Season 2, Episode 16: The Condemned Woman — February 16–March 27, 1991

In a previous article, afmartp@lims02.lerc.nasa.gov (PETER MARTIN) says:

> >In article <1991Feb26.141421.24219@ux1.cso.uiuc.edu>, sarwate@ux1.cso.uiuc.edu (Sanjiv Sarwate) writes...
>> >>synth@yenta.alb.nm.us (Synth F. Oberheim) writes:
>> >> 
>>> >>>A friend of mine recently talked with Harley Peyton, and he said the
>>> >>>show will be moved to Thursday nights at 10 PM Eastern.  As to *when*
>>> >>>it's coming back, I don't know.  But watch your Thursday night slot
>>> >>>like an owl-- uh, hawk!
>> >> 
>> >>Great.  Another brilliant scheduling decision by ABC.  I can just see it in
>> >>their boardroom now...
>> >>"Hmm...Twin Peaks ratings have been slacking for a while, but there are
>> >>a lot of fans out there who really enjoy the show.  I've got it! Let's
>> >>move it onto NBC-dominated Thursday nights, opposite LA Law, another show
>> >>that lots of Peaks fans watch"
>> >> 
> >This might be just the 'out' ABC is looking for.  Put a show with a limited 
> >audience on against a guarenteed time slot winner.  Then they have a built-
> >in excuse for low ratings.  Remember the time slot TP started out in???
> >That's right. Thursday's at 10:00 pm.  Besides, judging from the net 
> >discussion, most of us have VCR's which let us record one show while 
> >watching another.
> >
> >
> >Pete Martin
> >
Actually, Twin Peaks started out on Thursday's at 9 rather than 10.  That
put it up against Cheers rather than L.A. Law.  

Personally, I think a Tuesday at 10 timeslot would be best.  I, for one, don't
even *know* what's on then...so, it can't be *all* that good.  And, with
the hiatus of Thirtysomething, there's nothing else to watch then anyway.

-- Keith Bitely, a man on a quest to save... | Frankly, I don't ...the unborn | think he has a ...Twin Peaks | chance... ...his sanity | ...you?

In a previous article, tneff@bfmny0.BFM.COM (Tom Neff) says:

> >In article <1991Feb26.171020.29321@eagle.lerc.nasa.gov> afmartp@lims02.lerc.nasa.gov writes:
>> >>I just got a copy of the TP soundtrack CD.  It's pretty good.  One of the 
>> >>highlights is the liner notes.  There is a picture of all the actors while 
>> >>in character with both names listed for reference.  But one thing puzzles 
>> >>me,  the MFAP is in there, as is the OAM, but not BOB, the Giant, or SRDC.  
>> >>I wonder why?
> >
> >The soundtrack was released quite a while ago -- specifically, before
> >Laura's killer was revealed.  I don't think they wanted to give away upcoming
> >surprises in the liner notes.
> >
I have the tape.  I know, I know...behind the times...
But, my point is, BOB is shown on the tape jacket.  However, I don't remember
the Giant nor SRDC (But, of course, I have no idea what SRDC is)
But, I noticed that those pictured are just from the first season.  Some of
the characters, I haven't seen since.
Was the giant in the first season?  (Forgive me for not remembering)  :) :)
-- Keith Bitely, a man on a quest to save... | Frankly, I don't ...the unborn | think he has a ...Twin Peaks | chance... ...his sanity | ...you?

In article <1991Feb25.182528.4465@nntp-server.caltech.edu> tlynch@nntp-server.caltech.edu (Timothy W. Lynch) writes:
> >Leland?  Where does Ray Wise show up?  I remember the other two well enough, 
> >but I can't place Ray.

Wasn't that Ray in the part of Leon, one of the bad guys in Clarence
Boddiker's (?) gang?  Now I'm not sure, I have to check my tape.

>> >>Hmm.  An interesting thought-- Peter Weller appearing on Twin Peaks.
>> >>"Well, Coop, no matter where BOB goes... there he is."
> >
> >Yeah, but somehow, "The Adventures of BOBaroo Banzai--Beyond the White Lodge"
> >doesn't quite have the same ring...:-)

How about RoboBOB?  "Gimme a donut.  You have thirty seconds to comply."

There's even more of them from Dune.  Some of the more observant watchers
of TP spotted Alicia Witt (Alia) when she appeared in one episode.  I didn't
know it was she until I saw her name in the credits.  MacLachlan, Nance,
McGill are all obvious, of course.

Now if only Patrick Stewart would appear in TP as Jean-Luc Renault, the
last of the Renault brothers.  :-)
--
Roger Noe                            roger-noe@uiuc.edu
Department of Computer Science       noe@cs.uiuc.edu
University of Illinois               40:06:39 N.  88:13:41 W.
Urbana, IL  61801  USA               (217) 384-8536

In article <1991Feb25.190418.7066@yenta.alb.nm.us> synth@yenta.alb.nm.us (Synth F. Oberheim) writes:
> >A friend of mine recently talked with Harley Peyton, and he said the
> >show will be moved to Thursday nights at 10 PM Eastern.  As to *when*
> >it's coming back, I don't know.  But watch your Thursday night slot
> >like an owl-- uh, hawk!

Yeah.   I don't want to see it against LA Law either.  But realize in June,
LA Law will be in reruns, but TP will have fresh episodes.  Network 
executives are not dumb.  They realize that the same people who didn't
find it a problem to be home to watch LA Law, will not find it a problem
to watch TP.  If they really watch the show during the June tryout, then
it will likely be back in the fall (but on another day).
--
 Daniel Pearl      Concurrent Computer Corporation, Westford, Massachusetts USA
(508) 392-2478          danny@westford.ccur.com

In article <RWC.91Feb26131225@fantasia.mitre.org> rwc@mitre.org (Ronald Conti) writes:
> >I know people have said that TP is definately saved... but let's not
> >become too zealous!

It's not.  It's still necessary to write.

> >
> >Make sure to put "RE: Twin Peaks" on the envelope.
I disagree here.  They may instead forward it to Lynch/Frost, or, knowing
the contents, not look at it at all.  Just send it to Bob, with nothing
else, I would say.

You don't want to make his secretary's job easier, would you?


-- Michael Lee ! Love michaell@garfield.cs.wisc.edu ! Don't go away 934 W. Dayton Apt #1 ! Come back this way Madison, WI 53715 ! Come back and stay SAVE TWIN PEAKS ! Forever and ever WRITE ABC TODAY ! "The World Spins", David Lynch

While flipping through the March issue of "Esquire" yesterday, I came
upon an article that suggested that BOB become a roving television
entity (much like the Energizer rabbit, I noted 8), dedicated to ridding
us of boring, lame, whining TV characters.  Among the author's picks
for quick elimination was Gary on 30s.  Now, Gary *did* die on the
last episode...perhaps there is more to this than meets the eye!

I'm not going to even try to paraphrase; the article was very funny,
and I recommend that you head for your nearest magazine headquarters
and browse through a copy.  I read it on an airplane, so I don't have
the article handy.   

ann podlozny
podlozny@ai.sri.com

In article <50@prang.TEST.Vitalink.COM> marciano@prang.UUCP (marciano pitargue) writes:

[A copy of Bob Iger's address]

We've only seen this about seventy-five times.  We need more!  We need
AT LEAST TWO HUNDRED MORE COPIES of Bob Iger's address.  Come on,
everybody!  Post a copy of Bob Iger's address today!!

:(


--
 Rod Johnson  *  rjohnson@vela.acs.oakland.edu  *  (313) 650 2315 

                "Life has a throat" --Peter Blegvad

In article <RWC.91Feb26131225@fantasia.mitre.org> rwc@mitre.org (Ronald Conti) writes:
> >I know people have said that TP is definately saved... but let's not
> >become too zealous!

What?


--
 Rod Johnson  *  rjohnson@vela.acs.oakland.edu  *  (313) 650 2315 

                "Life has a throat" --Peter Blegvad

richardh@hpopd.pwd.hp.com (Richard Hancock) writes:

> >Should we in the UK be writing to the BBC or to ABC?

Both.  Write ABC to let them know you're out there; write the Beeb to
have *them* lean on ABC.
-- "Perl is the BASIC of UNIX." -- Tom Christiansen

In article <1991Feb27.000520.13578@engin.umich.edu> rcj@caen.engin.umich.edu (R o d Johnson) writes:
> >We've only seen this about seventy-five times.  We need more!  We need
> >AT LEAST TWO HUNDRED MORE COPIES of Bob Iger's address.  Come on,
> >everybody!  Post a copy of Bob Iger's address today!!

Come on, Rod.  You're not suggesting people READ existing articles
before posting their own, are you?

What are you, some kind of Communist?

In article <936EBA8C808025B1@WVNVMS.WVNET.EDU> UN040377@WVNVAXA.WVNET.EDU writes:
> >A horrible thought just occured to me.  Suppose ABC brings
> >Twin Peaks back on the night Lynch/Frost want, Wednesday.
> >Guess what, Wednesday is also the night that NBC is putting
> >Quantum Leap in, starting next week.  What if Twin Peaks and
> >Quantum Leap are put up against each other?  Both shows have
> >approx. the same demographics, and have a lot of fans in common (etc.)

Does anybody know what night CBS is bringing back "Northern Exposure?"
I have an eerie feeling it's going to conflict with TP........

-- David W. Millians millia@athena.cs.uga.edu All I say is untrue. [He was] a friend, a brother, and a mortal enemy, an unknown demon, two worlds together- a tiger and a child. (Thomas Wolfe)

I discovered today that Twin Peaks' influence has spread to
PBS, more specifically in the form of a skit on Sesame Street.

My girlfriend and I were flipping through the channels around
noon (CST) when we came across Monsterpiece Theatre (with your
host Alistaire Cookie).  The scene started with Cookie Monster
entering a diner (presumably the RR) saying ``Denise, this is
Agent Cookie, I've just arrived in Twin Beaks...

the skit went on to feature Cookie talking about the 
``darn good pies'' and ``darn good plates''

the mystery to be solved was why the town is called twin beaks.
As soon as Agent Cookie starts asking the answer becomes clear.
This town is inhabited by birds, all with TWO beaks.  No one
was willing to discuss the name of the town.  Some of
the characters featured were

David Finch (hah)

we thought the bird with him was Mark Frost until she was introduced
as Laura (and who later wispered in Cookie's ear to ask the log bird).

The log bird was a dead ringer for the log lady, and the resemblence
of her log to the real log...well, I must say I'm not very good at
remembering bark.  Only this log really did talk.

It was very funny and I wish I had recorded it.  Anyone else seen it?
anyone tape it?  it certainly makes Sesame Street wroth watching, just
for these rare golden moments.

nate@casbah.acns.nwu.edu
Northwestern University
-- nate berggren | Do something you hate! Being nate@casbah.acns.nwu.edu| miserable builds character! ACNS Student Consultant | -Calvin Northwestern University |

In article <1991Feb26.170940.9184@watserv1.waterloo.edu>, alternat@watserv1.waterloo.edu (Ann Hodgins) writes...

} My vcr does not record one channel while I watch another so I would be
} forced to chose.

VCR's don't work that way. If you want to record, say, Channel 7 and watch
while it's being recorded, set your VCR to Channel 7 and your TV to Channel
3 or 4 (depending on which is not being used in your area). If you want to
record Channel 7 and watch Channel 5, set you VCR to Channel 7 and change
the channel selector *on the TV* to Channel 5. Then your VCR was tape one
channel while you watch another.

It's a tad more complicated if you have cable, but if you can get in one
of the two stations via the antenna, then disconnect the VCR from the TV,
tape one channel (via cable), and connect up the antenna to the TV to
watch the other channel just as you would if you didn't have cable *or*
a VCR.

There's nothing especially magical about it all.

-- "Have you ever made love to a revolutionary?" "No, but I once necked with a Stevenson Democrat." --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) UUCP: ...!decwrl!ruby.enet.dec.com!boyajian ARPA: boyajian%ruby.DEC@DECWRL.DEC.COM

In article <6881@mentor.cc.purdue.edu>, russelrd@mentor.cc.purdue.edu (MattBrockman) writes...

} A while ago some one posted the idea of TP characters plugging products
} on the show (i.e. Cooper for Sony tapes) and, more recently, having them
} say slogans (i.e. Leo: "I have a headache THIS BIG!").

Actually, what I'd like to see if the following ad *for* TP:

The Dwarf and The Giant standing side by side, both with big grins on their
faces, and the caption:

"TWIN PEAKS. Only their mother than tell them apart."

-- "Have you ever made love to a revolutionary?" "No, but I once necked with a Stevenson Democrat." --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) UUCP: ...!decwrl!ruby.enet.dec.com!boyajian ARPA: boyajian%ruby.DEC@DECWRL.DEC.COM

In article <1991Feb26.171020.29321@eagle.lerc.nasa.gov>, afmartp@lims02.lerc.nasa.gov (PETER MARTIN) writes...

} I just got a copy of the TP soundtrack CD. It's pretty good. One of the 
} highlights is the liner notes. There is a picture of all the actors while 
} in character with both names listed for reference.  But one thing puzzles 
} me, the MFAP is in there, as is the OAM, but not BOB, the Giant, or SRDC.
} I wonder why?

Check again. BOB *is* there, as "Killer Bob".

The Giant and SRDC (I assume you mean SR Drool Cup?) are not there because
the soundtrack was released prior to the first appearance of either one of
them.

-- "Have you ever made love to a revolutionary?" "No, but I once necked with a Stevenson Democrat." --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) UUCP: ...!decwrl!ruby.enet.dec.com!boyajian ARPA: boyajian%ruby.DEC@DECWRL.DEC.COM

In article <1991Feb26.145556.8509@mack.uit.no>, vidarh@stud.cs.uit.no (Vidar Hanssen) writes...

} How many episodes are there totally (including the 6 remaining)?
} Here in Norway we've just seen episode 16 (1st after the Maddy-murder),
} and I would just like to know how many we have left...

OK, the rundown again (Janet, maybe you should add this to the FAQL?)...

First Season:  2-hour pilot (referred to as Episode #0) + 7 1-hour episodes
               (#1-7)

Second Season: 16 episodes (#8-23) seen to date; 6 episodes (#24-29) still
               to be shown.

} What does 2008 mean? Episode 8 in season 2?

Yes. It's the production number that Lynch/Frost assigned to that episode.
That's why the original 2-hour pilot film is not considered to be Episode
#1, because the production number 1001 was assigned to the first *1-hour*
episode. The production number for the pilot film is unknown, so out of
convenience, we refer to it as #1000, or Episode #0 (given that many of
us here use computers on a daily basis, surely it doesn't seem strange to
start counting with 0, does it? :-))

-- "Have you ever made love to a revolutionary?" "No, but I once necked with a Stevenson Democrat." --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) UUCP: ...!decwrl!ruby.enet.dec.com!boyajian ARPA: boyajian%ruby.DEC@DECWRL.DEC.COM

In article <1991Feb26.184845.5597@cadence.com>, phz@cadence.com (Pete Zakel) writes...

} Well, the ONLY shows I watch regularly are:

} Twin Peaks (maybe not anymore, at least not until after the "hiatus")
} The Simpsons
} 60 Minutes
} Star Trek: The Next Generation
} The Black Adder (BBC historical comedy broadcast on PBS station KTEH)
} Red Dwarf (BBC science fiction comedy broadcast on PBS station KTEH)

The only current shows *I* watch regularly (counting ones on hiatus) are
TWIN PEAKS, UNDER COVER, THE WONDER YEARS, THE FLASH, and ZORRO (with the
latter two filed mostly under "G" for "Guilty Pleasure"). Re-run shows I
catch regularly are THE AVENGERS and MIKE HAMMER. And THE RAY BRADBURY
THEATER, which is kind of in the limbo between new and re-run.

} I'll also watch Fawlty Towers, Monty Python's Flying Circus, Comedy Tonight
} [...] when convenient.

Which is where I file ST:TNG.

} Why doesn't TV Guide (and the local Programming Guides in the local
} papers) have an alphabetical cross-index of programs?

Good question. I would certainly find such a feature extremely convenient.

} Instead of hunting through the entire guide looking for the programs I
} like (and probably missing most of them), I could just look in the 'M's
} for "Monty Python", see which channels and times it is broadcast, and
} then arrange to watch (or have my VCR watch) the program.

The only trouble is that they *want* us "hunt through the entire guide"
so that we don't fail to see the advertisements that constitute the bulk
of the magazine's financial support.

-- "Have you ever made love to a revolutionary?" "No, but I once necked with a Stevenson Democrat." --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) UUCP: ...!decwrl!ruby.enet.dec.com!boyajian ARPA: boyajian%ruby.DEC@DECWRL.DEC.COM

In article <1991Feb26.171020.29321@eagle.lerc.nasa.gov>, afmartp@lims02.lerc.nasa.gov (PETER MARTIN) writes:
|> I just got a copy of the TP soundtrack CD.  It's pretty good.  One of the 
|> highlights is the liner notes.  There is a picture of all the actors while 
|> in character with both names listed for reference.  But one thing puzzles 
|> me,  the MFAP is in there, as is the OAM, but not BOB, the Giant, or SRDC.  
|> I wonder why?

In the version I've seen of the soundtrack CD (probably the european version), BOB's picture IS there, with "Killer Bob" below. Diane is also there!

Vidar

I thought the significance of "The owls are not what they seem" was two-fold :-
(i) that although BOB killed Laura, Cooper shouldn't be looking for someone who
has the physical appearance of BOB; (ii) that the owls are literally not what
they seem, ie. that they're associated with spirits.

Richard.
"Boxcar Willy"

/ hpopd:alt.tv.twin-peaks / ho@hoss.unl.edu (Tiny Bubbles...) / 12:13 am  Feb 26, 1991 /

> > Alas, this man is, I am afraid, beyond help.

> > According to his reply line, he suffers from the worst kind of computer
> > handicap.

> > He uses VMS.

And so do many washing machines (though why they have D/A converters, G*d alone
knows).

Richard.
" - back to - Profitability, ... "

/ hpopd:alt.tv.twin-peaks / vidarh@stud.cs.uit.no (Vidar Hanssen) /  2:55 pm  Feb 26, 1991 /

> > How many episodes are there totally (including the 6 remaining)?

22 in the second season, of which 16 have been seen in the US, and of which 20
have been completed.

> > Here in Norway we've just seen episode 16 (1st after the Maddy-murder),
> > and I would just like to know how many we have left...

Norway and the UK are neck-and-neck here (remember the Eurovision Song Contest?)

> > What does 2008 mean? Episode 8 in season 2?

Yes, its the "production number". The first season pilot didn't have a
production number so its referred to as 1000. The second season premiere is
numbered 2001.

(All the above garnered from US TP postings,)

Richard.
"UK 2020 : US 2016"

While doing some channel-hopping after just having watched Chris Mulkey play a
rather Hank-like character on "thirtysomething" (I thought for sure he'd bring
the boys to One-Eyed Jack's), I happened across an old episode of "Miami Vice"
and noticed our friend Miguel Ferrer in the background of the shot. I almost
fell off the chair laughing when he approached the under-cover Rico Tubbs and
delivered the line...

"Cooper - I need to talk to you, alone."

Matt Hefferman
hefferman@bbn.com

jym@berkeley.edu (Jym Dyer) writes:
> >[excerpted:]
> >_Twin_Peaks_
> >~~~~~~~~~~~~
> >    Denise:  I put my panties on one leg at a time, if you
> >             know what I mean.

> >_The_Simpsons_
> >~~~~~~~~~~~~~~
> >    Skinner:  >Heh< >heh< >heh<.  Yes, these pants come off at
> >              night, just like everybody else's.

> > __ What does these statements mean?

I think that, in "normal" circumstances, the expression "putting one's
pants on one leg at a time" means something like "I'm just a regular guy."
However, (stating the obvious) there's a twist in each of the examples
you mentioned, which I'm sure you can figure out.  

-jeremy jbn

"i will not manifest as an owl"

In article <jms.3063@vanth.UUCP> jms@vanth.UUCP (Jim Shaffer) writes:
> >Well, speaking strictly for myself, I've never watched Quantum Leap (OK I
> >watched the first episode, how else would I know I hated it?) so I'd love
> >to see Peaks on Wednesday.  For that matter, I'd love to see Peaks on any
> >weeknight.  The other weeknight offerings are just getting worse and worse.

Except, I forgot to mention, Dark Shadows.  I definitely wouldn't want to
have Peaks on opposite Dark Shadows.

--
*  From the disk of:  | jms@vanth.uucp     | "Glittering prizes and
Jim Shaffer, Jr.      | amix.commodore.com!vanth!jms | endless compromises
37 Brook Street       | 72750.2335@compuserve.com    | shatter the illusion of
Montgomery, PA 17752  | (CompuServe as a last resort)| integrity!"  (Rush)

Well, speaking strictly for myself, I've never watched Quantum Leap (OK I
watched the first episode, how else would I know I hated it?) so I'd love
to see Peaks on Wednesday.  For that matter, I'd love to see Peaks on any
weeknight.  The other weeknight offerings are just getting worse and worse.

--
*  From the disk of:  | jms@vanth.uucp     | "Glittering prizes and
Jim Shaffer, Jr.      | amix.commodore.com!vanth!jms | endless compromises
37 Brook Street       | 72750.2335@compuserve.com    | shatter the illusion of
Montgomery, PA 17752  | (CompuServe as a last resort)| integrity!"  (Rush)

It still may be an evil plot, but the TV listings for Denver
also say that Twin Peaks is supposed to be on this
Saturday at 9:00 PM.

I *am* confused.

-Vincent Huffaker

p.s.  one of the reasons that TP has lost its popularity is
      that it was billed as a mystery but has almost become
      a soap opera (no real finish...just keeps going). 
      I think that the idea of a one or two season maxi-series
      (with a real finish) is a good one that TV execs should
      pursue after TP is over (assuming present efforts to save
      it don't work).

Some people have mentioned the recent "Twin Beaks" take-off on Sesame
Street.  Well, this last saturday I caught the tail end of another bizarre
TP take-off.  On some cartoon (I'm not up on their titles - I had never seen
it before) which centered around teenage monsters going to high school
(ring any bells? anyone?) the "class" went on a field trip to "Thin Peaks".
There wasn't much more reference to it, and I didn't see any parodies of the
characters, but their field trip took place in a large forest (in Thin Peaks
park) and one of the characters was followed home by a grey horse! 

The rest of the plot degenerated into the standard horse humor, but I was
really surprised by the choice of location.  Not only did they choose Twin
Peaks, but they passed up all opportunities to actually parody it.  I guess
they figured none of the kiddies would get it.

If anyone else saw the beginning of it, it would be nice to know the name of
the cartoon and if something funny happened at the beginning.


                Kevin Schraith, U of I Urbana-Champaign

David Lynch is scheduled to be on Late Night w/ Dave Letterman tonight,
2/27 (although Kyle McLachlan did *not* appear last night as another
netter indicated last week). Maybe we'll find out the latest scoop on the
fate of our fave TV town. Stay tuned........

John Ryder / Tellabs Inc.

In article <12072@pt.cs.cmu.edu> kck@g.gp.cs.cmu.edu (Karl Kluge) writes:
> >Regarding the theory that Bob is in HST because the hosts aren't visible

Bob is in Hunter S. Thompson????

*That* could explain a few things.....

;^)

-Pete Zakel
 (phz@cadence.com or ..!{hpda,versatc,apollo,ucbcad,uunet}!cadence!phz)

from Spenser's the Fairy Queen:
From: jacobw@phoenix.Princeton.EDU (Jacob S Weinstein)
Path: phoenix!jacobw

Then groning deepe, "Nor damned Ghost," quoth he.
        "Nor guilefull sprite to thee these wordes doth speake,
        But once a man...now a tree...
        A cruell witch... hath thus transformed."
(I've left out a lot, but you get the idea.)
        The footnote to my edition says, "The motif of a man imprisoned
in a tree derives from Virgil (Aeneid 3.27-42) and is used by Ariosto
(Orlando Furiouso 6.26-53).
        I don't have a copy of the Aeneid of the Furiouso. Clearly,
this is significant. Can anyone track this down further?

******************************
*Jacob Weinstein             *
******************************

In article <1991Feb27.060016.24295@casbah.acns.nwu.edu>, nate@casbah.acns.nwu.edu (Nate Berggren) writes...
> >I discovered today that Twin Peaks' influence has spread to
> >PBS, more specifically in the form of a skit on Sesame Street.

In the San Francisco area, that show will be repeated on Channel 9
on Saturday at either 7, 8, or 9 am.

My wife called me at work to tell me about it.  I've always
appreciated Sesame Street unique sense of parody.  I can't
wait to see it myself!

I am going to try and tape it.  I am willing, on a limited basis,
to make copies for those who are interested.  E-mail me and we
can work out the details.


--------------------------------|------------------------------------
Steven J. Blechman|  INTERNET: SJBLECHMAN@LBL.GOV
Program Development Unit|  (415) 486-4796
Lawrence Berkeley Laboratory|  (415) 486-5870 FAX
--------------------------------|------------------------------------

DAVID LYNCH IS GOING TO BE ON LETTERMAN WENSDAY NIGHT.  IF ANYONE IS AWARE IF
THE TRUE FATE OF TWIN PEAKS PLEASE SEND ME E-MAIL.

In article <1991Feb22.134404.11803@pbs.org> eyeater@pbs.org writes:
>> >> In article <1991Feb19.192022.26322@nntp-server.caltech.edu> coufal@piglet.caltech.edu (David Ernest Coufal) writes:
>>> >>>In article <RGB.91Feb19132026@bigsleep.engin.umich.edu>rgb@engin.umich.edu (Rod G. Bogart) writes:
>>>> >>>>Although some net-folks have called the drawer-knob scene "stretched
>>>> >>>>latex", it was definitely computer graphics animation.  Anyone know
>>>> >>>>what company did the effects?
>>> >>>
>>> >>>In the credits, a person named RAUL FERNANDEZ was credited with
>>> >>>the animation. Anybody know who he is?
> >
> >
> >I don't know about Raul F., but the animation certainly looked like
> >  it was done with a system called Wavefront.

Hi -

I usually don't post to this group but I wanted to check it out to see if
there was any reaction to Raul's computer animation sequence. I'm glad to
see that it got some notice out there.

Raul Fernandez is an extremely talented computer animator as well as my
boyfriend's brother. I'll give him call to see if I can get an answer to your
questions and post it asap.

In the meantime, I'm sure he's glad to see his work appreciated. He had some
interesting insight into why TP is being rescheduled and who is behind the
effort to see the show cancelled. I'll see if I can get him to come through
with details.


Sharon Roberts
Interactive Systems Corp.

In article <8bnIIY200WBK01AFcE@andrew.cmu.edu> mt1z+@andrew.cmu.edu (Michael Bruce Tomblyn) writes:
> >Just a thought here, but how about everyone flooding the ABC fax line at
> >the same time, when TP should be on Sat. night. 

This assumes you think TP *should* be on Sat. night.  Some of us,
apparently including David Lynch, think it should be on Wed. or Thu. night.

> >                                                 I realize nobody will be
> >there at the time, but if one of my Friends who is an electronics expert
> >is correct, as few as 10,000 faxes at once will completely ROAST any
> >fax.                               ^^^^^^^

Your Friend (is he a Quaker?) might have reminded you that fax machines
work by picking up the phone and printing ONE fax at a time.  There is
no way to make the machine print 10,000 (or even two) faxes "at once."

You might queue up 10,000 faxes to be printed sequentially, but given
carrier train and data transmission times, it's difficult to receive a
complete fax sheet in much less than a minute.  There are only 1,440
minutes in a whole day! and only 60 of those occur when TP "should be
on."  So it's unlikely you could get more than about 50 faxes through.
That leaves 9,950 people who spent an hour dialing the fax number and
getting nothing but busy signals.  

> >If not, Mon. morning, can you imagine the surprise on the faces of
> >those who have to pick up the faxes, all with the (relatively) same send
> >time printed?

Hard to do - see above.  Anyway, I have had people fax me 200-page
manuals overnight: it's not THAT hard to deal with the next day.  In the
case of fax harrassment I would s***can the offending material and get a
new fax number the next day, so that people with LEGITIMATE reasons to
fax me could get their work done.

The mails are there for a purpose.  Use them -- don't associate TP fans
with unnecessary rudeness in ABC's tiny corporate mind.

In article <59940048@hpopd.pwd.hp.com> richardh@hpopd.pwd.hp.com (Richard Hancock) writes:
> >I thought the significance of "The owls are not what they seem" was two-fold :-
> >(i) that although BOB killed Laura, Cooper shouldn't be looking for someone who
> >has the physical appearance of BOB; (ii) that the owls are literally not what
> >they seem, ie. that they're associated with spirits.


OK, OK, I know I said I wasn't going to write a letter, but ever 
since that ill-advised proclamation I have been haunted by owls. 
In the bookstore it seems that every fifth book I see has "owl" 
in the title -- THE OWL I KNEW, THE HABITS OF OWLS, ONE MAN'S OWL, 
I HEARD THE OWL CALL MY NAME.  This morning as I opened my newspaper 
the first headline I saw read "Symbolic victory for owls."  

I get the message.  The letter is in the mail.

--Barbara 




--
Barbara HlavinWe have to believe in Free Will, 
twain@blake.acs.washington.eduwe've got no choice. 
-Isaac Bashevis Singer

If you really must know what I watch:
The Simpsons
Doctor Who
Red Dwarf
Star Trek: The Next Generation
Tiny Toons
Night Court Reruns
M*A*S*H Reruns
MacGyver Reruns
CNN

(And not necessarily in that order)
-- "We wish to remind the Usenet /\ UUCP: ames att!pacbell! \ readers that whatever mholtz [] pyramid sun!pacbell! -=> sactoh0!mholtz says is being monitored by [] {ucbvax!}ucdavis!csusac! / inews censors at sactoh0." \/ INTERNET: mholtz@sactoh0.SAC.CA.US anyways!

Here's the timeline covering every episode so far aired in the
United States (posted in two parts). Major spoilers abound, obviously,
including those for future episodes in the older ones .

This was based on one begun by Jerry Boyajian, and includes transcriptions
by Ed Hughes, David Coufal and others I've pulled off the news.

A copy will be made available for anonymous ftp at sal.sait.edu.au

Edwin Nomura
enomura@ucsd.edu

--


1983  ("6 years ago" - Truman to Cooper)
   -- Andrew Packard brings Josie over from Hong Kong to be his wife

August 1987 (approx)
   -- Andrew Packard supposedly dies in a boating accident. Truman first tells
      Cooper Packard died "last year" which would've been 1988 but later tells
      him it happened "a year and a half ago."
   -- Hank Jennings "accidently" kills an unnamed vagrant, is convicted of
      vehicular manslaughter and sent to jail. (He's said to've spent 18
      months in jail.)

06 Feb (Monday) (date at top of page in diary)
   -- "Day One" (entry in Laura's diary). During Cooper's questioning of James,
      he asked what happened on 2/5 and James flashed back on the time when
      Laura gave him the locket. Cooper said to Diane he had flipped back 18
      days to "Day One." That could be 18 days from 2/23 (last entry in the
      diary), yielding the 5th, or from 2/24 (the day he was looking at it),
      yielding the 6th.

12 Feb (Sunday)
   -- The picnic (James told Cooper it was "two Sundays ago")

23 Feb (Thursday)

   05:00 pm (Josie to Cooper and Truman)
   -- Laura arrives at Josie's for her English lessons. Josie says Laura left
      an hour later.

   Sometime after dinner
   -- Last entry in Laura's diary: "Nervous about meeting J. tonight."
      (After dinner since she remarks about having asparagus for dinner again)

   09:00 - 09:30
   -- Laura returns home from Bobby's. (Sarah Palmer tells Truman she last saw
      Laura when she got home about 9:00. Bobby answers yes when Cooper asks
      him, "she was studying at your house until about 9:30. Isn't that right?"

   09:30
   -- Laura snuck out of her house (James to Cooper)

   10:00
   -- Leland calls Laura from Ben's office

   12:30
   -- Laura jumps off James' bike and runs off (James to Cooper)

   12:00 - 04:00 am
   -- Estimated time of Laura's death according to the preliminary autopsy

24 Feb (Friday)   [Episode 1000 (pilot) - 4/8/90, 8/5/90
   Written by Mark Frost and David Lynch
   Directed by David Lynch]

   "Just after dawn" (Harry to Bobby)
   -- Pete Martell finds Laura's body: "She's dead...wrapped in pastic"
   -- Ben and Leland have meeting with Norwegians. Ben mentions he has
      information that the sawmill will go belly up within a year.
      Leland receives news about Laura.
   -- Bobby takes Shelley home, then goes to school and is arrested.

   Mid-morning(?)
   -- Ronnette announced as missing then is found wandering along the tracks.
   -- Nadine sends Big Ed off to get the drapes ("They said those drapes would
      be ready by 10.")

   11:30 (Cooper to Diane)
   -- Cooper enters Twin Peaks. (He had lunch at the Lamplighter Inn)

   Noon/early afternoon
   -- Cooper & Truman check on Ronnette. (Truman to Cooper: "as far as we know,
      Ronnette and Laura hardly knew each other." Ronnette: "no, don't go
      there")
   -- Dr. Jacoby tells Cooper and Truman he wants to go to the morgue. Truman
      says no. Jacoby also says that Laura's parents didn't know she was seeing
      him.
   -- Cooper and Truman check on Laura. Cooper finds an "R" under Laura's left
      ring finger.
   -- Andy and team find the train car.
   -- Cooper and Truman question Bobby, then Donna.

04:00 (approx)
   -- "The Norwegians are leaving!" (one of Ben's employees tells concierge Ben
      would be back by 4:00 for the final signing of the deal with the
      Norwegians, and Ben arrives as the Norwegians are leaving)

04:10 (Cooper to Diane)
   -- Cooper and Truman at train car. They find the necklace, on a chain, with
      half of the heart and a note, "Fire, walk with me."

Late afternoon
   -- Cooper and Truman at the bank. Clerk says Laura had safety deposit box
      for about 6 months. Inside are over $10,000 and a copy of Fleshworld.
   -- Leo finds two kinds of cigarette butts in the ashtray and threatens
      Shelley.

Early evening
   -- Town meeting where Cooper addresses the community leaders. He says that
      one year ago, almost to the day, in the southwest corner of the state,
      a girl by the name of Theresa Banks was found dead and because of
      "irrefutable similarities," he believes that same perpetrator killed
      Laura and almost killed Ronnette.

09:30 (approx)
   -- Donna sneaks out to meet James at the Roadhouse. Big Ed meets Norma there
      as well. Fight breaks out, Joey Paulson takes Donna to meet James. James
      and Donna bury the locket, on a thong. James is arrested.

Late evening
   -- Truman meets Josie, has been seeing her for about 6 weeks (Truman to
      Cooper)
   -- Catherine meets Ben, tells him they agree "to meet to talk about it"

12:28 am (Cooper to Diane)
   -- Cooper knocks off for the night at the Great Northern. Locket, on a
      thong, is dug up by person unknown (Jacoby).

25 Feb (Saturday)   [Episode 1001 - 4/12/90, 8/11/90
     Written by Mark Frost and David Lynch
     Directed by Duwayne Dunham]

   06:18 (Cooper to Diane)
   -- Cooper is up and goes to breakfast, where he meets Audrey

   Early to mid-morning
   -- Cooper rattles off the day's schedule to Truman, who's stuffin' his face
      with a donut. C: "Harry, I really have to urinate!"
   -- Cooper and Truman get autopsy results from Dr. Hayward
   -- Shelley discovers Leo's shirt soaked with blood and hides it
   -- Cooper and Truman question James
   -- Mike and Bobby talk in jail cell (Leo called Mike "yesterday" and Bobby
      met with Leo "the night Laura died")
   -- The Donna and Laura picnic video
   -- Donna to mom: Laura's been seeing James for 2 months. Donna is sad but
      happy.
   -- Cooper gets call from Albert. Harry and Ed discuss the stakeout. Ed
      thinks his drink was drugged at the Roadhouse. The bartender was Jacques.
   -- James released into Ed's custody, Mike and Bobby released.

   "Just barely morning" (Pete to Josie)
   -- Cooper and Truman talk to Josie. Pete: There was a fish... *in* the
      percolator.
   -- Catherine meets Ben. They plan to torch the sawmill.

   Afternoon
   -- Donna visits the Palmers. Sarah has a vision of Laura and killer Bob

   Late afternoon/early evening (exterior shot is dark)
   -- Hawk qustions Pulaskis, spots one-armed man
   -- Bobby and Major Briggs have words over dinner
   -- Cooper and Truman encounter Log Lady at RR
   -- Jenny's first day at One-Eyed Jack's (not shown but mentioned later)

   Later in evening
   -- Shelley gets home and is beaten by Leo
   -- James has dinner at Haywards'
   -- Jacoby listens to tape from Laura, takes out the locket, on a thong
   -- Bob Lydecker assaulted outside a bar in Lowtown, a section of Twin Peaks
      (not shown)

   Saturday evening (continued)   [Episode 1002 - 4/19/90, 8/18/90
      Written by Mark Frost and David Lynch
   Directed by David Lynch]

   -- Jerry Horne gets back from Paris. He and Ben go to OEJ.

   Midnight (clock at Haywards')
   -- James and Donna have their heart-to-heart
   -- Hawk calls Cooper, tells him that Ronnette recently quit at the perfume
      counter
   -- Audrey slips note under Cooper's door (Jack with one eye)
   -- Bobby and Mike meet with Leo in the woods. Bobby sees someone with Leo.
      Leo: Leo needs a new pair of shoes!

26 Feb (Sunday)
   Morning
   -- Ed drops grease on Nadine's drape runners. Nadine's arms bend back.
   -- Shelley turns off a commercial for "Invitation to Love" and Bobby visits
   -- Cooper teaches Harry, Hawk, Andy and Lucy about Tibet. Rock/bottle:
                             1 James Hurley, secret boyfriend
                !            2 Josie Packard, was instructed in English by
                U3             Laura. Bottle wobbled slightly.
              !---!          3 Dr. Lawrence Jacoby, Laura's psychiatrist.
              2   !            Grazed bottle, bottle fell but did not break.
              !   !          4 Johnny Horne, Laura was his special education
       !----! !   ! !--1-!     tutor. Rock hit trash can.
       !    ! !   ! !    !   5 Norma Jennings, she helped Laura organize the
       !    ! !   ! !    !     Meals on Wheels program.
                5            6 Shelley Johnson, waitress at diner, friend.
                               Rock hit tree, then Andy.
                             7 Jack with one eye. No rock thrown.
                             8 Leo Johnson, husband of Shelley, drives a truck,
                               connection with Laura unknown. Bottle struck.
   -- Ed meets Norma at the RR

   Late morning (after church)
   -- Haywards meet Audrey in the RR who puts on music on the juke. "God,
      I love this music. Isn't it too dreamy?"

   Afternoon ("are we going to have to stand here all afternoon?" Albert to
              Lucy)
   -- Albert and team arrive

   Night
   -- Nadine ecstatic about her now-silent runners
   -- Pete and Catherine talk. Pete sneaks safe key to Josie and she finds two
      ledgers in the safe.
   -- Leland has a breakdown to the strains of Glen Miller
   -- Cooper dreams:
      A series of sudden images, as if illuminated by a strobe light with
      darkness in between:
Cooper in a chair, the dwarf
Laura's mother running downstairs [from episode 1000]
Bob at foot of Laura's bed
A bloody cloth [in the railroad car?]
Laura dead
Bob crouched at Laura's bed  [Sarah's vision]
      The One-Armed Man:
Through the darkness of future past,
The magician longs to see
One..chants...out..between two worlds...
Fire...walk with me.
We lived among the people -- I think you say convenience store?
We lived above it.  I mean it like it is, as it sounds.  I too
have been touched by the devilish one; tattoo on the left shoulder.
Ah, but when I saw the face of God, I was changed.  I took the
entire arm off.  My name is Mike.  His name is Bob.
      Bob, crouched in some room full of clutter (tantalizingly
      unrecognizable metal objects) like an attic or basement.  He looks
      around and says:
Mike?  Mike?  Can you hear me?  [he turns to look at the camera]
Catch you with my death bag!
You may think I've gone insane, but I promise I *will* kill again!
      A small mound of dirt with a gold necklace on it, surrounded by a
      ring of candles. A puff of wind; the candles blow out.
      An older Agent Cooper (in his 50s or so) is sitting in a red-carpeted, 
      red-curtained lounge.  Laura Palmer is sitting a few chairs away from
      him, dressed in a slinky black dress and looking very elegant.  There 
      is a strange scraping noise - a distorted silhouette of a person,
      backlit against a doorway -- it seems to be shuddering somehow -- the 
      scraping noise gets faster.  Suddenly the distorted silhouette turns
      around.  It's The Little Man From Another Place.  The scraping sound
      was him rubbing his palms together.  He's got a cheerful, wide smile,
      and he says (in twisted, reversed backwards English)
Let's rock!
      He sits in one of the chairs.  There is a pause.  A black shadow drifts
      slowly over the red curtains, over their heads. Laura puts one finger
      next to her nose, looking significantly at Cooper.  Then:

      LMFAP: [to Cooper]  I've got good news.  That gum you like is going to 
come back in style.  [noticing Cooper staring at Laura]  She's my
cousin.  But, doesn't she look almost exactly like Laura Palmer?
      Cooper: [to LMFAP]  But she is Laura Palmer.
[to Laura]  Are you Laura Palmer?
      Laura: [arching her back weirdly]  I feel like I know her,
 but sometimes my arms bend back.
      LMFAP: She's filled with secrets.  Where we're from, the birds sing a 
pretty song, and there's always music in the air.
      Slow jazz music begins to play.  The Little Man From Another Place
      stands and starts a jerky dance.  Laura stands, crosses to Cooper,
      kisses him, and whispers something in his ear. 
      -- Cooper jerks awake, with his special Cooper Cowlick pointing straight
 up.  He calls Harry and says he knows who killed Laura Palmer -- 
 but it can wait till morning.

27 Feb (Monday)   [Episode 1003 - 4/26/90, 8/28/90
   Written by Harley Peyton
   Directed by Tina Rathborne]

   07:15 (Cooper to Diane)
   -- Cooper meets with Audrey over breakfast then tells Harry and Lucy about
      his dream. In actuality, he describes the ending to the European
      version. He can't remember the killer's name.
   -- Fight at the morgue: Ben and Doc Hayward won't let Albert continue with
      his autopsy.
      Albert: Mr. Horne, I recognize that your position in this fair
community necessitates venality, insincerity, and a certain irritating
manner of expressing yourself.  Stupidity, however, is not a necessarily
inherent trait.  Therefore, please listen closely--You can have a
funeral any old time.  You dig a hole, you plant a coffin.  I, however,
cannot perform these tests next year, next month, next week or even
tomorrow--I must perform them now.  <drill noise--VEEP VEEP!>
I've got a lot of cutting and pasting to do, gentlemen, so please
return to your porch rockers and resume whittling.
      Truman slugs him.

   Mid to late morning (?)
   -- Cousin Madeline arrives to the strains of "Daddy!" on ItL
   -- Norma is told of Hank's pending parole
   -- Cooper and Truman talk to Leo
   -- Bobby and father have words again

   12:27 (Cooper to Diane)
   -- Cooper and Truman leave for funeral after Albert's autopsy report
      Laura was tied up twice, two kinds of twine. Traces of soap at the back
      of her neck. Died of numerous cuts.
   -- Ed and Nadine have a quiet moment. James declines to go to the funeral.
   -- Audrey checks on her family through a peephole. Ben and Sylvia fight over
      whether or not to take Johnny to the funeral. Dr Jacoby comforts Johnny.

   Early afternoon
   -- Laura's funeral. James and Bobby fight. Leland freaks out.

   Evening
   -- Shelley demonstrates Leland's coffin ride
   -- Cooper meets the Bookhouse Boys (Truman, Ed, James, Joey, Hawk) and they
      question Bernard Renault at the Bookhouse.
   -- Jacques calls Leo for help
   -- Catherine eavesdrops on Josie and Harry. Josie shows Harry the safe, but
      one of the ledgers is missing. Catherine has it.
   -- Cooper meets with Jacoby at the cemetary, then meets Hawk at the
      Roadhouse. The two take a drunken Leland home.

28 Feb (Tuesday)   [Episode 1004 - 5/3/90, 9/1/90
    Written by Robert Engles
    Directed by Tim Hunter]

   Day
   -- Andy sketches killer Bob from Sarah Palmer's description. Sarah then
      describes her vision of someone digging up the necklace.
   -- Cooper questions Jacoby
   -- Hawk tracks down the OAM to the Timber Falls motel, where at the
      same time, Ben and Catherine are having a rendezvous, and are being
      staked out by Josie.
   -- Cooper and the boys arrive and question Philip Michael Gerard the OAM.
      He has a suitcase full of shoes. Andy drops his gun and it goes off.
   -- Bernard Renault makes bail (not shown but mentioned later)
   -- Audrey gets Donna to agree to help her find Laura's killer
   -- Norma goes to Hank's parole meeting
   -- Cooper and the boys visit the Lydecker Clinic and confiscate files
   -- Bobby has rendezvous with Shelley and she gives him Leo's bloody shirt
   -- Cooper, Harry, Hawk and Andy practice in the shooting range

   Late afternoon/early evening
   -- James runs into Madeline Ferguson at the RR diner
   -- Norma gets a call from the prison. Hank is being paroled.
   -- Ben talks to Jerry about some Icelanders, then Audrey talks to Ben about
      learning the family business by starting work at the department store.
   -- A fax arrives from Gordon with a reconstruction of the plastic piece
      found in Laura's stomach. Andy comes across the file on Waldo, a mynah
      bird belonging to Jacques Renault. The cops race to Jacques' apartment.
      They find Leo's bloody shirt there, planted by Bobby.

   Evening
   -- Ben meets Leo by the river and they make plans about setting fire to the
      mill. Bernard's body is lying on the ground. Leo confesses to killing him
      and reports that frere Jacques is hiding out in Canada. (Leo tapes this
      conversation)
   -- James and Donna go to the buried necklace and find it missing
   -- Pete chats with Josie and retires. She gets a call from Hank.

01 Mar (Wednesday)   [Episode 1005 - 5/10/90, 9/8/90
      Written by Mark Frost
      Directed by Lesli Linka Glatter]

   04:28 (Cooper to Diane)
   -- Cooper is woken up by singing Icelanders

   Day
   -- Cooper meets Audrey in the hotel restaurant
   -- Ben and Jerry discuss the Sons of Odin
   -- Cooper meets Harry and Andy at Jacques' place. The blood on Leo's shirt
      is determined to be AB-. It doesn't match Laura's but matches Jacques'.
   -- Bobby has breakfast at Shelley's. Andy comes looking for Leo. Leo calls.
   -- Norma drops by Big Ed's and they agree to cool their relationship for
      awhile.
   -- Audrey has her job interview at daddy's store
   -- James and Donna meet
   -- Cooper discovers Laura's ad in Fleshworld
   -- Madeline meets with James and Donna at the RR and agrees to help them
   -- Hank, now out on parole, shows up at the RR to start work
   -- The Briggs family goes to see Dr. Jacoby
   -- Cooper, Harry, Hawk, and Doc Hayward go hiking:
      As they approach the cabin, a crow lands on a nearby branch and
      eyes them. The Log Lady appears and the crow caws.
      LL:   "It's about time you got here."
        {To no one in particular} "They move so slowly when they're not 
         afraid.  Come on, then, my log does not judge."
        { They follow her inside. }
      LL:   "I've got tea.  I've got cookies.  No cake."
      Coop: "That's very kind ma'am, but I don't believe..."
      Hawk: "What kind of cookies?"
      LL:   "Sugar.  The owls won't see us in here."
      Doc:  "A cup of tea would be very nice."
      LL:   {To HST & Coop} "Shut your eyes and you'll burst into flames."
      HST:  {Strolling to the table} "Thanks Margaret."
      LL:   "We'll let it steep."
        { All sitting at the table.  Coop goes for a cookie, and Margaret
        slaps his hand. }
      LL:   "Wait for the tea.  The fish aren't running."
      HST:  "You've been expecting us, Margaret?"
      LL:   "You're two days late, but that's you're concern.  My log saw 
        something, something significant."
      HST:  "What did your log see?"
      LL:   "Tea first.  Then be ready."
        "My husband was a logging man.  He met the devil.  Fire is the devil
        hiding like a coward in the smoke."
      Doc:  "It was the day after the wedding, wasn't it Margaret?"
      Hawk: "The wood holds many spirits, doesn't it Margaret?"
      LL:   {Gesturing with log to Coop} "You can ask it now."
      Coop: "What did you see the night Laura Palmer was killed."
      LL:   "I'll do the talking."
        "Dark.  Laughing.  The owls were flying.  Many things were blocked.  
        Laughing.  Two men.  Two women.  Flashlights pass by the woods over 
        the ridge.  The owls were near.  The dark was pressing in on her.
        Quiet then.  Later, footsteps.  One man passed by.  Screams.
        Far away.  Terrible.  Terrible.  One voice."
      Coop: "Man or girl?"
      LL: "Girl.  Further up over the ridge, the owls were silent."
      { As they leave on the way to discovering Jacques' cabin, the crow leaves
      the branch it has been on all this time and follows, landing on a branch
      when they stop once again.  We get a close-up of its blinking eye.       }

   04:00 (cuckoo clock)
   -- Cooper, Harry, Hawk, and Doc find Jacques' cabin and discover clues given
      to Cooper in his dream

   Evening
   -- Party at the Great Northern for the Icelanders. Ben and Catherine meet in
      private, Audrey eavesdrops. Catherine confronts Ben about OEJ chip, slaps
      him 3 times, says lets burn the mill now.
   -- Leland freaks out to music.
   -- Madeline calls Donna. She found a tape of Laura's.
   -- Back at the party, Ben surreptitiously meets with Josie. She found the
      ledger where he said it would be. Ben: "we can proceed. Tommorrow night"
   -- Leo gets home and is beat up by Hank. "I told you to mind the store, not
      open up your own franchise." Leo gets pissed at Shelley who shoots him.
   -- Cooper arrives back at his room to find Audrey in his bed

   Wednesday evening (continued)   [Episode 1006 - 5/17/90, 9/8/90
    Written by Harley Peyton
    Directed by Caleb Deschanel]

   -- Cooper has a talk (and that's all) with Audrey

02 Mar (Thursday)
   Morning
   -- Andy arrives at the station. Lucy won't talk to him and gets a call from
      a doctor.
   -- Cooper, Harry, and Doc Hayward are trying to get Waldo to speak
   -- Hawk shows up with a forensics report on Jacques' cabin and says that
      Jacques is now working as a dealer at OEJ. There were defenitely 3 guests
      at Jacques' cabin: Laura, Ronnette, and Leo.

   Afternoon
   -- Leo spots Bobby arriving at his house to see Shelley. He then takes off
      when he hears on the police band radio about Waldo.
   -- Maddy, Donna, and James listen to the tape that Maddy found. They plot to
      get the missing tape (2/23) they belive Jacoby has.
   -- Audrey and another girl, Jenny, are working the perfume counter at
      Horne's. Audrey hides in manager Emory Battis' office to listen in on his
      conversation with Jenny concerning her sideline work at OEJ.
   -- At the Double-R Diner, Hank palms a lighter that a customer left. Hank
      has thoughts about Big Ed after a talk with Shelley. Harry comes in with
      Cooper and warns Hank to keep clean.
   -- Nadine is home watching "Invitation to Love" and feeling miserable
      because the patent attorney she went to didn't like her drape runner
      idea. Ed comes in, comforts her, and encourages her to keep trying.
   -- Harry stops by Josie's and asks about her being at the Timber Falls Motel
      on Tuesday. First she tries to deny it but then tells him about Ben and
      Catherine and about overhearing Catherine's plan to burn the mill.

   Evening (Cooper to Harry)
   -- Harry and Ed rendezvous with Cooper at the hotel. Harry tells Cooper
      about Josie's problem. Cooper seems suspicious. Audrey shows up looking
      for Cooper just as they left.
   -- Mr. Neff, an insurance agent, shows up at Catherine's about an unsigned
      policy. Josie was to get $1,000,000 upon Catherine's death.
   -- Catherine finds her bogus ledger missing
   -- Audrey leaves a note under Cooper's door and notices an Asian man
      checking in a couple of doors down from Cooper
   -- Leo shoots Waldo and drives off, but not before Waldo's last words are
      recorded. "Laura, Laura, don't go there. Hurting me, hurting me. Stop
      it, stop it. Leo, no, Leo no."

   Evening
   -- Cooper and Ed show up at OEJ posing as "Fred and Barney" and meet
      Blackie. Ed craps, Cooper jacks.
   -- Maddy sneaks out, though she is seen by Leland, to meet James and Donna.
   -- Ben eats ice cream with Jerry, then sends him off with the Icelanders to
      OEJ for a signing party for the Ghostwood deal
   -- Ben calls Josie about Catherine. Josie says she'll "get Catherine there"
      and that it is "planned for tonight."
   -- Audrey meets Blackie. She ties a cherry stem into a knot with her tongue,
      and is hired at OEJ
   -- Jacques relieves the previous dealer at the blackjack table where Cooper
      is playing
   -- Dr. Jacoby is watching ItL on tv when he gets a call from "Laura." At the
      gazebo, where Maddy, disguised as Laura, is waiting with James and Donna
      and Bobby is watching them. The whole tableux is being watched by a
      mysterious heavy breather.
   -- Jacoby takes off to find out what's going on with "Laura" while James and
      Donna sneak into his office to search for the mising tape. Bobby has
      followed them there and sticks a bag of cocaine in James' gas tank.

   Evening (continued)   [Episode 1007 - 5/24/90, 9/15/90
  Written and directed by Mark Frost]

   -- James and Donna enter Jacoby's place, find paper umbrellas, the (slightly
      different) missing tape and half the locket on a chain
   -- Jacoby, watching "Laura" is beaten by person unknown
   -- Audrey meets with Blackie and notices Cooper on a monitor
   -- Cooper talks with Jacques, sets him up. Jacques says the bird had a thing
      for Laura. Leo put a chip in Laura's mouth while the bird was attacking
      her and said, "bite the bullet, baby."
   -- Leo kidnaps Shelley
   -- Jacques arrested, struggles, is about to shoot Harry when Andy shoots him
   -- Bobby, Maddy, Donna listen to the tape.
"Hey what's up doc? It's Laura, in case you haven't guessed. It's
Thursday the 23rd and I'm so bored. Actually, I'm in kind of a weird
mood. God, James is sweet, but he's so dumb. And right now I can only
take so much of sweet. Hey, remember that mystery man I told you
about? Well, if I tell you his name then you're gonna be in trouble.
He wouldn't be such a mystery man anymore, but you might be history,
man. I think a couple of times he's tried to kill me. But guess what?
As you know, I sure got off on it. Isn't sex weird? This guy can
really light my F-I-R-E. He's a red corvette... Uh oh, here comes mom
with milk and cookies. Later, Lawrence. Bye bye."

   3:20 (working back from the bomb clock)
   -- Leo prepares to burn the mill with Shelley tied up in it. Timer set for 1
      hour.
   -- Nadine writes a note and takes pills
   -- Hank receives $90,000 from Josie for the job 18 months ago. He says doing
      business with someone is for life and slits both their thumbs.
   -- Catherine is upset. She can't find the ledger. She deviously asks for
      Pete's help.
   -- Ed, Hank, and Andy tell other deputies what happened within earshot of
      Lucy. Andy makes his move and she announces she is pregnant.
   -- Lucy receives call from "Leo" (Bobby) to check out James. "He's an easy
      rider."
   -- Cooper and Truman question Jacques. He was in the cabin with Leo, Laura,
      and Ronnette. He and Leo fought and hit him with a whisky bottle.
   -- Hayward tells Cooper and Truman that Jacoby said he saw Laura
   -- Catherine gets a call from Hank. "It's at the mill, what you're looking
      for."
   -- Ed finds Nadine unconscious. He calls for an ambulance. The address is
      422 Riverside.
   -- Lucy gives message to Cooper and Truman. Leland asks Harry about suspect.
   -- James gives Cooper Laura's tape. Cooper tells him Jacoby is in the
      hospital and confronts him about the cocaine found in his gas tank.
   -- Icelanders (Einar Thorson) sign the Ghostwood contract
   -- Ben tells Hank to proceed
   -- Bobby goes to see Shelley, is attacked by Leo, who is shot by Hank

   4:20 am (clock on bomb)
   -- Catherine finds Shelley and frees her. Fire starts.
   -- Leland kills Jacques
   -- Pete goes into burning sawmill after Catherine
   -- Ben signs the contract and goes to see the new girl (Audrey)
      "Close your eyes. This is the stuff as dreams are made of."

   4:37 am (Cooper to Diane)
   -- Cooper returns to his room, notices the quiet, picks up note addressed,
      "My special agent," receives a phone call and is shot by person unknown

03 Mar Friday (continued)   [Episode 2001 - 9/30/90
     Written by Mark Frost
     Directed by David Lynch]

   Early morning (4:45?)
   -- Room service waiter delivers Cooper's warm milk, hangs up phone on
      Andy. "I've heard about you."
   -- The Giant appears:
      G: "I will tell you three things.  If I tell them to you and they come
true, then will you believe me?"
      C: "Who's that?"
      G: "Think of me as a friend."
      C: "Where do you come from?"
      G: {Shaking head} "The question is: where have you gone?"
 "The 1st thing I will tell you is: There's a man in a smiling bag."
      C: "Man in a smiling bag..."
      G: "The 2nd thing is: The owl's are not what they seem.
  The 3rd thing is: Without chemicals, he points."
      C: "What do these things mean?"
      G: "This is all I'm permitted to say.  Give me your ring.  I will
return it to you when you find these things to be true."
      {Takes Coop's ring} "We want to help."
      C: "Who's we?"
      G: "One last thing.  Leo locked inside Hungry Horse.  There's a clue at 
Leo's house.  You will require medical assistance."
   -- Jerry gives heroin to Blackie
   -- Audrey evades Ben, Jerry calls him away: Brother Ben, we got an S-N-A-G.
   -- Cooper tells Diane things he'd like to've done until Andy, Hawk, and
      Truman arrive

   7:45 am
   -- Lucy updates Cooper. Truman and Doc Hayward are present.
      C: Doc, when the will is invoked, the recuperative powers of the physical
 body are simply extraordinary. Just give me a couple of hours to
 get dressed.
   -- Shelley, in her hospital bed, cries for Bobby

   Morning
   -- Cooper sees Jacques' body wheeled away in a bag
C: Is that bag smiling?
Doc: Smiling?
Lucy: What's there to smile about?
   -- Ronnette has a vision, "Laura..."
                                                     
   Day
   -- Sarah asks Maddy if she misses Beth (her mom). Maddy describes her dream,
      (the rug) Leland sports a new 'do, singing Mairzy Doats:
Mairzy doats and dozy doats
and little lambzy divy.
A kiddly divy, too, wooden shoe?

Now if the words sounds queer,
and funny to your ear,
a little bit jumbled and jivy,
Sing:

Mares eat oats and does eats oats
and little lambs eat ivy.
A kid'll eat ivy, too, wouldn't you?
      Maddy sees something in the rug.
   -- Ben and Jerry talk. Ben wants to know about Catherine and Leo's status.
      Leland arrives, singing Mairzy Doats. The brothers dance.
   -- Cooper determines what happened at Leo's.
      C: Sherrif, get your mind off Shelley - for a moment.
      Hawk finds a tarp smelling of gasoline. Albert and team arrive. Andy
      steps on a board and walks like a chicken, underneath are a pair of
      Circle Brand boots and cocaine.
      A: And it's another great moment in law enforcement history.
   -- Maddy meets with Donna at the RR and gives her Laura's shades that she
      wanted and breaks her own. They agree to "keep it quiet."
      D: Maybe the sun won't go up tommorow if you wash your hair. Think
 like that and you'll go crazy.
      Norma gives Donna a letter that got to the RR "yesterday:" Look into
      the Meals on Wheels. The log lady spits out her gum.
   -- Albert examines Cooper: "You were shot by a right handed person 5 foot
      6 to 5 foot 10 inches tall at a distance of less than 3 feet."
      Cooper tries to get Albert to open up to the locals.
      A: After the square dance, we can all go for a hayride.
      Andy reports that Leo was in jail in Hungry Horse, Montana on 2/9/88.
      A: Where do they keep his water dish?
   -- The OAM arrives at the station to "sell shoes" to Truman (to Lucy)
   -- Truman questions James. Cooper demands and gets the locket on a thong
      from James.
      C: Jacoby! I didn't figure he had anything to do with this at all.
 Sometimes, you just get lucky.
   -- Donna arrives at the station in Laura's shades and smoking and meets
      James in his cell.
      J: When did you start smoking?
      D: I smoke every once in a while. Helps relieve tension.
      J: When did you get so tense?
      D: When I started smoking.
   -- Cooper has Andy and Lucy look through the back issues of the last three
      years of Fleshworld for Theresa Banks.
      C to D: Diane, just received the back issues of Fleshworld. Good work.
      It's nice to see some cooperation with the law especially from
      a company that preys on human weaknesses.
   -- Hayward examines Jacoby. Cooper and Truman arrive. Cooper confronts
      Jacoby with the locket on a thong: I don't want any baloney, magic
      tricks or psychological mumbo jumbo.
      Jacoby said the night after Laura died, he followed Leo, lost him,
      saw and followed James and Donna and dug up the locket.
      J: Laura was, was in fact, no she was living a double life. Two people.
 Yeah, but then, then when I saw her the last time, she
 I dunno, she seemed to've reached a kind of peace herself. Now I
 believe that what she in fact, she had arrived at was the decision
 to end her life.
      T: Are you saying Laura wanted to die?
      C: Laura Palmer did not commit suicide.
      J: No, but maybe she allowed herself to be killed.
      Jacoby smelled scorched engine oil the night before.
   -- Bobby visits Shelley, brings her flowers
   -- Cooper, Truman, and Albert spot Bobby in the hospital. A: Sherrif
      Truman, to see this kind of investigative genius at work is just a
      real treat for me.
      They meet Ed in the hall.
      Ed: I never believed in fate, Agent Cooper. Always felt, you make your
  own way, you take care of your own, you pick up after yourself.
      Albert: Farmer's Almanac?
      Cooper: Albert, I would like to speak to Ed.
      Truman: Albert, I'll buy you a cup of coffee.
      Ed tells his tale of how he was with Norma but married Nadine and
      shot her eye out accidently on their homeymoon. James drops by. Cooper
      sees the smiling bag. Albert goes to check in at the Great Northern.
   -- Pete is disgusted by the hospital food
   -- Norma visits Shelley in her room, then sees Ed caring over Nadine
   -- Bobby runs into his father at the RR:
      MB: "Bobby, may I share something with you?"
      BB: "Okay."
      MB: "A vision I had in my sleep last night, as distinguished from a
dream, which is mere sorting and cataloguing of the day's events by
the subconscious. This was a vision, fresh and clear as a mountain
stream, the mind revealing itself to itself. In my vision, I was on the
veranda of a vast estate, a palazzo of some fantastic proportion.
There seemed to emanate from it a light from within, this gleaming,
radiant marble.  I'd known this place. I had in fact been
born and raised there.  This was my first return. A reunion with the
deepest well-springs of my being.  Wandering about, I noticed happily
that the house had been immaculately maintained. There'd been added
a number of additional rooms, but in a way that blended so seamlessly
with the original construction, one would never detect any difference.
Returning to the house's grand foyer, there came a knock at the door.
My son was standing there.  He was happy and carefree, clearly living
a life of deep harmony and joy.  We embraced, a warm and loving
embrace, nothing withheld.  We were, in this moment, one. My vision
        ended and I awoke with a tremendous feeling of optimism and
confidence in you and your future.  That was my vision of you. I'm
so glad to have had this opportunity to share it with you. I wish
you nothing but the best in all things."
      BB: "Thank you Dad."
      Bobby appears moved. Hank asks Briggs how the pie was and salutes him.
   -- Norma won't talk about Shelley and Bobby recognizes Hank as he who
      shot Leo.
   -- Cooper and Albert tell their theory of what happened on 2/23
C: The night Laura Palmer was killed, it appears she made 2
   appointments. In her diary, she had written, "Nervous about
   meeting J. tonight." I now believe this was a refernce to James
   Hurley. She was nervous because she planned to tell him she
   didn't want to see him anymore. Before she snuck out of the
   house, she received a phone call.
A: We believe it was Leo Johnson making a second appointment
   for some time later that night.
C: Laura met James, was with him until 12:30 when, at the intersection
   of 21 and Sparkwood, she jumped from the bike and ran into
   the woods. We believe that it was there that she met up with
   Jacques Renault, Leo Johnson and Ronette Pulaski. Together
   they drove to the foot of the trail leading to Jacques' cabin.
   They climbed the trail, they were heard passing the cabin of
   the Log Lady. They reached Jacques Renault's cabin at approximately
   1 am. Drugs and alcohgol were consumed. Laura was tied up
   and had sexual relations with both Leo and Jacques. Waldo the
   bird was let out of his cage and attacked Laura. Leo and
   Jacques fought. Jacques went outside and passed out. When he
   came to, Leo and the girls were gone. We believe Leo hiked
   back down to his Corvette alone, leaving the girls behind.
A: The reason being, there was a third man.
C: Deputy Hawk found evidence of a third man outside the window
   of Jacques' cabin.
A: The third man took Laura and Ronette to the train car, where
   they were tied up. Laura for the 2nd time, Ronette for the 1st.
C: Using a blunt object, the killer hit Ronette and knocked her
   unconscious. He must've been so intent on killing Laura, he
   didn't realize Ronette regained consciousness and escaped.
A: He either didn't know or he didn't care. He made a small mound
   of dirt and put the half heart necklace of Laura's on top. He
   then placed a small cut out letter R under the nail of her
   left ring finger. You'll recall he placed the letter T under
   the fingernail of Theresa Banks. He, uh, left a note written in
   blood, "Fire, walk with me."
C: Here's the interesting thing. The blood on the note was tested.
   It doesn't match Leo's, Jacques', Laura's or Ronette's.
A: So we surmise the killer wrote the note in his own blood. The
   rare type, AB negative. The towel that Deputy Hawk found five
   miles down the tracks was soaked in blood of that type. He
   also found, near the towel, scraps of faded paper.
C: The scraps may have been left by the killer. They'll be sent
   back to Washington DC for testing.
{Andy cries}
A: I know, Andy, I know, I know, I know. It's what we call a real
   three hanky crime.
Andy: Albert Rosenfeld. I don't like the way you talk smart about
      Sherrif Truman or anybody. You just shut your mouth! {Exits}
C: Laura Palmer is dead. Jacques Renault is dead. Ronette
   Pulaski and Leo Johnson are in comas. Waldo the bird is dead.
   This leaves only the third man.
   -- Truman gives Pete a ride home. P: This smoke inhalation is nasty
      business. I feel like somebody taped my lips to the tailpipe
      of a bus.
      Josie left a note; she went to Seattle, she goes shopping every 3
      months. An Asian man calls, asking for her, then he makes a collect
      call to Hong Kong.
   -- Ben and Jerry meet with Hank. Hank confirms he put Catherine in the mill
      and they hope to frame the arson on her and Leo.
   -- Audrey meets with Blackie, she's not pleased with her not satisfying the
      owner

   Night
   -- Donna calls Norma about taking over Laura's Meals on Wheels route.
      She'll use the RR station wagon.
   -- At the Hayward Supper Club, Gersten plays the piano and Harriet
      recites a poem:
        "It was Laura
        And I saw her glowing.
        In the dark woods,
        I saw her smiling.

        We were crying
        And I saw her laughing.
        In our sadness,
        I saw her dancing.

        It was Laura
        Living in my dreams.

        It was Laura.
        The glow was life.
        Her smile was to say
        It was all right to cry.

        The woods was our sadness.
        The dance was her calling.
        It was Laura
        And she came to kiss me goodbye."
      Donna sits on her hands. Leland sings "Get Happy" and collapses.

   11:55 (Cooper to Diane)
   -- Cooper goes to bed. C to D: I'm dog tired. A man can only go long
without submitting to a period of rest. As we know from experiments
conducted on American GI's during the Korean War, sleep deprivation
is a one way ticket to temporary psychosis. And I'm working on a
3 day jag.
   -- Audrey prays for Cooper
   -- The Giant returns:
      G: "Sorry to wake you."
      C: "I'm not dreaming."
      G: "I forgot to tell you something."
      C: "You were right about the smiling bag."
      G: "The things I tell you will not be wrong. Better to listen then to
talk."
      C: "I believe you."
      G: "Don't search for all the answers at once.  A path is formed by
laying one stone at a time. One person saw the third man. Three have
seen him, yes. But not his body. One only. Known to you. Ready now to
talk. One more thing: you forgot something."
      C: "What?"
      { Flash of green gets zapped into Coop. He lies alone in the dark,
      blinking.  }
   -- Ronnette has a vision of Bob and Laura

04 Mar (Saturday)   [Episode 2002 - 10/6/90
     Written by Harley Peyton
     Directed by David Lynch]

   Morning
   -- Cooper talks to Albert about Tibet over breakfast:
      C: Buddhist tradition first came to the land of snow in the fifth
century AD. The first Tibetan came to be touched by the Dharma was
King Hathatha Rignamputsan. He and succeeding generations came to be
collectively called the Happy Generations. Now some historians place
them in the Water Snake Year, two-thirteen AD; others in the year
of the water ox 173 AD. Amazing isn't it? The Happy Generations.
      A: Agent Cooper, I am thrilled to pieces that the Dharama came to King
Hohoho, I really am, but right now I am trying hard to focus on the
 more immediate problems of our own century right in Twin Peaks.
      C: Albert, you'd be surprised at the connection between the two.
      A: Color me amazed.
      Albert tells of Cooper's ex-partner Windom Earle escaping from a mental
      institution. The Asian man watches Cooper drink coffee.

   Afternoon
   -- Donna delivers a meal to Mrs. Tremont. Her grandson makes the creamed
      corn disappear. "Sometimes things can happen just like this."
"She seemed like a very nice girl."
   -- Cooper and Truman see Ronnette and wrestle with the stools. They show
      sketches of Leo and Bob to her. She reacts violently to the second.
      "Tr- tr- tr-"
   -- Ben and Jerry contemplate over which ledger to burn then decide to roast
      marshmallows
   -- Andy fights scotch tape at the RR. The log lady enters and tells the
      Major to "deliver the message."
   -- Andy tells Lucy he's sterile:
      Listen to me, Lucy Moran, you just listen.  When the Takoma
      Sperm Bank was looking for donors, naturally I applied.  It's my civic
      duty and I like whales.  A routine physical examination revealed that
      I'm sterile.  Sure I thought it meant I didn't have to take a
      bath, but the doctors told me the truth.  They told me I can't have
      babies.  So what I wanna know now is why are you having one and how?
   -- Hank sees Cooper and Truman, signs his parole form. Hank was a Bookhouse
      Boy. Ben calls: Audrey's missing.
   -- Jerry shows Ben the unsigned insurance policy. Ben calls Einar Thorson -
      Leland's already called. Leland recognizes Bob; he lived next door to his
      grandfather. J: Is this real Ben? Or some twisted dream?

   8:08 (clock on wall)
   -- Shelley sees Leo on life support. Norma's waiting to drive her home.
   -- Lucy gets a call but hangs up on him because he remains anonymous
   -- At OEJ, Audrey questions Battis. He recruited Laura and Ronnette to work
      at OEJ. Laura used drugs one weekend so they got rid of her.
   -- Bobby and Shelley scheme over Leo

   Night
   -- Cooper reports Windom Earle's flight to Diane. The Major visits.
      BRIGGS: I have a message for you.
      COOPER: From whom?
      BRIGGS: I'm not at liberty to reveal the nature of my work. This
secrecy pains me from time to time. Any bureaucracy that
functions in secret inevitably lends itself to corruption.
But these rules I have pledged to uphold and I believe a
pledge is sacred.
      Briggs shows Cooperthe message: /THE/OWLS/ARE/NOT/WHAT/THEY/SEEM/
   -- James sings with Donna and Maddy. James and Maddy exchange looks, Donna
      gets jealous, then gets a call from Harold Smith. Maddy sees Bob.
   -- Cooper is awaken from a dream by a call from Audrey. She is caught by
      Blackie.

05 Mar Sunday   [Episode 2003 - 10/13/90
                 Written by Robert Engles
                 Directed by Lesli Linka Glatter]
 
   6:40 am (clock on wall) 
   -- Ronnette is in the throes of a violent seizure. Truman turns off a
      machine by her bed, then tells Cooper and Albert, who have just arrived,
      that she took out her IV. Cooper pulls out a 'B' from under Ronnette's
      fingernail.
   -- Cooper enlightens Albert and Truman about his visitations from the Giant
 
   12:30 (?) (Harold's watch)
   -- Donna visits Harold, who gives her a flower to put on Laura's grave. He's
      known Laura since she started the Meals on Wheels. She pulls on a piece
      of paper sticking out of a drawer.
   -- Cooper and Truman discuss Bob.                     R   B   T
      Albert reports: the B from Ronnette's             Mrs. Palmer
      finger was from a Fleshworld.           Maddy ----===========---- Cooper
      The cocaine found in James' cycle                   Ronnette
      matches that found in Leo's house and Jacques' car.
      Cooper was shot with a Walther PPK.
      Albert and Truman trade words:
      ALBERT: You listen to me.  While I will admit to a certain cynicism, the
       fact is that I am a nay-sayer and hatchet man in the fight against
       violence.  I pride myself in taking a punch and I'll gladly take
       another, because I choose to live my life in the company of Gandhi and
       King.  My concerns are global.  I reject absolutely revenge,
       aggression, and retaliation.  The foundation of such a method...is
       love. I love you, Sheriff Truman.
      COOPER: Albert's path is a strange and difficult one.
   -- Lucy looks for words with R, B, and T. Richard Tremayne, her lunch date,
      arrives at the station. Hawk offers two more words: prohibited, robot.
   -- Leland drops by and tells Cooper, Truman, and Hawk about the man in the
      sketch - he lived in a white house, across a vacant lot from his
      grandfather's place on Pearl Lakes. His name was Robertson and he used
      to flick matches at him, "you wanna play with fire, little boy?" Leland
      flicks a match nicely himself into an ashtray. Cooper picks it up and
      blows it out.
 
   Afternoon
   -- At the RR, Lucy and Dick have words over lunch. They used to go out every
      Thursday night for three months, but he hasn't called in 6 weeks, since
      their encounter in Horne's Home Furnishings. She tells him of her
      pregnancy.
   -- James and Maddy discuss Donna. She arrives at an opportune moment, while
      they're holding hands, and storms out.
   -- Emory videotapes Audrey as Blackie shoots her up
   -- The OAM shows shoes to Truman, sees the sketch of Bob, gets dizzy
      and heads for the bathroom
   -- Shelley drops by the station and tells Cooper and Truman she won't give
      a statement against Leo. Cooper smells an insurance scam and wonders
      who's behind it.
   -- The OAM has spasms in the toilet stall, flushes the toilet and the
      spasms cease. He drops his needle. Mike takes over.
   -- Cooper meets Ben at the Great Northern, who tells him to watch his step
      with Audrey. The Asian Man watches and follows Cooper.
   -- Jean Renault gives Audrey some English caramel
   -- Emory recognizes Cooper on the monitor. Jean and Nancy, Blackie's sister,
      arrive. They and Blackie scheme. Jean wants Cooper and Blackie wants
      money. He'll be the go-between for 30%.
   -- Truman gets a call from Pete - Josie will be back tommorow afternoon.
      Hawk has information about the white house - it's boarded up and no name
      on the mailbox. Truman tells Cooper about the OAM and flinches when
      Cooper reminds him that in his dream, the OAM knew Bob. Cooper finds the
      needle in the bathroom.
 
   4:15 (?) (clock on wall)
   -- Ed visits Nadine who is strapped to her bed. He sings to her, and she
      breaks her straps and wakes up. She's 18.
   -- Cooper and Truman visit Jacoby in his hospital room. His wife is there.
      Hypnotized, he says he smelled engine oil at the park, and he saw
      Jacques' killer
 
   Night (full moon)
   -- Donna brings Harold's flower to Laura's grave and has a one-way
      converstion with her
   -- James sees Maddy at the Palmer home. He's depressed since his mom came
      home. Donna once again catches them at another opportune moment.
   -- Maddy cries to Leland, "Everybody thinks I'm Laura, but I'm not!"
      Cooper and Truman arrive to arrest Leland for the murder of Jacques.
   -- Donna goes over to Harold's and finds Laura's secret diary next to a
      knife
 
06 Mar Monday   [Episode 2004 - 10/20/90
                 Written by Jerry Stahl and Mark Frost,
                            Harley Peyton, Robert Engles
                 Directed by Todd Holland]
 
   Early morning
   -- Cooper and Truman question Leland, who admits to killing Jacques
   -- Doc Hayward and Andy discuss Andy's sterility. Doc asks for another
      sample. Andy, with a copy of Fleshworld, runs into Lucy on the way to the
      restroom.
   -- Truman tells Cooper no one named Robertson ever lived in the white house.
      Andy runs into a deputy, "Sorry, Bob." Cooper notices Andy's wearing
      Circle Brand Boots
 
   "Not even 9:30" (Ben to Louie)
   -- Louie tells Ben that travel critic M. T. Wentz is coming to town
   -- Jean, who "sells insurance to small businesses," visits Ben with the
      video of Audrey and the condition that Cooper bring the ransom money
 
   Afternoon
   -- Donna picks up lunches from the RR
   -- Norma tells Hank about M. T. Wentz. He says there's enough time and takes
      off.
   -- At Harold's, he shows Donna the secret diary and reads from it. Donna
      suggests giving it to the sheriff but Harold disagrees.
   -- Ben shows the Audrey video to Cooper and asks him to deliver the money
   -- Josie returns
   -- At OEJ, Emory brings Audrey to Jean. Audrey says Emory hit him. Jean
      kills Emory.
   -- Andy approaches Lucy. Cooper has a talk with her.
   -- Cooper asks Harry a favor. He needs the best Bookhouse Boy.
   -- M.T. Wentz to arrive today

7:05 (clock on wall) (1/2 moon)
   -- Hank and Norma patronize a large man at the RR. Hank lifts his billfold
      and finds it is Daryl Lodwick, District Attorney.
   -- Donna meets Maddy at the RR and asks her help in getting the secret diary
   -- Harry confronts Josie about the mill, she seduces him on the couch.
      A mystery man watches outside the window in the rain (Asian man?).
   -- Judge Clinton Sternwood arrives at the station and meets Lucy, Cooper
      and the sheriff.
   -- Dick Tremayne arrives, offers Lucy money for an abortion, and is kicked
      out by her.
   -- Andy, who overhears Lucy crying, brings in Leland to meet with the Judge.
      Sid arrives.
 
   Evening
   -- Ben bows to Mr. Tojamura who checks in. Louie calls Norma - she thinks
      it's M. T. Wentz.
   -- Josie introduces her cousin Jonathan to Pete. Jonathan tells Josie her
      job is to sell the mill and she is expected in Hong Kong by Mr. Eckard.
 
   9:30
   -- Truman meets Cooper at the Roadhouse.
   -- Hank at the RR gets a visit from the Asian man and is beaten up.
 
07 Mar Tuesday   [Episode 2005 - 10/27/90
                  Written by Barry Pullman
                  Directed by Graeme Clifford]
 
6:42 am (Cooper to Diane)
   -- Cooper awakes, chewing on his ear plug, and finds Audrey's note
 
   Morning
   -- Hawk tells Truman of his finds - two old ladies at the white house.
      They never heard of a Robertson.
   -- Lucy leaves for Tacoma. She'll stay at sister Gwen and Larry's for
      two days.
   -- Cooper tells Truman he knows where Audrey is
   -- Mr Pinkle demonstrates for Bobby and Shelley the Leo-lifter apparatus
   -- Leland's hearing. Truman defends, Andy sketches. Ben chews on nuts and
      leaves. Leland's released. His grandfather, Joshua, brought them over
      75 years ago.
   -- Donna delivers lunch to Harold and makes a deal. He'll read the diary if
      she tells her story. She taunts him outside, he collapses.
   -- Leo's hearing. He's ruled incompetent to stand trial. The Judge, Cooper,
      and Truman have a drink. Cooper doesn't think Leo did it. Truman tells
      Shelley Leo's coming home.
   -- Ed brings Nadine home. She rips off the refrigerator door.
   -- Tojamura meets Ben and offers him 5 million dollars for Ghostwood
   -- At the Great Northern, Bobby is snooping around Hank
 
   Noon ("Expect a call tommorow. Noon." Jean to Ben)
   -- Cooper meets Ben. They get a call from Jean with instructions on where
      and when to deliver the money. Ben has Hank follow Cooper.
   -- Donna and Maddy plot to get the diary
   -- At OEJ, Jean arms himself. Nancy reports that Audrey is asleep.
   -- Andy mans the phones at the station. He calls the Doc for the results
      of his sperm test. "I'm a whole damn town!" to Truman as he's zipping
      his fly. He sees Gwen's number, calls, and gets an abortion clinic.
   -- Cooper and Truman plan. Hawk enters and reports that the OAM is staying
      at the Robin's Nest. No one's seen him for "a day, a day and a half."
      He found a mysterious drug.
 
   Night
   -- Maddy gets some coffee at the RR. James follows.
   -- Donna tells a story to Harold
   -- Cooper and Truman bust into OEJ. There's a roll of plastic on the stairs.
   -- Harold shows Donna some orchids
   -- Cooper runs into Nancy and gets Audrey
   -- Truman watches Jean kill Blackie. Hawk saves Cooper and Truman.
      "Good thing you guys can't keep a secret."
   -- Hank is caught outside by Jean and is identified as DA Lodwick (billfold)
   -- Maddy and Donna are caught by Harold
 
[Episode 2006 - 11/3/90
 Written by Harley Peyton & Robert Engles
 Directed by Lesli Linka Glatter]
 
   Night (con't)
   -- James rescues Donna and Maddy. Harold sprays his plants and grieves.
   -- Cooper brings Audrey to the Bookhouse.
   -- Maddy leaves Donna and James, who share a moment
   -- Truman recognizes Jean in a book of criminals and points him out to
      Cooper, who begins to feel remorse for getting Audrey messed up in his
      problems
   -- Cooper gives back the money to Ben and tells him what happened. Ben hugs
      him, then the briefcase.
 
08 Mar Wednesday
 
   Morning
   -- Bobby brings Leo home. He and Shelley get their first check - it's only
      $700, it was supposed to be $5000. Leo groans.
   -- Donna tells Truman about the secret diary. Gordon Cole arrives ("sounds
      real good, Sherrif, but I already ate"), with Albert's report: vicuna
      fibers were found outside Cooper's room, the OAM's chemicals were weird
      stuff, and the scraps of paper found near the train site were diary
      pages. Hawk brings in the OAM. "There's the one-armer now."
   -- Ben sees Audrey. A: "I saw so much." "I'm aware of a lot of new things
      too, Daddy."
 
   1:50 pm (clock on wall)
   -- Nadine comes home
   -- Jonathan rapes Josie and gives her a one way ticket to Hong Kong. She
      says she hasn't received her insurance money nor the money from Ben.
      She's waited five years for this. The plane leaves at midnight.
   -- Maddy says goodbye to James at a dock. She leaves tomorrow.
   -- Ben meets Josie at his office. They drink to the fire. She got Pete's
      signature and wants her money. He threatens, she threatens. He gives
      her the check from Tojamura, she gives him the contract.
   -- Bobby and Shelley party around Leo. They make out in front of him, Leo
      moves.
   -- Cooper meets Gordon. Albert thinks Cooper is in over his head. Gordon's
      worried over Pittsburgh. Cooper gets an unmarked letter with an opening
      chess move (P to K-4) from Windham Earl.
   -- Leland meets with Ben and proves himself, while pocketing fur off of a
      stuffed dog. Jerry's on his way to Tokyo.
 
   Night
   -- Truman arrives as Josie's leaving. He is introduced to Jonathan as "Mr.
      Lee," Josie's assistant. He tells her he loves her, she hesitates and
      leaves.
   -- Ben meets with Tojamura. Leland sings. Pete chats with Tojamura:
      Pete: The King and I! [to Tojamura] Do you like musicals?
      Tojamura: No.
      Pete: Not even Fiddler on the Roof? Made me weep like a little baby.
      Tojamura: I find adherence to fantasy troubling and unreasonable.
   -- Cooper questions Mike:
      M:  There is no need...for medicine.  I am not in pain.
      C:  Who are you?
      M:  My name is Mike.
      C:  What are you?
      M:  I am...an inhabiting spirit.
      C:  Who is Phillip Gerard?
      M:  He is host to me.
      C:  You spoke to me in my dream...about Bob.
      M:  Mmm.  He...was...my familiar.
      C:  Where does Bob come from?
      M:  That...cannot be revealed.
      C:  What does Bob want?
      M:  He is Bob...eager for fun.  He wears a smile... Everybody run!
          Do you understand the parasite? It attaches itself to a life form and
          feeds.  Eh. Bob requires a human host.  He feeds on fear...and the
          pleasures.  They are his children.  I am similar to Bob.  We once
          were partners.
      M and C in unison:
          Through the darkness of future past,
          The magician longs to see.
      M:  One...chants out, between two worlds,
          Fire...walk with me.
          Oh, but then...I saw the face of God...and was purified.  I took off
          the arm...but remained... close to this vessel, inhabiting from time
          to time, for ONE, SINGLE, PURPOSE.
      C:  To find Bob [produces sketch of Bob].
      M:  TO STOP HIM!  This [points to sketch] is his true face.  But few can
          see it.  The gifted...and the damned!
      C:  Is Bob near us now?
      M:  For nearly forty years.
      C:  Where?
      M:  Ah.  A large house, made of wood, surrounded by trees.  The house is
          filled with many rooms, each alike, but occupied by different souls,
          night after night.
      C:  The Great Northern Hotel!
-- f3-7r3974rg94gf79-t7fx-97tr-kb79-btr97vr-973tr8c63r8vch9ptv.p;v67ptr7pvt7ptv;p73********************************************************************************* "If you say drink coffee... I drink coffee!" * *~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~** Edwin Nomura * I have no plans to call on you, Clarice, ** enomura@ucsd.edu * the world being more intersting with you in it. * ********************************************************************************4yt7tcy90t780rvbp5ty7;rnlvo7ttr780on8-v6984r7;n97r-38=8b]-7yo;6r'bt08trn97btc;.r

09 Mar Thursday [Episode 2007 - 11/10/90
                 Written by Mark Frost
                 Directed by David Lynch]
 
   Early morning
   -- Mike babbles, Gordon tells Harry about the diary pages. Gordon is on his
      way to Bend Oregon, "hush hush" business.
 
   7:24 am (clock on wall)
   -- Andy shows guests to Mike, who says "no...no..." Navy sailors bounce
      handballs. Ben enters the room and Mike faints.
   -- Hawk discovers Harold's body
 
   9:05 am (clock on wall)
   -- Maddy tells Leland and Sarah she's leaving tommorow. "I'll come galloping
      back often!"
   -- Cooper and Truman find the French note on Harold's body "I'm a lonely
      soul." Hawk finds the torn diary.
   -- Bobby and Shelley pay their bills and end up with $42. She wants Bobby to
      take a necklace back. Leo's truck's been impounded. Leo screams and
      spits, "new shoes." Leo had Shelley take in a pair of boots "last week."
   -- Audrey confronts Ben with what she knows. He's owned OEJ for five years.
      Laura worked there a short time, Battis recruited her without his
      knowledge. He slept with her.
 
   Day
   -- A tearful Shelley tells Norma she's quitting. Nadine and Ed arrive.
      Norma's been working there "20 years this April." Nadine crushes a glass.
   -- Bobby and Mike get back to Leo's with the boots and finds a tape in the
      heel.
 
   2:47 pm (Cooper to Diane)
   -- Cooper pieces together the diary. Audrey arrives and tells him what she
      found out about Ben.
 
   Night (full moon) (Albert puts Maddy's death bewteen 10 and 12 and
      Truman says they took Ben in after that)
   -- Ben gets a fax from Jerry - he's talked with the people in Osaka and
      it's thumbs up. Hawk, Andy, Truman, and Cooper arrive to take Ben in
      for questioning.
   -- At the Palmer house, a record skips at the end, and Sarah (drugged)
      crawls down the stairs, "Leland."
   -- Ben is brought to the station. The Log Lady tells Cooper, "We don't know
      what will happen or when, but there are owls in the Roadhouse." She
      acknowledges that something is happening.
   -- Pete runs into Tojamura - it's Catherine
   -- Sarah sees a white horse and faints. Leland's at the mirror, a small
      white horse (?) on the table.
   -- At the Roadhouse, Donna meets James and they discuss Harold. The Log Lady
      arrives with Cooper and Truman. The navy sailors are there also. Donna
      lip syncs.
   -- Cooper and the Log Lady see the giant, "It is happening again."
   -- Leland at the mirror, sees Bob. Maddy smells something burning and is
      killed by Bob/Leland. An 'O' is put underneath her fingernail.
   -- The waiter from the Great Northern tells Cooper, "I'm so sorry." Bobby
      and Donna appear moved. Cooper's thinking hard.

10 Mar Friday   [Episode 2008 - 11/17/90
 Written by Scott Frost
      Directed by Caleb Deschanel]

   Morning
   -- Leland plays indoor golf. Donna and James drop by and miss their chance
      to say goodbyw to Maddy. Leland says he dropped Maddy off at the bus
      station not 20 minutes ago. Leland excuses himself and talks to Sarah.
      After Donna and James leave, Leland packs the club into his bag
      (Maddy's in there) and leaves. His license plate says "The Timber State"
   -- Ben brushes his teeth in his cell when Jerry arrives back from Japan.
      Ben says he was with Catherine the night Laura died. Ben and Jerry
      reminisce about Louise Dombrowski dancing with a flashlight.
   -- Lucy's back with her sister Gwen

   10:03 (Cooper to Diane)
   -- Cooper and Truman come across Leland dancing with his golf club.
      Truman tells Leland Ben's been arrested. Cooper asks him to get back
      to him if he remembers anything about Ben.
T: Everything OK?
C: I'm not sure.

   Late morning
   -- Doc Hayward takes a blood sample from Ben. Jerry defends, and Cooper
      and Truman question him.
   -- Bobby makes a copy of Leo's tape and writes a letter for Ben
   -- Norma's mom Vivien arrives with her new husband Ernie, a financial
      anaylist. He says he's through with gambling, but leaves a paper on
      the counter and Norma sees "$1000 Houston by 3 points" written on it.
   -- The OAM ("he's close...") bumps the deputy and escapes from his room
   -- Hank returns to the RR and smooth talks Norma
   -- Harry and Pete look through a pair of binoculars at a pileated
      woodpecker. They trade stories about Josie and get funny feelings.
      Truman leaves with Cooper. The OAM is missing.
   -- Andy sees Lucy with Gwen's baby and faints

   1:40 (?) (Ben's watch)
   -- Pete delivers a voice message to Ben from Catherine. She'll testify
      for the mill. Ben throws a tantrum.
   -- Leland sings "Surry With a Fringe on Top" while driving. Cooper's
      whistling the same tune in a different key. They nearly collide.
      Truman pulls Leland over and they chat. Leland mentions Ben made a
      phone call at 10 pm the night Laura died and mentioned a "derry"
      or diary. Leland offers to show Cooper his new clubs and appears
      to almost whack Cooper with one when Truman calls him away - they
      found the OAM, near the waterfall.

   Afternoon
   -- Hawk brings in the OAM to the station. Lucy attends to Andy while
      while Gwen gabs. Andy tells Lucy about his sperm.
   -- The OAM examines Ben. Truman charges Ben with the murder of Laura.
      The OAM is taken to back to hotel. Cooper tells Truman he doesn't
      think Ben didi it.

   8:30 (Vivien to Hank)
   -- Norma, Hank, Ernie and Vivien have dinner together, Hank's got a
      new domino - double 4. When the ladies are in the powder room, Hank
      and Ernie talk. They were prison buddies. Ernie Niles, "The
      Professor," got out 6 months ago. He met Vivien at a Republican
      fund raiser. He says he doesn't gamble anymore.

   11:05 (clock on table)
   -- Audrey visits Cooper. Cooper gets a call.
   -- Cooper and Truman identify Maddy's body

11 Mar (Saturday)   [Episode 2009 - 12/1/90
     Written by Mark Frost, Harley Peyton and Robert Engles
     Directed by Tim Hunter]

   Morning
   -- Albert reports: letter O under Maddy's fingernail, fur in her hand
      from a dead, stuffed fox. Cooper asks for 24 hours to finish it.
      Albert:Cooper...
      ... an observation.  I don't know where this is headed, but the
only one of us with the coordinates for this destination in his
hardware is you.  Go on whatever vision quest you require.  Stand on
the rim of the volcano, stand alone and do your dance.  Just find
this beast before he takes another bite.
      Cooper:<Sigh>  God help me, I don't know where to start.
      Hawk:You're on the path.  You don't need to know where it leads.
        Just follow...
   -- James gives Donna a ring. Donna mentions last night.
   -- Vivien doesn't like Norma's eggs.
   -- Andy's French surprises Donna
   -- Donna, Cooper, and Andy arrive at the Tremonds. A younger Mrs. Tremond
      answers the door. Her mother passed away 3 years ago and she has no
      children. She has a letter addressed to Donna that was in her mail
      the morning after Harold died. It's a page from Laura's diary:
February 22.  Last night I had the strangest dream. I was in a
red room with a small man, dressed in red, and an old man
sitting in a chair.  I tried to talk to him.  I wanted to tell
him who BOB is, because I thought he could help me.  But my
words came out slow and odd.  It was frustrating trying to talk.
I got up and walked to the old man.  Then I leaned over and
whispered the secret in his ear.
Somebody has to stop BOB.  BOB's only afraid of one man.  He
told me once.  A man named Mike.  I wonder if this was Mike in
my dream.  Even if it was only a dream, I hope he heard me.  No
one in the real world would believe me.
February 23.  Tonight is the night that I die.  I know I have
to because it's the only way to keep BOB away from me.  The
only way to tear him out from inside.  I know he wants me.  I
can feel his fire.  But if I die he can't hurt me anymore.
   -- Cooper questions the OAM who says, "you have all the clues you need."
   -- Cooper, standing in a hall at the Great Northern, thinking hard,
      sees the waiter. "I know about you. That milk'll cool down on you
      but it's getting warmer now."
   -- Cooper, Truman and Albert examine Ben's office. Albert says Maddy
      was killed the night before last between 10 and 12. He also has
      Ben's blood test results.

   12:43 pm (clock on wall)
   -- Andy calls Dick while Lucy watches - they need to talk
   -- Tojamura sees Ben. He wants the contract signed or the money
      returned. Ben signs it and Tojamura reveals his true identity.
   -- Leland comes home to Donna. She's got a tape of her, Maddy and James
      singing for Maddy. Leland recognizes Laura's shades on Donna and
      she mentions Laura's secret diary. Leland gets a call from Beth -
      Maddy never made it home. He chews gum, dances with Donna, and hugs
      her hard. Truman's at the door for Leland.
   -- Donna tells James about Maddy. He leaves her crying.

12 Mar Sunday

   3:00 am (clock on wall)
   -- At the Roadhouse, Ben eats nuts. Cooper and Truman are at the bar.
      Truman brings Leland, Ed arrives and they clear the room. Hawk brings
      Bobby and Leo. Major Briggs brings the waiter, who gives Cooper a
      stick of gum. Leland: I know that gum. That's my most favorite gum
      in the world. Cooper remembers: Laura: "My father killed me." The
      Giant gives Cooper his ring back.
   
   3:55 (clock on wall)
   -- Cooper and Truman trick Leland into a cell. He freaks.
   -- At gunpoint, Leland is cuffed and read his rights. Leland/Bob
      confesses to killing Laura and Maddy. He mentions Pittsburgh and
      Cooper is noticeably shaken.

   Early morning
   -- Dick and Andy listen to Lucy. Dick smokes.
   -- Cooper tells his story of how the answer was staring him in the
      face all this time - Leland's dancing, grey hair, Robertson, the
      letters, the secret diary. Leland recites Mike's poem and Bob's
      response. The sprinklers go off and Leland rams his head into the door.
      <Cooper, Albert, and Truman burst into the room. The sprinkler system
      has gone off and water is pouring over them all>
      Cooper: Call an ambulence! <Cooper kneels next to Leland and cradles
Leland's head in his lap. For the rest of the scene he strokes
Leland's hair and face, comforting him.>
      Leland: Oh God! Laura! I killed her. Oh my God, I killed my daughter.
I didn't know. Forgive me. Oh God. I was just a boy. I saw him
in my dream. He said he wanted to play. He opened me and I
invited him and he came inside me. When he was inside, I
didn't know. When he was gone, I couldn't remember. He made me
do things. Terrible things. He said he wanted lives. He wanted
others, others that they could use, like they used me.
      Cooper: Like Laura.
      Leland: They wanted her. But she was strong. She fought. She wouldn't
let him in. Oh God. They had me kill that girl, Theresa. And
they said if I didn't give them Laura, they'd have me kill
her, too.
      Cooper: But she wouldn't let them in.
      Leland: They said she'd die before she'd let them. Then they made me
kill her. Oh God, have mercy on me. What have I done? What
have I done? Oh God. I love her. I love her with all my heart.
My angel, forgive me.
      <Cooper looks to Albert, who shakes his head -- apparently Leland
      isn't going to live>
      Cooper: Leland. Leland, the time has come for you to seek the path.
Your soul has set you face to face with the clear light and
you are now about to experience it in its reality. Wherein all
things are like the void and cloudless sky and the naked
spotless intellect is like a transparent vacuum, without
circumference or center. Leland, in this moment, know yourself
and abide in that state. Look to the light, Leland. Find the
light. 
      Leland: I see it.
      Cooper: Into the light, Leland. Into the light.
      Leland: I see... Her. She's there.
      Cooper: Into the light, Leland.
      Leland: She's beautiful.
      Cooper: Into the light.
      Leland: Laura?
      Cooper: Don't be afraid.
      <Leland dies. Wordlessly Cooper pushes his own hair back and looks up.
      The sprinklers shut off>

   Day
   -- Cooper, Albert and Truman, on the path, meet Briggs and they discuss
      Bob

15 Mar Wednesday   [Episode 2010 - 12/8/90
    Written by Tricia Brook
    Directed by Tina Rathborne

   Day
   -- Cooper explains to Sarah what happened the night Maddy died and
      Leland's final moments
   -- Leland's wake. Dr. Jacoby's back from Hawaii. Mayor Dwayne Milford
      pulls his brother Dougie's ear. Dougie owns the newspaper and is
      engaged to be married. The Mayor first ran for that office in '62.
      Cooper to Truman: Harry, I'm really gonna miss this place.
   -- Dr. Jacoby and Ed ask to have 35 year old Nadine admitted to school
   -- Audrey sees Cooper, who tells his tale of Earle.
   -- Bobby puts on Leo's clothes and goes to see Ben
   -- Catherine talks to Harry. She says a guardian angel saved her and
      directed her to the summer cabin on Pearl Lakes. There appears to
      be an owl-shaped smudge on her cheek.
   -- Dick talks to Lucy while she's replacing ceiling light bulbs. Andy
      offers to be friends.
   -- Cooper says goodbye to Truman, who gives him a green butt skunk hook
      and a Bookhouse Boy patch. He says goodbye to Hawk, Andy and Lucy,
      when Roger Hardy arrives with a mountie and tells Cooper he has been
      suspended from the FBI.
   -- Audrey gets Bobby in to see Ben, but gets kicked out. They go to
      get ice cream. B: Cup or cone? A: Mmmm...cone. I like to lick.
   -- Roger and the mountie question Cooper, who surrenders his gun and
      badge. They only knew of two deaths, and Cooper didn't know about
      Battis. Truman stands up for Cooper.
   -- Nadine Butler tries out for cheerleading
   -- Shelley brushes Leo's teeth. Bobby calls, Leo moves.

   Night
   -- Vivien reveals herself to Norma, who kicks her out.
   -- Hank brings Ernie to Jean at OEJ. Jean's assistant is the mountie -
      he'll put some of the stolen cocaine in Cooper's car
   -- Josie, injured, returns to Truman's place
   -- Cooper and Briggs around a campfire:
      COOPER: At the time I did what I thought was right. I must now face
the consequences.
      BRIGGS: You can do no more.
      (Cooper and Major Briggs, roasting marshmallows over a campfire.)
      COOPER: You know, Major, I find myself thinking a lot about BOB.
If he truly exists.
      BRIGGS: Yes, I've pondered that same question continuously since this
horror was revealed.
      COOPER:I try to imagine him out there, incarnate, looking for
another victim to inhabit.
      BRIGGS:There are powerful forces of evil in the world. It is some
men's fate to face great darkness. We each choose how to react.
If the choice is fear, then we become vulnerable to darkness.
There are ways to resist. You, sir, were blessed with certain
gifts. In this respect, you are not alone. Have you ever heard
of the White Lodge?
      COOPER: The White Lodge. No, I don't believe I have.
      (Briggs appears to ponder what he should say about this.)
      (Angle on the woods from the point of view of some unknown entity,
      moving through the woods.)
      COOPER:Major, I'm going to take a moment here. I feel the call of
        nature. There's nothing quite like urinating out in the open air. I
look forward to hearing more about this White Lodge.
(Cooper moves off into the woods. Major Briggs laughs, gives
the departing Cooper a "thumb's-up".)
When I return. From my journey.
      (Lingering on Briggs, who looks off in the direction of Cooper's
      exit with a speculative expression. An owl hoots. Major Briggs looks
      up, alarmed.)
      (Cooper urinating in the woods. An owl hoots in the tree above him.
      Cooper watches the owl. Suddenly a brilliant white light appears
      behind him. Cooper turns toward the light.)
      (Angle on Briggs, bathed in blinding white light.)
      BRIGGS:COOPER! COOPER!
      (A robed figure appears in the light, backlit. No features are visible.)
      (Cooper dashes through the woods to the camp site. The Major is gone.)
      COOPER: Major Briggs? MAJOR?
      (Cooper looks at the light. It seems to be receding into the woods.
      Cooper runs toward it. He reaches the top of a small hill and freezes,
      looking into the light. The light blinks out.)

16 Mar Thursday   [Episode 2011 - 12/15/90
   Written by Barry Pullman
   Directed by Duwayne Dunham]

   Morning
   -- James cycles
   -- Mrs. Briggs talks to Cooper and Truman about her husnad's disappearence.
      Being "in the woods is significant," he "talks about them constantly."
      He left notes by his bedside table so she'll call back later.
   -- Andy and Hawk found a present for Mr. & Mrs. Milford
   -- Gordon calls from Bend (a temp patches him through - Lucy's helping
      with the wedding). Dennis Bryson from the DEA will be arriving.
   -- Cooper presents no defense to Roger
   -- Nadine asks Donna about Mike
   -- James cycles to Wallies and meets Evelyn Marsh

   12:18 pm (clock on wall)
   -- Andy leaves flowers for Lucy
   -- Dick brings Nicky, his charge from Happy Helping Hand, to the station.
      Andy offers him a malt.
   -- Cooper, Truman, and Hawk discuss the White Lodge:
      HAWK: Cooper, you may be fearless in this world, but there are other
worlds.
      COOPER: Tell me more.
      HAWK: My people believe that the White Lodge is a place where the
spirits that rule man and nature here reside.
      TRUMAN: Local legend. Goes way back.
      HAWK: There is also a legend of a place called the Black Lodge...
the shadow-self of the White Lodge. The legend says that
every spirit must pass through there on the way to perfection.
There, you will meet your own shadow-self. My people call
it "The Dweller on the Threshhold." 
      COOPER: "The Dweller on the Threshhold..."
      HAWK: But it is said, if you confront the Black Lodge with imperfect
courage, it will utterly annihilate your soul.
   -- Dennis arrives. He and Cooper worked together in Oakland. An RCMP
      officer says he stole drugs.
   -- Nadine leg presses 600 lbs.
   -- Josie tells Harry about Eckhart. He took her off the streets in Hong Kong
      at 16 and taught her about life and business. She was afraid for her
      life when she met Andrew, a business aprtner. She says she believes
      Eckhart is responsible for Andrew's death. She escaped from the airport
      at Seattle.
   -- Roger has pie at the RR (story on Leland in his paper)
   -- Hank and Ernie return. When Norma asks Ernie if he caught anything, he
      spins a tale she doesn't buy. Vivien's returned to Seattle.
   -- Nicky blows whip cream in Dick's face and spins Andy's seat
   -- James looks at Evelyn's '48 Jaguar. Her husband, Jeffrey, travels
      extensively. She'll provide room and board while he works on the car.
   -- Ben watches old footage of the groundbreaking ceremony for the Great
      Northern. Hank arrives: Ben, I have had an absolutely killer schedule.
      Ben wants to rearrange furniture. Hank tells him OEJ has been taken
      over. Ben makes shadow figures.
   -- Cooper gets an envelope from Windom Earle. P to Q4.
      "Of course, you couldn't help but take note of my emphatically
      traditional opening. I must say, your responding move was nothing
      if not reflective of your predilection for the tidy and fastidious.
      See how my response to you begins to lead us towards a classical
      confrontation? But there's doubt in your mind: what are my true
      intentions? How will you answer this time? Hobgoblins, Dale...
      consistency...predictability, giving rise to patterns. We both
      know only too well how these patterns leave you vulnerable to
      attack. You with your wounds, I with mine, let me paint you a
      picture: my knights will skirmish, lanes of power and influence
      will open through my bishops and rooks, pawns will naturally
      be forfeit. I'm even prepared to sacrifice my queen because,
      I assure you, dear Dale, my goal will be attained at any cost;
      the king must die!"
   -- The Milford wedding. Dwayne objects.
   -- Dennis tells Cooper s/he found cocaine in Cooper's car and explains
      what happened.
   -- Cooper dances with Audrey, Andy with Denise
   -- Josie tells Catherine Thomas Echhart killed Andrew and she should be
      careful. Catherine employs Josie as her maid. Andrew's alive:
      "Everything's going exactly as we planned." He and Catherine will be
      waiting for Eckhart.

17 Mar Friday   [Episode 2012 - 1/12/90
                 Written by Harley Peyton and Robert Engles
 Directed by Caleb Deschanel]

Morning
  -- Bobby tries again to blackmail Ben, who's acting too weird for it to
     take. B: "You know what you need in this life? Balance, distance,
     symmetry." He's stacked his furniture. Eventually he hires Bobby to spy 
     on Hank; Bobby is thrilled.
  -- Cooper is discussing houses with a real estate agent (Irene).  A coin
     flip leads him to like Dead Dog Farm, an estate with a mysterious past
     where no one stays for long.
  -- Andy, Dick and Lucy visit with Nickie's case worker.  Nickie is an orphan
     who has been through many foster homes, and is the victim of "persistent
     random misfortune." Harry breaks up the meeting calling Andy to an
     emergency at the Great Northern.
  -- Harry, Doc Hayward and Andy investigate Dougie Milford, dead in his hotel
     bed.  Dwayne comes in and grieves, accusing the wife of murder by
     sex.  Andy doesn't cry.  "My Secret Life" by Chris Gerrity is found
     on the bed. 
  -- In the hallway, Hawk is talking/flirting with the widow. H: "When
     something big goes down, I'm the man."

10:10 (clock on wall)
  -- Nadine has joined the wrestling team and takes district champion Mike in
     one fall while asking him out.
  -- Mike complains to Donna about Nadine.
  -- James meets Malcolm Sloan - Evelyn Marsh's brother, Jeffrey Marsh's
     driver.  He says Marsh abuses Evelyn. Once a fortnight she breaks one
     of his things.
  -- At Dead Dog Farm, Cooper notices some tire tracks: "A Jeep, a four-
     wheeler and a luxury sedan." In the house he deduces a meeting took
     place in the past few hours. He finds baby laxative and cocaine dust.
  -- Dick fixes a flat (reading the instructions) while Nicky is irritating.
     While Nicky is not touching the car and facing the other way, the car
     falls off the jack.  Nicky panics and runs to hug Dick (who is unhurt).

Day
  -- Cooper comes to tell Harry about Dead Dog Farm, but instead visits
     with Air Force Colonel Reilly investigating Major Briggs.  Briggs is a
     great pilot.  "The owls are not what they seem" was broadcast from
     the woods, not deep space -- maybe from the White Lodge ("That's
     classified"). Cooper mentions seeing an owl before Briggs disappeared.
  -- James and Evelyn flirt and kiss.  James encourages her to leave her
     husband but she refuses.  When Jeffrey comes home she runs to greet him.
  -- Bobby, returning to Ben's office with photos, sees Audrey who flirts
     with him but doesn't kiss him.  Audrey goes to her secret listening place.
  -- Ben, who is working on a civil war model ("Gettysburg, day 1"), accepts
     the photos from Bobby and gives him a raise. Audrey eavesdrops.
  -- Pete and Catherine enjoy a romantic meal, served by Josie in a maid
     outfit.  Pete is bothered by Catherine's treatment of Josie, but is having
     too much fun to make an issue of it.
  -- Cooper brings Diane up to date:
     "Diane, I'm holding in my hand a nationally distributed newspaper. My
     opening move [P to Q4] responding to Windom Earle's opening move was
     printed in the personals column as per my instructions, but I have already
     received his response to this yesterday. He anticipated my response to
     his opening move perfectly. He's toying with me, Diane. I wonder where
     he is and what he's planning."
     Audrey knocks and offers Cooper Bobby's photos she has just stolen from
     her father's office.  Cooper identifies them as Hank, Ernie, Jean Renault
     and the mountie, meeting at Dead Dog Farm.  Denise comes in, and Audrey
     kisses Cooper on her way out.  Cooper briefs Denise.
     D: I may wear a dress but I still put on my panties one leg at a time,
        if you know what I mean.
     Cooper: Not really...

Night
  -- At the RR, Ed looks depressed, prompting Norma to suggest they can still
     be friends and to take his hand, all this secretly witnessed by Hank,
     sporting a 3:4 domino.
  -- Dick tells Andy he thinks Nicky is the devil.
  -- In Harry's office, Dwayne continues to accuse Lana of murder.  Doc says
     it was a natural heart attack.
  -- In the hallway, all the men watch Lana being escorted to a room. They
     begin collectively reciting Shakespeare.
  -- Lucy tries to call the sheriff to the phone, but gets no response.  She
     eventually finds all the men literally spellbound by Lana telling stories.
  -- Dennis visits Ernie at the RR. At the Great Northern, Cooper and Dennis
     interrogate Ernie.  They apparently want to let him off, using him to
     catch the big guys.  Dennis will pose as a buyer from Seattle and Ernie
     will arrange for a deal between Renault and Dennis.
  -- James hears Evelyn and Jeffrey fighting.  Malcolm tells James the first
     beating was four years ago. He swears to kill Jeffrey.
  -- Bobby goes home to find his mother sitting in the dark grieving over the
     Major's disappearance.  She flips on an owl lamp and Bobby tells his
     mother about the Major's vision. Suddenly the lights go out and the major
     materializes in the house, wearing a vintage pilot's outfit (leather
     jacket and goggles) and asking how long he's been gone.
     Betty: Is everything all right?
     Garland: No, dear...not exactly.


18 Mar Saturday [Episode 2013 - 1/19/90
                 Written by Harley Peyton
 Directed by Todd Holland]

Morning
  -- Fade up on night time sky/field of stars.  Camera pans
     slowly to right.
        VOICE: (whispers) Cooperrr...                                 
     In the background, a chittering noise is heard. A yellow
     symbol consisting of three equilateral triangles overlapping
     slightly at their apexes (like the international radiation
     symbol) appears spinning in the center of the screen and
     rapidly moves towards the camera with a screaming noise.
     When it hits the camera, the screen erupts with flames.
        BRIGGS (V.O.): I remember stepping from the flames.  A
          vague shape in the dark.  Then nothing.
     Slow fade from flames to Major Garland Briggs.  He is
     seated on a throne of stone in the middle of a jungle.
     The camera moves slowly towards him.
        BRIGGS: 'Til I found myself standing by the cold
          remains of our campfire.  Two days later.
        HAYWARD (Distorted V.O.): Major, there are some new techniques
          that might help us break through your amnesia.
        BRIGGS: Well, my memories are immune from regression.
          I can feel them...
     A wolf begins to growl in the background.
        BRIGGS: ...they're palpable, the smells, the sensation.
          Everything is known to me, yet somehow beyond my reach.
        COOPER (distorted V.O.): Do you remember anything else?
        BRIGGS: Very little, save for one disturbing image
          of a giant owl, pervasive.
     The wolf continues to growl.
        COOPER (distorted V.O.): A giant owl?
     With a flash of light, we cut to a brief negative image of an owl flying,
     then to a close shot of the back of the Major's neck, where there is a
     small red scar identical to the 3-triangle symbol seen before.  Cut
     to Briggs face.  The flash is revealed to be from an Instamatic
     camera that Doc Hayward used to take a picture of the scar.  
     The camera slowly pulls back from Briggs.  The scene is the
     Sheriff's Station Conference Room, the time is apparently morning.
     Major Briggs, Agent Cooper, Doc Hayward and Sheriff Truman
     are present.
        COOPER: A giant owl? How big?
        BRIGGS: (fidgeting with his fingers) Enough to cloud my mind and memory.
        HAYWARD: (handing the instant picture he has just taken to Cooper)
          Three triangular scars behind the right
          ear, in perfect proportion.
        TRUMAN: Major Briggs...what exactly does your work involve?
        BRIGGS: That information...as I've repeated endlessly
          to myself...classified.  Though the keeping of
          secrets ... seems less meaningful to me now.
          (Pause.  The Major is nervous and shaken.)
          Perhaps there are sources of information that are
          so important as to transcend the human need
          to conspire.  Information of such weight that
          pertains not ... (Garland pauses.  He begins to
          lose control of his emotions.)  Oh, God!  Is
          this meant for the soul?!  My soul?
        COOPER: Major--perhaps you'd better start back at the beginning.
        BRIGGS: Are you familiar with...Project Bluebook?
        COOPER: Yes sir, I am.  The Air Force investigation into
          the phenomenon of Unidentified Flying Objects.
        BRIGGS: Officially disbanded in 1969.  But, there are those
          of us who ... continue in an _unofficial_ capacity.
          Examining the heavens as before...in the case of 
          Twin Peaks, the earth below.
     Cooper and Truman look at each other.
        BRIGGS: We are searching for a place called the White Lodge.
     Briggs stops talking as the door opens and two M.P.s step in.
        M.P. #1: Major Briggs?
        BRIGGS: I've been expecting you.
        TRUMAN: Now hold on just a minute, fellas.
        M.P. #1: Colonel Riley's orders.
        TRUMAN: I don't care what orders you got, this is my
          station and Major Briggs happens to be a friend of mine.
        BRIGGS: Harry (Briggs rises).   I'm afraid we will have to continue
          this discussion at a later date.
        TRUMAN: Are you sure you wanna to go with them?
        BRIGGS: (Nods) Yeah. (to Cooper) Goodbye.
        M.P. #1: Major.                               
  -- Dennis and Cooper have Ernie call Jean for the setup
  -- Dick tells Andy Nicky's records were sealed and returned to the
     orphanage
  -- Cooper asks Lucy if she's seen anything from Earle in the newspapers
  -- At the RR, Ed tells Norma, "We need to talk"
  -- Shelley's fed up with taking care of Leo and slaps Bobby who's going
     out again, as Invitation to Love plays on the TV. Leo's eye twitches.
  -- Ed gets a call from James who wants all his money ($12) sent to him
     at Wally's
  -- Evelyn asks James about his girls and for his help

9:25 (clock on wall)
  -- Mike tries to fight off Nadine at the RR
  -- Hank asks Norma where's she's going
  -- Josie answers the door to Truman who can't keep his hands off her
  -- Audrey visits Ben's battlefield and calls Jerry
  -- Ed answers the door to Norma
  -- Hawk prepares Ernie with a bug:
     (Hawk is attaching a "wire" to Ernie with adhesive tape)
     E: Ouch!  Will you mind the chest hair, will ya?
     H: You're sweatin' like a pig, Mr. Niles!
     E: Oh, thanks a lot!  That's nervous perspiration, man, hyperhydrosis.
        It's a childhood condition--and I didn't notice it 'til the war.  
        Korea, remember that?  Do ya?  I was leading a batallion up towards
        the 49th parallel.  We were just a bunch of fresh-faced kids.  I didn't
        know what kinda hell we were steppin' into.
     C: Ernie!  Ernie, I want you to focus on the here and now.  Repeat your
        instructions to me, step by step.
     E: Okay.  Uh...I take...Denise...up to Dead Dog Farm.  I introduce her to 
        Renault.
     C: Right.
     E: I, uh...take Renault through the buy...complete the transaction, and get
        the hell out of there, huh?
     C: Good.  Harry--that's when you come in. (Truman nods)  By golly...I sure
        wish I could join you fellas.  But I've temporarily lost my
        enforcement franchise.
     E: Heh, I bet.
     T: Well...I'v been givin' that some thought. (tosses badge to Cooper)
        Consider yourself deputized.  The bureau's loss is my gain.
     (Cooper looks at the badge--it's number 13.)
     C: (happily)  I hope I can live up to this.
     H: (finishes wiring Ernie)  He's done.  You might want to towel him off
        before we go! (wipes his hands, exits)
     E: Ah, come on!  (to Cooper and Truman)  Uh...how long will it, uh...
        take you guys to storm the farmhouse after, uh, I complete the buy?
     C: (pinning on his badge)  You go out, we come in.
     E: Can I, can I ask you a question?
     T: What, Ernie?
     E: Don't make me do this!  This isn't my line of work!  I'm a coward!  I
        don't do this kind of thing, I'm a CPA!
     T: Ernie.
     C: Ernie.
     E: (laughs nervously) Just a momentary lapse.  I'm okay, I'm...I'm cool. 
        Let's go do it, huh?
     C: Where's Denise?
     T: Haven't seen her.
     (Door opens.  Denise enters dressed as a man, hair pulled back into a
      ponytail)
     D: (proudly)  You can call me Dennis!  Oh, I don't know, somehow it
        seemed...more appropriate.  (Cooper beams, absolutely delighted)
        Whadda you think?
     (Truman whistles appreciatively)   
  -- Andy and Dick at the Dorritt Home for Boys
     D: Our investigation must proceed "sub rosa."  We may have to pick the
        lock.  Tricky business, that.  (Andy opens the unlocked door)  Voila!
        We enter!
     A: Where is everybody?
     D: Lunch!  Here we are, the case files.  N...N...N...(turns to another
        set of files) N!  Nales...Nester...Netherby...Needleman, Nicholas.
        Needleman, our little Nicky!
     A: We can read it in the car!
     D: Oh, patience, Andrew.
     A: (increasingly nervous) Dick!
     D: Sh!  The usual background information...mmm...birthplace...initial
        adoption...  mm-hmm!  First of several, it seems.
     A: Dick!
     D: (oblivious to Andy)  Ah, the plot thickens.  Where are thy secrets,
        little Nicky?
     (The Brewsters appear at the door, wave eagerly.  Andy sees them.)
     A: Dick!
     (The Brewsters enter.  Dick jumps up, startled, and clumsily hides
     Nicky's file in his trenchcoat.)
     B: Hi!
     (Andy, petrified, crosses and stands beside Dick.)
     B: We're the Brewsters.  (laughs)  I know we're a little early.  It's
        just that we're so darn eager to see him.  Can we see him?  Where's
        Donny?
     D: D--Uh, little Donny is...uh, dead.  (The Brewsters look horrified.) 
        Eh!  Dead tired, I mean.  I'm afraid little Donny, he isn't feeling up
        to snuff.
     B: Well, he was in perfect health only yesterday.
     (Dick is stumped.)
     A: Dick!
     D: Just a minute...*Woody*.  Let me finish helping these good people.
        Now--where were we?
 
Afternoon
  -- Ed answers the door to Donna who's looking for James. She'll deliver
     the money.
  -- Norma leaves and Nadine rescues Ed from Hank
  -- Bobby sees Ben, then Audrey. A: I think Daddy needs an injection.
  -- Catherine visits Ben
  -- James shows Evelyn the fixed car who seduces him as Malcolm watches
  -- At Dead Dog Farm, Ernie's shirt smokes, blowing the cover. Hawk calls
     for backup as Cooper exchanges himself for Ernie and Dennis.

Evening (1/4 moon)
  -- Evelyn leaves James in bed to go at it with Malcolm
  -- Jean, the mountie, and Cooper in the center room:
     C:  Is my death so important to you?
     R:  My two brothers die...I hold you responsible.
     C:  Why?
     R:  Well...before you came here...Twin Peak was a simple place.
         My brothers deal dope to the teenagers and the truckdrivers...
         oh...One Eyed Jack welcomed the businessman and the tourist...
         quiet people lived a quiet life.  Then--a pretty girl die,
         and you arrive...and everything change.  My brother Bernardo,
         shot, and left to die in the...the woods.  A grieving father
         smother my remaining brother with, ah...the pillow.
         Kidnaping...death...suddenly, ah, the quiet people...they're
         quiet no more.  Suddenly the...the simple dream, become the
         nightmare.  So.  If you die, maybe you will be the last to die.
         Maybe you brought, ah...the nightmare...with you.  And maybe...
         the nightmare will *die* with you.
  -- Dennis in a RR uniform, delivers food. Cooper shoots Jean with a 
     gun hidden in Dennis' panty hose and Dennis kicks the mountie's ass.
  -- Shelley wakes to intermittent power to find Leo
  -- Power's off at the station. Lucy says there were two fires and an
     explosion. Cooper finds a dead person pointing to a chessboard:
     +-----+-----+-----+-----+-----+-----+-----+-----+
     | WR  |     | WB  | WK  | WQ  | WB  | WN  | WR  |
     |    w|    b|    w|    b|    w|    b|    w|    b|
     +-----+-----+-----+-----+-----+-----+-----+-----+
     | WP  |     | WP  | WP  |     | WP  | WP  |     |
     |    b|    w|    b|    w|    b|    w|    b|    w|
     +-----+-----+-----+-----+-----+-----+-----+-----+
     |     |     |     |     |     |     |     |     |
     |    w|    b|    w|    b|    w|    b|    w|    b|
     +-----+-----+-----+-----+-----+-----+-----+-----+
     |     |     |     |     |     |     |     |     |
     |    b|    w|    b|    w|    b|    w|    b|    w|
     +-----+-----+-----+-----+-----+-----+-----+-----+
     |     |     |     | WP  |     |     |     |     |
     |    w|    b|    w|    b|    w|    b|    w| ?  b|
     +-----+-----+-----+-----+-----+-----+-----+-----+
     |     |     |     |     |     | BQ  | BP  |     |
     |    b|    w|    b|    w|    b|    w| ?  b| ?  w|
     +-----+-----+-----+-----+-----+-----+-----+-----+
     |     | BP  |     | BP  | BP  |     |     |     |
     |    w|    b|    w|    b|    w| ?  b| ?  w| ?  b|
     +-----+-----+-----+-----+-----+-----+-----+-----+
     | BR  | BN  |     | BK  |     | BB  |     |     |
     |    b|    w|    b|    w| ?  b| ?  w| ?  b| ?  w|
     +-----+-----+-----+-----+-----+-----+-----+-----+
     b = black square  w = white square
     B = black piece   W = white piece
     K= king  Q = queen  B = bishop  N = knight  R = rook  P = pawn
     ? denotes square not visible or partially obscured

18 Mar Saturday (continued)   [Episode 2014 - 2/2/91
       Written by Scott Frost
       Directed by Uli Edel]

  -- Truman, Cooper, and Doc Hayward investigate the dead body - there's a
     black pawn in the mouth.  Cooper says it's a vagrant, and makes several
     predictions borne out by investigation (type of wound, an abandoned
     car ...).
  -- Audrey plots with Bobby to save the Horne empire.  AUDREY:  From now on,
     it's me you suck up to.
  -- Leo stalks Shelley with an axe, as an owl watches. LEO:  Bad girl.
     Bobby returns home and after a struggle, Shelley stabs Leo in the leg who
     runs away into the woods.

19 Mar Sunday

Day
  -- Cooper's been cleared, but the suspension remains. Harry offers the
     vagrant murder case to deputy Cooper.  Hawk reports Hank is in the
     hospital - he missed the drug deal because he was "hit by a bus."
     Shelley called to report Leo's awakening.
  -- Andy tells Lucy about his and Dick's theory of Nicky killing his parents
     at the age of 6.
  -- James meets Jeffrey, who gets in the car and drives off.  Evelyn
     puts the moves on James.  JAMES:  IT'S WRONG!!!
  -- At the RR, Ed and Doc Hayward discuss Nadine's dating and sex life.
     Donna took the van to look for James who's "out a couple of hours west."
  -- Ed tells Norma about the Nadine/Hank fight.  Norma says Harry will
     arrest Hank for parole violation. Ed and Norma plan a romantic weekend.
     NORMA:  People will find out.  ED: Let 'em.
  -- James prepares to leave
  -- Cooper talks with Truman:
                       Earle
     +-----+-----+-----+-----+-----+-----+-----+-----+
     | WR  | WN  | WB  | WK  | WQ  | WB  | WN  | WR  |
     |    w|    b|    w|    b|    w|    b|    w|    b|
     +-----+-----+-----+-----+-----+-----+-----+-----+
     | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
     |    b|    w|    b|    w|    b|    w|    b|    w|
     +-----+-----+-----+-----+-----+-----+-----+-----+
     |     |     |     |     |     |     |     |     |
     |    w|    b|    w|    b|    w|    b|    w|    b|
     +-----+-----+-----+-----+-----+-----+-----+-----+
     |     |     |     | WP  |     |     |     |     |
     |    b|    w|    b|    w|    b|    w|    b|    w|
     +-----+-----+-----+-----+-----+-----+-----+-----+
     |     |     |     | WP  |     |     |     |     |
     |    w|    b|    w|    b|    w|    b|    w|    b|
     +-----+-----+-----+-----+-----+-----+-----+-----+
     |     |     |     |     |     | BN  |     |     |    Captured:
     |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
     +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
     | BP  | BP  | BP  |     | BP  | BP  | BP  | BP  |
     |    w|    b|    w|    b|    w|    b|    w|    b|
     +-----+-----+-----+-----+-----+-----+-----+-----+
     | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
     |    b|    w|    b|    w|    b|    w|    b|    w|
     +-----+-----+-----+-----+-----+-----+-----+-----+
                       Cooper     

     T: So how does chess figure into all this?
     C: Because Windom Earle and I played a game every day for three years.
        He felt that all of life could be found in the patterns and conflicts
        on the board.  (pauses)  Because I never beat him.  (pauses)  Now it's
        my turn.  I'll publish my response in the Twin Peaks Gazette.  I don't
        know what else to do.
     T: Coop, you're gonna have to give me some more information here.
     C: Harry, I've brought some baggage to town I haven't told you about.
        (sits) Windom Earle was my first partner.  Everything I know about the
        law and the bureau, I owe to him.  Four years ago, we drew the
        assignment of protecting a material witness in a federal crime.  She
        was, uh...very beautiful...very gentle woman.  Her name was Caroline.
        She and I fell in love.  One night, I...failed in my vigilance.  An
        attack was made; I wasn't ready.  I was wounded and I lost
        consciousness.  (swallows hard)  When I came to, she was in my arms,
        she...she was dead, she'd been stabbed.
     T: The wounds on the vagrant.
     C: Identical.  The killer was never found.  My wound healed; Windom Earle
        went mad.  Institutionalized until his recent escape.
     T: So why is he after you?
     C: Harry--Caroline was Windom Earle's wife.
     (Truman has been sitting on the edge of his desk.  Now, he sits in his
     chair, taken aback.)
     T: So...he blames you for her death.
     C: (shakes his head, leans forward)  It's much worse than that.  I think
        he killed her.  And I think he committed the crime that she originally
        witnessed.  Harry-- Windom Earle's mind is like a diamond!  It's cold,
        and hard, and brilliant.  I think he feigned the insanity that sent
        him away, but at some point he lost the ability to distinguish between
        what's right and what's wrong.  You don't know what he's capable of,
        Harry...you don't know!
  -- Donna shows up at Wally's looking for James but finds Evelyn instead.
     Evelyn said he had done some work for her and then headed off to Mexico.
  -- Audrey ushers Jerry into Ben's office.  BEN: Jeb!  Dr. Jacoby is there.
     He says Ben's reversal of the South's fortunes is a healthy way for Ben
     to recover from his own defeat.
  -- Briggs staggers into the sheriff's office and collapses.  Lucy checks her
     lip stick.
  -- Briggs, Truman and Cooper at the station:
     (Briggs, Cooper, and Truman are all sucking down huge glasses of water.
      Lucy is standing nearby with a pitcher of water.)
     L: More?
     C: I'm fine.
     T: Fine, Lucy.
     B: Fine.
     (Lucy exits.)
     T: Major--what happened?
     B: Well, as men who have dedicated their lives to service, I know that
        you're able to understand how sacred I hold a pledge of allegiance.
        And the cost one must pay when breaking a pledge.
     C: It can be very great.
     B: Well, the Air Force, *I thought*, was not unlike other societies of
        men dedicated to the fight for the good.  (pauses, mops his brow)
        Gentlemen, frankly I'm worried.  When my superiors questioned me about
        my disappearance, they exhibited a degree of suspicion and intolerance
        bordering on the paranoic.  I must now admit that their motivation in
        the search for the White Lodge is not ideologically pure.  I believe
        that during my disappearance I was taken to the White Lodge.  I can 
        remember, virtually nothing.  But I have the clear, intuitive sense
        that there's...  much trouble ahead.
     C: Major?  What kind of trouble?
     B: I am unaware of the form it will take.  (pauses)  I will return.
        Until that time, I will be in the shadows if you need me.  Good day,
        gentlemen.
     C: Good day, Major.
     (the Major exits.)
     T: In the shadows.  Can you beat that?
     C: No...
  -- Jacoby, Lana (the widow Milford), Cooper, Truman, Hawk at the station
     (Cooper and Truman enter the meeting room after Hawk.  Jacoby and Lana
      are waiting there.)
     J: Good.  I wanted all of you to hear this.  I've just spent almost the
        last twenty-four hours with this charming young lady, and as you can
        see, uh...  I have no bruises, no broken bones...any claims by her
        deceased husband's brother that she's cursed or somehow responsible
        for a death is nonsense.  Now what she does, in fact, possess is a
        heightened sexual drive.  And a working knowledge of technique,
        anatomy, and touch, that few men have ever had the pleasure of
        experiencing, or the skills to match.
     T: Is it *hot* in here?
     C: Yeah.
     H: Yep.
     C: Lana, let me be the first to congratulate you.
     L: Thank you!  Well--I could never have done it without Dr. Jacoby.
     J: Heh, heh, heh, heh, heh.  Okay.  Well, we're gonna go bowling.  See ya
        later, guys!
  -- Dwayne Milford is in the lobby with a shotgun, threatening to shoot Lana.
     Cooper suggests that the mayor and the widow go alone into the conference
     room to work it out.  Truman: Now what?  COOPER: We wait.
  -- COOPER: OK, long enough.  The cops enter the conference room to find the
     widow and the mayor making wedding plans.
  -- Catherine reveals Andrew Packard to Pete.

Dusk
  -- Eckhardt and a young female escort check into the Great Northern
  -- Truman shows Cooper a Seattle newspaper story -- Jonathan is dead.  Harry
     suspects Josie and asks Cooper to investigate.
  -- Doc Hayward tells Dick and Andy about Nicky's past.  His mother was an
     immigrant, maid at the Great Northern.  She was impregnated during a rape,
     died in child birth.  Nicky was in an orphanage, then adopted. 
     His adopted parents were killed in a car crash.  Lucy is indignant that
     the men had suspected Nicky of wrong-doing. She swats a fly.
 --  It comes down at the Marsh place.  Evelyn says Jeffrey died in a car
     crash, the brake lines were cut.  JAMES: You set me up!  Evelyn says she
     loves James, and hopes he gets away.  Police arrive.  James is sneaking
     away.  Donna is there in the shadows, and they run away together.

Night
 -- Leo walking through the woods.  Gratuitous owl shots.  There is a cabin
    with a light on. Leo walks in and meets Windom Earle.

20 Mar (Monday)   [Episode 2015 - 2/9/21
           Written by Harley Peyton and Robert Engles
   Directed by Diane Keaton]

Day
   -- Evelyn and Malcolm tell the cops about James
   -- At Wallies, the cops watch an opera, while James and Donna talk
      as the bartender persists in listening in. Donna wants to talk to Ed,
      James wants to talk to Evelyn.
   -- Donna calls Ed
   -- Cooper and Truman question Shelley and Bobby, who says that Hank shot Leo
   -- Albert ("Get a life, punk!") tells Cooper about Earle's leavings at
      five different post offices in different cities, each an article of
      Carolyn's clothing.
   -- Earle makes music as Leo awakens
   -- Ed and Norma discuss their future in bed when Nadine rips off the door
      and joins them in bed. She says she knows about them, mentions Mike,
      and bends her 2nd place wrestling trophy.
   -- Cooper and Truman question Josie
   -- Pete returns with a load of dry cleaning. Cooper takes a sample from
      a coat.
   -- Thomas calls Josie. Catherine listens.
   -- Ben continues on in the war. Johnny is present in his Indian headdress.
      Bobby trumpets.
   -- Evelyn and Donna trade words at Wallies until Malcolm comes for Evelyn
   -- Albert's report. The dead Asian man was Johnathan Kumagi. The fibers
      found outside Cooper's door and from Josie's coat are a perfect match.
      The dead vagrant's name was Eric Powell. Powell was Carolyn's maiden
      name.
   -- Pete beats Toad, Cooper and Doc Hayward in chess
   -- Shelley gets her job back and cleans the ice cream cone.
   -- Truman tells Norma Hank is going back to jail

Night
   -- Josie answers the door to Eckhardt, who dines with Catherine. They
      debate over what to do with Josie.
   -- James confronts Evelyn, who's blowing smoke rings. She confesses and
      seduces him. Malcolm knocks him out.
   -- The North surrenders and Ben's back
   -- Earle prepares himself and tutors Leo in penmanship
   -- Donna stumbles into Evelyn and Malcolm scheming. Fiasco results
      in Evelyn shooting Malcolm.
   -- Cooper looks at a picture of Carolyn as Earle walks out of the elevator.
      Earle leaves a message for Audrey.
   -- Cooper finds a mask and a message from Earle in his bed.

21 Mar (Tuesday)   [Episode 2016 - 2/16/91
    Written by Tricia Brook
    Directed by Lesli Linka Glatter]

Morning
   -- Cooper and Truman listen to Earle's tape. They decide to call Pete
      for Cooper's next move. Lucy: Paper and Pete - I'll do it alphabetically!
   -- Pete answers Lucy's call then serves breakfast to Catherine and Andrew.
      Josie enters, sees Andrew and faints.
   -- Truman reads the paper, an article on the Asian man's death
   -- Hank (on crutches) and Hawk in Truman's office. Truman accuses Hank of
      shooting Leo.  Hank says he was home with Norma then, and offers to deal
      info on Packard's death for freedom.  No deal.  Hawk kicks Hank's
      crutch out from under him.
   -- Albert's report reagrding the gun:
      A: This is the bullet we removed from you.  This is the one that was
         excavated from the dead man's skull.  Same bullets, same gun, same
 killer.  Let's go get her.
      C: Albert, hold your horses.
      A: Coop--I appreciate any reluctance you might have for busting your
 pal's old lady, but the woman ventilated you and left you for dead.
      C: (holds up his hand) Albert--I don't take it personally.  What about
 the gloves, the powder tests?
      A: News at five.  All right, fine, you're not mad, but there's an
 epidemic of multiple gunshot wounds following this chick around,
 she is a menace.
      C: (nods) I'll talk to her.  Maybe she'll confess, turn herself in.
      A: Maybe she'll grow wings and join the circus. (leaves)
   -- Audrey working as concierge at the Great Northern.  Some hunk walks
      in; he claims to have seen Audrey years ago playing Heidi.  Audrey has
      mail -- a note containing a torn piece of paper with writing, and a
      note inviting her to "save the one you love" by attending "a gathering
      of angels" at the Roadhouse that night.
   -- Ed replaces some figurines on a shelf when Nadine returns from school
      early. She confesses to Ed her love for Mike.  NADINE: "It's time to
      call a spade a spade, Eddie: we're breaking up."
   -- Cooper pleads the truth from Josie. Catherine listens in.  COOPER: "I
      don't know what place Harry occupies in your heart, but I do know that
      you own his."  Josie is unresponsive.  After Cooper leaves, Catherine
      badgers Josie while oozing slime.  Catherine says Josie will have to
      see Eckhardt alone that night.  JOSIE: "He'll kill me."  Catherine
      casually exposes a gun in the book case which Josie grabs and fondles.
   -- Bobby, Ben, Jerry, Audrey and the hunk (old friend of Ben's, John
      Justice Wheeler aka Jack) plot business.  Ben reveals there is an
      endangered species on the mill/Ghostwood property: the pine weasel.
      B: I give you...the little pine weasel.  Found only in our tri-county
 area...  it is nearly extinct.
      J: (happily) They're incredible roasted.
      Ben will use this fact to stop development until he is in the driver's
      seat.  BEN: "And then, I'm considering a run for the Senate."

1:16 (clock on wall)
   -- Earle the truck driver leaves the RR, leaving a note for Shelly. 
      Norma is on the phone with her sister (Andie), a nun who is
      coming to visit.  Shelly reads the note, identical to Audrey's.
      Ed comes in and proposes to Norma.
   -- Leo whittles under Earle's instruction
   -- Norma visits Hank in jail, asks for a divorce.  Hank promises to reform
      and asks for an alibi regarding Leo.  Norma refuses, although Hank
      swears he'll die if he goes back to prison.  HANK: "You're his whore." 
      NORMA: "I'd rather be his whore than your wife."
   -- Pete selects a move that will give Earle "sleepless nights" and not
      allow him to capture any pieces for 4-5 moves. It appears to be P to
      QN-3.  This is just about the only legal move in that corner of the
      board (to Cooper's right) that would prevent any immediate capture. 
      If the move had been P to QN-4, then the pawn would have been vulnerable
      to attack by the white king's bishop.  P to QR-4 would have been OK too,
      but it appears that Pete moved the pawn in the file of the queen's
      knight.
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  | WN  | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BN  | BP  |     |    Captured:
      |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
      +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
      | BP  | BP  | BP  |     | BP  | BP  |     | BP  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
5:00 (A to C: "News at five.")
   -- Albert says the powder on Josie's glove proves she shot Cooper. There was
      a positive ID of her in Seattle.
   -- Andrew visits Josie putting on makeup in her room.  He says he loved her
      though she didn't love him and she should go to Eckhardt who can
      get her out of the country.

Dusk
   -- James and Donna meet for a picnic in the mountains.  James is going to
      continue traveling around.  Donna will return to TP.  They will continue
      to love each other and meet again some day. Evelyn is going to stand
      trial.

Evening
   -- Truman comes to see Josie.  Catherine says she's gone to see Eckhardt.
   -- Eckhardt and Andrew meet in the elevator. Andrew says he is alive
      because Josie betrayed Eckhardt.  Something about Josie in love with
      Truman.  ECKHARDT: "I've already taken care of him."
   -- Ben, Audrey and Jack at supper.  Jack is in business of saving troubled
      businesses with environmental problems.  Ben is called away;
      attraction/repulsion/defensiveness between Audrey and Jack ensues.

9:30 pm
   -- Shelly, Audrey and Donna meet at the Roadhouse.  They put their three
      pieces of paper together. Earle watches from the bar.
      "See the mountains kiss high heaven
      And the waves clasp one another.
      No sister flower would be forgiven
      If it disdained its brother.
      And the sunlight clasps the earth,
      And the moonbeams kiss the sea.
      What is all this sweet work worth,
      If thou kiss not me?"
   -- Cooper practices fly fishing in his room.  Catherine calls to let him 
      know where Josie is. He grabs his gun and goes to investigate.  He hears
      a shot and opens Eckhardt's door.  Eckhardt stands up and dies.
      Josie and Cooper point guns at each other.
      J: He tried to kill me.
      C: Is that what you'll say about me, Josie--that I tried to kill you?
 What about Jonathan?  Did he try to kill you, too?
      J: He...he was taking me back.
      C: Why did you shoot me, Josie?
      J: Because you came here.  I knew this day was going to come.  I'm not
 going to jail!  I can't!
      (Harry enters, gun drawn)
      H: Put it down, Josie.
      J: Ah!  Harry?!
      H: PUT IT DOWN!!
      J: Harry--forgive me.  I never meant to hurt you. (takes several sharp
  breaths, closes her eyes, hugs the gun to her chest, and collapses on
 the bed)
      H: (rushes to her, cradles her in his arms) Josie!  Josie?!  Josie!
         (looks up) She's dead.  
      (Harry and Josie on the bed disappear, spotlight appears.  BOB climbs
      onto the bed from the floor on the far side, laughing maniacally, until
      he is on his hands and knees on the bed)
      B: Coop!  What happened to Josie?! (continues to laugh)
      (BOB disappears, the little Man From Another Place appears, dances on
      the bed, and disappears.  Harry and Josie reappear as before.  Josie's
      face appears in the knob of the nightstand, crying out in torment)
-- f3-7r3974rg94gf79-t7fx-97tr-kb79-btr97vr-973tr8c63r8vch9ptv.p;v67ptr7pvt7ptv;p73********************************************************************************* "If you say drink coffee... I drink coffee!" * *~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~** Edwin Nomura * I have no plans to call on you, Clarice, ** enomura@ucsd.edu * the world being more intersting with you in it. * ********************************************************************************4yt7tcy90t780rvbp5ty7;rnlvo7ttr780on8-v6984r7;n97r-38=8b]-7yo;6r'bt08trn97btc;.r

alternat@watserv1.waterloo.edu (Ann Hodgins) writes:
> >
> >My vcr does not record one channel while I watch another 

I think they all do. Set the VCR/TV switch to TV.
The VCR tapes whatever channel it's tuned to,
and the TV displays whatever channel it's tuned to.

What? You don't have a VCR/TV switch?
Oh well, get a signal splitter.
-- [rbj@uunet 1] stty sane unknown mode: sane

Someone posted earlier the shows he/she watches on TV. I was
surprised (or not really surprised) to learn that I too watched the 
very same shows regularly and I know that some of these shows are in
trouble too. This leads me to a survey of an idea. I am curious to know 
what shows (aside from Twin Peaks) you Peakers watch regularly. Lets see 
how our tastes differ from the "controversial" Nielsens Ratings. 
I am also curious to know how many people in this group sent letters to
ABC? 

Does anyone know if the Nielsens break down their ratings according to 
demographics (i.e. income, profession, location, age, etc.)? Is their 
sampling stratified? Do networks even care about demographics when making 
decisions? More importantly, do the Nielsens take into account the viewer's 
potential buying power (not necessarily the same as income)? In other words, 
if show x has more viewers than show y but the aggregate viewership of 
show y spends more money than that of show x, shouldn't show y have a better 
ranking from the point of view of sponsors?

In this survey, I will not delve into your spending habits for reasons of 
privacy and I will keep things simple. Please email me your answers to the 
following questions. I will take in resposes for a week (until Wednesday
March 6) and post results thereafter. You are welcome to skip some of the 
questions. (For rn users, I suggest you use the "R" option and edit in your 
answers). Thanks in advance for taking the time to respond to this survey.

1. What shows do you watch *regularly* during prime time (8:00 pm to 11:00 pm)
   on the non-cable networks (i.e. NBC, CBS, ABC, FOX, etc)? (Quantum Leap
   and other "hiatusized" shows this season are acceptable answers). Note
   that I will assume you watch TP regularly unless you explicitly specify 
   otherwise.

2. Which one of the following best describes you:
   (a) yuppie/professional (i.e. lawyer, stock broker, company executive, 
       doctor, etc.)
   (b) student (starving or not)
   (c) academe dude (i.e. professor, researcher, PhDs, etc.)
   (d) alien from another place
   (e) others, please specify _________________

3. What best describes the locale that you live in?
   (a) urban place (i.e. major city)
   (b) highly industrial place with lots of factories
   (c) highly agricultural place with lots of crops
   (d) I live in the woods
   (e) other, please specify __________________

3. How many people watch Twin Peaks from your houshold?

4. Do you own or have access to a VCR for taping shows and watching them
   later?

5. If you are watching a show in real-time (i.e. not from a tape) and a
   commercial comes on, which of the following do you usually do: (please 
   pick the best answer)
   (a) browse through other channels
   (b) watch the commercial
   (c) do something else while commercial is being shown (i.e. take a piss, 
       get a snack, do homework, read book/magazine, talk on the phone, play
       with dog, play with date, call friend in West Coast and give away
       spoilers, etc.)
   (d) turn TV off
   (e) immediately go to the store and purchase the product being advertised
   (f) fall asleep
   (g) others, please specify ________________

6. (Skip this question if you don't have a VCR). If you are watching a 
   taped show from a VCR, what do you usually do when a commercial comes
   on: (please give best answer)
   (a) fast-forward the tape
   (b) watch the commercial
   (c) let the commercial play but do something else (i.e. take a piss, 
       get a snack, do homework, read book/magazine, talk on the phone, play
       with dog, play with date, call friend in West Coast and give away
       spoilers, etc.)
   (d) fast-forward through the show and just watch the commercials
   (e) others, please specify ________________

7. (Skip this question if you don't have access to a VCR). If you fast-forward
   through a commercial, do you have recognition of the product being 
   advertised?

8. Did you buy a copy of Laura's Diary?

9. Did you write to ABC regarding the status of TP?

10. Other comments you would like to make?


Reply now before you go to the next message.

There are the obvious mac sounds located on two machines for anonymous ftp.

However, I seem to remember some sparc station (sun 4) sounds being posted
a while back.  Anyone still have any?  Perhaps you could e-mail me and/or
make them available for "ftp"age.

Thanks for your support!
--
steve reinThere are three kinds of lies:  lies, 
rein@stat.berkeley.edudamned lies, and statistics - Disraeli

afmartp@lims02.lerc.nasa.gov (PETER MARTIN) writes:

> > I just got a copy of the TP soundtrack CD.  It's pretty good.  One of the 
> > highlights is the liner notes.  There is a picture of all the actors while 
> > in character with both names listed for reference.  But one thing puzzles 
> > me,  the MFAP is in there, as is the OAM, but not BOB, the Giant, or SRDC.  
> > I wonder why?

BOB >is< there -- Bottom row, fourth from the right.

The Giant and SRDC first appeared at the beginning of the second season, 
after the release of the disc.

It is happening again.      It is happening again.      It is happening again.
Joe Zitt ...cs.utexas.edu!kvue!zitt!joe (512)450-1916

David Lynch was on David Letterman tonight, as many of you are no
doubt aware. Here is the address he gave for us all to write to:

Bob Iger
ABC Television
77 W. 66th St.
New York, NY 10023

Lynch says he believes Twin Peaks-ers are "a party crowd", and we
don't like to stay home on Saturdays, so he's pushing ABC to find a
good weeknight, apparently - so if you write, you might also consider
expressing your opinions on which weeknight you prefer? I dunno...here
at KU, we use Twin Peaks as an excuse to get together on weekends and
*have* a party! Ah, well, just so long as it ain't cancelled!!!
-------(please include "DY" in subj header of mail to this user)--------
Doug "Speaker-To-Insects" Yanega      "UT!"       Bitnet: KUENTO@UKANVAX
My card: 0 The Fool       (Snow Museum, Univ. of KS, Lawrence, KS 66045)
"I'll employ my resources to make your puny lives miserable! I'll crush
your pitiful dreams and ambitions like bugs in the dust!" - Calvin

In article <59940040@hpopd.pwd.hp.com>, richardh@hpopd.pwd.hp.com (Richard
Hancock) writes:
# Yes, we do have Dunkin Donuts in the UK (in London at least) - and
# undergraduates.
# 
# Richard.

There's one in Glasgow too. Hey, here in Embra it took years before 
we had a MacDonald's, so I don't hold out much hope for a Dunkin' 
Donuts )-;

-- ============================================================================== = Hazel Sydeserff |"What sad times are these when passing Centre for Speech Technology Research | ruffians can say `Ni!' at will to 80, South Bridge, EDINBURGH EH1 1HN | old ladies." - Roger the Shrubber, MPHG

I`m really having problems trying to understand who Laura really was.
Thinking back on it, she seems to have been totally unrealistic as a
character - justs remember all the things she was supposed to have done:

Delivered meals on wheels.
Looked after Johnny.
Seen Dr. Jacoby.
Seen the Orchid Grower.
Worked in the departmental store.
Worked in One-eyed jacks.
Gone on picnics.
Did drugs.
Go to school (and become very popular).
Go out with Bobby.
Ridden her pony (if that white one was hers).
Kept a diary/tape recordings, in detail.
Met Bob.
Got herself killed.

C`mon folks - even I would have difficulty fitting that all into one
day! I think that Laura is not a real character as such, but a
personification of all the good within us, to act as mirror image of Bob
- the evil within us all (Junge et al.).

Thoughts, suggestions?


Re. - the murder of Maddy - in this scene, it appeared that the
transformation between Bob/Leland is unstable ( note - Lelands referring
to her as his baby). Do you think it`s possible that Bob never really
controls the person that he pocesses, and every now and again the old
character comes through?

When did Bob pocess Leland?


Are the giant/dwarf one of the same person?


Why do I get the sneaking feeling that we haven`t seen or heard the last
of Laura Palmer?


Paul R. Grove.

Dept. of International Relations, University of Keele, UK.

e-mail to:

iru03@uk.ac.keele.seq1 (from UK)
iru03@seq1.keele.ac.uk (from elsewhere)

"Do you think they`ve seen us?"

"Give me a doughnut".

In article <1991Feb27.183520.1@sask.usask.ca> moorhouse@sask.usask.ca writes:
> > [request for archive address deleted ...]
> >
> >Also, would anyone know of the use/uselessness of writing to
> >ABC about the cancellation (oops, I mean "hiatus") of TP
> >when I'm viewing the show in Canada on a local network
> >(a Global affiliate: STV).  I've read thousands of copies
> >of Bob Iger's address, and would write if it did any good,
> >but the sponsors here are completely different, so I don't
> >see how ABC would care if the show is seen or not in this
> >country (unless they get payments of some kind from Global).

I telephoned Global in Toronto (1-800-387-8001, from Ontario at least)
to obtain an address to write to.  The woman who answered the phone 
said that they keep track of phone calls, but that the ratings in 
Ontario for TP were very good, there was no point writing to Global, and
that I should write ABC.

So I have.  Have you?

I was also told that should the six episodes be finished, Global will
indeed air them, even though they may never be seen in the US.

-- Diane MacMartin CAM/MCAD (613)763-8475 Bell-Northern Research, Ltd Ottawa, Canada Any opinions are my own and do not represent BNR. =========>> If this is printed on paper, please recycle it <<==========

     The book's title is RED DRAGON *not* SIGN OF THE RED DRAGON!

Obituary : Felipe Benavides

Felipe Benavides, who
has died at the age of 73,
was one of South Amer-
ica's most energetic
ecologists and wildlife cam-
paigners. A holder of the J Paul
Getty Conservation Prize, he
achieved international promi-
nence in the conservationist
world for his successful efforts
in his native Peru to save from
extinction the vicuna, the
smallest of the Andean came-
loids whose fine wool was once
reserved for the use of the rul-
ing Incas.

...

But Benavides' most impor-
tant work was in defence of the
vicuna. This wild cameloid,
whose woven fibre can fetch up
to US$2,5000 a square metre on
the black market, was in dan-
ger of extinction because of
poaching. Benavides was cen-
trally involved in a successful
programme to set up vicuna
reserves in Peru's Southern
Andes. His greatest pride was
to show visitors to the Lima zoo
several vicuna he kept in a field
behind his office, and whose
woll he regularly sheared. It
was a demonstration of his ar-
gument that vicuna could be
harvested as an economic prop-
osition without being killed.

Felipe Benavides born August
7,1917; died February 21 1991.

[The Guardian, Feb 27 1991.]

In article <91058.165650LCLARK@MIAMIU.BITNET> LCLARK@MIAMIU.BITNET writes:
> >DAVID LYNCH IS GOING TO BE ON LETTERMAN WENSDAY NIGHT.  IF ANYONE IS AWARE IF
> >THE TRUE FATE OF TWIN PEAKS PLEASE SEND ME E-MAIL.

Which Wednesday is he going to be on? March 6? Or was it February 27th
and I missed it?

laura fullton
unc dept. of physics & astronomy
laura@samba.acs.unc.edu

In article <1991Feb27.175626.16608@ux1.cso.uiuc.edu> kevin@ux1.cso.uiuc.edu (Kevin Schraith) writes:
> >Some people have mentioned the recent "Twin Beaks" take-off on Sesame
> >Street.  Well, this last saturday I caught the tail end of another bizarre
> >TP take-off.  On some cartoon (I'm not up on their titles - I had never seen
> >it before) which centered around teenage monsters going to high school
> >(ring any bells? anyone?) 
> >                Kevin Schraith, U of I Urbana-Champaign

Gravedale High, w/ Rick Moranis. 

----------
Tod Gordon (tdg1465@hertz.njit.edu)
"Rockin' good coffee, and hotter than Georgia asphalt, too!" 
- Sailor Ripley at the RR Diner -

Just a thought here, but how about everyone flooding the ABC fax line at
the same time, when TP should be on Sat. night. I realize nobody will be
there at the time, but if one of my Friends who is an electronics expert
is correct, as few as 10,000 faxes at once will completely ROAST any
fax. If not, Mon. morning, can you imagine the surprise on the faces of
those who have to pick up the faxes, all with the (relatively) same send
time printed?

In article <6696@idunno.Princeton.EDU> news@idunno.Princeton.EDU (USENET News System) writes:
>from Spenser's the Fairy Queen:
> >From: jacobw@phoenix.Princeton.EDU (Jacob S Weinstein)
> >Path: phoenix!jacobw
> >
> >Then groning deepe, "Nor damned Ghost," quoth he.
> > "Nor guilefull sprite to thee these wordes doth speake,
> > But once a man...now a tree...
> > A cruell witch... hath thus transformed."
> >(I've left out a lot, but you get the idea.)
> > The footnote to my edition says, "The motif of a man imprisoned
> >in a tree derives from Virgil (Aeneid 3.27-42) and is used by Ariosto
> >(Orlando Furiouso 6.26-53).

But Loki was turned into a tree also.

--
*  From the disk of:  | jms@vanth.uucp     | "Glittering prizes and
Jim Shaffer, Jr.      | amix.commodore.com!vanth!jms | endless compromises
37 Brook Street       | 72750.2335@compuserve.com    | shatter the illusion of
Montgomery, PA 17752  | (CompuServe as a last resort)| integrity!"  (Rush)

iru03@seq1.keele.ac.uk (P.R. Grove) writes:
> >
> >
> >I`m really having problems trying to understand who Laura really was.
> >Thinking back on it, she seems to have been totally unrealistic as a
> >character - justs remember all the things she was supposed to have done:
> >
> >Delivered meals on wheels.
> >Looked after Johnny.
> >Seen Dr. Jacoby.
> >Seen the Orchid Grower.
> >Worked in the departmental store.
> >Worked in One-eyed jacks.
> >Gone on picnics.
> >Did drugs.
> >Go to school (and become very popular).
> >Go out with Bobby.
> >Ridden her pony (if that white one was hers).
> >Kept a diary/tape recordings, in detail.
> >Met Bob.
> >Got herself killed.
Tutored Josie.
Had affair with Josie.
Slept with oodles of people.
Was homecoming queen.

--
bvickers@ics.uci.edu|"One who would guide a leader of men in the uses of life
brett@ucippro.bitnet| Will warn him against the use of arms for conquest.
                    | Even the finest arms are an instrument of evil:
                    | An army's harvest is a waste of thorns." - _Tao Te Ching_

Is there a COOP chapter in either Philadelphia or Delaware?  If not,
anyone interested in starting one?


Skip Haughay

In article <20557@shlump.nac.dec.com> boyajian@ruby.dec.com (Cisco's Buddy) writes:
> >In article <1991Feb26.170940.9184@watserv1.waterloo.edu>, alternat@watserv1.waterloo.edu (Ann Hodgins) writes...
> >
> >} My vcr does not record one channel while I watch another so I would be
> >} forced to chose.
> >
> >VCR's don't work that way. If you want to record, say, Channel 7 and watch

 ... stuff deleted ...

VCRs do work that way when you're connected to an anal-retentive cable service
that scrambles *all* their channels and rabbit ears don't work well in your
particular area.  This is the case in my area of Columbus.

True - it's not the VCR's fault as the original post may imply, but the result
is the same.  Even the usual A-B switch solution won't work in my case since
all the channels are scrambled this way.  You have to rent a separate cable
box to pull this off.

Seeing that Diane Keaton directed a TP episode, why not invite other Hollywood
directors? What about Francis Ford Coppola?

Scene: The diner. Coop and Harry enter.

Coop: Can you smell that? Can you smell that?

Harry: What?

Coop: Fresh coffee Harry - nothing in the world smells quite like it.
You know, I once busted a diner and we didn`t find one of them, not one
fresh coffee granule. Smell, that decaffinated smell! The whole diner!
Smells like ... another excuse for another subplot. Someday, this series
is gonna end ..... 

`Nuff said?

Paul R. Grove.
Dept. of International Relations, University of Keele, UK.


e-mail to:

iru03@seq1.keele.ac.uk

This was meant to be a joke folks, get it?


With regards to "Give me" and "Gimme" - remember, the British and
Americans are similar peoples separated by a common language.


Paul R. Grove.
Dept. of International Relations, University of Keele, UK.


e-mail to :

iru03@seq1.keele.ac.uk


"Do you think they`ve spotted us"?

"Give me a doughnut".

In a previous article, iru03@seq1.keele.ac.uk (P.R. Grove) says:

> >
> >
> >I`m really having problems trying to understand who Laura really was.
> >Thinking back on it, she seems to have been totally unrealistic as a
> >character - justs remember all the things she was supposed to have done:
> >
> >Delivered meals on wheels.
> >Looked after Johnny.
> >Seen Dr. Jacoby.
> >Seen the Orchid Grower.
> >Worked in the departmental store.
> >Worked in One-eyed jacks.
> >Gone on picnics.
> >Did drugs.
> >Go to school (and become very popular).
> >Go out with Bobby.
> >Ridden her pony (if that white one was hers).
> >Kept a diary/tape recordings, in detail.
> >Met Bob.
> >Got herself killed.
> >
> >C`mon folks - even I would have difficulty fitting that all into one
> >day! I think that Laura is not a real character as such, but a
> >personification of all the good within us, to act as mirror image of Bob
> >- the evil within us all (Junge et al.).
> >
> >Thoughts, suggestions?
> >
Only one:
I would hardly call doing drugs and working at OEJ's the personification of
good.  She also makes mention of all kinds of sexual acts, including raping
Harold in the diary...something else I wouldn't quite call 'good'.
Laura has both good and bad qualities.  Perhaps these qualities are brought
to an extreme...and maybe in that way she is unrealistic...

Yours,
Keith

-- So many people have asked me | Robert Iger, Entertainment President for the address that I have | ABC decided to include it in my | 2040 Avenue of the Stars sigfile until TP returns. | Century City, CA 90067

**SPOILERS FOR THOSE HERE AND IN EUROPE**

Well, here's the fourth version of this list.
Special thanks go to the following people for
contributing:
  Linda Birmingham (twice), Scott L. Vandenberg,
  Ann Hodgins, Jeanne Stapleton, 
  Bradford H. Needham, Palmer Davis, "Arachnid",
  Greg M. Brown, Eric Daniels, Ron Sires, 
  Bill Downing, "Scratch", and "Rocky".


Symbols/motifs in the "^Twin Peaks^" Universe
(last updated 2/28/91, 2/19/91, 2/8/91, and whenever
before that in January).

  1.  Sex, comedy, violence, and rock 'n roll

  2.  Ceiling fan in the Palmer home

  3.  Traffic light

  4.  "Invitation to Love" soap opera

  5.  Waterfall outside The Great Northern Inn

  6.  Sprinkler on the Sheriff's Office ceiling

  7.  Coffee, donuts, and cherry pie

  8.  Owls

  9.  Psychic visions

 10.  Trees/forest/wood:
Forest in/outside Twin Peaks,
Log Lady's log,
Bookhouse Boys patch, and
Doorknob on drawer in The Great Northern Inn

 11.  Dead people:
Laura Palmer,
Bernard/Jacque/Jean Renault,
Blackie O'Reilly,
Madeleine Ferguson,
Emory Bates,
Leland Palmer,
Eric Powell (dead drifter),
Jeffery Marsh,
Malcolm Sloan (Evelyn Marsh's lover),
Jonathan Kumagi(assistant to Thomas Eckhardt),
Thomas Eckhardt, and
Josie Packard

 12.  Full/half moon

 13.  Glasses/sunglasses:
Dr. Jacoby,
Madeleine Ferguson,
Laura Palmer/Donna Hayward, 
        Evelyn Marsh, and
Thomas Eckhardt

 14.  Cigarette/cigar smoking:
Benjamin Horne,
Shelley/Leo Johnson,
Bobby Briggs,
Josie Packard,
Donna Hayward, and
Evelyn Marsh

 15.  Fire:
Log Lady's husband died in a forest fire,
"Fire, walk with me",
Packard sawmill fire, and
The fire from the fireplace at the Great
          Northern Inn lobby reflecting off Thomas 
  Eckhardt's sunglasses

 16.  White horse:
"General" Benjamin Horne's Civil War
          piece(s), and
Laura Palmer's pony (Troy) that was seen by
  Sarah Palmer right before BOB killed
  Madeleine Ferguson

 17.  Light and dark:
White/Black Lodge, and
Chess pieces

 18.  Light fixtures/lightbulbs on the ceiling:
Sheriff's Office light when Eric Powell 
  is found, and
Leo/Shelley Johnson's ceiling light when Leo
  reawakens

 19.  Animal heads:
Deer (?) head on table when Sheriff Truman
  and Agent Cooper have Laura Palmer's
  safety deposit box,
The assortment of trophys in the den (?) in
  Pete/Catherine Martell's home, 
The deer (?) head next to Eric Powell, and
The cooked pig head that Josie serves as
  dinner to Catherine Martell and Thomas
  Eckhardt

 20.  Hank's domino

 21.  Chess/chess pieces

 22.  Twins/opposites:
Agent Cooper/Windham Earle,
Laura Palmer/Madeleine Ferguson,
Bernard/Jacque Renault, 
Mike/BOB, and
The Giant/Little Man from Another Place

 23.  "Family trios" (warped versions on 
      Daddy/Mommy/Child):
Bobby Briggs/Shelley Johnson/Leo Johnson,
(Dick Tremayne/Andy)/Lucy Moran/Nicky,
"Big" Ed Hurley/Norma Jennings/Nadine
  Hurley,
Bobby Briggs/Audrey Horne/Benjamin Horne,
Pete Martell/Catherine Martell/Josie
  Packard, and
Malcolm/Evelyn Marsh/James Hurley

 24.  The color brown

 25.  Lookalikes (characters who physicall resemble
      each other):
Benjamin Horne/Leland Palmer,
Audrey Horne/Donna Hayward, and
Laura Palmer/Madeleine Ferguson

 26.  Inverse radiation symbol:
Major Brigg's neck

 27.  Red curtains in various dreams/visions/places:
Agent Cooper's first dream sequence with the
  Little Man from Another Place, and
Jacque Renault's log cabin


Corrections/additions/comments/questions would be
most appreciated, preferably via E-mail, not by
posting.
--
Jeff "Koganuts" Koga   1) "The 'Star Wars' Trilogy" by John Williams
Internet: 6600koga@ucsbuxa.ucsb.edu  2) "^TP^" by Angelo Baladamenti 
Bitnet: 6600koga@ucsbuxa.bitnet      3)  "STII:TWoK" by James Horner
Recommended CDs:        4) "Bugs Bunny on Broadway" by Carl Stalling

In article <16651.9102280939@uk.ac.keele.seq1> iru03@seq1.keele.ac.uk (P.R. Grove) writes:
> >
> >
> >I`m really having problems trying to understand who Laura really was.
> >Thinking back on it, she seems to have been totally unrealistic as a
> >character - justs remember all the things she was supposed to have done:
> >
> >Delivered meals on wheels.
> >Looked after Johnny.
       etc.
       etc.  
> >C`mon folks - even I would have difficulty fitting that all into one
> >day! I think that Laura is not a real character as such, but a
> >personification of all the good within us, to act as mirror image of Bob
> >- the evil within us all (Junge et al.).
> >Thoughts, suggestions?
 
The Secret Diary helped me get a fix on Laura.  It showed how the sexual
molestation by Leland was the source of her hyper-energetic behavior.
She was trying to push back sad and angry feelings and unwanted memories
by working very very hard at being good. She kept herself very busy in
order to keep her cool, and because she was attractive she was given lots of
opportunities to get involved in things. 
 
Leland's confession of the secret came at the very end of the Laura Palmer
plot so the audience did not get to see how his actions were at the beginning
of Laura's wild behaviour.  If you are sincerely curious about Laura, I
recommend the diary.  I found it worthwhile because although I had heard
that sexual abuse is at the back of much promiscuity and drug taking,
I'd never before seen so clearly just how that works out step by step in an
individual life.

> >
> >
> >Why do I get the sneaking feeling that we haven`t seen or heard the last
> >of Laura Palmer?
                                      Paul R. Grove.

I don't know but I feel the same way.  
 
ann h.

In article <20561@shlump.nac.dec.com> boyajian@ruby.dec.com (Cisco's Buddy) writes:
> >In article <1991Feb26.184845.5597@cadence.com>, phz@cadence.com (Pete Zakel) writes...
> >} Instead of hunting through the entire guide looking for the programs I
> >
> >The only trouble is that they *want* us "hunt through the entire guide"
> >so that we don't fail to see the advertisements that constitute the bulk
> >of the magazine's financial support.

What advertisements?  The only advertisements I recall seeing in TV Guide are
for programs that I mostly don't want to watch.  It seems to me that TV Guide
must charge a listing fee from channels whose programs are listed (I don't
know -- this is pure speculation).

The point is that I presume TV execs want us to watch more TV.  I don't know
how most people decide when to watch, but *I* tape a lot of what I watch, and
I make my taping decisions based on what I know is coming on.  I don't have
the time nor the inclination to peruse the entire guide looking for programs
I might be interested in.

It is in the best interests of people who want me glued to my set to publish
the guides in such a way that I can find the things I want to watch so I'll
watch them.  I rarely turn on the TV and just flip channels, I usually check
the guide first, and THEN turn on the TV if there is something I want to
watch.  If I don't know that something I want to watch is going to be on, I
won't turn on the TV or program the VCR.  Most of the times I check the TV
Guide is just to verify that the programs I'm set up to record have not been
pre-empted or moved.

In the days long ago, before cable TV, I remember only having to worry about
4 or 5 channels -- at the most (this was in Dayton, Ohio) -- that we could
pick up with our roof antenna.  Scanning the TV Guide was easy back then.
But now, with a minimum of 25 channels to worry about in most areas (and
twice that many in many cable systems) scanning the guide would just take
too much time, so I don't bother.  And back in my youth, only 1 or 2 channels
broadcast after midnight or 1:00 AM (except possibly on Friday and Saturday
nights).  With 24-hour movie channels, etc., there is lots of stuff that I
may want to record for later watching (although I occasionally fall into the
trap that a friend of mine has fallen into -- since his VCR has already
watched the program, he doesn't have to! -- I've lost count of how many tapes
I have archived for "future watching" that I have still to get around to
watching!).

-Pete Zakel
 (phz@cadence.com or ..!{hpda,versatc,apollo,ucbcad,uunet}!cadence!phz)

In article <1991Feb28.005200.2756@sactoh0.sac.ca.us> mholtz@sactoh0.sac.ca.us (Mark A. Holtz) writes:
> >If you really must know what I watch:
> >The Simpsons
> >Doctor Who
> >Red Dwarf
> >Star Trek: The Next Generation
> >Tiny Toons
> >Night Court Reruns


Reading alt.t-p and no mention of watching TP this man should
be shot.   8-)


Question: I remember way back that someome posted a
TP drinking game.  Does anyone have a copy they could
email, or repost to the net??



================================================================================
Sally A. Wilson             SAVE TWIN PEAKS SAVE TWIN PEAKS SAVE TWIN PEAKS
sally@mica.berkeley.edu     SAVE TWIN PEAKS SAVE TWIN PEAKS SAVE TWIN PEAKS
===============================================================================

> > It still may be an evil plot, but the TV listings for Denver
> > also say that Twin Peaks is supposed to be on this Saturday at
> > 9:00 PM.
___
 __ I heard that the stations that didn't show the January 26th
  _ episode on January 26th are going to air it this Saturday
    instead.

:::.-----.::: Jym Dyer :::::: jym@mica.berkeley.edu :::.______.:::
::/  o o  \::::::::::::::::::::::::::::::::::::::::::::| Damn |\::
::\ \___/ /:: I put my panties on one leg at a time. ::| Fine |/::
:::`-----':::::::::::::::::::::::::::::::::::::::::::::`------':::

perhaps this idea has already been suggested, i don't know...

Instead of sending just a plan letter to Mr. Bob, why not send a video letter.
Some of you out there probably have video cameras. And most of you have
creativity. Then, create something (short in length) and send it off to Bob.
Since this would not be a "normal" letter, he might actually watch it. 
For example: if you and you friends get (or got) together each weekend for
a TP watching party, you could shoot a short video that includes a group
of people watching TP and explaining that since everyone is watching one
television set, the ratings are obviously not high. I'm starting to babble.
I realize that. Anyways, that's my suggestion. If you do decide to do 
something like this, be sure to mark the cassette as 'twin peaks video
letter' or something so the people over there at ABC won't think they're
being sent an idea for a new sitcom or x-rated films.

 -lee (p).

Recently, someone asked me if there was a way to e-mail his concern about
Twin Peaks.  (He says he has forgotten how to write regular letters).
I don't know, but I thought that if someone knew it would be one of you
great people.

So, if there is a way, please e-mail me or you might want to post it here for
other netters who have forgotten how to use a pen.

Thanks for your time,
Keith
-- Robert Iger, Entertainment President | Bob Iger | Take your pick! ABC | ABC Television | Better yet: 2040 Avenue of the Stars | 77 W. 66th St. | Write to both! Century City, CA 90067 | New York, NY 10023 | --Keith E. Bitely

___
 __ A lot of this is explained in the diary.  Let's go over your
  _ list there:

> > Looked after Johnny.
> > Seen Dr. Jacoby.
___
 __ These are one-day-a-week items.

> > Delivered meals on wheels.
> > Seen the Orchid Grower.
> > Go to school (and become very popular).
> > Did drugs.
> > Go out with Bobby.
> > Kept a diary/tape recordings, in detail.
___
 __ Easy enough to fit into a typical day.  She was smart, so
  _ getting good grades in school wasn't hard for her.  She did
    the meals on wheels after school, and "the Orchid Grower"
    was part of that.  Her relationship with Bobby was pretty
    uninvolving near the end.  The diary and tapes were usually
    late at night.  And the drugs narrowed down to one druge,
    cocaine, which kept her alert and hyperactive and able to
    do all this stuff in the first place.

> > Worked in the departmental store.
> > Worked in One-eyed jacks.
> > Gone on picnics.
> > Ridden her pony (if that white one was hers).
___
 __ These didn't last very long.  The pony died some years before,
  _ and the jobs at the various Horne businesses didn't last long.
    I only know of one picnic, with Donna and James, but I believe
    they took a day off from school for that.

> > Met Bob.
> > Got herself killed.
___
 __ I presume you mean BOB.  This also went on mostly late at
  _ night.
    <_Jym_>

:::.-----.::: Jym Dyer :::::: jym@mica.berkeley.edu :::.______.:::
::/  o o  \::::::::::::::::::::::::::::::::::::::::::::| Damn |\::
::\ \___/ /:: I put my panties on one leg at a time. ::| Fine |/::
:::`-----':::::::::::::::::::::::::::::::::::::::::::::`------':::

In article <8bnIIY200WBK01AFcE@andrew.cmu.edu> mt1z+@andrew.cmu.edu (Michael Bruce Tomblyn) writes:
> >Just a thought here, but how about everyone flooding the ABC fax line at
> >the same time, when TP should be on Sat. night. I realize nobody will be
> >there at the time, but if one of my Friends who is an electronics expert
> >is correct, as few as 10,000 faxes at once will completely ROAST any
> >fax. If not, Mon. morning, can you imagine the surprise on the faces of
> >those who have to pick up the faxes, all with the (relatively) same send
> >time printed?

Get real.  A one-page FAX takes, oh, a minute or two to send depending on
transmission line quality and how much you have written.

So, we're talkin' about 30 FAXes during the TP time period.  Remember,
to have maximum effect, it should be 10pm-11pm PST.  I know I would
lose my patience trying to send a fax at 1am when the line is busy.

The roll of FAX paper is not unlimited; it is probably more than 50%
used up.  


--
 Daniel Pearl      Concurrent Computer Corporation, Westford, Massachusetts USA
(508) 392-2478          danny@westford.ccur.com

Horses frequently signify death (Ernest Jones, On the Nightmare); I think it 
likely in this case that Sarah Palmer was foreseeing Maddy's imminent death.

I don't agree that ST:TNG is stupid; occasionally, of course, but so is any
other show (even our beloved TP).  ST (in any form) is meant to make you 
think, even if the topic may be badly presented.  Seriously, the show deservesmore credit than you're giving it.  (I say the same thing in reverse to my ST-
loving friends who refuse to watch TP....)

The only one I think of offhand is "Hunter"....

     Here are the rules I've used lately.

1)  Get involved in TP.  Speculate on its chance for survival.  Get despondent
        and drink.

2)  Watch the schlock that replaces TP (e.g., 'Perfect Strangers is now 1 hour!
        Hilarious hijinks ensue when Balki gets drafted during a visit to
        Baghdad!').  Get despondent and drink.

3)  Go out and spend $7 on a David Lynch film.  Realise that you used to do 
        something similar -- for free.  Get despondent and drink.

4)  Watch your favorite actors doing thespial emasculation on the newly-expanded
       'Perfect Strangers'.  (e.g.'Damn good coffee.'  Thank you, back on Mepos
        we learned the secret to great coffee is human urine.'  (*spit take*) )
        Get despondent and drink.

5)  Realise that you are no longer invited to parties, since you snubbed everybody
        on those Saturdays when your VCR was not working.  Predict plot on
        tonights "Perfect Strangers' (e.g. Oh no!!  Balki does not understand the
        concept of prostitution.  Watch the pimp beat the shit out of him.
        Oh no, now he has tetanus, and his jaw is locked up.  This is too
        insane for me!! I am becoming despondent, give me a drink!!)

6)  Sit down and list all of the other shows you liked which have met a similar
        fate -- Bakshi's Mighty Mouse, Police Squad, Molly Dodd, Slap Maxwell
        (I'm sure we each have our own list, but this is my drinking game, so
        it's my list).  Watch CNN Headline News for 7 hours straight, get 
        desp....

       OK, I'm sure you all get the idea.  Actually, I use this game quite a
       lot -- finals time, thesis, social contacts, breathing -- all of these
       are suitable subjects for a good game of blotto.  Enjoy!

----------------------------------------------------------------------------
Brian D. Moore              | Homebrewing -- the only sport exclusively for
Space Physics and Astronomy |                anal-retentive alcoholics.
Rice University, Houston TX |       Relax -- have a home brew.
----------------------------------------------------------------------------

The only shows I watch right now are TP, ST:TNG, Dark Shadows, The Flash,
and occasionally Murphy Brown/Designing Women....

Actually, when the mail falls on his head, he says, looking surprised
and defeated, "You win!"  Of course, this is rational NBC, not ABC (no
adjectives, I'm trying to think polite; of course, it's not really working.)

__________________
   _______________      Don't you wish everyone posted every
      ____________
         _________      single blessed article this way?
            ______
               ___      Think how wonderful the net would be!

:::.-----.::: Tym Nyff ::::: tym@schist.paisley.edu :::.______.:::
::/  X X  \::::::::::::::::::::::::::::::::::::::::::::| Damn |\::
::\ (_^_) /:: I build these screwy sigs from scratch ::| Odd  |/::
:::`-----':::::::::::::::::::::::::::::::::::::::::::::`------':::

___
 __ Okay, I've been getting despondent and drinking a lot.
  _ How do I get rid of all these caffeine jitters now?
    <_Jym_>

:::.-----.::: Jym Dyer ::::::: jym@mica.berkeley.edu ::.______.:::
::/  o o  \::::::::::::::::::::::::::::::::::::::::::::| Damn |\::
::\ \___/ /::: Disclaimer:  "I'm sorry . . . that's :::| Fine |/::
:::`-----'::::::::::::::::  Mr. Caffeine speaking!" :::`------':::

>> >> As far as I'm concerned, Diane can direct anytime.  
> > Likewise! It was the best direction I've ever seen in TP
> > with the exception of SOME of Lynch's episodes.
___
 __ I wouldn't go that far (I suspect Lynch reserves the best-
  _ written episodes for himself), but I agree that Keaton did
    a *damn* find job.
___
 __ From a feminist standpoint (and that's a point where I usually
  _ stand), this episode improved things considerably:

(1) Evelyn Marsh was very well directed, and said lines like a
    human being, rather than some kind of posing zombie.

(2) The Ed and Norma (and later Nadine) bed scene was *great*!
    Notice how Norma has more depth in this episode than usual.

(3) Shelley looks better again.  She's still an unintelligent
    amoral character, but her interaction with Norma revealed
    some of the human being within her.

    I might also add that this episode indeed vindicates Jacoby,
    though I suspect it's the writer who deserves kudos for this.
    Jacoby's defense of The Widow Milford now seems less dubious.

> > The three cops who were questioning Evelyn... they were all
> > mirrors of each other. As if they wre one entity.
___
 __ Did anyone else expect to hear, "this is my brother Darryl
  _ and my other brother Darryl?" :-)
___
 __ I was also glad to see Coop going wild over coffee again.
  _ And we almost had our *real* Audrey back!  And the two
    worst subplots were resolved!

:::.-----.::: Jym Dyer :::::: jym@mica.berkeley.edu :::.______.:::
::/  o o  \::::::::::::::::::::::::::::::::::::::::::::| Damn |\::
::\ \___/ /:: I put my panties on one leg at a time. ::| Fine |/::
:::`-----':::::::::::::::::::::::::::::::::::::::::::::`------':::

> > Ben deciding he'd run for Senate.  Man, he'd make a great
> > politician!
___
 __ Well, if George Bush could use the Boston Harbor to get votes
  _ as "the environmental president," I don't see why Ben couldn't
    get away with exploiting the Pine Weasel the same way.

> > The shot of Josie in front of her mirror, painting her lips --
> > the exact same shot that the whole series opened with.
___
 __ I noticed this too (as I'm sure a lot of us did).  But given
  _ the last scene ("What happened to Josie, Coop?"), I have to
    wonder whose face Josie's been seeing in the mirror!

      * * *
___
 __ The only thing I didn't like was the whole Wheeler subplot.
  _ Get that wanker outta there!  If Audrey falls for him, I'll
    burn my bra on the steps of ABC's headquarters!
    <_Jym_>

:::.-----.::: Jym Dyer :::::: jym@mica.berkeley.edu :::.______.:::
::/  o o  \::::::::::::::::::::::::::::::::::::::::::::| Damn |\::
::\ \___/ /:: I put my panties on one leg at a time. ::| Fine |/::
:::`-----':::::::::::::::::::::::::::::::::::::::::::::`------':::

___
 __ I've found the Lynch-directed episodes to be dream-inducing,
  _ though Angelo Badalamenti's music played a big part in that.
    Having gone without Lynch for a few months (and without such
    skillful use of Badalamenti's music), those kinds of dreams
    have vanished.
___
 __ But Windom Earl has shown up in my dreams *twice* now!  I
  _ don't quite understand it.  I suppose I respond to the kind
    of menace he represents more than I do to the BOB type of
    menace.  Has anyone else had such an experience?
    <_Jym_>

:::.-----.::: Jym Dyer :::::: jym@mica.berkeley.edu :::.______.:::
::/  o o  \::::::::::::::::::::::::::::::::::::::::::::| Damn |\::
::\ \___/ /:: I put my panties on one leg at a time. ::| Fine |/::
:::`-----':::::::::::::::::::::::::::::::::::::::::::::`------':::

P.S.: The Subject line is an anagram for "Windom Earl."

Hello, a while ago a very nice person posted a letter
saying that he had converted some gif files... can someone
tell me the address of this account? Apparently when I was
ftp'ing it I didn't get all the files and now that TP is
possibly (and I only mean a very slight chance) staying
off the air =(, I want to keep a complete collection
of the gif's.

thanks lots,

Jenny

In a previous article, jym@berkeley.edu (Jym Dyer) says:

> >___
> > __ I've found the Lynch-directed episodes to be dream-inducing,
> >  _ though Angelo Badalamenti's music played a big part in that.
> >    Having gone without Lynch for a few months (and without such
> >    skillful use of Badalamenti's music), those kinds of dreams
> >    have vanished.
> >___
> > __ But Windom Earl has shown up in my dreams *twice* now!  I
> >  _ don't quite understand it.  I suppose I respond to the kind
> >    of menace he represents more than I do to the BOB type of
> >    menace.  Has anyone else had such an experience?
> >    <_Jym_>
> >P.S.: The Subject line is an anagram for "Windom Earl."
> >

I actually had a dream about BOB.  It was very shortlived.  All that happened
was that I saw BOB at the end of Laura Palmer's bed.  He was just looking
at me, no smile or other type of expression on his face.  It lasted about
5 seconds (at least what I remember of it).  And, when I woke up the next
morning, I didn't find it scary or anything.  I just can remember thinking,
"neato!  I had a dream about Twin Peaks!  And, BOB was in it!"

Yours,
Keith
-- Robert Iger, Entertainment President | Bob Iger | Take your pick! ABC | ABC Television | Better yet: 2040 Avenue of the Stars | 77 W. 66th St. | Write to both! Century City, CA 90067 | New York, NY 10023 | --Keith E. Bitely

I thought the man from another place was Mike, from One armed
man fame.

I don't know if this has already been said, but in the letter-
writing/fax campaign to save twin peaks, I hope it is mentioned
that Twin Peaks did pick up two emmy's and a grammy.

We here in West Australia have only seen the first 3 episodes of ^TP^. How many
more do we have to watch to find out who did the murder ? What is it about
you yankees anyway ? A whole internet news group to discuss a mini series
on televison ?!!?

davidp.

In article <1991Mar1.022432.28139@usenet.ins.cwru.edu> keb3@po.CWRU.Edu (Keith E. Bitely) writes:
> >I actually had a dream about BOB.  It was very shortlived.  All that happened
> >was that I saw BOB at the end of Laura Palmer's bed.  He was just looking
> >at me, no smile or other type of expression on his face.  It lasted about
> >5 seconds (at least what I remember of it).  And, when I woke up the next
> >morning, I didn't find it scary or anything.  I just can remember thinking,
> >"neato!  I had a dream about Twin Peaks!  And, BOB was in it!"

I'd completely forgotten this dream until this post jogged my memory... either
last night, or the night before last, I dreamed that Harry was BOB's host.
I don't remember anything else about the dream except seeing Harry's face
fade to BOB's and then back.

Consider it prophecy.
--
---- Seth Tisue                     USMail: c/o Plaster Cramp Press  
---- (tisu@midway.uchicago.edu)                       P.O. Box 5975
"Please to be restful.  It is only a few           Chicago IL 60680
crazies who have from the crazy place outbroken."    --------------

#Slept with oodles of people.

But this one was already listed:

#>Go to school (and become very popular).

:-)  :-)  :-)  :-)

I've been re-watching some old episodes, and I would like to hear
any theories on the following topics.  I don't remember them being
discussed a whole lot back when their respective episodes aired.


1) In episode 2009, where Cooper gathers the group at the Roadhouse
and learns WKLP, those present were Cooper, Bobby, Leo, Ed, Major
Briggs, SDC, Ben, Leland, Truman and Hawk.  My questions are, why
these people?  This collection seemed rather arbitrary.  The Log Lady
seems like a more appropriate choice than say, Bobby or Ed.  Why was
*anybody* there for that matter?  Did
Cooper call these people there, and if so, how did he know who to
call?  Cooper says something like "I've tried everything else, now I'm
going to try "magic."  Well, what exactly happened?  It looked to me
like all that really happened was that the camera flashed on everybody
individually, then Cooper suddenly remembered his dream.  Doesn't
sound like any kind of magic to me, more like a sudden memory return.

2) Did anyone else think Pete was acting strangely at the Mayor's
reception in ep. 2011 or 2012.  He was making some unusual facial
expressions.  At the time, I thought this meant BOB had entered him,
especially when the Log Lady approached him and (seemingly for no
reason) told him that the music was nice.  It made me think that the
Log Lady and her log had sensed BOB in Pete, and approached him to get
a closer look.

3) We still don't know why the OAM collapsed in front of Ben in Ep.
2007.  IMHO, this is an important point in figuring out the mechanics
of BOB/others, and in knowing what happened to Josie.

Theories, comments, anything?  Please?


- - - - - - - - - - - - - - -
Kenneth Bays                | "Everyone looks naked when you
un040377@wvnvms.wvnet.edu   |  know the world's address." - TMBG
                            - - - - - - - - - - - - - - - - - - - - -

(Lynn Schneider) writes:
 
   *However, if Bob put Harry into the drawer and Josie was still in the knob,
   *I suppose you could say that she's forever in his drawers! (hee hee). I
   *hope these jokes don't go against anyone's grain! ;-D

Yes, it wood be interesting.  Might keep viewers from becoming board.
But, now I guess we'll just have to pine away. 


Sorry.

#   *However, if Bob put Harry into the drawer and Josie was still in the knob,
#   *I suppose you could say that she's forever in his drawers! (hee hee). I
#   *hope these jokes don't go against anyone's grain! ;-D
#
#Yes, it wood be interesting.  Might keep viewers from becoming board.
#But, now I guess we'll just have to pine away. 

Well fir crying out loud.  I saw it coming, it's started again.

THE LATEST NEWS REGARDING COOP -- CITIZENS OPPOSING THE OFFING OF PEAKS
Date:  March 1, 1991

First of all, Mike Caputo (at national COOP headquarters) sends the
following messages back to alt.tv.twin-peaks and others on the net:
 --"Thanks for the *hundreds* of phone calls from net-readers
requesting COOP stationery and T-shirts!  What a GREAT response!"
 --"Apologies for not answering your messages more quickly.  We'll
get to you ASAP."

Caputo and his co-COOPer, Keith Poston, are apparently overwhelmed by
the volume of people they have to respond to, and are only just now
beginning to recruit volunteers to handle the phone calls and fill
orders.  They're also (he insists on my telling you this) going rapidly
into debt over this thing, spending hundreds of their own bucks on long-
distance phone calls and printing costs and stuff.  All of which is not
to say that you should stop calling--by no means!--but rather that he
needs help, in the form of T-shirt orders.  He decided to up the price
of the T-shirts from the $10- break-even level to $12-, so if you order
a T-shirt *now*, you'll be making a much-needed $2- contribution to the
cause.


T-SHIRTS!  T-SHIRTS!  T-SHIRTS!

This is what the shirts look like: printed in white letters on a black
shirt are

     Front -- COOP logo with Double Donuts for the O's
     Back -- "All we are saying, is give Peaks a chance"

Lynch and Frost are apparently tickled to death about the shirts, and
they held one up during their recent press conference.

The only size is extra-large.  To order them, send your name and address
to:

   COOP Headquarters
   The Great Northern
   4532 19th St. North
   Arlington, Va. 22207

and enclose a check written out to Mike Caputo, for $12-.

Again, it's more than just a nifty shirt--it's support for all those
phone calls to ABC sponsors, etc.


UPDATE ON LOCAL COOP CHAPTERS

Since my last COOP posting--at which time the only COOP chapter was in
Washington, DC--new chapters have sprung up in New York City, Baltimore,
Greensboro (NC), Miami, Iowa City, and Los Angeles.  They all need folks
to volunteer their services for party-planning, fax-ing, phone-calling,
etc.  The Baltimore chapter will have a meeting/party on Tuesday night
(7-9 PM) at a club called the Tell-Tale Heart.


HOW TO FORM YOUR *OWN* LOCAL COOP CHAPTER

     1)  Write Keith or Mike for a "starter kit"--which at this point
will include letterhead stationery, guidelines, a list of nationally
based reporters in the entertainment field, and mailing list of those
companies who've bought advertising during "Twin Peaks."

Also call them with any ideas you have for spreading the word--
especially computer-net stuff, which they know little about.  (But
*don't* call them if all you want is a T-shirt and stationery--send a
letter for that.)

          Keith Poston, Washington-area COOP President
          202-342-7247

          Mike Caputo, Washington-area COOP Chairman
          202-289-2834

     2)  Name yourself some officers.

          President -- the spokesperson, person who talks to media

          Director -- the workhorse and organizer, person who does
                       lots of faxes and keeps the info flowing

     3)  If you live in the listening area of one of the radio
stations listed below, call the contact person and tell them about your
chapter, making your President available for interviews, etc.`

     4)  If you have another station to propose for Mike's list,
either call them directly to test out the idea, or call Mike for advice.
He suggests that each area have just one official COOP station--which
should be the one most likely to have Peaks fans as listeners--e.g., the
one that plays Cruise and Badalamenti music.  College stations are a
good choice in university towns, for example.

     5)  Throw a fax-writing party.  Get the word out to ABC and
everyone else who needs to hear it.  Have meetings, etc.  Call local TV
and newspaper reporters, and invite them to your party.  Whatever else
you can think of!

6)  And (I don't need to tell y'all this one) post the info on
your chapter (with local distribution) to the net.


RADIO STATIONS TO CALL/FAX AND ENCOURAGE THEM TO JOIN COOP

Mike Caputo tells me he's contacted several stations nationwide, on the
principle that the DJ's of "progressive" stations will be interested in,
and effective at, getting out the news about COOP.  The following list
is the people at these stations to call/fax and tell them that you want
to see them become the local info center for COOP.  (They haven't
decided if they're going to do it, yet, so your calls and faxes will
make a difference--write to all of them, but if you're in their
listening area, tell them so.)

     KBCO (Boulder, CO)                    Dennis Constantine
                                           303-444-5600 (voice)
                                           303-449-0357 (fax)

     XTRA (San Diego, CA)                  Kevin Stapleford
                                           619-291-9191 (voice)
                                           619-294-2916 (fax)

     KITS (San Francisco, CA)              Richard Sands
                                           415-626-1053 (voice)
                                           415-552-3146 (fax)

     KTCZ (Minneapolis, MN)                Lin Brehmer
                                           612-339-0000 (voice)
                                           612-333-2997 (fax)

     WFNX (Boston, MA)                     "Mad Max"
                                           617-595-6200 (voice)
                                           617-595-3810 (fax)

     WXRT (Chicago, IL)                    Norm Weiner
                                           312-777-1700 (voice)
                                           312-777-5031 (fax)


CURRENT COOP PLAN/MANIFESTO/WHATEVER

All of this is of course open to suggestions and emendations from local
COOP chapters, but this is the current plan:

     1)  National write-in campaign to Bob Iger and ABC where (according
to Mike) "every single Peaks fan will sing from the same sheet of music,
so that we come together as a choir, instead of being a lot of isolated
shouting voices."  Part of the plan for doing this is to obtain the
official COOP logo and letterhead from Keith or Mike, so you can copy it
a zillion times and send all your mailings out with that letterhead.
The other part is to ask, in your letter, for the following (as outlined
by Lynch himself):  a) bring the show back as soon as possible, and b)
move the show to Wednesday night.

     2)  National write-in campaign to the sponsors of "Twin Peaks," in
which people will say they buy their products and include (I'm not
kidding--Caputo says to do this) a proof of purchase.  Where do you get
the list of sponsors?  By writing to COOP HQ.

     3)  Everyone who writes in will be sent a survey for a nationwide
demographic study of Peaks viewers.  This is apparently being conducted
by a reputable crew of experts in Miami, who will compile their survey
results and send them to all the bigwigs at ABC, etc.

     4)  The timing for all of this is crucial: around the first week of
May, ABC will make its final decision, and so we need to have everything
geared up by then.  In the last week of April, just to make a real
impact, Caputo suggests we all mail our letters *again* to Iger and ABC.

     5)  If all of that doesn't work, then we'll shift our efforts to
another network.


BOB IGER AT ABC

Here's the info one more time!  But write to COOP and get your
letterhead *before* you send your letter, or if you've already sent your
letter, write for the letterhead and copy it out again.

     ABC - (Los Angeles) - (213) 557-7777
             (New York) - (212) 456-7777
                         or (212) 456-7477

     Robert Iger - ABC Entertainment President
     2040 Avenue of the Stars
     Century City, CA 90067

     Last but not least:  Bob Iger's Fax Number: 213-557-7160

-------------------------------------------------------------------------------

***** Order your T! Form your COOP chapter! Throw that fax-writing party! ****

-------------------------------------------------------------------------------

More news as I get it.  Please send me any corrections (COOP chapters I
don't know about, etc.) to this info.  If you don't read the newsgroup
very often, and you want to be put on my personal mailing list for COOP
news, drop me a line.

                                             --Fiona Oceanstar
                                               fi@grebyn.com

Our local progressive/alternative radio station, WHFS 99.1 Annapolis,Baltimore,
Washington, has provided the listeners with the fax number for Bob Iger.

I figured everyone out on USENET would want this...it may provide a somewhat 
quicker response to our plea.

Anyway, enough rambing...

   Bob Iger
   FAX: (213) 557-7160

Hope this helps!






-- Timothy A. Waire, Jr. (Whitegold) Executive Office of the President INTERNET: waire@seas.gwu.edu Office of Management & Budget The George Washington University Wash., D.C. 20503 Electrical Engineering & Computer Science Voice: 2023954922 Fax: 2023953910

In article <2479@njitgw.njit.edu>, tdg1465@hertz.njit.edu (tod gordon cccc) 
writes:
> >In article <1991Feb27.175626.16608@ux1.cso.uiuc.edu> kevin@ux1.cso.uiuc.edu
(Kevin Schraith) writes:
>> >>Some people have mentioned the recent "Twin Beaks" take-off on Sesame
>> >>Street.  Well, this last saturday I caught the tail end of another bizarre
>> >>TP take-off.  On some cartoon (I'm not up on their titles - I had never seen
>> >>it before) which centered around teenage monsters going to high school
>> >>(ring any bells? anyone?) 
>> >>                Kevin Schraith, U of I Urbana-Champaign
> >
> >Gravedale High, w/ Rick Moranis. 
> >
> >----------
> >Tod Gordon (tdg1465@hertz.njit.edu)
> >"Rockin' good coffee, and hotter than Georgia asphalt, too!" 
> >- Sailor Ripley at the RR Diner -


Hello Mob,
The likely reason that Gravedale High did a take-off on TP is that 
the actor who plays Lucy (I should know her name, two demerits here) does
the voice for one of the kids,  Doozer (sp?) I think.  Yes, there everwhere!!

charles d. kincaid
statman@sole.stat.ufl.edu
(NeXTmail, but will take anything.  An equal opportunity machine!)

In article <JYM.91Feb28171706@remarque.berkeley.edu> jym@berkeley.edu (Jym Dyer) writes:
> >(1) Evelyn Marsh was very well directed, and said lines like a
> >    human being, rather than some kind of posing zombie.

Interesting that you should say that.  Up until that episode I thought
Evelyn was trying to act like Kathleen Turner in "Body Heat" - breathy
pauses between each line.

-- Scott Amspoker | Touch the peripheral convex of every Basis International, Albuquerque, NM | kind, then various kinds of blaming (505) 345-5232 | sound can be sent forth. unmvax.cs.unm.edu!bbx!bbxsda!scott | - Instructions for a little box that | blurts out obscenities.

> >#   *However, if Bob put Harry into the drawer and Josie was still in the knob,
> >#   *I suppose you could say that she's forever in his drawers! (hee hee). I
> >#   *hope these jokes don't go against anyone's grain! ;-D
> >#
> >#Yes, it wood be interesting.  Might keep viewers from becoming board.
> >#But, now I guess we'll just have to pine away. 
> >
> >Well fir crying out loud.  I saw it coming, it's started again.

Now cut that out! Ya'll are barking up the wrong tree! I'll get sycamore
of this stuff! So leaf it alone, oakay?

-- David W. Millians millia@athena.cs.uga.edu All I say is untrue. [He was] a friend, a brother, and a mortal enemy, an unknown demon, two worlds together- a tiger and a child. (Thomas Wolfe)

I missed a couple of episodes this season, and thus I have a question--
Was the giants "The owls are not what they seem" prophecy ever fulfilled?
As I recall, we got this prophecy both from the giants and from aliens, but 
I have not seen a resolution.  Or is this just one more of the many dangling
plot threads left by the hiatus?

Mark Bylander

> >Sorry I don't have addresses, but this is a resourceful group, right?
> >
> >   MCI
> >   Sprint
 This one I know - Corporates' in KC
US SPRINT
Corporate Headquarters
8140 Ward Parkway
KANSAS CITY , MO 
> >   Mazda
> >   Burger King
and this is owned by PEPSICO, Dallas TX

> >
> >---------------------
> >Next week:  Star Trek downlink is a rerun
> >            The Empire Strikes Back replaces Dark Shadows
> >            No Twin Peaks

#In article <1991Mar1.022432.28139@usenet.ins.cwru.edu> keb3@po.CWRU.Edu 
(Keith E. #Bitely) writes:
#>I actually had a dream about BOB.  It was very shortlived.  All that 
happened
#>was that I saw BOB at the end of Laura Palmer's bed.  He was just looking
#>at me, no smile or other type of expression on his face.  It lasted about
#>5 seconds (at least what I remember of it).  And, when I woke up the next
#>morning, I didn't find it scary or anything.  I just can remember 
thinking,
#>"neato!  I had a dream about Twin Peaks!  And, BOB was in it!"

#I'd completely forgotten this dream until this post jogged my memory... 
either
#last night, or the night before last, I dreamed that Harry was BOB's host.
#I don't remember anything else about the dream except seeing Harry's face
#fade to BOB's and then back.

#Consider it prophecy.

I had a BOB dream too, in which he was inhabiting my little brother (who 
bears no resemblance to HST or anyone else in the show, by the way).  I 
was awakened in the small hours by BOB-like snarling and laughing sounds 
coming from his room, then he got up and went downstairs.  Being a dolt, I 
went down after him to see what I could do.  When I got there, he was 
peacefully watching TV in the living room, and BOB himself was in the 
kitchen.  Being an INCREDIBLE dolt, I decided I had to try to kill him, 
and snatched up this enormous heavy screwdriver from the counter to do 
it...well, it was totally useless, of course--I eventually gave up trying 
to stab him with it and used the handle to bludgeon him, but he just stood 
there and laughed the whole time.  Most unnerving.  But not as bad as 
waking up from this to hear someone BREATHING in my room!  After lying in 
complete paralysis for about 20 minutes I realized it was just drifts of 
snow blowing past the windows.  Yow!


MVB
"Every jumbled pile of person has a thinking part that wonders what the 
part that isn't thinking isn't thinking of"--TMBG
Disclaimer:  Homey don't play dat.

In article <49681@apple.Apple.COM>, jeremy@Apple.COM (jeremy j. b.
nguyen) writes:
|> jym@berkeley.edu (Jym Dyer) writes:
|> >[excerpted:]
|> >_Twin_Peaks_
|> >~~~~~~~~~~~~
|> >    Denise:  I put my panties on one leg at a time, if you
|> >             know what I mean.
|> 
|> >_The_Simpsons_
|> >~~~~~~~~~~~~~~
|> >    Skinner:  >Heh< >heh< >heh<.  Yes, these pants come off at
|> >              night, just like everybody else's.
|> 
|> > __ What does these statements mean?
|> 
|> I think that, in "normal" circumstances, the expression "putting
one's
|> pants on one leg at a time" means something like "I'm just a regular
guy."
|> However, (stating the obvious) there's a twist in each of the
examples
|> you mentioned, which I'm sure you can figure out.  
|> 
|> -jeremy jbn
|> 

When people discuss celebrities, a common expression is
"He puts his pants on just like everyone else" which
means "he's a person too". But of course the expression
got a little twisted in the Simpson world.
Mary Lu

Have you consulted your doctor about this?

-->Keith                |  My other .sig
dawson@epps.kodak.com   |  is clever.

I recently watched Cooper's Dream Sequence again
at the COOP Party here in Iowa City, and I noticed
something I hadn't noticed before.

As Cooper and Laura are sitting with the dwarf on
the sofa, a shadow passes behind them on the red
curtains.  anyone know what it was of?

--
|  Erin K. Jacobs (TiffanyTwisted)    | "He was a hairy bear, he was a scary  |
|  ejacobs@umaxc.weeg.uiowa.edu       |  bear, we beat a hasty retreat from   |
|  IOWA: You can check out any time   |  his lair -- and then described him   |
|  you like but you can never leave   |  with adjectives!"  -Schoolhouse Rock |

In article <27CE3883.19642@orion.oac.uci.edu>, dkrause@orion.oac.uci.edu (Doug Krause) writes...
> >#   *However, if Bob put Harry into the drawer and Josie was still in the knob,
> >#   *I suppose you could say that she's forever in his drawers! (hee hee). I
> >#   *hope these jokes don't go against anyone's grain! ;-D
> >#
> >#Yes, it wood be interesting.  Might keep viewers from becoming board.
> >#But, now I guess we'll just have to pine away. 
> > 
> >Well fir crying out loud.  I saw it coming, it's started again.

Well, forest of us, we'll just have leaf the guesswork to others and branch 
out in other directions...logging this idea for later. Maple we'll come 
back to it someday.