and situations. Anyone else have that reaction?



-- -----------jamii@edsr.eds.com or ....uunet!edsr!jamii------------------ "Cotton balls. By god those things will be quiet now." Nadine, Twin Peaks

dawn@netcom.COM (Darragh Nagle) writes:

> >The finale - Version 4 

[Lucy marries Andy, Coop marries Annie, Ben is James' father too,
 Ed marries Norma and Nadine, Bobby marries Shelley, etc.]

You forgot the one that ABC wouldn't let them do:  the secret
love affair between Toad and Darryl Lodwick.

Bob

>>>>> >>>>> On 13 Jun 91 03:20:39 GMT, sdbeck@mac.cc.macalstr.edu said:

.> OK, about Pete and Audrey's surviving the bomb blast:

[Stuff deleted]

.> -With all the debate about using the "glasses in the tree" as proof of either
.> Andrew's or the attendant's death, and of the force of the explosion, it seems
.> odd that everybody is ignoring the shot of the bank's windows getting blasted
.> out. Furthermore, was the vault downstairs? I didn't see any windows in the
.> bank scenes, and I can't remember if there were stairs in the corner. In
.> anycase, an explosion that blew out the windows probably was too strong for
.> Pete to be saved by the door on the safety deposit box. And Audrey, well, she
.> was chained to the door that the blast would have gone through en route to the
.> windows. ouch!

BUT, the blowing out of the windows just shows the great buildup of
air pressure from the blast.  Other than having punctured eardrums,
etc, it IS possible that Audrey survived.  Less so for Pete.  Probably
not for Andrew who was in the path of the blast (pretty DAMN
unlikely!).

[Stuff after this deleted]

.> -Dan Becker

In article <TOM.91Jun12094726@kether.webo.dg.com>, tom@kether.webo.dg.com (Tom Sullivan) writes:
> > 
> > Perhaps the mark the major and the log lady have is due to facing the
> > black lodge and NOT getting corrupted....If so, perhaps he made it to
> > the white lodge...
> > 

Probably the giant is actually the doorman for the White lodge and if you pass
the test, he will stamp your hand (neck or whatever) as you leave so you can
get back in later ...

- Vanya J Cooper, Pima Community College, District Computer Services -
  Internet: vcooper@pimacc.pima.edu
  Paper: 2202 West Anklam Road, Tucson, Arizona 85709 USA
  Voice: 602 884-6809