Season 2, Episodes 21–22: Miss Twin Peaks / Beyond Life and Death — June 10, 1991–August 27, 1992

In article <29e1c9c2.arms@arms.uucp>, 84@arms.UUCP ("Floyd") writes...

} Someone posted a while ago that an American version of the boxed laserdisc
} set was going to be issued this summer.

No, someone posted that negotiations were going on at the time, and the
company trying for the rights, Lumivision, was *hoping* for a summer
release.

} Does anyone know if that set will contain the American version of the
} premiere episode, i.e. we see Jacoby's gloved hand take the necklace at
} the end instead of Cooper's dream. If this version will not be issued
} in the set, does anyone know if it has been or will be issued at all?

Doubtful. Warner Brothers has the distribution rights to the pilot.
*They* chose, in their allegedly infinite wisdom, to release the
Euroversion of the pilot on home video rather than the original TV
broadcast version. I can think of a couple of reasons for this:

(1) Marketing value. People might already have taped the broadcast pilot,
so might not want to suck for a pre-recorded release of it, whereas they
*might* go for a version with "extra material".

(2) It's self-contained. Since it's the only one that Warner can release,
it's in their best interest to issue something that has some semblence
of an ending.

Since Worldvision Home Video, who owns the rights to all of the regular
episodes, doesn't have the rights to the pilot, they can't contract
with Lumivision to include it in the set. Lumivision would have to
license it from Warner, who probably won't do it, figuring that it'll
hurt sales of their own edition.

And by the way, two things:

(1) It's not "the American version of the premiere episode". That version
was the one shown everywhere as the premiere episode of the series. What's
referred to as the "Euroversion" was released overseas as a one-shot
direct-to-video movie before the series was ever aired outside of North
America.

(2) With the single exception of Sarah's vision of someone picking up the
necklace (which runs maybe 35 seconds) not being in it, the "Euroversion"
is *exactly* the same as the broadcast version right up to that point.

-- "Buster, this trip downriver has been truly special. Downright Twainian in a Hitchcockian sort of way." --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) boyajian@ruby.enet.dec.com

In article <13835@star.cs.vu.nl>, abakker@cs.vu.nl (Arno BAKKER) writes...

} Hi, I just read the diary a few weeks ago and as far as I recall
} Laura got to know Harold thru 'Meals On Wheels'.

Yes, so what's inconsistent about that. That's the way they met in the
series, as well.

} And am I mistaking or was Maddy Lauras niece?, that's what the diary says.

Maybe it's a translation error (I assume that you're reading it in Dutch?).
The diary as published here in the US refers to Maddy as Laura's cousin.

-- "Buster, this trip downriver has been truly special. Downright Twainian in a Hitchcockian sort of way." --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) boyajian@ruby.enet.dec.com

In article <azj+=m_@engin.umich.edu>, hallway@caen.engin.umich.edu (Eric Hall) writes...
> >Yea, Albert did slam on the sheriff by saying the loved the human
> >race...and HIM!  Ooooh, it was good.  I saw the episode last week,
> >I'll rewind the tape and try and post it here soon.
> > 

     But Albert was actually sincere with that speech.  The next time
     he showed up, a few episodes later, the first thing he did was
     engage Truman in a bear hug, which Harry reciprocated, their peace
     made, as it were.  (His purpose was to officially brief Coop
     as to Windom Earle's doings - the photos on the table sequence).


          ^Hot Damn, That Pie Was Good!^
                     Common Phrases Heard at
                     RR Diner #32.

          ^Scott Gorcey, v075q5fr@ubvmsb.cc.buffalo.edu^

    Can someone out there who owns a Macintosh tell me how they would go
about FTP'ing and then using the GIFS from audrey.sait.edu.au? First you
would download in binary mode for the ftp, then.... well, that's where I have
the problem? I *really* want the Gifs of Sherilyn Fenn, but can't seem to get
them to work on my machine. Incidentally, I have an SE (dinosaur) w/ 2.5 megs.

Sean

If Jacoby was standing behind Leo during the drug sale that would mean that
Jacoby and Leo were working together because Leo acted like he knew that
someone was standing behind him.  I doubt this...

2.  What is the language that Thomas Eckart uses when handing Mrs. Jones
a drink?  He says something like 'Aka Jo Manshe Cavort.'

3.  Josie may have visited Ben Horne as a spirit since her soul is trapped
in the 'Great Northern LODGE'.  Their is one scene in the second to last
episode where Pete looks at a picture above the fireplace in the lodge
and says 'Josie, I see your face.'

4.  Did the mayor kill his brother??  In the episode before the mayors
brother dies (during the big wedding dance), the mayor says while seated
'That woman will be the death of him.'  A prophecy which comes true.

5.  So, why would Ms. Palmer run to tell Major Briggs 'I am in the Black
Lodge with Agent Cooper' in the last episode???  I still think they all
wanted to get him their all along.  Don't you get the feeling that major
briggs was taken to the black lodge and not the white as he says?  He  
has probably been alienized.

In article <1971@transfer.stratus.com>, cdt@sw.stratus.com (C. D.
Tavares) writes:
> > In article <6222@bigbird.hri.com.hri.com>, igo@sparc27.hri.com
(Frederick J. Igo) writes:
>> > > I've collected quite a few TP qoutes from alt.tv.twin-peaks...
>> > > ...The filename after the ">" is the 
>> > > SparcStation sound file I use to play the particular quote.  
> > 
>> > >              >trying_to_think.au
>> > >              >I_love_you,_Sheriff_Truman.au
>> > >              >great_moment_in_law_enforcement.au ...
> > 
> > So are you going to tell us WHERE we can get these files, or are you just
> > teasing us?

Sorry, no tease intended!  

I believe that you can obtain just about every TP sound which has 
come through, or has been mentioned in, this newsgroup from the 
TP archive site, "audrey.levels.unisa.edu.au".  Check out 
/pub/twin-peaks/Sun-sounds and /pub/twin-peaks/MAC-sounds. 
Most, if not all, of the MAC sounds have been converted to SUN 
sounds.  Check it out!  It should help pass the time until FWWM 
arrives.

There are many many sounds in the archive.  There may even be enough
to create a dialogue of sorts.  Now that would be interesting.
To get you started, here are some of my favorites:

 wrapped_in_plastic.au
 paydirt.au
 there_s_the_one_armer_now.au
 the_owls_are_not_what_they_see.au
 where_are_those_hickory....au
 lucy.au
 maybe.au
 sperms,_gone_and_back.au
 you_want_to_play_w_fire.au
 trying_to_think.au
 I_love_you,_Sheriff_Truman.au
 I_think_it_s_going_terrifically.au
 Aces_.au
 still_seeing_this_dick.au
 out.au
 coffee.au
 pies.au
 sometimes_things_can_happen.au
 fire_walk_with_me.au
 he_is_BOB....au
 Mike...fire_walk_with_me.au
 ptt...new_shoes.au
 log_does_not_judge.au
 achivement_is_its_own_reward.au
 owls___Maj._Briggs___Cooper.au
 when_did_you_start_smoking.au
 I_m_a_whole_damn_town.au
 hot_damn,_that_pie_s_good.au
 waldo.au
 my_grandson_is_studying.au
 I_m_Audrey_Horne_and....au
 save_my_life_break_my_heart.au


--
Frederick J. Igo                                            igo@hri.com
Horizon Research, Inc.                                   (617) 466-8300

"Nothing beats the taste sensation when maple syrup collides with ham."
  -- Dale Cooper, FBI Special Agent

In article <1992Apr8.172611.5425@noose.ecn.purdue.edu>, xxxx@peptide.ecn.purdue.edu (Name Redacted) writes...
> >If Jacoby was standing behind Leo during the drug sale that would mean that
> >Jacoby and Leo were working together because Leo acted like he knew that
> >someone was standing behind him.  I doubt this...

     Yeah, couldn't be Jacoby.  Wonder what made whoeveritwas think "Jacoby??"
     That's off the wall, even for Peaks. 
     Anyhow, it's pretty clear that either Jaques or Bernie Renault is
     standing by the tree.  It was probably Bernie, because he "mules
     the drugs over the border" and Leo is delivering the coke to 
     Bobby and Mike.


> >2.  What is the language that Thomas Eckart uses when handing Mrs. Jones
> >a drink?  He says something like 'Aka Jo Manshe Cavort.'

     For the tenth time: Afrikaans.  The language is a corruption (evoluton?)
     of Dutch (and more??) spoken in the South African region.


> >3.  Josie may have visited Ben Horne as a spirit since her soul is trapped
> >in the 'Great Northern LODGE'.  Their is one scene in the second to last
                        (sign says "HOTEL," not Lodge,
                         but the allusion of a connection
                         between the two has been made often
                         enough.)

> >episode where Pete looks at a picture above the fireplace in the lodge
> >and says 'Josie, I see your face.'

     Excellent point.  I think there's enough evidence to support this
     conclusion even with the reverse shot from that scene with Ben
     never shot/cut (the reverse shot would have been Josie, IMO).


> >4.  Did the mayor kill his brother??  In the episode before the mayors
> >brother dies (during the big wedding dance), the mayor says while seated
> >'That woman will be the death of him.'  A prophecy which comes true.

     Do you honestly care?


> >5.  So, why would Ms. Palmer run to tell Major Briggs 'I am in the Black
> >Lodge with Agent Cooper' in the last episode???  I still think they all
> >wanted to get him their all along.  Don't you get the feeling that major
> >briggs was taken to the black lodge and not the white as he says?  He  
> >has probably been alienized.

     This was settled as well.  The Closed Captioned dialogue indicated
     that it was Windom Earle speaking through Sarah, as did the
     script.  This explains everything, since Briggs and Earle have
     known each other for 20 (more?) years and Earle considers Briggs
     a major adversary.  
     Earle's intent, I think, was to inform Briggs that he had succeeded
     in locating/entering the Black Lodge (which had been their goal
     with Project Blue Book) and that Briggs had better watch his
     ass because he was next on Earle's hit list.



     Sounds like you have ^no^ remaining unanswered questions, except
     for the stuff about Dougie and Dwayne, which, to be honest, is
     little more than Twin Peaks fluff - and doesn't even make for
     especially good gossip.

          ^Hot Damn, That Pie Was Good!^
                     Common Phrases Heard at
                     RR Diner #32.

          ^Scott Gorcey, v075q5fr@ubvmsb.cc.buffalo.edu^

Last week I called Lynch/Frost Productions' publicity dept. and had
this conversation:

Me: I'd like to confirm the release date for "Fire Walk With Me".

Publicity Woman: Sometime in late August.

Me: Will it be August 23?

PW: No, it's being delayed slightly, but it will still be sometime in
    late August.  There's no date set yet.

So my guess would be Friday, August 28 (since most movies open on
Fridays).  But still no specific date from L/F.

--
-------------------------------------------------------------------------------
"I lived in my head mostly."                | Jim Pellmann (jgp@rational.com)
"That's not a bad neighborhood."            | RATIONAL
"There were some pretty strange neighbors." | Santa Clara, California

 I have been reading all the postings saying that FWWM will 
be released in late August.
 Here, in Japan, they will show it at early May ( in Iizuka, a 
small village where I live, it will be May 16th ).
 Since US movies are released quite late in Japan, I was very
surprised.
 Unless we are talking about a different movie... 
The title here is "Twin Peaks: the last seven days of Laura Palmer".


-------------------------   Barcelona '92   -------------------------
 Manuel Jesus Pece Montenegro
mj1078@taurus.cse.kyutech.ac.jp

scarlett@bnr.ca (Michael Dorotich) writes:

> > In article <rbtg7INN7u5@agate.berkeley.edu>, philfree@ocf.berkeley.edu (Phili
> > |> A recent posting mentioned the source of the Lodge and many other Peaks
> > |> things as by an author named Alexis Crowley. Is this correct, or is it
> > |> the infamous Satan-worshipper Crowley, whose name was actually (I think)
> > |> Allister (sp?)???
> > 
> > You are correct. And the spelling of his name is "Aleister".

BTW...Mr. Aleister Crowley is on the cover of Sgt. Pepper's Lonely Hearts 
Club Band (he's to the left of Mae West, and if ya don't know where SHE 
is, you need more help than I can give you).  He is given a bio of 
"Dabbler In Sex, Drugs and Magic".  Sounds like some of the same Major 
Themes in Twin Peaks!  This can't be a coincidence (unlike a lot of 
research presented on this net).

Did ANYBODY out there ever find any info on the Dugpas (sp.)????  PLEEESE 
point me to a book on these "zanies"...I am very curious!

Here's hoping that the April release date in the USA is not a rumor!


************************************************************************* 
*  "You say your life's a bum deal, and you're up against the wall?     * 
*   Well people you ain't even got no kind of deal at all!              * 
*   'Cuz what they do in Washington -      ****************************** 
*   they just takes care of Number One.    *  John Atwell, Midiline,    * 
*   (And Number One ain't you...           *  Canoga Park, California,  * 
*    you ain't even number two...)"        *  USA (It CAN happen here!) * 
** FRANK ZAPPA for President ********************************************

In article <1992Apr8.222413.20480@acsu.buffalo.edu>, v075q5fr@ubvmsb.cc.buffalo.edu (Scott J Gorcey) writes...

} In article <1992Apr8.172611.5425@noose.ecn.purdue.edu>, xxxx@peptide.ecn.purdue.edu (Name Redacted) writes...

}} If Jacoby was standing behind Leo during the drug sale that would mean that
}} Jacoby and Leo were working together because Leo acted like he knew that
}} someone was standing behind him.  I doubt this...

Yes, but suppose that Leo *didn't* know there was someone behind him. He
could've thought that Bobby was trying to distract his attention by saying
that there's someone behind him. It *is* about as old as the "your shoe's
untied" line.

} Yeah, couldn't be Jacoby. Wonder what made whoeveritwas think "Jacoby??"
} That's off the wall, even for Peaks.

No, it's not so off-the-wall. Jacoby admitted to Cooper that he followed
Leo (not naming him by name) on the night Laura died. Why shouldn't we
imagine that he'd follow him in the days *after* Laura died, especially
if he suspects that Leo might've had something to do with Laura's death?

-- "Buster, this trip downriver has been truly special. Downright Twainian in a Hitchcockian sort of way." --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) boyajian@ruby.enet.dec.com

In article <MJ1078.92Apr9140308@taurus01.taurus.cse.kyutech.ac.jp>, mj1078@taurus.cse.kyutech.ac.jp (mmanuel pece) writes...
> > 
> > I have been reading all the postings saying that FWWM will 
> >be released in late August.
> > Here, in Japan, they will show it at early May ( in Iizuka, a 
> >small village where I live, it will be May 16th ).
> > Since US movies are released quite late in Japan, I was very
> >surprised.
> > Unless we are talking about a different movie... 
> >The title here is "Twin Peaks: the last seven days of Laura Palmer."

     That's no surprising.  FWWM will have its world premiere at
     Cannes (though I had heard there would be a world premiere
     one screening before that in Snoqualmie... wonder if that's
     true?) in mid-May.  
     After that, it should start cropping up all across Eruope and
     Southeast Asia.  The reason FWWM will have the reverse type
     distribution (U.S. release following release abroad) is
     that the real money to be made on the movie is in these
     countries where "Peaks" is still incredibly popular.  The
     American run doesn't have near the potential the European
     and Southeast Asian runs do...


          ^Hot Damn, That Pie Was Good!^
                     Common Phrases Heard at
                     RR Diner #32.

          ^Scott Gorcey, v075q5fr@ubvmsb.cc.buffalo.edu^

 I already e-mailed (chris?) that he had everything right, except that all he
needed was a gif viewer.  Does anyone else have any questions about ftp or
gifs??? i've become very experienced with them, and i may be able to help out!
-Bryan
-u51572@uicvm.uic.edu

In article <1885@transfer.stratus.com> cdt@sw.stratus.com (C. D. Tavares) writes:
> >In article <B1omiB1w164w@netlink.cts.com>, jim@netlink.cts.com (Jim Bowery) writes:
>> >> Cooper's Conspiracy Theory: Soon Lear was joined by someone with
>> >> an even bigger supply of fabulous yarns: 
> >
> >Besides the fact that this guy's name is Cooper and the fact that
> >Twin Peaks had two and a half references to UFO's in it, why post
> >this to alt.tv.twin-peaks (instead of, say, alt.conspiracy, 
> >talk.politics.guns, alt.civil-liberty, or talk.bizarre)?

Aaaaaaakkkk!  Please do not head the above paragraph.  Jim's post
about the UFOs was quite well taken!  David Lynch doesn't just
throw these things in for the hell of it.  

I read a book last year called 'Above Top Secret' by Timothy Good.
It's all about the huge cover-up by most of the world governments. If
there is nothing to cover up, why do they spend so much money, time
and resources to do so??????  This fact becomes the scary pary, not
the fact that there may or may not be such things as OWLs (Other Worldly
Lifeforms).

So yes indeed.........talk about UFOs, dugpas, Tibet, the shakes,
Heaven and Hell, posession -----these things belong here right alongsid
e talk about Maddy's glasses, Audrey's body,  Cooper's suit,  the painting
in Ben's office and fish in percolators.

f e r e n c

Someone in the room wants to know what the the logging trucks that keep
going back and forth in front of the diner in twin peaks and blue velvet
mean..  I didn't have any stupendous answer for that.

^The Discussion Goes Something Like This^

> >}} If Jacoby was standing behind Leo during the drug sale that would mean that
> >}} Jacoby and Leo were working together because Leo acted like he knew that
> >}} someone was standing behind him.  I doubt this...

> >Yes, but suppose that Leo *didn't* know there was someone behind him. He
> >could've thought that Bobby was trying to distract his attention by saying
> >that there's someone behind him. It *is* about as old as the "your shoe's
> >untied" line.

     Bobby: Who's that?  Is somebody with you?
     (Insert Shot: SOMEBODY (large) STEPS BEHIND A TREE OUT OF SIGHT)
     Leo: (without looking): Never mind.

     Leo obviously knew there was somebody with him - and it was either
     Jaques or Bernie Renault (they who run the drugs over from Canada
     to Leo and Leo who gives the drugs to Bobby and Mike to sell at the
     high school).  

     Watch the episode - or at least the scene - again.     

> >} Yeah, couldn't be Jacoby. Wonder what made whoeveritwas think "Jacoby??"
> >} That's off the wall, even for Peaks.

> >No, it's not so off-the-wall. Jacoby admitted to Cooper that he followed
> >Leo (not naming him by name) on the night Laura died. Why shouldn't we
> >imagine that he'd follow him in the days *after* Laura died, especially
> >if he suspects that Leo might've had something to do with Laura's death?

     First of all: it's a silly idea.  The drug deal has nothing to do
     with Jacoby and everything to do with the Renault brothers.  

     And more relevantly: in 2001, in the hospital bed, Jacoby spilled
     all his beans to Cooper, "doctor patient confidentiality" notwithstanding
     and he never mentioned that he had followed Leo on any other 
     occasion.  

     As I said, you should watch the episode again, IMO.  Your memory seems
     a little, and understandably, rusty with time.


          ^Hot Damn, That Pie Was Good!^
                     Common Phrases Heard at
                     RR Diner #32.

          ^Scott Gorcey, v075q5fr@ubvmsb.cc.buffalo.edu^

In article <1992Apr8.222413.20480@acsu.buffalo.edu> Scott J Gorcey writes:
> >In article <1992Apr8.172611.5425@noose.ecn.purdue.edu>, David Southwood writes
>> >>If Jacoby was standing behind Leo during the drug sale that would mean that
>> >>Jacoby and Leo were working together because Leo acted like he knew that
>> >>someone was standing behind him.  I doubt this...

> >     Yeah, couldn't be Jacoby.  Wonder what made whoeveritwas think "Jacoby??"

1) a glance at the episode.  To me it LOOKS like him.

2) An episode or two after this, Jacoby confronts Bobby about his dealings
(including the drug dealings) with Laura.  This implies that he's been
doing some checking up.

3) Jacoby was already following Leo, as he later said in #2001.

4) Jacques & Bernie didn't come into the plot until an episode or two
later in the series.

Still, it's a good point that Leo didn't seem too concerned about who
was behind him.  I'd put that down to Leo's arrogance and natural stupidity.
But still, conspiracy theories are always welcome...

^David, Jon and myself are talking about:^

>>> >>>If Jacoby was standing behind Leo during the drug sale that would mean that
>>> >>>Jacoby and Leo were working together because Leo acted like he knew that
>>> >>>someone was standing behind him.  I doubt this...

>> >>     Yeah, couldn't be Jacoby.  Wonder what made whoeveritwas think "Jacoby??"

> >1) a glance at the episode.  To me it LOOKS like him.

     What looks like him?  A shadow outlinging a body?  From the SHAPE
     of him (i.e., Big and Round), it looks like Jaques to me (but that
     proves or disproves nothing).

> >2) An episode or two after this, Jacoby confronts Bobby about his dealings
> >(including the drug dealings) with Laura.  This implies that he's been
> >doing some checking up.

     This implies that Laura was his patient.

> >3) Jacoby was already following Leo, as he later said in #2001.

     In his confession in 2001, Jacoby says that he followed Leo
     the night after Laura died.  Never mentioned following Leo
     again and as he was spilling all the beans, even those 
     protected by doctor-pa
     there's no reason to believe he followed Leo again.

4) Jacques & Bernie didn't come into the plot until an episode or two
> >later in the series.

     Nope.  In the pilot Ed Hurley was steaking out the Roadhouse
     because Jaques (who we didn't see in the pilot) was bartending
     and he was a suspect in drugrunning operations.  Jaques was
     first mentioned in 1001, first seen in 1003.  So he was very
     much a part of the plot during 1002.
     And anyway, Twin Peaks at that point was seamless in structure.
     The point of having someone behind Leo is to suggest - (gasp!) -
     someone BEHIND Leo, get it?  

> >Still, it's a good point that Leo didn't seem too concerned about who
> >was behind him.  I'd put that down to Leo's arrogance and natural stupidity.
> >But still, conspiracy theories are always welcome...

     No conspiracy.  This isn't even a mystery.  We ^know^ who it
     was.  We know ^why^ it was (i.e., he was there).  No conspiracy
     here.  

          ^Hot Damn, That Pie Was Good!^
                     Common Phrases Heard at
                     RR Diner #32.

          ^Scott Gorcey, v075q5fr@ubvmsb.cc.buffalo.edu^

In article <1992Apr8.120602.8420@engage.pko.dec.com> boyajian@ruby.enet.dec.com (The fox so cunning and free) writes:
> >In article <13835@star.cs.vu.nl>, abakker@cs.vu.nl (Arno BAKKER) writes...
> >} And am I mistaking or was Maddy Lauras niece?, that's what the diary says.
> >
> >Maybe it's a translation error (I assume that you're reading it in Dutch?).
> >The diary as published here in the US refers to Maddy as Laura's cousin.

In Dutch there is only one word for niece/cousin
so I just piked one, because I can't really remember what the semantics
are.

Arno

***********************************************************************
HI BOYS AND GIRLS,


I JUST LOVED THE POEM THAT EARL SEND TO THE THREE LADYS .HAS ANYONE
WRITTEN IT DOWN AND IF SO COULD YOU PLEASE PLEASE PLEASE SEND ME
A COPY.I WILL BE ETERNALLY GRATEFUL TO YOU.

LOVE ILKNUR

PS MY E-MAIL:idonmez@cs.vu.nl

In article <1992Apr9.221026.29572@acsu.buffalo.edu>, v075q5fr@ubvmsb.cc.buffalo.edu (Scott J Gorcey) writes...

}} Yes, but suppose that Leo *didn't* know there was someone behind him. He
}} could've thought that Bobby was trying to distract his attention by saying
}} that there's someone behind him. It *is* about as old as the "your shoe's
}} untied" line.

}     Bobby: Who's that?  Is somebody with you?
}     (Insert Shot: SOMEBODY (large) STEPS BEHIND A TREE OUT OF SIGHT)
}     Leo: (without looking): Never mind.

} Leo obviously knew there was somebody with him

Did he?  Is it really that difficult to believe that he might have figured
that Bobby was pulling his leg?

} - and it was either Jaques or Bernie Renault

It "was". Proof please. I don't want to hear "well, it must've been because
they were his drug-running partners". I want to hear *proof*. Do you have
the writer or director's sworn word that that's who it was?

}} No, it's not so off-the-wall. Jacoby admitted to Cooper that he followed
}} Leo (not naming him by name) on the night Laura died. Why shouldn't we
}} imagine that he'd follow him in the days *after* Laura died, especially
}} if he suspects that Leo might've had something to do with Laura's death?

} First of all: it's a silly idea. The drug deal has nothing to do with
} Jacoby and everything to do with the Renault brothers.

So what?  How do you know that the Renaults weren't up in Canada at the
moment. They don't have to be present at every drug deal that Leo is
doing. And since, as I stated, we know Jacoby followed Leo once before,
so the fact that he was there DIDN'T HAVE TO HAVE ANY CONNECTION TO THE
DRUG DEAL. Therefore your point isn't necessarily relevant.

} And more relevantly: in 2001, in the hospital bed, Jacoby spilled all his
} beans to Cooper, "doctor patient confidentiality" notwithstanding and he
} never mentioned that he had followed Leo on any other occasion.  

Because it didn't have any relevance to the murder of Laura Palmer.

} As I said, you should watch the episode again, IMO.  Your memory seems
} a little, and understandably, rusty with time.

Don't leap to conclusions over which you have not a clue. Since I got the
Japanese laserdisc set a couple of months ago, I've been working my way
through the entire set. It hasn't been that long since I've watched that
episode.

-- "Buster, this trip downriver has been truly special. Downright Twainian in a Hitchcockian sort of way." --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) boyajian@ruby.enet.dec.com

In article <1992Apr10.040338.8930@acsu.buffalo.edu> v075q5fr@ubvmsb.cc.buffalo.edu (Scott J Gorcey) writes:
> >^David, Jon and myself are talking about:^
>>> >>>    Yeah, couldn't be Jacoby.  Wonder what made whoeveritwas think "Jacoby??"

>> >>1) a glance at the episode.  To me it LOOKS like him.

> >     What looks like him?  A shadow outlinging a body?  From the SHAPE
> >     of him (i.e., Big and Round), it looks like Jaques to me (but that
> >     proves or disproves nothing).

>> >>2) An episode or two after this, Jacoby confronts Bobby about his dealings
>> >>(including the drug dealings) with Laura.  This implies that he's been
>> >>doing some checking up.

> >     This implies that Laura was his patient.

Granted...  I just think he knew more than Laura would have said.

>> >>3) Jacoby was already following Leo, as he later said in #2001.

> >     In his confession in 2001, Jacoby says that he followed Leo
> >     the night after Laura died.  Never mentioned following Leo
> >     again and as he was spilling all the beans, even those 
> >     protected by doctor-pa
> >     there's no reason to believe he followed Leo again.

Except that (unless my memory fails me again) Jacoby does drop a bunch of
hints in #1005 about his "continuing investigations" when he talks to
Coop.  You know, the magic-trick sequence.

And I don't believe Jacoby told EVERYTHING he knew in #2001 -- he just
answered the questions he was asked.  Remember, he didn't even volunteer
Leo's name as the name of the man he was following.  When Coop asked him,
he paused for a moment and then reluctantly answered "Yes".

Conclusion: Jacoby, like everyone in the early stages of Twin Peaks, knew
more than he ever let on.

> >4) Jacques & Bernie didn't come into the plot until an episode or two
>> >>later in the series.

> >     Nope.  In the pilot Ed Hurley was steaking out the Roadhouse
> >     because Jaques (who we didn't see in the pilot) was bartending
> >     and he was a suspect in drugrunning operations.  Jaques was
> >     first mentioned in 1001, first seen in 1003.  So he was very
> >     much a part of the plot during 1002.

Okay.  I'll give you that.  But Jacoby's lurking in the woods had also
been a part of the plot since the pilot.

> >     No conspiracy.  This isn't even a mystery.  We ^know^ who it
> >     was.  We know ^why^ it was (i.e., he was there).  No conspiracy
> >     here.  

Or so YOU believe.  Maybe you could take a lesson from the folks on
alt.tv.prisoner on considering alternative interpretations.  There's no
harm in constructing theories, even ones you consider off-the-wall.  It's
fun.

I haven't seen the episode with the person behind Leo for quite a while, but
when I did watch twin-peaks I watched all 30 or so hours of it over 5 days.
My tapes are currently out on loan so I can't check, but I think that the
person behind Leo had a trenchcoat on that you can see if you look toward
the ground.  This is why I thought that the person was either Ben Horne, or
possibly the 'Black Robe/Owl/Dugpa/Sorcerer/Magician Man' that comes later.
Ben Horne is the only other character that is often seen wearing trenchcoats
in twin-peaks that ever had anything to do with Leo.
But Jean Renault is another good idea also.       

If the movie has a funeral scene with cooper in it, maybe he has been dreaming
everything since he was shot.  This would really be bad because that would
mean that someone else could have really killed Laura Palmer.

digifix!sanguish@uunet.ca (Scott Anguish) writes:

> >And, since I am asking, is the series available on LaserDisc?

yes it is. in Japan.

-- Wiljo Heinen ** Sternstrasse 2 ** D - W2300 Kiel 1 ** voice: +49-431-95311 wiljo@freeside.ki.open.de /\__/\ "My symptoms suggest the onset of malaria"

To the person who cannot remember the black hooded man:
He appears 3 times.  
1.  When Major Briggs disappears while Cooper is taking a leak, as cooper
is running toward the light we see the outline of a black hooded man in
the light at the top of the hill for a second (its on my tapes).
2.  We see Windom Earl pointing an arrow at the screen after shooting the
'punk-like dude'.  This fades into a picture of the petroglyph and this
fades into a Black Hooded man who walks onto the screen in front of a white
background.  He turns and walks toward the screen.  He has only stars for
a face. (Obviously this is the person who says 'COOPER') in the space scene
several episodes before.  The stars fill the screen and then we see the 
owl and fire underneath.
3.  When the chess piece is found at Easter park containing the punk, I 
think they show the full moon.  The moon backs off to show the black
hooded man in front of the white background.  (Then we return to planet
Earth.)
How can you miss it???  Under hypnosis?

As for logging trucks
The same logging truck goes by in the town every 2 minutes in Blue Velvet.
It gets really annoying after awhile if you are watching for it.  The
same truck is also always going by the diner in Twin-Peaks, it never fails.
We know it is a logging town, but what is the symbolism of a logging truck?
:

Also, I'd like someone to explain the movie Wild at Heart to me.  To me it
seems like one of the stupidest movies I've ever seen in my life, whereas
Blue Velvet was one of the neater ones.  (but well underneath Basic Instinct)
What is the point of Wild at Heart?? (except for more fire symbolism).

Hi!  I have a sad tale to tell.

I recently indexed my videotape collection, and found nearly ALL of the Twin
Peaks episodes were saved.  Joy!

BUT, I'm missing the last two episodes BEFORE the final two-parter.  I would
really like to get a good copy of these (like, from those nifty laserdiscs). 
If anyone would be willing to discuss some sort of trade or something (I have
almost every episode of Star Trek TNG, Ren n' Stimpy, and Tiny Toons on file),
please send me E-Mail.

Thanks in advance,

Chris
-- --------------------------------------------------------------------------- Christopher J. Foster cfoster@eagle.wesleyan.edu or cfoster@wesleyan.bitnet "The physical and emotional cost is quite high. It is the artist's calculated risk... Like the candle that will only burn for just so long... You can force it to burn brighter, but it will also burn faster... You pay for it... Still... I'd rather do that than flicker dimly in a corner." - Gene Roddenberry (1921-1991) ---------------------------------------------------------------------------

    Like it says, the actor who plays Briggs(the name escapes
me at the moment) played a prison warden in the season finale
off Knots Landing Thursday.

Dave
--

In article <1992Apr10.165319.22504@noose.ecn.purdue.edu>, xxxx@peptide.ecn.purdue.edu (Name Redacted) writes:
> > Ben Horne is the only other character that is often seen wearing trenchcoats
> > in twin-peaks that ever had anything to do with Leo.
> > But Jean Renault is another good idea also.       

JEAN Renault?  Didn't he explain at some point that he was originally 
off someplace completely different, doing whatever gangsterish things 
he usually did, and came to the Twin Peaks area only after he heard
his brother was dead, to avenge him?
-- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet...

xxxx@peptide.ecn.purdue.edu (Name Redacted) writes:

> >Also, I'd like someone to explain the movie Wild at Heart to me.  To me it
> >seems like one of the stupidest movies I've ever seen in my life, whereas
> >Blue Velvet was one of the neater ones.  (but well underneath Basic Instinct)
> >What is the point of Wild at Heart?? (except for more fire symbolism).


What exactly did you like about Blue Velvet, since there are
many similarities. Both deal with the things in life that are
present but seldom dealt with--at least in American cinema,
which is probably the Academy breezed over Wild at Heart, and 
it was given the top honors at Cannes. Both had two young op-
timistic lovers trying to prevent the world from collapsing
around them and bringing them down with it. Lynch has a unique
perspective about the world, I think, and I enjoy the places
he takes me--and even if I don't enjoy them, like Frank in BV
or Bobby Peru, I enjoy the way Lynch shows them to me. 
There are many ways to look at the movie, however. One could
strictly look at the love between Sailor and Lula, which is
uncompromising and unconditional. One could see it as a social
commentary, with the darker sides of our world representing
our world as a whole. One could only think of it as an experi-
ment in effects-- what exactly would the effect be if we slowly
fade between Powermad--speed metal--and adagio for strings, while
Sailor and Lula silently profess their love for eachother in
front of a raging sunset? I don't know. let's find out. Or you
could go a step furthur and say that Lynch did know and it makes
sense to him, and it just so happens others like it as well.
All in all I respect Lynch as an artist, which is more than I
can say for Mr. Verhoeven, who has not made a movie yet that
said something I hadn't heard before. I don't think he would
have the gumption to hire the daughter of one of the most re-
spected actresses of all time (Isabella Rosselini) and then
make her so completely odd looking as to be funny. I can't 
really say that for sure of course, but really, what's more
real to life? A love that everyone wants to see fail, or a
murder whodunit with impossibly handsome and sexy people
portraying composite characters with scores of improbable
people serving as backdrop? I just respect the sheer talent
Lynch has for effect. I don't think I really did a good enough
job of explaining the movie, and I don't think anyone could.
Just like you couldn't explain to me why you think I should
like Basic Instinct, I couldn't explain to you why I think
Wild at Heart is one of the best movies of our time, as far
as actually making the kind of movie that one intended.



Jeremy Mullen
(on a friend's account)

In article <1992Apr10.164116.1@eagle.wesleyan.edu>  writes:
> > Hi!  I have a sad tale to tell.
> > 
> > I recently indexed my videotape collection, and found nearly ALL of the  
Twin
> > Peaks episodes were saved.  Joy!
> > 
> > BUT, I'm missing the last two episodes BEFORE the final two-parter.  I  
would
> > really like to get a good copy of these (like, from those nifty  
laserdiscs). 


are the episodes available on VideoDisc yet, and if so, from who??

-- -- I have a brain dead mailer, so please reply to the below. Scott Anguish uunet.ca!digifix!sanguish@uunet.uu.net Digital Fix Development - fax 519 886 3673 (NextMail)

Yes, it was definitely Jaques.....and yes, at this point I think the whole 
arguement has been beaten into the ground.
Eagerly awaiting FWWM.....
Jim Zimmerman (Twin Peaks-MST3K megafan)

In article <2111@transfer.stratus.com>, cdt@sw.stratus.com (C. D. Tavares) writes...
> >In article <1992Apr10.165319.22504@noose.ecn.purdue.edu>, xxxx@peptide.ecn.purdue.edu (Name Redacted) writes:
>> >> Ben Horne is the only other character that is often seen wearing trenchcoats
>> >> in twin-peaks that ever had anything to do with Leo.
>> >> But Jean Renault is another good idea also.       
> > 
> >JEAN Renault?  Didn't he explain at some point that he was originally 
> >off someplace completely different, doing whatever gangsterish things 
> >he usually did, and came to the Twin Peaks area only after he heard
> >his brother was dead, to avenge him?
> >-- 

     Correct.  This whole debate over the scene is getting tiresome.
     Maybe we should put it to a vote: WHO THINKS IT WAS JAQUES RENAULT?
     Who, at this point, just doesn't care?


          ^Hot Damn, That Pie Was Good!^
                     Common Phrases Heard at
                     RR Diner #32.

          ^Scott Gorcey, v075q5fr@ubvmsb.cc.buffalo.edu^

Somebody recently mentioned the European version of the pilot, and it 
reminded me of something.  Did anyone else think that the scene in which 
Sarah Palmer sees the vision of BOB crouching behind Laura's bed was an 
incredibly scary scene?  For some reason, that really made me shiver.  I'm 
not even sure I can explain it, it's just sort of... primal may be the 
word I'm looking for.  Lynch is good at that sort of thing.  There's just 
something about Sarah seeing a strange man so close to her daughter's bed, 
a stranger in such a familiar place... a place where the police have 
examined thoroughly finding nothing, and yet THERE HE IS.  Anybody else 
think so?
 
Ken
UN037455@wvnvms.wvnet.edu


..

In article <1992Apr11.015448.4423@digifix!uunet.ca>, digifix!sanguish@uunet.ca (Scott Anguish) writes...

} In article <1992Apr10.164116.1@eagle.wesleyan.edu>  writes:

}} I would really like to get a good copy of these (like, from those nifty  
}} laserdiscs). 

} are the episodes available on VideoDisc yet, and if so, from who??

I guess you're either new or weren't paying attention a couple of months
ago. The entire (except for the original broadcast version of the pilot**)
series was released in a single 15-disc boxed set in Japan at the tail
end of last year. Price is 518,000 Yen, which, depending on how the
exchange rate is doing, and how much the dealer you order it through
wants to mark it up after paying for shipping and import duty, can run
you anywhere in the $500-700 range.

Rumor has it that Lumivision has been negotiating with Worldvision Home
Video (owner of the rights to the series) for the rights to a domestic
set of the series on laserdisc, but I've heard nothing in the past month
as to how it's going. No official announcements have been made about
if, when, how, or how much?

My take: Judging by Lumivision's general pricing scheme, I would bet on
their charging $35 for a 2-episode disc. Which means that if they release
it as a single 15-disc set, as in Japan, you're talking $525. But knock
off a little, assuming that they'll offer a price break on such a one-shot
deal. That's not really a whole lot better than the price for a Japanese
set. Of course, the advantage would be not having to put up with Japanese
kanji subtitles, but they don't bother me a whit. On the other hand, the
advantage of the Japanese set is that you have it *now* (well, *you* can't,
but I do), instead of in some nebulous, indefinite future. And if Lumivision
decides to release them a disc or two at a time over a long stretch, it'll
be even longer to accumulate a whole set.

** The original broadcast version of the pilot is not available anywhere
   in the world in any format on commercially-released home video. Unlike
   the rest of the series, Worldvision does not have the rights to the
   pilot, which are held by Warner Home Video. And Warner had decided to
   release the extended home-video version of the pilot instead of the
   broadcast version. I have the Japanese laserdisc of the extended pilot,
   but it's also available on disc in the US.

-- "Buster, this trip downriver has been truly special. Downright Twainian in a Hitchcockian sort of way." --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) boyajian@ruby.enet.dec.com

I don't know if this has been mentioned before, as I'm new to this group
(although not new to TP), but here goes... A few weeks ago I turned on Sesame
Street and saw a "Monsterpiece Theatre" "episode" which was a hilarious
parody of TP but was mostly about Cooper showing up in this town called "Twin
Beaks" and inquiring of all the locals (who were birds with 2 beaks) as to
the origin of the name. I can expound, but if it's been mentioned before,
i'll refrain...

--aschi

I saw the cartoon Fern Gully tonight and noticed a Twin Peaks
castmember in the credits.  Grace Zabriskie (Lauras mom) played
the old fairy woman.
-- ^ Steven Greco ^ (aka Windom Earle) slg20427@uxa.cso.uiuc.edu

In article <1992Apr10.213918.17321@murdoch.acc.Virginia.EDU> daw5g@faraday.clas.Virginia.EDU (Michael's brother) writes:
> >    Like it says, the actor who plays Briggs(the name escapes
> >me at the moment) played a prison warden in the season finale
> >off Knots Landing Thursday.
> >
> >Dave
> >--
> >     
The guy who plays Major Briggs also does a couple of Coors commercials
as well as a half hour info-mercial for Saturn.

Anybody see Fool's Fire on American Playhouse a week or two ago?
Michael Anderson(the Dancing Dwarf) played Hopfrog, the avenging court
jester from Poe. Quite good!

Has anybody seen Madchen(Shelley Johnson)Amick in this new Steven King
movie?  I would be interested in a review. Thanks!:)

Gotta go!  My deep black joe is getting cold!

Greg Jerrett
jerrett@iastate.edu
Ames, Ia

In article <0q12iB1w164w@bluemoon.rn.com> kbays@bluemoon.rn.com (Ken Bays) writes:
> > 
> >Somebody recently mentioned the European version of the pilot, and it 
> >reminded me of something.  Did anyone else think that the scene in which 
> >Sarah Palmer sees the vision of BOB crouching behind Laura's bed was an 
> >incredibly scary scene?  For some reason, that really made me shiver.  I'm 
> >not even sure I can explain it, it's just sort of... primal may be the 
> >word I'm looking for.  Lynch is good at that sort of thing.  There's just 
> >something about Sarah seeing a strange man so close to her daughter's bed, 
> >a stranger in such a familiar place... a place where the police have 
> >examined thoroughly finding nothing, and yet THERE HE IS.  Anybody else 
> >think so?

Absolutely!  I once thought I was simply too old/mature to be scared/unnerved
by anything I saw on TV or film until that scene where Maddy was having
her vision and Killer Bob walks oh-so-nonchalantly out of the kitchen, turns,
looks right at the camera and moves straight at us.  For a second you think
it will stop because the sofa is in the way , but Bob just crawls right over 
and gets in your face.

Lynch is particularly skilled at creating dream sequences, and this is what 
him so good.  The unconscious is the one place where we all get the shit
scared out of us!

Greg Jerrett                          
jerrett@iastate.edu
Get me a beer!

xxxx@peptide.ecn.purdue.edu (Name Redacted) writes:

> >Someone in the room wants to know what the the logging trucks that keep
> >going back and forth in front of the diner in twin peaks and blue velvet
> >mean..  I didn't have any stupendous answer for that.

It means that Twin Peaks is a logging town.

I don't know what else it could mean.  I would suggest that that
"someone in the 
room" should quit trying to make everything in the show be symbolic.  IT'S
JUST A TRUCK!!!

but Twin Peaks is not just a show...it's a lifestyle.

-mc

     Could somebody post or email me how to ftp to audrey-sait (if that's
     what it is called).  I don't know how to ftp at all so start out
     with that assumption (that i am an idiot) in mind.  It should really
     help matters...

     Thanks...         

          ^Scott Gorcey, v075q5fr@ubvmsb.cc.buffalo.edu^

Hi there,
is there somebody who knows how to play those Mac/Sun files that can be
found on Audrey... on an IBM PC ? I would love to here them, but I can't
afford to buy a Macintosh just to hear them. (A Sun won't be possible
eather...). I hope it's possible. I know that you can play Amiga files
on fast AT's if you have got ModPlay. That sounds actually reasonably
good. So : Is it possible to play those Twin-Peaks sounds as well ?

------------------------------------------------------------------------
R. Knubben, a member of the Software Engineering Group 29 of the TUE
------------------------------------------------------------------------
"Who's that lady with the log ?"
- "We call her the log lady"
"May I ask her about the log ?"
- "Many have"

I noticed that someone needed FTP help, so here I am...

first at the prompt type:
ftp <where.ever.you.want>
Then it should prompt you for username type:
anonymous
(This is why they call it anonymous FTP!)
then...  It asks for a password, more systems want your username@host.

After that you are in the system.

To get directories type:   dir
To change directories  :   cd <directory>
To go up a directory   :   cd ..  (Yes two periods)
To go to root directory:   cd /
To copy files to your directory:
get <their.file> <your.filename(optional)>
mget <as.many.files.as.you.can>
mget allows for multiple gets it
accepts * for a wild card.
ie- mget *.gif  gets all gifs in
a directory (not recommended).
To put files from your directory into an incoming, or whatever:
put (same as get)
mput (not sure, never used it)

Couple of neat tricks:
If you are on Unix and wish to read a TEXT file try:
get <file> /dev/tty
This dumps the Text to the screen.
If you are on a VAX type:
get <file> sys$output
I've had mixed results with this, I don't know how it will 
act.

To end a session type:  BYE

Please Note:  I am not affiliated with audrey or their system, I just play
with FTP ALOT!

Any further questions should be directed to a system consultant, or on-line
help utilities.

Have fun...
signing off from the satelite of love.....           ___   _____  ___
                                    |\  /|  |   \    |   /   \   |  / 
rjking@acsu.buffalo.edu                     | \/ |   \       |       /   | /
v050qrq3@cc.buffalo.edu                    |    |    \      |    --<    |<
                                            |    |     \     |       \   | \
push the button Frank...                    |    |  \___|    |   \___/   |  \

There are many,many things about Blue Velvet that I liked that Wild at
Heart lacked.  Blue Velvet is probably the only movie I have seen in
quit awhile that requires actual thought to understand.  It is a highly
symbolic movie and this is where most of its brillance lies as compared
with other movies.  It almost takes a 'scientific thought meets humanities'
approach, and it melds the two perfectly.  The whole message of Blue 
Velvet is that things that we see on the surface often do not tell the
whole story and that we must look underneath that and sometimes in high
detail if necessary to solve a mystery or it may be that Lynch thinks
that American values have become perverted underneath and we have
put up a facade of 'clean innocence' in recent times to cover this up.
The colors presented at the beginning of the movie (white fence, red roses
, blue skies) obviously stand for America or possibly American values.
Lumberton is a town where things like Frank aren't supposed to happen, but
they do and just like most of the older people in the movie we tend to
ignore problems like Frank and not do anything about them.  
The father falls at the beginning of the movie at the same time the hose is
bending -similar to something a vein would do in the body.  This is what I
mean by 'scientific symbolism'.  
I could go on and on about the symbolism, but I am short on time right
now.
The movie also uses repetition to hauting effect.  Sort of like a 'mind
probe'.  Every time we see a repeated event in some form or another
our memory recalls the part of the movie that it is connected to and
places the next scene in context with the past.                
The movie takes a 'serial event' way of thinking where one idea is linked
to another unlike most movies that take a 'parallel event' way of thinking.
Overall it is almost an entirely new way of presenting a movie.
Wild at Heart on the other hand has 
   a.  no connectivity (it throws out random events that seemingly have
       no meaning or purpose to the rest of the movie at any point.)
   b.  vague symbolism (referencing the wizard of oz weakly at best.)
   c.  no plot (Cage and Dern take a ride to Big Tuna Texas to get away
       from their problems.  WHO CARES.
   d.  characters that seem to have absolutely no purpose.
   e.  fat women making a porn movie (that was really sick).
By the time you get the end of Wild at Heart do you have any meaning at all?
No!.  This movie almost looks like something Lynch made just to see if he
could win awards by producing garbage (and he did).  Anyone could write a
movie that makes as little sense as Wild at Heart.  That's why I ask if
I missing some symbolism or something in this movie, but I do not think so.
Why do I like Basic Instinct?  Because of the raw action and sexual power
it conveys.  Lynch's movies may be 'deep thinking', but it would be nice
if he threw in some action scenes now and then.  Too many words at times
make his shows drag on.  This became a problem in the later Twin Peaks
episodes where things got soooo sloooooowww that I stopped liking the
show as much.  The whole plot of the last 7 or 8 episodes could be wrapped
up in as much time as any one among the 1st 7 episodes.
Sorry, but I am out of time for now....

    I think that Wild at Heart was David Lynch's stab at trying something diffe
rent, and as for the plot, I don't really feel that he could be blamed, as he
lifted it from a book (name and author escapes me at this time).
    And as for sexual energy, what about Wild at Heart? Isn't that enough sexua
l energy for you? When I watched it with my girlfriend (second time for me, fir
st time she saw it) , we both got so charged up that we didn't even finish the
movie, and was a few hours until we got back to watching it, to make a long sto
ry short. We ALSO Basic Instinct, and couldn't even make it all the way home, b
ut it wasn't quite the same as Wild at Heart. There was just something about th
e sex scenes in there. Maybe it has something to do with Laura Dern. Hmmm. I do
n't know how she pulls it off, but she doesn't seem like such the slut/vixen th
at the actress (name also escapes me) in Basic Instinct was, even though there
are many similarities...Just my $0.02.

In article <1992Apr13.180710.11187@noose.ecn.purdue.edu>, xxxx@peptide.ecn.purdue.edu (Name Redacted) writes:

|> .... The whole message of Blue 
|> Velvet is that things that we see on the surface often do not tell the
|> whole story and that we must look underneath that and sometimes in high
|> detail if necessary to solve a mystery or it may be that Lynch thinks
|> that American values have become perverted underneath and we have
|> put up a facade of 'clean innocence' in recent times to cover this up.

yes..... that's certainly a major part of BV......


|> Wild at Heart on the other hand has 
|>    a.  no connectivity (it throws out random events that seemingly have
|>        no meaning or purpose to the rest of the movie at any point.)

which random events?

it's more about a voyage than a story:
the voyage down the road away from unfair world; a la Huck Finn, Wizard of Oz,
and many, many others.... the theme of taking a cathartic voyage.... how 'bout
Apocalypse Now to list one more.....


|>    d.  characters that seem to have absolutely no purpose.

who??  please give examples so that I can respond to this claim...


|>    e.  fat women making a porn movie (that was really sick).

SUCH A TINY PART!
talk about a ridiculous reason for not liking a movie!  gimme a break-
i thought it was funny anyway.


|> By the time you get the end of Wild at Heart do you have any meaning at all?

sort of the antithesis of Blue Velvet- the weirdness is at the surface instead
of underneath.  Lula: "The whole world's wild at heart and weird on top." 
As in Blue Velvet, however, good is found in the human heart (although I will
admit that the end was nauseating.....)


|> ....  That's why I ask if
|> I missing some symbolism or something in this movie, but I do not think so.

i would have to disagree,,,,,


|> ...  Lynch's movies may be 'deep thinking', but it would be nice
|> if he threw in some action scenes now and then.  Too many words at times
|> make his shows drag on.  This became a problem in the later Twin Peaks
|> episodes where things got soooo sloooooowww that I stopped liking the
|> show as much.  The whole plot of the last 7 or 8 episodes could be wrapped
|> up in as much time as any one among the 1st 7 episodes.

for plot and action perhaps you should look elsewhere; most of us are happy with
David the way he is.......


-MDJ aka jack
"I like to think of myself as one of the Happy Generation." -Albert

Any idea of a British release date?

Duncan.

jerrett@iastate.edu (Gregory A Jerrett) writes:

> > Absolutely!  I once thought I was simply too old/mature to be scared/unnerved
> > by anything I saw on TV or film until that scene where Maddy was having
> > her vision and Killer Bob walks oh-so-nonchalantly out of the kitchen, turns,
> > looks right at the camera and moves straight at us.  For a second you think
> > it will stop because the sofa is in the way , but Bob just crawls right over 
> > and gets in your face.
> > 
> > Lynch is particularly skilled at creating dream sequences, and this is what 
> > him so good.  The unconscious is the one place where we all get the shit
> > scared out of us!

Ooh, yeah!

I just spent a weird eveing watching TP #2005-2007, and some of that stuff
worked really well. I think the single scariest shot in the show is in the
prelude to Maddy's murder, where BOB's face replaces Lelands for a split
second as he fixes his tie. There's also what sounds like a mad laugh run
at the wrong speed.

Similarly, the lines spoken by the giant "It is happening again (x3)" are
especially scary as there is NO room reverb in them. If, as I was, you
listen to the show pumped through your stereo, it seems as if the giant
is somewhere right in your realtime room!

--
"Go to an extreme and then retreat to a more useful position"  --  Brian Eno
Joe Zitt        ...cs.utexas.edu!kvue!zitt!joe         (512)450-1916

     Did anyone besides me ^like^ _Dune_?? 

                ^She's My Cousin But Doesn't She^
                      ^Look Almost Exactly^
           ____________^Like Laura Palmer^____________
          ^Scott Gorcey, v075q5fr@ubvms.cc.buffalo.edu^

In article <1992Apr14.053023.15381@acsu.buffalo.edu>, v075q5fr@ubvmsb.cc.buffalo.edu (Scott J Gorcey) writes:
> > 
> >      Did anyone besides me ^like^ _Dune_?? 
> > 
> >                 ^She's My Cousin But Doesn't She^
> >                       ^Look Almost Exactly^
> >            ____________^Like Laura Palmer^____________
> >           ^Scott Gorcey, v075q5fr@ubvms.cc.buffalo.edu^ 
 No.

byron@terapin.com (Byron Go (really!)) writes:
: 
: Side note:  Can anybody tell me how to get in touch with the Twin Peaks
: Gazette and ask about issues I may have missed?  (I moved and lost the box
: with all my TP stuff in it.)
:

Can someone tell me what this TP Gazette is, please?

Cheers,

Uncle Matty

Here's a new thread (perhaps)
InSinead O'Conner's 12" remix of 'I am stretched on
your grave' there is a a sample from the scene in 
the future where Laura and Cooper discuss his gum
coming back into style and the LMFAP does his funky
dance, it goes:
"I feel like I know her, but sometimes my arms bend back"
it's right at the beginning, as the bassline gets mixed in.
Also heard (at a club in West Palm Beach - no idea WHO it was
actually doing the song) -  a song based on the instrumental
version of 'Falling' with added-on dance rhythm and bass-groove.
a so-so tune to dance to, but interesting nonetheless.
any other TP samples floatig around?
-Al
"She's dead, wrapped in saran wrap -which even this hungry lion
can't smell!" **ideas for post-TP uses of footage ** :)

Hello,

Does anyone know if Albert will be featuring in FWWM. Or will Bowie
and Isaaks be replacing him?

How could anyone replace Albert ...

Jane.


---------------------------------------------------------------------------
M. Jane Howemjhowe@cs.tcd.ie
Dept. of Computer Science,
Trinity Collegephone: +353-1-7021335
Dublinfax:   +353-1-772204
Ireland
---------------------------------------------------------------------------

I have a question about which episodes of Twin Peaks were edited for
British television.

As a result of the complaint upheld by the Broadcasting Standards
Commission against Episode 15 (2007), the BBC became far more careful
about subsequent episodes.

Episode 22 (2014) went out with a warning that it contained scenes of
violence, but I don't know whether it was edited.  

I also gather that the attack on Harry at the beginning of Episode 26
(2018) _was_ edited.  

What I'm after is a list of the episodes which were edited for British
TV (preferably saying _what_ was edited, but I'll settle for a list of
episode numbers).

Please reply by mail

- roy
--
Roy Badami, Harlequin Ltd, Barrington Hall, Barrington, Cambridge,  U.K.
Internet: roy@harlqn.co.uk                 UUCP: ..!mcsun!ukc!harlqn!roy

``Computers are not like telephones. Computers do not ring'' --Tanenbaum

In article <1992Apr14.053023.15381@acsu.buffalo.edu> v075q5fr@ubvmsb.cc.buffalo.edu (Scott J Gorcey) writes:

> >     Did anyone besides me ^like^ _Dune_??

Yes.  I understand that David Lynch was unhappy about the final product
but I thought it was a better than average attempt to adapt a novel
which was considered unadaptable.  
I was lucky to see the extended version, which was rough but contained some 
scenes from the book previously excluded from the film.
I have also heard that Lynch has always been interested in doing
Franz Kafka's "Metamorphosis."  Lynch said he probably would never  
get to do it, however, because he would not be able to find an insect of that
size that would work for reasonable pay.
Frankly, I would like to see him take a crack at it.  If anybody can do it,
he can.

Greg Jerrett
jerrett@iastate.edu
"Now, it's dark."

In article <1992Apr14.191339.7420@waikato.ac.nz> hist1261@waikato.ac.nz writes:
   In article <1992Apr14.053023.15381@acsu.buffalo.edu>, v075q5fr@ubvmsb.cc.buffalo.edu (Scott J Gorcey) writes:
   > 
   >      Did anyone besides me ^like^ _Dune_?? 
   > 
    No.

Au contraire, mon petit chou, I liked _Dune_ and I know at least two
other people who liked it, as well.

-30-
Bob

``I am not here.  I am not saying this.''

In article <1992Apr14.164508.8271@swift.cs.tcd.ie>, mjhowe@swift.cs.tcd.ie writes:
> >Hello,
> >
> >Does anyone know if Albert will be featuring in FWWM. Or will Bowie
> >and Isaaks be replacing him?
> >
> >How could anyone replace Albert ...
> >
> >Jane.
> >

Here's a re-post of the TP:FWWM cast that Jerry Boyajian so kindly
supplied a few months back.  The answer to your question is yes,
Albert will be in the movie.
--------------------------------

Article: 3778 of alt.tv.twin-peaks
Path: wagner.unx.sas.com!mozart.unx.sas.com!sas!rock!mcnc!stanford.edu!morrow.stanford.edu!decwrl!pa.dec.com!nntpd.lkg.dec.com!ruby.enet.dec.com!boyajian
From: boyajian@ruby.enet.dec.com (The fox so cunning and free)
Newsgroups: alt.tv.twin-peaks
Subject: TWIN PEAKS: FIRE WALK WITH ME cast list
Message-ID: <33475@nntpd.lkg.dec.com>
Date: Sun, 16 Feb 92 22:17:24 EDT
Sender: news@nntpd.lkg.dec.com
Organization: Digital Equipment Corporation
Lines: 79

As mentioned in my description of the TWIN PEAKS laserdisc set, the
booklet included with it has a cast list for the forthcoming movie.
Here's the list as it appears in the booklet (a couple of spellings
corrected):

        Kyle MacLachlan            Agent Dale Cooper
        Kiefer Sutherland          San [sic] Stanley
        David Bowie                Phillip Jeffries
        Joan Chen                  Josie Packard
        Michael Ontkean            Sheriff Harry Truman
        Harry Dean Stanton         Carl Rodd
        Peggy Lipton               Norma Jennings
        Chris Isaak                Chet Desmond
        Sheryl Lee                 Laura Palmer
        Ray Wise                   Leland Palmer
        Moira Kelly                Donna Hayward
        Dana Ashbrook              Bobby Briggs
        Grace Zabriskie            Sarah Palmer
        Frank Silva                Bob
        James Marshall             James Hurley
        Al Strobel                 Philip Michael Gerard
        Miguel Ferrer              Albert Rosenfield
        Madchen Amick              Shelley Johnson
        Harry Goaz                 Deputy Andy Brennan
        Eric Da Re                 Leo Johnson
        Everett McGill             Ed Hurley
        Warren Frost               Dr. Hayward
        David Lynch                Gordon Cole
        Rick Aiello                Cliff Howard
        Heather Graham             Annie Blackburn
        Richard Beymer             Ben Horne
        Kimmy Robertson            Lucy Moran
        Wendy Robie                Nadine Hurley
        Catherine Coulson          Log Lady
        Jack Nance                 Pete Martell
        Michael Horse              Tommy "The Hawk" Hill
        Russ Tamblyn               Dr. Jacoby
        David Patrick Kelly        Jerry Horne
        Robert Bauer               Johnny Horne
        Charlotte Stewart          Betty Briggs
        Mary Jo Deschanel          Eileen Hayward
        Don Davis                  Major Briggs
        Julee Cruise               Roadhouse Singer
        Gary Hershberger           Mike Nelson
        Lenny von Dohlen           Harold Smith
        Michael Anderson           Man From Another Place
        Walter Olkewicz            Jacques Renault
        Frances Bay                Mrs. Tremond
        Jan D'Arcy                 Sylvia Horne

Notes by me:

1.  Moira Kelly is replacing Lara Flynn Boyle who was unable to do
    the film due to other commitments.

2.  Sherilyn Fenn was also unavailable. I guess that they considered
    her less "replaceable" than Boyle (more likely is that the character
    of Donna is more essential to the events of the film, given her
    close ties with James and Laura) so the character of Audrey won't
    be in the film.

3.  I'm sorry to see that Sheryl Lee won't be doing "double duty" as
    both Laura *and* Maddy.

4.  A curious absence is Pamela Gidley, who is supposed to be playing
    Teresa Banks in the movie. And Phoebe Augustine (Ronette Pulaski)
    is supposed to be in it as well.

5.  Still no Diane. :-(

-- "They say the best things in life are free." "Free!? Hamton, this is the 90's. Take out a loan and buy a clue." --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) boyajian@ruby.enet.dec.com
-- Ed Hughes, SAS Institute | "See no evil...well, maybe just a little... Cary, NC | yeah!" | --Joel, "Women of the Prehistoric Planet," | MST3000

In article <1992Apr14.164508.8271@swift.cs.tcd.ie>, mjhowe@swift.cs.tcd.ie writes...
> >Hello,
> > 
> >Does anyone know if Albert will be featuring in FWWM. Or will Bowie
> >and Isaaks be replacing him?
> >Jane.

     Seein as ye're a Dubliner, I don't know if I should answer this :)
     but I will.
     Miguel is in the movie but I don't know when or for how long.
     David Bowie and Chris Issak are in the first half hour - the
     Thresea Banks investigation (there is also something with Windom
     in the first half hour, I think)...


                ^She's My Cousin But Doesn't She^
                      ^Look Almost Exactly^
           ____________^Like Laura Palmer^____________
          ^Scott Gorcey, v075q5fr@ubvms.cc.buffalo.edu^

Scott asks:

>> >>     Did anyone besides me ^like^ _Dune_??

Greg responds:

> >Yes.  I understand that David Lynch was unhappy about the final product
> >but I thought it was a better than average attempt to adapt a novel
> >which was considered unadaptable.  
> >I was lucky to see the extended version, which was rough but contained some 
> >scenes from the book previously excluded from the film.

     Did you happen to notice the director's credit in that extended
     version?  "Alan Smithee" is the pseudonym the Director's
     Guild generally uses when the director of a movie petitions them 
     to have his name removed from the final product.  Lynch did so and
     and had the names changed - because De Laurentis editied in hours
     of rough footage that Lynch shot but didn't put in his own version.

     Anyway, do you actually like the long, drawn out, winding longer
     version or the taut, suspenseful and polished shorter?     

> >I have also heard that Lynch has always been interested in doing
> >Franz Kafka's "Metamorphosis."  Lynch said he probably would never  
> >get to do it, however, because he would not be able to find an insect of that
> >size that would work for reasonable pay.
> >Frankly, I would like to see him take a crack at it.  If anybody can do it,
> >he can.

     Well, I heard that he was going to shoot Metamorphosis next.
     There was an bit in Variety about it.  But, more recently,
     I heard that Lynch would instead finally shoot Ronny Rocket
     with Frost producing and no word on the star (Kyle....).

                ^She's My Cousin But Doesn't She^
                      ^Look Almost Exactly^
           ____________^Like Laura Palmer^____________
          ^Scott Gorcey, v075q5fr@ubvms.cc.buffalo.edu^

In article <1992Apr14.192500.5755@acsu.buffalo.edu> v075q5fr@ubvmsb.cc.buffalo.edu (Scott J Gorcey) writes:
> >
> >Scott asks:
> >
>>> >>>     Did anyone besides me ^like^ _Dune_??
> >
> >Greg responds:
> >
>> >>Yes.  I understand that David Lynch was unhappy about the final product
>> >>but I thought it was a better than average attempt to adapt a novel
>> >>which was considered unadaptable.  
>> >>I was lucky to see the extended version, which was rough but contained some 
>> >>scenes from the book previously excluded from the film.
> >
> >     Did you happen to notice the director's credit in that extended
> >     version?  "Alan Smithee" is the pseudonym the Director's
> >     Guild generally uses when the director of a movie petitions them 
> >     to have his name removed from the final product.  Lynch did so and
> >     and had the names changed - because De Laurentis editied in hours
> >     of rough footage that Lynch shot but didn't put in his own version.
> >
> >     Anyway, do you actually like the long, drawn out, winding longer
> >     version or the taut, suspenseful and polished shorter?     
> >
>> >>I have also heard that Lynch has always been interested in doing
>> >>Franz Kafka's "Metamorphosis."  Lynch said he probably would never  
>> >>get to do it, however, because he would not be able to find an insect of that
>> >>size that would work for reasonable pay.
>> >>Frankly, I would like to see him take a crack at it.  If anybody can do it,
>> >>he can.
> >
> >     Well, I heard that he was going to shoot Metamorphosis next.
> >     There was an bit in Variety about it.  But, more recently,
> >     I heard that Lynch would instead finally shoot Ronny Rocket
> >     with Frost producing and no word on the star (Kyle....).
> >
> >                ^She's My Cousin But Doesn't She^
> >                      ^Look Almost Exactly^
> >           ____________^Like Laura Palmer^____________
> >          ^Scott Gorcey, v075q5fr@ubvms.cc.buffalo.edu^ 


The smooth final version is easier to watch, of course, but the long version,
with due respect to David Lynch, is interesting, from my perspective.
I read the book when was I was just a nipper and saw the movie(short version)
before I had any idea of who Lynch was.  I was impressed with the short version
but noticed that some bits were missing.  There is a scene in the book where
a former retainer from House Atreides is fighting in a gladiatorial battle
with Feyd Rautha.  The man, still loyal to House Atreides, has
drawn on his leg, with his own blood, the Atreides Hawk.
I won't spoil the scene if there is anyone out there intending to read
the book, but it was spectacular and Lynch could have made it even better.

The "Alan Smithee" point was interesting.  No, I hadn't seen that, but I knew
Lynch's name wasn't on it.
Also, I would be interested hearing whatever information you have on
 "Metamorphosis."  Or should we start writing _Metamorphosis_?

To the person who posted the four or five timelines of Twin Peaks:

    Would it be possible to send me or post the timelines back on the
board. I didn't get a chance to read all of it and would be extremely
happy if I got the chance to. To whoever compiled the timelines....
awesome job! I especially liked the prequel timeline.

                                                        Thanks in advance,
                                                              Jennifer Joson

In article <1992Apr14.192500.5755@acsu.buffalo.edu>, v075q5fr@ubvmsb.cc.buffalo.edu (Scott J Gorcey) writes:
> >      There was an bit in Variety about it.  But, more recently,
> >      I heard that Lynch would instead finally shoot Ronny Rocket
> >      with Frost producing and no word on the star (Kyle....).

The star of Ronnie Rocket is Michael Anderson (the litle man).  This has
ALWAYS been Lynch's stated intent.
-- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet...

In article <92104.164101SXL136@psuvm.psu.edu>, <SXL136@psuvm.psu.edu> writes:
|>     I think that Wild at Heart was David Lynch's stab at trying something diffe
|> rent, and as for the plot, I don't really feel that he could be blamed, as he
|> lifted it from a book (name and author escapes me at this time).
Actually, i heard that Barry Gifford, the author of Wild At Heart, disliked
Lynch's screen adaptation of his novel.  Can anyone confirm that?

As for blame, I don't agree that there should be blame.  Wild At Heart is an
EXCELLENT book without standard plot devices, and I feel the same about the
movie.  The book, IMHO, was better for one reason and one reason only: Sailor
and Lulu don't get back together in the end.  David's self-mocking
super-sickly-sweet ending was a little much for me, although it was good for a
laugh.  Just had a thought- could he have been making fun of happy endings?
I can see that. Hmm.

|> ... There was just something about th
|> e sex scenes in there. Maybe it has something to do with Laura Dern. Hmmm...
A complete aside:  See Rambling Rose if you like Dern's sexiness!

-MDJ aka jack

"Get a life, punk!"-Albert

 
 
There's little things in each of these tubes.
 
What do these little things look like?
 
Hamsters.
 
You mean, they're animate?
 
Bald hamsters, just kind of lying there with wires and stuff
attached to it.  Looks like hamsters.
 
Do you stand to watch this, or does he have you sit down?
 
He just waalks me in the middle, tells me to look around, don't
touch anything.
 
Are all these hamster things the same size?
 
Yeah, about.  But they don't look like hamsters.  They've got little
black eyes, like curled up, floating in there.
 
Now you're saying you're looking at little black eyes.
 
Mm-hmmm
 
Are you looking at babies?
 
It looks like little ones.
 
Fetuses?
 
Yeah, just floating in these things.  The light shines up on them
from underneath.
 

--                    
INTERNET:  jim@netlink.cts.com (Jim Bowery)
UUCP:   ...!nosc!ryptyde!netlink!jim
NetLink Online Communications * Public Access in San Diego, CA (619) 435-6181

In article <1992Apr14.232742.13646@cs.brown.edu> cs012112@cs.brown.edu (Lee Jack Humphrey) writes:
   In article <92104.164101SXL136@psuvm.psu.edu>, <SXL136@psuvm.psu.edu> writes:
   |>     I think that Wild at Heart was David Lynch's stab at trying something diffe
   |> rent, and as for the plot, I don't really feel that he could be blamed, as he
   |> lifted it from a book (name and author escapes me at this time).

   Actually, i heard that Barry Gifford, the author of Wild At Heart, disliked
   Lynch's screen adaptation of his novel.  Can anyone confirm that?

If I remember correctly, Gifford said he disliked _Blue Velvet_, but
did like _Wild At Heart_.  As well he might, given that the movie
follows the book fairly faithfully.  The major consistent difference
is the presence of the Wizard of Oz imagery throughout the movie,
which is not in the book, and the significance of ``Love Me Tender''.
Reading the novel was fairly spooky, since what seemed to be pure
Lynch dialogue turned out to be present in Gifford.

   As for blame, I don't agree that there should be blame.  Wild At Heart is an
   EXCELLENT book without standard plot devices, and I feel the same about the
   movie.  The book, IMHO, was better for one reason and one reason only: Sailor
   and Lulu don't get back together in the end.  David's self-mocking
   super-sickly-sweet ending was a little much for me, although it was good for a
   laugh.  Just had a thought- could he have been making fun of happy endings?
   I can see that. Hmm.

Now however could the presence of Glynda the Good be construed as
making fun of happy endings???  (Perhaps the fact that Sailor was
wacked on the head before the end indicates that it's all a
hallucination.  Perhaps Sailor is squeezing toothpaste out of a tube,
even as we speak...)

-30-
Bob

``How's Lula?''

Wild at Heart is a re-work of The Wizard of Oz.

It is also probably Lynch's best work to date on how the word fuck 
can be so good and so bad or the US cultural connection between sex 
and violence.

Why is everyone so wild at heart and crazy on top?

Nobody loves No one.

In article <2208@transfer.stratus.com>, cdt@sw.stratus.com (C. D. Tavares) writes...
> >In article <1992Apr14.192500.5755@acsu.buffalo.edu>, v075q5fr@ubvmsb.cc.buffalo.edu (Scott J Gorcey) writes:
>> >>      There was an bit in Variety about it.  But, more recently,
>> >>      I heard that Lynch would instead finally shoot Ronny Rocket
>> >>      with Frost producing and no word on the star (Kyle....).
> > 
> >The star of Ronnie Rocket is Michael Anderson (the litle man).  This has
> >ALWAYS been Lynch's stated intent.

     I meant that I was hoping it would be Kyle.  I have the script
     for Ronnie Rocket, but when I broke down and said, "Fuck it,"
     and started to read - thus I thought ruining whatever surprise
     the eventual movie would hold for me - I was confronted with
     five pages of description on the first shot.  
     Very boring description.
     I put it down and haven't picked it up since.  I can wait for
     the movie.  
     So I didn't know that Ronnie was a little guy.  Sorry...


                ^She's My Cousin But Doesn't She^
                      ^Look Almost Exactly^
           ____________^Like Laura Palmer^____________
          ^Scott Gorcey, v075q5fr@ubvms.cc.buffalo.edu^

v075q5fr@ubvmsb.cc.buffalo.edu (Scott J Gorcey) writes:


> >     Did anyone besides me ^like^ _Dune_?? 

> >                ^She's My Cousin But Doesn't She^
> >                      ^Look Almost Exactly^
> >           ____________^Like Laura Palmer^____________
> >          ^Scott Gorcey, v075q5fr@ubvms.cc.buffalo.edu^ 

yes.

hist1261@waikato.ac.nz writes:

> >In article <1992Apr14.053023.15381@acsu.buffalo.edu>, v075q5fr@ubvmsb.cc.buffalo.edu (Scott J Gorcey) writes:
>> >> 
>> >>      Did anyone besides me ^like^ _Dune_?? 
>> >> 
>> >>                 ^She's My Cousin But Doesn't She^
>> >>                       ^Look Almost Exactly^
>> >>            ____________^Like Laura Palmer^____________
>> >>           ^Scott Gorcey, v075q5fr@ubvms.cc.buffalo.edu^ 
> > No.
Yes.

The FTP-address of Audrey is: audrey.sait.edu.au (australia!)


Arno

                                                         _______
                                                        /______ \
                                                       /   _____\ \
|\___ "My programs don't contain bugs,                |   /     \\ |
|=o=|\_   just undocumented features"   P-E Raue       \_/____  _|||_
|___|__\_________________________________________________()   \0)    \
|=o=|===============================================|=o=||   " __/~ _/        /
|   | Arno BAKKER     |Depart. Of Computer Science  |   | \___/ |#||     ___ //
|=o=|=================|=============================|=o=|      _|#||    / _ \/
|   | abakker@cs.vu.nl|Vrije Universiteit Amsterdam |   |     // /||__/  / \ \
|=o=|=================|=============================|=o=|    ||  |       \_/ /
|   |                 |The Netherlands              |   |   __\_/  ______   |
|=o=|===============================================|=o=|  /_/_6__/   /_/____\

Visious, michievous, deleterious, poisonous.
Mischievous wild animals.
Propensity to mischief.
Wild hideous screams.
Deleterious smells.
A mischievous spirit.

The book was written by Sarat Chandra Dass.  




Wayne J. Rasmussen

In article <1992Apr14.182801.10886@unx.sas.com> saseph@hal.unx.sas.com (Ed Hughes) writes:
> >4.  A curious absence is Pamela Gidley, who is supposed to be playing
> >    Teresa Banks in the movie. And Phoebe Augustine (Ronette Pulaski)
            ^^^^^                                             ^^^^^^^
> >    is supposed to be in it as well.


That reminds me: a few weeks ago, I noticed a bank called Pulaski
Bank.  Just a coincidence? :-) :-) :-) :-) :-)
--
John A. Breen                   |
jab3@cec1.wustl.edu             | This space unintentionally left blank
johnb@hobbes.mdc.com            |
Tel: (314)234-4341              |

I asked this before.  No one answered.  I'm trying again.

Twin Peaks was slightly different in the UK.  As has been noted,
some eposides were edited.  (Miss Jones attack on Truman lost
20 seconds, about 10 were replaced by frames shown earlier,
about 10 were simply missing.  I know this because I have
the UK and US versions on tape and timed them.)

But there wre other changes.  No commericals, for one.  So no
"have a doughnut.  Twin Peaks will be right back" or whatever
it was Lucy said.  And no "last week on Twin Peaks" (or was
it next week)?

I watched the episode in which Leland died in the US but don't
have it on tape.  After it was over, there was a little bit at
the end in which Laland moved, as if he was still alive.  Well,
that's what I remember anyway.  But it didn't happen in the UK
version, and I'm no longer sure just what I saw in the US.

Does anyone remember anything like that?

-- jeff

In article <Uduos1e00UhB85Z95V@andrew.cmu.edu> jj2f+@andrew.cmu.edu (Jennifer Badilla Joson) writes:
> >
> >To the person who posted the four or five timelines of Twin Peaks:
> >
> >    Would it be possible to send me or post the timelines back on the
> >board. I didn't get a chance to read all of it and would be extremely
> >happy if I got the chance to. To whoever compiled the timelines....
> >awesome job! I especially liked the prequel timeline.
> >
> >                                                        Thanks in advance,
> >                                                              Jennifer Joson   
> >                                    
> >                                                            


Please post or email a copy to me also.  Thanks
-VEC
curtis@cs.odu.edu

I forgot to mention that the version of 'Wild at Heart' that I rented had
the sex scenes edited out.  There isn't much to the movie I guess without
them.  
The actress in 'Basic Instinct' is Sharon Stone and I still think she
does an awesome job of playing a 'slut/vixen'.

Characters that I don't understand in 'Wild at Heart'-Please Explain:
         -Mr. Catepillar
         -The Voodoo Lady
         -Audrey (at the car wreck)
         -Black Pete Martell
         -The Purpose of Isabella Rosellinis character
                       
As one of my friends recently said, and I quote: "I rented Wild at Heart
twice just to be sure it wasn't as stupid as I thought it was the first
time - I was wrong."  -  person at the IU Law School who wishes to be
unnnamed.

I was told that the "Wizard of Oz" symbolisms, allusions, went
further and that certain characters in WAH could be identified
to those in WOO. Has anyone else heard this? Besides Lula's
mother being the Wicked Witch, Lula being Dorthy. The character
that Jake Nance played brought up an imaginary dog, which he said
maybe called Toto. Then there was Laura [damn forgot the actress'
name] showing up as Gilda the Good. Now what of the other 
characters can they be linked to those in WOO? The Harry Dean
Stanton character = the Cowardly Lion??? The Crispin Glover
character, Cousin ??? = The Scarecrow, needing a brain?--a stretch.

I noticed that during each of the torrid sex scenes that each
was filmed under a different color filter--furthering the
rainbow thingy. Besides the most basic and obvious were there
any other connections??

Sally-
-- A Book of Verses underneath the Bough, || Sally A. Wilson A Jug of Wine, A Loaf of Bread--& Thou || Potato "Salad" Peel Beside me singing in the Wilderness-- || sally@mica.berkeley.edu Oh, Wilderness were Paradise enow! (The Rubaiyrat of Omar Khayyam)

> > Did anyone besides me ^like^ _Dune_?? 

I always thought Dune would make a good mini-series.  I enjoyed
the book quite a bit, though I'm not a big science fiction fan.

The reason being that the book had lots of extremely detailed
historical and political interplay.  This is necessarily lost in
a short movie, though might be possible in a television mini-series.

   /                       Brian Totty             o o
  /__  __  o     Department of Computer Science     o  
 /  / /   /          1304 W. Springfield Ave       \_/  "We have corn in
/__/ /   /               Urbana, IL 61801                Massachusetts too!"
                        totty@cs.uiuc.edu

In article <DPw9iB1w164w@netlink.cts.com>, jim@netlink.cts.com (Jim Bowery) writes:
> > 
> >  
> >  
> > There's little things in each of these tubes.
> >  
> > What do these little things look like?
> >  
> > Hamsters.
> >  
> > You mean, they're animate?
> >  
> > Bald hamsters, just kind of lying there with wires and stuff
> > attached to it.  Looks like hamsters.
> >  
> > Do you stand to watch this, or does he have you sit down?
> >  
> > He just waalks me in the middle, tells me to look around, don't
> > touch anything.
> >  
> > Are all these hamster things the same size?
> >  
> > Yeah, about.  But they don't look like hamsters.  They've got little
> > black eyes, like curled up, floating in there.
> >  
> > Now you're saying you're looking at little black eyes.
> >  
> > Mm-hmmm
> >  
> > Are you looking at babies?
> >  
> > It looks like little ones.
> >  
> > Fetuses?
> >  
> > Yeah, just floating in these things.  The light shines up on them
> > from underneath.
> >  
You're heartless to make fun. What if it happened to you? :-)> 
> > --                    
> > INTERNET:  jim@netlink.cts.com (Jim Bowery)
> > UUCP:   ...!nosc!ryptyde!netlink!jim
> > NetLink Online Communications * Public Access in San Diego, CA (619) 435-6181

I saw the movie twice, when it was still in the movie theaters. i've
noticed a lot of talk about why people did or didn't like this movie.
True this movie has a lot in common with WOO, but to go so far as to peg
every actor with a specfic role that is mirrored in WOO is absurd. I
think the reason I enjoyed the movie so much because it reflects a
passion many of us feel deep inside but are too scared to show because
it's awkward or different. My favorite scene in the movie is when they
were driving down some dusty road and suddenly stop ( I think because
Lula is sick of all the shit on the radio) pull over get out of the car
and just start hugging in the sunset. i guess you could say that this 
scene for me was the apex of passion in the movie, call me a romantic. 
This movie is a kind of cross between Frost's The Road Not Taken and
WOO.  This movie deals with the consequences of taken an "unpaved road"
if you will, diverging from the safe and narrow. At the same time Lula
and Sailer are searching  for (or have) what everyone of us eventually
wants to obtain, true love, what ever the hell that is.  The kind of
dangerous love that they share serves to heighten th passion they have
for one another. Sure we all long for the ideal "Prince and Princess"
combo/option, well most of us. Sometimes this though is not enough to
stimulate a satisfying relationship. Real everyday life becomes  pretty
predictable and mundain and the passion can burn out..     ENOUGH!
I see that the Voodoo lady serves this purpose in an extremist sense.
The only way she can get off (if I remember correctly)  is to have
someone die in front of her. I guess her passion is on a higher plateau,
she is just to far "advanced" to be satisfied with the regular "one on
one" option.  What ever gets your goat i guess.  A lot in the movie
though is probably just for pure shock value.  Audry at the car wreck
represents to me, well nothing more than a really bad car wreck. Well if
i had to delve deeper I would have to say that she represents the
"beautiful and the restless" the next generarion of Lula and Sailor. 
Also she serves as an omen if you will to Lula and Sailor. The blood
pouring out of her mouth, which matches her red lipstick, represents to
me how men  insist on having their women ware red  by painting and
adorning themselves  for a men's pleasure. The blood represents the
affect it can have on a woman's ego or identity. . The blood is symbolic
of  death and how red is a very sexual color, by having them juxtaposed
together shows how the two (sex&death) are so interelated , e.g. the
Voodoo lady. 

Oh, if life could only be more metaphoric then we'd have some
consolation about death, instead of this persistent knot in our side
reminding us that nothing exists... 



                                                                        
                              -Josh-

 Hi.
  I can hardly wait for the movie,even more now because Sheryl Lee,
 "Killer Bob" and Kyle came to Japan on promotion of it .
 INTERESTING interviews were made and there's this big rumor going
around that David Lynch is currently having an affair with the girl
who played Audery. 
 I've read a long time ago (probably when "Blue Velvet"was out)that
Isabelle Adjani was the one!(sorry if i misspelled her name)

fmm... there seems to be a change in the wind,Diane.

By the way, there is a Japanese version of "The Twin Peaks Guide Book"
as well as "Cooper Talks" and "The Secret Diary of Laura Palmer".

 Is it available in any other non-english speaking countries?

Mika Leigh Akutsu<Keio University>Japan

 :)watching  "TP" makes me want to beg for doughnuts:)

 I've been looking around for a compilation that I believe somebody spoke of 
about Lynch's cartoon strip "The Angriest Dog in the World", I've heard a 
largely negative opinion of the strip, but I would like to read it all the 
same and at least have a look at it and see what the drawings themselves 
look like. (Even though they're apparently all the same)
 
 Does anybody know where to find this stuff?

jeff@aiai.ed.ac.uk (Jeff Dalton) writes:

> >Twin Peaks was slightly different in the UK.  As has been noted,
> >some eposides were edited.  (Miss Jones attack on Truman lost
> >20 seconds, about 10 were replaced by frames shown earlier,
> >about 10 were simply missing.  I know this because I have
> >the UK and US versions on tape and timed them.)

I can well believe it - it didn't make much sense the way it was shown
here...

> >But there wre other changes.  No commericals, for one.  So no
> >"have a doughnut.  Twin Peaks will be right back" or whatever
> >it was Lucy said.  And no "last week on Twin Peaks" (or was
> >it next week)?

We got a "previously on Twin Peaks" at the start of each episode, but
no "next week...". The "previously"s are also included at the start of
*every* episode on the commercially available videotapes.

> >I watched the episode in which Leland died in the US but don't
> >have it on tape.  After it was over, there was a little bit at
> >the end in which Laland moved, as if he was still alive.  Well,
> >that's what I remember anyway.  But it didn't happen in the UK
> >version, and I'm no longer sure just what I saw in the US.
> >
> >Does anyone remember anything like that?

I don't, and there isn't anything like that on the commercial tape, which
I recently bought.


/jon

   _________________________________________________________________
  / -- Jonathan Harley  ____   One cannot be precise and           //    //  //
 / J.W.Harley@ncl.ac.uk \bi/  still be pure.      --Marc Chagall  // // //////
/_x8504_____B2t+w-g+svrp \/ __________________________________///////////  //

In article <6606@skye.ed.ac.uk> jeff@aiai.ed.ac.uk (Jeff Dalton) writes:
> >I asked this before.  No one answered.  I'm trying again.
> >
> >Twin Peaks was slightly different in the UK.  As has been noted,
> >some eposides were edited.  (Miss Jones attack on Truman lost
> >20 seconds, about 10 were replaced by frames shown earlier,
> >about 10 were simply missing.  I know this because I have
> >the UK and US versions on tape and timed them.)

Dunno about this. Will watch the bought vid's a mate has if they
are up to there yet.

> >But there wre other changes.  No commericals, for one.  So no
> >"have a doughnut.  Twin Peaks will be right back" or whatever
> >it was Lucy said.  And no "last week on Twin Peaks" (or was
> >it next week)?

No doughnut stuff. You're talking shit on the 'previously on
Twin Peaks though'.


Neil

al.bbs@cybernet.cse.fau.edu writes:

> >any other TP samples floatig around?

Well, there's some Techno-song starting off with the famous chord progression
(3 string chords played kinda like : 1,2,3,2).  It is played a couple of times
with no percussion or anything and then the song blasts into a regular
techno-pace.

Gunnar Andersson   --  d1gunnar@dtek.chalmers.se            
   Chalmers University of Technology, Sweden

OK, there have been two more requests for the timeline
to be re-posted.  Here it is again.  This is part 1.
1000-1007.  Three more parts (2001-2009, 2010-2016, 2017-2021)
to follow.  Apologies to those who see this as clutter, but
I don't have the time to email everyone who wants to see this,
and I have a feeling more requests for the timeline are in the
"not too distant future."

------------------------------

Posted 10/11/91
This has been slightly revised since the last posting.

This timeline is based off of one begun by Jerry Boyajian.
Many thanks go to Ed Hughes, David Coufal and all others who have posted
transcriptions and summaries which I've incorporated here.
This is for non-profit purposes.

A copy will be made available via anonymous ftp at audrey.levels.unisa.edu.au
(130.220.16.88) in pub/twin-peaks/timeline.Z

Edwin Nomura
enomura@ucsd.edu

TIMELINE, pre-1000 (pilot) to episode 1007(end of season 1)
-----------------------------------------------------------

1965 approx (Cooper to Truman, 2021)
   -- Windom Earle may have begun searching for the Black Lodge

1969 approx ("going on 20 years now," Truman to Cooper, 1003)
   -- Bookhouse Boys formed

March 1969 ("20th anniversary," Shelly to Norma, 2021)
   -- Norma wins the first Miss Twin Peaks pageant

April 1969
  -- Hank and Norma get together ("20 years ago, next month," Hank to Norma,
     1007)
  -- Norma begins working at the RR  ("20 years this April," Norma to Nadine,
     2007)

1981 approx (Catherine to Pete, 2014)
   -- Eckhardt plans Andrew's death

1983 ("6 years ago," Truman to Cooper, 1000)
   -- Andrew Packard brings Josie over from Hong Kong to be his wife

1985 ("4 years ago," Cooper to Truman, 2014)
   -- Caroline killed while under Earle's and Cooper's assigned protection

1986 ("3 years ago," Cooper to Truman, 1002)
   -- Cooper has a dream where he learns the deductive technique he exercises
      in 1002 and becomes deeply moved by the plight of the Tibetan people

April 1986 (Cooper to Leo, 1003)
   -- Leo cited for an illegal U turn

August 1987 (approx)
   -- Andrew Packard supposedly dies, in a boating accident.  In actuality,
      Hank is responsible, and is to receive $90,000 payment from Josie.
      [Truman first tells Cooper Packard died "last year" (1000) but later
      tells him it happened "a year and a half ago" (1001)]
   -- Hank Jennings takes the fall for the killing of an unnamed vagrant,
      is convicted of vehicular manslaughter and sent to jail.

November (Cooper to Leo, 1003)
   -- Leo cited for a drunk and disorderly

February 1988 (Cooper to leaders of community, 1000)
   -- Teresa Banks murdered in southwest corner of the state

August 1988
   -- Laura gets her safety deposit box ("6 months ago," clerk to Cooper, 1000)
   -- Laura begins seeing Dr. Jacoby (Jacoby to Cooper, 1004)

September (Cooper to Leo, 1003)
   -- Leo cited for an aggravated assault.  Charges later dropped.

December
   --  Laura begins seeing James ("2 months ago," Donna to mom, 1001)

January 1989
   -- Truman starts seeing Josie (Truman to Cooper)

05 Feb (Sunday) (Cooper to James, 1000)
   -- Laura and James and the locket

06 Feb (Monday) (date at top of page in diary, 1000)
   -- "Day One" (entry in Laura's diary).

12 Feb (Sunday)
   -- The picnic ("2 Sundays ago," James to Cooper, 1001)

22 Feb (Wednesday)
   -- Maddy feels Laura's in trouble (Maddy to Donna and James, 1005)

23 Feb (Thursday)

   5:00 pm (Josie to Cooper and Truman, 1001)
   -- Laura arrives at Josie's for her English lessons.  Josie says Laura left
      an hour later.

   Sometime after dinner
   -- Last entry in Laura's diary:  "Nervous about meeting J. tonight."
      (She remarks about having asparagus for dinner again, 1000)
   -- Bobby meets with Leo (Bobby to Mike, 1001)

   9:00 - 9:30 pm
   -- Laura returns home from Bobby's.  (Sarah Palmer tells Truman she last saw
      Laura when she got home about 9:00, 1000).  Bobby answers yes when
      Cooper asks him, "she was studying at your house until about 9:30.
      Isn't that right?", 1000)

   9:30 pm
   -- Laura snuck out of her house (James to Cooper, 1001)

   10:00 pm
   -- Leland calls Laura from Ben's office (Cooper to Truman and Albert, 2009)

   12:30 pm
   -- Laura jumps off James' bike at Sparkwood and 21 and runs off (James to
      Cooper, 1001)

   12:00 - 4:00 am
   -- Estimated time of Laura's death according to the preliminary autopsy
      (Doc Hayward to Cooper and Truman, 1001)

24 Feb (Friday)   [Episode 1000 (pilot) - 4/8/90, 8/5/90
                   Written by Mark Frost and David Lynch
                   Directed by David Lynch]

   "Just after dawn" (Truman to Bobby)
   -- Josie at the mirror
   -- Pete Martell discovers Laura's body:  "She's dead...wrapped in plastic"
      He calls Truman.
   -- Truman and Doc Hayward identify the body as Laura Palmer's.  Andy
      takes pictures and breaks down and cries.
   -- Sarah can't find Laura.  She calls the Briggs' and the football coach.
   -- Ben and Leland have meeting with Norwegians.  Ben mentions he has
      information that the sawmill will go belly up within a year.
   -- Audrey gets in a car
   -- Leland receives news about Laura.
   -- Heidi's late to work.  Bobby takes Shelly home from the RR
   -- Leland makes a positive ID of Laura's body
   -- At Twin Peaks High, Audrey changes her shoes, and James meets Donna
      J: "Nice day for a picnic."  Bobby arrives at school and is wanted in
      the office.  In class, Donna notices Laura's empty seat after a cop
      talks to the teacher.
   -- Bobby is questioned, then arrested
   -- Principal Wolchezk makes the announcement.  Students grieve.

   Mid-morning
   -- Truman questions Sarah.  Hawk is gathering items out of Laura's room.
      Truman gets the message that Ronette is missing
   -- Josie has Pete "push the plug" and makes an announcement that work
      will stop today in memory of Laura.  Catherine fires a worker.
   -- Ronette is found wandering along the tracks

   10:00 (approx.) (Nadine to Ed)
   -- James stops at Big Ed's Gas Farm.  He has a note for Donna.  Nadine
      sends Ed off to get the drapes ("They said those drapes would
      be ready by 10.")

   11:30 am (Cooper to Diane)
   -- Cooper enters Twin Peaks (He had lunch at the Lamplighter Inn)

   2:46 pm (clock on wall)
   -- Cooper meets Truman and they check on Ronette.  Truman to Cooper: "as
      far as we know, [Ronette and Laura] hardly knew each other."  Ronette:
      "no, don't go there"
   -- Cooper and Truman take an elevator with a one-armed man.  Dr. Jacoby
      meets and tells them he wants to go to the morgue.  Truman
      says no.  Jacoby also says that Laura's parents didn't know she was
      seeing him.
   -- Cooper and Truman check on Laura.  Cooper finds an "R" under Laura's left
      ring finger.
   -- Donna comes to Big Ed's Gas Farm looking for James.  Mike comes by to
      get Donna but Ed kicks him off the property.  Nadine yells at Ed about
      the drapes and Ed gives Donna James' note for her.
   -- Cooper and Truman investigate Laura's diary.  There's a safety deposit
      box key and a bag with what looks like cocaine residue.
   -- Andy and team find the train car
   -- Cooper and Truman question Bobby.  Cooper doesn't think he did it.

   3:45 (clock on wall)
   -- Audrey walks into the Norwegians' meeting.  She mentions Laura's death.
   -- Bobby and Mike talk about going after a biker.  Lucy overhears.
   -- Cooper questions Donna.  She says some hiker shot the picnic video.
      He wants to know who she's protecting.
   -- Lucy is about to tell Cooper what she overheard from Bobby and Mike, but
      he already knows - the person they're looking for is a biker.
   -- James with the locket on a thong

   4:00 pm (approx.)
   -- "The Norwegians are leaving!" (one of Ben's employees tells the
      concierge Ben would be back by 4:00 for the final signing of the deal
      with the Norwegians and Ben arrives as the Norwegians are leaving)

   4:10 pm (Cooper to Diane)
   -- Cooper and Truman at the train car.  They find the necklace, on a chain,
      with half of the heart and a note, "Fire, walk with me."
   -- James with the locket on a thong
   -- Sylvia tells the nurse to tell Johnny that Laura won't be coming back

   Late afternoon
   -- Cooper and Truman at the bank.  Inside Laura's safety deposit box are
      over $10,000 and a copy of Fleshworld.
   -- Leo finds two kinds of cigarette butts in the ashtray and threatens
      Shelly
   -- Norma calls Ed.  They agree to meet at the Roadhouse at 9:30.

   Early evening
   -- Town meeting where Cooper addresses the community leaders.  He says that
      one year ago, almost to the day, in the southwest corner of the state,
      a girl by the name of Teresa Banks was found dead and because of
      "irrefutable similarities," he believes that same perpetrator killed
      Laura and almost killed Ronette.
   -- Leo calls Mike (Mike to Bobby, 1001)

   9:30 pm (approx.)
   -- Donna sneaks out after overhearing her parents talk about the necklace.
   -- Mike and Bobby arrive at the Hayward's looking for Donna.  Doc discovers
      she is missing.  The boys head for the Roadhouse.
   -- Doc calls Cooper and Truman who are staking out the Roadhouse about
      missing Donna.
   -- Big Ed and Norma talk about leaving their respective spouses for each
      other. Cooper and Truman see Mike and Bobby arrive, then Donna.
      Truman calls for backup.  Fight breaks out, Joey Paulson takes Donna to
      meet James.  Cooper and Truman pursue but lose them.  James and Donna
      talk about Laura.  He says that Laura mentioned something about a guy
      getting killed. They kiss, then bury the locket.  Jacoby watches
      all this (2001).  James is arrested.
   -- Doc picks up Donna at the station.  James is put in a cell.

   12:28 am (Cooper to Diane)
   -- Truman and Cooper have coffee and donuts.  Truman recommends the
      Great Northern for Cooper.
   -- Bobby and Mike bark at James.  Bobby: "When you least expect it."
   -- Truman meets Josie, has been seeing her for about 6 weeks
   -- Catherine tells Ben on the phone that Truman is with Josie again, and
      they agree to meet to talk about it.
   -- Sarah has a vision of the locket on a thong dug up by person
      unknown (Jacoby).

25 Feb (Saturday)   [Episode 1001 - 4/12/90, 8/11/90
                     Written by Mark Frost and David Lynch
                     Directed by Duwayne Dunham]

   6:18 am (Cooper to Diane)
   -- Cooper's up and describes the room to Diane

   6:50 am approx. (Cooper tells Diane he'll breakfast in about half-an-hour)
   -- Cooper goes to breakfast, where he meets Audrey

   Morning
   -- Cooper rattles off the day's schedule to Truman, who's stuffin' his face
      with a donut.  C: "Harry, I really have to urinate!"
   -- Cooper and Truman get autopsy results from Dr. Hayward.  He couldn't
      bring himself to do the autopsy himself.
   -- Shelly discovers Leo's shirt soaked with blood and hides it
   -- Cooper and Truman question James.  He says Laura jumped off his bike
      at Sparkwood at 21 last night.  He flashes back on Feb 5 when Laura
      broke the locket.
   -- Leo can't find his shirt
   -- Mike and Bobby talk in jail cell about Leo
   -- The Donna and Laura picnic video

   10:30 am (Donna to Eileen)
   -- Donna to mom: Laura's been seeing James for 2 months.  Donna is sad but
      happy.
   -- Cooper meets Ed and gets a call from Albert.  Truman and Ed discuss the
      stakeout.  Ed thinks his drink was drugged at the Roadhouse.  The
      bartender was Jacques Renault.
   -- Norma runs into Nadine buying cotton balls at the general store
   -- James released into Ed's custody, Mike and Bobby released

   "Just barely morning" (Pete to Josie)
   -- Cooper and Truman talk to Josie.  Pete: There was a fish... *in* the
      percolator.
   -- Catherine meets Ben.  They plan to torch the sawmill.

   Afternoon
   -- Donna visits the Palmers.  Sarah has a vision of Laura on Donna, and
      killer BOB
   -- Jenny's first day at One-Eyed Jack's (not shown but mentioned later)

   Late afternoon/early evening (exterior shot is dark)
   -- Hawk qustions the Pulaskis, spots one-armed man
   -- Ben confronts Audrey about her involvement with the Norwegians leaving
   -- Bobby and Major Briggs have words over dinner.  Briggs socks Bobby
      when he lights up.
   -- Cooper and Truman talk to Norma about Laura's involvement with the Meals
      on Wheels program, and the Log Lady says her log saw something the night
      Laura died

   Later in evening
   -- Shelly gets home and is beaten by Leo over the lost shirt
   -- James has dinner at Haywards'
   -- Jacoby listens to tape from Laura, takes out the locket on a thong
   -- Bob Lydecker assaulted outside a bar in Lowtown, a section of Twin Peaks
      (Philip Michael Gerard to Cooper, 1004)

[Episode 1002 - 4/19/90, 8/18/90
Written by Mark Frost and David Lynch
Directed by David Lynch]

Saturday evening (continued)
   -- Jerry Horne gets back from Paris with some baguettes.  Ben tells him
      about the Norwegians leaving and Laura's murder.  They go to OEJ.
   -- Mr. and Mrs. Hayward hit the sack
   -- Ben and Jerry at OEJ.  Ben wins the coin toss for the new girl.
      Blackie:  "When you really want love, you'll find it waiting for you."

   Midnight (clock at Haywards')
   -- James and Donna have their heart-to-heart
   -- Hawk calls Cooper, tells him that Ronette recently quit at the perfume
      counter at Horne's and about seeing the OAM
   -- Person unknown (Audrey) slips a note under Cooper's door ("Jack with one
      eye")
   -- Bobby and Mike meet with Leo in the woods.  Bobby sees someone with Leo.
      Not all of the coke is in the football since Bobby and Mike don't have
      all the money - Laura had the other half.  Leo mentions Laura's wild
      life and Shelly's infidelity.  Leo: "Leo needs a new pair of shoes!"

26 Feb (Sunday)

   Morning
   -- Ed drops grease on Nadine's drape runners.  Nadine's arms bend back.
   -- Cooper prepares for his rock/bottle experiment
   -- Shelly turns off a commercial for "Invitation to Love" and Bobby visits
   -- Cooper teaches Truman, Hawk, Andy and Lucy about Tibet.
   -- Ed meets Norma at the RR
   -- Rock/bottle:
                             1 "James Hurley, secret boyfriend"
                !            2 "Josie Packard, was instructed in English by
                U3             Laura."  Bottle wobbled slightly.
              !---!          3 "Dr. Lawrence Jacoby, Laura's psychiatrist."
              2   !            Bottle was struck but did not break.
              !   !          4 "Johnny Horne, Laura was his special education
       !----! !   ! !--1-!     tutor."   Rock hit trash can.
       !    ! !   ! !    !   5 "Norma Jennings, she helped Laura organize the
       !    ! !   ! !    !     Meals on Wheels program."
                5            6 "Shelly Johnson, waitress at diner, friend."
                               Rock hit tree, then Andy.
                             7 Jack with one eye.  No rock thrown.
                             8 "Leo Johnson, husband of Shelly, drives a truck,
                               connection with Laura unknown."  Bottle struck.
   -- Ed meets Norma at the RR

   Late morning (after church)
   -- Haywards meet Audrey at the RR who puts on music on the juke.  "God,
      I love this music.  Isn't it too dreamy?"

   Afternoon ("Are we going to have to stand here all afternoon?"  Albert to
              Lucy)
   -- Cooper and Truman examine the bloody rag.  Hawk found it 5 miles from
      the train car.
   -- Albert and team arrive

   Night
   -- Nadine ecstatic about her now-silent runners
   -- Pete and Catherine talk.  Pete sneaks safe key to Josie and she finds two
      ledgers there.
   -- Leland has a breakdown to the strains of Glen Miller
   -- Cooper dreams:
      A series of sudden images, as if illuminated by a strobe light with
      darkness in between:
        Cooper in a chair, the dwarf
        Laura's mother running downstairs [from 1000]
        BOB at foot of Laura's bed
        A bloody cloth [in the railroad car?]
        Laura dead
        BOB crouched at Laura's bed  [Sarah's vision]
      The One-Armed Man:
        Through the darkness of future past,
        The magician longs to see
        One..chants...out..between two worlds...
        Fire...walk with me.
        We lived among the people -- I think you say convenience store?
        We lived above it.  I mean it like it is, as it sounds.  I too
        have been touched by the devilish one; tattoo on the left shoulder.
        Ah, but when I saw the face of God, I was changed.  I took the
        entire arm off.  My name is Mike.  His name is BOB.
      BOB, crouched in some room full of clutter (tantalizingly
      unrecognizable metal objects) like an attic or basement.  He looks
      around and says:
        Mike?  Mike?  Can you hear me?  [he turns to look at the camera]
        Catch you with my death bag!
        You may think I've gone insane, but I promise I *will* kill again!
      A small mound of dirt with a gold necklace on it, surrounded by a
      ring of candles.  A puff of wind; the candles blow out.
      An older Agent Cooper (in his 50s or so) is sitting in a red-carpeted,
      red-curtained lounge.  Laura Palmer is sitting a few chairs away from
      him, dressed in a slinky black dress and looking very elegant.  There
      is a strange scraping noise - a distorted silhouette of a person,
      backlit against a doorway -- it seems to be shuddering somehow -- the
      scraping noise gets faster.  Suddenly the distorted silhouette turns
      around.  It's The Little Man From Another Place.  The scraping sound
      was him rubbing his palms together.  He's got a cheerful, wide smile,
      and he says (in twisted, reversed backwards English):
        Let's rock!
      He sits in one of the chairs.  There is a pause.  A black shadow drifts
      slowly over the red curtains, over their heads. Laura puts one finger
      next to her nose, looking significantly at Cooper.  Then:
      LMFAP: [to Cooper]  I've got good news.  That gum you like is going to
        come back in style.  [noticing Cooper staring at Laura]  She's my
        cousin.  But, doesn't she look almost exactly like Laura Palmer?
      Cooper: [to LMFAP]  But she is Laura Palmer.
        [to Laura]  Are you Laura Palmer?
      Laura: [arching her back weirdly]  I feel like I know her,
        but sometimes my arms bend back.
      LMFAP: She's filled with secrets.  Where we're from, the birds sing a
        pretty song, and there's always music in the air.
      Slow jazz music begins to play.  The Little Man From Another Place
      stands and starts a jerky dance.  Laura stands, crosses to Cooper,
      kisses him, and whispers something in his ear.
      -- Cooper jerks awake, with his special Cooper Cowlick pointing straight
         up.  He calls Truman and says he knows who killed Laura Palmer --
         but it can wait till morning.

27 Feb (Monday)   [Episode 1003 - 4/26/90, 8/28/90
                   Written by Harley Peyton
                   Directed by Tina Rathborne]

   7:15 am (Cooper to Diane)
   -- Cooper meets with Audrey over breakfast and chat about OEJ and Laura.
      He then tells Truman and Lucy about his dream. [In actuality, he
      describes the ending to the European version]:
      "Harry... you were there. Lucy, so were you.  In my dream, Sarah Palmer
      has a vision of her daughter's killer.  Deputy Hawk sketched his
      picture.  I got a phone call from a one-armed man named Mike. The
      killer's name was BOB.... They lived above a convenience store.  They had
      a tatoo: Fire, Walk With Me.  Mike couldn't stand the killing anymore,
      so he cut off his arm.  BOB vowed to kill again, so Mike shot him....
      Suddenly it was 25 years later.  I was old, sitting in a red
      room.  There was a midget in a red suit and a beautiful woman.  The
      little man told me that my favorite gum was coming back into style and
      didn't his cousin look exactly like Laura Palmer, which she did....
      She's filled with secrets; sometimes her arms bend back; where she's
      from, the birds sing a pretty song, and there's always music in the air.
      The midget did a dance, Laura kissed me, and she whispered the name of
      the killer in my ear."
      He can't remember the killer's name.
   -- Fight at the morgue - Ben and Doc Hayward won't let Albert continue with
      his autopsy
      Albert: Mr. Horne, I realize that your position in this fair
        community pretty well guarantees venality, insincerity, and a certain
        irritating manner of expressing yourself.  Stupidity, however, is not
        a necessarily inherent trait.  Therefore, please listen closely - you
        can have a funeral any old time.  You dig a hole, you plant a coffin.
        I, however, cannot perform these tests next year, next month, next
        week or tomorrow - I must perform them now.  <drill noise--VEEP
        VEEP!> I've got a lot of cutting and pasting to do, gentlemen, so
        why don't you please return to your porch rockers and resume whittling.
      Truman slugs him.

   Mid to late morning (?)
   -- Cousin Madeleine arrives to the strains of "Daddy!" on ItL
   -- Norma is told of Hank's pending parole
   -- Cooper and Truman talk to Leo
   -- Bobby and father have words again

   12:27 am (Cooper to Diane)
   -- Cooper and Truman leave for funeral after Albert's autopsy report
      Laura was tied up twice, two kinds of twine.  Traces of soap at the back
      of her neck.  Died of numerous cuts.
   -- Ed and Nadine have a quiet moment.  James declines to go to the funeral.
   -- Audrey checks on her family through a peephole.  Ben and Sylvia fight
      over whether or not to take Johnny to the funeral.  Dr. Jacoby comforts
      Johnny.

   Early afternoon
   -- Laura's funeral.  James and Bobby fight.  Leland freaks out.

   Evening (full moon)
   -- Shelly demonstrates Leland's coffin ride
   -- Truman, Hawk, and Ed talk to Cooper about someone running drugs into
      Twin Peaks, and about a sort of evil out in the woods
   -- Cooper meets the Bookhouse Boys (Truman, Ed, James, Joey, Hawk) and they
      question Bernard Renault at the Bookhouse.
   -- Jacques calls Leo for help.  Shelly hides the gun.
   -- Catherine eavesdrops on Josie and Truman.  Josie shows Harry the safe,
      but one of the ledgers is missing.  Catherine has it.
   -- Cooper meets Jacoby at the cemetery
   -- Cooper talks with Hawk about spirits and Laura at the Roadhouse, then the
      two take a drunken Leland home.

28 Feb (Tuesday)   [Episode 1004 - 5/3/90, 9/1/90
                    Written by Robert Engles
                    Directed by Tim Hunter]

   Day
   -- Andy sketches BOB from Sarah Palmer's description.  She, at Leland's
      insistence, then describes her vision of someone digging up the necklace.
      Donna's thinking.
   -- Lucy watches ItL
   -- Cooper questions Jacoby
   -- Gordon calls Cooper.  Andy shows the BOB sketch to Cooper.
   -- Hawk tracks down the OAM to the Timber Falls motel, where at the
      same time, Ben and Catherine are having a rendezvous, and are being
      staked out by Josie.  Catherine says the bogus ledger has the mill
      turning a profit, and tells Ben where the real one is.  She picks up
      a OEJ chip Ben drops.
   -- Cooper and the boys arrive and question Philip Michael Gerard the OAM.
      He has a suitcase full of shoes.  Andy drops his gun and it goes off.
   -- Bernard Renault makes bail (not shown but mentioned later)
   -- Audrey gets Donna to agree to help her find Laura's killer
   -- Norma goes to Hank's parole meeting
   -- Cooper and the boys visit the Lydecker Clinic and confiscate files
   -- Bobby has rendezvous with Shelly and she gives him Leo's bloody shirt
   -- Cooper, Truman, Hawk and Andy practice in the shooting range.  Lucy's
      mad at Andy.
   -- James runs into Madeleine Ferguson at the RR diner, after speaking with
      Donna on the phone

  5:00 pm approx (parole board'll call about 5)
   -- Norma gets a call from the prison.  Hank is being paroled.
   -- Ben talks to Jerry about some Icelanders, then Audrey talks to Ben about
      learning the family business by starting work at the department store.
      Someone (Leo) calls Ben to meet him in half an hour.
   -- A fax arrives from Gordon with a reconstruction of the plastic piece
      found in Laura's stomach.  Andy comes across the file on Waldo, a mynah
      bird belonging to Jacques Renault.  The cops race to Jacques' apartment.
      They find Leo's bloody shirt there, planted by Bobby.

   Evening
   -- Ben meets Leo by the river and they make plans about setting fire to the
      mill.  Bernard's body is lying on the ground. Leo confesses to killing
      him and reports that frere Jacques is hiding out in Canada.
      (Leo tapes this conversation)
   -- James and Donna go to the buried necklace and find it missing

   12:50 am (clock on table)
   -- Pete chats with Josie and retires.  She gets a call from Hank.

01 Mar (Wednesday)   [Episode 1005 - 5/10/90, 9/8/90
                      Written by Mark Frost
                      Directed by Lesli Linka Glatter]

   4:28 am (Cooper to Diane)
   -- Cooper is woken up by singing Icelanders

   Morning
   -- Cooper meets Audrey in the hotel restaurant
   -- Ben and Jerry discuss the Sons of Odin.  Jerry's got a leg of lamb.
   -- Cooper meets Truman and Andy at Jacques' place.  The blood on Leo's shirt
      is determined to be AB-.  It doesn't match Laura's but matches Jacques'.

   9:14 am (clock on wall)
   -- Bobby has breakfast at Shelly's.  Andy comes looking for Leo.  Leo calls.
   -- Norma drops by Ed's and they agree to cool their relationship for awhile
   -- Audrey has her job interview at daddy's store
   -- James and Donna meet.  His dad was a musician who ran off and his mom's
      an alcoholic.
   -- Cooper discovers Laura's ad in Fleshworld
   -- Madeleine meets with James and Donna at the RR and agrees to help them
   -- Hank, now out on parole, shows up at the RR to start work.  Shelly
      watches ItL.
   -- The Briggs family goes to see Dr. Jacoby.  Bobby says Laura made him
      sell drugs.
   -- Cooper, Truman, Hawk, and Doc Hayward go hiking:
      As they approach the cabin, a crow lands on a nearby branch and
      eyes them.  The Log Lady appears and the crow caws.
      LL:   "It's about time you got here."
        {To no one in particular} "They move so slowly when they're not
         afraid.  Come on, then, my log does not judge."
        { They follow her inside. }
      LL:   "I've got tea.  I've got cookies.  No cake."
      Coop: "That's very kind ma'am, but I don't believe..."
      Hawk: "What kind of cookies?"
      LL:   "Sugar.  The owls won't see us in here."
      Doc:  "A cup of tea would be very nice."
      LL:   {To HST & Coop} "Shut your eyes and you'll burst into flames."
      HST:  {Strolling to the table} "Thanks Margaret."
      LL:   "We'll let it steep."
        { All sitting at the table.  Coop goes for a cookie, and Margaret
        slaps his hand. }
      LL:   "Wait for the tea.  The fish aren't running."
      HST:  "You've been expecting us, Margaret?"
      LL:   "You're two days late, but that's you're concern.  My log saw
        something, something significant."
      HST:  "What did your log see?"
      LL:   "Tea first.  Then be ready."
        "My husband was a logging man.  He met the devil.  Fire is the devil
        hiding like a coward in the smoke."
      Doc:  "It was the day after the wedding, wasn't it Margaret?"
      Hawk: "The wood holds many spirits, doesn't it Margaret?"
      LL:   {Gesturing with log to Coop} "You can ask it now."
      Coop: "What did you see that night - the night Laura Palmer was killed."
      LL:   "I'll do the talking."
        "Dark.  Laughing.  The owls were flying.  Many things were blocked.
        Laughing.  Two men.  Two girls.  Flashlights pass by the woods over
        the ridge.  The owls were near.  The dark was pressing in on her.
        Quiet then.  Later, footsteps.  One man passed by.  Screams.
        Far away.  Terrible.  Terrible.  One voice."
      Coop: "Man or girl?"
      LL: "Girl.  Further up over the ridge, the owls were silent."
      { As they leave on the way to discovering Jacques' cabin, the crow leaves
      the branch it has been on all this time and follows, landing on a branch
      when they stop once again.  We get a close-up of its blinking eye.       }

   4:00 pm (cuckoo clock)
   -- Cooper, Truman, Hawk, and Doc find Jacques' cabin and discover clues
      given to Cooper in his dream

   Evening
   -- Party at the Great Northern for the Icelanders.  Ben and Catherine meet
      in private, Audrey eavesdrops.  Catherine confronts Ben about the OEJ
      chip, slaps him 3 times, says lets burn the mill now.
   -- Leland freaks out to music
   -- Madeleine calls Donna.  She found a tape of Laura's.
   -- Back at the party, Ben surreptitiously meets with Josie.  She found the
      ledger where he said it would be.  Ben: "we can proceed.  Tommorrow
      night."
   -- Leo gets home and is beat up by Hank.  "I told you to mind the store, not
      open up your own franchise."  Leo gets pissed at Shelly who shoots him.
   -- Cooper arrives back at his room to find Audrey in his bed

[Episode 1006 - 5/17/90, 9/8/90
Written by Harley Peyton
Directed by Caleb Deschanel]

Wednesday evening (continued) (1/2 moon)
   -- Cooper has a talk (and that's all) with Audrey

02 Mar (Thursday)

   Morning
   -- Andy arrives at the station.  Lucy won't talk to him and gets a call from
      a doctor.
   -- Cooper, Truman, and Doc Hayward are trying to get Waldo to speak
   -- Hawk shows up with a forensics report on Jacques' cabin and says that
      Jacques is now working as a dealer at OEJ.  There were definitely 3
      guests at Jacques' cabin - Laura, Ronette, and Leo.

   Afternoon
   -- Leo spots Bobby arriving at his house to see Shelly.  He then takes off
      when he hears on the police band radio about Waldo.
   -- Maddy, Donna, and James listen to the tape that Maddy found.  They plot
      to get the missing tape (2/23) they beliEve Jacoby has.
   -- Audrey and another girl, Jenny, are working the perfume counter at
      Horne's.  Audrey hides in manager Emory Battis' office to listen in on
      his conversation with Jenny concerning her sideline work at OEJ.
   -- Cooper receives his ear plugs (Cooper to Diane, 1007)

  12:10 pm (clock on wall)
   -- At the RR Diner, Hank palms a lighter that a customer left, and
      has thoughts about Big Ed after a talk with Shelly.  Truman comes in with
      Cooper and warns Hank to keep clean.
   -- Audrey gets Black Rose's number from Jenny
   -- Nadine is home watching "Invitation to Love" and feeling miserable
      because the patent attorney she went to didn't like her drape runner
      idea.  Ed comes in, comforts her, and encourages her to keep trying.
   -- Truman stops by Josie's and asks about her being at the Timber Falls
      Motel on Tuesday.  She tries to deny it but then tells him about Ben and
      Catherine and about overhearing Catherine's plan to burn the mill.

   Evening (Cooper to Truman)
   -- Truman and Ed rendezvous with Cooper at the hotel.  Truman tells Cooper
      about Josie's problem.  Cooper seems suspicious.  Audrey shows up looking
      for Cooper just as they leave.
   -- Mr. Neff, an insurance agent, shows up at Catherine's about an unsigned
      policy.  Josie was to get $1,000,000 upon Catherine's death.
   -- Catherine finds her bogus ledger missing
   -- Audrey leaves a note under Cooper's door and notices an Asian man
      (Tojamura's assistant) checking in a couple of doors down from Cooper
   -- Leo shoots Waldo and drives off, but not before Waldo's last words are
      recorded.  "Laura, Laura, don't go there.  Hurting me, hurting me.  Stop
      it, stop it, stop it.  Leo, no, Leo no."
   -- Cooper and Ed show up at OEJ posing as "Fred and Barney" and meet
      Blackie.  Ed craps, Cooper jacks.
   -- Maddy sneaks out, though she is seen by Leland, to meet James and Donna.
   -- Ben and Jerry eat ice cream, then Jerry goes off with the Icelanders to
      OEJ for a signing party for the Ghostwood deal
   -- Ben calls Josie about Catherine.  Josie says she'll "get Catherine there"
      and that it is "planned for tonight."
   -- Audrey meets Blackie.  She ties a cherry stem into a knot with her
      tongue, and is hired at OEJ
   -- Jacques relieves the previous dealer at the blackjack table where Cooper
      is playing
   -- Dr. Jacoby is watching ItL on tv when he gets a call from "Laura." At the
      gazebo, Maddy, disguised as Laura, is waiting with James and Donna
      and Bobby is watching them. The whole tableaux is being watched by a
      mysterious heavy breather.
   -- Jacoby takes off to find out what's going on with "Laura" while James and
      Donna sneak into his office to search for the missing tape.  Bobby has
      followed them there and sticks a bag of cocaine in James' gas tank.

[Episode 1007 - 5/23/90, 9/15/90
Written and directed by Mark Frost]

Thursday evening/Friday morning (continued)
   -- James and Donna enter Jacoby's place, find paper umbrellas, the (slightly
      different) missing tape and half the locket on a chain
   -- Jacoby, watching "Laura" is beaten by person unknown (Leland)
   -- Audrey meets with Blackie and notices Cooper on a monitor
   -- Cooper talks with Jacques, sets him up.  Jacques says the bird had a
      thing for Laura.  Leo put a chip in Laura's mouth while the bird was
      attacking her and said, "bite the bullet, baby."
   -- Leo kidnaps Shelly
   -- Jacques arrested, struggles, is about to shoot Truman when Andy shoots
      him
   -- Bobby, Maddy, Donna listen to the tape, as Will takes off for a
      hospital emergency.
        "Hey what's up doc?  It's Laura, in case you haven't guessed.  It's
        Thursday the 23rd and I'm so bored.  Actually, I'm in kind of a weird
        mood.  God, James is sweet, but he's so dumb.  And right now I can only
        take so much of sweet.  Hey, remember that mystery man I told you
        about?  Well, if I tell you his name then you're gonna be in trouble.
        He wouldn't be such a mystery man anymore, but you might be history,
        man.  I think a couple of times he's tried to kill me.  But guess what?
        As you know, I sure got off on it.  Isn't sex weird?  This guy can
        really light my F-I-R-E.  He's a red corvette... Uh oh, here comes mom
        with milk and cookies.  Later, Lawrence.  Bye bye."
   -- Leo prepares to burn the mill with Shelly tied up in it.  Timer set for
      one hour.
   -- Nadine writes a note and takes pills
   -- Hank receives $90,000 from Josie for the job 18 months ago.  He says
      doing business with someone is for life and slits both their thumbs.
   -- Catherine is upset.  She can't find the ledger.  She deviously asks for
      Pete's help.
   -- Ed, Hank, and Andy tell other deputies what happened within earshot of
      Lucy.  Andy makes his move and she announces she is pregnant.
   -- Lucy receives call from "Leo" (Bobby) to check out James.  "He's an easy
      rider."
   -- Cooper and Truman question Jacques.  He was in the cabin with Leo, Laura,
      and Ronette.  He and Leo had fought and had hit him with a whisky bottle.
   -- Hayward tells Cooper and Truman that Jacoby said he saw Laura
   -- Catherine gets a call from Hank.  "It's at the mill, what you're looking
      for."
   -- Hank tries to sweet talk Norma

   3:25 am (clock on wall)
   -- Ed finds Nadine unconscious.  He calls for an ambulance. The address is
      422 Riverside.
   -- Lucy gives message to Cooper and Truman from Leo (Bobby).  Leland asks
      Truman about a suspect.
   -- James gives Cooper Laura's tape.  Cooper tells him Jacoby is in the
      hospital and confronts him about the cocaine found in his gas tank.
   -- Icelanders (Einar Thorson) sign the Ghostwood contract
   -- Ben tells Hank to proceed
   -- Bobby goes to see Shelly, is attacked by Leo, who is shot by Hank
   -- Catherine finds Shelly and frees her.  Fire starts.
   -- Leland kills Jacques
   -- Pete goes into burning sawmill after Catherine
   -- Ben signs the contract and goes to see the new girl (Audrey)
      "Close your eyes. This is the stuff as dreams are made of."

   4:37 am (Cooper to Diane)
   -- Cooper returns to his room, notices the quiet, picks up a note addressed,
      "My special agent," receives a phone call (Andy) and is shot by person
      unknown (Josie).


-- Ed Hughes, SAS Institute | "See no evil...well, maybe just a little... Cary, NC | yeah!" | --Joel, "Women of the Prehistoric Planet," | MST3000

Posted 10/11/91
This has been slightly revised since the last posting.

This timeline is based off of one begun by Jerry Boyajian.
Many thanks go to Ed Hughes, David Coufal and all others who have posted
transcriptions and summaries which I've incorporated here.
This is for non-profit purposes.

A copy will be made available via anonymous ftp at audrey.levels.unisa.edu.au
(130.220.16.88) in pub/twin-peaks/timeline.Z

Edwin Nomura
enomura@ucsd.edu

TIMELINE, episodes 2010 to 2016(death of Josie, hiatus in US)
--------------------------------------------------------------

15 Mar (Wednesday)   [Episode 2010 - 12/8/90
                      Written by Tricia Brook
                      Directed by Tina Rathborne]

   Day
   -- Cooper explains to Sarah what happened the night Maddy died and
      Leland's final moments
   -- Leland's wake.  Dr. Jacoby's back from Hawaii. Dougie pulls his brother's
      (Mayor Dwayne Milford) ear.  Dougie owns the newspaper and is
      engaged to be married.  The Mayor first ran for that office in '62.
      Cooper to Truman: Harry, I'm really gonna miss this place.
   -- Dr. Jacoby and Ed ask to have 35 year old Nadine admitted to school
   -- Audrey sees Cooper, who tells his tale of Earle.  A: "Friendship is
      the foundation of any lasting relationship."

   12:35 pm (clock on wall)
   -- Bobby puts on Leo's clothes and goes to see Ben
   -- Catherine talks to Truman.  She says a guardian angel saved her and
      directed her to the summer cabin on Pearl Lakes.  There appears to
      be an owl-shaped smudge on her cheek.
   -- Dick talks to Lucy while she's replacing ceiling light bulbs.  She
      nearly falls but Dick's oblivious.  Andy offers to be friends.
   -- Cooper says goodbye to Truman, who gives him a green butt skunk hook
      and a Bookhouse Boy patch.  He says goodbye to Hawk, Andy and Lucy,
      when Roger Hardy arrives with a mountie and tells Cooper he has been
      suspended from the FBI.
   -- Audrey gets Bobby in to see Ben, but gets kicked out.  They go to
      get ice cream. B: Cup or cone? A: Mmmm...cone. I like to lick.
   -- Roger and the mountie question Cooper, who surrenders his gun and
      badge.  They only knew of two deaths, and Cooper didn't know about
      Battis.  Truman stands up for Cooper.
   -- Nadine Butler tries out for cheerleading

   6:20 pm (clock on wall)
   -- Shelly brushes Leo's teeth.  Bobby calls, Leo moves.

   Night
   -- Vivien reveals herself to Norma, who kicks her out
   -- Hank brings Ernie to Jean at OEJ.  Jean's assistant is the mountie -
      he'll put some of the stolen cocaine in Cooper's car
   -- Josie, injured, returns to Truman's place
   -- Cooper and Briggs around a campfire:
      COOPER: At the time I did what I thought was right.  I must now face
        the consequences.
      BRIGGS: You can do no more.
      (Cooper and Major Briggs, roasting marshmallows over a campfire.)
      COOPER: You know, Major, I find myself thinking a lot about BOB.
        If he truly exists.
      BRIGGS: Yeah, I've pondered that same question continuously since this
        horror was revealed.
      COOPER:   I try to imagine him out there, incarnate, looking for
        another victim to inhabit.
      BRIGGS:   There are powerful forces of evil in the world.  It is some
        men's fate to face great darkness.  We each choose how to react.
        If the choice is fear, then we become vulnerable to darkness.
        There are ways to resist.  You, sir, were blessed with certain
        gifts.  In this respect, you are not alone.  Have you ever heard
        of the White Lodge?
      COOPER: The White Lodge.  No, I don't believe I have.
      (Briggs appears to ponder what he should say about this.)
      (Angle on the woods from the point of view of some unknown entity,
      moving through the woods.)
      COOPER:   Major, I'm going to take a moment here.  I feel the call of
        nature.  There's nothing quite like urinating out in the open air.  I
        look forward to hearing more about this White Lodge.
        (Cooper moves off into the woods. Major Briggs laughs, gives
        the departing Cooper a "thumb's-up".)
        When I return.  From my journey.
      (Lingering on Briggs, who looks off in the direction of Cooper's
      exit with a speculative expression.  An owl hoots.  Major Briggs looks
      up, alarmed.)
      (Cooper urinating in the woods.  An owl hoots in the tree above him.
      Cooper watches the owl.  Suddenly a brilliant white light appears
      behind him.  Cooper turns toward the light.)
      (Angle on Briggs, bathed in blinding white light.)
      BRIGGS:   COOPER!  COOPER!
      (A robed figure appears in the light, backlit.  No features are visible.)
      (Cooper dashes through the woods to the camp site.  The Major is gone.)
      COOPER: Major Briggs?  MAJOR?
      (Cooper looks at the light.  It seems to be receding into the woods.
      Cooper runs toward it.  He reaches the top of a small hill and freezes,
      looking into the light.  The light blinks out.)

16 Mar (Thursday)   [Episode 2011 - 12/15/90
                     Written by Barry Pullman
                     Directed by Duwayne Dunham]

   Morning
   -- James cycles
   -- Mrs. Briggs talks to Cooper and Truman about her husband's disappearance.
      Being "in the woods is very significant," he "talks about them
      constantly." He left some notes by his bedside table so she'll call back
      later.
   -- Andy and Hawk found a present for Mr. & Mrs. Milford
   -- Gordon calls from Bend (a temp patches him through - Lucy's helping
      with the wedding).  Dennis Bryson from the DEA will be arriving.
   -- Cooper presents no defense to Roger
   -- Nadine asks Donna about Mike
   -- James cycles to Wally's and meets Evelyn Marsh

   12:18 pm (clock on wall)
   -- Andy leaves flowers for Lucy
   -- Dick brings Nicky, his charge from Happy Helping Hand, to the station.
      Andy offers him a malt.
   -- Cooper, Truman, and Hawk discuss the White Lodge:
      HAWK: Cooper, you may be fearless in this world, but there are other
        worlds.
      COOPER: Tell me more.
      HAWK: My people believe that the White Lodge is a place where the
        spirits that rule man and nature here reside.
      TRUMAN: Local legend.  Goes way back.
      HAWK: There is also a legend of a place called the Black Lodge...
        the shadow-self of the White Lodge.  The legend says that
        every spirit must pass through there on the way to perfection.
        There, you will meet your own shadow-self.  My people call
        it "The Dweller on the Threshold."
      COOPER: "The Dweller on the Threshold..."
      HAWK: But it is said, if you confront the Black Lodge with imperfect
        courage, it will utterly annihilate your soul.
   -- Dennis arrives. He and Cooper worked together in Oakland.  An RCMP
      officer says he stole drugs.
   -- Nadine leg presses 600 lbs.
   -- Josie tells Truman about Eckhardt. He took her off the streets in Hong
      Kong at 16 and taught her about life and business. She was afraid for her
      life when she met Andrew, a business partner. She says she believes
      Eckhardt is responsible for Andrew's death. She escaped from the airport
      at Seattle.
   -- Roger has pie at the RR (story on Leland in his paper)
   -- Hank and Ernie return.  When Norma asks Ernie if he caught anything, he
      spins a tale she doesn't buy.  Vivien's returned to Seattle.
   -- Nicky blows whip cream in Dick's face and spins Andy's seat
   -- James looks at Evelyn's '48 Jaguar.  Her husband, Jeffrey, travels
      extensively.  She'll provide room and board while he works on the car.
   -- Ben watches old footage of the groundbreaking ceremony for the Great
      Northern.  Hank arrives: "Ben, I have had an absolutely killer schedule."
      Ben wants to rearrange furniture.  Hank tells him OEJ has been taken
      over.  Ben makes shadow figures.
   -- Cooper gets an envelope from Windom Earle.  P to Q4.
      "Of course, you couldn't help but take note of my emphatically
      traditional opening.  I must say, your responding move was nothing
      if not reflective of your predilection for the tidy and fastidious.
      See how my response to you begins to lead us towards a classical
      confrontation?  But there's doubt in your mind: what are my true
      intentions?  How will you answer this time?  Hobgoblins, Dale...
      consistency...predictability, giving rise to patterns.  We both
      know only too well how these patterns leave you vulnerable to
      attack.  You with your wounds, I with mine, let me paint you a
      picture: my knights will skirmish, lanes of power and influence
      will open through my bishops and rooks, pawns will naturally
      be forfeit.  I'm even prepared to sacrifice my queen because,
      I assure you, dear Dale, my goal will be attained at any cost;
      the king must die!"
   -- The Milford wedding.  Dwayne objects.
   -- Denise tells Cooper s/he found cocaine in Cooper's car and explains
      what happened.
   -- Cooper dances with Audrey, Andy with Denise
   -- Josie tells Catherine Thomas Eckhardt killed Andrew and she should be
      careful.  Catherine employs Josie as her maid.  Andrew's alive:
      "Everything's going exactly as we planned."  He and Catherine will be
      waiting for Eckhardt.

17 Mar (Friday)   [Episode 2012 - 1/12/90
                   Written by Harley Peyton and Robert Engles
                   Directed by Caleb Deschanel]

   Morning
   -- Bobby tries again to blackmail Ben, who's acting too weird for it to
      take.  B: "You know what you have to have in this life? Balance,
      distance, symmetry."  He's stacked his furniture.  Eventually he hires
      Bobby to spy on Hank.  Lana runs by screaming.
   -- Cooper is discussing houses with a real estate agent (Irene).  A coin
      flip leads him to like Dead Dog Farm, an estate with a mysterious past
      where no one stays for long.
   -- Andy, Dick and Lucy visit with Nickie's case worker.  Nickie is an orphan
      who has been through many foster homes, and is the victim of "persistent
      random misfortune." Truman breaks up the meeting calling Andy to an
      emergency at the Great Northern.
   -- Truman, Doc Hayward and Andy investigate Dougie Milford, dead in his
      hotel bed.  Dwayne comes in and grieves, accusing the wife of murder by
      sex.  Andy doesn't cry.  "My Secret Life" by Chris Gerrity is found
      on the bed.
   -- In the hallway, Hawk is talking/flirting with the widow.  H: "When
      something really big goes down, I'm the man."

   10:10 am (clock on wall)
   -- Nadine has joined the wrestling team and takes district champion Mike in
      one fall while asking him out
   -- Mike complains to Donna about Nadine.  D: "I'm not that good of an
      actress."
   -- James meets Malcolm Sloan - Evelyn Marsh's brother, Jeffrey Marsh's
      driver.  He says Marsh abuses Evelyn.  Once a fortnight she breaks one
      of his things.  M: "I'm sorry.  Am I being obscure?"
   -- At Dead Dog Farm, Cooper notices some tire tracks: "A Jeep, a four-
      wheeler and a luxury sedan."  In the house he deduces a meeting took
      place in the past few hours.  He finds baby laxative and cocaine dust.
   -- Dick fixes a flat (reading the instructions) while Nicky is being
      irritating.  While Nicky is away from the car, it falls off the jack.
      Nicky panics and runs to hug Dick (who is unhurt).

   Day
   -- Cooper comes to tell Truman about Dead Dog Farm, but instead visits
      with Air Force Colonel Riley investigating Major Briggs.  Briggs is a
      great pilot and his disappearance makes the cold war look like the
      sniffles.  "The owls are not what they seem" was broadcast from
      the woods, not deep space -- maybe from the White Lodge ("That's
      classified").  Cooper mentions seeing an owl before Briggs disappeared.
   -- James and Evelyn flirt and kiss.  James encourages her to leave her
      husband but she refuses.  When Jeffrey comes home she runs to greet him.
   -- Bobby, returning to Ben's office with photos, sees Audrey who flirts
      with him but doesn't kiss him.  Audrey goes to her secret listening
      place.
   -- Ben, who is working on a civil war model ("Gettysburg, day 1"), accepts
      the photos from Bobby and gives him a raise.  Audrey eavesdrops.
   -- Pete and Catherine enjoy a romantic meal, served by Josie in a maid
      outfit.  Pete is bothered by Catherine's treatment of Josie, but is
      having too much fun to make an issue of it.
   -- Cooper brings Diane up to date:
      "Diane, I'm holding in my hand a nationally distributed newspaper.  My
      opening move [P to Q4] responding to Windom Earle's opening move was
      printed in the personal column as per my instructions, but I have
      already received his response to this yesterday.  He anticipated my
      response to his opening move perfectly.  He's toying with me, Diane.
      I wonder where he is and what he's planning."
      Audrey knocks and offers Cooper Bobby's photos she has just stolen from
      her father's office.  Cooper identifies them as Hank, Ernie, Jean Renault
      and the mountie, meeting at Dead Dog Farm.  Denise comes in, and Audrey
      kisses Cooper on her way out.  Cooper briefs Denise.
      D: I may be wearing a dress but I still pull my panties on one leg at a
         time, if you know what I mean.
      Cooper: Not really...

   Night
   -- At the RR, Ed looks depressed, prompting Norma to suggest they can still
      be friends and to take his hand, all this secretly witnessed by Hank,
      sporting a 3:4 domino.
   -- Dick tells Andy he thinks Nicky is the devil
   -- In Truman's office, Dwayne continues to accuse Lana of murder.  Doc says
      it was a natural heart attack.
   -- In the hallway, all the men watch Lana being escorted to a room.  They
      begin collectively reciting Shakespeare.
   -- Lucy tries to call the sheriff to the phone, but gets no response.  She
      eventually finds all the men literally spellbound by Lana telling
      stories.
   -- Denise visits Ernie at the RR.  At the Great Northern, Cooper and Denise
      interrogate Ernie.  They apparently want to let him off, using him to
      catch the big guys.  Denise will pose as a buyer from Seattle and Ernie
      will arrange for a deal between Renault and Denise.
   -- James hears Evelyn and Jeffrey fighting.  Malcolm tells James the first
      beating was four years ago.  He swears to kill Jeffrey.
   -- Bobby goes home to find his mother sitting in the dark grieving over the
      Major's disappearance.  She flips on an owl lamp and Bobby tells his
      mother about the Major's vision.  Suddenly the lights go out and the
      major materializes in the house, wearing a vintage pilot's outfit
      (leather jacket and goggles) and asking how long he's been gone.
      Betty: Is everything all right?
      Garland: No, dear...not exactly.


18 Mar (Saturday)  [Episode 2013 - 1/19/90
                    Written by Harley Peyton
                    Directed by Todd Holland]

   Morning
   -- Fade up on night time sky/field of stars.  Camera pans
      slowly to right.
         VOICE: (whispers) Cooperrr...
      In the background, a chittering noise is heard.  A yellow
      symbol consisting of three equilateral triangles overlapping
      slightly at their apexes (like the international radiation
      symbol) appears spinning in the center of the screen and
      rapidly moves towards the camera with a screaming noise.
      When it hits the camera, the screen erupts with flames.
         BRIGGS (V.O.): I remember stepping from the flames.  A
           vague shape in the dark.  Then nothing.
      Slow fade from flames to Major Garland Briggs.  He is
      seated on a throne of stone in the middle of a jungle.
      The camera moves slowly towards him.
         BRIGGS: 'Til I found myself standing by the cold
           remains of our campfire.  Two days later.
         HAYWARD (Distorted V.O.): Major, there are some new techniques
           that might help us break through your amnesia.
         BRIGGS: Well, my memories are immune from regression.
           I can feel them...
      A wolf begins to growl in the background.
         BRIGGS: ...they're palpable, the smells, the sensation.
           Everything is known to me, yet somehow beyond my reach.
         COOPER (distorted V.O.): Do you remember anything else?
         BRIGGS: Very little, save for one disturbing image
           of a giant owl, pervasive.
      The wolf continues to growl.
         COOPER (distorted V.O.): A giant owl?
      With a flash of light, we cut to a brief negative image of an owl flying,
      then to a close shot of the back of the Major's neck, where there is a
      small red scar identical to the 3-triangle symbol seen before.  Cut
      to Briggs face.  The flash is revealed to be from an Instamatic
      camera that Doc Hayward used to take a picture of the scar.
      The camera slowly pulls back from Briggs.  The scene is the
      Sheriff's Station Conference Room, the time is apparently morning.
      Major Briggs, Agent Cooper, Doc Hayward and Sheriff Truman
      are present.
         COOPER: A giant owl?  How big?
         BRIGGS: (fidgeting with his fingers) Enough to cloud my mind and
           memory.
         HAYWARD: (handing the instant picture he has just taken to Cooper)
           Three triangular scars behind the right ear, in perfect proportion.
         TRUMAN: Major Briggs...what exactly does your work involve?
         BRIGGS: That information...as I've repeated endlessly
           to myself...classified.  Though the keeping of
           secrets ... seems less meaningful to me now.
           (Pause.  The Major is nervous and shaken.)
           Perhaps there are sources of information that are
           so important as to transcend the human need
           to conspire.  Information of such weight that
           pertains not ... (Garland pauses.  He begins to
           lose control of his emotions.)  Oh, God!  Is
           this meant for the soul?!  My soul?
         COOPER: Major--perhaps you'd better start back at the beginning.
         BRIGGS: Are you familiar with...Project Bluebook?
         COOPER: Yes sir, I am.  The Air Force investigation into
           the phenomenon of Unidentified Flying Objects.
         BRIGGS: Officially disbanded in 1969.  But, there are those
           of us who ... continue in an _unofficial_ capacity.
           Examining the heavens as before...in the case of
           Twin Peaks, the earth below.
      Cooper and Truman look at each other.
         BRIGGS: We are searching for a place called the White Lodge.
      Briggs stops talking as the door opens and two M.P.s step in.
         M.P. #1: Major Briggs?
         BRIGGS: I've been expecting you.
         TRUMAN: Now hold on just a minute, fellas.
         M.P. #1: Colonel Riley's orders.
         TRUMAN: I don't care what orders you got, this is my
           station and Major Briggs happens to be a friend of mine.
         BRIGGS: Harry (Briggs rises).   I'm afraid we will have to continue
           this discussion at a later date.
         TRUMAN: Are you sure you wanna to go with them?
         BRIGGS: (Nods) Yeah. (to Cooper) Goodbye.
         M.P. #1: Major.
      A sprinkler drips onto the photo Cooper is holding {we hear the
      "hand shakes" sound from 2020}.
   -- Denise and Cooper have Ernie call Jean for the setup
   -- Dick tells Andy Nicky's records were sealed and returned to the
      orphanage
   -- Cooper asks Lucy if she's seen anything from Earle in the newspapers
   -- At the RR, Ed tells Norma, "We need to talk"
   -- Shelly's fed up with taking care of Leo and slaps Bobby who's going
      out again, as Invitation to Love plays on the TV.  Leo's eye twitches.
   -- Ed gets a call from James who wants all his money ($12) sent to him
      at Wally's
   -- Evelyn asks James about his girls and for his help

   9:25 am (clock on wall)
   -- Mike tries to fight off Nadine at the RR
   -- Hank asks Norma where's she's going
   -- Josie answers the door to Truman who can't keep his hands off her
   -- Audrey visits Ben's battlefield and calls Jerry
   -- Ed answers the door to Norma
   -- Hawk prepares Ernie with a bug:
      (Hawk is attaching a "wire" to Ernie with adhesive tape)
      E: Ouch!  Will you mind the chest hair, will ya?
      H: You're sweatin' like a pig, Mr. Niles!
      E: Oh, thanks a lot!  That's nervous perspiration, man, hyperhydrosis.
         It's a childhood condition--and I didn't notice it 'til the war.
         Korea, remember that?  Do ya?  I was leading a battalion up towards
         the 49th parallel.  We were just a bunch of fresh-faced kids.
         I didn't know what kinda hell we were steppin' into.
      C: Ernie!  Ernie, I want you to focus on the here and now.  Repeat your
         instructions to me, step by step.
      E: Okay.  Uh...I take...Denise...up to Dead Dog Farm.  I introduce her to
         Renault.
      C: Right.
      E: I, uh...take Renault through the buy...complete the transaction, and
         get the hell out of there, huh?
      C: Good.  Harry--that's when you come in. (Truman nods)  By golly...I
         sure wish I could join you fellas.  But I've temporarily lost my
         enforcement franchise.
      E: Heh, I bet.
      T: Well...I've been givin' that some thought. (tosses badge to Cooper)
         Consider yourself deputized.  The bureau's loss is my gain.
      (Cooper looks at the badge--it's number 13.)
      C: (happily)  I hope I can live up to this.
      H: (finishes wiring Ernie)  He's done.  You might want to towel him off
         before we go! (wipes his hands, exits)
      E: Ah, come on!  (to Cooper and Truman)  Uh...how long will it, uh...
         take you guys to storm the farmhouse after, uh, I complete the buy?
      C: (pinning on his badge)  You go out, we come in.
      E: Can I, can I ask you a question?
      T: What, Ernie?
      E: Don't make me do this!  This isn't my line of work!  I'm a coward!  I
         don't do this kind of thing, I'm a CPA!
      T: Ernie.
      C: Ernie.
      E: (laughs nervously) Just a momentary lapse.  I'm okay, I'm...I'm cool.
         Let's go do it, huh?
      C: Where's Denise?
      T: Haven't seen her.
      (Door opens.  Dennis enters dressed as a man, hair pulled back into a
       ponytail)
      D: (proudly)  You can call me Dennis!  Oh, I don't know, somehow it
         seemed...more appropriate.  (Cooper beams, absolutely delighted)
         Whadda you think?
      (Truman whistles appreciatively)
   -- Andy and Dick at the Dorritt Home for Boys
      D: Our investigation must proceed "sub rosa."  We may have to pick the
         lock.  Tricky business, that.  (Andy opens the unlocked door)  Voila!
         We enter!
      A: Where is everybody?
      D: Lunch!  Here we are, the case files.  N...N...N...(turns to another
         set of files) N!  Nales...Nester...Netherby...Needleman, Nicholas.
         Needleman, our little Nicky!
      A: We can read it in the car!
      D: Oh, patience, Andrew.
      A: (increasingly nervous) Dick!
      D: Sh!  The usual background information...mmm...birthplace...initial
         adoption...  mm-hmm!  First of several, it seems.
      A: Dick!
      D: (oblivious to Andy)  Ah, the plot thickens.  Where are thy secrets,
         little Nicky?
      (The Brewsters appear at the door, wave eagerly.  Andy sees them.)
      A: Dick!
      (The Brewsters enter.  Dick jumps up, startled, and clumsily hides
      Nicky's file in his trenchcoat.)
      B: Hi!
      (Andy, petrified, crosses and stands beside Dick.)
      B: We're the Brewsters.  (laughs)  I know we're a little early.  It's
         just that we're so darn eager to see him.  Can we see him?  Where's
         Donny?
      D: D--Uh, little Donny is...uh, dead.  (The Brewsters look horrified.)
         Eh!  Dead tired, I mean.  I'm afraid little Donny, he isn't feeling up
         to snuff.
      B: Well, he was in perfect health only yesterday.
      (Dick is stumped.)
      A: Dick!
      D: Just a minute...*Woody*.  Let me finish helping these good people.
         Now--where were we?

   Afternoon
   -- Ed answers the door to Donna who's looking for James.  She'll deliver
      the money.
   -- Norma leaves and Nadine rescues Ed from Hank
   -- Bobby sees Ben, then Audrey.  A: I think Daddy needs an injection.
   -- Catherine visits Ben
   -- James shows Evelyn the fixed car who seduces him as Malcolm watches
   -- At Dead Dog Farm, Ernie's shirt smokes, blowing the cover.  Hawk calls
      for backup as Cooper exchanges himself for Ernie and Dennis.

   Evening (1/4 moon)
   -- Evelyn leaves James in bed to go at it with Malcolm
   -- Jean, the mountie, and Cooper in the center room:
      C:  Is my death so important to you?
      R:  My two brothers die...I hold you responsible.
      C:  Why?
      R:  Well...before you came here...Twin Peak was a simple place.
          My brothers deal dope to the teenagers and the truckdrivers...
          oh...One Eyed Jack welcomed the businessman and the tourist...
          quiet people lived a quiet life.  Then--a pretty girl die,
          and you arrive...and everything change.  My brother Bernardo,
          shot, and left to die in the...the woods.  A grieving father
          smother my remaining brother with, ah...the pillow.
          Kidnaping...death...suddenly, ah, the quiet people...they're
          quiet no more.  Suddenly the...the simple dream, become the
          nightmare.  So.  If you die, maybe you will be the last to die.
          Maybe you brought, ah...the nightmare...with you.  And maybe...
          the nightmare will *die* with you.
   -- Dennis in a RR uniform, delivers food.  Cooper shoots Jean with a
      gun hidden in Dennis' panty hose and Dennis kicks the mountie's ass.
   -- Shelly wakes to intermittent power to find Leo
   -- Power's off at the station.  Lucy says there were two fires and an
      explosion.  Cooper finds a dead person pointing to a chessboard:
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  |     | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  |     | WP  | WP  |     | WP  | WP  |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w| ?  b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BQ  | BP  |     |
      |    b|    w|    b|    w|    b|    w| ?  b| ?  w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     | BP  |     | BP  | BP  |     |     |     |
      |    w|    b|    w|    b|    w| ?  b| ?  w| ?  b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  |     | BK  |     | BB  |     |     |
      |    b|    w|    b|    w| ?  b| ?  w| ?  b| ?  w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      b = black square  w = white square
      B = black piece   W = white piece
      K= king  Q = queen  B = bishop  N = knight  R = rook  P = pawn
      ? denotes square not visible or partially obscured

[Episode 2014 - 2/2/91
 Written by Scott Frost
 Directed by Uli Edel]

Saturday evening (continued)
   -- Truman, Cooper, and Doc Hayward investigate the dead body - there's a
      black pawn in the mouth.  Cooper says it's a vagrant, and makes several
      predictions borne out by investigation (type of wound, an abandoned
      car ...).
   -- Audrey plots with Bobby to save the Horne empire.  AUDREY:  From now on,
      Bobby, it's me you suck up to.
   -- Leo stalks Shelly with an axe, as an owl watches.  LEO:  Bad girl.
      Bobby returns home and after a struggle, Shelly stabs Leo in the leg who
      runs away into the woods.

19 Mar (Sunday)

   Day
   -- Cooper's been cleared, but the suspension remains.  Truman offers the
      vagrant murder case to deputy Cooper.  Hawk reports Hank is in the
      hospital - he missed the drug deal because he was "hit by a bus."
      Shelly called to report Leo's awakening.
   -- Andy tells Lucy about his and Dick's theory of Nicky killing his parents
      at the age of 6
   -- James meets Jeffrey, who gets in the car and drives off.  Evelyn
      puts the moves on James.  JAMES:  IT'S WRONG!!!
   -- At the RR, Ed and Doc Hayward discuss Nadine's dating and sex life.
      Donna took the van to look for James who's "out a couple of hours west."
   -- Ed tells Norma about the Nadine/Hank fight.  Norma says Truman will
      arrest Hank for parole violation.  Ed and Norma plan a romantic weekend.
      NORMA:  People will find out.  ED: Let 'em.
   -- James prepares to leave
   -- Cooper talks with Truman:
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  | WN  | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BN  |     |     |    Captured:
      |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
      +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
      | BP  | BP  | BP  |     | BP  | BP  | BP  | BP  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      T: So how does chess figure into all this?
      C: Because Windom Earle and I played a game every day for three years.
         He felt that all of life could be found in the patterns and conflicts
         on the board.  (pauses)  Because I never beat him.  (pauses)  Now it's
         my turn.  I'll publish my response in the Twin Peaks Gazette.  I don't
         know what else to do.
      T: Coop, you're gonna have to give me some more information here.
      C: Harry, I've brought some baggage to town I haven't told you about.
         (sits) Windom Earle was my first partner.  Everything I know about the
         law and the bureau, I owe to him.  Four years ago, we drew the
         assignment of protecting a material witness in a federal crime.  She
         was, uh...very beautiful...very gentle woman.  Her name was Caroline.
         She and I fell in love.  One night, I...failed in my vigilance.  An
         attack was made; I wasn't ready.  I was wounded and I lost
         consciousness.  (swallows hard)  When I came to, she was in my arms,
         she...she was dead, she'd been stabbed.
      T: The wounds on the vagrant.
      C: Identical.  The killer was never found.  My wound healed; Windom Earle
         went mad.  Institutionalized until his recent escape.
      T: So why is he after you?
      C: Harry--Caroline was Windom Earle's wife.
      (Truman has been sitting on the edge of his desk.  Now, he sits in his
      chair, taken aback.)
      T: So...he blames you for her death.
      C: (shakes his head, leans forward)  It's much worse than that.  I think
         he killed her.  And I think he committed the crime that she originally
         witnessed.  Harry-- Windom Earle's mind is like a diamond!  It's cold,
         and hard, and brilliant.  I think he feigned the insanity that sent
         him away, but at some point he lost the ability to distinguish between
         what's right and what's wrong.  You don't know what he's capable of,
         Harry...you don't know!
   -- Donna shows up at Wally's looking for James but finds Evelyn instead.
      Evelyn said he had done some work for her and then headed off to Mexico.
   -- Audrey ushers Jerry into Ben's office.  BEN: "Jeb!"  Dr. Jacoby is there.
      He says Ben's reversal of the South's fortunes is a healthy way for Ben
      to recover from his own defeat.
   -- Briggs staggers into the sheriff's office and collapses.  Lucy checks her
      lip stick.
   -- Briggs, Truman and Cooper at the station:
      (Briggs, Cooper, and Truman are all sucking down huge glasses of water.
       Lucy is standing nearby with a pitcher of water.)
      L: More?
      C: I'm fine.
      T: Fine, Lucy.
      B: Fine.
      (Lucy exits.)
      T: Major--what happened?
      B: Well, as men who have dedicated their lives to service, I know that
         you're able to understand how sacred I hold a pledge of allegiance.
         And the cost one must pay when breaking a pledge.
      C: It can be very great.
      B: Well, the Air Force, *I thought*, was not unlike other societies of
         men dedicated to the fight for the good.  (pauses, mops his brow)
         Gentlemen, frankly I'm worried.  When my superiors questioned me about
         my disappearance, they exhibited a degree of suspicion and intolerance
         bordering on the paranoic.  I must now admit that their motivation in
         the search for the White Lodge is not ideologically pure.  I believe
         that during my disappearance I was taken to the White Lodge.  I can
         remember, virtually nothing.  But I have the clear, intuitive sense
         that there's...  much trouble ahead.
      C: Major?  What kind of trouble?
      B: I am unaware of the form it will take.  (pauses)  I will return.
         Until that time, I will be in the shadows if you need me.  Good day,
         gentlemen.
      C: Good day, Major.
      (the Major exits.)
      T: In the shadows.  Can you beat that?
      C: No...
   -- Jacoby, Lana, Cooper, Truman, Hawk at the station
      (Cooper and Truman enter the meeting room after Hawk.  Jacoby and Lana
       are waiting there.)
      J: Good.  I wanted all of you to hear this.  I've just spent almost the
         last twenty-four hours with this charming young lady, and as you can
         see, uh...  I have no bruises, no broken bones...any claims by her
         deceased husband's brother that she's cursed or somehow responsible
         for a death is nonsense.  Now what she does, in fact, possess is a
         heightened sexual drive.  And a working knowledge of technique,
         anatomy, and touch, that few men have ever had the pleasure of
         experiencing, or the skills to match.
      T: Is it *hot* in here?
      C: Yeah.
      H: Yep.
      C: Lana, let me be the first to congratulate you.
      L: Thank you!  Well--I could never have done it without Dr. Jacoby.
      J: Heh, heh, heh, heh, heh.  Okay.  Well then, we're gonna go bowling.
         See ya later, guys!
   -- Dwayne Milford is in the lobby with a shotgun, threatening to shoot Lana.
      Cooper suggests that the mayor and the widow go alone into the conference
      room to work it out.  Truman: Now what?  Cooper: We wait.
   -- The cops enter the conference room to find the widow and the mayor
      making wedding plans.
   -- Catherine reveals Andrew Packard to Pete.  P: "We forgot the weenies!"
      Catherine and Andrew knew of the attempt on Andrew's life so they staged
      it.  Eckhardt tried to kill him after he got the better of him in a
      business deal.  It was planned for 6 years.

   Dusk
   -- Eckhardt and Jones check into the Great Northern
   -- Truman shows Cooper a Seattle newspaper story -- Jonathan is dead.
      Truman suspects Josie and asks Cooper to investigate.  C: "If you
      say drink coffee, I'll drink coffee."
   -- Doc Hayward tells Dick and Andy about Nicky's past.  His mother was an
      immigrant, maid at the Great Northern.  She was impregnated during a
      rape, died in child birth.  Nicky was in an orphanage, then adopted.
      His adopted parents were killed in a car crash.  Lucy is indignant that
      the men had suspected Nicky of wrong-doing.  She swats a fly.
      Dick and Andy break down and cry.
   -- It comes down at the Marsh place.  Evelyn says Jeffrey died in a car
      crash, the brake lines were cut.  JAMES: "You set me up!"  Evelyn says
      she loves James, and hopes he gets away.  Police arrive.  James is
      sneaking away.  Donna is there in the shadows, and they run away
      together.

   Night
   -- Leo walking through the woods.  Gratuitous owl shots.  There is a cabin
      with a light on.  Leo walks in and meets Windom Earle.

20 Mar (Monday)   [Episode 2015 - 2/9/21
                   Written by Harley Peyton and Robert Engles
                   Directed by Diane Keaton]

   Day
   -- Evelyn and Malcolm tell the cops about James
   -- At Wally's, the cops watch an opera, while James and Donna talk
      as the bartender persists in listening in.  Donna wants to talk to Ed,
      James wants to talk to Evelyn.
   -- Donna calls Ed
   -- Cooper and Truman question Shelly and Bobby, who says that Hank shot Leo
   -- Albert ("Get a life, punk!") tells Cooper about Earle's leavings at
      five different police departments in different cities, each an article of
      Caroline's clothing.
   -- Earle makes music as Leo awakens
   -- Ed and Norma discuss their future in bed when Nadine rips off the door
      and joins them in bed.  She says she knows about them, mentions Mike,
      and bends her 2nd place wrestling trophy.
   -- Cooper and Truman question Josie
   -- Pete returns with a load of dry cleaning.  Cooper takes a sample from
      a coat.
   -- Thomas calls Josie.  Catherine listens.
   -- Ben continues on in the war.  Johnny is present in his Indian headdress.
      Bobby trumpets.
   -- Evelyn and Donna trade words at Wally's until Malcolm comes for Evelyn
   -- Albert's report.  The dead Asian man was Jonathan Kumagai.  The fibers
      found outside Cooper's door and from Josie's coat are a perfect match.
      The dead vagrant's name was Eric Powell.  Powell was Caroline's maiden
      name.
   -- Pete beats Toad, Cooper and Doc Hayward in chess
   -- Shelly gets her job back and cleans the ice cream cone
   -- Truman tells Norma Hank is going back to jail

   Night (1/2 moon)
   -- Josie answers the door to Eckhardt, who dines with Catherine.  They
      debate over what to do with Josie.
   -- James confronts Evelyn, who's blowing smoke rings.  She confesses and
      seduces him.  Malcolm knocks him out.
   -- The North surrenders and Ben's back
   -- Earle prepares himself and tutors Leo in penmanship
   -- Donna stumbles into Evelyn and Malcolm scheming.  Fiasco results
      in Evelyn shooting Malcolm.
   -- Cooper looks at a picture of Caroline as Earle walks out of the elevator.
      Earle leaves a message for Audrey.
   -- Cooper finds a mask and a message from Earle in his bed.

21 Mar (Tuesday)   [Episode 2016 - 2/16/91
                    Written by Tricia Brook
                    Directed by Lesli Linka Glatter]

   Morning
   -- Cooper and Truman listen to Earle's tape.  They decide to call Pete
      for Cooper's next move.  Lucy: Paper and Pete, got it - I'll do it
      alphabetically!
   -- Pete answers Lucy's call then serves breakfast to Catherine and Andrew.
      Josie enters, sees Andrew and faints.
   -- Truman reads the paper, an article on the Asian man's death
   -- Hank (on crutches) and Hawk in Truman's office.  Truman accuses Hank of
      shooting Leo.  Hank says he was home with Norma then, and offers to deal
      info on Packard's death for freedom.  No deal.  Hawk kicks Hank's
      crutch out from under him.
   -- Albert's report regarding the gun:
      A: This is the bullet we removed from you.  This is the one that was
         excavated from the dead man's skull.  Same bullets, same gun, same
         killer.  Let's go get her.
      C: Albert, hold your horses.
      A: Coop--I appreciate any reluctance you might have for busting your
         pal's old lady, but the woman ventilated you and left you for dead.
      C: (holds up his hand) Albert--I don't take it personally.  What about
         the gloves, the powder tests?
      A: News at five.  All right, fine, you're not mad, but there's an
         epidemic of multiple gunshot wounds following this chick around,
         she is a menace.
      C: (nods) I'll talk to her.  Maybe she'll confess, turn herself in.
      A: Maybe she'll grow wings and join the circus. (leaves)
   -- Audrey working as concierge at the Great Northern.  J.J. Wheeler walks
      in; he claims to have seen Audrey years ago playing Heidi.  Audrey has
      mail -- a note containing a torn piece of paper with writing, and a
      note inviting her to "save the one you love" by attending "a gathering
      of angels" at the Roadhouse that night.
   -- Ed replaces some figurines on a shelf when Nadine returns from school
      early. She confesses to Ed her love for Mike.  NADINE: "We have to
      call a spade a spade.  We're breaking up."
   -- Cooper pleads the truth from Josie.  Catherine listens in.  COOPER: "I
      don't know what place Harry occupies in your heart, but I do know that
      you own his."  Josie is unresponsive.  After Cooper leaves, Catherine
      badgers Josie while oozing slime.  Catherine says Josie will have to
      see Eckhardt alone that night.  JOSIE: "He'll kill me."  Catherine
      casually exposes a gun in the book case which Josie grabs and fondles.
   -- Bobby, Ben, Jerry, Audrey and John Justice Wheeler plot business.
      Ben reveals there is an endangered species on the mill/Ghostwood
      property: the pine weasel.
      B: I give you...the little pine weasel.  Found only in our tri-county
         area...  it is nearly extinct.
      J: (happily) They're incredible roasted.
      Ben will use this fact to stop development until he is in the driver's
      seat.  BEN: "And then, I'm considering a run for the Senate."

   1:16 (clock on wall)
   -- Earle the truck driver leaves the RR, leaving a note for Shelly.
      Norma is on the phone with her sister, Annie, who lives at a
      convent.  Shelly reads the note, identical to Audrey's.
      Ed comes in and proposes to Norma.
   -- Leo whittles under Earle's instruction
   -- Norma visits Hank in jail, asks for a divorce.  Hank promises to reform
      and asks for an alibi regarding Leo.  Norma refuses, although Hank
      swears he'll die if he goes back to prison.  HANK: "You're his whore,
      Norma."  NORMA: "I'd rather be his whore than your wife."
   -- Pete selects a move that will give Earle "sleepless nights" and not
      allow him to capture any pieces for 5-6 moves.  It appears to be P to
      QN-3.  This is just about the only legal move in that corner of the
      board (to Cooper's right) that would prevent any immediate capture.
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  | WN  | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BN  | BP  |     |    Captured:
      |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
      +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
      | BP  | BP  | BP  |     | BP  | BP  |     | BP  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
   5:00 pm (A to C: "News at five.")
   -- Albert says the powder on Josie's glove proves she shot Cooper.  There
      was a positive ID of her in Seattle.
   -- Andrew visits Josie putting on makeup in her room.  He says he loved her
      though she didn't love him and she should go to Eckhardt who can
      get her out of the country.

   Dusk
   -- James and Donna meet for a picnic in the mountains.  James is going to
      continue traveling around.  Donna will return to TP.  They will continue
      to love each other and meet again some day. Evelyn is going to stand
      trial and James will be a witness.

   Evening
   -- Truman comes to see Josie.  Catherine says she's gone to see Eckhardt.
   -- Eckhardt and Andrew meet in the elevator.  Andrew says he is alive
      because Josie betrayed Eckhardt.  Something about Josie in love with
      Truman.  ECKHARDT: "I have taken care of that [Truman]."
   -- Ben, Audrey and Jack at supper.  Jack is in business of saving troubled
      businesses with environmental problems.  Ben is called away;
      attraction/repulsion/defensiveness between Audrey and Jack ensues.

   9:30 pm
   -- Shelly, Audrey and Donna meet at the Roadhouse.  They put their three
      pieces of paper together. Earle watches from the bar.
      "See the mountains kiss high heaven
      And the waves clasp one another.
      No sister flower would be forgiven
      If it disdained its brother.
      And the sunlight clasps the earth,
      And the moonbeams kiss the sea.
      What is all this sweet work worth,
      If thou kiss not me?"
   -- Cooper practices fly fishing in his room.  Catherine calls to let him
      know where Josie is.  He grabs his gun and goes to investigate.  He hears
      a shot and opens Eckhardt's door.  Eckhardt stands up and dies.
      Josie and Cooper point guns at each other.
      J: He tried to kill me.
      C: Is that what you'll say about me, Josie--that I tried to kill you?
         What about Jonathan?  Did he try to kill you, too?
      J: He...he was taking me back.
      C: Why did you shoot me, Josie?
      J: Because you came here.  I knew this day was going to come.  I'm not
         going to jail!  I can't!
      (Truman enters, gun drawn)
      H: Put it down, Josie.
      J: Ah!  Harry?!
      H: PUT IT DOWN!!
      J: Harry--forgive me.  I never meant to hurt you. (takes several sharp
         breaths, closes her eyes, hugs the gun to her chest, and collapses on
         the bed)
      H: (rushes to her, cradles her in his arms) Josie!  Josie?!  Josie!
         (looks up) She's dead.
      (Truman and Josie on the bed disappear, spotlight appears.  BOB climbs
      onto the bed from the floor on the far side, laughing maniacally, until
      he is on his hands and knees on the bed)
      B: Coop!  What happened to Josie?! (continues to laugh)
      (BOB disappears, the little Man From Another Place appears, dances on
      the bed, and disappears.  Truman and Josie reappear as before.  Josie's
      face appears in the knob of the nightstand, crying out in torment)


-- Ed Hughes, SAS Institute | "See no evil...well, maybe just a little... Cary, NC | yeah!" | --Joel, "Women of the Prehistoric Planet," | MST3000

Posted 10/11/91
This has been slightly revised since the last posting.

This timeline is based off of one begun by Jerry Boyajian.
Many thanks go to Ed Hughes, David Coufal and all others who have posted
transcriptions and summaries which I've incorporated here.
This is for non-profit purposes.

A copy will be made available via anonymous ftp at audrey.levels.unisa.edu.au
(130.220.16.88) in pub/twin-peaks/timeline.Z

Edwin Nomura
enomura@ucsd.edu

TIMELINE, episodes 2001 to 2009(death of Leland)
-------------------------------------------------

03 Mar (Friday)  [Episode 2001 - 9/30/90
                 Written by Mark Frost
                 Directed by David Lynch]

   Early morning (4:45? am)
   -- Room service waiter delivers Cooper's warm milk, hangs up phone on
      Andy.  "I've heard about you."
   -- The Giant appears:
      G: "I will tell you three things.  If I tell them to you and they come
        true, then will you believe me?"
      C: "Who's that?"
      G: "Think of me as a friend."
      C: "Where do you come from?"
      G: {Shaking head} "The question is: where have you gone?"
         "The 1st thing I will tell you is: There's a man in a smiling bag."
      C: "Man in a smiling bag..."
      G: "The 2nd thing is: The owl's are not what they seem.
          The 3rd thing is: Without chemicals, he points."
      C: "What do these things mean?"
      G: "This is all I'm permitted to say.  Give me your ring.  I will
        return it to you when you find these things to be true."
      {Takes Coop's ring} "We want to help."
      C: "Who's we?"
      G: "One last thing.  Leo locked inside Hungry Horse.  There's a clue at
        Leo's house.  You will require medical assistance."
   -- Jerry gives heroin to Blackie
   -- Audrey evades Ben, Jerry calls him away: Brother Ben, we got an S-N-A-G.
   -- Cooper tells Diane things he'd like to've done until Andy, Hawk, and
      Truman arrive

   7:45 am
   -- Lucy updates Cooper. Truman and Doc Hayward are present.
      C: Doc, when the will is invoked, the recuperative powers of the physical
         body are simply extraordinary.  Just give me a couple of hours to
         get dressed.
   -- Shelly, in her hospital bed, cries for Bobby

   Morning
   -- Cooper sees Jacques' body wheeled away in a bag
        C: Is that bag smiling?
        Doc: Smiling?
        Lucy: What's there to smile about?
   -- Ronette has a vision, "Laura..."

   Day
   -- Sarah asks Maddy if she misses Beth (her mom).  Maddy describes her
      dream (the rug) and Leland sports a new 'do, singing Mairzy Doats:
        Mairzy doats and dozy doats
        and little lambzy divy.
        A kiddly divy, too, wooden shoe?
        Now if the words sounds queer,
        and funny to your ear,
        a little bit jumbled and jivy,
        Sing:
        Mares eat oats and does eats oats
        and little lambs eat ivy.
        A kid'll eat ivy, too, wouldn't you?
      Maddy sees something in the rug.
   -- Ben and Jerry talk.  Ben wants to know about Catherine and Leo's status.
      Leland arrives, singing Mairzy Doats.  The brothers dance.
   -- Cooper determines what happened at Leo's.
      C: Sheriff, get your mind off Shelly - for a moment.
      Hawk finds a tarp smelling of gasoline.  Albert and team arrive.  Andy
      steps on a board and walks like a chicken, underneath are a pair of
      Circle Brand boots and cocaine.
      A: And it's another great moment in law enforcement history.
   -- Maddy meets with Donna at the RR and gives her Laura's shades that she
      wanted and breaks her own.  They agree to "keep it quiet."
      D: Maybe the sun won't go up tomorrow if you wash your hair.  Think
         like that and you'll go crazy.
      Norma gives Donna a letter that got to the RR "yesterday:" Look into
      the Meals on Wheels.  The log lady spits out her gum.
   -- Albert examines Cooper: "You were shot by a right handed person 5 foot
      6 to 5 foot 10 inches tall at a distance of less than 3 feet."
      Cooper tries to get Albert to open up to the locals.
      A: After the square dance, we can all go for a hayride.
      Andy reports that Leo was in jail in Hungry Horse, Montana on 2/9/88.
      A: Where do they keep his water dish?
   -- The OAM arrives at the station to "sell shoes" to Truman (to Lucy)
   -- Truman questions James.  Cooper demands and gets the locket on a thong
      from James.
      C: Jacoby!  I didn't figure he had anything to do with this at all.
         Sometimes, you just get lucky.
   -- Donna arrives at the station in Laura's shades, smoking and meets
      James in his cell.
      J: When did you start smoking?
      D: I smoke every once in a while.  Helps relieve tension.
      J: When did you get so tense?
      D: When I started smoking.
   -- Cooper has Andy and Lucy look through the back issues of the last three
      years of Fleshworld for Teresa Banks.
      C to D: Diane, just received the back issues of Fleshworld.  Good work.
              It's nice to see some cooperation with the law especially from
              a company that preys on human weaknesses.
   -- Hayward examines Jacoby.  Cooper and Truman arrive.  Cooper confronts
      Jacoby with the locket on a thong: I don't want any baloney, magic
      tricks or psychological mumbo jumbo.
      Jacoby said the night after Laura died, he followed Leo, lost him,
      saw and followed James and Donna and dug up the locket.
      J: Laura was, was in fact, no she was living a double life.  Two people.
         Yeah, but then, then when I saw her the last time, she
         I dunno, she seemed to've reached a kind of peace herself.  Now I
         believe that what she in fact, she had arrived at was the decision
         to end her life.
      T: Are you saying Laura wanted to die?
      C: Laura Palmer did not commit suicide.
      J: No, but maybe she allowed herself to be killed.
      Jacoby smelled scorched engine oil the night before.
   -- Bobby visits Shelly, brings her flowers
   -- Cooper, Truman, and Albert spot Bobby in the hospital.  A: Sheriff
      Truman, to see this kind of investigative genius at work is just a
      real treat for me.
      They meet Ed in the hall.
      Ed: I never believed in fate, Agent Cooper.  Always felt, you make your
          own way, you take care of your own, you pick up after yourself.
      Albert: Farmer's Almanac?
      Cooper: Albert, I would like to speak to Ed.
      Truman: Albert, I'll buy you a cup of coffee.
      Ed tells his tale of how he was with Norma but married Nadine and
      shot her eye out accidently on their honeymoon.  James drops by.  Cooper
      sees the smiling bag.  Albert goes to check in at the Great Northern.
   -- Pete is disgusted by the hospital food
   -- Norma visits Shelly in her room, then sees Ed caring over Nadine
   -- Bobby runs into his father at the RR:
      MB: "Bobby, may I share something with you?"
      BB: "Okay."
      MB: "A vision I had in my sleep last night, as distinguished from a
        dream, which is mere sorting and cataloguing of the day's events by
        the subconscious.  This was a vision, fresh and clear as a mountain
        stream, the mind revealing itself to itself.  In my vision, I was on
        the veranda of a vast estate, a palazzo of some fantastic proportion.
        There seemed to emanate from it a light from within, this gleaming,
        radiant marble.  I'd known this place.  I had in fact been
        born and raised there.  This was my first return.  A reunion with the
        deepest well-springs of my being.  Wandering about, I noticed happily
        that the house had been immaculately maintained.  There'd been added
        a number of additional rooms, but in a way that blended so seamlessly
        with the original construction, one would never detect any difference.
        Returning to the house's grand foyer, there came a knock at the door.
        My son was standing there.  He was happy and carefree, clearly living
        a life of deep harmony and joy.  We embraced, a warm and loving
        embrace, nothing withheld.  We were, in this moment, one.  My vision
        ended and I awoke with a tremendous feeling of optimism and
        confidence in you and your future.  That was my vision of you.  I'm
        so glad to have had this opportunity to share it with you.  I wish
        you nothing but the best in all things."
      BB: "Thank you Dad."
      Bobby appears moved.  Hank asks Briggs how the pie was and salutes him.
   -- Norma won't talk about Shelly and Bobby recognizes Hank as he who
      shot Leo.
   -- Cooper and Albert tell their theory of what happened on 2/23:
        C: The night Laura Palmer was killed, it appears she made 2
           appointments.  In her diary, she had written, "Nervous about
           meeting J. tonight."  I now believe this was a reference to James
           Hurley.  She was nervous because she planned to tell him she
           didn't want to see him anymore.  Before she snuck out of the
           house, she received a phone call.
        A: We believe it was Leo Johnson making a second appointment
           for some time later that night.
        C: Laura met James, was with him until 12:30 when, at the intersection
           of 21 and Sparkwood, she jumped from the bike and ran into
           the woods.  We believe that it was there that she met up with
           Jacques Renault, Leo Johnson and Ronette Pulaski.  Together
           they drove to the foot of the trail leading to Jacques' cabin.
           They climbed the trail, they were heard passing the cabin of
           the Log Lady.  They reached Jacques Renault's cabin at approximately
           1 am.  Drugs and alcohol were consumed.  Laura was tied up
           and had sexual relations with both Leo and Jacques.  Waldo the
           bird was let out of his cage and attacked Laura.  Leo and
           Jacques fought.  Jacques went outside and passed out.  When he
           came to, Leo and the girls were gone.  We believe Leo hiked
           back down to his Corvette alone, leaving the girls behind.
        A: The reason being, there was a third man.
        C: Deputy Hawk found evidence of a third man outside the window
           of Jacques' cabin.
        A: The third man took Laura and Ronette to the train car, where
           they were tied up.  Laura for the 2nd time, Ronette for the 1st.
        C: Using a blunt object, the killer hit Ronette and knocked her
           unconscious.  He must've been so intent on killing Laura, he
           didn't realize Ronette regained consciousness and escaped.
        A: He either didn't know or he didn't care. He made a small mound
           of dirt and put the half heart necklace of Laura's on top.  He
           then placed a small cut out letter R under the nail of her
           left ring finger.  You'll recall he placed the letter T under
           the fingernail of Teresa Banks.  He, uh, left a note written in
           blood, "Fire, walk with me."
        C: Here's the interesting thing.  The blood on the note was tested.
           It doesn't match Leo's, Jacques', Laura's or Ronette's.
        A: So we surmise the killer wrote the note in his own blood.  The
           rare type, AB negative.  The towel that Deputy Hawk found five
           miles down the tracks was soaked in blood of that type.  He
           also found, near the towel, scraps of faded paper.
        C: The scraps may have been left by the killer.  They'll be sent
           back to Washington DC for testing.
        {Andy cries}
        A: I know, Andy, I know, I know, I know.  It's what we call a real
           three hanky crime.
        Andy: Albert Rosenfeld.  I don't like the way you talk smart about
              Sheriff Truman or anybody.  You just shut your mouth! {Exits}
        C: Laura Palmer is dead.  Jacques Renault is dead.  Ronette
           Pulaski and Leo Johnson are in comas.  Waldo the bird is dead.
           This leaves only the third man.
   -- Truman gives Pete a ride home. P: This smoke inhalation is nasty
      business.  I feel like somebody taped my lips to the tailpipe
      of a bus.
      Josie left a note; she went to Seattle, she goes shopping every 3
      months.  An Asian man calls, asking for her, then he makes a collect
      call to Hong Kong.
   -- Ben and Jerry meet with Hank.  Hank confirms he put Catherine in the mill
      and they hope to frame the arson on her and Leo.
   -- Audrey meets with Blackie, she's not pleased with her not satisfying the
      owner

   Night
   -- Donna calls Norma about taking over Laura's Meals on Wheels route.
      She'll use the RR station wagon.
   -- At the Hayward Supper Club, Gersten plays the piano and Harriet
      recites a poem:
        "It was Laura
        And I saw her glowing.
        In the dark woods,
        I saw her smiling.
        We were crying
        And I saw her laughing.
        In our sadness,
        I saw her dancing.
        It was Laura
        Living in my dreams.
        It was Laura.
        The glow was life.
        Her smile was to say
        It was all right to cry.
        The woods was our sadness.
        The dance was her calling.
        It was Laura
        And she came to kiss me goodbye."
      Donna sits on her hands. Leland sings "Get Happy" and collapses.

   11:55 pm (Cooper to Diane)
   -- Cooper goes to bed.  C to D: I'm dog tired.  A man can only go long
        without submitting to a period of rest.  As we know from experiments
        conducted on American GI's during the Korean War, sleep deprivation
        is a one way ticket to temporary psychosis.  And I'm working on a
        3 day jag.
   -- Audrey prays for Cooper
   -- The Giant returns:
      G: "Sorry to wake you."
      C: "I'm not dreaming."
      G: "I forgot to tell you something."
      C: "You were right about the smiling bag."
      G: "The things I tell you will not be wrong.  Better to listen then to
        talk."
      C: "I believe you."
      G: "Don't search for all the answers at once.  A path is formed by
        laying one stone at a time.  One person saw the third man.  Three have
        seen him, yes.  But not his body.  One only.  Known to you.  Ready now
        to talk.  One more thing: you forgot something."
      C: "What?"
      { Flash of green gets zapped into Coop. He lies alone in the dark,
      blinking.  }
   -- Ronette has a vision of BOB and Laura

04 Mar (Saturday)   [Episode 2002 - 10/6/90
                     Written by Harley Peyton
                     Directed by David Lynch]

   Morning
   -- Cooper talks to Albert about Tibet over breakfast:
      C: Buddhist tradition first came to the land of snow in the fifth
        century AD.  The first Tibetan came to be touched by the Dharma was
        King Hathatha Rignamputsan.  He and succeeding generations came to be
        collectively called the Happy Generations.  Now some historians place
        them in the Water Snake Year, two-thirteen AD; others in the year
        of the water ox 173 AD.  Amazing isn't it?  The Happy Generations.
      A: Agent Cooper, I am thrilled to pieces that the Dharama came to King
        Hohoho, I really am, but right now I am trying hard to focus on the
        more immediate problems of our own century right in Twin Peaks.
      C: Albert, you'd be surprised at the connection between the two.
      A: Color me amazed.
      Albert tells of Cooper's ex-partner Windom Earle escaping from a mental
      institution.  The Asian man watches Cooper drink coffee.

   Afternoon
   -- Donna delivers a meal to Mrs. Tremond.  Her grandson makes the creamed
      corn disappear.  "Sometimes things can happen just like this."
        "She seemed like a very nice girl."
   -- Cooper and Truman see Ronette and wrestle with the stools.  They show
      sketches of Leo and BOB to her.  She reacts violently to the second.
      "Tr- tr- tr-"
   -- Ben and Jerry contemplate over which ledger to burn then decide to roast
      marshmallows
   -- Andy fights scotch tape at the RR.  The log lady enters and tells the
      Major to "deliver the message."
   -- Andy tells Lucy he's sterile:
      Listen to me, Lucy Moran, you just listen.  When the Takoma
      Sperm Bank was looking for donors, naturally I applied.  It's my civic
      duty and I like whales.  A routine physical examination revealed that
      I'm sterile.  Sure I thought it meant I didn't have to take a
      bath, but the doctors told me the truth.  They told me I can't have
      babies.  So what I wanna know now is why are you having one and how?
   -- Hank sees Cooper and Truman, signs his parole form.  Hank was a Bookhouse
      Boy.  Ben calls: Audrey's missing.
   -- Jerry shows Ben the unsigned insurance policy.  Ben calls Einar Thorson -
      Leland's already called.  Leland recognizes Bob; he lived next door to
      his grandfather.  J: Is this real Ben? Or some twisted dream?

   8:08 pm (clock on wall)
   -- Shelly sees Leo on life support.  Norma's waiting to drive her home.
   -- Lucy gets a call but hangs up on him because he remains anonymous
   -- At OEJ, Audrey questions Battis.  He recruited Laura and Ronette to work
      at OEJ.  Laura used drugs one weekend so they got rid of her.
   -- Bobby and Shelly scheme over Leo

   Night
   -- Cooper reports Windom Earle's flight to Diane.  The Major visits.
      BRIGGS: I have a message for you.
      COOPER: From whom?
      BRIGGS: I'm not at liberty to reveal the nature of my work.  This
        secrecy pains me from time to time.  Any bureaucracy that
        functions in secret inevitably lends itself to corruption.
        But these rules I have pledged to uphold and I believe a
        pledge is sacred.
      Briggs shows Cooper the message: /THE/OWLS/ARE/NOT/WHAT/THEY/SEEM/
   -- James sings with Donna and Maddy.  James and Maddy exchange looks, Donna
      gets jealous, then gets a call from Harold Smith.  Maddy sees BOB.
   -- Cooper is awaken from a dream by a call from Audrey.  She is caught by
      Blackie.

05 Mar (Sunday)   [Episode 2003 - 10/13/90
                   Written by Robert Engles
                   Directed by Lesli Linka Glatter]

   6:40 am (clock on wall)
   -- Ronette is in the throes of a violent seizure.  Truman turns off a
      machine by her bed, then tells Cooper and Albert, who have just arrived,
      that she took out her IV.  Cooper pulls out a 'B' from under Ronette's
      fingernail.
   -- Cooper enlightens Albert and Truman about his visitations from the Giant

   12:30 pm (?) (Harold's watch)
   -- Donna visits Harold, who gives her a flower to put on Laura's grave.
      He's known Laura since she started the Meals on Wheels. She pulls on a
      piece of paper sticking out of a drawer.
   -- Cooper and Truman discuss BOB.                     R   B   T
      Albert reports: the B from Ronette's              Mrs. Palmer
      finger was from a Fleshworld.           Maddy ----===========---- Cooper
      The cocaine found in James' cycle                   Ronette
      matches that found in Leo's house and Jacques' car.
      Cooper was shot with a Walther PPK.
      Albert and Truman trade words:
      ALBERT: You listen to me.  While I will admit to a certain cynicism, the
       fact is that I am a nay-sayer and hatchet man in the fight against
       violence.  I pride myself in taking a punch and I'll gladly take
       another, because I choose to live my life in the company of Gandhi and
       King.  My concerns are global.  I reject absolutely revenge,
       aggression, and retaliation.  The foundation of such a method...is
       love. I love you, Sheriff Truman.
      COOPER: Albert's path is a strange and difficult one.
   -- Lucy looks for words with R, B, and T.  Richard Tremayne, her lunch date,
      arrives at the station.  Hawk offers two more words: prohibited, robot.
   -- Leland drops by and tells Cooper, Truman, and Hawk about the man in the
      sketch - he lived in a white house, across a vacant lot from his
      grandfather's place on Pearl Lakes.  His name was Robertson and he used
      to flick matches at him, "you wanna play with fire, little boy?"  Leland
      flicks a match nicely himself into an ashtray.  Cooper picks it up and
      blows it out.

   Afternoon
   -- At the RR, Lucy and Dick have words over lunch.  They used to go out
      every Thursday night for three months, but he hasn't called in 6 weeks,
      since their encounter in Horne's Home Furnishings.  She tells him of her
      pregnancy.
   -- James and Maddy discuss Donna.  She arrives at an opportune moment, while
      they're holding hands, and storms out.
   -- Emory videotapes Audrey as Blackie shoots her up
   -- The OAM shows shoes to Truman, sees the sketch of BOB, gets dizzy
      and heads for the bathroom
   -- Shelly drops by the station and tells Cooper and Truman she won't give
      a statement against Leo.  Cooper smells an insurance scam and wonders
      who's behind it.
   -- The OAM has spasms in the toilet stall, flushes the toilet and the
      spasms cease.  He drops his needle.  Mike takes over.
   -- Cooper meets Ben at the Great Northern, who tells him to watch his step
      with Audrey.  The Asian Man watches and follows Cooper.
   -- Jean Renault gives Audrey some English caramel
   -- Emory recognizes Cooper on the monitor.  Jean and Nancy, Blackie's
      sister, arrive.  They and Blackie scheme.  Jean wants Cooper and Blackie
      wants money.  He'll be the go-between for 30%.
   -- Truman gets a call from Pete - Josie will be back tomorrow afternoon.
      Hawk has information about the white house - it's boarded up and no name
      on the mailbox.  Truman tells Cooper about the OAM and flinches when
      Cooper reminds him that in his dream, the OAM knew BOB.  Cooper finds the
      needle in the bathroom.

   4:15 (?) (clock on wall)
   -- Ed visits Nadine who is strapped to her bed.  He sings to her, and she
      breaks her straps and wakes up.  She's 18.
   -- Cooper and Truman visit Jacoby in his hospital room.  His wife is there.
      Hypnotized, he says he smelled engine oil at the park, and he saw
      Jacques' killer

   Night (full moon)
   -- Donna brings Harold's flower to Laura's grave and has a one-way
      conversation with her
   -- James sees Maddy at the Palmer home.  He's depressed since his mom came
      home.  Donna once again catches them at another opportune moment.
   -- Maddy cries to Leland, "Everybody thinks I'm Laura, but I'm not!"
      Cooper and Truman arrive to arrest Leland for the murder of Jacques.
   -- Donna goes over to Harold's and finds Laura's secret diary next to a
      knife

06 Mar (Monday)   [Episode 2004 - 10/20/90
                   Written by Jerry Stahl and Mark Frost,
                              Harley Peyton, Robert Engles
                   Directed by Todd Holland]

   Early morning
   -- Cooper and Truman question Leland, who admits to killing Jacques
   -- Doc Hayward and Andy discuss Andy's sterility.  Doc asks for another
      sample.  Andy, with a copy of Fleshworld, runs into Lucy on the way to
      the restroom.
   -- Truman tells Cooper no one named Robertson ever lived in the white house.
      Andy runs into a deputy, "Sorry, Bob."  Cooper notices Andy's wearing
      Circle Brand Boots.

   "Not even 9:30" (Ben to Louie)
   -- Louie tells Ben that travel critic M. T. Wentz is coming to town
   -- Jean, who "sells insurance to small businesses," visits Ben with the
      video of Audrey and the condition that Cooper bring the ransom money

   Afternoon
   -- Donna picks up lunches from the RR
   -- Norma tells Hank about M. T. Wentz.  He says there's enough time and
      takes off.
   -- At Harold's, he shows Donna the secret diary and reads from it.  Donna
      suggests giving it to the sheriff but Harold disagrees.
   -- Ben shows the Audrey video to Cooper and asks him to deliver the money
   -- Josie returns
   -- At OEJ, Emory brings Audrey to Jean.  Audrey says Emory hit him.  Jean
      kills Emory.
   -- Andy approaches Lucy.  Cooper has a talk with her.
   -- Cooper asks Truman a favor.  He needs the best Bookhouse Boy.
   -- M.T. Wentz to arrive today

   7:05 (clock on wall) (1/2 moon)
   -- Hank and Norma patronize a large man at the RR.  Hank lifts his billfold
      and finds it is Daryl Lodwick, District Attorney.
   -- Donna meets Maddy at the RR and asks her help in getting the secret diary
   -- Truman confronts Josie about the mill, she seduces him on the couch.
      A mystery man watches outside the window in the rain (Asian man?).
   -- Judge Clinton Sternwood arrives at the station and meets Lucy, Cooper
      and the sheriff.
   -- Dick Tremayne arrives, offers Lucy money for an abortion, and is kicked
      out by her.
   -- Andy, who overhears Lucy crying, brings in Leland to meet with the Judge.
      Sid arrives.

   Evening
   -- Ben bows to Mr. Tojamura who checks in.  Louie calls Norma - she thinks
      it's M. T. Wentz.
   -- Josie introduces her cousin Jonathan to Pete.  Jonathan tells Josie her
      job is to sell the mill and she is expected in Hong Kong by Mr. Eckhardt.

   9:30 pm
   -- Truman meets Cooper at the Roadhouse
   -- Hank at the RR gets a visit from the Asian man and is beaten up

07 Mar (Tuesday)   [Episode 2005 - 10/27/90
                    Written by Barry Pullman
                    Directed by Graeme Clifford]

   6:42 am (Cooper to Diane)
   -- Cooper awakes, chewing on his ear plug, and finds Audrey's note

   Morning
   -- Hawk tells Truman of his finds - two old ladies at the white house.
      They never heard of a Robertson.
   -- Lucy leaves for Tacoma.  She'll stay at sister Gwen and Larry's for
      two days.
   -- Cooper tells Truman he knows where Audrey is
   -- Mr Pinkle demonstrates for Bobby and Shelly the Leo-lifter apparatus
   -- Leland's hearing.  Truman defends, Andy sketches.  Ben chews on nuts and
      leaves.  Leland's released.  His grandfather, Joshua, brought them over
      75 years ago.
   -- Donna delivers lunch to Harold and makes a deal.  He'll read the diary if
      she tells her story.  She taunts him outside, he collapses.
   -- Leo's hearing.  He's ruled incompetent to stand trial.  The Judge,
      Cooper, and Truman have a drink.  Cooper doesn't think Leo did it.
      Truman tells Shelly Leo's coming home.
   -- Ed brings Nadine home.  She rips off the refrigerator door.
   -- Tojamura meets Ben and offers him 5 million dollars for Ghostwood
   -- At the Great Northern, Bobby is snooping around Hank

   Noon ("Expect a call tomorrow. Noon." Jean to Ben)
   -- Cooper meets Ben.  They get a call from Jean with instructions on where
      and when to deliver the money.  Ben has Hank follow Cooper.
   -- Donna and Maddy plot to get the diary
   -- At OEJ, Jean arms himself.  Nancy reports that Audrey is asleep.
   -- Andy mans the phones at the station.  He calls the Doc for the results
      of his sperm test.  "I'm a whole damn town!" to Truman as he's zipping
      his fly.  He sees Gwen's number, calls, and gets an abortion clinic.
   -- Cooper and Truman plan.  Hawk enters and reports that the OAM is staying
      at the Robin's Nest.  No one's seen him for "a day, a day and a half."
      He found a mysterious drug.

   Night
   -- Maddy gets some coffee at the RR.  James follows.
   -- Donna tells a story to Harold
   -- Cooper and Truman bust into OEJ.  There's a roll of plastic on theu
      stairs.
   -- Harold shows Donna some orchids
   -- Cooper runs into Nancy and gets Audrey
   -- Truman watches Jean kill Blackie.  Hawk saves Cooper and Truman.
      H: "Good thing you guys can't keep a secret."
   -- Hank is caught outside by Jean and is identified as DA Lodwick (billfold)
   -- Maddy and Donna are caught by Harold

[Episode 2006 - 11/3/90
 Written by Harley Peyton & Robert Engles
 Directed by Lesli Linka Glatter]

   Night (con't)
   -- James rescues Donna and Maddy.  Harold sprays his plants and grieves.
   -- Cooper brings Audrey to the Bookhouse
   -- Maddy leaves Donna and James, who share a moment
   -- Truman recognizes Jean in a book of criminals and points him out to
      Cooper, who begins to feel remorse for getting Audrey messed up in his
      problems
   -- Cooper gives back the money to Ben and tells him what happened.  Ben hugs
      him, then the briefcase.

08 Mar (Wednesday)

   Morning
   -- Bobby brings Leo home.  He and Shelly get their first check - it's only
      $700, it was supposed to be $5000.  Leo groans.
   -- Donna tells Truman about the secret diary.  Gordon Cole arrives ("sounds
      real good, Sheriff, but I already ate"), with Albert's report: vicuna
      fibers were found outside Cooper's room, the OAM's chemicals were weird
      stuff, and the scraps of paper found near the train site were diary
      pages.  Hawk brings in the OAM. G: "There's the one-armer now!"
   -- Ben sees Audrey.  A: "I saw so much." "I'm aware of a lot of new things
      too, Daddy."

   1:50 pm (clock on wall)
   -- Nadine comes home
   -- Jonathan rapes Josie and gives her a one way ticket to Hong Kong.  She
      says she hasn't received her insurance money nor the money from Ben.
      She's waited five years for this.  The plane leaves at midnight.
   -- Maddy says goodbye to James at a dock.  She leaves tomorrow.
   -- Ben meets Josie at his office.  They drink to the fire.  She got Pete's
      signature and wants her money.  He threatens, she threatens.  He gives
      her the check from Tojamura, she gives him the contract.
   -- Bobby and Shelly party around Leo.  They make out in front of him, Leo
      moves.
   -- Cooper meets Gordon.  Albert thinks Cooper is in over his head.  Gordon's
      worried over Pittsburgh.  Cooper gets an unmarked letter with an opening
      chess move (P to K-4) from Windom Earle.
   -- Leland meets with Ben and proves himself, while pocketing fur off of a
      stuffed dog.  Jerry's on his way to Tokyo.

   Night
   -- Truman arrives as Josie's leaving.  He is introduced to Jonathan as "Mr.
      Lee," Josie's assistant.  He tells her he loves her, she hesitates, then
      leaves.
   -- Ben meets with Tojamura.  Leland sings.  Pete chats with Tojamura:
      Pete: The King and I!  [to Tojamura] Do you like musicals?
      Tojamura: No.
      Pete: Not even Fiddler on the Roof?  Made me weep like a little baby.
      Tojamura: I find adherence to fantasy troubling and unreasonable.
   -- Cooper questions Mike:
      M:  There is no need...for medicine.  I am not in pain.
      C:  Who are you?
      M:  My name is Mike.
      C:  What are you?
      M:  I am...an inhabiting spirit.
      C:  Who is Phillip Gerard?
      M:  He is host to me.
      C:  You spoke to me in my dream...about BOB.
      M:  Mmm.  He...was...my familiar.
      C:  Where does BOB come from?
      M:  That...cannot be revealed.
      C:  What does BOB want?
      M:  He is BOB...eager for fun.  He wears a smile... Everybody run!
          Do you understand the parasite? It attaches itself to a life form and
          feeds.  Eh.  BOB requires a human host.  He feeds on fear...and the
          pleasures.  They are his children.  I am similar to BOB.  We once
          were partners.
      M and C in unison:
          Through the darkness of future past,
          The magician longs to see.
      M:  One...chants out, between two worlds,
          Fire...walk with me.
          Oh, but then...I saw the face of God...and was purified.  I took off
          the arm...but remained... close to this vessel, inhabiting from time
          to time, for ONE, SINGLE, PURPOSE.
      C:  To find BOB [produces sketch of Bob].
      M:  TO STOP HIM!  This [points to sketch] is his true face.  But few can
          see it.  The gifted...and the damned!
      C:  Is BOB near us now?
      M:  For nearly forty years.
      C:  Where?
      M:  Ah.  A large house, made of wood, surrounded by trees.  The house is
          filled with many rooms, each alike, but occupied by different souls,
          night after night.
      C:  The Great Northern Hotel!

09 Mar (Thursday)  [Episode 2007 - 11/10/90
                    Written by Mark Frost
                    Directed by David Lynch]

   Early morning
   -- Mike babbles, Gordon tells Truman about the diary pages.  Gordon is on
      his way to Bend Oregon, "hush hush" business.

   7:24 am (clock on wall)
   -- Andy shows guests to Mike, who says "no...no..."  Navy sailors bounce
      handballs.  Ben enters the room and Mike faints.
   -- Hawk discovers Harold's body

   9:05 am (clock on wall)
   -- Maddy tells Leland and Sarah she's leaving tomorrow.  "I'll come
      galloping back often!"
   -- Cooper and Truman find the French note on Harold's body, "I'm a lonely
      soul."  Hawk finds the torn diary.
   -- Bobby and Shelly pay their bills and end up with $42.  She wants Bobby to
      take a necklace back.  Leo's truck's been impounded.  Leo screams and
      spits, "new shoes."  Leo had Shelly take in a pair of boots "last week."
   -- Audrey confronts Ben with what she knows.  He's owned OEJ for five years.
      Laura worked there a short time, Battis recruited her without his
      knowledge.  He slept with her.

   Day
   -- A tearful Shelly tells Norma she's quitting.  Nadine and Ed arrive.
      Norma's been working there "20 years this April."  Nadine crushes a
      glass.
   -- Bobby and Mike get back to Leo's with the boots and find a tape in the
      heel.

   2:47 pm (Cooper to Diane)
   -- Cooper pieces together the diary.  Audrey arrives and tells him what she
      found out about Ben.

   Night (full moon) (Albert puts Maddy's death between 10 and 12 and
      Truman says they took Ben in after that, 2009)
   -- Ben gets a fax from Jerry - he's talked with the people in Osaka and
      it's thumbs up.  Hawk, Andy, Truman, and Cooper arrive to take Ben in
      for questioning.
   -- At the Palmer house, a record skips at the end, and Sarah (drugged)
      crawls down the stairs, "Leland."
   -- Ben is brought to the station.  The Log Lady tells Cooper, "We don't know
      what will happen or when, but there are owls in the Roadhouse."  She
      acknowledges that something is happening.
   -- Pete runs into Tojamura - it's Catherine
   -- Sarah sees a white horse and faints.  Leland's at the mirror.
   -- At the Roadhouse, Donna meets James and they discuss Harold.  The Log
      Lady arrives with Cooper and Truman.  The navy sailors are there also.
      Donna lip syncs.
   -- Cooper and the Log Lady see the giant, "It is happening again."
   -- Leland at the mirror, sees BOB.  Maddy smells something burning and is
      killed by Bob/Leland.  An 'O' is put underneath her fingernail.
   -- The waiter from the Great Northern tells Cooper, "I'm so sorry."  Bobby
      and Donna appear moved.  Cooper's thinking hard.

10 Mar (Friday)   [Episode 2008 - 11/17/90
                   Written by Scott Frost
                   Directed by Caleb Deschanel]

   Morning
   -- Leland plays indoor golf.  Donna and James drop by and miss their chance
      to say goodbye to Maddy.  Leland says he dropped Maddy off at the bus
      station not 20 minutes ago.  Leland excuses himself and talks to Sarah.
      After Donna and James leave, Leland packs the club into his bag
      (Maddy's in there) and leaves.  His license plate says "The Timber
      State."
   -- Ben brushes his teeth in his cell when Jerry arrives back from Japan.
      Ben says he was with Catherine the night Laura died.  Ben and Jerry
      reminisce about Louise Dombrowski dancing with a flashlight.
   -- Lucy's back with her sister Gwen

   10:03 am (Cooper to Diane)
   -- Cooper and Truman come across Leland dancing with his golf club.
      Truman tells Leland Ben's been arrested.  Cooper asks him to get back
      to him if he remembers anything about Ben.
        T: Everything OK?
        C: I'm not sure.

   Late morning
   -- Doc Hayward takes a blood sample from Ben.  Jerry defends, and Cooper
      and Truman question him.
   -- Bobby makes a copy of Leo's tape and writes a letter for Ben
   -- Norma's mom Vivien arrives with her new husband Ernie, a financial
      analyst.  He says he's through with gambling, but leaves a paper on
      the counter and Norma sees "$1000 Houston by 3 points" written on it.
   -- The OAM ("he's close...") bumps the deputy and escapes from his room
   -- Hank returns to the RR and smooth talks Norma
   -- Truman and Pete look through a pair of binoculars at a pileated
      woodpecker.  They trade stories about Josie and get funny feelings.
      Truman leaves with Cooper.  The OAM is missing.
   -- Andy sees Lucy with Gwen's baby and faints

   1:40 pm (?) (Ben's watch)
   -- Pete delivers a voice message to Ben from Catherine.  She'll testify
      for the mill.  Ben throws a tantrum.
   -- Leland sings "Surry With a Fringe on Top" while driving.  Cooper's
      whistling the same tune in a different key.  They nearly collide.
      Truman pulls Leland over and they chat.  Leland mentions Ben made a
      phone call at 10 pm the night Laura died and mentioned a "derry"
      or diary.  Leland offers to show Cooper his new clubs and appears
      to almost whack Cooper with one when Truman calls him away - they
      found the OAM, near the waterfall.

   Afternoon
   -- Hawk brings in the OAM to the station.  Lucy attends to Andy while
      while Gwen gabs.  Andy tells Lucy about his sperm.
   -- The OAM examines Ben.  Truman charges Ben with the murder of Laura.
      The OAM is taken to back to the hotel.  Cooper tells Truman he doesn't
      think Ben didi it.

   8:30 pm (Vivien to Hank)
   -- Norma, Hank, Ernie and Vivien have dinner together, Hank's got a
      new domino - double 4.  When the ladies are in the powder room, Hank
      and Ernie talk.  They were prison buddies.  Ernie Niles, "The
      Professor," got out 6 months ago.  He met Vivien at a Republican
      fund raiser.  He says he doesn't gamble anymore.

   11:05 pm (clock on table)
   -- Audrey visits Cooper.  Cooper gets a call.
   -- Cooper and Truman identify Maddy's body

11 Mar (Saturday)   [Episode 2009 - 12/1/90
                     Written by Mark Frost, Harley Peyton and Robert Engles
                     Directed by Tim Hunter]

   Morning
   -- Albert reports: letter O under Maddy's fingernail, fur in her hand
      from a dead, stuffed fox.  Cooper asks for 24 hours to finish it.
      Albert:   Cooper... an observation.  I don't know where this is headed,
        but the only one of us with the coordinates for this destination in his
        hardware is you.  Go on whatever vision quest you require.  Stand on
        the rim of the volcano, stand alone and do your dance.  Just find
        this beast before he takes another bite.
      Cooper:   <Sigh>  God help me, I don't know where to start.
      Hawk:     You're on the path.  You don't need to know where it leads.
        Just follow...
   -- James gives Donna a ring.  Donna mentions last night.
   -- Vivien doesn't like Norma's eggs.
   -- Andy's French surprises Donna
   -- Donna, Cooper, and Andy arrive at the Tremonds.  A younger Mrs. Tremond
      answers the door.  Her mother passed away 3 years ago and she has no
      children.  She has a letter addressed to Donna that was in her mail
      the morning after Harold died.  It's a page from Laura's diary:
        February 22.  Last night I had the strangest dream. I was in a
        red room with a small man, dressed in red, and an old man
        sitting in a chair.  I tried to talk to him.  I wanted to tell
        him who BOB is, because I thought he could help me.  But my
        words came out slow and odd.  It was frustrating trying to talk.
        I got up and walked to the old man.  Then I leaned over and
        whispered the secret in his ear.
        Somebody has to stop BOB.  BOB's only afraid of one man.  He
        told me once.  A man named Mike.  I wonder if this was Mike in
        my dream.  Even if it was only a dream, I hope he heard me.  No
        one in the real world would believe me.
        February 23.  Tonight is the night that I die.  I know I have
        to because it's the only way to keep BOB away from me.  The
        only way to tear him out from inside.  I know he wants me.  I
        can feel his fire.  But if I die he can't hurt me anymore.
   -- Cooper questions the OAM who says, "you have all the clues you need."
   -- Cooper, standing in a hall at the Great Northern, thinking hard,
      sees the waiter.  "I know about you.  That milk'll cool down on you
      but it's getting warmer now."
   -- Cooper, Truman and Albert examine Ben's office.  Albert says Maddy
      was killed the night before last between 10 and 12.  He also has
      Ben's blood test results.

   12:43 pm (clock on wall)
   -- Andy calls Dick while Lucy watches - they need to talk
   -- Tojamura sees Ben.  He wants the contract signed or the money
      returned.  Ben signs it and Tojamura reveals his true identity.
   -- Leland comes home to Donna.  She's got a tape of her, Maddy and James
      singing for Maddy.  Leland recognizes Laura's shades on Donna and
      she mentions Laura's secret diary.  Leland gets a call from Beth -
      Maddy never made it home.  He chews gum, dances with Donna, and hugs
      her hard.  Truman's at the door for Leland.
   -- Donna tells James about Maddy.  He leaves her crying.

12 Mar (Sunday)

   3:00 am (clock on wall)
   -- At the Roadhouse, Ben eats nuts.  Cooper and Truman are at the bar.
      Truman brings Leland, Ed arrives and they clear the room.  Hawk brings
      Bobby and Leo.  Major Briggs brings the waiter, who gives Cooper a
      stick of gum.  Leland: "I know that gum.  That's my most favorite gum
      in the world."  Cooper remembers: Laura: "My father killed me."  The
      Giant gives Cooper his ring back.

   3:55 (clock on wall)
   -- Cooper and Truman trick Leland into a cell.  He freaks.
   -- At gunpoint, Leland is cuffed and read his rights.  Leland/BOB
      confesses to killing Laura and Maddy.  He mentions Pittsburgh and
      Cooper is noticeably shaken.

   Early morning
   -- Dick and Andy listen to Lucy.  Dick smokes.
   -- Cooper tells his story of how the answer was staring him in the
      face all this time - Leland's dancing, grey hair, Robertson, the
      letters, the secret diary.  Leland recites Mike's poem and BOB's
      response.  The sprinklers go off and Leland rams his head into the door.
      <Cooper, Albert, and Truman burst into the room. The sprinkler system
      has gone off and water is pouring over them all>
      Cooper: Call an ambulance! <Cooper kneels next to Leland and cradles
        Leland's head in his lap.  For the rest of the scene he strokes
        Leland's hair and face, comforting him.>
      Leland: Oh God!  Laura!  I killed her.  Oh my God, I killed my daughter.
        I didn't know.  Forgive me.  Oh God.  I was just a boy.  I saw him
        in my dream.  He said he wanted to play.  He opened me and I
        invited him and he came inside me.  When he was inside, I
        didn't know.  When he was gone, I couldn't remember.  He made me
        do things.  Terrible things.  He said he wanted lives.  He wanted
        others, others that they could use, like they used me.
      Cooper: Like Laura.
      Leland: They wanted her.  But she was strong.  She fought.  She wouldn't
        let him in.  Oh God.  They had me kill that girl, Teresa.  And
        they said if I didn't give them Laura, they'd have me kill
        her, too.
      Cooper: But she wouldn't let them in.
      Leland: They said she'd die before she'd let them.  Then they made me
        kill her.  Oh God, have mercy on me.  What have I done?  What
        have I done?  Oh God.  I love her.  I love her with all my heart.
        My angel, forgive me.
      <Cooper looks to Albert, who shakes his head -- apparently Leland
      isn't going to live>
      Cooper: Leland.  Leland, the time has come for you to seek the path.
        Your soul has set you face to face with the clear light and
        you are now about to experience it in its reality.  Wherein all
        things are like the void and cloudless sky and the naked
        spotless intellect is like a transparent vacuum, without
        circumference or center.  Leland, in this moment, know yourself
        and abide in that state.  Look to the light, Leland.  Find the
        light.
      Leland: I see it.
      Cooper: Into the light, Leland.  Into the light.
      Leland: I see... Her.  She's there.
      Cooper: Into the light, Leland.
      Leland: She's beautiful.
      Cooper: Into the light.
      Leland: Laura?
      Cooper: Don't be afraid.
      <Leland dies. Wordlessly Cooper pushes his own hair back and looks up.
      The sprinklers shut off>

   Day
   -- Cooper, Albert and Truman, meet Briggs and talk about BOB
   -- An owl flying by some wrecked cars


-- Ed Hughes, SAS Institute | "See no evil...well, maybe just a little... Cary, NC | yeah!" | --Joel, "Women of the Prehistoric Planet," | MST3000

Posted 10/11/91
This has been slightly revised since the last posting.

This timeline is based off of one begun by Jerry Boyajian.
Many thanks go to Ed Hughes, David Coufal and all others who have posted
transcriptions and summaries which I've incorporated here.
This is for non-profit purposes.

A copy will be made available via anonymous ftp at audrey.levels.unisa.edu.au
(130.220.16.88) in pub/twin-peaks/timeline.Z

Edwin Nomura
enomura@ucsd.edu

TIMELINE, episodes 2017 to 2021(double-length TV finale)
--------------------------------------------------------

22 Mar (Wednesday)   [Episode 2017  -  3/28/91
                      Written by Barry Pullman
                      Directed by James Foley]

[Cooper's Prologue: March 28th, Thursday night.  Diane, I want to bring you
up to speed on a few recent developments.  Nadine Hurley, 35 years old,
persists in the belief that she is a high school girl.  She has apparently
fallen in love with Mike Nelson, high school varsity star.
   Word has it that Bobby Briggs is shacked up with Shelly the waitress.
Shelly's husband, Leo, has awakened from his coma and is somewhere in
the woods.
   Ben Horne has suddenly become an environmentalist, and enlisted the
aid of trusted friend John Justice Wheeler to help him save the pine
weasel.
   As for me...I find myself suffused with a vague sense of contentment;
a premonition of happiness.  I hope I will be ready when it comes.  Mean-
while, there's Windom Earle, my former partner.  Windom continues to play
his deadly game of chess.  Deadly, Diane, because every time he removes
a piece from the board, Earle takes a human life.  I have enlisted the
aid of chess champion Pete Martell, in hopes of formulating a stalemate
game.  In the meantime, I can only wait for Earle's next move.
   Major Briggs has returned from his disappearance in the woods, but
remembers nothing.  He cannot explain the mysterious tattoo on his neck.
   Diane, Josie Packard is dead, possibly from fear.  And while I am
absolutely certain that she tried to take my life, I feel both sadness
and even sympathy.  Sheriff Truman is suffering terribly as a result.
   When Josie died, I saw a vision, revealing BOB, and the midget from
my dream.  Windom Earle...BOB...the midget...is there a connection, Diane?
Do these events foretell BOB's return?  I hope not...for all our sakes.]

   Morning
   -- Truman thinks of Josie in a darkened room and Hawk comes in offering
      breakfast.  Truman refuses, finding solace in a bottle of Jack Daniels.

   11:18 am (clock on wall)
   -- Annie, Norma's sister, arrives and is to start working at the RR
   -- The Log Lady touches the Major's tattoo
   -- Hawk tells Cooper about Truman's condition.  Doc said he can't figure
      Josie's cause of death.  Her body weight was 65 lbs.
   -- Windom talks to Leo about the country life, while Leo fetches things.
      Windom's got himself a laptop.  He gets the latest move from Cooper
      in the paper.  He doesn't like it.
   -- People from the Great Northern & Horne's store set up for a benefit
      show to save the pine weasel.  Pinkle's to give a talk about the pine
      weasel.  John and Audrey ramble then plan a picnic.
   -- Cooper visits Truman and gives him the scoop on Josie.  She had multiple
      felons and two arrests for prostitution besides the shooting of Eckhardt,
      Jonathan, and Cooper himself.  Truman kicks him out.
   -- Catherine looks at plans and is visited by Jones, Eckhardt's executive
      assistant.  She's got a gift for Catherine.
   -- Dr. Gerald Craig (Earle), a friend of Dr. Hayward's, comes by, talks with
      Donna and leaves a gift for Will
   -- Pete looks for a stalemate game but he informs Cooper that at
      least six men are lost by such a game.  Andy and Lucy argue over the
      knight's hook move.
   -- Cooper, the Log Lady, and Major Briggs compare notes. Margaret, at age 7,
      Major Briggs:        Margaret:               took a walk in the woods and
        /\    /\            /\             /\      was told that she had
       /  \  /  \          /  \           /  \     disappeared for a day. She
      /____\/____\        /    \/\     /\/    \    got a tattoo on her leg. She
           /\            /        \   /        \   also heard an owl when her
          /  \          /__________\ /__________\  husband died. All three have
         /____\                                    heard that call as well as
                                                   seen the light.

   Afternoon
   -- John sings to Audrey at their picnic
   -- WIll and Eileen return. Donna tells him about Dr. Craig.  She's informed
      that Dr. Craig was his roommate and also drowned years ago.  The gift
      contains a note: KN to KB3.  The phone number given to Donna by Dr. Craig
      was for a cemetery.
      [The board presently:
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  |     | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     | WN  |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BN  | BP  |     |    Captured:
      |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
      +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
      | BP  | BP  | BP  |     | BP  | BP  |     | BP  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+                        ]
   -- Ed and Nadine discuss their future with Jacoby
   -- Mrs. Hayward answers the door to Ben who kisses her on the cheek.
      Donna watches.

   6:05 pm (?) clock on wall
   -- Norma shows a flier to Shelly about the Miss Twin Peaks contest.  "Easy
      Rider" Earle says she'd be perfect for it.  Cooper meets Annie and gets a
      good strong cup of coffee she made.  Windom in disguise watches Annie with
      Cooper, who notices Annie's scar.  Cooper looks puzzled after Earle
      leaves unnoticed.

   Dusk
   -- Hawk gets Cooper.  A drunken Truman wrecked all the furniture in the
      Bookhouse and Cooper calms him down.
   -- Mr. & Mrs. Inkman (Nadine and Mike) rent the honeymoon suite at the
      Great Northern.  A friend, Susan, recognizes Mike.  Nadine smashes the
      bell.
   -- Ben speaks for the Stop Ghostwood campaign.  Dick is host for the fashion
      show.  Lucy and Andy model bright plaid colors.
   -- Ben chats with Catherine at the bar, convinced he's a reformed person
   -- Pinkle speaks about the pine weasel and takes one of its cage.
      It becomes attracted to the studs and cheap cologne of Dick's,
      bites his nose and gets loose.  Chaos ensues.  Jack catches Audrey.
   -- Jones knocks out a Bookhouse guard and gets into sleeping Truman's bed

[Episode 2018  -  4/4/91
Written by Harley Peyton & Robert Engels
Directed by Duwayne Dunham]

Wednesday evening (continued)
   -- Jones puts some perfume on Truman's and her lips.  He sees Josie in his
      haze and she tries to strangle him.  They struggle and Truman triumphs.

23 Mar (Thursday)

   Morning
   -- Audrey delivers breakfast to John's room
   -- Truman tells Cooper that Jones won't speak to anyone but the South
      African consulate.  There's a bonsai delivered this morning "from Josie."
      Gordon arrives as Earle listens via the bugged bonsai.  Earle was
      apparently high on the same drug, Haliperidol, as the OAM, as well as
      involved with Project Bluebook.  Gordon reinstates Cooper and gives him
      a new Smith and Wesson 10 mm.
   -- Leo picks some cards from Earle: Queen of Clubs (Donna), Queen of
      Diamonds (Audrey), Queen of Spades (Shelly), King of Spades (Cooper).
      The Queen of Hearts (blank) will be Miss Twin Peaks.
   -- Donna, at the Great Northern, sees her mom with Ben.  Mike and Nadine
      check out.  Donna and Audrey chat and wonder about their parents.
   -- Eileen and Ben discuss some happenings 20 years ago.  She's got some
      old letters.  Donna and Audrey eavesdrop.  Eileen says stay away from
      her.
   -- At the RR, Gordon's cure for a hangover sends Truman running for the
      restrooms.  Gordon notices Shelly, likes what he sees and makes his
      move.  He can hear her perfectly.
   -- Cooper and Annie chat about a chickadee he saw out the window.  He tells
                      /\                her a joke about penguins, and she
                    /    \              mentions his sketch looks just
                    \    /              like the one at Owl Cave.
                      \/
               /\    /  \     /\
             /    -<      >-     \
           /         \  /          \
         -------------/\--------------
                    /    \
                    \    /
                      \/
   -- Donna reads a postcard from James at San Francisco.  Her father asks
      about James and she asks about her mom and Ben.  He seems like he's
      hiding something.  Flowers arrive anonymously for Eileen.
   -- Prof. Edward (Earle) Perkins runs into Audrey at the library.  He
      identifies her poem as Shelley.
   -- Shelly and Annie chat about Cooper
   -- Lucy, playing chess, chats with Andy as he climbs down a rope.  He's
      going spelunking.
   -- Pete just called in the next move:
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WR  |     | WB  | WK  | WQ  | WB  | WN  | WR  |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     | WN  |     |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     |     |     | BN  | BP  | BP  |    Captured:
       |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
       +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
       | BP  | BP  | BP  |     | BP  | BP  |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+                      ]
      Cooper's in gear and ready to go.  Cooper mentions that Shelly took
      Gordon down to Doc's regarding his hearing.
   -- Johnny Horne shoots buffalo
   -- Ben thinks Audrey's the best man for the job and informs her that her
      plane to Seattle leaves in an hour.  John shows up to see this.  He and
      Ben chat about how Ben can be good.  He mentions he's fallen in love with
      Audrey and they munch on carrots.

   Night
   -- At Owl Cave, Andy slips and falls.  Cooper, Truman, and Hawk are also
      there.  They see the symbol on the wall.  An owl flies around them.
      Andy swings at it with his pick and hits the symbol.  The middle
      diamond falls out revealing a pole with a petroglyph on the end.
      The owl flies away.

   9:05 pm (Cooper to Diane)
   -- Cooper, after making a quick message to Diane, runs into Annie at the
      Great Northern bar.
      Dale: Hello Annie.
      Annie: Hi.
      D: Can I get you something... oh,
      A: No, no, I have a rum and tonic.
      D: I see.
      A: One of the sisters used to put rum in her tea and I thought it was
         exotic, so...
      D: It's all new to you isn't it?
      A: I feel constantly amazed. Stunned. Music and people-- the way they
         talk and laugh and the way some of them are so clearly in love.  It's
         like a foreign language to me.  I know just enough of the words to
         realize how little I understand.
      D: Man, I'd love to see the world through your eyes.
      A: Why?
      D: Oh, there are some things I might do different if I had the chance.
      A: Me too.
      [Annie reaches for her drink-- Dale notices the suicide scar -- and
      Annie notices him noticing.  She pulls back her hand to cover her wrist.]
      A: You see, the thing is I failed before and [pause] I'm just afraid it
         might happen again.
      D: You want to talk about it?
      A: Not yet.
      D: Maybe I can help.
      A: Can you?
      D: If you want me to.
      A: I'm stubborn, extremely willful.
      D: I can handle that.
      A: Some people think I'm strange.
      D: I know the feeling.
      A: [laughs] I couldn't promise you that I would always make sense or do
         things that you'd expect me to do.
      D: Annie I don't expect anything.
      A: Then I accept your kind and generous offer.
      D: Good.  I'm glad.
   -- Earle explores Owl Cave:
      [Thw bright light of Windom's flashlight and then we see his figure in
      Owl Cave as he appears to be looking for something.
      He comes across the uncovered "petroglyph."]
      Windom: My, my, my. What have we ...  [while turning his flashlight to
        other parts of the cave] ...here?
                         /\             [Shot of the same petroglyph but upside
                        /  \             down on the ceiling from Windom's
                       /    \            point of view.  This one is enclosed
                      /      \           in a diamond.]
                     /        \
                    /    /\    \
                   /    /  \    \
                  /    /    \    \
                 /     \    /     \
                 \  \  /\  /\  /  /
                  \  \/  \/  \/  /
                   \            /
                    \          /
                     \        /
                      \      /
                       \    /
                        \  /
                         \/
      W: Could it be?  [Looks back at the petroglyph on the wall.]  Yes.
         [Looks back at the ceiling.]  The symbol inverted.
         [laughs a wheezing kind of little laugh]  Now.
      [Struggling a little, Windom grasps the stone shaft on the wall with his
       right hand and rotates it counter-clockwise until the symbol on the wall
       is the same as the one on the ceiling.  Andy's axe stuck in the "fire"
       symbol begins to move as a trembling sound begins.  The axe is now
       directly above the petroglyph on the wall.  The axe falls out
       of the wall as the walls begin to shake more.  Windom is backing out
       of the cave with tiny laughs of satisfaction.  Dust coming off of the
       wall fills the screen.]

24 Mar (Friday)   [Episode 2019 - 4/11/91
                   Written by Mark Frost & Harley Peyton
                   Directed by Johnathan Sanger]

   Morning
   -- Cooper, Andy, Hawk, and Truman are back at Owl Cave and find a new
      petroglyph.  The tracks they find are the same ones outside the
      powerstation.  Cooper deduces it was Earle.
      _______________________________________________________________________

      BLACK                              O        lollipops
      BLOB                               |  O  O
                                      ____  |  |  O  O
              O                           -----   |  |  O  O
              |                       /\       ______   |  |        \   |   /
            giant   o                /  \            ----__          \ _|_ /
              |   little            /PEAK\             /\  antlers____|SUN|____
              |    man             /      \           /  \            |___|
             / \   / \            /    @   \         /    \          /  |  \
                                 /        ~~~~~~~~  / PEAK \       /    |   \
                                         ~~~~LAKE~~/        \
                          flame  4  =falls=~~~~~~ /     @    \
                          (cave)    ||||||| ~~~~
               oo                   |||||||
       XX    o    o                 |||||||
       XX   o ring o                |||||||         (various crisscrossing
             o    o                 |||||||            lines everywhere)
               oo

                                                      M A Y O R

                                                         M C

                                                     C H E E S E
      _______________________________________________________________________
   -- Earle talks to Leo and a punk who thought he was invited to a party,
      about the White Lodge and the Black Lodge.  On a computer is the
      petroglyph from Owl Cave.
      Earle: Once upon a time, there was a place of great goodness, called the
       White Lodge.  Gentle fawns gamboled there amidst happy, laughing
       spirits.  The sounds of innocence and joy filled the air.  And when
       it rained, it rained sweet nectar that infused one's heart with a
       desire to live life in truth and beauty.  Generally speaking, a
       ghastly place, reeking of virtue's sour smell.  Engorged with the
       whispered prayers of kneeling mothers, mewling newborns, and fools,
       young and old, compelled to do good without reason.  Heh-heh!
          But, I am happy to point out that our story does not end in this
       wretched place of saccharine excess.  For there's another place, its
       opposite; a place of almost unimaginable power, chock full of dark
       forces and vicious secrets.  No prayers dare enter this frightful maw.
       Spirits there care not for good deeds or priestly invocations; they
       are as like to rip the flesh from your bone as greet you with a happy
       "Good day!"  And if harnessed, these spirits in this hidden land of
       unmuffled screams and broken hearts would offer up a power so vast that
       its bearer might reorder the earth itself--to his liking!  Now!  This
       place I speak of--is known as the Black Lodge.  And I intend to find it.
   -- Pete tries to create a poem on Josie but is interrupted by
      Catherine.  She hasn't been able to open the box left by Eckhardt's
      assistant.  Pete tells her it's a puzzle box that could take
      YEARS to open.  Catherine: "Open it!  I've been trying for days."
   -- At the RR Bobby tries to convince Shelly to enter the Miss TP pageant
   -- Elsewhere at the RR, Lana tries to convince the mayor to help her
      win the contest since he's a judge
   -- Cooper enters and orders coffee and donuts from Annie for his team,
      and makes a date with Annie (a nature study) for this afternoon.
      He overhears a piece of the poem Shelly was reciting and gets her
      piece of the poem.  Blue plate special is 'Hearty Beaver Broth'.
   -- Cooper tells Truman that the message was from Earle.  It was the poem
      that he sent to Caroline.
   -- Major Briggs points out an error in Andy's chalkboard rendition
      of the petroglyph.  He's dreamed of it.  Cooper says that Leo's
      disappearance, Owl Cave, and Earle are all related.  He asks for
      Briggs' help, who ponders his situation and dedication to his work.
      We see a silhouette of a hooded figure.  When it comes toward the screen,
      a starscape is seen inside, and an owl flies in the starscape and we
      then see a wall of fire appear.  Briggs agrees to help.  Hawk brings in
      Leo's arrest report, which Cooper compares to the poem and concludes
      it was Leo's handwriting.
   -- Dick and Ben chat. Ben: Sometimes the urge to do bad...is nearly
      overpowering.
   -- The punk is in a papermache (pawn) and Earle asks for an arrow. Leo
      doesn't want to but those shocks from his collar convinces him to.
      Earle loads a crossbow and shoots the punk.

   3:35 pm (clock on wall)
   -- The Miss Twin Peaks Committee (Doc Hayward, the Mayor, and Pete) meets
      and listens to Ben who wants the topic of the pageant to be to save the
      forests
   -- Miss TP contestants gather.  Mike: "Do you have any idea what a
      combination of sexual maturity and superhuman strength can result in?"

   3:36 pm (grandfather clock)
   -- Truman and Catherine talk about Josie and why she did what she did.
      She shows him the puzzle box.  Pete shows up and drops it,
      opening it.  The contents seems to be another puzzle box which consists
      of two concentric rings of symbols.  The inner ring is made
      up of symbols corresponding to the phases of the moon.  The outer ring
      is made up mostly of zodiac symbols.
        Clock position       Inner Symbol           Outer Symbol
                             (moonphase)            (zodiac)
        --------------------------------------------------------
        12:00                Full Moon              Libra
        1:30                 Waxing Gibbous         Pisces
        3:00                 First Quarter          Cancer (modified)*
        4:30                 Waxing Crescent        Unknown**
        6:00                 New Moon               Aries
        7:30                 Waning Crescent        Sagittarius
        9:00                 Third Quarter          Taurus
        10:30                Waning Gibbous         Gemini
      * The Cancer symbol differs from that shown in the dictionary.
        Essentially, it's like a lowercase sigma with a long , straight
        tail and another similarly modified sigma, rotated 180 degrees,
        directly beneath it.
      ** This symbol is a large circle with four much smaller circles
         just outside it at clock positions 10:30, 11:30, 12:30, and 1:30.
         The overall effect is that of a paw.  Perhaps it's a different
         sign for Leo.

   Sometime after 4:00 (Cooper tells Annie he'll pick her up at 4:00 sharp)
   -- Annie and Coop in a boat.  Annie tells Cooper that she had
      one senior year boyfriend and because of him, there are scars on her
      wrist before she entered the convent.  Cooper kisses her twice.
      Earle watches.
   -- A wine tasting party which Dick is hosting with a bandaged nose
   -- Gordon again speaks normally to Shelly.  When Cooper and Annie
      appear Gordon tells them and Shelly that he's leaving but
      he'll try to return to TP to be with Shelly.  He gives her
      two kisses, the first interrupted by Bobby who is expressing
      his disbelief.
   -- Lana and Andy find banana and chocolate in the taste of
      the wine they taste.  Lucy spits wine in Dick's face.
   -- Jack and Cooper chat about love.  Jack receives a telegram and
      quickly makes arrangements to check out.
   -- Donna still wants to know about Eileen's involvement with Ben,
      and she is thinking of studying overseas.  Eileen wants more peas.
   -- Hooded silhouette but with a half moon where the head is.  The owl flies.
   -- Cooper and the police at the gazebo.  There's a crate on the gazebo.
      On it there's a ring on a sign that says "PULL ME".  Cooper does
      from a distance using a police line tied to the ring and a
      rock.  He shoots the rock and the crate opens.  The punk is
      in a chess piece sculpture with a sign saying that "Next time it will
      be someone you know."

      [The board presently:
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WR  |     |     | WK  | WQ  | WB  | WN  | WR  |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     | WN  |     |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     |     |     | BN  | BP  | WB  |    Captured:
       |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
       +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
       | BP  | BP  | BP  |     | BP  | BP  |     |     |    BP by WB
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+                      ]

[Episode 2020 - 4/18/91
 Written by Harley Peyton & Robert Engels
 Directed by Stephen Gyllenhaal]

Friday evening (continued)
   -- The cops haul the pawn off the gazebo.  A friend of the punk in
      the pawn describes how Scott, wearing a weird suit, came out of the
      woods, saying he had beer so Rusty Tomaski the punk went with him.
      Andy cries.  Cooper thinks Earle is playing off the board since
      Earle didn't tell him his move.

25 Mar (Saturday)

   Morning
   -- Lucy tells Truman that Hawk is feeding breakfast to some guy she's never
      seen before because he looked sad.  She tells Andy tomorrow is D-Day
      (Dad Day) when she'll choose the father of her baby.  She's also
      going to enter the Miss Twin Peaks contest and Andy's got some ideas
      for her speech.
   -- At the Great Northern, Jack checks to see if there are any messages
      for him from Audrey
   -- Doc Hayward, after examining Ben, gives him a clean bill of health,
      and tells him to stay away from Eileen.  Ben says not as long as the
      lie survives.  Jack enters, looking for Audrey.  He has to leave
      because his partner was murdered.
   -- Donna Marie Hayward finds a blank space on her birth certificate
      under the "Father" entry and some pictures of her parents with Ben.
      Hawk is on the phone for her.
   -- Audrey returns and runs into Hawk who tells her it is important
      to see Cooper immediately
   -- Jack and Ben chat.  Jack's got to take his partner's place in the
      Rain Forest business.  He's got something for Audrey.
   -- Briggs has Cappy look for symbols and has some information for Cooper
      and Truman.  Earle was the best and brightest of them, but became
      obsessive and destructive when the attention turned from outer space
      to Twin Peaks and so was removed from the project.
      E: These, uh, these evil sorcerers, uh,...dugpas, they're called...they,
        uh, cultivate evil for the sake of evil, nothing else, they, uh,
        express themselves in darkness, for darkness without leavening motive,
        uh--Now this, this ardent purity allows them to access a secret place
        where the cultivation of evil proceeds in exponential fashion, and
        with it, the furtherance of evil's resulting power!  Th-this place of
        power is tangible and as such it can be found, entered, and perhaps
        utilized in, in some fashion.  Th-the dugpas have, have, many names
        for it, but chief among them (coughs) is the, uh, is the Black Lodge.
        You don't believe me, do you?  You think I'm mad.  Overworked.
        Go away.
      C: (pauses tape)  Gentlemen, when Windom Earle arrived in Twin Peaks I
        assumed he had come for vengeance.  For me.  But I miscalculated.
        He has insinuated himself into the lives of people I care for, he has
        murdered innocents; he has engaged us in subterfuge and red herring--
        a fish I don't particularly care for.  But all of these acts are
        merely camouflage; he's been after something else all along.  The
        Black Lodge.  Fellas, we need to find out what this (points to
        monitor), the Black Lodge, has to do with that! (points to drawing of
        map)
      Cooper and Truman will look through the old files and Briggs will go
      for a walk.
   -- Earle, eavesdropping on Cooper, Truman, and Briggs, laughs.  Leo
      pockets the shocker.
   -- At the RR, a pie-eater's hand shakes.  Bobby and Shelly discuss her
      speech and his recent inattention to Shelly.  Cooper's on the phone
      for Shelly.

   7:52 am (clock on wall)
   -- At the roadhouse, the mayor tells Lana she's gonna win since the other
      judges are gonna be Norma and Dick.  She says she'll marry after she
      wins.
   -- Cooper has Shelly, Audrey, and Donna compare stories of running into
      strange people.  Shelly recognizes Leo's handwriting.  Cooper tells them
      they need to check into the sheriff's everyday at 9 am and 9 pm.
   -- Earle babbles, Leo cleans, recognizes Shelly on the card and shocks
      himself
   -- Audrey enters the Great Northern just missing Jack on his way out.
      Ben wants Audrey to enter Miss Twin Peaks so she can speak about his
      cause.  He mentions Jack's flight so she takes off, getting Pete,
      who babbles about seeing Josie's face, to drive her.  Something
      surprises Ben.
   -- Cooper and Truman ponder the petroglyph.  Andy goes to call Mrs.
      Briggs to find out about Briggs who should've arrived by now.
      Cooper talks about Annie then gets the hand shakes.
   -- Briggs in the woods, stops at a tree, touches it and his tattoo,
      and is shot by Earle in a horse outfit
   -- Jack prepares to take off

   10:34 am (clock on wall)
   -- Cooper and Annie chat then kiss.  Plates fall.
   -- Pete and Audrey catch up to Jack.  They proclaim their love for each
      other and she says she's a virgin and wants him to make love with her.
      Pete cries and gets the hand shakes.
   -- Earle interrogates Briggs strung up on a target.  Windom: "What do you
      fear most...in this world?"  Major: "The possibility that love is
      not enough."
      Briggs: "There's a time if Jupiter and Saturn meet, they will receive
      you."  He also says something like "That gum you like is coming back"
      backwards.
   -- Andrew and Catherine fiddle with the puzzle box.  After trying Eckhardt's
      birthday and his own birthday, he tries the day the gift arrived and it
      opens, revealing another box.  Andrew smashes it, revealing a metal box.
   -- Annie and Cooper dance.  She mentions entering the Miss Twin Peaks
      pageant.  The Giant appears to Cooper with a mouthed warning, "no, no."

   Dusk
   -- Pete wakes in his truck.  The jet takes off for Brazil.  Audrey's still
      here.  Pete: "There are many cures for a broken heart.  But nothing
      quite like a trout's leap in the moonlight..."
   -- Cooper's vision of the Giant ends.  Mayor: "This isn't right.  There's
      something wrong here."
   -- Leo and Briggs writhe in pain.  Earle determines the petroglyph is a
      map.

   Night
   -- BOB appears in Glastenberry Grove, "I'm out!"

26 Mar (Sunday)   [Episode 2021 - 6/10/91
                   Part 1 Written by Barry Pullman
                   Directed by Tim Hunter]

  Morning
   -- Leo reaches for the key and frees Briggs.  L: "Save Shelly"
   -- Ghostly Earle returns with a new game for Leo.  He's got something
      in a bag.

  1:05 pm (clock on wall)
   -- Norma, Shelly, and Annie chat about the Miss Twin Peaks pageant.
      Norma won the first one 20 years ago.
   -- Ben and Audrey talk about Jack.  He's got some philosophy books
      from which he hopes to learn how to be good.  Audrey reports that
      the Packards are using the Twin Peaks Savings and Loan to funnel cash
      to their Ghostwood project.  Ben hopes to expose this and still wants
      Audrey to make a speech.
   -- Andy stares at the petroglyph.  Cooper tells Truman about how he thinks
      Josie died of fear and a vision of BOB immediately afterwards.  Earle
      eavesdrops and talks to Leo about getting Miss Twin Peaks.  Leo's teeth
      are clamped on a string from which a flimsy cage of spiders hang over
      him.
   -- Pinkle has the Miss Twin Peaks contestants rehearse a dance.  The mayor,
      Dick, and Norma discuss criteria, then Lana seduces Dick in a storage
      room.

  1:17 pm (Cooper to Diane)
   -- Cooper tells Diane he just finished his second meditation.  Annie
      arrives wanting help with her speech.  The pageant is in 6 hours.
      They end up in bed.
   -- Nadine shows slides of her wrestling.  Jacoby has Nadine (with Mike)
      and Ed (with Norma) discuss their breaking up.  Both proclaim they
      are getting married.
   -- Briggs is picked up by Hawk
   -- Cooper and Truman attempt to question Briggs.  Cooper smells haliperidol
      on him.  Andy looks at the petroglyph again.
   -- Andrew, Pete, and Catherine are still wrestling with the box.  Andrew
      finally shoots it open.  Inside is a key, which Catherine puts in a
      cake-saver so it is in plain sight.
   -- Donna demands the truth from uncooperative Will and Eileen
   -- Andy looks at the petroglyph again.  Cooper figures out from a book
      that the petroglyph tells of a time when Jupiter and Saturn are in
      conjunction.  Briggs mutters "protect the queen" and "fear and love
      open the doors."  Andy knocks the bonsai to the floor.  Truman goes
      to pick it up and discovers the bug.

   7:00 approx (Annie to Cooper, "in 6 hours")
   -- The Miss Twin Peaks pageant, opening dance number.  Pinkle makes his
      move on the Log Lady.  Talent competition begins.  Lucy dances.
   -- Earle as the Log Lady knocks out Bobby.  Lana dances.
   -- Audrey makes her speech.  Donna demands and gets the truth from Ben.
      He's her father.
   -- Annie makes her speech.  Earle watches from the rafters.
   -- Lucy makes her announcement to Andy and Dick that she wants Andy to
      be the baby's father.  Andy then goes to look for Cooper.
   -- Annie is named Miss Twin Peaks.  Lights go out and chaos ensues as
      Nadine is hit on the head with a sandbag, Cooper sees Earle, and
      Earle takes Annie.  Power is restored and Andy tells Cooper he's
      figured out the petroglyph to be a map.

[Part 2 Written by Mark Frost & Harley Peyton & Robert Engels
        Directed by David Lynch]

  Night
   -- Lucy and Andy discuss what happened at the pageant
   -- Cooper, with Truman and Hawk, ponders the petroglyph and "Fire walk with
      me."  Pete enters and says the Log Lady stole his truck which had 12
      rainbow trout in the bed.  The circle of 12 sycamore trees is where
      Hawk found the bloody towel and ripped pages - Glastenberry Grove.  The
      Log Lady arrives with some oil which her husband said is the opening to
      a gateway.  Cooper determines it to be what Jacoby smelled.  Ronette is
      brought in and recognizes the smell of that oil from the night Laura
      died.
   -- Earle takes Annie to the circle of trees and beyond the red curtains
   -- Nadine is 35 again.  She wants to know who Mike is, why Norma is there,
      and where her drape runners are.
   -- Ben apologizes to Eileen.  Donna cries for Will to be her father.
      Slyvia walks in and Will belts Ben, who hits his head on the fireplace.
   -- Andrew switches the mystery key with another he has for a safety
      deposit box
   -- Cooper and Truman find Pete's truck.  They head into the woods.
      Cooper goes alone, with Truman following, and sees an owl and the
      sycamore trees.  He enters the curtains into the red room.  The
      little man from another place is there.  Another man sings, then
      disappears.
   -- Andy comes looking for Truman

27 Mar (Monday)

  Morning
   -- 10 hours later, Truman and Andy are still waiting for Cooper

  7:25 am (Andrew's watch)
   -- Audrey practices civil disobedience and chains herself to the bank vault.
      Andrew and Pete arrive and open the safety deposit box to discover a bomb
      that goes off.  Eckhardt's note: Got you, Andrew, Love, Thomas.
   -- Bobby tells Shelly he wants to marry her.  Heidi arrives for work.
   -- Leo still surviving
   -- Jacoby brings Sarah to Mr. and Mrs. Briggs.  Sarah has a message for
      Garland:  "I'm in the Black Lodge...with Dale Cooper.  I'm waiting
      for you."
   -- Cooper and the little man from another place sitting in the red room.
      LMFAP:  When you see me again, it won't be me.  This is the waiting room.
              Would you like some coffee?  Some of your friends are here.
      Laura:  Hello Agent Cooper.  {winks, snaps her fingers}  I'll see you
              again in 25 years.  Meanwhile... {presents her hands}
      Great Northern room service waiter:  Hoo! Woo, woo, woo, woo {with hand
              in front of mouth--the "Indian noise"}  Hallelujah!
      LMFAP:  Hallelujah!
      GNRSW:  Coffee.  Coffee.  Coffee.  Coffee.  Coffee.  Coffee. {sets down
              solid coffee for Cooper}
      Giant:  One and the same.
      {LMFAP rubs his hands.  Cooper picks up his coffee - it's liquid.  When
              he's about to drink, it's solid.  LMFAP continues rubbing his
              hands.  The coffee's liquid.  LMFAP continues rubbing his
              hands.  The coffee's viscous.}
      LMFAP:  Wow, Bob, wow.  Fire walk with me.
      {Fire.  A scream.  Strobe effect.  Cooper walks to the other room.
              Identical furniture but empty.  Back to the original room.}
      LMFAP:  Wrong way
      {Cooper goes back to to the other room.  LMFAP babbles excitedly. Then:}
      LMFAP:  Another friend.
      {Maddy enters wearing a black dress identical to Laura's.  LMFAP
              continues to babble, ducks behind a chair.}
      Maddy:  I'm Maddy.  Watch out for my cousin. {can't see whether her eyes
              are white}
      {Cooper goes back to the original room.  It's empty.  Then:}
      LMFAP (shadow self):  Doppelganger
      Laura  (shadow self):  {presenting hands}  {angrily}  Meanwhile
              {screams, climbs up on the chair}
      {Back to the other room.  Empty, but Cooper is bleeding from his stomach.
      There's a trail of blood on the floor-- Cooper follows it back to the
              original room.  Caroline and Cooper on the floor bleeding.  No,
              it's Annie.  Annie gets up.}
      Cooper:  Caroline?  Annie?  Annie?  Annie?  Annie?  Annie?  Annie?
      {Cooper goes back to the other room.  Annie/Caroline is standing there,
              wearing the black dress from the pageant}
      Annie:  Dale.  I saw the face of the man who killed me.
      Cooper:  Annie...the face of the man who killed you?
      Annie:  It was my husband.
      Cooper:  Annie?
      Annie:  Who's Annie?  It's me, it's me, it's me.
      Cooper:  Caroline?
      {Annie changes to Caroline (shadow self), in Caroline's dress}
      Caroline (shadow self):  You must be mistaken.  I'm alive.
      {Laura (shadow self) screaming, then turns into Windom Earle.}
      {Annie, in pageant dress, appears off to the side, vanishes}
      Earle:  Dale Cooper.  If you give me your soul, I'll let Annie live.
      Cooper:  I will.
      {Earle stabs Cooper.  Fire.  Rewind.  BOB appears, grabs Earle}
      BOB:  {to Earle}  Be quiet.  Be quiet.  {to Cooper}  You go.  He is wrong.
              He can't ask for your soul.  I will take his.  {a spout of fire
              appears over Earle's head, and his head slumps forward}
      {Cooper's shadow self enters as Cooper leaves, crouches beside BOB, and
              laughs with him}
      {Cooper exits into the hallway}
      Leland (shadow self):  I did not kill anybody.
      {Cooper's shadow self chases Cooper and catches up to him.  BOB laughs.}


   Night
   -- Cooper and Annie are back
   -- Will tends to Cooper in his bed.  Annie's at the hospital and will be
      okay.  Cooper gets up, "I need to brush my teeth."  In the bathroom,
      BOB has Cooper ram his head into the mirror.  "How's Annie?!"


-- Ed Hughes, SAS Institute | "See no evil...well, maybe just a little... Cary, NC | yeah!" | --Joel, "Women of the Prehistoric Planet," | MST3000

WEll...the response to my previous posting, although minimal
has been very informative...may I suggest that you guys post
answers to the news too? I'm sure I'm not the only one
into this aspect of the T.P. legacy....
-Al
"damn good pie....."

In article <T90011MA.92Apr16160552@modem4.sfc.keio.ac.jp>, t90011ma@sfc.keio.ac.jp (Mika Akutsu) writes...
> > 
> > Hi.
> >  I can hardly wait for the movie,even more now because Sheryl Lee,
> > "Killer Bob" and Kyle came to Japan on promotion of it .
> > INTERESTING interviews were made and there's this big rumor going
> >around that David Lynch is currently having an affair with the girl
> >who played Audery. 

     I heard about Lynch having an affair, but it wasn't with
     Sherilyn...  wish I could remember who it was supposed to
     have been with.

> > I've read a long time ago (probably when "Blue Velvet"was out)that
> >Isabelle Adjani was the one!(sorry if i misspelled her name)

     No, Rosselinni.  She came to his apartment unexpectedly
     one night and found him playing with stuffed body parts
     (like the ear from "Blue Velvet," which prop came from
     Lynch's personal collection of severed body parts) or
     something like that and dropped him like a stiff fart.

     No doubt about it - he's a weird guy.  

                ^She's My Cousin But Doesn't She^
                      ^Look Almost Exactly^
           ____________^Like Laura Palmer^____________
          ^Scott Gorcey, v075q5fr@ubvms.cc.buffalo.edu^

Hello, Alena here in Los Angeles,
I need a good and complete copy of all the epsidoes.  If you have other's 
countries versions too, great!  I have them but they are not the best quality.
Of course, I would be more than happy to pay.
Thanks..
Alena 

Women want it.....
they want it all the time.....
they want it anywhere.....
but, perhaps not with you.

Alena-----BESTR1070@BESTSD.SDSU.EDU

t90011ma@sfc.keio.ac.jp (Mika Akutsu) writes:
> > I've read a long time ago (probably when "Blue Velvet"was out)that
> >Isabelle Adjani was the one!(sorry if i misspelled her name)

Isabella Rosellini !! (how dare you) [daughter of Ingrid Bergmann, btw.]

> >fmm... there seems to be a change in the wind,Diane.

> >By the way, there is a Japanese version of "The Twin Peaks Guide Book"
> >as well as "Cooper Talks" and "The Secret Diary of Laura Palmer".

> > Is it available in any other non-english speaking countries?
the diary and the tapes are also available in german....

> >Mika Leigh Akutsu<Keio University>Japan

> > :)watching  "TP" makes me want to beg for doughnuts:)

well... we got some sent through FedEx for our Easter TP Marathon :-)

cheers
Wiljo
-- Wiljo Heinen ** Sternstrasse 2 ** D - W2300 Kiel 1 ** voice: +49-431-95311 wiljo@freeside.ki.open.de /\__/\ "My symptoms suggest the onset of malaria"

"Like it or not, everything is changing.  The result will be the
 most wonderful experience in the history of man or the most
 horrible enslavement that you can imagine.  Be active or abdicate,
 the future is in your hands."  
 
               -- William Cooper, October 24, 1989
 
 
Bill Cooper
 
Former United States Naval Intelligence Briefing Team member.
 
Author of book "Behold a Pale Horse" (C) 1991 from 
Light Technology Publishing
PO Box 1495
Sedona, AZ 86336
 
Lives in Los Angeles area.
 
Milton William Cooper
1311 S. Highland #205
Fullerton, CA 92632
 
Phone 714/680-9537
 
Cooper's condensed conspiracy theory:
 
* JFK was assasinated because he ordered disclosure of what the U.S. 
  discovered in project Grudge aka "Blue Book."  FBI and Naval 
  Intelligence became mired.
 
* Drug dealing by covert rogue government agencies chief method of 
  obtaining support for black operations relating to UFOs and 
  establishment of international tyrrany utilizing UFO technologies.
 
* In 1953, government was given choice to disarm nuclear weapons and
  ally with apparently benign species of exobiological entities
  or retain nuclear weapons and ally with apparently sinister 
  species.
 
* Agreement struck with sinister EBE's wherein they would be allowed
  to abduct humans, primarily fertile females, and obtain critical
  animal tissues in exchange for technoloy transfer and support of
  shadow government's agenda to enslave the world.
 
 
In a section titled "U.S. Army Intelligence Connection with Satanic Church"
of Cooper's book, the following logo appears on a document:
 
 
              /\            /\
             /  \          /  \
            /    \        /    \
           /  /\  \      /  /\  \  I N D
          / /    \ \    / /    \ \
         //        \\  //        \\
        /            \/            \
        \            /\            /
         \\        //  \\        //
          \ \    / /    \ \    / /
           \  \/  /      \  \/  /   A R
            \    /        \    /
             \  /          \  /
              \/            \/
 
This logo was for some place called the "MindWar Center".
 
The document is titled:
 
"From PSYOP to MindWar: The Psychology of Victory"
 
by Colonel Paul E. Vallely with Major Michael A. Aquino
 
It documents the application of psychotronic ESP weapons technology.

xxxx@peptide.ecn.purdue.edu (Name Redacted) writes:

> >I forgot to mention that the version of 'Wild at Heart' that I rented had
> >the sex scenes edited out.  There isn't much to the movie I guess without
> >them.  
> >The actress in 'Basic Instinct' is Sharon Stone and I still think she
> >does an awesome job of playing a 'slut/vixen'.

> >Characters that I don't understand in 'Wild at Heart'-Please Explain:
> >         -Mr. Catepillar
> >         -The Voodoo Lady
> >         -Audrey (at the car wreck)
> >         -Black Pete Martell
> >         -The Purpose of Isabella Rosellinis character
> >                       
> >As one of my friends recently said, and I quote: "I rented Wild at Heart
> >twice just to be sure it wasn't as stupid as I thought it was the first
> >time - I was wrong."  -  person at the IU Law School who wishes to be
> >unnnamed.

Mr. Catepillar--By this do you mean Mr. Reindeer, the character that 
lived with all the topless women ("phone's ringing...")? I'm not sure
if it is, but if that is who you are asking about, he was there to show
the connection that still exists with Marcello Santos (sp?--I haven't
read the book) and Lula's "mumma." As well as the hassles he brings on 
Lula and Sailor.
The Voodoo Lady--She represented nothing more than the killing of Johnny
Faragut (again sp?). Anybody who enjoys killing must be victims of some
fixation with death, and Lynch of course, loves anything to do with sex.
Audrey--"Have you been noticing the buildup of traffic lately?"-Lula in
the motel before Powermad. There are more than one reference to car
crashes in the movie. Plus, it does foreshadow darn well the troubles
Lula and Sailor face in Big Tuna.
Pete Martell--There are many bizarre denizens of Big Tuna, ("One thing
about surviving in Big Tuna, you've got to have an active sense of
humor.") Bosey Spool is one of them. The character itself mentions
Toto, so he has some significance, but why Lynch chose the actor
seems evident, since Nance is in every movie (or show) but Elephant
Man.
Isabella--While Mr. Reindeer shows the actual link--save stories and
memories--between Marrietta and Santos, and the partnership, Isabella,
also connected with all of them, through the Voodoo Lady (Laura's mo-
ther), shows the connection that once existed between all of them and
Sailor, who had the good fortune to leave, and who now is the cause of 
most of their immediate troubles.
I hope that cleared a little bit up for you. None of the characters are
specifically useless, although some of them are a bit ill-placed or out
of place. I disagree about the sex scenes. There is more to the movie
than just sex. Many sinister people and places emerge from the telling
of a simple story of two lovers.
 
           Jeremy Mullen (posting through a very gracious friend)
           Usual disclaimers apply...
               "My dog barks some..."

In article <eqcBJB1w164w@tz.wimsey.bc.ca> stevedal@tz.wimsey.bc.ca (Steve Dallas) writes:

> > I've been looking around for a compilation that I believe somebody spoke of 
> >about Lynch's cartoon strip "The Angriest Dog in the World", I've heard a 
> >largely negative opinion of the strip, but I would like to read it all the 
> >same and at least have a look at it and see what the drawings themselves 
> >look like. (Even though they're apparently all the same)
> > 
> > Does anybody know where to find this stuff?
 Yes.  I don't know where it was originally published, but reprints are 
currently being cuirculated in a Comics Anthology "Cheval Noir", published 
by Dark Horse Comics.  Ask in any reputable comic book shop, and they should 
be able to show you a copy or two.  I believe they run 2-4 of the Lynch 
strips per issue....
-Grendel

In article <mkkcJB1w164w@netlink.cts.com> (Jim Bowery) writes:
> >* In 1953, government was given choice to disarm nuclear weapons and
> >  ally with apparently benign species of exobiological entities
> >  or retain nuclear weapons and ally with apparently sinister 
> >  species.

Ah!  1953!!!  Now I've figured it out -- this guy is a fan of War of
the Worlds: The Series, in which there was a massive alien invasion in
1953 which was then covered up / completely forgotten!

The potential for a WotW / TP crossover is unlimited... not to mention
hilarious...

Does this thread have anything to do with that LONG post a week or so
ago about President Truman, that Grudge thing etc... I admit it is
interesting and the more I think about it it is POSSIBLE that Lynch
had used the ideas as inspiration for a bit of the TP ideas, but
really, the show is not about trying to give credence to the Bill
Cooper conspiracy theory. Maybe there are some parallels, but I don't
see the show as beong a vehicle for promoting the ideas that are
presented in Coopers UFO thingey.
What is wrong with the visionary conflicts of good and evil, the
showing of the underside and motivations of the strange and wonderful
world we live in? I find this as a good enough explanation of what Mr.
Lynch is talking about in almost everything he does.

--

"Like Alice I try to believe 3 impossible things before breakfast"
                                  -Peter Davison (Doctor Who)

Matthew Frazer          Matthew Frazer
5 Stevens Way           Box 276
Durham NH 03824         Skidmore College
                        Saratoga Springs NY 12866

INTERNET: mfrazer@scott.skidmore.edu

  I thought Wild at Heart was an incredible movie.  Very
powerful.  Very fun.  It may be moot now that it's been out for
a while, but I think some of you should think about how not
putting spoiler warnings affect other people.  As for the book,
it was also wonderful.  I thought it had several significant
differences that I'll talk about after about a couple dozen
blank spaces in this:
SPOILER WARNING



















  Aside from the different ending in the book, there were some
other profound differences.  For one, the Hitman (can't think
of the character at the moment) was almost non-existant in the
book.  Also Johnny Faragut's(Harry Stanton's character) character was
much more established.  The little things like his writing
Twilight Zone stories were very enlightening while adding to
the "weirdness" of the book (plus the fact that he doesn't die
anywhere in the story).  Each "chapter" was like a
separate short (short, short) story.  IMHO, it was like Gifford
was saying,"No, this isn't *my* world, it's yours.  Look around
you."  (Except not so Cheezy).  I would hate to attempt to
analyze the fact that they split up at the end simply because I
have not read the sequel of four short stories/novellas and am
anxiously awaiting its release in paperback.  It may change
things entirely...unless its a prequel (Lula, Walk with Me--The
First Seven Days of Sailor's Romance, and the Death of Lula's
Daddy).  I'll take another look at the book and post more
thoughts if people don't mind hearing 'em.


Dave
--

holsteij@scott.skidmore.edu  writes:
> > In article <eqcBJB1w164w@tz.wimsey.bc.ca> stevedal@tz.wimsey.bc.ca (Steve Dallas) writes:
> > 
>> > > I've been looking around for a compilation that I believe somebody spoke of 
>> > >about Lynch's cartoon strip "The Angriest Dog in the World", I've heard a 
>> > >largely negative opinion of the strip, but I would like to read it all the 
>> > >same and at least have a look at it and see what the drawings themselves 
>> > >look like. (Even though they're apparently all the same)
>> > > 
>> > > Does anybody know where to find this stuff?
> >  Yes.  I don't know where it was originally published, but reprints are 
> > currently being cuirculated in a Comics Anthology "Cheval Noir", published 
> > by Dark Horse Comics.  Ask in any reputable comic book shop, and they should 
> > be able to show you a copy or two.  I believe they run 2-4 of the Lynch 
> > strips per issue....
> > -Grendel

   It's two per issue.  I wouldn't pay the five bucks for just
the one page.  The other stories may be interesting, but they
are serialized and wouldn't make a whole lot of sense.  I have
bought an issue and if I find it I might be able to photo-copy
the Dog page and mail it to interested parties.  Anyways, I
usually just amble over, read the Lynch page, give a good
little chuckle, and put the comic down.  I kind of like the
stuff.  Some of it is a little silly, but some is really
funny, "Who is this San Andreas guy, anyway?  I can't believe it's
all his Fault." (heeheehee)

Dave

--

In the last two episodes, what is the significance of the momentary "shaking
hands", at different times, of Cooper, Annie, Pete, and one or two others I
can't remember ? Is it a symbol or "warning" of impending evil/disaster ??

[By "shaking hands", I mean "trembling" or "quivering" hands, NOT what people
do when they are introduced to each other ... :-)]