Season 2, Episodes 21–22: Miss Twin Peaks / Beyond Life and Death — June 10, 1991–August 27, 1992

In a previous article, cdt@sw.stratus.com (C. D. Tavares) wrote:
> >In article <9110012238.AA16508@nettlerash.berkeley.edu>, C491153@UMCVMB.MISSOURI.EDU (John Schultz) writes:
>> >> I talked to the person who posted the "dregs of society" message a
>> >> few days ago.  Apparently, he is a big TP fan and someone got a hold
>> >> of his password and posted the message.
> > 
> >Obviously, the Login Lady.
> >-- 
> >cdt@pdp.sw.stratus.com        "Deliver the message!"
> >OR cdt@vos.stratus.com        

ooohhh That hurts!  :-)

Darryl

Someone asked what COOP was up to, and by coincidence, I finally got
a response from them (although it wasn't about how to set up a COOP
chapter.  Grr.).  Anyways, they were touting the upcoming movie, plus
they also included a color ad for the Eurovision film.  Apparently, it
is also available in laser disc (MSRP of $34.98).  They also mentioned
that they will soon be sending out a catalog of official TP
merchandise and videos.  COOP is planning a national meeting in
Washington state sometime this spring.  Their address is:
The Great Northern
4201 North Lee Highway
Suite 805
Arlington, VA 22207

John Schultz (caffeine abuser)  !  ABC killed Laura Palmer
c491153@umcvmb.bitnet           !  Macintosh-free and proud of it!
c491153@umcvmb.missouri.edu     !  Subscriber to the hacker ethic

Read something today on the newsgroup about how TP was no longer screening
here in New Zealand, well, last Monday night at 11:00 the most wonderful
thing happened, thats right, it began again. Episode 2011 screened. There 
was a major campaign directed against TV3 to protest the canning of the 
show, barbie dolls wrapped in plastic, messages from BOB, logs etc, were 
sent to them, and it obviously worked. So it would seem that Monday's will
become a sacred night of television, TP late at night, how divine! 
Thanks to all the people responsible for the Timescale as well, its 
wonderful to have all the info on screen, it must have taken ages to do
so thanks. 

Tom Higham
Carbon Dating lab,
Waikato Univ.
Hamilton,
New Zealand.

In article <3399@calmasd.Prime.COM> jpb@calmasd.Prime.COM (Jan Bielawski) writes:
> >The more I think about it the more it looks like it's a dream to me
> >too.  Even in episode 1003 Coop describes the scene with Lucy and Andy
> >as a dream.  The editing, the total change of pace, the sudden reappearance
> >of an irrelevant character (the one-armed man) from the elevator, it's just
> >like it is in dreams.

"Maybe our dreams are real." -- Donna Hayward.

Rocky Giovinazzo

In article <9826@umd5.umd.edu>, jblum@umd5.umd.edu (Jon Blum) writes...

} Among the confirmed semi-regulars are Al Strobel (the One-Armed Man),
} Austin Lynch (Pierre, the kid with the creamed corn), and (someone get
} this name) (Pierre's grandmother Mrs. Tremond).

Frances Bay.

-- "Be mindful, I am the wealthiest man in Padua, and he who weds Katrina lands a dowry you could cry for." --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) boyajian%ruby.DEC@DECWRL.DEC.COM or ...!decwrl!ruby.enet.dec.com!boyajian

Trout in the milk - is there any connection with fish in the percolator??
------------------------------------------------------------------------
Moss Madden
"TO ME, ALL RELIGION IS      JANET:         JU39@UK.AC.LIVERPOOL
JUST A BUZZING IN THE EARS" INTERNET ETC:  JU39@LIVERPOOL.AC.UK
A J P TAYLOR (1990)         UUCP:  ...!MCVAX!UKC!LIVERPOOL.AC.UK!JU39

In <8869@ecs.soton.ac.uk> jmss89@ecs.soton.ac.uk (Scott JMS) writes:
> >Sorry folks, but there is NO way Saturn and Jupiter could be in conjunction
> >in early 1989, when TP is set;
> >The last conjunction was in 1981, and the next will be on
> >                31st May 2000 at 10:00 UT (=GMT)

Sorry folks, I could well be wrong - what I was looking at was a conjunction
of Earth-Jupiter-Saturn, whereas the conjunction being refered to is
probably Sun-Jupiter-Saturn

What I still don't get about it is the period of time - 6 months ??!!
Considering that both planets are orbiting the Sun at a few million
km/day, a 'conjunction' that lasts 6 months can't be very precise on
the actual alignment of the planets in question

Oh well, I'll just nip off & shoot myself

  Jon                                           Damn fine humble pie :->

In article <1991Oct2.200918.1902@igor.tamri.com>, margaret@igor.tamri.com (Margaret Kritzer) writes:
> > 
> > Are you sure you weren't temporarily possessed
> > by BOB ???

Well, actually, he does have the long scraggly hair and beard but it's not
gray...and he keeps mumbling about Annie....:-)

Here is the info about the TP conference in NYC I mentioned earlier.  I 
didn't actually attend but my brother did; the following is from New
Yorker magazine Dec. 17, 1990.  The seminar was entitles  "Return to 
Twin Peaks", an event held as part of the first Remy Martin City Mosaic
Performing Arts Festival

It is quite long, so I will just pick out what I think you'all be 
interested in.  

In attendence were Mark Frost, David Lynch, Jennifer Lynch, Bobby Briggs, 
Nadine, Jerry Horne, and the Log Lady.  They were asked a lot of questions,
most of which we already know the answers to by now.  (did Leland know he
was possed by Bob, did Laura know that BOB was Leland etc...)   A lot was
said of Jennifer's project, the secret diary.  The only really interesting
stuff came from the Log Lady, who didn't bring the log.  Apparently there's
only one, and it doesn't travel.  She said that she has known David Lynch 
since the early 70's, and tha she had a small part, as a nurse in
Eraserhead.  (she also did the lead charater's hair)  Almost 20 years ago, she
said, during the filming of Eraserhead, David Lynch had foreseen that he would
cast her as a log person.  "One day, I put on my glasses, and David said 
'Someday, you're going to play this girl with a log.  I'm going to do a TV
show, and it's going to be called  "I'll Test My Log with Every Branch of
Knowledge"  You're going to wear little plaid skirts and your glasses, and
you're going to take your log to various experts and get their opinion.  The
log is going to be ponderosa pine.' David really knew his wood"
  She also said that her log connects her to her dead husband and to
the other world.  
Other interesting fact, David's father is a research scientist with
the Forest Service.  
That is most of what the article covered, couldn't get much more out
of my brother, although he seemed more intrigued at the time of the conference.

Gian Di Loreto (UR)

Last weekend I heard on MTV's (europe) Partyzone a song
that had a part of twin peaks soundtrack sampled.
The part that was sampled was that slow chordpart
from Laura Palmer's theme...

Anyone know what this song was ?

-- Janne Salmij{rvi s117986@cc.tut.fi

There is also a 12" called "Agent Cooper luvs coffee" by Twin Freaks and it's released on Belgian house-label SSR, if my memory serves me right.  

cheers 

Frode

I saw that rather blatant TP reference (at the waterfall).

However, when Rick died, who else noticed the long shot of the owl right
before the satellite landed?

When they showed it, I said to myself, "Self, something evil is about to
happen!"  I guess this means the owls really are evil.

(They never did explain that on TP, did they??)
E--

In article <1991Oct2.192411.15588@milton.u.washington.edu>, hagstrop@carleton.edu (Paul Hagstrom) writes:
|> In article <1991Oct2.031323.2662@en.ecn.purdue.edu> mbrockma@en.ecn.purdue.edu  
|> (Matt Brockman) writes:
|> > In the last episode of Northern Exposure,
|> > in the scene where Maurice(?) pulls up in
|> > his car, a logging truck rolls by, looks just
|> > like the one outside the Double R.
|> 
|> I remember another episode a while back had some more blatant TP references in  
|> it, too.. I wish I had taped it because I can't completely recall all of the  
|> details, but it did involve a number of the NE characters standing around an  
|> observation deck (upon which was one of those little pay-telescopes), looking  
|> at a waterfall.  My first thought when the scene started was "that waterfall  
|> reminds me of the TP intro..."  Then, the conversation began turning to coffee  
|> and donuts, and the scene actually ended with one of them saying something  
|> along the lines of "Who's that over there?  And what's she carrying?  It's a  
|> LOG!".. End of scene.
|> 
|> Anyway, 'danyone see that?

-- WHO: Evan L. Marcus "It works!!" WHAT: Sun Microsystems -- a friend of mine, after telling WHERE: Paramus, New Jersey, USA me his wife was pregnant with their HOW: marcus@neiman.East.Sun.COMfirst child.

I just heard that one of my local laser disc dealers have a Japanesse import
of the European verison of TP!  Now what is going on?  Will this version be
the same as the one just released on videotape here?  And is there really a 
difference between the real Euroversion shown on T.V. and the videotape that
is released?  I haven't seen either, the disc, or the tape, yet, so please
warn me of any spoilers!

Also, my friend just told me of the TP calender being sold at his bookstore at
Cal State Long Beach.  I don't think I have seen it at my bookstore yet, though.

Please e-mail my question, I don't have time to scan the news group anymore.

Thanks!

Niraj (nmehta@usc.edu)

In article <1991Sep30.145826.4876@uoft02.utoledo.edu> csbgc@uoft02.utoledo.edu writes:
<I just received my update to ^Twin Peaks Press^ and the headlines that backup
<statements made before include:
[---]
<Twin Peaks Video
<(US Version)
<First Seven episodes $19.99 (each)
<Set of Seven $99.99
<(European Version)
<Two hour pilot $79.99

Please, don't confuse us: the "European version" is NOT a "pilot"
for anything, it's a self-contained movie first two hours or so of which 
happen to look like the first two hours or so of the TV *pilot*.

For the last time: there are NO differences between "Twin Peaks:
the TV show".

Jan Bielawski
Computervision R&D, San Diego
jpb@calmasd.prime.com

jblum@umd5.umd.edu (Jon Blum) writes:

> > In article <1991Oct01.172437.20829@cs.ruu.nl> dnmneder@cs.ruu.nl (David van N
>> > > I've only read this newsproup two or three times, so I'm new with all the
>> > > stuff behind Twin Peaks. What movie do you mean? I've heard about a TP movi
>> > > being made right now, but I think you mean another movie.
> > 
> > The movie being referred to was the release in Europe on video of an
> > extended version of the pilot episode, with ten or fifteen minutes of extra
> > footage serving as an ending.  It has just been released on video in the
> > US as well.
> > 
> > We really do need to find a way to come up with a convention for referring
> > to the two different "movies" -- the extended pilot and Fire Walk With Me
> > (FWWM?).

How abt. New Movie and Euro-Mivie??

In article <1991Oct2.192411.15588@milton.u.washington.edu> hagstrop@carleton.edu (Paul Hagstrom) writes:
> >In article <1991Oct2.031323.2662@en.ecn.purdue.edu> mbrockma@en.ecn.purdue.edu  
> >(Matt Brockman) writes:
>> >> In the last episode of Northern Exposure,
>> >> in the scene where Maurice(?) pulls up in
>> >> his car, a logging truck rolls by, looks just
>> >> like the one outside the Double R.
> >
> >I remember another episode a while back had some more blatant TP references in  
> >it, too.. I wish I had taped it because I can't completely recall all of the  
> >details, but it did involve a number of the NE characters standing around an  
> >observation deck (upon which was one of those little pay-telescopes), looking  
> >at a waterfall.  My first thought when the scene started was "that waterfall  
> >reminds me of the TP intro..."  Then, the conversation began turning to coffee  
> >and donuts, and the scene actually ended with one of them saying something  
> >along the lines of "Who's that over there?  And what's she carrying?  It's a  
> >LOG!".. End of scene.
> >
> >Anyway, 'danyone see that?

I saw it.  They also mentioned that peculiar snapping sound that occurs in
time with the beat of the TP theme.  That was the episode when Joel's fiancee-
no-more Elaine came for a visit and caught the epidemic flu running through
Cicely.
-- "From a distraught peanut atop the Empire State Building, that's a really grandiose statement to make!!!" -HKS The undiscovered wife of J.Alfred Prufrock. Respond to t01@clark.edu

In article <9826@umd5.umd.edu> jblum@umd5.umd.edu (Jon Blum) writes:
> >This is an attempt to digest the confirmed details about the movie TWIN
> >PEAKS: FIRE WALK WITH ME for infrequent and foreign callers.  If anyone
> >would care to update this regularly as more info comes in, go for it.
> >
> >The movie is in production at this time (10/1), in various towns in the
> >Pacific Northwest, including the Snoqualmie area.  Shooting will also be
> >done in Van Nuys, CA on the soundstage.

This might be a good time to mention that (1) David Lynch is directing,
and (2) the release date is (very) tentitively set as March 1992

> >Kyle MacLachlan will be appearing as Agent Cooper; however, he will not be
> >the star of the movie.  He is doing five days worth of shooting.
> >
> >Other stars include "the entire cast" (according to the Washington Post),
> >with the exception of Lara Flynn Boyle (Donna) and Sherilyn Fenn (Audrey).

Most of the TV series actors will be playing very minor roles in the new
film. An exception to this is (of course) Sheryl Lee.

> >                                                Among the confirmed semi-
> >regulars are               [stuff deleted]
> >                       and (someone get this name) (Pierre's grandmother Mrs.
> >Tremond).

This would be the Lynch-favorite Frances Bay.
--
 David E. Coufal                                 dcoufal@athena.mit.edu
           "One time I removed all the hair from a mouse 
            with Nair-Hair just to see what it looked like.
            And it looked beautiful." - David K. Lynch

This is culled from the Boston Globe totally without permission:

(Spelling mistakes are probably mine)

--

GERMANS LEARN WHO SHOT [sic] LAURA

TV Rival spoils Twin Peaks mystery

(by Marc Fisher, Washington Post)

BONN - German television is largely a dubbed journey back to the
golden age of 1970s Americana - "The Streets of San Francisco,"
"Starsky & Hutch," and Bruce Lee flicks - mixed in with Russ
Meyer's "Supervixens" soft porno and "Tutti Fruitti," Germany's
own nude game show.
   So, when the RTL Plus channel announcedd it had bought the rights
to America's "Twin Peaks," only a year or so after the show had aired
in the United States, the news caused something of a sensation. RTL
Plus bought 20 episodes, dubbed them into German, pumped up the hype
and scheduled "Das Geheimnis von Twin Peaks" ("The Secret of Twin
Peaks") as the Friday prime-time lead in to the "Tutti Fruitti"
strip-o-rama.
   The competitors over at SAT 1 were not happy. This past weekend,
just as RTL's second installment of the series hooked many viewers on
the mystery of who killed Laura Palmer, SAT 1 retaliated with an
offensive the German TV world won't soon forget.
   "SAT 1 helps RTL PLus Viewers - Page 176" said the headline on SAT
1's teletext display, which provides program schedules, news, weather
forecasts and other information. 
   Viewers who punched in 176 on their remote control found a friendly
letter to the competition:
   "Dear RTL Plus:
    Don't be sad. SAT 1 is helping your viewers enjoy "Twin Peaks."
Laura Palmer was killed by her father, Leland."
   The page went on to detail the resolution of the David
Lynch-created series, explaining that Laura Palmer wanted to "reveal
that her father was possesed by evil spirits."
   With all the tension sapped from its pricy series, RTL Plus is
probably going to pull "Twin Peaks" out of its prime-time line-up and
sentance it to a late-night time slot.
   In Germany, where most television is still government controlled,
SAT1's unprecedented preemptive strike has convinced some people that
TV cannot be entrusted to private companies.
   Enraged RTL Plus executives, meanwhile, are suing, according to an
Austrian report. Station chief Helmut Thoma told the Austrian news
agency APA: "This series has run in more than 50 countries, and there
has been fair play everywhere else."
   SAT1 contends it has done nothing quite so terrible. The
spoilsports even have a friendly recommendation for their competitor.
Since RTL Plus had to dub the show anyway, SAT1 suggests, why not just
dub in another murderer?
--
 David E. Coufal                                 dcoufal@athena.mit.edu
           "One time I removed all the hair from a mouse 
            with Nair-Hair just to see what it looked like.
            And it looked beautiful." - David K. Lynch

Hello all!

I've just started using America Online and I found two ^TP^ groups in the
entertainment section.  One deals with the tv series and naturally the second
is for the movie.  Just thought you would like to know.




Don Kasprzak
UToledo

hagstrop@carleton.edu (Paul Hagstrom) writes:
> >(Matt Brockman) writes:
>> >> In the last episode of Northern Exposure,
>> >> in the scene where Maurice(?) pulls up in
>> >> his car, a logging truck rolls by, looks just
>> >> like the one outside the Double R.

IMHO, that's pretty darn weak as a reference, considering that logging
is a common activity where both stories are set.  Also any owls, it's
just not blatant enough.

Now this:
> >details, but it did involve a number of the NE characters standing around an  
> >observation deck (upon which was one of those little pay-telescopes), looking  
> >at a waterfall.  My first thought when the scene started was "that waterfall  
> >reminds me of the TP intro... Then, the conversation began turning to coffee  
> >and donuts, and the scene actually ended with one of them saying something  
> >along the lines of "Who's that over there?  And what's she carrying?  It's a  
> >LOG!".. End of scene.
> >
> >Anyway, 'danyone see that?

Sure did.  Seems they were slightly annoyed at being lumped together with
TP as "an unusual high-quality tv show set in the [Nn]orthwest"....

This was a way of underlining their differences!

Northern Exposure, IMO, has much more in common with its' creators
previous show, "St. Elsewhere", than with anything else I've seen.
(Anybody remember Ed in the first episode -- "My favorite show is
St. Elsewhere...")

-- "There is no back alley, Corky. Women in this | Dan Hartung country have a choice! ... at least, I think | dhartung@chinet.chi.il.us they still do -- I haven't checked the paper | Birch Grove Software yet this morning." -- Murphy Brown

Has anyone seen the John West advertisement with the two blokes and the bike,
is Major Briggs (???) one of them.

Just curious.

Sutto

higham@waikato.ac.nz writes:

> >So it would seem that Monday's will
> >become a sacred night of television, TP late at night, how divine! 

Yup.  Monday night is sacred from now on.  9.45pm was the sacred time in 
Sweden.  Those days are long gone by now.....
 
/Gunnar

gregt@intelhf.hf.intel.com (Greg Tollefson) writes:
> >I rented the movie from Tower yesterday.  I must say that I am confused
> >about this.  Was this the ending of the pilot as shown in Europe?  After
> >the scene in the boiler room I am not sure how the the series in Europe
> >progressed.  I will wait until a few more people post on this before
> >getting into to much detail......

The version with the alternative ending was *not* shown on tv in Europe. It is
referred to as the "european version" because it was released on video
and in cinema's before the series started. The series all european
channels have shown so far is identical to the us version. RTL, a company
from Luxembourg, which has channels in France, Germany and the
Netherlands claims to broadcast its own version in which another TP
resident is the killer of Laura Palmer.  So far they have shown 5
episodes in Germany and the Netherlands, all identical to what I've seen
on the BBC. I don't believe their claim either, I think it's a media
hype.

--
Fred ter Haar       E-Mail : F_tHaar@pttrnl.nl
                    Mail   : PTT Research, Dr. Neher Laboratories,
                             P.O. box 421, 2260 AK Leidschendam, The Netherlands
                    Phone  : +31 70 3323702,  Telefax : +31 70 3326477

   They also had a customer of Holling's complain about coffee that tastes
like fish and somebody putting a donut in a microwave.  Stretching it more,
on one episode (the one with Holling's old girlfriend) Shelly needs new shoes.
REALLY stretching it, I plan to post a synthesis of NX and TP to rec.arts.tv
this weekend.

dcoufal@athena.mit.edu (David E Coufal) writes:

> >This is culled from the Boston Globe totally without permission:

> >(Spelling mistakes are probably mine)

> >--

> >GERMANS LEARN WHO SHOT [sic] LAURA

> >TV Rival spoils Twin Peaks mystery

> >(by Marc Fisher, Washington Post)

> >BONN - German television is largely a dubbed journey back to the
> >golden age of 1970s Americana - "The Streets of San Francisco,"
> >"Starsky & Hutch," and Bruce Lee flicks - mixed in with Russ
> >Meyer's "Supervixens" soft porno and "Tutti Fruitti," Germany's
> >own nude game show.

Well, German TV actually features quite a lot USAmerican television
show, but it are mostly the private channels who (which ?) broadcast
the old stuff. 

> >   So, when the RTL Plus channel announcedd it had bought the rights
> >to America's "Twin Peaks," only a year or so after the show had aired
> >in the United States, the news caused something of a sensation. RTL
> >Plus bought 20 episodes, dubbed them into German, pumped up the hype
> >and scheduled "Das Geheimnis von Twin Peaks" ("The Secret of Twin
> >Peaks") as the Friday prime-time lead in to the "Tutti Fruitti"
> >strip-o-rama.
> >   The competitors over at SAT 1 were not happy. This past weekend,
> >just as RTL's second installment of the series hooked many viewers on
> >the mystery of who killed Laura Palmer, SAT 1 retaliated with an
> >offensive the German TV world won't soon forget.

Well, it was retaliation all right, since it was RTL plus who (which ? 
somebody help me !) forced Sat 1 _not_ to broadcast 'Gremlins' on
prime-time, due to it's 16-years-or-older-rating,by involving 
the authoroties. Of course, the real reason was envy, since Sat 1
is far superior when it comes to broadcasting movies. 

> >   "SAT 1 helps RTL PLus Viewers - Page 176" said the headline on SAT
> >1's teletext display, which provides program schedules, news, weather
> >forecasts and other information. 
> >   Viewers who punched in 176 on their remote control found a friendly
> >letter to the competition:
> >   "Dear RTL Plus:
> >    Don't be sad. SAT 1 is helping your viewers enjoy "Twin Peaks."
> >Laura Palmer was killed by her father, Leland."
> >   The page went on to detail the resolution of the David
> >Lynch-created series, explaining that Laura Palmer wanted to "reveal
> >that her father was possesed by evil spirits."

It should be added that the tone of said videotext was mildly 
insulting, as if Sat 1 couldn't bring itself to acknoledge RTL plus
as 'real' competition but as a noisy upstart/wiseass. The tone 
got somewhat lost in the translation. (Details on request)


> >   With all the tension sapped from its pricy series, RTL Plus is
> >probably going to pull "Twin Peaks" out of its prime-time line-up and
> >sentance it to a late-night time slot.

Well, up to now Twin Peaks is still on Prime Time  and I wouldn't 
be surprised it it stays there, since the question "Who killed
Laura Palmer" isn't nearly as important as "Who are all those m
weird people.".


> >   In Germany, where most television is still, government controlled,
> >SAT1's unprecedented preemptive strike has convinced some people that
> >TV cannot be entrusted to private companies.


That's not quite correct. German television is divided into the 
"offentlich-rechtliche" channels, who get paid by viewers (yeah, you DO
have to pay, unfortunately) and private channels. 
The first work on their own but are controlled by a board consisting of 
representatives of major public groups (churches, parties, unions, etc)
watching for a balanced programme - in theroy. The private channels 
are private - of course, they can't broadcast material which would 
violate laws - hard corde, for example). Private TV becomes better by each 
year, btw.


> >   Enraged RTL Plus executives, meanwhile, are suing, according to an
> >Austrian report. Station chief Helmut Thoma told the Austrian news
> >agency APA: "This series has run in more than 50 countries, and there
> >has been fair play everywhere else."

> >   SAT1 contends it has done nothing quite so terrible. The
> >spoilsports even have a friendly recommendation for their competitor.
> >Since RTL Plus had to dub the show anyway, SAT1 suggests, why not just
> >dub in another murderer?


Please, I realize that 50 % of my posting is _not_ Twin Peaks related,
so if you want to discuss the not-Twin Peaks stuff, follow-up to 
soc.culture.german.


Peter

Hello,
I haven't seen any mention of the actress who plays Annie being
a new movie coming out.  I don't remember the movie, for sure, but I
think it was 'Shout' with John Travolta.  Is this out?  Has anybody
seen it yet?  Is she any good?

charles d. kincaid
statman@stat.ufl.edu    <-----#####   correct address.  Not as above.

Yes, Heather Graham stars in the soon-to-be forthcoming movie SHOUT.
This also stars Richard Jordan, James Walters, and John Travolta.

Plot Synopsis: Way back in the fifties, Jordan runs a home for wayward boys
out in the country.  Walters is chief asshole among these boys.  Graham is
Jordan's daughter.  Sparks fly, and Travolta teaches everyone about rock and
roll.

Why I Know This: my wife and got free passes to see a special sneak preview.

Review: I'm glad we didn't have to pay to see this.


The music isn't bad, and Graham is very attractive.  This film could help
re-establish Travolta's acting career, as the scenes he is in are
significantly less laughable than the rest of the movie.


What does this have to with Twin Peaks?  Not much.

--Sean

sean.smith@theory.cs.cmu.edu                         school of computer science
carnegie mellon university     5000 forbes avenue     pittsburgh, pa 15213 3890

The same thing happened here in Sweden. The Swedish national television
company bought TwinPeaks and it got ENOURMOUS ratings (at least at first).

That probably pissed off one of the Swedish owned cablechannels called TV3
so much that one of their 'most popular' showhosts showed a sign with the
killers name during one of his shows. Before showing it, he said something like
'we are going to show you a sign with the killers name, so if you don't
want to know, you should close your eyes until I tell you to look' and of
course MANY MANY people didn't close their eyes... and some, like me, just
happened to switch to that channel while the sign was shown (which incidentally
was just a minute or so after a Twin Peaks episode had ended on the Swedish
television channel...)

Oh well, I enjoyed the series anyway....

I just don't like it when they deliberately try to ruin the joy of other people,
but maybe that's what market competition is all about....


Long live the Peaks,
Sture

In article <8J3691w164w@bluemoon.rn.com> kbays@bluemoon.rn.com (Ken Bays) writes:
> >So according to the article in TV Guide, there is as yet no American 
> >distributor for the upcoming movie.  Does anyone here know anything about 
> >the movie biz, and if so, should we wourry about this?  Is it likely that 
> >we Americans may have to wait for a videotape to be released to see the 
> >movie?

Don't get worried.  It's not a problem.  This is the way most independant
features get made (and TP is an independant).  They'll take the film to one
of the upcoming film markets (American Film Market or Mifed (if it is held)
or Cannes (if they do one this fall, messing up Mifed's plans) or there's
a couple others) where the whole point is to sell distribution rights for
films.  A film with this much buzz about it WILL get distribution.

> >Perhaps it's once again time for a letter-writing campaign, this time to 
> >movie distributors.

Even if the film were in danger of not getting distribution, it would take
a HELL of a lot more letters to convince distributors to pick it up than
it would to convince the TV people to renew it.  A couple thousand letters
to a TV network means there's at least enough audience to make a certain
amount of money (commercials) and that amount is set.  They can't make more.
They can't make less, provided they sell all the slots.
To a film distributor, a couple thousand letters means only several thousand
*guaranteed* tickets, and at $7 a pop, that might only mean $70,000 in box
office, and about $45,000 in distribution fees.  Not enough to justify spending
several hundred thousand dollars per major city to promote the film...
(realistically, they'd make more than the numbers above, but nothing is
guaranteed).  Only in foreign distribution can a distributor feel confident
that they'll make a reasonable amount of money.  The foreign market is crazy
about American product (and Twin Peaks is, really).  Americans aren't
necessarily crazy about any product...
 
But Twin Peaks will get picked up.  Don't worry.

> >Kenneth Bays

-Theron Trowbridge
trowbrid@usc.edu
AppleLink: d7209
^

Just got the new COOP newsletter in the mail. Some news about Fire Walk With Me:
(the TP movie, of course)

              Expected release is MARCH, 1992. Filming is just about finished and Lynch and crew are gonna head back to L.A. to finish up production.
              Look for many Lynchian plots, with a more in depth profile of Mike, the one armed man. Also look for David Bowie, Chris Isaac, and Keifer Sutherland as another FBI officer.
              Doesn't look like either Sherilyn Fenn(Audrey) or Lara  Flynn Boyle(Donna) are gonna be in it..

That's all it really says, so until next time...


-- ..And I thank you for your support..

higham@waikato.ac.nz writes:

> > Read something today on the newsgroup about how TP was no longer screening
> > here in New Zealand, well, last Monday night at 11:00 the most wonderful
> > thing happened, thats right, it began again. Episode 2011 screened. There 
> > was a major campaign directed against TV3 to protest the canning of the 
> > show, barbie dolls wrapped in plastic, messages from BOB, logs etc, were 
> > sent to them, and it obviously worked. So it would seem that Monday's will
> > become a sacred night of television, TP late at night, how divine! 
> > Thanks to all the people responsible for the Timescale as well, its 
> > wonderful to have all the info on screen, it must have taken ages to do
> > so thanks. 
> > 
> > Tom Higham
> > Carbon Dating lab,
> > Waikato Univ.
> > Hamilton,
> > New Zealand.

Same thing happened here the first time they tried to get rid of it!

In article <20241@chaph.usc.edu>, nmehta@sal-sun85.usc.edu (Niraj Mehta) writes...

} I just heard that one of my local laser disc dealers have a Japanesse
} import of the European verison of TP! Now what is going on?

What do you mean "what is going on"?  It's a Japanese release of the
Euroversion.

} Will this version be the same as the one just released on videotape here?

Yes.

} And is there really a difference between the real Euroversion shown on
} T.V. and the videotape that is released?

Let's see if we can get this straight once and for all. The following
is what exists as far as TWIN PEAKS goes (not including the movie that
is currently being made):

(1) TWIN PEAKS (the Pilot). This is roughly 100 minutes long (minus the
    commercials. Every country in the world that has broadcast the series
    has started off with this.

(2) TWIN PEAKS (the Euroversion). This is roughly 115 minutes long, the
    first 95 minutes or so is exactly the same as the Pilot, with the
    rest of it being additional footage to make it a self-contained movie.
    This has not been broadcast on television -- it was a direct-to-video
    release.

(3) TWIN PEAKS (the Series). This runs for 29 episodes totaling 30 hours
    (including commercials.

The video release in the US and elsewhere does not include (1). The
Euroversion is being released in place of the Pilot.

-- "Be mindful, I am the wealthiest man in Padua, and he who weds Katrina lands a dowry you could cry for." --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) boyajian%ruby.DEC@DECWRL.DEC.COM or ...!decwrl!ruby.enet.dec.com!boyajian

In article <1991Oct4.202000.1@csc.anu.edu.au>, djs654@csc.anu.edu.au writes:
> > Has anyone seen the John West advertisement with the two blokes and the bike,
> > is Major Briggs (???) one of them.
> > 
> > Just curious.
> > 
> > Sutto

I don't have actual proof but when I saw the ad I definitely thought 
it was Major Briggs. Life must be tough after the **premature** demise
of TP ;-).

-- Don Lowe, Department of Physics, Monash University, Melbourne, Victoria, Australia, 3168. -------------------------------------------------------------------------------

   Any significance to the two supposedly being (half) sisters?

bob@castle.ed.ac.uk (Bob Gray) writes:

> > Ah! but wouldn't it be an interesting plot twist if she
> > didn't die. Perhaps everyone in town was lying about who it
> > was wrapped in plastic....

Perhaps she entered the Waiting Room, where she was trapped for at least
25 years, and her doppelganger was the one that was killed. Perhaps, come
to think of it, she wasn't trapped, but found that life (as it were) there
was better than life in the mundane world, and chose to remain. Thus, she
would have every reason to attack Coop when he entered the Waiting Room --
if he were to succeed in his quest, he might have the power to drag her
back to the world that she was glad to have escaped. It's only 25 years
later, when Coop enters the Room again, that she feels safe with him.

It is happening again.      It is happening again.      It is happening again.
Joe Zitt ...cs.utexas.edu!kvue!zitt!joe (512)450-1916

dmoskowi@jarthur.claremont.edu (Denis/Tesser Morris Moskowitz) writes:

> > Does anyone have the full lyrics of the Fire, Walk with Me poem?  I know
> > Leland / BOB recited a lot of it in the cell at the jail, but I didn't
> > write it down, or tape it... is this an excerpt from a bigger poem?
> > 
> > Thanks Merci Spasiba Dom' Arigato Dankon!
> > 
> > Denis / Tesser Moskowitz
> > dmoskowi@jarthur.claremont.edu
> > This Is Realtime!

I was just watching the dream sequence which I was delited to finde survied 
my taping over of the siries. The poem goes somthing like:

        The magishion longs to see one chance out betweem two worlds,           
        Fire walk with me.

I  remembur spending hours trying to allalize that when it first aired.

BK> >Could someone please post or mail me a description of what a doppleganger

BK> doppelganger, N a ghostly counterpart of a living person [G doppelganger,
                      ^^^^^^^^^^^^^^^^^^^^

A "Doppelgaenger" (letterly translated: double-walker) of a person, means 
someone who looks like this person. Madleine is Laura's Doppelgaenger.

The german meaning is perhaps slight different from the american. :-)


Bye, Marc

Hi,

does anybody out there in Netherland know at which date TP will be started
in Netherland's TV? Or had it already been released some time ago?

Thanx in advance

Oliver

._____________________________________________________________________________.
|    Oliver Flimm, Cologne, Germany      e-mail: flimm@ph-cip.uni-koeln.de    |
|                                                                             |
|    You can tell how far we have to go, when FORTRAN is the language of      |
|    supercomputers...                                 - Steven Feiner -      |
|_____________________________________________________________________________|

--
._____________________________________________________________________________.
|    Oliver Flimm, Cologne, Germany      e-mail: flimm@ph-cip.uni-koeln.de    |
|                                                                             |
|    You can tell how far we have to go, when FORTRAN is the language of      |
|    supercomputers...                                 - Steven Feiner -      |
|_____________________________________________________________________________|

In article <kPF092w164w@whitebase.ukp.com>, salmieri@whitebase.ukp.com (Gregory
Salmieri) says:
> >
> >jblum@umd5.umd.edu (Jon Blum) writes:
> >
> >How abt. New Movie and Euro-Mivie??
I like the Mivie part. It did get a lot of people mivved...
-       -       -       -       -       -       -       -       -       -
BitNet: V50ZJP@HASARA11                         Jan Paul (JP) Barends
Domain-style: V50ZJP@vm1.sara.nl                Department of Physiology
Phone: (work) 020-548 2017; Fax:6613569         Free University (Amsterdam)
vd Boechorststr. 7, kr. A101; 1081 BT Amsterdam The Netherlands

Since I had so many requests for the full version of the TP Oeuvre
lists, I'm going to post them again on this newsgroup. As always, if
you have any additions, corrections or comments, please mail me at
dcoufal@athena.mit.edu.

Below, I've listed all the recent additions to the lists, so everyone
can easily note changes I've made.

--

Actors List Update:

Amick, Madchen          Sleepwalkers (in production 1991)

Applegate, Royce D.     Rambling Rose (1991)

Ashbrook, Dana          Bonnie and Clyde: The True Story (TV) (1992)
                        HIDDEN ROOM, THE: "Taking Back the Night" (10 Sep 91)

Boyle, Lara Flynn       HIDDEN ROOM, THE: "Splinters of Privacy" (30 Jul 91)

Coulson, Catherine      Comic Book Confidential (1990) [Assistant Camera]

Davis, Don S.           FLY BY NIGHT: [title unknown] (23 May 91)
                        FLY BY NIGHT: "The Man Who Knew Nothing At All"
                                (30 May 91)

Duchovny, David         Rapture, The (1991)

Evans, Troy             Near Dark (1987)
                        L. A. LAW: "Sperminator" (1 Dec 88)

Goaz, Harry             EERIE, INDIANA: [title unknown] (29 Sep 91)

Graham, Heather         Shout (1991)

Hershberger, Gary       Heroes of Desert Storm, The (TV) (6 Oct 91)

Laurie, Piper           Other People's Money (1991)
                        Rich in Love (in pre-production 1991)

Wise, Ray               Fire in the Dark (TV) (6 Oct 91)


Directors List Update:

Gyllenhaal, Stephen     Waterland (in pre-production 1991)

Hunter, Tim             Lies of the Twins (TV) (21 Aug 91)

Keaton, Diane           Wildflower (TV) (1991)

Lynch, David            Twin Peaks: Fire Walk With Me (in production 1991)

Sanger, Jonathan        Doctor and the Devils, The [producer] (1985)
                        FLASH, THE: "Sins of the Father" (8 Nov 90)

Writers List Update:

Stahl, Jerry            MOONLIGHTING: [story editor] (1988-1989)
                        MOONLIGHTING: "Plastic Fantastic Lovers" (Dec 88)
                        MOONLIGHTING: "Perfetc" (1989)

--

And here's the introduction to the oeuvre lists:

--

Here's the latest version of the lists. I'll be putting these in the
ftp site at audrey.sait.edu.au. They were compiled by David Coufal
(coufal@athena.mit.edu) and Jerry Boyajian  (boyajian@ruby.enet.dec.com).
If you have comments, additions, corrections or questions, please mail
Dave.

I'll only post semi-regularly on this newsgroup, since the files are
so large, but I'll keep the TP ftp site updated.

I'm sorry I didn't get to thank everybody with a personal note, but I
had a lot of mail relating to this topic, and it got to be too much to
keep up with. So, if you wrote in, thanks.

Key to the entries:
-------------------
title (year)     = Film
TITLE: "episode name" (date) = Television Series
TITLE: [regular] (date)     = Regular in a Television Series
title (TV) (date)            = Made-for-television Movie
title [play]             = Theatrical Play
"title" (mini) (date)        = Miniseries
"title" (TV pilot) (date)    = Pilot for an unsold TV series that was
                               broadcast as a one-shot and is one hour
                               long or less. Any pilot that's 90 minutes
                               or more is considered a made-for-TV movie
"title" (TV special) (date)  = A one-shot or irregular TV variety special
[ ]             = Comments


References:
-----------
Col Needham's actors list (cn@otter.hpl.hp.com)
Andy Krieg's actresses list (krieg@jupiter.med.ge.com)
Jeff Sullivan's writers list (jas@venera.isi.edu)
Dave Knight's directors list (dknight@elm.sdd.trw.com)
Martin & Porter's "Video Movie Guide"
"Twin Peaks Biographies" from the second season press kit (see
the TP ftp site at audrey.sait.edu.au)
Brooks and Marsh's "The Complete Directory to Prime Time
Network TV Shows, 4th Ed."
Halliwell's "Film Guide, 7th Ed."
EPI-LOG Magazine
Harris M. Lentz III "Science Fiction, Horror & Fantasy Film
and Television Credits"
Joel Eisner & David Krinsky "Television Comedy Series: An
Episode Guide To 153 Sitcoms In Syndication"
Larry Gianakos "Television Drama Series Programming: A
Comprehensive Chronicle" [5 volumes, covering
1947-1984]
Mark Altman's "Twin Peaks: Behind the Scenes"
Lynne Naylor's "Television Writers Guide"
Susan Avallone's "Film Writers Guide, 2nd Edition"
Blockbuster Video Catalog/Reference Manual
Michael Singer's "Film Directors: A Complete Guide, 7th Edition"
Susan Avallone's "Cinematographers, Production Designers, Costume Designers,
and Film Editors, 2nd Edition"
The Television Episode Guides at the ftp site caesar.cs.montana.edu
(pub/guides/tv)
Vincent Terrace, "Encyclopedia of Television: Series, Pilots and Specials"
        [3 volumes, covering 1937-1984]
Christopher Schemering, "The Soap Opera Encyclopedia" [revised edition]
Edward Gross, "The L.A. Lawbook"
Lynne Naylor, "Television Directors Guide"
--
 David E. Coufal                                 dcoufal@athena.mit.edu
           "One time I removed all the hair from a mouse 
            with Nair-Hair just to see what it looked like.
            And it looked beautiful." - David K. Lynch

This is a list of all the major actors/actresses involved in 
"Twin Peaks" to date (4/18/91) and other projects they have
been involved with.

If you notice any mistakes or have additions to the list, please
E-mail me at coufal@owl.caltech.edu


TWIN PEAKS ACTORS/ACTRESSES LIST



Abercrombie, IanAIRWOLF: "Inn at the End of the Road" (26 Jan 85)
[Leo's Insurance Man]   Catacombs (1988)
  Fantasy Island (TV) (14 Jan 77)
   FANTASY ISLAND: "Save Sherlock Holmes" (6 Feb 82)
  Firewalker (1986)
   GET SMART: "House of Max" [2-parter] (1970)
   Ice Pirates, The (1984)
   L.A. LAW: "Sidney, the Dead-Nose Reindeer" (8 Jan 87)
   Last Resort, The (1986)
   MRS. COLUMBO: "Murder Is a Parlor Affair" (1 Mar 79)
   Prisoner of Zenda, The (1979)
   SIX MILLION DOLLAR MAN, THE: "U-509" (20 Feb 77)
                        SIX MILLION DOLLAR MAN, THE: "Target: Steve Austin"
(27 Nov 77)
   Sole Survivor (TV) (9 Jan 70)
TALES FROM THE CRYPT: "The Switch" (21 Apr 90)
   Young Frankenstein (1974)

Amendolia, DonCHEERS: "Affairs of the Heart" (10 Nov 83)
[Emory Battis]MAMA MALONE: [regular] (1984)
Secret of My Success, The (1987)
Without a Trace (1983)

Amick, MadchenBAYWATCH: [pilot]
[Shelly Johnson]Don't Tell Her It's Me (aka The Boyfriend
School) (1991)
For The Very First Time (TV) (1991)
I'm Dangerous Tonight (TV)
Jury Duty: The Comedy (TV) (14 Jan 90)
Sleepwalkers (in production 1991)
                        STAR TREK: THE NEXT GENERATION: "The Dauphin"
(18 Feb 89)

Anderson, Michael J.Great Land of Small, The (1987)
[Man From Another Industrial Symphony #1 [concert] (1991)
Place]Ronnie Rocket, or The Strange Mystery of the
Absurd Forces of Existence
[film in pre-production 1991]

Applegate, Royce D.American Raspberry (1980)
[Reverend Clarence]Armed and Dangerous (1986)
Back Roads (1981)
"The Blue and the Gray" (mini) (14,16,17 Nov 82)
Harper Valley P.T.A. (1978)
HART TO HART: "The Murder of Jonathan Hart" (28 Apr 81)
HILL STREET BLUES: [title unknown] (28 Oct 82)
Loose Shoes (1980) [co-writer]
MAYBERRY R.F.D.: "Sensitivity Training" (1970)
Million Dollar Mystery, The (1987)
QUANTUM LEAP: "The Color of Truth" (3 May 89)
                        Rambling Rose (1991)
Splash (1984)
STIR CRAZY: [first episode] (18 Sep 85)
"There's Always Room" (TV pilot) (24 Apr 77)
"Tom Swift and Linda Craig Mystery Hour, The"
(TV pilot) (3 Jul 83)

Ashbrook, DanaABC AFTERSCHOOL SPECIAL: "Just a Regular Kid:
[Bobby Briggs]An AIDS Story" (1987)
Bonnie and Clyde: The True Story (TV)
                                (in production 1991)
                        CAGNEY & LACEY: [episode unknown]
Ghost Dad (1990)
Girlfriend From Hell (1991)
HIDDEN ROOM, THE: "Taking Back the Night" (10 Sep 91)
                        Just a Regular Kid: An AIDS Story (TV)
Return of the Living Dead Part II (1988)
She's Out of Control (1989)
Sundown
21 JUMP STREET: [episode unknown]
Waxwork (1988)

Augustine, Phoebe
[Ronette Pulaski]

Bauer, RobertBig Picture, The (1989)
[Johnny Horne]Desperate Characters (1971)
QUANTUM LEAP: "Glitter Rock" (10 Apr 91)
STAR TREK: THE NEXT GENERATION: "Heart of Glory"
(18 Mar 88)
Sure Thing, The (1985)
This is Spinal Tap (1984)

Bay, FrancesAMAZING STORIES: "Santa '85" (15 Dec 85) [a.k.a.
[Dream Mrs. Tremond]"One Amazing Night"]
   AMERICAN PLAYHOUSE: "Wings" (26 Apr 83)
   Big Top Pee Wee (1988)
Blue Velvet (1987)
Buddy Buddy (1981)
CHEERS: "Take My Shirt ... Please?" (9 Jan 86)
Chilly Scenes of Winter (1982) [a.k.a. Head Over Heels]
FAERIE TALE THEATRE: "Little Red Riding Hood" (1983)
Foul Play (1978)
Grifters, The (1991)
HAPPY DAYS: [episode unknown]
Karate Kid, The (1984)
LIFE GOES ON: [title unknown] (7 Apr 91)
Movers and Shakers (1985)
NEWHART: [title unknown] (18 Sep 89)
Nomads (1985)
Pit and the Pendulum, The (1991)
Private School (1983)
TALES FROM THE CRYPT: "Judy, You're Not
Yourself Today" (12 Jun 90)
Twins (1988)
Wild at Heart (1990)

Beymer, RichardAdventures of a Young Man (1962) [a.k.a. Hemingway's
[Ben Horne]Adventures of a Young Man]
Bachelor Flat (1961)
BRONX ZOO, THE: [episode unknown]
BOB HOPE CHRYSLER THEATER, THE: "Guilty or Not Guilty"
(9 Mar 66)
BUCK JAMES: [episode unknown]
Cross Country (1983)
DALLAS: [episode unknown]
Diary of Anne Frank, The (1959)
DR. KILDARE: "Mercy or Murder" (28 Mar 66)
DR. KILDARE: "A Strange Sort of Accident" (29 Mar 66)
DR. KILDARE: "New Doctor in Town" (4 Apr 66)
DR. KILDARE: "Reckoning" (5 Apr 66)
                        FANTASTIC STUDIOS INK: [episode unknown]
Five Finger Exercise (1962)
Free Grass (1969)
Generation (1985) (TV)
High Time (1960)
Indiscretion of an American Wife (1954)
Innerview, The (1974)  [also writer, director,
producer, editor, and cinematographer]
JANE WYMAN PRESENTS THE FIRESIDE THEATER: "On the
Brink" (1 May 58)
Johnny Tremain (1957)
KRAFT SUSPENSE THEATER: "The Easter Breach" (13 May 65)
Longest Day, The (1963)
MAN FROM U.N.C.L.E., THE: "The Survival School Affair"
(20 Nov 67)
MOONLIGHTING: "All Creatures Great and ... Not So
Great" (1986)
MURDER, SHE WROTE: [title unknown] (25 Oct 87)
PAPER DOLLS: [regular] (23 Sep 84 - 25 Dec 84)
PLAYHOUSE 90: "Dark December" (30 Apr 59)
SCHILTZ PLAYHOUSE OF THE STARS, THE: "On the Brink"
(27 Feb 59)
Silent Night, Deadly Night III: Better Watch Out!
(1990)
So Big (1953)
Stripper, The (1963)
VIRGINIAN, THE: "Show Me a Hero" (17 Nov 65)
West Side Story (1961)

Booth, JamesAdam's Woman (1972)
[Ernie Niles]Airport '77 (1977)
Avenging Force (1986) [and writer]
Bad Guys (1985) 
Bliss of Miss Blossom, The (1968)
Brannigan (1975)
Cowboy and the Ballerina, The (TV) (1984)
Darker Than Amber (1970)
Deep Space (1988)
Fraulein Doktor (1969)
French Dressing (1963)
The Hellions (1962)
In the Doghouse (1962)
In the Nick (1960)
It's Not the Size That Counts (1979)
Jazz Boat (1960)
Jazz Singer, The (1980)
Let's Get Married (1960)
Macho Callahan (1970)
Man Who Had Power Over Woman, The (1970)
Man with the Green Carnation, The (1960) [a.k.a. The
Trials of Oscar Wilde]
Moon in Scorpio (1987)
Ninety Degrees in the Shade (1966)
Play It Cooler (1961)
Pray for Death (1986)  [and writer]
Programmed to Kill (1987)
Rentadick (1972)
Robbery (1967)
Secret of My Success, The (1965)
Sparrows Can't Sing (1963)
Sunburn (1979)
Terror from Under the House (1971) [a.k.a. Inn of the
Frightened People a.k.a. Revenge a.k.a. Revenge
After Jenny Died]
That'll Be the Day (1974)
"Wheels" (mini) (7-15 May 78)
Zorro the Gay Blade (1981)
Zulu (1964)

Boylan, JohnTHE HITCHHIKER: "Hootch" (16 Sep 89)
[Mayor Milford]Keeping Track (1987)
One Man (1979)
Prodigal, The (1984)
Rabid (1976)

Boyle, Lara Flynn"Amerika" (mini) (15-20 Feb 87)
[Donna Hayward]Dark Backward, The (1991)
Dead Poets Society (1990) [Note that her part was
cut from the theatrical release but her name
remained on the credits]
How I Got Into College (1990)
HIDDEN ROOM, THE: "Splinters of Privacy" (30 Jul 91)
                        JACK AND MIKE: [episode unknown]
May Wine
Mobsters (1991)
Poltergeist III (1988)
Preppie Murder, The (TV) (24 Sep 89)
Rookie, The (1990)
SABLE: [episode unknown] (1987)
Terror on Highway 91 (TV)

Brinkley, RitchAMAZING STORIES: "The Pumpkin Competition" (1 Dec 86)
[D. A. Daryl Lodwick]BEAUTY AND THE BEAST: [regular] (1988-90)
Big Business (1988)
Man With One Red Shoe, The (1985)
MURPHY BROWN: [regular] (1988-91)
NEWHART: [title unknown] (9 Feb 87)
Rhinestone (1984)
SOMETHING IS OUT THERE: "In His Own Image" (4 Nov 88)
TWILIGHT ZONE, THE: "Dead Run" (21 Feb 86)

Buchanan, IanCOLUMBO: [title unknown] (20 Jan 90)
[Dick Tremayne]FLASH, THE: "Honor Among Thieves" (25 Oct 90)
GENERAL HOSPITAL: [regular] (1986-?)
HOLLYWOOD DETECTIVE: [episode #1] (8 Apr 91)
IT'S GARY SHANDLING'S SHOW: [regular]
"On The Air" [TV Pilot] (1991)
Seventh Sign, The (1988)

Burton, TonyA-TEAM, THE: "It's A Desert Out There" (7 Feb 84)
[Colonel Riley]AIRWOLF: "Wildfire" (11 Jan 86)
Armed and Dangerous (1986)
Assault on Precinct 13 (1976)
Bingo Long Traveling All-Stars and Motor Kings, The
(1976)
Blackjack (1978)
DELVECCHIO: "Board of Rights" (17 Oct 76)
FRANK'S PLACE: [regular] (1987-88)
GREATEST AMERICAN HERO, THE: "Hog Wild" (25 Nov 81)
Heroes (1977)
Hunter, The (1980)
INCREDIBLE HULK, THE: "Like a Brother" (31 Jan 79)
Inside Moves (1980)
"Mitchell and Woods" (TV pilot) (18 Dec 81)
NANCY DREW MYSTERIES, THE: "The Lady on Thursday at
Ten" (1 Jan 78)
Oceans of Fire (TV) (1986)
River Niger, The (1976)
ROCKFORD FILES, THE: "The Second Chance" (14 Oct 77)
Rocky (1976)
Rocky II (1979)
Rocky III (1982)
Rocky IV (1985)
Shining, The (1980)
SWITCH: "The Snitch" (16 Jan 77)
TENSPEED AND BROWN SHOE: "Mark Savage Says: There's No
Free Lunch" (10 Feb 80)
Trackdown (1976)


Calfa, Don"Allison Sidney Harrison" (TV pilot) (19 Aug 83)
[T. P. High Vice-AMAZING STORIES: "The Amazing Falsworth" (5 Nov 85)
Principal]Bank Shot (1974)
BARNEY MILLER: "Copy Cat"
BARNEY MILLER: "Hostage"
BARNEY MILLER: "Identity"
BARNEY MILLER: "The Desk"
"Beach Girls, The" (TV pilot) (16 Jan 78)
Blue Movies (1988)
Chopper Chicks in Zombietown (1991)
Cinderella Liberty (1973)
Foul Play (1978)
Greaser's Palace (1972)
KOJAK: "Winner Takes Nothing" (14 Dec 75)
LEGMEN: [regular] (20 Jan 84 - 16 Mar 84)
"National Snoop, The" (TV pilot) (18 Aug 83)
New York, New York (1977)
Nickelodeon (1976)
1941 (1979)
No More Excuses (1968)
PARK PLACE: [regular] (9 Apr 81 - 30 Apr 81)
Peeper (1975)
Postman Always Rings Twice, The (1981)
Presidio, The (1988)
Rainbow Boys, The (1973)
Return of the Living Dead, The (1985)
Rhinoceros (1974)
"Riding High" (TV pilot) (25 Aug 77)
Rose, The (1979)
Running Scared (1986)
Star Chamber, The (1983)
STREETS OF SAN FRANCISCO, THE: "A Good Cop...But"
(10 Feb 77)
Talking Walls (1987)
10 (1979)
Weekend at Bernie's (1989)

Catlin, VictoriaAMAZING STORIES: "Such Interesting Neighbors"
[Blackie](20 Mar 87)
Ghoulies (1985)
Mutant on the Bounty (1989)

Chen, JoanBlood of Heroes, The (aka Salute to the Juggler) (1990)
[Josie Packard]Dim Sum: A Little Bit of Heart (1985)
Last Emperor, The (1987)
Little Flower [Note that this a Chinese Film]
MIAMI VICE: [episode unknown]
Night Stalker, The (1987)
Tai-Pan (1986)
WISEGUY: "All or Nothing" (11 Jan 89)
Youth [Note that this a Chinese Film] (1977)

Coulson, Catherine E.Breakfast in Bed (1978) [producer]
[The Log Lady]Comic Book Confidential (1990) [Assistant Camera]
                        Eraserhead (1978)
Trick or Treats (1982)

Cruise, JuleeIndustrial Symphony #1 [concert] (1991)
[Girl Singer]

Da Re, EricFlash, The (TV) (20 Sep 90)
[Leo Johnson]Silent Night, Deadly Night III - Better Watch Out!
(1989)

Dano, RoyalAce Eli and Rodger of the Skies (1973)
[Judge Sternwood]Adventures of Huckleberry Finn, The (1960)
ALFRED HITCHCOCK PRESENTS: "My Brother Richard"
(20 Jan 57)
ALFRED HITCHCOCK PRESENTS: "Party Line" (29 May 60)
ALFRED HITCHCOCK HOUR, THE: "Change of Address"
(12 Oct 64)
All Mine to Give (1957)
AMAZING STORIES: "One for the Road" (19 Jan 86)
AMAZING STORIES: "Gather Ye Acorns" (2 Feb 86)
Backtrack (1969)
Bad Georgia Road (1977)
BEN CASEY: "There Once Was a Man in the Land of Uz"
(22 Jan 64)
Bend of the River (1952)
Big Bad Mama (1974)
BIG VALLEY, THE: "Hide the Children" (19 Dec 66)
BIG VALLEY, THE: "Ladykiller" (16 Oct 67)
BIG VALLEY, THE: "Joshua Watson" (20 Jan 69)
BONANZA: "Gift of Water" (11 Feb 62)
BONANZA: "A Man Without Land" (9 Apr 67)
Boy and the Bridge, The (1959)
Cahill, United States Marshall (1973)
Capone (1975)
Carrie (1952)
Chandler (1971)
Cimarron (1960)
CIMARRON STRIP: [title unknown] (30 Nov 67)
Cocaine Wars (1986)
COWBOY IN AFRICA: "The Lions" (25 Mar 68)
Crime of Passion (1957)
Culpepper Cattle Co., The (1972)
DAKOTAS, THE: "Terror at Heart River" (15 Apr 63)
Dangerous Days of Kiowa Jones, The (TV) (25 Dec 66)
DANIEL BOONE: "Cibola" (31 Mar 66)
Day of the Evil Gun (1968)
Dead People (1974) [a.k.a. Messiah of Evil a.k.a.
Return of the Living Dead a.k.a. Revenge of
the Screaming Dead a.k.a. The Second Coming]
   Death of a Gunfighter (1969)
DESILU PLAYHOUSE: "Happy Hill" (12 Jan 59)
Donner Pass: The Road to Survival (TV) (1978)
Drum (1976)
Electra Glide in Blue (1973)
Face of Fire (1959)
Far Country, The (1955)
FATHER KNOWS BEST: "Shoot for the Moon" (1957)
F.B.I., THE: "The Legend of John Rim" (31 Dec 67)
F.B.I., THE: "The Condemned" (20 Sep 70)
Flame of Araby (1951)
FRONTIER CIRCUS: "The Patriarch of Purgatory"
(30 Nov 61)
Ghoulies II (1987)
The Great Northfield Minnesota Raid (1972)
Gunpoint (1966)
GUNS OF WILL SONNETT, THE: "A Son for a Son"
(20 Oct 67)
GUNS OF WILL SONNETT, THE: "The Trap" (4 Oct 68)
GUNSLINGER, THE: "Border Incident" (9 Feb 61)
GUNSMOKE: "Obie Tater" (15 Oct 55)
GUNSMOKE: "Now That April's There" (21 Mar 64)
GUNSMOKE: "Crooked Mile" (3 Oct 64)
GUNSMOKE: "Deputy Festus" (16 Jan 65)
GUNSMOKE: "Sweet Billy, Singer of Songs" (15 Jan 66)
GUNSMOKE: "Hard Luck Henry" (23 Oct 67)
GUNSMOKE: "The Fifth Horseman" (9 Mar 70)
GUNSMOKE: "Captain Sligo" (4 Jan 71)
Hammett (1982)
Handle with Care (1958)
HARDY BOYS MYSTERIES, THE: "The House on Possessed
Hill" (22 Jan 78)
HAWAII FIVE-O: "Paniolo" (30 Dec 70)
HONDO: "Hondo and the Mad Dog" (27 Oct 67)
Hound-Dog Man (1959)
House II: The Second Story (1987)
"How the West Was Won" (mini) (6,7,14 Feb 77)
Howzer (1972)
Huckleberry Finn (TV) (1975)
Hughes and Harlow: Angels in Hell (1978)
If He Hollers, Let Him Go (1968)
In Search of Historic Jesus (1980)
IRON HORSE, THE: "A Dozen Ways to Kill a Man"
(19 Dec 66)
IRON HORSE, THE: "Welcome for the General" (2 Jan 67)
Joe Dancer: Murder One, Dancer 0 (TV) (5 Jun 83)
Johnny Guitar (1954)
JUSTICE: "Death for Sale" (16 Dec 54)
King of Kings (1961)
Killer Inside Me, The (1975)
Killer Klowns From Outer Space (1988)
The Last Challenge (1967)
LEGEND OF JESSE JAMES, THE: "Jail Break" (15 Nov 65)
LLOYD BRIDGES SHOW, THE: "A Pair of Boots" (2 Oct 62)
LONG, HOT SUMMER, THE: "Track the Man Down" (30 Dec 65)
LORETTA YOUNG SHOW, THE: "810 Franklin Street"
(1 Mar 59)
LOST IN SPACE: "The Lost Civilization" (13 Apr 66)
MAN AND THE CITY, THE: "The Cross-Country Man"
(1 Dec 71)
Man in the Shadow (1957)
Man of the West (1958)
Manhunter, The (TV) (1976)
MILLIONAIRE, THE: "The Story of Hap Connelly"
(13 Nov 57)
Mr. Magoo's Holiday Festival (1978)
MR. NOVAK: "To Break a Camel's Back" (12 Nov 63)
Moby Dick (1956)
Moon of the Wolf (TV) (26 Sep 72)
Murder in Peyton Place (TV) (1977)
Never Steal Anything Small (1959)
NIGHT GALLERY: "I'll Never Leave You--Ever" (16 Feb 72)
OMNIBUS: "Mr. Lincoln: The Birth and Death of Abraham
Lincoln" (16,30 Nov; 14 Dec 52; 11 Jan;
8 Feb 53)
One Man Jury (1978)
OUTCASTS, THE: "The Heroes" (11 Nov 68)
Outlaw Josie Wales, The (1976)
PLANET OF THE APES: "Escape from Tomorrow" (13 Sep 74)
PLAYHOUSE 90: "The Blackwell Story" (28 Feb 57)
POLICE STORY: "Love, Mabel" (26 Nov 74)
POLICE STORY: "The Test of Brotherhood" (14 Nov 75)
Posse from Hell (1961)
QUEST, THE: "The Captive" (22 Sep 76)
RAWHIDE: "Incident at Quivira" (14 Dec 62)
RAWHIDE: "Incident at Ten Trees" (2 Jan 64)
RAWHIDE: "The Lost Herd" (16 Oct 64)
RAWHIDE: "Texas Fever" (5 Feb 65)
REBEL, THE: [title unknown] (18 Oct 59)
REBEL, THE: "The Proxy" (16 Apr 61)
Red Badge of Courage, The (1951)
Red Headed Stranger, The (1986)
RESTLESS GUN, THE: "Cheyenne Express" (2 Dec 57)
RIFLEMAN, THE: "A Matter of Faith" (19 May 59)
RIFLEMAN, THE: "A Case of Identity" (19 Jan 60)
RIFLEMAN, THE: "Honest Abe" (20 Nov 61)
RIFLEMAN, THE: "Day of Reckoning" (9 Apr 62)
The Right Stuff (1983)
ROUTE 66: "Most Vanquished, Most Victorious"
(14 Apr 61)
Run, Simon, Run (TV) (1970)
Saddle the Wind (1958)
Santiago (1956)
Savage Sam (1963)
7 Faces of Dr. Lao, The (1964)
Skin Game (1971)
Slingshot (1971)
Something Wicked This Way Comes (1983)
Spaced Invaders (1990)
Strangers: The Story of a Mother and a Daughter
(TV) (1979)
STUDIO ONE: "Fandango at War Bonnet" (21 Jun 54)
STUDIO ONE: "The Broken Spur" (14 Feb 55)
Take This Job and Shove It (1981)
TALES OF WELLS FARGO: "Cole Younger" (4 Jan 60)
TALES OF WELLS FARGO: "Don't Wake a Tiger" (12 May 62)
TARGET!: THE CORRUPTORS: "To Wear a Badge" (1 Dec 61)
TARGET!: THE CORRUPTORS: "Journey Into Mourning"
(13 Apr 62)
TATE: "Home Town" (8 Jun 60)
Teachers (1984)
Tension at Table Rock (1956)
THEN CAME BRONSON: "The 3:13 Arrives at Noon"
(29 Oct 69)
These Thousand Hills (1959)
TRAVELS OF JAMIE McPHEETERS, THE: "The Day of the
Haunted Trail" (26 Jan 64)
Tribute to a Bad Man (1956)
Trooper Hook (1957)
Trouble With Harry, The (1955)
Undefeated, The (1969)
Under the Gun (1950)
Undercover Girl (1950)
VIRGINIAN, THE: "The Brazen Bell" (17 Oct 62)
WAGON TRAIN: "The Robert Harrison Clarke Story"
(14 Oct 63)
WANTED: DEAD OR ALIVE: "The Matchmaker" (19 Sep 59)
Welcome to Hard Times (1967)
Wild Party, The (1975)
Will There Really Be a Morning? (TV) (1983)

Davis, Don S.AMAZING STORIES: "Fine Tuning" (10 Nov 85)
[Major Briggs]BROKEN BADGES: [regular] (1990)
Bull Durham (1988)
DANGER BAY: "Katie and the Whale" (1984)
FLY BY NIGHT: [title unknown] (23 May 91)
                        FLY BY NIGHT: "The Man Who Knew Nothing At All"
                                (30 May 91)
                        KURT VONNEGUT'S MONKEY HOUSE: "All the King's
Horses" (12 May 91)
Journey of Natty Gann, The (1985)
L.A. LAW: "Bound for Glory" (22 Mar 90)
Look Who's Talking (1989)
Look Who's Talking Too (1990)
Malone (1987)
MURPHY'S LAW: [title unknown] (28 Jan 89)
Omen IV (TV) (22 May 91)
Talking Walls (1987)

Deschanel, Mary JoAMAZING STORIES: "Gather Ye Acorns" (2 Feb 86)
[Eileen Hayward]Right Stuff, The (1983)
2010 (1984)

Duchovny, DavidJulia Has Two Lovers (1991)
[Denise Bryson]New Year's Day (1989)
                        Rapture, The (1991)

Evans, TroyCHINA BEACH: [regular] (1988-91)
[T.P. High Principal]   L. A. LAW: "Sperminator" (1 Dec 88)
                        Near Dark (1987)

Fenn, SherilynABC AFTERSCHOOL SPECIAL: "A Family Again" (1988)
[Audrey Horne]Backstreet Dreams (aka Backstreet Strays)
CHEERS: "The Groom Wore Clearasil" (24 Oct 85)
Crime Zone (1988)
Death of a Sibling (TV)
Dillinger (TV) (6 Jan 91)
Divided We Stand (TV)
Hit Man [in production 1991]
Just One of the Guys (1985)
Kiss of the Beast (aka Meridian)
Out of Control (1984)
Prep School (1981)
Silence of the Heart (TV) (1984)
Thrashin' (1986)
True Blood (1989)
21 JUMP STREET: [episode unknown]
Two Moon Junction (1988)
Wild at Heart (1990)
Wild Life, The (1984)
Wraith, The (1986)
Zombie High (1987)

Ferrer, MiguelBROKEN BADGES: [regular] (1990)
[Albert Rosenfield]C.A.T. Squad: Python Wolf (TV) (1988)
Deepstar Six (1989)
Drug Wars: The Camarena Story (TV) (7,8,9 Jan 1990)
Flashpoint (1984)
Guardian, The (1990)
Heartbreaker (1983)
Lovelines (1984)
MIAMI VICE: [episode unknown]
Revenge (1990)
Robocop (1987)
Shannon's Deal (TV) (1989)
Star Trek II: The Search for Spock (1984)
TALES FROM THE CRYPT: "The Thing from the Grave"
(8 May 90)
Valentino Returns (1988)

Frost, WarrenAS THE WORLD TURNS:  [regular]
["Doc" Hayward]BEAUTY AND THE BEAST: "Though Lovers Be Lost..."
(12 Dec 89)
CAPITAL NEWS: [episode unknown]
"An Inconvenient Woman" (mini) (11, 12 May 91)
Jackpot (1982)
L.A. LAW: [title unknown] (6 Dec 90)
QUANTUM LEAP: "Honeymoon Express" (20 Sep 89)
Slaughterhouse Five (1972)
So Proudly We Hail (TV) (23 Jan 90)
TATTINGER'S: [episode unknown]
That Was Then ... This Is Now (1985)
War of the Colossal Beast (1958)

Goaz, Harry             EERIE, INDIANA: [title unknown] (29 Sep 91)
[Deputy Andy]

Gorg, GaylynAMAZING STORIES: "Miscalculation" (29 Sep 86)
[Nancy O'Reilly]Down Twisted (1987)

Graham, HeatherDrugstore Cowboy (1989)
[Annie Blackburne]I Love You to Death (1990)
License to Drive (1988)
                        Shout (1991)
Student Exchange (TV) (1987)

Greer, JaneAgainst All Odds (1984)
[Vivian Niles]ALFRED HITCHCOCK PRESENTS: "Curtains for Me" (7 Jun 59)
Bamboo Blonde (1946)
Big Steal, The (1949)
Billie (1965)
BONANZA: "The Julia Bolette Story" (17 Oct 59)
Clown, The (1953)
Company She Keeps, The (1950)
Desperate Search (1952)
Dick Tracy, Detective (1945)
Down Among the Sheltering Palms (1953)
FALCON CREST: [regular] (1984-85)
Falcon's Alibi, The (1946)
FORD TELEVISION THEATER, THE: "Look for Tomorrow"
(14 May 53)
FORD TELEVISION THEATER, THE: "Moment of Decision"
(10 Apr 57)
George White's Scandals (1945)
Immediate Family (1989)
Just Between Friends (1986)
Man of a Thousand Faces (1957)
Outfit, The (1973) [a.k.a. The Good Guys Always Win]
Out of the Past (1947)
Pan-Americana (1945)  [as Bettejane Greer]
PLAYHOUSE 90: "No Time at All" (13 Feb 58)
Prisoner of Zenda, The (1952)
REVLON MIRROR THEATER, THE: "Summer Dance" (21 Nov 53)
Run for the Sun (1956)
Shadow Riders, The (TV) (1982)
Sinbad the Sailor (1947)
STAGECOACH WEST: "High Lonesome" (4 Oct 60)
Station West (1948)
Sunset Pass (1946)
SUSPICION: "Meeting in Paris" (10 Feb 58)
They Won't Believe Me (1947)
THRILLER: "Portrait Without a Face" (25 Dec 61)
Two O'Clock Courage (1945)  [as Bettejane Greer]
Where Love Has Gone (1964)
You for Me (1952)
You're in the Navy Now (1951)

Harris, JoshuaDALLAS: [regular] (1984-91)
[Little Nicky]Just Between Friends (1986)
ST. ELSEWHERE: "Time Heals, Part 2" (20 Feb 86)

Hershberger, GaryBurglar (1987)
[Mike Nelson]COLUMBO: "Columbo Goes to College" (9 Dec 1990)
Free Ride (1986)
                        Heroes of Desert Storm, The (TV) (6 Oct 91)
KNIGHT RIDER: "The Wrong Crowd" (1 Nov 85)
The Love She Sought (TV) (21 Oct 90)
My Man Adam (1986)
Paradise Motel (1985)
"Summer" (TV pilot) (14 Jul 84)

Horse, MichaelAIRWOLF: [episode unknown]
[Deputy Hawk]AMAZING STORIES: "The Sitter" (5 Jan 86)
AMAZING STORIES: "What If...?" (8 Dec 86)
Buckeye and Blue (1988)
Check is in the Mail, The (1988)
Cowboy and the Frenchman, The (1989) [Made for
French Television]
Deadly Weapon (1988)
HIGHWAYMAN, THE: "The Haunted Highway" (6 May 88)
HOLLYWOOD BEAT: [episode unknown]
KNIGHT RIDER: "Burial Ground" (25 Oct 85)
Law at Randado, The (TV)
Legend of Seeks To Hunt Great, The (TV)
Legend of the Lone Ranger, The (1981)
Love at Stake (1988)
PARADISE: [episode unknown]
Rented Lips (1988)

Jay, TonyBEAUTY AND THE BEAST: "The Alchemist" (22 Jan 88)
[Dougie Milford]BEAUTY AND THE BEAST: "In a Ceremony of Innocence"
(19 May 89)
BEAUTY AND THE BEAST: "Remember Love" (25 Nov 88)
BEAUTY AND THE BEAST: "To Reign In Hell" (18 Mar 88)
Greek Tycoon (1978)
HUNTER: [episode unknown]
Little Dorrit (1988)
Love and Death (1975)
My Stepmother is an Alien (1988)
My Way (1974)
NEWHART: "Good Lord Louden" (20 Nov 89)
Time Bandits (1981)
Twins (1988)

Kelly, David Patrick48 HRS. (1982)
[Jerry Horne]Adventures of Ford Fairlane, The (1990)
Commando (1985)
Dreamscape (1984)
Hammett (1982)
Misfit Brigade, The (1987)
Penn and Teller Get Killed (1989)
TALES FROM THE DARKSIDE: "Slippage" (1984)
Warriors, The (1979)
Wheels of Terror (1987)
Wild at Heart (1990)

Lander, David L.BARNEY MILLER: "Hot Dogs" (1976)
[Tim Pinkle]Big Bang, The (1987) [animated]
BOB NEWHART SHOW, THE: "Ship of Shrinks" (1975)
Funland (1986)
"Gidget Makes the Wrong Connection" (TV)
(22 Sep 73) [animated]
LAVERNE & SHIRLEY: [regular] (27 Jan 76 - 10 May 83)
Man With One Red Shoe, The (1985)
Pandemonium (1982)
STAR TREK: THE NEXT GENERATION: "Peak Performance"
(8 Jul 89)
Steele Justice (1987)
Used Cars (1980)
Who Framed Roger Rabbit (1988) [voice only]
Wholly Moses! (1980)
WILL THE REAL JERRY LEWIS PLEASE SIT DOWN? (1970)
[animated series]

Laurie, PiperAin't Misbehavin' (1955)
[Catherine Martell]Appointment with Death (1988)
BEAUTY AND THE BEAST: "A Gentle Rain" (17 Feb 89)
BEST OF BROADWAY, THE: "Broadway" (4 May 55)
BOB HOPE CHRYSLER THEATER, THE: "Something About Lee
Wiley" (11 Oct 63)
BOB HOPE CHRYSLER THEATER, THE: "Bob Hope Show, The"
(TV Special) (22 Mar 62)
Boss' Son, The (1978)
BREAKING POINT, THE: "The Summer House" (16 Mar 64)
Bunker, The (TV) (27 Jan 81)
Carrie (1976)
Children of a Lesser God (1986)
Dangerous Mission (1954)
Dawn at Socorro (1954)
DESILU PLAYHOUSE: "The Innocent Assassin" (16 Mar 59)
Distortions (1987)
Dream a Little Dream (1989)
ELEVENTH HOUR, THE: "My Door Is Locked and Bolted"
(1 Jan 64)
Francis Goes to the Races (1951)
FRONT ROW CENTER: "Winter Dreams" (19 Feb 56)
GENERAL ELECTRIC THEATER, THE: "The Road That Led Afar"
(25 Nov 56)
GENERAL ELECTRIC THEATER, THE: "Caesar and Cleopatra"
(12 Apr 59)
GENERAL ELECTRIC THEATER, THE: "A Musket for Jessica"
(8 Oct 61)
Go to the Light (TV) (1988)
Golden Blade, The (1953)
HALLMARK HALL OF FAME: "Twelfth Night" (15 Dec 57)
HALLMARK HALL OF FAME: "Winterset" (26 Oct 59)
HALLMARK HALL OF FAME: "Promise" (1986)
Has Anybody Seen My Gal? (1952)
Hustler, The (1961)
In the Matter of Karen Ann Quinlan (TV) (26 Sep 77)
Johnny Dark (1954)
Kelly and Me (1957)
Louisa (1950)
Mae West (TV) (1982)
MANNIX: "Voice in the Dark" (20 Feb 71)
Milkman, The (1950)
Mississippi Gambler (1953)
Ninth Day, The (TV)
No Room for the Groom (1952)
Other People's Money (1991)
                        PLAYHOUSE 90: "Mr. and Mrs. McAdam" (10 Jan 57)
PLAYHOUSE 90: "The Days of Wine and Roses" (2 Oct 58)
Prince Who Was a Thief, The (1951)
Return to Oz (1985)
Rich in Love (in pre-production 1991)
                        Rising Son (TV)
Road That Led Afar, The (TV)
Ruby (1977)
ST. ELSEWHERE: "Lust Et Veritas" (2 Nov 83)
ST. ELSEWHERE: "Newheart" (9 Nov 83)
ST. ELSEWHERE: "Ties That Bind" (26 Oct 83)
SEVEN LIVELY ARTS, THE: "The Changing Ways of Love"
(3 Nov 57)
Skag (TV) (6 Jan 80)
SKAG: [regular] (13 Jan 80 - 21 Feb 80)
Smoke Signal (1955)
Son of Ali Baba (1952)
STUDIO ONE: "The Deaf Heart" (21 Oct 57)
Tender is the Night (TV) (1985)
Tiger Warsaw (1987)
Tim (1979)
"Thorn Birds, The" (mini) (27-30 Mar 83)
Toughlove (TV) (1985)
TWILIGHT ZONE, THE: "The Burning Man" (15 Nov 85)
UNITED STATES STEEL HOUR, THE: "You Can't Have
Everything" (27 Jan 60)
UNITED STATES STEEL HOUR, THE: "Mission of Fear"
(3 Apr 63)
Until They Sail (1957)
Winter Dreams (TV)

Lee, SherylI Love You to Death (1990)
[Laura Palmer]Love, Lies and Murder (TV) (17,18 Feb 91)
[Maddie Ferguson]Wild at Heart (1990)

Lipton, PeggyAddicted to His Love (TV)
[Norma Jennings]Blue (1968)
Fatal Charm
THE HITCHHIKER: "Working Girl" (30 Nov 90)
I'm Gonna Git You Sucka! (1989)
INVADERS, THE: "Wall of Crystal" (25 Apr 67)
JOHN FORSYTHE SHOW, THE: [regular]
     (13 Sep 65 - 29 Aug 66)
Kinjite: Forbidden Subjects (1989)
MOD SQUAD, THE: [regular] (24 Sep 68 - 23 Aug 73)
Purple People Eater (1988)
Return of the Mod Squad (TV) (18 May 79)
VIRGINIAN, THE: [episode unknown]
War Party (1988)

Lively, RobynABC AFTERSCHOOL SPECIAL: "The Less Than Perfect
[Lana Milford]Daughter" (24 Jan 91)
AMAZING STORIES: "Welcome to My Nightmare" (13 Oct 86)
Best of Times, The (1986)
BOONE: [regular] (26 Sep 83 - 11 Aug 84)
Buckeye and Blue (1988)
DOOGIE HOWZER, M.D.: [episode(s) unknown]
Karate Kid Part III, The (1989)
KNIGHT RIDER: "Race for Life" (5 Feb 84)
Not Quite Human (TV) (1987)
Not Quite Human II (TV) (1989)
STARMAN: "Like Father, Like Son" (26 Sep 86)
Teen Witch (1989)
Wildcats (1986)

Lynch, DavidDune (1984)
[Gordon Cole]Zelly and Me (1988)
--
 David E. Coufal                                 dcoufal@athena.mit.edu
           "One time I removed all the hair from a mouse 
            with Nair-Hair just to see what it looked like.
            And it looked beautiful." - David K. Lynch

MacLachlan, KyleBlue Velvet (1987)
[Agent Cooper]Don't Tell Her It's Me (aka The Boyfriend School)
(1991)
Doors, The (1991)
Dune (1984)
Hidden, The (1987)

Marshall, JamesABC AFTERSCHOOL SPECIAL: "My Past Is My Own" (1989)
[James Marshall]CBS SCHOOLBREAK SPECIAL: "No Means No" (18 Oct 88)
Cadence (1991)
CHINA BEACH: [episode unknown]
Gladiator (1991)
MURDER, SHE WROTE: [episode unknown]

McCarthy, AnnetteCrazy Times (TV) (10 Apr 81)
[Evelyn Marsh]Creature (1985)
Second Thoughts (1983)

McGill, EverettBrubaker (1980)
[Big Ed Hurley]Dune (1984)
Drug Wars: The Camarena Story (TV) (7,8,9 Jan 1990)
Field of Honor (1986)
GUIDING LIGHT, THE: [regular]
Heartbreak Ridge (1986)
Iguana (1988)
Jezebel, It Was You
Licence to Kill (1989)
Quest For Fire (1981)
Silver Bullet (1985)
Three on a Match (TV) (27 May 91)
TOUR OF DUTY: [episode unknown]
Union City (1980)
WEREWOLF: "Blood on the Tracks" (1 Nov 87)
Yanks (1979)

Mulkey, ChrisAmbition (1991)
[Hank Jennings]Angel of Death (TV) (2 Oct 90)
BARNABY JONES: "Terror on a Quiet Afternoon" (9 Feb 78)
BEAUTY AND THE BEAST: "An Impossible Silence"
(11 Dec 87)
CHARLIE'S ANGELS: "Angels on Skates" (21 Nov 79)
DIVORCE COURT: [title unknown]
Dreamscape (1984)
First Blood (1982)
48 HRS. (1982)
From Hollywood to Deadwood
Heartbreak Hotel (1988)
Hidden, The (1987)
Hometown Boy Makes Good (TV)
In Dangerous Company (1988)
Jack's Back (1988)
K-9000 (TV) (1 Jul 91) [Note: Originally released on
                                home video in the UK]
Long Riders, The (1980)
Loose Ends (1975)
Patti Rocks (1988) [and co-writer]
REMINGTON STEELE: "Steele Blushing" (22 Oct 85)
Roe vs. Wade (TV) (1989)
Runaway (1984)
Sunnyside (1979)
THIRTYSOMETHING: [episode unknown]
Timerider (1983)
Tomcats (1977)
Tricks of the Trade (TV) (1988)
TWILIGHT ZONE, THE: "The Junction" (21 Feb 87)
Under the Gun (1989)
WHITE SHADOW, THE: "The Russians Are Coming"
(26 Feb 80)

Nance, JackBarfly (1987)
[Pete Martell]Blob, The (1988)
Blue Velvet (1987)
Bushman (1969)
City Heat (1984)
Colors (1988)
Cowboy and the Frenchman, The (1989) [Made for
French Television]
CRIME STORY: [episode unknown]
Dune (1984)
Eraserhead (1978)
Fools (1970)
Ghoulies (1985)
Hammett (1982)
Hot Spot, The (1990)
Johnny Dangerously (1984)
Jump (1971)
Kiki's Story
Whore (1991)
Wild at Heart (1990)

O'Herlihy, DanActors and Sin (1952)
[Andrew Packard]ADVENTURES IN PARADISE: "Adam Sam" (1 May 61)
ADVENTURES IN PARADISE: "The Secret Place" (25 Feb 62)
Adventures of Robinson Crusoe (1953)
ALFRED HITCHCOCK HOUR, THE: "Forecast: Low Clouds and
Coastal Fog" (25 Jan 63)
AMERICANS, THE: "The Escape" (13 Mar 61)
Artemis 81  (UK TV) (27 Dec 81) [UK broadcast date]
At Sword's Point (1952)
Banjo Hackett: Roamin' Free (TV) (3 May 76)
BARNABY JONES: "Nightmare in Hawaii" (27 Sep 79)
BATTLESTAR GALACTICA: "The Gun on Ice Planet Zero"
(22,29 Oct 78)
BEN CASEY: "For I Will Plait Thy Hair With Gold"
(25 Mar 63)
Bengal Brigade (1954)  [a.k.a. Bengal Rifles]
Big Cube, The (1969)
BIG VALLEY, THE: "Image of Yesterday" (9 Jan 67)
BIONIC WOMAN, THE: "The African Connections"
(29 Oct 77)
Black Shield of Falworth, The (1954)
Blue Veil, The  (1951)
BOB HOPE CHRYSLER THEATER, THE: "The Shattered Glass"
(11 Dec 64)
BONANZA: "The Artist" (7 Oct 62)
BORN FREE: "Death of a Hunter" (30 Sep 74)
Cabinet of Dr. Calagari (1962)
Carey Treatment, The (1972)
CAVALCADE OF AMERICA: "A Romance to Remember"
(12 Nov 52)
CAVALCADE OF AMERICA: "The Betrayal" (8 Dec 53)
CHARLIE'S ANGELS: "Diamond in the Rough" (18 Jan 77)
City After Midnight (1957) [a.k.a. That Woman Opposite]
COMBAT!: "The Chateau" (12 Feb 63)
Dark Mansions (TV) (1986)
Dead, The (1987)
Deadly Game (TV) (3 Dec 77)
Death Ray 2000 (TV) (5 Mar 81) [a.k.a. T.R. Sloane]
DEFENDERS, THE: "Impeachment" (13 Mar 65)
Desert Fox, The (1951) [a.k.a. Rommel, Desert Fox]
DR. KILDARE: "Season to Be Jolly" (21 Dec 61)
DR. KILDARE: "The Roaring Boy-O" (15 Mar 62)
DR. KILDARE: "A Very Infectious Disease" (21 Mar 63)
DR. KILDARE: "Believe and Live" (22 Apr 65)
EMPIRE: "The Earth Mover" (27 Nov 62)
EQUALIZER, THE: "Prisoners of Conscience" (1989)
Fail-Safe (1964)
GENERAL ELECTRIC THEATER, THE: "Trapped" (22 Mar 53)
GENERAL ELECTRIC THEATER, THE: "The Wine of St.
Albans" (2 Aug 53)
GENERAL ELECTRIC THEATER, THE: "The White Steed"
(26 Dec 54)
GENERAL ELECTRIC THEATER, THE: "Robbie and His Mary"
(19 Apr 59)
GIBBSVILLE: "Andrea" (23 Dec 76)
Good Against Evil (TV) (22 May 77)
Halloween III: Season of the Witch (1983)
HAWAII FIVE-O: "Termination With Extreme Prejudice"
(26 Sep 75)
HIGH CHAPARRAL, THE: "The Fillibusteros" (22 Oct 67)
Highwayman, The (1951)
Home Before Dark (1958)
HONDO: "Hondo and the Hanging Town" (8 Dec 67)
Hungry Hill (1947)
"Hunter's Moon" (TV pilot) (1 Dec 79)
Imitation of Life (1959)
Invasion, U.S.A. (1952)
IRONSIDE: "Another Shell Game" (1 Mar 73)
Iroquois Trail, The (1950) [a.k.a. The Tomahawk Trail]
"It's Deadly" (TV) (3 Dec 77)
JANE WYMAN PRESENTS THE FIRESIDE THEATER: "As Long
as I Live" (13 Dec 55)
"Jennie: Lady Randolph Churchill" (mini)
(8 Oct - 19 Nov 75)
JUNE ALLYSON SHOW, THE: "Edge of Fury" (4 Jan 60)
Kidnapped (1948)
King of the Roaring Twenties (1961) [a.k.a. The Big
Bankroll]
KRAFT MYSTERY THEATER, THE: "Port of Revenge"
(13 Sep 61)
L.A. LAW: "Chariots of Meyer" (5 May 88)
Larceny (1948)
Last Starfighter, The (1984)
LONG HOT SUMMER, THE: [regular] (Jan 66 - 13 Jul 66)
MacArthur (1977)
Macbeth (1948)
MAN CALLED SLONE, THE: [regular]
(22 Sep 79 - 12 Sep 80)
MAN FROM U.N.C.L.E., THE: "The Fiddlesticks Affair"
(18 Jan 65) 
MAN FROM U.N.C.L.E., THE: "The Yo-Ho-Ho and a Bottle
of Rum Affair" (20 Jan 67)
MAN FROM U.N.C.L.E., THE: "The Seven Wonders of
the World Affair" (8,15 Jan 68) [feature
version: How to Steal the World] (1968)
MISSION: IMPOSSIBLE: [title unknown] (17 Sep 67)
"Nancy Astor" (mini) (15 Apr - 3 Jun 83)
NANCY DREW MYSTERIES, THE: "Will the Real Santa
Claus..." (18 Dec 77)
Night Fighters, The (1960)  [a.k.a. Terrible Beauty]
Odd Man Out (1946)
ON TRIAL [a.k.a. THE JOSEPH COTTEN SHOW]: "The Deadly
Chain" (7 Jun 57)
One Foot in Hell (1960)
100 Rifles (1969)
Operation Secret (1952)
People, The (TV) (22 Jan 72)
PLAYHOUSE 90: "The Blackwell Story" (28 Feb 57)
PLAYHOUSE 90: "To the Sound of Trumpets" (9 Feb 60)
PROFILES IN COURAGE: "Richard T. Ely" (6 Dec 64)
Purple Mask, The (1955)
"QB VII" (mini) (1974)
QUEST, THE: "The Longest Drive" (1,8 Dec 76)
RAWHIDE: "Incident at Dragoon Crossing" (21 Oct 60)
RAY BRADBURY THEATER, THE: "The Coffin" (7 May 88)
REMINGTON STEELE: "Steele At Your Service" (15 Mar 86)
Robocop (1987)
Robocop 2 (1990)
ROUTE 66: "To Walk with the Serpent" (5 Jan 62)
SAM BENEDICT: "The View from an Ivory Tower"
(24 Nov 62)
SCHILTZ PLAYHOUSE OF THE STARS, THE: "Log the Man
Innocent" (25 Mar 55)
SCREEN DIRECTORS' PLAYHOUSE: "The Final Tribute"
(16 Nov 53)
SERPICO: "A Traitor in Our Midst" (1 Oct 76)
Soldiers Three (1951)
STAGE 7: "Appointment in Highbridge" (6 Feb 55)
Sword of Venus (1953)
Tamarind Seed, The (1974)
TARGET!: THE CORRUPTORS: "The Platinum Highway"
(13 Oct 61)
TRAVELS OF JAMIE McPHEETERS, THE: [regular]
(15 Sep 63 - 15 Mar 64)
UNITED STATES STEEL HOUR, THE: "The Seventh Veil"
(3 Aug 55)
UNITED STATES STEEL HOUR, THE: "Bury Me Twice"
(18 Oct 61)
UNTOUCHABLES, THE: "The Big Squeeze" (18 Feb 60)
Virgin Queen, The (1955)
Waterloo (1970)
WHIZ KIDS: [regular] (Jan 84 - 2 Jun 84)
Whoopee Boys, The (1986)
"Woman on the Run" (TV pilot) (17 Dec 77)
 WONDERWORKS: "A Waltz Through the Hills" (1988)
Young Land, The (1959)
YOUR SHOW TIME: "The Sire de Maletroit's Door"
(28 Jan 49)
ZANE GREY THEATER: "The Bitter Land" (6 Dec 57)

O'Herlihy, GavanAMAZING SPIDER-MAN, THE: "Wolfpack" (21 Feb 79)
[R.C.M.P. Officer]BIONIC WOMAN, THE: "The Pyramid" (14 Jan 78)
Death Wish 3 (1985)
HAPPY DAYS: [regular] (1974)
"Lonesome Dove" (mini) (Feb 89)
MARCUS WELBY, M.D.: "The Time Bomb" (28 Jan 75)
Never Say Never Again (1983)
"Rich Man, Poor Man--Book I" (mini) (1 Feb-22 Mar 76)
Space Riders (1984)
SIX MILLION DOLLAR MAN, THE: "Outrage in Balinderry"
(19 Apr 75)
Superman III (1983)
TALES FROM THE CRYPT: "Three's a Crowd" (1 May 90)
Willow (1988)

Olkewicz, WalterA-TEAM, THE: "There Goes The Neighborhood" (3 Dec 85)
[Jacques Renault]ALICE: "Vera Goes Out on a Limb" (1982)
Big Picture, The (1989)
"Blue and the Gray, The" (mini) (14,16,17 Nov 82)
Can I Do It 'Til I Need Glasses? (1980)
CHEERS: "They Called Me Mayday" (1 Dec 83)
Circle of Power (1984)
"Comedy of Horrors" (TV pilot) (1 Sep 81)
DUCK FACTORY, THE: [regular] (1984)
Executioner's Song, The (TV) (1982)
FAMILY TIES: [episodes unknown]
FLASH, THE: "Angel of Death" (29 Nov 90)
Full Exposure: The Sex Tape Scandal (TV) (1989)
Heartbreakers (1984)
Jimmy the Kid (1982)
L.A. LAW: "Full Marital Jacket" (7 Jan 88)
LAST RESORT, THE: [regular] (19 Sep 79 - 17 Mar 80)
LIFE GOES ON: [title unknown] (7 Apr 91)
Making the Grade (1984)
NEWHART: "My Fair Larry" (4 Mar 85)
1941 (1979)
OPEN HOUSE: [title unknown; part 1 only of
a 2-part episode] (1989)
PARTNERS IN CRIME: [regular] (22 Sep 84 - 29 Dec 84)
TALL TALES & LEGENDS: "Johnny Appleseed" (1985)
TAXI: "Going Home" (1980)
TAXI: "Jim's Mario's" (1983)
Travis McGee (TV) (18 May 82)
WIZARDS AND WARRIORS: [regular] (26 Feb 83 - 14 May 83)


Ontkean, MichaelAllnighter, The (1987)
[Sheriff Truman]Bayou Boy (TV)
Blood of Others, The (TV) (1984)
Bye Bye Blues (1989)
Clara's Heart (1988)
Cold Front (1989)
DAN AUGUST: "The Soldier" (2 Dec 70)
THE HITCHHIKER: "Square Deal" (11 Aug 89)
Hot Summer Week (1973)
In Defense of a Married Man (TV) (14 Oct 90)
Just the Way You Are (1984)
Kids Don't Tell (TV) (1985)
LONGSTREET: "So, Who's Fred Hornbeck?" (7 Oct 71)
Maid to Order (1987)
Making Love (1982)
Necromancy (aka The Witching) (1972)
PARTRIDGE FAMILY, THE: "Not With My Sister, You
Don't" (1971)
Peace Killers, The (1971)
Pickup on 101 (1972)
Postcards From the Edge (1990)
Right of the People (TV) (1986)
ROALD DAHL'S TAKES OF THE UNEXPECTED: "Man from
the South" (22 Sep 79)
Rookies, The (TV) (7 Mar 72)
ROOKIES, THE: [regular] (1972-74)
Slap Shot (1977)
Street Justice (1987)
Toy Factory, The
Voices (1979)
Willie and Phil (1980)

Parks, MichaelALFRED HITCHCOCK HOUR, THE: "Diagnosis: Danger"
[Jean Renault](1 Mar 63)
ALFRED HITCHCOCK HOUR, THE: "The Cadaver" (29 Nov 63)
Arizona Heat (1988)
ARREST AND TRIAL: "We May Be Better Strangers"
(1 Dec 63)
ASPHALT JUNGLE, THE: "The Sniper" (30 Apr 61)
BARETTA: "Walk Like You Talk" (14 Mar 75)
BEN CASEY: "Father Was an Intern" (1 Apr 63)
Bible, The (1966)
BIG HAWAII [aka DANGER IN PARADISE]: "Yesterdays"
(1978)
BOB HOPE CHRYSLER THEATER, THE: "A Time for Killing"
(30 Apr 65)
Breakthrough (1978) [a.k.a. Sergeant Steiner]
BRONK: "Open Contract" (21 Sep 75)
Bus Riley's Back in Town (1965)
BUS STOP: "The Opposite Virtues" (18 Feb 62)
Can Ellen Be Saved? (TV) (5 Feb 74)
CHANNING [a.k.a. THE YOUNG AND THE BOLD]: "An Obelisk
for Benny" (2 Oct 63) 
CHANNING [a.k.a. THE YOUNG AND THE BOLD]: "Another
Kind of Music" (22 Jan 64)
Chase (1985) (TV)
Club Life (1987)
COLBYS, THE: [regular] (1987)
DETECTIVES, THE: "The Frightened Ones" (6 Jan 61)
DETECTIVES, THE: "Personal Enemy" (10 Feb 61)
DETECTIVES, THE: "Beyond a Reasonable Doubt"
(17 Nov 61)
Distant Early Warning (TV) (21 Oct 75)
ELEVENTH HOUR, THE: "Pressure Breakdown" (15 May 63)
ELLERY QUEEN: "The Adventures of the Wary Witness"
(25 Jan 76)
EQUALIZER, THE: "Target of Choice" (1988)
Escape from Bogen County (TV)
Evictors, The (1979)
FANTASY ISLAND: "The Golden Hour" (5 May 79)
Fast Friends (TV) (1979)
Ffolkes (1980)  [a.k.a. Assault Force
a.k.a. North Sea Hijack]
GALLANT MEN, THE: "A Place to Die" (1 Jun 63)
Get Back (1973)
GREATEST SHOW ON EARTH, THE: "The Hanging Man"
(19 Nov 63)
GUNSMOKE: "The Boys" (26 May 62)
Happening, The (1967)
Hard Country (1981)
A Hatful of Rain (TV) (3 Mar 68)
Hunters of the Reef (TV) (1978)
Idol, The (1966)
IRONSIDE: "A Death in Academe" (21 Feb 74)
Last Hard Man, The (1976)
Love and the Midnight Auto Supply (1978)
McCLOUD [NBC MYSTERY MOVIE]: "The 42nd Street Cavalry"
(17 Nov 74)
Murder at the World Series (TV) (1977)
Night Cries (TV) (29 Jan 78)
Perilous Voyage (TV) (1976)
PERRY MASON: "The Case of the Constant Doyle"
(31 Jan 63)
POLICE WOMAN: "Ice" (28 Feb 75)
Prime Suspect (1989)
Private Files of J. Edgar Hoover, The (1977)
Rainbow, The (1978) (TV)
Return of Josie Wales, The (1987) [also director]
Reward (TV) (23 May 80)
"Royce" (TV pilot) (21 May 76)
SAM BENEDICT: "Too Many Strangers" (8 Dec 62)
Savage Bees, The (TV) (22 Nov 76)
Savannah Smiles (1982)
77 SUNSET STRIP: "Crashout" (1 Feb 63)
Sidewinder 1 (1977)
Spiker (1986)
STONEY BURKE: "The Mob Riders" (29 Oct 62)
Story of Pretty Boy Floyd, The (TV) (1974)
STRAIGHTAWAY: "Pledge a Nightmare" (1 Dec 61)
Stranger on the Run (TV) (1967)
Then Came Bronson (TV) (24 Mar 69)
THEN CAME BRONSON: [regular] (17 Sep 69 - 9 Sep 70)
Turnover Smith (TV) (8 Jun 80)
WAGON TRAIN: "Heather and Hamish" (10 Apr 63)
WAGON TRAIN: "The Michael Malone Story" (6 Jan 64)
WAR OF THE WORLDS: "My Soul to Keep (1989)
Welcome to Spring Break
Werewolf of Woodstock, The (TV) (24 Jan 75)
Wild Seed, The (1965)
Young Lawyers, The (TV) (28 Oct 69)

Parks, Van DykeBILLY CRYSTAL COMEDY HOUR, THE: [regular] (30 Jan 82 -
[Mr. Racine]27 Feb 82) [orchestra leader]
BONINO: [regular] (12 Sep 53 - 26 Dec 53)
CAMPBELL TELEVISION SOUNDSTAGE, THE: "Al Toolum and
His Buddy Leo" (30 Apr 54)
ELGIN HOUR, THE: "Crime in the Streets" (8 Mar 55)
Gift for Heidi, A (1958)
KRAFT TELEVISION THEATER, THE: "Elisha and the
Long Knives" (4 Feb 54)
Popeye (1980)
STAR TONIGHT: "A Trip to Czardie" (17 May 56)
STUDIO ONE SUMMER THEATER: "The Prince and the
Puppets" (8 Aug 55)
Swan, The (1956)
Vibes (1988)
WINDOWS: "The Calliope Tree" (26 Aug 55)

Robertson, KimmyBad Manners (1984)
[Lucy Moran]Honey, I Shrunk the Kids (1989)
Last American Virgin, The (1982)
MARRIED ... WITH CHILDREN: [episode unknown]
9 TO 5: [episode unknown]
PERFECT STRANGERS: [episode unknown]
RICK MORANIS IN GRAVEDALE HIGH: [regular]
Trust Me (1989)
WAKE, RATTLE AND ROLL: [episode unknown]
WEBSTER: [episode unknown]

Robie, Wendy
[Nadine Hurley]

Stansfield, ClaireDoors, The (1991)
[Sid]FLASH, THE: [title unknown] (11 May 91)

Stewart, CharlotteBARNABY JONES: "Fraternity of Thieves" (30 Dec 76)
[Betty Briggs]BONANZA: "The Stalker" (2 Nov 69)
BONANZA: "The Grand Swing" (19 Sep 71)
Buddy Buddy (1981)
CANNON: [title unknown] (3 Jan 73)
Cheyenne Social Club, The (1970)
Eraserhead (1978)
"First Hundred Years, The" (TV pilot) (27 May 62)
Human Highway (1982)
INTERNS, THE: [title unknown] (29 Jan 71)
Irreconcilable Differences (1984)
LITTLE HOUSE ON THE PRARIE: [regular] (1974-78)
LORETTA YOUNG SHOW, THE: "The Glass Cage" (30 Oct 60)
MANNIX: [title unknown] (27 Oct 71)
MEDICAL CENTER: "The Crooked Circle" (29 Oct 69)
MEDICAL CENTER: "Perfection of Vices" (24 Feb 71)
MEDICAL CENTER: [title unknown] (3 Jan 73)
"Mother, Jugs and Speed" (TV pilot) (17 Aug 78)
Slender Thread, The (1965)
THEN CAME BRONSON: "A Famine Where Abundance Grows"
(1 Oct 69)
UFOria (1985)
V.D. (1961)
YOUNG LAWYERS, THE: "The Legacy of Miles Turner"
(7 Dec 70)

Strobel, AlShadow Play (1986)
[The One-Armed Man]

Strong, BrendaANYTHING BUT LOVE: [episode unknown] (1991)
[Jones]CHEERS: "The Cape Cad" (2 Oct 86)
Spaceballs (1987)
STAR TREK: THE NEXT GENERATION: "When the Bough
Breaks" (13 Feb 88)
Weekend Warriors (1986)

Struycken, CarelAddams Family, The (1991)
[The Giant]Die Laughing (1980)
HUNTER: [episode unknown]
Population: One (1986)  [as co-editor]
Prey, The (1984)
Sgt. Pepper's Lonely Hearts Club Band (1978)
STAR TREK: THE NEXT GENERATION: "Haven" (28 Nov 87)
STAR TREK: THE NEXT GENERATION: "Manhunt" (17 Jun 89)
STAR TREK: THE NEXT GENERATION: "Menage a Troi"
(12 May 90)
STAR TREK: THE NEXT GENERATION: "Half A Life"
(7 May 91)
Witches of Eastwick, The (1987)

Tamblyn, RussAs Young as You Feel (1951)
[Dr. Jacoby]Black Heat (1976)
Blood of Frankenstein (1970) [a.k.a. Dracula vs.
Frankenstein]
Boy with Green Hair, The (1948)
Captain Carey, U.S.A. (1950)
CHANNING [a.k.a. THE YOUNG AND THE BOLD]: "The Last
Testament of Buddy Crown" (18 Dec 63)
Cimarron (1960)
Commando Squad (1987)
Cyclone (1987)
Deep in My Heart (1954)
Don't Go Near the Water (1957)
FAME: [episode unknown] (4 Aug 83)
Fastest Gun Alive (1956)
Father's Little Dividend (1951)
Father of the Bride (1950)
Female Bunch, The (1969)
Follow the Boys (1963)
Free Grass (1969)
GREATEST SHOW ON EARTH, THE: "Silent Love, Secret
Love" (24 Sep 63)
Gun Crazy (1949)
GUNSMOKE: "He Who Steals" (29 May 65)
Haunting, The (1963)
High School Confidential (1958)
Hit the Deck (1955)
How The West Was Won (1962)
Human Highway (1982)  [also writer]
Kid From Cleveland, The (1949)
Last Hunt, The (1956)
Last Movie, The (1971)
LIFE AND TIMES OF GRIZZLY ADAMS, THE:
[episode unknown] 
Long Ships, The (1963)
LOVE, AMERICAN STYLE: [episode unknown]
Many Rivers to Cross (1955)
NAME OF THE GAME, THE: "A Hard Case of the Blues"
(26 Sep 69)
Necromancer (1988)
Peyton Place (1957)
QUANTUM LEAP: "Thou Shalt Not..." (15 Nov 89)
QUEST, THE: "The Captive" (22 Sep 76)
RAGS TO RICHES: [episode unknown]
Retreat, Hell! (1952)
Samson and Delilah (1949)
Satan's Sadists (1969)
Seven Brides for Seven Brothers (1954)
Son of a Gunfighter (1966)
Take the High Ground (1953)
TARZAN: "Leopard on the Loose" (23 Sep 66)
tom thumb (1958)
Vicious Years, The (1950)
War of the Gargantuas, The (1967)
West Side Story (1961)
Win, Place or Steal (1972)
Winning Team, The (1952)
Wonderful World of the Brothers Grimm, The (1962)
Young Guns, The (1956)

Taylor, RonChair, The (1988)
[T. P. High WrestlingChampions (1984)
Coach]Dead Heat (1988)
Exterminator 2 (1984)
L.A. LAW: [title unknown] (9 May 91)
QUANTUM LEAP: "Black on White on Fire" (9 Nov 90)
Rage in Harlem (1991)
Return of Josie Wales, The (1987)
Trading Places (1983)
Who's That Girl (1987)
WISEGUY: "The Rip-Off Stick" (22 Mar 89)
WISEGUY: "High Dollar Bop" (5 Apr 89)


Vadset, Brett
[Biker Scotty]

Von Dohlen, LennyBilly Galvin (1986)
[Harold Smith]Dracula's Widow (1988)
Electric Dreams (1984)
FLASH, THE: [title unknown] (13 Apr 91)
GRAND: [episode unknown]
TALES FROM THE DARKSIDE: "Distant Signals" (1985)
Tender Mercies (1982)
THIRTYSOMETHING: [episode unknown]
YOUNG RIDERS, THE: [title unknown] (30 Nov 89)

Wallenfels, Jessica
[Harriet Hayward]

Warner, DavidA Christmas Carol (TV) (1984)
[Thomas Eckhardt]Age of Innocence (1977)
AMERICAN SHORT STORY: "The Blue Hotel" (19 Apr 77)
Ballad of Cable Hogue, The (1970)
Bofors Gun, The (1968)
Company of Wolves, The (1985)
Concorde--Airport '79, The (1979)
Cross of Iron (1977)
The Deadly Affair (1967)
Desperado (TV) 91987)
Disappearance, The (1977)
Doll's House, A (1973)
Engagement, The (1970)
FAERIE TALE THEATRE: "The Boy Who Left Home To Find 
Out About the Shivers" (1985)
Fixer, The (1968)
Frankenstein (1984) (TV)
French Lieutenant's Woman, The (1981)
From Beyond the Grave (1973)
Grave Secrets
GREAT PERFORMANCES: "Uncle Vanya" (22 Feb 1991)
Hanna's War (1988)
Hansel and Gretel (1987)
HART TO HART: "Two Harts Are Better Than One"
(27 Sep 83)
Hitler's S.S.: Portrait in Evil (TV) (1985)
"Holocaust" (mini) (16,17,18,19 Apr 78)
Hostile Take Over (1988)
Island, The (1980)
Little Malcolm (1974)
Man with Two Brains, The (1983)
"Marco Polo" (mini) (15-19 May 82)
"Masada" (mini) (5-8 May 81)
Michael Kohlhaas (1969)
A Midsummer Night's Dream (1968)
Mr. Quilp (1975) [a.k.a. The Old Curiosity Shop]
Morgan! (1966)
Mortal Passions
Mr. North (1988)
My Best Friend Is a Vampire (1988)
"Nancy Astor" (mini) (15 Apr - 3 Jun 83)
Nightwing (1979)
Office Party (1988)
Omen, The (1976)
Perfect Friday (1970)
Providence (1977)
REMINGTON STEELE: "Steele Away With Me" (20 Sep 83)
S.O.S. Titanic (TV) (1979)
Seagull, The (1968)
Secret Life of Ian Fleming, The (TV) (1990)
Silent Night (1988)
Silver Bears (1978)
Star Trek V: The Final Frontier (1989)
Star Trek VI: The Undiscovered Country
[in production 1991]
Straw Dogs (1971)
Teenage Mutant Ninja Turtles II: The Secret of
the Ooze (1991)
Telephone (in production in Summer 1991)
39 Steps, The (1978)
Time After Time (1979)
Time Bandits (1981)
Tom Jones (1963)
Tripwire (1990)
Tron (1982)
Victory at Entebbe (TV) (1976)
Waxwork (1988)
Work Is a 4-Letter Word (1968)

Welsh, KennethAnd Then You Die (1987)
[Windom Earle]Another Woman (1988)
Covergirl (1984)
"Crocodile" Dundee II (1988)
Double Negative (1980)
Falling in Love (1984)
Freshman, The (1990)
Heartburn (1986)
Lost! (1986)
"Love and Hate: A Marriage Made in Hell" (mini) (1989)
Love and Larceny (1983)
Love, Lies and Murder (TV) (17,18 Feb 91)
Loyalties (1987)
Of Unknown Origin (1983)
Perfect (1985)
Perfectly Normal (1991)
Phobia (1980)
Piaf (TV) (6 Sep 82)
Radio Days (1987)
RAY BRADBURY THEATER, THE: "Marionettes, Inc."
(21 May 85)
RAY BRADBURY THEATER, THE: "And the Moon Be Still
as Bright" (19 Oct 90)
Reno and the Doc (1984)
TWILIGHT ZONE, THE: "Acts of Terror" (4 Dec 88)
War Boy, The (1985)

Wilhoite, KathleenAngel Heart (1987)
[Gwen]Bad Influence (1990)
Campus Man (1987)
COP ROCK: [regular] (1990-91)
Crossing Delancey (1988)
Dream Demon (1988)
Everybody Wins (1990)
Morning After, The (1986)
Murphy's Law (1986)
Private School (1983)
Ratboy (1986)
Road House (1989)
Single Bars, Single Women (TV) (1984)
Undercover (1987)
Witchboard (1987)

Williams, Clarence IIICool World, The (1963)
[Agent Hardy]52 Pick-Up (1986)
GREAT MYSTERIES: "The Furnished Room" (13 Feb 74)
HIGHWAYMAN, THE: "Road Ranger" (4 Mar 88)
HILL STREET BLUES: [title unknown] (16 Feb 84)
MIAMI VICE: [episode unknown]
MOD SQUAD, THE: [regular] (24 Sep 68 - 23 Aug 73)
Purple Rain (1984)
Return of the Mod Squad (TV) (18 May 79)
Tough Guys Don't Dance (1987)

Wise, RayA-TEAM, THE: "Lease With An Option To Die"
[Leland Palmer](22 Oct 85)
AIRWOLF: "Hawke's Run" (22 Feb 86)
BEAUTY AND THE BEAST: "Once Upon a Time in the City
of New York" [pilot] (25 Sep 87)
BLUE THUNDER: "Payload" (9 Mar 84)
Cat People (1982)
CHARLIE'S ANGELS: "Winning Is for Losers" (18 Oct 78)
COLBYS, THE: [regular] (1986)
Condor (TV) (1966)
DALLAS: [regular] (1982)
Fire in the Dark (TV) (6 Oct 91)
HART TO HART: [episode unknown]
HUNTER: [episode unknown]
Journey of Natty Gann, The (1985)
KNOTS LANDING: [episode unknown]
L.A. LAW: "The Bald Ones" (25 Feb 88)
L.A. LAW: "Fetus Completus" (3 Mar 88)
LOVE OF LIFE: [regular] (1970-1976)
LOU GRANT: "Strike" (16 Feb 81)
MOONLIGHTING: "Eine Kleine Nacht Murder" (1989)
Race for Glory (1989)
REMINGTON STEELE: "A Pocketful of Steele" (20 Nov 84)
Rift, The
Robocop (1987)
SCARECROW AND MRS. KING: "Pharoah's Engineer"
(20 Jan 86)
Season of Fear (1989)
Secret Life of Archie's Wife, The (TV) (28 Oct 90)
Seduced (TV) (1985)
STAR TREK: THE NEXT GENERATION: "Who Watches the
Watchers?" (14 Oct 89)
STINGRAY: [episode unknown]
Swamp Thing (1982)
Taking of Flight 847, The: The Uli Derickson Story
(TV) (1988)

Witt, AliciaDune (1984)
[Gersten Hayward]

Worden, HankAccused of Murder (1956)
[Room Service Waiter]Alamo, The (1960)
Angel and the Badman (1947)
Apache War Smoke (1952)
Big Daddy (1969)
Big Jake (1971)
Big Sky, The (1952)
Black Market Rustlers (1943)
Black Moon (TV) (5 Nov 71)
Boots Malone (1952)
Border Vigilantes (1941)
Bronco Billy (1980)
Buckskin Lady, The (1957)
Bullfighters, The  (1945)
Bullwhip (1958)
Cahill, United States Marshall (1973)
Canyon City (1943)
Chip of the Flying U (1940)
Chisum (1970)
Code of the Outlaw (1942)
Comin' Round the Mountain (1951)
Cowboy Serenade (1942)
Crime Wave (1954)
DISNEYLAND: "Davy Crockett and the River Pirates"
(14 Dec 55) [feature version, 1956]
Dragon Wells Massacre (1957)
Duel in the Sun (1946)
Father Is a Bachelor (1950)
Fighting Kentuckian, The (1949)
Fort Apache (1948)
Forty Guns (1957)  [a.k.a. Woman With a Whip]
Frontier Town (1938)
Gaucho Serenade (1940)
Ghost Town Gold (1937)
Ghost Town Riders (1938)
Good Times (1967)
Hellfire (1949)
High Wall, The (1947)
Horse Soldiers, The (1959)
Ice Pirates, The (1984)
Indian Fighter, The (1955)
Joe Palooka in Triple Cross (1951)
Lawless Breed, The (1946)
Lightnin' in the Forest (1948)
Lumberjack (1944)
Ma and Pa Kettle at Home (1954)
Man With a Cloak (1951)
McLintock! (1963)
Music Man, The (1962)
Mystery of the Hooded Horsemen (1937) [as Heber Snow]
Night Riders, The (1939)
Northwest Passage (1940)
Notorious Mr. Monks, The (1958)
Oklahoma Frontier (1939)
One-Eyed Jacks (1961)
The Plainsman (1936)
Prairie Express (1947)
Quiet Gun, The (1957)
Quiet Man, The (1952)
Red Canyon (1949)
Red River (1948)
Riding the Wind (1942)
Rio Lobo (1970)
Rollin' Plains (1938)
Rollin' Westward (1939)
Sainted Sisters, The (1948)
Scream (1982)
Sea of Grass, The (1947)
Searchers, The (1956)
Secret Life of Walter Mitty, The (1947)
Sgt. Pepper's Lonely Hearts Club Band (1978)
Sergeant Rutlidge (1960)
Singing Outlaw (1937)
Smokey and the Bandit (1977)
Space Rage (1987)
Spoilers of the Forest (1957)
Stranger from Arizona, The (1938)
Sundown on the Prairie (1939)
Sugarfoot (1951)
Tap Roots (1948)
Tenting Tonight on the Old Campground (1943)
They Went That-a-Way and That-a-Way (1978)
3 Godfathers (1948)
Timber Stampede (1939)
Toughest Gun in Tombstone (1958)
TRAVELS OF JAMIE McPHEETERS, THE: "The Day of the
Pawnee" (23,29 Dec 63)
True Grit (1969)
UFOria (1985)
Undercurrent (1946)
Wagon Master (1950)
WAGON TRAIN: "The Colter Craven Story" (23 Nov 60)
Western Trails (1938)
When Willie Comes Marching Home (1950)
Where the Buffalo Roam (1938)
Which Way Is Up? (1977)
Woman of the North Country (1952)
Yellow Sky (1948)

Zabriske, GraceABC AFTERSCHOOL SPECIAL: "One Too Many" (1985)
[Sarah Palmer]Ambition (1991)
Big Easy, The (1987)
Body Rock (1984)
Boost, The (1988)
Burning Bed, The (TV) (1985)
Child's Play 2 (1991)
Drugstore Cowboy (1989)
"East of Eden" (mini) (8-11 Feb 88)
Executioner's Song, The (TV) (1982)
Galaxy of Terror (1981)
Hometown Boy Makes Good (TV)
Leonard Part 6 (1987)
M.A.D.D.: Mothers Against Drunk Driving (TV) (1983)
Megaville (1990)
MOONLIGHTING: "In 'n Outlaws" (1989)
Nickel Mountain (1985)
Norma Rae (1979)
Officer and a Gentleman, An (1982)
Private Eyes, The (1980)
TALES FROM THE CRYPT: "The Secret" (21 Jul 90)
TALES OF THE GOLD MONKEY: "Last Chance Louie"
(11 Mar 83)
Wild at Heart (1990)

Zane, BillyBack to the Future (1985)
[J. J. Wheeler]Blood and Concrete (1991)
Case of the Hillside Stranglers, The (TV)
Critters (1986)
Dead Calm (1989)
Megaville (1990)
Memphis Belle (1990)

--
 David E. Coufal                                 dcoufal@athena.mit.edu
           "One time I removed all the hair from a mouse 
            with Nair-Hair just to see what it looked like.
            And it looked beautiful." - David K. Lynch

This is a list of all the writers involved in "Twin Peaks" to
date (4/18/91) and other projects they have written.

If you notice any mistakes or have any additions, please
mail me at coufal@owl.caltech.edu.


TWIN PEAKS WRITERS LIST



Brock, Tricia           TWIN PEAKS: "2010" (8 Dec 90)
                        TWIN PEAKS: "2016" (16 Feb 91)

Engels, Robert          LEGEND, THE: [episodes unknown]
                        TWIN PEAKS: "1004" (3 May 90)
                        TWIN PEAKS: "2003" (13 Oct 90)
                        TWIN PEAKS: "2004" (20 Oct 90)
                        TWIN PEAKS: "2006" (3 Nov 90)
                        TWIN PEAKS: "2009" (1 Dec 90)
                        TWIN PEAKS: "2012" (12 Jan 91)
                        TWIN PEAKS: "2015" (9 Feb 91)
TWIN PEAKS: "2018" (4 Apr 91)
TWIN PEAKS: "2020" (18 Apr 91)
TWIN PEAKS: "2022" (10 Jun 91)
                        WISEGUY: [Story Editor]
WISEGUY: "His Master's Voice"
WISEGUY: "Let Them Eat Cake"
WISEGUY: "Sancuary"
WISEGUY: "Brrump-Bump"

Frost, Mark             Believers, The (1987)
Blind Luck [unproduced film]
Blind Voices [unproduced film]
GAVILAN: "Pirates" (9 Nov 82)
GAVILAN: [title unknown] (21 Dec 82)
Ghost Diary [unproduced film]
                        Goddess [unproduced film]
                        Good Morning, Chicago [film in pre-production]
Gridlock [unproduced film]
EQUALIZER, THE: "Wash-Up"
EQUALIZER, THE: "No Conscience"
                        Heart Trouble [play]
HILL STREET BLUES: [title unknown] (18 Nov 82)
         HILL STREET BLUES: "Here's Adventure, Here's Romance"
 (13 Oct 83)
        HILL STREET BLUES: [title unknown] (3 Nov 83)
         HILL STREET BLUES: "Goodbye, Mr. Scripps" (24 Nov 83)
         HILL STREET BLUES: [title unknown] (1 Dec 83)
         HILL STREET BLUES: [title unknown] (8 Dec 83)
         HILL STREET BLUES: "Santaclaustrophobia" (22 Dec 83)
         HILL STREET BLUES: [title unknown] (12 Jan 84)
         HILL STREET BLUES: "Nichols from Heaven" (19 Jan 84)
         HILL STREET BLUES: [title unknown] (26 Jan 84)
         HILL STREET BLUES: "Grace Under Pressure" (2 Feb 84)
         HILL STREET BLUES: [title unknown] (16 Feb 84)
         HILL STREET BLUES: [title unknown] (1 Mar 84)
         HILL STREET BLUES: "The Count of Monty Tasco"
(8 Mar 84)
         HILL STREET BLUES: "Nutcracker Suite" (15 Mar 84)
         HILL STREET BLUES: "Lucky Ducks" (10 May 84)
         HILL STREET BLUES: "Eva's Braun" (17 May 84)
Lunch at First Site [unproduced film]
                        The Nuclear Family [play]
                        One Saliva Bubble [unproduced film]
                        ROAD BACK, THE: [episodes unknown]
Second Expedition, The [unproduced film]
72-Hour Club [unproduced film]
                        SIX MILLION DOLLAR MAN, THE: [episodes unknown]
                        Storyville [film in pre-production]
                        SUNSHINE: [episodes unknown]
True Romance [unproduced film]
Traces [unproduced film]
"Twin Peaks: Access Guide to the Town" [book] (1991)
                        TWIN PEAKS: "1000" (8 Apr 90)
                        TWIN PEAKS: "1001" (12 Apr 90)
                        TWIN PEAKS: "1002" (19 Apr 90)
                        TWIN PEAKS: "1005" (10 May 90)
                        TWIN PEAKS: "1007" (23 May 90)
                        TWIN PEAKS: "2001" (30 Sep 90)
                        TWIN PEAKS: "2004" (20 Oct 90)
                        TWIN PEAKS: "2007" (20 Nov 90)
                        TWIN PEAKS: "2009" (1 Dec 90)
TWIN PEAKS: "2019" (11 Apr 91)
TWIN PEAKS: "2022" (10 Jun 91)
Venus Descending [unproduced film]

Frost, Scott            Autobiography of F. B. I. Special Agent Dale
Cooper: My Life, My Tapes, The [novel] (1991)
"Diane ..." The Twin Peaks Tapes of Agent 
                                Cooper [audio tape] (1990)
                        TWIN PEAKS: "2008" (17 Nov 90)
                        TWIN PEAKS: "2014" (2 Feb 91)

Lynch, David            Alphabet, The (1970)
                        Angriest Dog in the World, The [comic strip]
                        Blue Velvet (1987)
                        Dune (1984)
                        Elephant Man, The (1980)
                        Eraserhead (1978)
Gardenback [unproduced film]
                        Goddess [unproduced film]
                        Grandmother, The (1970)
                        One Saliva Bubble [unproduced film]
                        Ronnie Rocket, or The Absurd Mystery of the Strange
Forces of Existence [film in pre-production]
"Twin Peaks: Access Guide to the Town" [book] (1991)
                        TWIN PEAKS: "1000" (8 Apr 90)
                        TWIN PEAKS: "1001" (12 Apr 90)
                        TWIN PEAKS: "1002" (19 Apr 90)
                        TWIN PEAKS: "2001" (30 Sep 90)
                        Wild at Heart (1990)

Lynch, Jennifer         Boxing Helena [film in pre-production 1991]
                        Secret Diary of Laura Palmer, The [novel] (1990)

Peyton, Harley          Less Than Zero (1987)
                        TWIN PEAKS: "1003" (26 Apr 90)
                        TWIN PEAKS: "1006" (17 May 90)
                        TWIN PEAKS: "2002" (6 Oct 90)
                        TWIN PEAKS: "2004" (20 Oct 90)
                        TWIN PEAKS: "2006" (3 Nov 90)
                        TWIN PEAKS: "2009" (1 Dec 90)
                        TWIN PEAKS: "2012" (12 Jan 91)
                        TWIN PEAKS: "2013" (19 Jan 91)
                        TWIN PEAKS: "2015" (9 Feb 91)
TWIN PEAKS: "2018" (4 Apr 91)
TWIN PEAKS: "2019" (11 Apr 91)
TWIN PEAKS: "2020" (18 Apr 91)
TWIN PEAKS: "2022" (10 Jun 91)
Wild Boys [unproduced film]

Pullman, Barry          TWIN PEAKS: "2005" (27 Oct 90)
TWIN PEAKS: "2011" (15 Dec 90)
TWIN PEAKS: "2017" (28 Mar 91)
TWIN PEAKS: "2021" (10 Jun 91)

Stahl, Jerry            MOONLIGHTING: [story editor] (1988-89)
                        MOONLIGHTING: "Plastic Fantastic Lovers" (Dec 88)
                        MOONLIGHTING: "Perfetc" (1989)
TWIN PEAKS: "2004" (20 Oct 90)





--
 David E. Coufal                                 dcoufal@athena.mit.edu
           "One time I removed all the hair from a mouse 
            with Nair-Hair just to see what it looked like.
            And it looked beautiful." - David K. Lynch

This is a list of all the directors involved in "Twin Peaks" to
date (4/18/91) and projects they have been involved with.

If you have any corrections or additions, please mail me at 
coufal@owl.caltech.edu.


TWIN PEAKS DIRECTORS LIST



Clifford, Graeme        Burke and Wills (1985)
                        FAERIE TALE THEATRE: "The Boy Who Left Home To 
                                Find Out About The Shivers" (1985)
                        FAERIE TALE THEATRE: "Little Red Riding Hood" (1983)
                        Frances (1982)
                        Gleaming the Cube (1989)
NEW AVENGERS, THE: "Sleeper"
                        NIGHTMARE CLASSICS: "Turn of the Screw" (1989)
                        TWIN PEAKS: "2005" (27 Oct 90)

Deschanel, Caleb        Apocalypse Now [Assist. Cine.] (1979)
Being There [Cine.] (1979)
Black Stallion, The [Cine.] (1979)
                        Crusoe (1989)
                        Escape Artist, The (1982)
50 Years of Action! [Cine.] [documentary]
Let's Spend the Night Together [Cine.] [documentary]
More American Graffitti [Cine.] (1979)
Natural, The [Cine.] (1984)
Right Stuff, The [Cine.] (1983)
Rodeo [Cine.]
Slugger's Wife, The [Cine.] [documentary]
Trains
                        TWIN PEAKS: "1006" (17 May 90)
                        TWIN PEAKS: "2008" (17 Nov 90)
                        TWIN PEAKS: "2012" (12 Jan 91)
Valley Forge

Dunham, Duwayne         Blue Velvet [Edit.] (1987)
Cherry 2000 [Edit.] (1988)
                        Empire Strikes Back, The [Assist. Edit.] (1980)
Madhouse [Edit.] (1990)
Mean Season, The [Edit.] (1985)
More American Graffitti [Assist. Edit.] (1979)
                        Return of the Jedi, The [Edit.] (1983)
                        TWIN PEAKS: "1000" [Edit.] (8 Apr 90)
                        TWIN PEAKS: "1001" (12 Apr 90)
                        TWIN PEAKS: "2001" [Edit.] (30 Sep 90)
                        TWIN PEAKS: "2011" (15 Dec 90)
TWIN PEAKS: "2018" (4 Apr 90)
                        Wild at Heart [Edit.] (1990)

Edel, Ulrich (Uli)      Christiane F. (1981)
Last Exit to Brooklyn (1990)
                        TWIN PEAKS: "2014" (2 Feb 91)

Foley, JamesAfter Dark, My Sweet (1990)
At Close Range (1986)
Reckless (1983)
TWIN PEAKS: "2017" (28 Mar 91)
Who's That Girl (1987)

Frost, Mark             AMERICAN CHRONICLES: [exec. prod.] (1990)
HILL STREET BLUES: [episode(s) unknown] (1985)
                        Storyville [film in pre-production 1991]
                        TWIN PEAKS: "1007" (23 May 90)

Glatter, Lesli Linka    AMAZING STORIES: "No Day at the Beach" (12 Jan 86)
AMAZING STORIES: "One for the Books" (11 May 86)
AMAZING STORIES: "Without Diana" (27 Mar 87)
Into the Homeland (TV) (1987)
                        TWIN PEAKS: "1005" (10 May 90)
                        TWIN PEAKS: "2003" (13 Oct 90)
                        TWIN PEAKS: "2006" (3 Nov 90)
                        TWIN PEAKS: "2016" (16 Feb 91)
VIETNAM WAR STORY: [episode unknown]

Gyllenhaal, StephenABC AFTERSCHOOL SPECIAL: [episode(s) unknown]
Abduction of Kari Swenson, The (TV) (1987)
Certain Fury (1985)
Champion (1979)
HOTHOUSE: [episode(s) unknown] (1988)
INSIDERS, THE: [episode(s) unknown] (1985)
Leap of Faith (TV) (1988)
Paris Trout (TV) (May 1991)
Promised a Miracle (TV)  (1988)
Rodeo Champ (1979)
TWIN PEAKS: "2020" (18 Nov 91)
                        Waterland (in pre-production 1991)

Holland, Todd           AMAZING STORIES: "Welcome to My Nightmare" (13 Oct 86)
AMAZING STORIES: "Thanksgiving" (24 Nov 86)
MAX HEADROOM: "Dream Thieves" (9 Oct 87)
                        TWIN PEAKS: "2004" (20 Oct 90)
                        TWIN PEAKS: "2013" (19 Jan 91)
                        Wizard, The (1989)

Hunter, Tim             FALCON CREST: [episode(s) unknown] (1988, 1990)
HARD COPY: [episode(s) unknown] (1987)
                        Lies of the Twins (TV) (21 Aug 91)
Paint It Black (1989)
                        River's Edge (1987)
                        Sylvester (1985)
                        Tex (1982)
                        TWIN PEAKS: "1004" (3 May 90)
                        TWIN PEAKS: "2009" (1 Dec 90)
TWIN PEAKS: "2021" (10 Jun 91)

Keaton, Diane           CBS SCHOOLBREAK SPECIAL: "The Girl with the Crazy
Brother" (30 Jan 90)
CHINA BEACH: [title unknown] (3 Nov 90)
                        Heaven (1987)
Secret Society [film in pre-production 1991]
                        TWIN PEAKS: "2015" (9 Feb 91)
                        Wildflower (TV) (1991)

Lynch, David            Alphabet, The (1970)
                        Blue Velvet (1987)
Cowboy and the Frenchman, The (1989) [Made for
French Television]
Dune (1984)
                        Elephant Man, The (1980)
                        Eraserhead (1978)
                        Grandmother, The (1970)
                        Industrial Symphony #1 [concert] (1991)
"On The Air" [TV Pilot] (1991)
Ronnie Rocket, or The Absurd Mystery of
the Strange Forces of Existence
[film in pre-production 1991]
                        Twin Peaks: Fire Walk With Me (in production 1991)
                        TWIN PEAKS: "1000" (8 Apr 90)
                        TWIN PEAKS: "1002" (19 Apr 90)
                        TWIN PEAKS: "2001" (30 Sep 90)
                        TWIN PEAKS: "2002" (6 Oct 90)
                        TWIN PEAKS: "2007" (10 Nov 90)
TWIN PEAKS: "2022" (10 Jun 91)
                        Wild at Heart (1990)

Rathborne, Tina         Joy That Kills, The (TV)
TWIN PEAKS: "1003" (26 Apr 90)
                        TWIN PEAKS: "2010" (8 Dec 90)
                        Zelly and Me (1988)

Sanger, JonathanCode Name: Emerald (1985)
                        Doctor and the Devils, The [producer] (1985)
                        FLASH, THE: "Sins of the Father" (8 Nov 90)
L.A. LAW: "Sidney, the Dead Nose Reindeer" (8 Jan 87)
TWIN PEAKS: "2019" (11 Apr 91)
UNDER COVER: "War Game" (2 Feb 91)
UNDER COVER: "Mr. Butterfly" (16 Feb 91)
WISEGUY: "People Do It All the Time" (8 Nov 89)
WISEGUY: "Hello Buckwheat" (14 Mar 90)
--
 David E. Coufal                                 dcoufal@athena.mit.edu
           "One time I removed all the hair from a mouse 
            with Nair-Hair just to see what it looked like.
            And it looked beautiful." - David K. Lynch

In article <1991Oct5.184237.21310@ux1.cso.uiuc.edu>, ceblair@ux1.cso.uiuc.edu (Charles Blair) writes:
> > 
> >    Any significance to the two supposedly being (half) sisters?

It's not that they weren't INVITED back.  They (the actresses) had previous
commitments and/or just wanted to do other things.
-- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet...

bob@castle.ed.ac.uk (Bob Gray) writes:
> > Ah! but wouldn't it be an interesting plot twist if she
> > didn't die. Perhaps everyone in town was lying about who it
> > was wrapped in plastic....

You do recall, I hope, that the AUDIENCE got to see the body, several times?
-- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet...

jpb@calmasd.Prime.COM (Jan Bielawski) writes:

> >                 The only difference there is, is between the *TV* first
> >season pilot (episode 1000, doesn't matter whether US or European) and
> >the European *movie* called "Twin Peaks".  This *movie* has just been
> >released in the US on videocassette and laser.

Can anyone from within *Europe* confirm this? I've only seen U.S.-ers talking
about the "Euro-version". I'm not aware of any movie related to Twin Peaks
currently showing, or having been shown, over here.

. . . . . . . . . . . . . . . . . . . . . . . . . . . G e r b e n   V o s   <><
Aconet: 8500/104!Gerben Vos  Internet: gpvos@cs.vu.nl
One comment about topology is that it is a branch of mathematics which does not
distinguish between doughnuts and coffee cups.
                                        -- Barry Sanders in alt.tv.twin-peaks

flimm@ph-cip.uni-koeln.de (Oliver Flimm) writes:

> >does anybody out there in Netherland know at which date TP will be started
> >in Netherland's TV? Or had it already been released some time ago?

It's currently showing, we're at episode #1005 (season 1, episode 5).
If you have a satellite dish and decoder, you can see it on RTL-4 (Astra-1
satellite), Sundays at 20.30 .

. . . . . . . . . . . . . . . . . . . . . . . . . . . G e r b e n   V o s   <><
Aconet: 8500/104!Gerben Vos  Internet: gpvos@cs.vu.nl
One comment about topology is that it is a branch of mathematics which does not
distinguish between doughnuts and coffee cups.
                                        -- Barry Sanders in alt.tv.twin-peaks

Hello all,

Here is a question for all of you.  What font does the ^Twin Peaks^ TV series
use for all of its text on screen.  Let me know!



All the best,


Don Kasprzak
UToledo

From article <9gLe02w164w@whitebase.ukp.com>, by salmieri@whitebase.ukp.com (Gregory Salmieri):

> dmoskowi@jarthur.claremont.edu (Denis/Tesser Morris Moskowitz) writes:
>
>> Does anyone have the full lyrics of the Fire, Walk with Me poem? I know

> I was just watching the dream sequence which I was delited to finde survied
delighted find survived

> my taping over of the siries. The poem goes somthing like:

series something


>
> The magishion longs to see one chance out betweem two worlds,

magician



> Fire walk with me.
>
> I remembur spending hours trying to allalize that when it first aired.

remember analyze

I really don't want to flame you to death here, but the only things
which justify making your post THAT hard to read are:

1) You're dyslexic
2) English is not your native language
3) Your "delete" key has not been enabled
4) You're a speed freak coming down off of your fix

If any of the above are true then I apologize for this post but
otherwise be aware that if your posts can't be easily read then no one will
care what you have to say.

Jim Kiley, Gaunt Man Wannabe ka-py401@andy.bgsu.edu

In article <1991Oct7.181310.4965@uoft02.utoledo.edu> csbgc@uoft02.utoledo.edu writes:
> >Here is a question for all of you.  What font does the ^Twin Peaks^ TV series
> >use for all of its text on screen.  Let me know!

Sure looks like plain Helvetica to me, or maybe something really very
similar, although they use black letters with a green outline.

     << Brian >>

-- | Brian S. Kendig \ Macintosh | Engineering, | bskendig | | Computer Engineering |\ Thought | USS Enterprise | @phoenix.Princeton.EDU | Princeton University |_\ Police | -= NCC-1701-D =- | @PUCC.BITNET | "You gave your life to become the person you are right now. Was it worth it?"

In article <8279@bgsuvax.UUCP> ka-py401@bgsuvax.UUCP (Thratchen) writes:
>From article <9gLe02w164w@whitebase.ukp.com>, by salmieri@whitebase.ukp.com (Gregory Salmieri):
> >
>> >> I was just watching the dream sequence which I was delited to finde survied 
> >      delighted  find  survived
> >
>> >> my taping over of the siries. The poem goes somthing like:
> >series          something
>> >> 
>> >>         The magishion longs to see one chance out betweem two worlds,       
> >      magician
> >
>> >>         Fire walk with me.
>> >> 
>> >> I  remembur spending hours trying to allalize that when it first aired.
> >     remember       analyze
> >
> >I really don't want to flame you to death here, but the only things 
> >which justify making your post THAT hard to read are:
> >
> >1)  You're dyslexic
> >2)  English is not your native language
> >3)  Your "delete" key has not been enabled
> >4)  You're a speed freak coming down off of your fix
> >
        5)  He's having a wee bit o fun with the chants vs.
    chance debate.  ;-)
-- Dr. William K Glunt | Are you ABNORMAL? postdoctoral loonie | Then you are probably better than most people! U of Kentucky math dept | Are alien space monsters bringing a STARTLING NEW home phone 606 258 8864 | WORLD? from _The book of the SubGenius_

When I was reading through all the newsgroups, I noticed that there was a
newsgroup called Alt.Tv.TwinPeaks, so I immediatly start reading all the
messages.
At first I was delighted that there were more fans of Twin Peaks throughout
the world, but after reading a letter from an American user I was shocked !!

   WHY oh WHY do you stupid Americans have to spoil it all for the European
   viewers of Twin Peaks.

You tell us about the ending, while we are just watching episode nr. 5 of
the first year.
That's just like you are at the movies, and the person next to you tells the
plot, just at the point that it's getting exciting !

How STUPID !!!

-----------------------------------------------------------------------------
BE FREE TO REACT, BUT WATCH YOUR LANGUAGE !
-----------------------------------------------------------------------------

gpvos@cs.vu.nl (Gerben 'P' Vos) writes:
> > jpb@calmasd.Prime.COM (Jan Bielawski) writes:
> > 
>> > >                 The only difference there is, is between the *TV* first
>> > >season pilot (episode 1000, doesn't matter whether US or European) and
>> > >the European *movie* called "Twin Peaks".  This *movie* has just been
>> > >released in the US on videocassette and laser.
> > 
> > Can anyone from within *Europe* confirm this? I've only seen U.S.-ers talking
> > about the "Euro-version". I'm not aware of any movie related to Twin Peaks
> > currently showing, or having been shown, over here.
> > 
I've seen it in the shops here (UK). Haven't watched it yet tho

Cheers,

Steve

------------------------------------------------------------------------------
Steve Strong - email srs@uk.co.icl.oasis      | Views expressed are not those
               voice 44 344 424842 extn 2431  | of ICL. I think.
------------------------------------------------------------------------------

Does anybody out there have any more news on NBC's interest in 
replaying the old Twin Peaks' episodes and perhaps starting the
series all over again?  Was that just all talk and wishful thinking?
Does anybody have an address so we can wrtie to NBC?  Does anybody
know anyone at NBC?

Todd

I can't wait for "Fire Walk With Me."

I've updated in the TP FTP archive the complete episode synopsis formatted for
MS Word. It is now up to date with Edwin Nomura's postings through September
26. Also, a single version is now usable with both Mac and PC (DOS/Windows) 
versions of MS Word.

 The FTP archive: audrey.levels.unisa.edu.au [130.220.16.88]

 directory:       /pub/twin-peaks

 file:            timeline-28sep.RTF.Z  (78 KB)

This file is compressed from an RTF (rich text format) version of an MS Word
formatted file. It represents a complete rendition of the Edwin Nomura syn-
opsis of all TP episodes, formatted for Microsoft Word. Included are Jerry
Boyajian's invented titles for each episode (plus a few of my own). It comes
to 42 pages with title page and table of contents.

This is a binary file, so say "binary" to FTP before retrieving. Uncompress 
the file and move it to a Macintosh or PC. On a Mac, open the file from within
MS Word and say Yes to the query "Interpret RTF?" On a PC, import the file 
into the DOS/Windows version of MS Word using the RTF import filter.

For those without FTP access, send me email and we'll arrange for a paper copy
via 8.5"x11" SASE. Enclose a floppy if you want the MS Word files too. I'll
also include a couple hundred K of my favorite postings on a.tv.t-p from its
inception up to date.

--------------------------------------------------------------------------------
Keith Dawson | Eastman Kodak Corp. | One Alewife Place, Cambridge, MA 02140-2312
dawson@concord.kodak.com | dawson@world.std.com | 617-354-2913 | f: 617-349-2929
--------------------------------------------------------------------------------

P.S. -- Edwin Nomura's synopsis in its original ascii form is also in the FTP
        archive as file "timeline" (166 KB); a compressed version is available,
        "timeline.Z" (70 KB).

flimm@ph-cip.uni-koeln.de (Oliver Flimm) writes:

> >Hi,

> >does anybody out there in Netherland know at which date TP will be started
> >in Netherland's TV? Or had it already been released some time ago?

They started with TP begin September. It is on RTL 4 every Sunday evening.

Here in Norway there exists a (generally very good!) magazine dedicated to 
speculative fiction (Science Fiction, Fantasy, etc.) which is called 
"Sirius". In their latest issue, there is an article discussing Twin Peaks 
specifically, and David Lynch in general. The article is somewhat negative 
towards TP, and also contains factual errors. This of course demands an 
answer from us "objective fans":-), and I would like to enlist as many of 
you as possible to help me in this task. I'll probably be writing an 
"answer" with one of my friends (the one who first told you all about "The 
Cowboy and the Frenchman"). In the following, I have translated (to the 
best of my ability, and without permission...) some of the key passages of 
the article. I would appreciate it if you would post/mail any comments 
that you feel are significant, and I'll try to incorporate valid points in 
the article/letter to the editor, with due credit and a description of the 
Net and  our "culture" for the uninitiated. Thanks for any help - I'll try 
to keep you updated.

Exerpts from the article follow, my comments are in [brackets]:

_The fantastic DAVID LYNCH - a postmodernistic charlatan?_
by Jostein Saakvitne.

Enjoying TV with black coffee & blueberry [sic] pie.

[stuff deleted]

... and we naturally ask ourselves if this is just a case of "sucking up" 
to the New-age tendencies of our time, to copy-selling vulgar 
popularization as known from the tabloid press and Margit Sandemo [a very 
popular Norwegian mystic/New-age/romantic trash author]. All of it of 
course mixed with suitable doses of "clean" sex and "almost-perversities" 
of the incest- and S/M kind. Or are we dealing with more genuine and 
honest motives of story-telling, meant to illuminate and examine 
existensial questions asked by mankind since the dawn of time etc.? A kind 
of showdown between western and eastern thinking?

[some good stuff about dreams and Coopers "helpers" deleted]

For those familiar with fantastic movies, the supernatural motifs and the 
use of them, will not be very new. Thematically, it is all about the 
eternal fight between good and evil, and the motif of being posessed by 
evil/the devil etc. This has been presented more elegantly through e.g. 
"The Shining" and countless other movies made through the years.

[stuff deleted]

We neeed to ask whether our demands for "good" use of fantastic elements 
have been met, like:
- having the good old "sense of wonder" present
- it being a filmatically "correct" element, being supported by other 
  dramaturgical effects in a movie
- that the elements fit naturally with descriptions of persons and 
  atmosphere.
With regard to these demands, our good friend Lynch does not get very high 
marks! We register a lot of "empty" use of effects for their own sake, and 
repetitions without any real purpose. It looks like he is more interested 
in breaking the bounds of a genre and finding an outlet for his own 
egotrips in a pattern that no director before him has had the courage (or 
economic/artistic freedom) to do...

We cheer enthusuiastically the first times, but later it is more like 
trying to hide a yawn. [stuff deleted] Neither the Log Lady , Bob himself 
or the motif of the two lodges is developed in a particularly interesting 
manner. We just wait and wait for something to happen...

[stuff deleted]

I have now finally seen the longed-for final episode as well [the two-hour 
"finale" was shown as two separate "ordinary" episodes over here], and it 
was disappointing in all its pretentiousness! Our poor agent Cooper 
running from drape to drape in a sort of near-death-experience room, and 
being submitted to David Lynch's special apocalyptic view of "the final 
showdown". All in a sort of quasi-symbolic picture-language not very 
suited to engage neither those who where already interested nor more 
accidental viewers. We get a strong feeling that Lynch is running a very 
private show, where he in principle could have introduced any elements and 
characters he wanted, and still received happy applause from his 
cult-viewers.

The postmodernistic charlatan
[stuff deleted] .. he grabs onto different styles and artistic expressions 
from other epochs and artists, to make these his own, and mix them 
uncritically in a big pot filled with images and motifs. Lynch knows that 
the time is ripe for just this kind of experimenting in TV series, as 
music videos have been doing for years. [stuff deleted] The fantastic 
elements are therefore just a tool used by Lynch to make himself 
interesting! [stuff deleted]

[end of article]

Roar Larsen,
Trondheim, Norway

   I thought the actress on Herman's Head who plays Herman's scheming
co-worker looks like Evelyn Marsh (identified on this list as Annette
McCarthy).  Am I mistaken?

In <1991Oct8.140917.10250@ux1.cso.uiuc.edu> ceblair@ux1.cso.uiuc.edu (Charles Blair) writes:

> >   I thought the actress on Herman's Head who plays Herman's scheming
> >co-worker looks like Evelyn Marsh (identified on this list as Annette
> >McCarthy).  Am I mistaken?

yes, you are.  but she is close.  evelyn had something funny with her
teeth that herman's friend doesn't.

sj

> >When I was reading through all the newsgroups, I noticed that there was a
> >newsgroup called Alt.Tv.TwinPeaks, so I immediatly start reading all the
> >messages.
> >At first I was delighted that there were more fans of Twin Peaks throughout
> >the world, but after reading a letter from an American user I was shocked !!

> >   WHY oh WHY do you stupid Americans have to spoil it all for the European
> >   viewers of Twin Peaks.

> >You tell us about the ending, while we are just watching episode nr. 5 of
> >the first year.
> >That's just like you are at the movies, and the person next to you tells the
> >plot, just at the point that it's getting exciting 

I disagree entirely with this, despite the fact that America has 
already had Twin Peaks screened and as such can discuss aspects of the plot
most people put Spoiler warnings on screen before they do. I have no 
complaints whatever regarding this, in fact, its great that so many true 
fans appreciate the crucial importance of not spoiling for others. In 
New Zealand, a great number of my friends were told aspects of the plot 
by people who'd seen it in Australia, luckily I wasn't one of those, one 
radio station in Auckland even broadcast the killers identity. Those are 
the true spoilers!

By the way, why haven't we heard back from that guy claiming to have 
David Lynch all set to answer questions from the group? Maybe he's busy
right now on the new movie.

Tom Higham.
Radiocarbon Dating Lab.
Waikato Univ, Hamilton. NEW ZEALAND>
<"Higham@waikato.ac.nz">

In article <184@htsa.htsa.aha.nl>, quintenu@maestro.htsa.aha.nl (Quinten Uijldert) writes:
> >    WHY oh WHY do you stupid Americans have to spoil it all for the European
> >    viewers of Twin Peaks.
> > 
> > How STUPID !!!
> > 
> > -----------------------------------------------------------------------------
> > BE FREE TO REACT, BUT WATCH YOUR LANGUAGE !
> > -----------------------------------------------------------------------------

Heh.  Last two messages on this newsgroup that *I* remember contained spoilers
were posted from EUROPE.  In fact, both of them were complaints about rival
TV networks spoiling the series for the network that was carrying it!  And I
believe at least one of them not only described this heinous practice, but
CONTAINED THE SPOILER ITSELF.

So watch your language, indeed.
-- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet...

> >At first I was delighted that there were more fans of Twin Peaks throughout
> >the world, but after reading a letter from an American user I was shocked !!

> >WHY oh WHY do you stupid Americans have to spoil it all for the European
> >viewers of Twin Peaks.

Alt.TV.Twin-Peaks is for discussion about the series, not only
one or two episodes. If you want to enjoy Twin Peaks in your
own way, you may unsubscribe.

Things discussed here surely contain spoilers for someone but
so what ? Should discussion be prohibited until everyone in
Brazilia and Japan have seen the series ?

All episodes have already been seen in Nordic Countries (the
first one to complete the job was Swedish SVT) and what this
means is that almost half of European netnews contributors
have seen it. It is a pity RTL starts so late (yes, I get
it too). Even Finland started almost one _year_ in advance.

"You have all the clues you need."
--
    _ Kimmo Ketolainen   Disclaimer: This may be my narrator.device speaking
 _ // University of Turku, Dept of CS Kimmo.Ketolainen@utu.fi KIMKETO@FIRIEN
 \X/  Data: +358 21 378227 Fido: 2:222/151 UUCP: !uunet!mcsun!utu.fi!kimketo

In article <184@htsa.htsa.aha.nl> quintenu@maestro.htsa.aha.nl (Quinten Uijldert) writes:
> >
> >When I was reading through all the newsgroups, I noticed that there was a
> >newsgroup called Alt.Tv.TwinPeaks, so I immediatly start reading all the
> >messages.
> >At first I was delighted that there were more fans of Twin Peaks throughout
> >the world, but after reading a letter from an American user I was shocked !!

> >   WHY oh WHY do you stupid Americans have to spoil it all for the European
> >   viewers of Twin Peaks.

> >You tell us about the ending, while we are just watching episode nr. 5 of
> >the first year.
> >That's just like you are at the movies, and the person next to you tells the
> >plot, just at the point that it's getting exciting !
> >
> >How STUPID !!!

Maybe we should adopt a format here for those countries still watching
Twin Peaks.  I think the series has finished in a number of European countries
but perhaps threads could be labelled for country-specific discussions.
For example, the above reader would post messages labels NL:

As for "stupid Americans" ruining things, you must realize that the
episode 5 that you just saw was first aired in the US *19* months
ago.  If discussions were limited to only shows scene in NL, traffic on
alt.tv.twin-peaks would be reduced to announcements regarding 
things like "Fire Walk with Me" and other non-plot related comments.

Rocky Giovinazzo

I wrote:

> >Can anyone from within *Europe* confirm this? I've only seen U.S.-ers talking
> >about the "Euro-version". I'm not aware of any movie related to Twin Peaks
> >currently showing, or having been shown, over here.

Thank you all for the replies by e-mail.
For others who want to know: yes, it seems to be available in video shops.
It's the same as the series pilot (both US and European), but 18 minutes have
been tacked onto the end. There is a transcript of these 18 minutes in the
TP archives on audrey.sait.edu.au .

Not that i was interested in watching it; watching the series till the end is
much more fun.

. . . . . . . . . . . . . . . . . . . . . . . . . . . G e r b e n   V o s   <><
Aconet: 8500/104!Gerben Vos  Internet: gpvos@cs.vu.nl
One comment about topology is that it is a branch of mathematics which does not
distinguish between doughnuts and coffee cups.
                                        -- Barry Sanders in alt.tv.twin-peaks

``The Norweigans are leaving...the Norweigans are leaving...''

lgo1_ltd@uhura.cc.rochester.edu (G. DiLoreto) writes:

> > In article <1991Oct5.023531.20431@muddcs.claremont.edu> dmoskowi@jarthur.clar
>> > >Does anyone have the full lyrics of the Fire, Walk with Me poem? 
> > 
> > Beyond the dark of futures past
> > the magician longs to see
> > one chance out between two worlds
> > fire walk with me.
> > 
> > This brings up something I have been meaning to ask about.  In the
> > TP gazette it was printed that the concensus here on the net was
> > 'one chants out...'  citing a closed caption machine as the reference.  I 
> > always thought it was 'one chance out...', and I have the scripts which concu
> > 
> > I thought the 'chance out' referred to the short interval (alignment of
> > those 2 planets) and the conflict between our world and the other.  
> > 
> > yes, no?
> > 
> > -Gian Di Loreto (UR)

I have no evidence except my ears, but I am almost positive it is chance out 
as well. It makes a lot more sence that way.

cdt@sw.stratus.com (C. D. Tavares) writes:

> > bob@castle.ed.ac.uk (Bob Gray) writes:
>> > > Ah! but wouldn't it be an interesting plot twist if she
>> > > didn't die. Perhaps everyone in town was lying about who it
>> > > was wrapped in plastic....
> > 
> > You do recall, I hope, that the AUDIENCE got to see the body, several times?
> > -- 
> > 
> > cdt@pdp.sw.stratus.com      --If you believe that I speak for my company,
> > OR cdt@vos.stratus.com        write today for my special Investors' Packet...

If it was the dubble ganger that dies it would look the same. I was thinking 
about somthing like this with maddy and Laura untill they reveiled Leland 
as the killer (possesed by Bob of course). I don't support either of these 
thiries, but they can't nessiseraly be ruled out.

In article <1991Oct1.124517.182@merrimack.edu> morencym@merrimack.edu writes:
> >
> >        O.K.  It's time to clear the air.  The posted note
> >under the subject  ALL FANS READ THIS!!!!! was not written by
> >me, (Mark), but actually by my friend who got a hold of my
> >pass code. He considered it rather funny, since I actually
> >like the show.  So far I have recieved about 27 pieces of mail
> >blasting me for it.  I have dealt with the pass code theif, and
> >I would like to apologize for any and all insulting comments
> >made in the post.  Thank you for understanding.
> >
> >                           Sincerely,
> >                                Mark

By the way, does *HE* have an email address?

In article <184@htsa.htsa.aha.nl>, quintenu@maestro.htsa.aha.nl (Quinten Uijldert) writes:
|> You tell us about the ending, while we are just watching episode nr. 5 of
|> the first year.
|> That's just like you are at the movies, and the person next to you tells the
|> plot, just at the point that it's getting exciting !
|> 
|> How STUPID !!!

No, it's more like you see a movie, and a year later you're talking about
it with a friend over dinner and someone at the next table overhears and
gets upset.  What are we supposed to do, wait for everybody in the world
to see the whole series before we can talk about it?  Geesh.

--
Edmund Burnette, SAS Institute Inc.    (919)677-8000 | sasebb@unx.sas.com
SAS Campus Drive, Cary, NC 27513  (919)677-8123(fax) | ...!mcnc!sas!sasebb

salmieri@whitebase.ukp.com (Gregory Salmieri) writes:

> > cdt@sw.stratus.com (C. D. Tavares) writes:
> > 
>> > > bob@castle.ed.ac.uk (Bob Gray) writes:
>>> > > > Ah! but wouldn't it be an interesting plot twist if she
>>> > > > didn't die. Perhaps everyone in town was lying about who it
>>> > > > was wrapped in plastic....
>> > > 
>> > > You do recall, I hope, that the AUDIENCE got to see the body, several times
>> > > -- 
>> > > 
>> > > cdt@pdp.sw.stratus.com      --If you believe that I speak for my company,
>> > > OR cdt@vos.stratus.com        write today for my special Investors' Packet.
> > 
> > If it was the dubble ganger that dies it would look the same. I was thinking 
> > about somthing like this with maddy and Laura untill they reveiled Leland 
> > as the killer (possesed by Bob of course). I don't support either of these 
> > thiries, but they can't nessiseraly be ruled out.

well, greg, first of all it is Dopple Ganger and I have researched a lot of 
writings that involve dopples and i have found two things

1) Dopples dont die, They crumble. (as far as everything i've read goes)
2) When Dopples die the person they cloned go on living. So if Lynch 
followed traditional writings (I use that loosley though)
which he probably didnt. The person would still be living. I didnt catch who 
you were talkking about.

 CB> From: ceblair@ux1.cso.uiuc.edu (Charles Blair)
 CB> Newsgroups: alt.tv.twin-peaks
 CB> Organization: University of Illinois at Urbana
 CB> 
 CB> ``The Norweigans are leaving...the Norweigans are leaving...''

That was definitely worth the price of admission.  Serious guffaws ...
Thank you.  I hope everyone who read this also got the whole context.


 * Origin: Only dull people are brilliant at breakfast (1:109/716.919)

Apologies to all for using net bandwidth for this, but...

Mark Olmos -- I can't reach you with mail at any of these addresses:

  molmos@trw.com
  molmos@nafb.trw.com
  molmos@atlas.nafb.trw.com
  molmos@129.4.16.70

although the latter was suggested by 'finger,' which found you there.
Please mail me with suggestions for other possible mail paths/addresses.

--Keith Dawson
dawson@world.std.com

In article <1991Oct8.122549.7202@ugle.unit.no>, Roar.Larsen@termo.unit.no (Roar Larsen) writes:
> > Here in Norway there exists a (generally very good!) magazine [...]
> > called "Sirius". 
[...]
> > Exerpts from the article follow...
[...]
[The article asks: Are we dealing with bunkum...]
> > Or are we dealing with more genuine and 
> > honest motives of story-telling, meant to illuminate and examine 
> > existensial questions asked by mankind since the dawn of time etc.? A kind 
> > of showdown between western and eastern thinking?
[...]
> > 
> > Roar Larsen,
> > Trondheim, Norway

I think the motives of storytelling are to entertain and amaze, not to
examine existential questions. For those in the literary community who
whould raise their voices and shout, "Style Over Content!"-- well,
I agree. I like style, without any political, sociological or humanistic
"benefit." I also like style mixed with content, cooked style, raw
style, style with content fricassee, and even (sometimes) mostly content
with the style in a small plastic saucer on the side. That TP entertains
SOME of us demonstrates that it relates a story attuned to the
tastes of a portion of the global audience.  There is no dearth of
artistry in successfully crossing borders, geopolitical and mental...

Now I haven't had a chance to check this bboard in a few weeks, so if
this has already come up, I'm sorry. There is a chance NBC might play a
few new episodes of TP just before the movie comes out. I don't think
the episodes have been taped yet.

In article <8279@bgsuvax.UUCP>, ka-py401@bgsuvax.UUCP (Thratchen) says:
> >
>From article <9gLe02w164w@whitebase.ukp.com>, by salmieri@whitebase.ukp.com
> >(Gregory Salmieri):
> >
>> >>
.......[various spelling corrections deleted]...
>> >>
>> >> I  remembur spending hours trying to allalize that when it first aired.
> >     remember                          analyze
> >

Gee whiz... Are you sure he wasn't just searching for an Islamic
interpretation?

> >        If any of the above are true then I apologize for this post but
> >otherwise be aware that if your posts can't be easily read then no one will
> >care what you have to say.
> >
> >Jim Kiley, Gaunt Man Wannabe                            ka-py401@andy.bgsu.edu

Actually, I thought the guy said something about having problems with
backspacing or something like that in earlier postings.  Someone who had
been correcting him (I admit, I was getting annoyed myself) apparently
corresponded with him and was satisfied with his explanation...

quintenu@maestro.htsa.aha.nl (Quinten Uijldert) writes:

> > 
> > When I was reading through all the newsgroups, I noticed that there was a
> > newsgroup called Alt.Tv.TwinPeaks, so I immediatly start reading all the
> > messages.
> > At first I was delighted that there were more fans of Twin Peaks throughout
> > the world, but after reading a letter from an American user I was shocked !!
> > 
> >    WHY oh WHY do you stupid Americans have to spoil it all for the European
> >    viewers of Twin Peaks.
> > 
> > You tell us about the ending, while we are just watching episode nr. 5 of
> > the first year.
> > That's just like you are at the movies, and the person next to you tells the
> > plot, just at the point that it's getting exciting !
> > 
> > How STUPID !!!
> > 
> > -----------------------------------------------------------------------------
> > BE FREE TO REACT, BUT WATCH YOUR LANGUAGE !
> > -----------------------------------------------------------------------------

We are just disscussing all of Twin Peaks. If you don't want to here what 
happenens don't read to group or try to censer out the titles. Maby we could 
put a note in telling what part of TP the message dioscusses in the beginng 
on the messages.

The European fan who complained about having plot details
spoiled by Americans who'd already seen the whole series is
justified, IMHO.  I don't see why anybody would object to the simple
practice of putting a spoiler warning saying "Information about
<name of character, situation, whatever>" at the start of an
article.  I frequent the rec.arts.drwho group, and though that
show has been out of production for a few years, and some of its
episodes are almost 20 years old, people are generally polite
enough to warn when they're discussing important plot details
of an episode.  Not everyone has seen the whole thing...it's very
simple.
As for that Norwegian (?) SF mag article criticizing TP:
They've got a lot of valid points!  Come on, let's not fool
ourselves: David Lynch DID throw in all kinds of red herrings,
meaningless details, etc., just for the hell of it.  Sometimes
he picked up on those threads months later...sometimes he didn't
  Does anyone really think there was a "master plan" explaining
all the gobbledygook about the BLack Lodge, Owl Cave, donuts,
Diane, Windom Earle, etc., from the very start? Of Course not!
My love of TP has always been with qualifications: I recognizw
that it is NOT the most profound cinematic achievement of all
time.  You might even call it pretentious--but an observant fan
realizes that Lynch has had his tongue in cheek all along.  The
mistake is to take it too seriously, since he sure as hell
doesn't!  Remember the soap opera that was always playing in
the backgournd in the first season (something about "Love",m
I forget the name)?  He was telling us, "This is a surreal,
spooky, soap opera--and a parody of genre at the same time!"
Once I realized this, and knew that Lynch wasn't taking himself
too seriously, I lost any reservations about the show being
"postmodern charlatanism" (to borrow a phrase).  It must
be realized that Lynch KNOWS he's doing this.  It's kind of a
huge joke, in fact, on the world.
During that run of boring stories after Leland's...
SPOILER!   ABOUT SOMETHING BIG THAT HAPPENS
TO LELAND!  I have to do this,
I just lectured everyone else on it.
















ANYWAY...after LEland died, the show seemed to lose direction,
until finally we got Windom Earle and a brief appearance of BOB.
During that boring spell, I was getting annoyed.  Then it
occurred to me: Lynch doesn't care if we, the audience, is
udnerstanding this or not, or even if we're interested!  There's
no one big message to the show, so a run of meaningless episodes
is perfectly normal...the whole thing is really kind of like that.

Well, ok, there ARE some important themes I see in TP...like
the existence of real, powerful evil (who could not be horrified
by Maddy's death?), and at the same time, the existence of true
purity, nobility, innocence, and honesty (as personified by our
favorite Special Agent).  I admit I was troubled by the final
episode's ending--this could be a message that, indeed, it was
all meaningless, and evil has triumphed.  but I believe that
since it was never meant to be the end of the show, Lynch
wasn't intending to leave us with Coop in the clutches of BOB
forever.  Oh well, it's all just my opinion...

I wish that season 2 soundtrack was REAL!  All the Julee
Cruise songs (including "The WOrld SPins", which was played in
the roadhouse after the giant appeared) are available on the
Julee Cruise album Floating INto the Night.  This also has songs
from other Lynch projects, I think (isn't one from Blue Velvet?).
Of course, He writes all the lyrics, and Badalamenti the music.
What I'd like to see issued especially is that song that James
played and sang in the Palmer (?) living room, with Maddie and
Donna singing backup..."Just you...and I...together...forever..
in love."  There were other new pieces--instrumental--that are
on my want list, like what they played while Coop was in the
woods in the last episode.

Here's a piece of Peaksiana I bet NOBODY else has.  Sinead
O'Connor has a song on her last album (the album with "nothing
compares 2 U") called "I am Stretched On YOur Grave."  It's a
 sort of Irish folk ballad about (gasp) someone mourning for a 
dead girl!  Well, they did a remix of this song and released
it as a cassette single. At the start of the song (ONLY on the
remixed version, the "Apple Brightness Mix"), the DJ stuck in
a sample of a female voice talking backwards.  After a few listens,
I realized what it was...Laura Palmer saying "I feel like I know
her, but sometimes my arms bend back."
Just had to share that juicy little nugget.

Diane, it's 4:03 pm...time to grab a donut.

--Max Clarke

----------------------------------------------------
"THE BEATINGS WILL CONTINUE UNTIL
MORALE IMPROVES."
--sign in UF locker room
----------------------------------------------------

I was still living in France when Twin Peaks was being broadcasted
there. The truth is La Cinq stopped showing the series after it was
revealed that Laura's father killed her. We never knew whatever
happened after that episode. Also, in Brazil they stopped at that
episode. Apparently they were not getting the desired amount of
audience for the seies so they decided to keep it until the murderer
was revealed.

|
|BK> doppelganger, N a ghostly counterpart of a living person [G doppelganger,
|                      ^^^^^^^^^^^^^^^^^^^^
|
|A "Doppelgaenger" (letterly translated: double-walker) of a person, means 
|someone who looks like this person. Madleine is Laura's Doppelgaenger.
|
|The german meaning is perhaps slight different from the american. :-)
|
|
|Bye, Marc
|----------

Well, if what you say is true, then the American meaning differs from the
English as well. There is definitely a supernatural aspect to the concept
of a doppleganger - sort of your 'other self'. The Collins English dictionary
describes it as BK said:

doppelga"nger: n. (Legend) a ghostly duplicate of a living person. [from
German Doppelga"nger, literally: double-goer]

I think that it is fairly obvious that David Lynch intends the allusion to
go beyond 'look-alike'. To perhaps re-phrase BK's question, does anyone know
the legends alluded to in the dictionary definition?

                 Chris. xxx.



________________________________________________________________________________
    "It's a sobering thought that by the time Mozart was my age he had been
                    dead for two years" - Tom Lehrer.

________________________________________________________________________________

Chris RobsonINTERNET:cjr@hplb.hpl.hp.com
Hewlett-Packard Laboratories UK:cjr@hplb.hpl.hp.co.uk
Filton Road
Stoke GiffordPhone:(0272) 799910 ext 28173
BristolDirect line:(0272) 228173
BS12 6QZFax:(0272) 228128
United KingdomInternational:Replace (0272) with (+44 272)

In <184@htsa.htsa.aha.nl> quintenu@maestro.htsa.aha.nl writes:

> >    WHY oh WHY do you stupid Americans have to spoil it all for the European
> >    viewers of Twin Peaks.

Well, you have been flamed before, so I won't bother. But I do have one thing
to say to you: "Get a life, punk!"                                     :)


Hannu

PS: One more thing: Laura was killed by her father Leland while he was
possessed by an evil spirit, BOB! There, I hope you read this. (By now
you KNOW that the articles in alt.tv.twin-peaks contain spoilers, so
reading this was your own fault... And besides, there IS the word 'spoilers'
in the article heading...

In article <31882@uflorida.cis.ufl.EDU> traveler writes:
> >Here's a piece of Peaksiana I bet NOBODY else has.  Sinead
> >O'Connor has a song on her last album (the album with "nothing
> >compares 2 U") called "I am Stretched On YOur Grave."  It's a
> > sort of Irish folk ballad about (gasp) someone mourning for a 
> >dead girl!  Well, they did a remix of this song and released
> >it as a cassette single. At the start of the song (ONLY on the
> >remixed version, the "Apple Brightness Mix"), the DJ stuck in
> >a sample of a female voice talking backwards.  After a few listens,
> >I realized what it was...Laura Palmer saying "I feel like I know
> >her, but sometimes my arms bend back."
> >Just had to share that juicy little nugget.

Just to reinforce this cosmic connection, remember that Sinead was
originally scheduled to perform on the Saturday Night Live hosted by
Andrew Dice Clay, and when she boycotted the show, the replacement 
musical guest was Julee Cruise. The following season, Sinead was the
musical guest on SNL, on the show hosted by Kyle MacLachlan.

--
Barry Eynon
eynon@lindy.stanford.edu

_THE HIDDEN_ was shown recently on local TV.  It was nice to see
Kyle Maclaughlin (sp?) again as an FBI agent, even though he
wasnt exactly Agent Cooper.  Check it out if you can.
Kinda gory. Leonard Maltin's movie review book gave away a LARGE
piece of the plot which kinda spoiled it for me.
Check your local video store.  I dont have any details, except it
was made in 1987 and there were lots of familiar faces, actors who
I recognized but hard to put a name to (e.g. Clu Galagher).
Ken

Could anyone tell me if this really is the adress of Sherilyn Fenn:

Sherilyn Fenn
8571 Holloway Drive #1
Los Angeles, CA 90069

Has anyone written to her? Did she answer?


-- * Fredrik 'The Leaf` Lofgren * "She walks in beauty like * * Computer Science * the night, of cloudless * * Chalmers, Gbg, Sweden * climes and starry skies" * * d1leaf@dtek.chalmers.se * LORD BYRON *

In article <37830005@otter.hpl.hp.com> cjr@otter.hpl.hp.com (Chris Robson) writes:
> >|
> >|BK> doppelganger, N a ghostly counterpart of a living person [G doppelganger,
> >|                      ^^^^^^^^^^^^^^^^^^^^
> >|
> >|A "Doppelgaenger" (letterly translated: double-walker) of a person, means 
> >|someone who looks like this person. Madleine is Laura's Doppelgaenger.
> >
> >Well, if what you say is true, then the American meaning differs from the
> >English as well. There is definitely a supernatural aspect to the concept
> >of a doppleganger - sort of your 'other self'. The Collins English dictionary
> >describes it as BK said:
> >
> >doppelga"nger: n. (Legend) a ghostly duplicate of a living person. [from
> >German Doppelga"nger, literally: double-goer]
> >
> >I think that it is fairly obvious that David Lynch intends the allusion to
> >go beyond 'look-alike'. To perhaps re-phrase BK's question, does anyone know
> >the legends alluded to in the dictionary definition?


I agree that the term refers to more than just a look-alike, although I
think that there is a good point in the original note that Maddie was a
doppelganger for Laura.  In the waiting room to the black lodge, Cooper
clearly had a doppelganger (an evil version of himself), as did Laura and
the others.  There were clearly two dwarfs, two Laura's, etc.
-- =============================================================================== Justin J. M. Grunau || JJMG Desktop Document Imaging (in ISPD) ||Internet: jjmg@btc.kodak.com Eastman Kodak Company ||Voice=(508) 670-9638 FAX=(508) 670-5283

In article <1991Oct10.233827.22278@news.cs.brandeis.edu> st912930@pip.cc.brandeis.edu writes:
> >I was still living in France when Twin Peaks was being broadcasted
> >there. The truth is La Cinq stopped showing the series after it was
> >revealed that Laura's father killed her. We never knew whatever
> >happened after that episode. Also, in Brazil they stopped at that
> >episode. Apparently they were not getting the desired amount of
> >audience for the seies so they decided to keep it until the murderer
> >was revealed.

What?  They didn't even continue to the point where Cooper "solved" the
case?  If they skipped those two episodes after the murderer was revealed,
THAT would be a dirty trick.

Hello all!

does anyone know if Julee Cruise is on tour this fall?  I saw her a about a
year ago in Detroit at St. Andrews Hall and it was too cool!  If anyone has a
tour date or a list of them, please post for all to see!


Cheers!




Don Kasprzak
UToledo

Posted 10/11/91
This has been slightly revised since the last posting.

This timeline is based off of one begun by Jerry Boyajian.
Many thanks go to Ed Hughes, David Coufal and all others who have posted
transcriptions and summaries which I've incorporated here.
This is for non-profit purposes.

A copy will be made available via anonymous ftp at audrey.levels.unisa.edu.au
(130.220.16.88) in pub/twin-peaks/timeline.Z

Edwin Nomura
enomura@ucsd.edu

--

1965 approx (Cooper to Truman, 2021)
   -- Windom Earle may have begun searching for the Black Lodge

1969 approx ("going on 20 years now," Truman to Cooper, 1003)
   -- Bookhouse Boys formed

March 1969 ("20th anniversary," Shelly to Norma, 2021)
   -- Norma wins the first Miss Twin Peaks pageant

April 1969
  -- Hank and Norma get together ("20 years ago, next month," Hank to Norma,
     1007)
  -- Norma begins working at the RR  ("20 years this April," Norma to Nadine,
     2007)

1981 approx (Catherine to Pete, 2014)
   -- Eckhardt plans Andrew's death

1983 ("6 years ago," Truman to Cooper, 1000)
   -- Andrew Packard brings Josie over from Hong Kong to be his wife

1985 ("4 years ago," Cooper to Truman, 2014)
   -- Caroline killed while under Earle's and Cooper's assigned protection

1986 ("3 years ago," Cooper to Truman, 1002)
   -- Cooper has a dream where he learns the deductive technique he exercises
      in 1002 and becomes deeply moved by the plight of the Tibetan people

April 1986 (Cooper to Leo, 1003)
   -- Leo cited for an illegal U turn

August 1987 (approx)
   -- Andrew Packard supposedly dies, in a boating accident.  In actuality,
      Hank is responsible, and is to receive $90,000 payment from Josie.
      [Truman first tells Cooper Packard died "last year" (1000) but later
      tells him it happened "a year and a half ago" (1001)]
   -- Hank Jennings takes the fall for the killing of an unnamed vagrant,
      is convicted of vehicular manslaughter and sent to jail.

November (Cooper to Leo, 1003)
   -- Leo cited for a drunk and disorderly

February 1988 (Cooper to leaders of community, 1000)
   -- Teresa Banks murdered in southwest corner of the state

August 1988
   -- Laura gets her safety deposit box ("6 months ago," clerk to Cooper, 1000)
   -- Laura begins seeing Dr. Jacoby (Jacoby to Cooper, 1004)

September (Cooper to Leo, 1003)
   -- Leo cited for an aggravated assault.  Charges later dropped.

December
   --  Laura begins seeing James ("2 months ago," Donna to mom, 1001)

January 1989
   -- Truman starts seeing Josie (Truman to Cooper)

05 Feb (Sunday) (Cooper to James, 1000)
   -- Laura and James and the locket

06 Feb (Monday) (date at top of page in diary, 1000)
   -- "Day One" (entry in Laura's diary).

12 Feb (Sunday)
   -- The picnic ("2 Sundays ago," James to Cooper, 1001)

22 Feb (Wednesday)
   -- Maddy feels Laura's in trouble (Maddy to Donna and James, 1005)

23 Feb (Thursday)

   5:00 pm (Josie to Cooper and Truman, 1001)
   -- Laura arrives at Josie's for her English lessons.  Josie says Laura left
      an hour later.

   Sometime after dinner
   -- Last entry in Laura's diary:  "Nervous about meeting J. tonight."
      (She remarks about having asparagus for dinner again, 1000)
   -- Bobby meets with Leo (Bobby to Mike, 1001)

   9:00 - 9:30 pm
   -- Laura returns home from Bobby's.  (Sarah Palmer tells Truman she last saw
      Laura when she got home about 9:00, 1000).  Bobby answers yes when
      Cooper asks him, "she was studying at your house until about 9:30.
      Isn't that right?", 1000)

   9:30 pm
   -- Laura snuck out of her house (James to Cooper, 1001)

   10:00 pm
   -- Leland calls Laura from Ben's office (Cooper to Truman and Albert, 2009)

   12:30 pm
   -- Laura jumps off James' bike at Sparkwood and 21 and runs off (James to 
      Cooper, 1001)

   12:00 - 4:00 am
   -- Estimated time of Laura's death according to the preliminary autopsy
      (Doc Hayward to Cooper and Truman, 1001)

24 Feb (Friday)   [Episode 1000 (pilot) - 4/8/90, 8/5/90
   Written by Mark Frost and David Lynch
   Directed by David Lynch]

   "Just after dawn" (Truman to Bobby)
   -- Josie at the mirror
   -- Pete Martell discovers Laura's body:  "She's dead...wrapped in plastic"
      He calls Truman.
   -- Truman and Doc Hayward identify the body as Laura Palmer's.  Andy
      takes pictures and breaks down and cries.
   -- Sarah can't find Laura.  She calls the Briggs' and the football coach.
   -- Ben and Leland have meeting with Norwegians.  Ben mentions he has
      information that the sawmill will go belly up within a year.
   -- Audrey gets in a car
   -- Leland receives news about Laura.
   -- Heidi's late to work.  Bobby takes Shelly home from the RR
   -- Leland makes a positive ID of Laura's body
   -- At Twin Peaks High, Audrey changes her shoes, and James meets Donna
      J: "Nice day for a picnic."  Bobby arrives at school and is wanted in
      the office.  In class, Donna notices Laura's empty seat after a cop
      talks to the teacher.
   -- Bobby is questioned, then arrested
   -- Principal Wolchezk makes the announcement.  Students grieve.

   Mid-morning
   -- Truman questions Sarah.  Hawk is gathering items out of Laura's room.
      Truman gets the message that Ronette is missing
   -- Josie has Pete "push the plug" and makes an announcement that work
      will stop today in memory of Laura.  Catherine fires a worker.
   -- Ronette is found wandering along the tracks

   10:00 (approx.) (Nadine to Ed)
   -- James stops at Big Ed's Gas Farm.  He has a note for Donna.  Nadine
      sends Ed off to get the drapes ("They said those drapes would
      be ready by 10.")

   11:30 am (Cooper to Diane)
   -- Cooper enters Twin Peaks (He had lunch at the Lamplighter Inn)

   2:46 pm (clock on wall)
   -- Cooper meets Truman and they check on Ronette.  Truman to Cooper: "as
      far as we know, [Ronette and Laura] hardly knew each other."  Ronette:
      "no, don't go there"
   -- Cooper and Truman take an elevator with a one-armed man.  Dr. Jacoby
      meets and tells them he wants to go to the morgue.  Truman
      says no.  Jacoby also says that Laura's parents didn't know she was
      seeing him.
   -- Cooper and Truman check on Laura.  Cooper finds an "R" under Laura's left
      ring finger.
   -- Donna comes to Big Ed's Gas Farm looking for James.  Mike comes by to
      get Donna but Ed kicks him off the property.  Nadine yells at Ed about
      the drapes and Ed gives Donna James' note for her.
   -- Cooper and Truman investigate Laura's diary.  There's a safety deposit
      box key and a bag with what looks like cocaine residue.
   -- Andy and team find the train car
   -- Cooper and Truman question Bobby.  Cooper doesn't think he did it.

   3:45 (clock on wall)
   -- Audrey walks into the Norwegians' meeting.  She mentions Laura's death.
   -- Bobby and Mike talk about going after a biker.  Lucy overhears.
   -- Cooper questions Donna.  She says some hiker shot the picnic video.
      He wants to know who she's protecting.
   -- Lucy is about to tell Cooper what she overheard from Bobby and Mike, but
      he already knows - the person they're looking for is a biker.
   -- James with the locket on a thong

   4:00 pm (approx.)
   -- "The Norwegians are leaving!" (one of Ben's employees tells the
      concierge Ben would be back by 4:00 for the final signing of the deal
      with the Norwegians and Ben arrives as the Norwegians are leaving)

   4:10 pm (Cooper to Diane)
   -- Cooper and Truman at the train car.  They find the necklace, on a chain,
      with half of the heart and a note, "Fire, walk with me."
   -- James with the locket on a thong
   -- Sylvia tells the nurse to tell Johnny that Laura won't be coming back

   Late afternoon
   -- Cooper and Truman at the bank.  Inside Laura's safety deposit box are
      over $10,000 and a copy of Fleshworld.
   -- Leo finds two kinds of cigarette butts in the ashtray and threatens
      Shelly
   -- Norma calls Ed.  They agree to meet at the Roadhouse at 9:30.

   Early evening
   -- Town meeting where Cooper addresses the community leaders.  He says that
      one year ago, almost to the day, in the southwest corner of the state,
      a girl by the name of Teresa Banks was found dead and because of
      "irrefutable similarities," he believes that same perpetrator killed
      Laura and almost killed Ronette.
   -- Leo calls Mike (Mike to Bobby, 1001)

   9:30 pm (approx.)
   -- Donna sneaks out after overhearing her parents talk about the necklace.
   -- Mike and Bobby arrive at the Hayward's looking for Donna.  Doc discovers
      she is missing.  The boys head for the Roadhouse.
   -- Doc calls Cooper and Truman who are staking out the Roadhouse about
      missing Donna.
   -- Big Ed and Norma talk about leaving their respective spouses for each
      other. Cooper and Truman see Mike and Bobby arrive, then Donna.
      Truman calls for backup.  Fight breaks out, Joey Paulson takes Donna to
      meet James.  Cooper and Truman pursue but lose them.  James and Donna
      talk about Laura.  He says that Laura mentioned something about a guy
      getting killed. They kiss, then bury the locket.  Jacoby watches
      all this (2001).  James is arrested.
   -- Doc picks up Donna at the station.  James is put in a cell.

   12:28 am (Cooper to Diane)
   -- Truman and Cooper have coffee and donuts.  Truman recommends the
      Great Northern for Cooper.
   -- Bobby and Mike bark at James.  Bobby: "When you least expect it."
   -- Truman meets Josie, has been seeing her for about 6 weeks
   -- Catherine tells Ben on the phone that Truman is with Josie again, and 
      they agree to meet to talk about it.
   -- Sarah has a vision of the locket on a thong dug up by person
      unknown (Jacoby).

25 Feb (Saturday)   [Episode 1001 - 4/12/90, 8/11/90
     Written by Mark Frost and David Lynch
     Directed by Duwayne Dunham]

   6:18 am (Cooper to Diane)
   -- Cooper's up and describes the room to Diane

   6:50 am approx. (Cooper tells Diane he'll breakfast in about half-an-hour)
   -- Cooper goes to breakfast, where he meets Audrey

   Morning
   -- Cooper rattles off the day's schedule to Truman, who's stuffin' his face
      with a donut.  C: "Harry, I really have to urinate!"
   -- Cooper and Truman get autopsy results from Dr. Hayward.  He couldn't
      bring himself to do the autopsy himself.
   -- Shelly discovers Leo's shirt soaked with blood and hides it
   -- Cooper and Truman question James.  He says Laura jumped off his bike
      at Sparkwood at 21 last night.  He flashes back on Feb 5 when Laura
      broke the locket.
   -- Leo can't find his shirt
   -- Mike and Bobby talk in jail cell about Leo
   -- The Donna and Laura picnic video

   10:30 am (Donna to Eileen)
   -- Donna to mom: Laura's been seeing James for 2 months.  Donna is sad but
      happy.
   -- Cooper meets Ed and gets a call from Albert.  Truman and Ed discuss the
      stakeout.  Ed thinks his drink was drugged at the Roadhouse.  The
      bartender was Jacques Renault.
   -- Norma runs into Nadine buying cotton balls at the general store
   -- James released into Ed's custody, Mike and Bobby released

   "Just barely morning" (Pete to Josie)
   -- Cooper and Truman talk to Josie.  Pete: There was a fish... *in* the
      percolator.
   -- Catherine meets Ben.  They plan to torch the sawmill.

   Afternoon
   -- Donna visits the Palmers.  Sarah has a vision of Laura on Donna, and
      killer BOB
   -- Jenny's first day at One-Eyed Jack's (not shown but mentioned later)

   Late afternoon/early evening (exterior shot is dark)
   -- Hawk qustions the Pulaskis, spots one-armed man
   -- Ben confronts Audrey about her involvement with the Norwegians leaving
   -- Bobby and Major Briggs have words over dinner.  Briggs socks Bobby
      when he lights up.
   -- Cooper and Truman talk to Norma about Laura's involvement with the Meals
      on Wheels program, and the Log Lady says her log saw something the night
      Laura died

   Later in evening
   -- Shelly gets home and is beaten by Leo over the lost shirt
   -- James has dinner at Haywards'
   -- Jacoby listens to tape from Laura, takes out the locket on a thong
   -- Bob Lydecker assaulted outside a bar in Lowtown, a section of Twin Peaks
      (Philip Michael Gerard to Cooper, 1004)

[Episode 1002 - 4/19/90, 8/18/90
Written by Mark Frost and David Lynch
Directed by David Lynch]

Saturday evening (continued)  
   -- Jerry Horne gets back from Paris with some baguettes.  Ben tells him
      about the Norwegians leaving and Laura's murder.  They go to OEJ.
   -- Mr. and Mrs. Hayward hit the sack
   -- Ben and Jerry at OEJ.  Ben wins the coin toss for the new girl.
      Blackie:  "When you really want love, you'll find it waiting for you."

   Midnight (clock at Haywards')
   -- James and Donna have their heart-to-heart
   -- Hawk calls Cooper, tells him that Ronette recently quit at the perfume
      counter at Horne's and about seeing the OAM
   -- Person unknown (Audrey) slips a note under Cooper's door ("Jack with one
      eye")
   -- Bobby and Mike meet with Leo in the woods.  Bobby sees someone with Leo.
      Not all of the coke is in the football since Bobby and Mike don't have
      all the money - Laura had the other half.  Leo mentions Laura's wild
      life and Shelly's infidelity.  Leo: "Leo needs a new pair of shoes!"

26 Feb (Sunday)

   Morning
   -- Ed drops grease on Nadine's drape runners.  Nadine's arms bend back.
   -- Cooper prepares for his rock/bottle experiment
   -- Shelly turns off a commercial for "Invitation to Love" and Bobby visits
   -- Cooper teaches Truman, Hawk, Andy and Lucy about Tibet.
   -- Ed meets Norma at the RR
   -- Rock/bottle:
                             1 "James Hurley, secret boyfriend"
                !            2 "Josie Packard, was instructed in English by
                U3             Laura."  Bottle wobbled slightly.
              !---!          3 "Dr. Lawrence Jacoby, Laura's psychiatrist."
              2   !            Bottle was struck but did not break.
              !   !          4 "Johnny Horne, Laura was his special education
       !----! !   ! !--1-!     tutor."   Rock hit trash can.
       !    ! !   ! !    !   5 "Norma Jennings, she helped Laura organize the
       !    ! !   ! !    !     Meals on Wheels program."
                5            6 "Shelly Johnson, waitress at diner, friend."
                               Rock hit tree, then Andy.
                             7 Jack with one eye.  No rock thrown.
                             8 "Leo Johnson, husband of Shelly, drives a truck,
                               connection with Laura unknown."  Bottle struck.
   -- Ed meets Norma at the RR

   Late morning (after church)
   -- Haywards meet Audrey at the RR who puts on music on the juke.  "God,
      I love this music.  Isn't it too dreamy?"

   Afternoon ("Are we going to have to stand here all afternoon?"  Albert to
              Lucy)
   -- Cooper and Truman examine the bloody rag.  Hawk found it 5 miles from
      the train car.
   -- Albert and team arrive

   Night
   -- Nadine ecstatic about her now-silent runners
   -- Pete and Catherine talk.  Pete sneaks safe key to Josie and she finds two
      ledgers there.
   -- Leland has a breakdown to the strains of Glen Miller
   -- Cooper dreams:
      A series of sudden images, as if illuminated by a strobe light with
      darkness in between:
Cooper in a chair, the dwarf
Laura's mother running downstairs [from 1000]
BOB at foot of Laura's bed
A bloody cloth [in the railroad car?]
Laura dead
BOB crouched at Laura's bed  [Sarah's vision]
      The One-Armed Man:
Through the darkness of future past,
The magician longs to see
One..chants...out..between two worlds...
Fire...walk with me.
We lived among the people -- I think you say convenience store?
We lived above it.  I mean it like it is, as it sounds.  I too
have been touched by the devilish one; tattoo on the left shoulder.
Ah, but when I saw the face of God, I was changed.  I took the
entire arm off.  My name is Mike.  His name is BOB.
      BOB, crouched in some room full of clutter (tantalizingly
      unrecognizable metal objects) like an attic or basement.  He looks
      around and says:
Mike?  Mike?  Can you hear me?  [he turns to look at the camera]
Catch you with my death bag!
You may think I've gone insane, but I promise I *will* kill again!
      A small mound of dirt with a gold necklace on it, surrounded by a
      ring of candles.  A puff of wind; the candles blow out.
      An older Agent Cooper (in his 50s or so) is sitting in a red-carpeted, 
      red-curtained lounge.  Laura Palmer is sitting a few chairs away from
      him, dressed in a slinky black dress and looking very elegant.  There 
      is a strange scraping noise - a distorted silhouette of a person,
      backlit against a doorway -- it seems to be shuddering somehow -- the 
      scraping noise gets faster.  Suddenly the distorted silhouette turns
      around.  It's The Little Man From Another Place.  The scraping sound
      was him rubbing his palms together.  He's got a cheerful, wide smile,
      and he says (in twisted, reversed backwards English):
Let's rock!
      He sits in one of the chairs.  There is a pause.  A black shadow drifts
      slowly over the red curtains, over their heads. Laura puts one finger
      next to her nose, looking significantly at Cooper.  Then:
      LMFAP: [to Cooper]  I've got good news.  That gum you like is going to 
come back in style.  [noticing Cooper staring at Laura]  She's my
cousin.  But, doesn't she look almost exactly like Laura Palmer?
      Cooper: [to LMFAP]  But she is Laura Palmer.
[to Laura]  Are you Laura Palmer?
      Laura: [arching her back weirdly]  I feel like I know her,
 but sometimes my arms bend back.
      LMFAP: She's filled with secrets.  Where we're from, the birds sing a 
pretty song, and there's always music in the air.
      Slow jazz music begins to play.  The Little Man From Another Place
      stands and starts a jerky dance.  Laura stands, crosses to Cooper,
      kisses him, and whispers something in his ear. 
      -- Cooper jerks awake, with his special Cooper Cowlick pointing straight
 up.  He calls Truman and says he knows who killed Laura Palmer -- 
 but it can wait till morning.

27 Feb (Monday)   [Episode 1003 - 4/26/90, 8/28/90
   Written by Harley Peyton
   Directed by Tina Rathborne]

   7:15 am (Cooper to Diane)
   -- Cooper meets with Audrey over breakfast and chat about OEJ and Laura.
      He then tells Truman and Lucy about his dream. [In actuality, he
      describes the ending to the European version]:
      "Harry... you were there. Lucy, so were you.  In my dream, Sarah Palmer
      has a vision of her daughter's killer.  Deputy Hawk sketched his
      picture.  I got a phone call from a one-armed man named Mike. The
      killer's name was BOB.... They lived above a convenience store.  They had
      a tatoo: Fire, Walk With Me.  Mike couldn't stand the killing anymore,
      so he cut off his arm.  BOB vowed to kill again, so Mike shot him....
      Suddenly it was 25 years later.  I was old, sitting in a red
      room.  There was a midget in a red suit and a beautiful woman.  The
      little man told me that my favorite gum was coming back into style and
      didn't his cousin look exactly like Laura Palmer, which she did....
      She's filled with secrets; sometimes her arms bend back; where she's
      from, the birds sing a pretty song, and there's always music in the air.
      The midget did a dance, Laura kissed me, and she whispered the name of
      the killer in my ear."
      He can't remember the killer's name.
   -- Fight at the morgue - Ben and Doc Hayward won't let Albert continue with
      his autopsy
      Albert: Mr. Horne, I realize that your position in this fair
community pretty well guarantees venality, insincerity, and a certain
        irritating manner of expressing yourself.  Stupidity, however, is not
        a necessarily inherent trait.  Therefore, please listen closely - you
        can have a funeral any old time.  You dig a hole, you plant a coffin.
        I, however, cannot perform these tests next year, next month, next
        week or tomorrow - I must perform them now.  <drill noise--VEEP
        VEEP!> I've got a lot of cutting and pasting to do, gentlemen, so
        why don't you please return to your porch rockers and resume whittling.
      Truman slugs him.

   Mid to late morning (?)
   -- Cousin Madeleine arrives to the strains of "Daddy!" on ItL
   -- Norma is told of Hank's pending parole
   -- Cooper and Truman talk to Leo
   -- Bobby and father have words again

   12:27 am (Cooper to Diane)
   -- Cooper and Truman leave for funeral after Albert's autopsy report
      Laura was tied up twice, two kinds of twine.  Traces of soap at the back
      of her neck.  Died of numerous cuts.
   -- Ed and Nadine have a quiet moment.  James declines to go to the funeral.
   -- Audrey checks on her family through a peephole.  Ben and Sylvia fight
      over whether or not to take Johnny to the funeral.  Dr. Jacoby comforts
      Johnny.

   Early afternoon
   -- Laura's funeral.  James and Bobby fight.  Leland freaks out.

   Evening (full moon)
   -- Shelly demonstrates Leland's coffin ride
   -- Truman, Hawk, and Ed talk to Cooper about someone running drugs into
      Twin Peaks, and about a sort of evil out in the woods
   -- Cooper meets the Bookhouse Boys (Truman, Ed, James, Joey, Hawk) and they
      question Bernard Renault at the Bookhouse.
   -- Jacques calls Leo for help.  Shelly hides the gun.
   -- Catherine eavesdrops on Josie and Truman.  Josie shows Harry the safe,
      but one of the ledgers is missing.  Catherine has it.
   -- Cooper meets Jacoby at the cemetery
   -- Cooper talks with Hawk about spirits and Laura at the Roadhouse, then the
      two take a drunken Leland home.

28 Feb (Tuesday)   [Episode 1004 - 5/3/90, 9/1/90
    Written by Robert Engles
    Directed by Tim Hunter]

   Day
   -- Andy sketches BOB from Sarah Palmer's description.  She, at Leland's
      insistence, then describes her vision of someone digging up the necklace.
      Donna's thinking.
   -- Lucy watches ItL
   -- Cooper questions Jacoby
   -- Gordon calls Cooper.  Andy shows the BOB sketch to Cooper.
   -- Hawk tracks down the OAM to the Timber Falls motel, where at the
      same time, Ben and Catherine are having a rendezvous, and are being
      staked out by Josie.  Catherine says the bogus ledger has the mill
      turning a profit, and tells Ben where the real one is.  She picks up
      a OEJ chip Ben drops.
   -- Cooper and the boys arrive and question Philip Michael Gerard the OAM.
      He has a suitcase full of shoes.  Andy drops his gun and it goes off.
   -- Bernard Renault makes bail (not shown but mentioned later)
   -- Audrey gets Donna to agree to help her find Laura's killer
   -- Norma goes to Hank's parole meeting
   -- Cooper and the boys visit the Lydecker Clinic and confiscate files
   -- Bobby has rendezvous with Shelly and she gives him Leo's bloody shirt
   -- Cooper, Truman, Hawk and Andy practice in the shooting range.  Lucy's
      mad at Andy.
   -- James runs into Madeleine Ferguson at the RR diner, after speaking with
      Donna on the phone

  5:00 pm approx (parole board'll call about 5)
   -- Norma gets a call from the prison.  Hank is being paroled.
   -- Ben talks to Jerry about some Icelanders, then Audrey talks to Ben about
      learning the family business by starting work at the department store.
      Someone (Leo) calls Ben to meet him in half an hour.
   -- A fax arrives from Gordon with a reconstruction of the plastic piece
      found in Laura's stomach.  Andy comes across the file on Waldo, a mynah
      bird belonging to Jacques Renault.  The cops race to Jacques' apartment.
      They find Leo's bloody shirt there, planted by Bobby.

   Evening
   -- Ben meets Leo by the river and they make plans about setting fire to the
      mill.  Bernard's body is lying on the ground. Leo confesses to killing
      him and reports that frere Jacques is hiding out in Canada.
      (Leo tapes this conversation)
   -- James and Donna go to the buried necklace and find it missing

   12:50 am (clock on table)
   -- Pete chats with Josie and retires.  She gets a call from Hank.

01 Mar (Wednesday)   [Episode 1005 - 5/10/90, 9/8/90
      Written by Mark Frost
      Directed by Lesli Linka Glatter]

   4:28 am (Cooper to Diane)
   -- Cooper is woken up by singing Icelanders

   Morning
   -- Cooper meets Audrey in the hotel restaurant
   -- Ben and Jerry discuss the Sons of Odin.  Jerry's got a leg of lamb.
   -- Cooper meets Truman and Andy at Jacques' place.  The blood on Leo's shirt
      is determined to be AB-.  It doesn't match Laura's but matches Jacques'.

   9:14 am (clock on wall)
   -- Bobby has breakfast at Shelly's.  Andy comes looking for Leo.  Leo calls.
   -- Norma drops by Ed's and they agree to cool their relationship for awhile
   -- Audrey has her job interview at daddy's store
   -- James and Donna meet.  His dad was a musician who ran off and his mom's
      an alcoholic.
   -- Cooper discovers Laura's ad in Fleshworld
   -- Madeleine meets with James and Donna at the RR and agrees to help them
   -- Hank, now out on parole, shows up at the RR to start work.  Shelly
      watches ItL.
   -- The Briggs family goes to see Dr. Jacoby.  Bobby says Laura made him
      sell drugs.
   -- Cooper, Truman, Hawk, and Doc Hayward go hiking:
      As they approach the cabin, a crow lands on a nearby branch and
      eyes them.  The Log Lady appears and the crow caws.
      LL:   "It's about time you got here."
        {To no one in particular} "They move so slowly when they're not 
         afraid.  Come on, then, my log does not judge."
        { They follow her inside. }
      LL:   "I've got tea.  I've got cookies.  No cake."
      Coop: "That's very kind ma'am, but I don't believe..."
      Hawk: "What kind of cookies?"
      LL:   "Sugar.  The owls won't see us in here."
      Doc:  "A cup of tea would be very nice."
      LL:   {To HST & Coop} "Shut your eyes and you'll burst into flames."
      HST:  {Strolling to the table} "Thanks Margaret."
      LL:   "We'll let it steep."
        { All sitting at the table.  Coop goes for a cookie, and Margaret
        slaps his hand. }
      LL:   "Wait for the tea.  The fish aren't running."
      HST:  "You've been expecting us, Margaret?"
      LL:   "You're two days late, but that's you're concern.  My log saw 
        something, something significant."
      HST:  "What did your log see?"
      LL:   "Tea first.  Then be ready."
        "My husband was a logging man.  He met the devil.  Fire is the devil
        hiding like a coward in the smoke."
      Doc:  "It was the day after the wedding, wasn't it Margaret?"
      Hawk: "The wood holds many spirits, doesn't it Margaret?"
      LL:   {Gesturing with log to Coop} "You can ask it now."
      Coop: "What did you see that night - the night Laura Palmer was killed."
      LL:   "I'll do the talking."
        "Dark.  Laughing.  The owls were flying.  Many things were blocked.  
        Laughing.  Two men.  Two girls.  Flashlights pass by the woods over 
        the ridge.  The owls were near.  The dark was pressing in on her.
        Quiet then.  Later, footsteps.  One man passed by.  Screams.
        Far away.  Terrible.  Terrible.  One voice."
      Coop: "Man or girl?"
      LL: "Girl.  Further up over the ridge, the owls were silent."
      { As they leave on the way to discovering Jacques' cabin, the crow leaves
      the branch it has been on all this time and follows, landing on a branch
      when they stop once again.  We get a close-up of its blinking eye.       }

   4:00 pm (cuckoo clock)
   -- Cooper, Truman, Hawk, and Doc find Jacques' cabin and discover clues
      given to Cooper in his dream

   Evening
   -- Party at the Great Northern for the Icelanders.  Ben and Catherine meet
      in private, Audrey eavesdrops.  Catherine confronts Ben about the OEJ
      chip, slaps him 3 times, says lets burn the mill now.
   -- Leland freaks out to music
   -- Madeleine calls Donna.  She found a tape of Laura's.
   -- Back at the party, Ben surreptitiously meets with Josie.  She found the
      ledger where he said it would be.  Ben: "we can proceed.  Tommorrow
      night."
   -- Leo gets home and is beat up by Hank.  "I told you to mind the store, not
      open up your own franchise."  Leo gets pissed at Shelly who shoots him.
   -- Cooper arrives back at his room to find Audrey in his bed

[Episode 1006 - 5/17/90, 9/8/90
Written by Harley Peyton
Directed by Caleb Deschanel]

Wednesday evening (continued) (1/2 moon) 
   -- Cooper has a talk (and that's all) with Audrey

02 Mar (Thursday)

   Morning
   -- Andy arrives at the station.  Lucy won't talk to him and gets a call from
      a doctor.
   -- Cooper, Truman, and Doc Hayward are trying to get Waldo to speak
   -- Hawk shows up with a forensics report on Jacques' cabin and says that
      Jacques is now working as a dealer at OEJ.  There were definitely 3
      guests at Jacques' cabin - Laura, Ronette, and Leo.

   Afternoon
   -- Leo spots Bobby arriving at his house to see Shelly.  He then takes off
      when he hears on the police band radio about Waldo.
   -- Maddy, Donna, and James listen to the tape that Maddy found.  They plot
      to get the missing tape (2/23) they beliEve Jacoby has.
   -- Audrey and another girl, Jenny, are working the perfume counter at
      Horne's.  Audrey hides in manager Emory Battis' office to listen in on
      his conversation with Jenny concerning her sideline work at OEJ.
   -- Cooper receives his ear plugs (Cooper to Diane, 1007)

  12:10 pm (clock on wall)
   -- At the RR Diner, Hank palms a lighter that a customer left, and
      has thoughts about Big Ed after a talk with Shelly.  Truman comes in with
      Cooper and warns Hank to keep clean.
   -- Audrey gets Black Rose's number from Jenny
   -- Nadine is home watching "Invitation to Love" and feeling miserable
      because the patent attorney she went to didn't like her drape runner
      idea.  Ed comes in, comforts her, and encourages her to keep trying.
   -- Truman stops by Josie's and asks about her being at the Timber Falls
      Motel on Tuesday.  She tries to deny it but then tells him about Ben and
      Catherine and about overhearing Catherine's plan to burn the mill.

   Evening (Cooper to Truman)
   -- Truman and Ed rendezvous with Cooper at the hotel.  Truman tells Cooper
      about Josie's problem.  Cooper seems suspicious.  Audrey shows up looking
      for Cooper just as they leave.
   -- Mr. Neff, an insurance agent, shows up at Catherine's about an unsigned
      policy.  Josie was to get $1,000,000 upon Catherine's death.
   -- Catherine finds her bogus ledger missing
   -- Audrey leaves a note under Cooper's door and notices an Asian man
      (Tojamura's assistant) checking in a couple of doors down from Cooper
   -- Leo shoots Waldo and drives off, but not before Waldo's last words are
      recorded.  "Laura, Laura, don't go there.  Hurting me, hurting me.  Stop
      it, stop it, stop it.  Leo, no, Leo no."
   -- Cooper and Ed show up at OEJ posing as "Fred and Barney" and meet
      Blackie.  Ed craps, Cooper jacks.
   -- Maddy sneaks out, though she is seen by Leland, to meet James and Donna.
   -- Ben and Jerry eat ice cream, then Jerry goes off with the Icelanders to
      OEJ for a signing party for the Ghostwood deal
   -- Ben calls Josie about Catherine.  Josie says she'll "get Catherine there"
      and that it is "planned for tonight."
   -- Audrey meets Blackie.  She ties a cherry stem into a knot with her
      tongue, and is hired at OEJ
   -- Jacques relieves the previous dealer at the blackjack table where Cooper
      is playing
   -- Dr. Jacoby is watching ItL on tv when he gets a call from "Laura." At the
      gazebo, Maddy, disguised as Laura, is waiting with James and Donna
      and Bobby is watching them. The whole tableaux is being watched by a
      mysterious heavy breather.
   -- Jacoby takes off to find out what's going on with "Laura" while James and
      Donna sneak into his office to search for the missing tape.  Bobby has
      followed them there and sticks a bag of cocaine in James' gas tank.

[Episode 1007 - 5/23/90, 9/15/90
Written and directed by Mark Frost]

Thursday evening/Friday morning (continued)  
   -- James and Donna enter Jacoby's place, find paper umbrellas, the (slightly
      different) missing tape and half the locket on a chain
   -- Jacoby, watching "Laura" is beaten by person unknown (Leland)
   -- Audrey meets with Blackie and notices Cooper on a monitor
   -- Cooper talks with Jacques, sets him up.  Jacques says the bird had a
      thing for Laura.  Leo put a chip in Laura's mouth while the bird was
      attacking her and said, "bite the bullet, baby."
   -- Leo kidnaps Shelly
   -- Jacques arrested, struggles, is about to shoot Truman when Andy shoots
      him
   -- Bobby, Maddy, Donna listen to the tape, as Will takes off for a
      hospital emergency.
"Hey what's up doc?  It's Laura, in case you haven't guessed.  It's
Thursday the 23rd and I'm so bored.  Actually, I'm in kind of a weird
mood.  God, James is sweet, but he's so dumb.  And right now I can only
take so much of sweet.  Hey, remember that mystery man I told you
about?  Well, if I tell you his name then you're gonna be in trouble.
He wouldn't be such a mystery man anymore, but you might be history,
man.  I think a couple of times he's tried to kill me.  But guess what?
As you know, I sure got off on it.  Isn't sex weird?  This guy can
really light my F-I-R-E.  He's a red corvette... Uh oh, here comes mom
with milk and cookies.  Later, Lawrence.  Bye bye."
   -- Leo prepares to burn the mill with Shelly tied up in it.  Timer set for
      one hour.
   -- Nadine writes a note and takes pills
   -- Hank receives $90,000 from Josie for the job 18 months ago.  He says
      doing business with someone is for life and slits both their thumbs.
   -- Catherine is upset.  She can't find the ledger.  She deviously asks for
      Pete's help.
   -- Ed, Hank, and Andy tell other deputies what happened within earshot of
      Lucy.  Andy makes his move and she announces she is pregnant.
   -- Lucy receives call from "Leo" (Bobby) to check out James.  "He's an easy
      rider."
   -- Cooper and Truman question Jacques.  He was in the cabin with Leo, Laura,
      and Ronette.  He and Leo had fought and had hit him with a whisky bottle.
   -- Hayward tells Cooper and Truman that Jacoby said he saw Laura
   -- Catherine gets a call from Hank.  "It's at the mill, what you're looking
      for."
   -- Hank tries to sweet talk Norma

   3:25 am (clock on wall)
   -- Ed finds Nadine unconscious.  He calls for an ambulance. The address is
      422 Riverside.
   -- Lucy gives message to Cooper and Truman from Leo (Bobby).  Leland asks
      Truman about a suspect.
   -- James gives Cooper Laura's tape.  Cooper tells him Jacoby is in the
      hospital and confronts him about the cocaine found in his gas tank.
   -- Icelanders (Einar Thorson) sign the Ghostwood contract
   -- Ben tells Hank to proceed
   -- Bobby goes to see Shelly, is attacked by Leo, who is shot by Hank
   -- Catherine finds Shelly and frees her.  Fire starts.
   -- Leland kills Jacques
   -- Pete goes into burning sawmill after Catherine
   -- Ben signs the contract and goes to see the new girl (Audrey)
      "Close your eyes. This is the stuff as dreams are made of."

   4:37 am (Cooper to Diane)
   -- Cooper returns to his room, notices the quiet, picks up a note addressed,
      "My special agent," receives a phone call (Andy) and is shot by person
      unknown (Josie).

03 Mar (Friday)  [Episode 2001 - 9/30/90
 Written by Mark Frost
 Directed by David Lynch]

   Early morning (4:45? am)
   -- Room service waiter delivers Cooper's warm milk, hangs up phone on
      Andy.  "I've heard about you."
   -- The Giant appears:
      G: "I will tell you three things.  If I tell them to you and they come
true, then will you believe me?"
      C: "Who's that?"
      G: "Think of me as a friend."
      C: "Where do you come from?"
      G: {Shaking head} "The question is: where have you gone?"
 "The 1st thing I will tell you is: There's a man in a smiling bag."
      C: "Man in a smiling bag..."
      G: "The 2nd thing is: The owl's are not what they seem.
  The 3rd thing is: Without chemicals, he points."
      C: "What do these things mean?"
      G: "This is all I'm permitted to say.  Give me your ring.  I will
return it to you when you find these things to be true."
      {Takes Coop's ring} "We want to help."
      C: "Who's we?"
      G: "One last thing.  Leo locked inside Hungry Horse.  There's a clue at 
Leo's house.  You will require medical assistance."
   -- Jerry gives heroin to Blackie
   -- Audrey evades Ben, Jerry calls him away: Brother Ben, we got an S-N-A-G.
   -- Cooper tells Diane things he'd like to've done until Andy, Hawk, and
      Truman arrive

   7:45 am
   -- Lucy updates Cooper. Truman and Doc Hayward are present.
      C: Doc, when the will is invoked, the recuperative powers of the physical
 body are simply extraordinary.  Just give me a couple of hours to
 get dressed.
   -- Shelly, in her hospital bed, cries for Bobby

   Morning
   -- Cooper sees Jacques' body wheeled away in a bag
C: Is that bag smiling?
Doc: Smiling?
Lucy: What's there to smile about?
   -- Ronette has a vision, "Laura..."
                                                     
   Day
   -- Sarah asks Maddy if she misses Beth (her mom).  Maddy describes her
      dream (the rug) and Leland sports a new 'do, singing Mairzy Doats:
Mairzy doats and dozy doats
and little lambzy divy.
A kiddly divy, too, wooden shoe?
Now if the words sounds queer,
and funny to your ear,
a little bit jumbled and jivy,
Sing:
Mares eat oats and does eats oats
and little lambs eat ivy.
A kid'll eat ivy, too, wouldn't you?
      Maddy sees something in the rug.
   -- Ben and Jerry talk.  Ben wants to know about Catherine and Leo's status.
      Leland arrives, singing Mairzy Doats.  The brothers dance.
   -- Cooper determines what happened at Leo's.
      C: Sheriff, get your mind off Shelly - for a moment.
      Hawk finds a tarp smelling of gasoline.  Albert and team arrive.  Andy
      steps on a board and walks like a chicken, underneath are a pair of
      Circle Brand boots and cocaine.
      A: And it's another great moment in law enforcement history.
   -- Maddy meets with Donna at the RR and gives her Laura's shades that she
      wanted and breaks her own.  They agree to "keep it quiet."
      D: Maybe the sun won't go up tomorrow if you wash your hair.  Think
 like that and you'll go crazy.
      Norma gives Donna a letter that got to the RR "yesterday:" Look into
      the Meals on Wheels.  The log lady spits out her gum.
   -- Albert examines Cooper: "You were shot by a right handed person 5 foot
      6 to 5 foot 10 inches tall at a distance of less than 3 feet."
      Cooper tries to get Albert to open up to the locals.
      A: After the square dance, we can all go for a hayride.
      Andy reports that Leo was in jail in Hungry Horse, Montana on 2/9/88.
      A: Where do they keep his water dish?
   -- The OAM arrives at the station to "sell shoes" to Truman (to Lucy)
   -- Truman questions James.  Cooper demands and gets the locket on a thong
      from James.
      C: Jacoby!  I didn't figure he had anything to do with this at all.
 Sometimes, you just get lucky.
   -- Donna arrives at the station in Laura's shades, smoking and meets
      James in his cell.
      J: When did you start smoking?
      D: I smoke every once in a while.  Helps relieve tension.
      J: When did you get so tense?
      D: When I started smoking.
   -- Cooper has Andy and Lucy look through the back issues of the last three
      years of Fleshworld for Teresa Banks.
      C to D: Diane, just received the back issues of Fleshworld.  Good work.
      It's nice to see some cooperation with the law especially from
      a company that preys on human weaknesses.
   -- Hayward examines Jacoby.  Cooper and Truman arrive.  Cooper confronts
      Jacoby with the locket on a thong: I don't want any baloney, magic
      tricks or psychological mumbo jumbo.
      Jacoby said the night after Laura died, he followed Leo, lost him,
      saw and followed James and Donna and dug up the locket.
      J: Laura was, was in fact, no she was living a double life.  Two people.
 Yeah, but then, then when I saw her the last time, she
 I dunno, she seemed to've reached a kind of peace herself.  Now I
 believe that what she in fact, she had arrived at was the decision
 to end her life.
      T: Are you saying Laura wanted to die?
      C: Laura Palmer did not commit suicide.
      J: No, but maybe she allowed herself to be killed.
      Jacoby smelled scorched engine oil the night before.
   -- Bobby visits Shelly, brings her flowers
   -- Cooper, Truman, and Albert spot Bobby in the hospital.  A: Sheriff
      Truman, to see this kind of investigative genius at work is just a
      real treat for me.
      They meet Ed in the hall.
      Ed: I never believed in fate, Agent Cooper.  Always felt, you make your
  own way, you take care of your own, you pick up after yourself.
      Albert: Farmer's Almanac?
      Cooper: Albert, I would like to speak to Ed.
      Truman: Albert, I'll buy you a cup of coffee.
      Ed tells his tale of how he was with Norma but married Nadine and
      shot her eye out accidently on their honeymoon.  James drops by.  Cooper
      sees the smiling bag.  Albert goes to check in at the Great Northern.
   -- Pete is disgusted by the hospital food
   -- Norma visits Shelly in her room, then sees Ed caring over Nadine
   -- Bobby runs into his father at the RR:
      MB: "Bobby, may I share something with you?"
      BB: "Okay."
      MB: "A vision I had in my sleep last night, as distinguished from a
dream, which is mere sorting and cataloguing of the day's events by
the subconscious.  This was a vision, fresh and clear as a mountain
stream, the mind revealing itself to itself.  In my vision, I was on
        the veranda of a vast estate, a palazzo of some fantastic proportion.
There seemed to emanate from it a light from within, this gleaming,
radiant marble.  I'd known this place.  I had in fact been
born and raised there.  This was my first return.  A reunion with the
deepest well-springs of my being.  Wandering about, I noticed happily
that the house had been immaculately maintained.  There'd been added
a number of additional rooms, but in a way that blended so seamlessly
with the original construction, one would never detect any difference.
Returning to the house's grand foyer, there came a knock at the door.
My son was standing there.  He was happy and carefree, clearly living
a life of deep harmony and joy.  We embraced, a warm and loving
embrace, nothing withheld.  We were, in this moment, one.  My vision
        ended and I awoke with a tremendous feeling of optimism and
confidence in you and your future.  That was my vision of you.  I'm
so glad to have had this opportunity to share it with you.  I wish
you nothing but the best in all things."
      BB: "Thank you Dad."
      Bobby appears moved.  Hank asks Briggs how the pie was and salutes him.
   -- Norma won't talk about Shelly and Bobby recognizes Hank as he who
      shot Leo.
   -- Cooper and Albert tell their theory of what happened on 2/23:
C: The night Laura Palmer was killed, it appears she made 2
   appointments.  In her diary, she had written, "Nervous about
   meeting J. tonight."  I now believe this was a reference to James
   Hurley.  She was nervous because she planned to tell him she
   didn't want to see him anymore.  Before she snuck out of the
   house, she received a phone call.
A: We believe it was Leo Johnson making a second appointment
   for some time later that night.
C: Laura met James, was with him until 12:30 when, at the intersection
   of 21 and Sparkwood, she jumped from the bike and ran into
   the woods.  We believe that it was there that she met up with
   Jacques Renault, Leo Johnson and Ronette Pulaski.  Together
   they drove to the foot of the trail leading to Jacques' cabin.
   They climbed the trail, they were heard passing the cabin of
   the Log Lady.  They reached Jacques Renault's cabin at approximately
   1 am.  Drugs and alcohol were consumed.  Laura was tied up
   and had sexual relations with both Leo and Jacques.  Waldo the
   bird was let out of his cage and attacked Laura.  Leo and
   Jacques fought.  Jacques went outside and passed out.  When he
   came to, Leo and the girls were gone.  We believe Leo hiked
   back down to his Corvette alone, leaving the girls behind.
A: The reason being, there was a third man.
C: Deputy Hawk found evidence of a third man outside the window
   of Jacques' cabin.
A: The third man took Laura and Ronette to the train car, where
   they were tied up.  Laura for the 2nd time, Ronette for the 1st.
C: Using a blunt object, the killer hit Ronette and knocked her
   unconscious.  He must've been so intent on killing Laura, he
   didn't realize Ronette regained consciousness and escaped.
A: He either didn't know or he didn't care. He made a small mound
   of dirt and put the half heart necklace of Laura's on top.  He
   then placed a small cut out letter R under the nail of her
   left ring finger.  You'll recall he placed the letter T under
   the fingernail of Teresa Banks.  He, uh, left a note written in
   blood, "Fire, walk with me."
C: Here's the interesting thing.  The blood on the note was tested.
   It doesn't match Leo's, Jacques', Laura's or Ronette's.
A: So we surmise the killer wrote the note in his own blood.  The
   rare type, AB negative.  The towel that Deputy Hawk found five
   miles down the tracks was soaked in blood of that type.  He
   also found, near the towel, scraps of faded paper.
C: The scraps may have been left by the killer.  They'll be sent
   back to Washington DC for testing.
{Andy cries}
A: I know, Andy, I know, I know, I know.  It's what we call a real
   three hanky crime.
Andy: Albert Rosenfeld.  I don't like the way you talk smart about
      Sheriff Truman or anybody.  You just shut your mouth! {Exits}
C: Laura Palmer is dead.  Jacques Renault is dead.  Ronette
   Pulaski and Leo Johnson are in comas.  Waldo the bird is dead.
   This leaves only the third man.
   -- Truman gives Pete a ride home. P: This smoke inhalation is nasty
      business.  I feel like somebody taped my lips to the tailpipe
      of a bus.
      Josie left a note; she went to Seattle, she goes shopping every 3
      months.  An Asian man calls, asking for her, then he makes a collect
      call to Hong Kong.
   -- Ben and Jerry meet with Hank.  Hank confirms he put Catherine in the mill
      and they hope to frame the arson on her and Leo.
   -- Audrey meets with Blackie, she's not pleased with her not satisfying the
      owner

   Night
   -- Donna calls Norma about taking over Laura's Meals on Wheels route.
      She'll use the RR station wagon.
   -- At the Hayward Supper Club, Gersten plays the piano and Harriet
      recites a poem:
        "It was Laura
        And I saw her glowing.
        In the dark woods,
        I saw her smiling.
        We were crying
        And I saw her laughing.
        In our sadness,
        I saw her dancing.
        It was Laura
        Living in my dreams.
        It was Laura.
        The glow was life.
        Her smile was to say
        It was all right to cry.
        The woods was our sadness.
        The dance was her calling.
        It was Laura
        And she came to kiss me goodbye."
      Donna sits on her hands. Leland sings "Get Happy" and collapses.

   11:55 pm (Cooper to Diane)
   -- Cooper goes to bed.  C to D: I'm dog tired.  A man can only go long
without submitting to a period of rest.  As we know from experiments
conducted on American GI's during the Korean War, sleep deprivation
is a one way ticket to temporary psychosis.  And I'm working on a
3 day jag.
   -- Audrey prays for Cooper
   -- The Giant returns:
      G: "Sorry to wake you."
      C: "I'm not dreaming."
      G: "I forgot to tell you something."
      C: "You were right about the smiling bag."
      G: "The things I tell you will not be wrong.  Better to listen then to
talk."
      C: "I believe you."
      G: "Don't search for all the answers at once.  A path is formed by
laying one stone at a time.  One person saw the third man.  Three have
seen him, yes.  But not his body.  One only.  Known to you.  Ready now
        to talk.  One more thing: you forgot something."
      C: "What?"
      { Flash of green gets zapped into Coop. He lies alone in the dark,
      blinking.  }
   -- Ronette has a vision of BOB and Laura

04 Mar (Saturday)   [Episode 2002 - 10/6/90
     Written by Harley Peyton
     Directed by David Lynch]

   Morning
   -- Cooper talks to Albert about Tibet over breakfast:
      C: Buddhist tradition first came to the land of snow in the fifth
century AD.  The first Tibetan came to be touched by the Dharma was
King Hathatha Rignamputsan.  He and succeeding generations came to be
collectively called the Happy Generations.  Now some historians place
them in the Water Snake Year, two-thirteen AD; others in the year
of the water ox 173 AD.  Amazing isn't it?  The Happy Generations.
      A: Agent Cooper, I am thrilled to pieces that the Dharama came to King
Hohoho, I really am, but right now I am trying hard to focus on the
 more immediate problems of our own century right in Twin Peaks.
      C: Albert, you'd be surprised at the connection between the two.
      A: Color me amazed.
      Albert tells of Cooper's ex-partner Windom Earle escaping from a mental
      institution.  The Asian man watches Cooper drink coffee.

   Afternoon
   -- Donna delivers a meal to Mrs. Tremond.  Her grandson makes the creamed
      corn disappear.  "Sometimes things can happen just like this."
"She seemed like a very nice girl."
   -- Cooper and Truman see Ronette and wrestle with the stools.  They show
      sketches of Leo and BOB to her.  She reacts violently to the second.
      "Tr- tr- tr-"
   -- Ben and Jerry contemplate over which ledger to burn then decide to roast
      marshmallows
   -- Andy fights scotch tape at the RR.  The log lady enters and tells the
      Major to "deliver the message."
   -- Andy tells Lucy he's sterile:
      Listen to me, Lucy Moran, you just listen.  When the Takoma
      Sperm Bank was looking for donors, naturally I applied.  It's my civic
      duty and I like whales.  A routine physical examination revealed that
      I'm sterile.  Sure I thought it meant I didn't have to take a
      bath, but the doctors told me the truth.  They told me I can't have
      babies.  So what I wanna know now is why are you having one and how?
   -- Hank sees Cooper and Truman, signs his parole form.  Hank was a Bookhouse
      Boy.  Ben calls: Audrey's missing.
   -- Jerry shows Ben the unsigned insurance policy.  Ben calls Einar Thorson -
      Leland's already called.  Leland recognizes Bob; he lived next door to
      his grandfather.  J: Is this real Ben? Or some twisted dream?

   8:08 pm (clock on wall)
   -- Shelly sees Leo on life support.  Norma's waiting to drive her home.
   -- Lucy gets a call but hangs up on him because he remains anonymous
   -- At OEJ, Audrey questions Battis.  He recruited Laura and Ronette to work
      at OEJ.  Laura used drugs one weekend so they got rid of her.
   -- Bobby and Shelly scheme over Leo

   Night
   -- Cooper reports Windom Earle's flight to Diane.  The Major visits.
      BRIGGS: I have a message for you.
      COOPER: From whom?
      BRIGGS: I'm not at liberty to reveal the nature of my work.  This
secrecy pains me from time to time.  Any bureaucracy that
functions in secret inevitably lends itself to corruption.
But these rules I have pledged to uphold and I believe a
pledge is sacred.
      Briggs shows Cooper the message: /THE/OWLS/ARE/NOT/WHAT/THEY/SEEM/
   -- James sings with Donna and Maddy.  James and Maddy exchange looks, Donna
      gets jealous, then gets a call from Harold Smith.  Maddy sees BOB.
   -- Cooper is awaken from a dream by a call from Audrey.  She is caught by
      Blackie.

05 Mar (Sunday)   [Episode 2003 - 10/13/90
                   Written by Robert Engles
                   Directed by Lesli Linka Glatter]
 
   6:40 am (clock on wall) 
   -- Ronette is in the throes of a violent seizure.  Truman turns off a
      machine by her bed, then tells Cooper and Albert, who have just arrived,
      that she took out her IV.  Cooper pulls out a 'B' from under Ronette's
      fingernail.
   -- Cooper enlightens Albert and Truman about his visitations from the Giant
 
   12:30 pm (?) (Harold's watch)
   -- Donna visits Harold, who gives her a flower to put on Laura's grave. 
      He's known Laura since she started the Meals on Wheels. She pulls on a
      piece of paper sticking out of a drawer.
   -- Cooper and Truman discuss BOB.                     R   B   T
      Albert reports: the B from Ronette's              Mrs. Palmer
      finger was from a Fleshworld.           Maddy ----===========---- Cooper
      The cocaine found in James' cycle                   Ronette
      matches that found in Leo's house and Jacques' car.
      Cooper was shot with a Walther PPK.
      Albert and Truman trade words:
      ALBERT: You listen to me.  While I will admit to a certain cynicism, the
       fact is that I am a nay-sayer and hatchet man in the fight against
       violence.  I pride myself in taking a punch and I'll gladly take
       another, because I choose to live my life in the company of Gandhi and
       King.  My concerns are global.  I reject absolutely revenge,
       aggression, and retaliation.  The foundation of such a method...is
       love. I love you, Sheriff Truman.
      COOPER: Albert's path is a strange and difficult one.
   -- Lucy looks for words with R, B, and T.  Richard Tremayne, her lunch date,
      arrives at the station.  Hawk offers two more words: prohibited, robot.
   -- Leland drops by and tells Cooper, Truman, and Hawk about the man in the
      sketch - he lived in a white house, across a vacant lot from his
      grandfather's place on Pearl Lakes.  His name was Robertson and he used
      to flick matches at him, "you wanna play with fire, little boy?"  Leland
      flicks a match nicely himself into an ashtray.  Cooper picks it up and
      blows it out.
 
   Afternoon
   -- At the RR, Lucy and Dick have words over lunch.  They used to go out
      every Thursday night for three months, but he hasn't called in 6 weeks,
      since their encounter in Horne's Home Furnishings.  She tells him of her
      pregnancy.
   -- James and Maddy discuss Donna.  She arrives at an opportune moment, while
      they're holding hands, and storms out.
   -- Emory videotapes Audrey as Blackie shoots her up
   -- The OAM shows shoes to Truman, sees the sketch of BOB, gets dizzy
      and heads for the bathroom
   -- Shelly drops by the station and tells Cooper and Truman she won't give
      a statement against Leo.  Cooper smells an insurance scam and wonders
      who's behind it.
   -- The OAM has spasms in the toilet stall, flushes the toilet and the
      spasms cease.  He drops his needle.  Mike takes over.
   -- Cooper meets Ben at the Great Northern, who tells him to watch his step
      with Audrey.  The Asian Man watches and follows Cooper.
   -- Jean Renault gives Audrey some English caramel
   -- Emory recognizes Cooper on the monitor.  Jean and Nancy, Blackie's
      sister, arrive.  They and Blackie scheme.  Jean wants Cooper and Blackie
      wants money.  He'll be the go-between for 30%.
   -- Truman gets a call from Pete - Josie will be back tomorrow afternoon.
      Hawk has information about the white house - it's boarded up and no name
      on the mailbox.  Truman tells Cooper about the OAM and flinches when
      Cooper reminds him that in his dream, the OAM knew BOB.  Cooper finds the
      needle in the bathroom.
 
   4:15 (?) (clock on wall)
   -- Ed visits Nadine who is strapped to her bed.  He sings to her, and she
      breaks her straps and wakes up.  She's 18.
   -- Cooper and Truman visit Jacoby in his hospital room.  His wife is there.
      Hypnotized, he says he smelled engine oil at the park, and he saw
      Jacques' killer
 
   Night (full moon)
   -- Donna brings Harold's flower to Laura's grave and has a one-way
      conversation with her
   -- James sees Maddy at the Palmer home.  He's depressed since his mom came
      home.  Donna once again catches them at another opportune moment.
   -- Maddy cries to Leland, "Everybody thinks I'm Laura, but I'm not!"
      Cooper and Truman arrive to arrest Leland for the murder of Jacques.
   -- Donna goes over to Harold's and finds Laura's secret diary next to a
      knife
 
06 Mar (Monday)   [Episode 2004 - 10/20/90
                   Written by Jerry Stahl and Mark Frost,
                              Harley Peyton, Robert Engles
                   Directed by Todd Holland]
 
   Early morning
   -- Cooper and Truman question Leland, who admits to killing Jacques
   -- Doc Hayward and Andy discuss Andy's sterility.  Doc asks for another
      sample.  Andy, with a copy of Fleshworld, runs into Lucy on the way to
      the restroom.
   -- Truman tells Cooper no one named Robertson ever lived in the white house.
      Andy runs into a deputy, "Sorry, Bob."  Cooper notices Andy's wearing
      Circle Brand Boots.
 
   "Not even 9:30" (Ben to Louie)
   -- Louie tells Ben that travel critic M. T. Wentz is coming to town
   -- Jean, who "sells insurance to small businesses," visits Ben with the
      video of Audrey and the condition that Cooper bring the ransom money
 
   Afternoon
   -- Donna picks up lunches from the RR
   -- Norma tells Hank about M. T. Wentz.  He says there's enough time and
      takes off.
   -- At Harold's, he shows Donna the secret diary and reads from it.  Donna
      suggests giving it to the sheriff but Harold disagrees.
   -- Ben shows the Audrey video to Cooper and asks him to deliver the money
   -- Josie returns
   -- At OEJ, Emory brings Audrey to Jean.  Audrey says Emory hit him.  Jean
      kills Emory.
   -- Andy approaches Lucy.  Cooper has a talk with her.
   -- Cooper asks Truman a favor.  He needs the best Bookhouse Boy.
   -- M.T. Wentz to arrive today

   7:05 (clock on wall) (1/2 moon)
   -- Hank and Norma patronize a large man at the RR.  Hank lifts his billfold
      and finds it is Daryl Lodwick, District Attorney.
   -- Donna meets Maddy at the RR and asks her help in getting the secret diary
   -- Truman confronts Josie about the mill, she seduces him on the couch.
      A mystery man watches outside the window in the rain (Asian man?).
   -- Judge Clinton Sternwood arrives at the station and meets Lucy, Cooper
      and the sheriff.
   -- Dick Tremayne arrives, offers Lucy money for an abortion, and is kicked
      out by her.
   -- Andy, who overhears Lucy crying, brings in Leland to meet with the Judge.
      Sid arrives.
 
   Evening
   -- Ben bows to Mr. Tojamura who checks in.  Louie calls Norma - she thinks
      it's M. T. Wentz.
   -- Josie introduces her cousin Jonathan to Pete.  Jonathan tells Josie her
      job is to sell the mill and she is expected in Hong Kong by Mr. Eckhardt.
 
   9:30 pm
   -- Truman meets Cooper at the Roadhouse
   -- Hank at the RR gets a visit from the Asian man and is beaten up
 
07 Mar (Tuesday)   [Episode 2005 - 10/27/90
                    Written by Barry Pullman
                    Directed by Graeme Clifford]
 
   6:42 am (Cooper to Diane)
   -- Cooper awakes, chewing on his ear plug, and finds Audrey's note
 
   Morning
   -- Hawk tells Truman of his finds - two old ladies at the white house.
      They never heard of a Robertson.
   -- Lucy leaves for Tacoma.  She'll stay at sister Gwen and Larry's for
      two days.
   -- Cooper tells Truman he knows where Audrey is
   -- Mr Pinkle demonstrates for Bobby and Shelly the Leo-lifter apparatus
   -- Leland's hearing.  Truman defends, Andy sketches.  Ben chews on nuts and
      leaves.  Leland's released.  His grandfather, Joshua, brought them over
      75 years ago.
   -- Donna delivers lunch to Harold and makes a deal.  He'll read the diary if
      she tells her story.  She taunts him outside, he collapses.
   -- Leo's hearing.  He's ruled incompetent to stand trial.  The Judge,
      Cooper, and Truman have a drink.  Cooper doesn't think Leo did it.  
      Truman tells Shelly Leo's coming home.
   -- Ed brings Nadine home.  She rips off the refrigerator door.
   -- Tojamura meets Ben and offers him 5 million dollars for Ghostwood
   -- At the Great Northern, Bobby is snooping around Hank
 
   Noon ("Expect a call tomorrow. Noon." Jean to Ben)
   -- Cooper meets Ben.  They get a call from Jean with instructions on where
      and when to deliver the money.  Ben has Hank follow Cooper.
   -- Donna and Maddy plot to get the diary
   -- At OEJ, Jean arms himself.  Nancy reports that Audrey is asleep.
   -- Andy mans the phones at the station.  He calls the Doc for the results
      of his sperm test.  "I'm a whole damn town!" to Truman as he's zipping
      his fly.  He sees Gwen's number, calls, and gets an abortion clinic.
   -- Cooper and Truman plan.  Hawk enters and reports that the OAM is staying
      at the Robin's Nest.  No one's seen him for "a day, a day and a half."
      He found a mysterious drug.
 
   Night
   -- Maddy gets some coffee at the RR.  James follows.
   -- Donna tells a story to Harold
   -- Cooper and Truman bust into OEJ.  There's a roll of plastic on theu
      stairs.
   -- Harold shows Donna some orchids
   -- Cooper runs into Nancy and gets Audrey
   -- Truman watches Jean kill Blackie.  Hawk saves Cooper and Truman.
      H: "Good thing you guys can't keep a secret."
   -- Hank is caught outside by Jean and is identified as DA Lodwick (billfold)
   -- Maddy and Donna are caught by Harold
 
[Episode 2006 - 11/3/90
 Written by Harley Peyton & Robert Engles
 Directed by Lesli Linka Glatter]
 
   Night (con't)
   -- James rescues Donna and Maddy.  Harold sprays his plants and grieves.
   -- Cooper brings Audrey to the Bookhouse
   -- Maddy leaves Donna and James, who share a moment
   -- Truman recognizes Jean in a book of criminals and points him out to
      Cooper, who begins to feel remorse for getting Audrey messed up in his
      problems
   -- Cooper gives back the money to Ben and tells him what happened.  Ben hugs
      him, then the briefcase.
 
08 Mar (Wednesday)
 
   Morning
   -- Bobby brings Leo home.  He and Shelly get their first check - it's only
      $700, it was supposed to be $5000.  Leo groans.
   -- Donna tells Truman about the secret diary.  Gordon Cole arrives ("sounds
      real good, Sheriff, but I already ate"), with Albert's report: vicuna
      fibers were found outside Cooper's room, the OAM's chemicals were weird
      stuff, and the scraps of paper found near the train site were diary
      pages.  Hawk brings in the OAM. G: "There's the one-armer now!"
   -- Ben sees Audrey.  A: "I saw so much." "I'm aware of a lot of new things
      too, Daddy."
 
   1:50 pm (clock on wall)
   -- Nadine comes home
   -- Jonathan rapes Josie and gives her a one way ticket to Hong Kong.  She
      says she hasn't received her insurance money nor the money from Ben.
      She's waited five years for this.  The plane leaves at midnight.
   -- Maddy says goodbye to James at a dock.  She leaves tomorrow.
   -- Ben meets Josie at his office.  They drink to the fire.  She got Pete's
      signature and wants her money.  He threatens, she threatens.  He gives
      her the check from Tojamura, she gives him the contract.
   -- Bobby and Shelly party around Leo.  They make out in front of him, Leo
      moves.
   -- Cooper meets Gordon.  Albert thinks Cooper is in over his head.  Gordon's
      worried over Pittsburgh.  Cooper gets an unmarked letter with an opening
      chess move (P to K-4) from Windom Earle.
   -- Leland meets with Ben and proves himself, while pocketing fur off of a
      stuffed dog.  Jerry's on his way to Tokyo.
 
   Night
   -- Truman arrives as Josie's leaving.  He is introduced to Jonathan as "Mr.
      Lee," Josie's assistant.  He tells her he loves her, she hesitates, then
      leaves.
   -- Ben meets with Tojamura.  Leland sings.  Pete chats with Tojamura:
      Pete: The King and I!  [to Tojamura] Do you like musicals?
      Tojamura: No.
      Pete: Not even Fiddler on the Roof?  Made me weep like a little baby.
      Tojamura: I find adherence to fantasy troubling and unreasonable.
   -- Cooper questions Mike:
      M:  There is no need...for medicine.  I am not in pain.
      C:  Who are you?
      M:  My name is Mike.
      C:  What are you?
      M:  I am...an inhabiting spirit.
      C:  Who is Phillip Gerard?
      M:  He is host to me.
      C:  You spoke to me in my dream...about BOB.
      M:  Mmm.  He...was...my familiar.
      C:  Where does BOB come from?
      M:  That...cannot be revealed.
      C:  What does BOB want?
      M:  He is BOB...eager for fun.  He wears a smile... Everybody run!
          Do you understand the parasite? It attaches itself to a life form and
          feeds.  Eh.  BOB requires a human host.  He feeds on fear...and the
          pleasures.  They are his children.  I am similar to BOB.  We once
          were partners.
      M and C in unison:
          Through the darkness of future past,
          The magician longs to see.
      M:  One...chants out, between two worlds,
          Fire...walk with me.
          Oh, but then...I saw the face of God...and was purified.  I took off
          the arm...but remained... close to this vessel, inhabiting from time
          to time, for ONE, SINGLE, PURPOSE.
      C:  To find BOB [produces sketch of Bob].
      M:  TO STOP HIM!  This [points to sketch] is his true face.  But few can
          see it.  The gifted...and the damned!
      C:  Is BOB near us now?
      M:  For nearly forty years.
      C:  Where?
      M:  Ah.  A large house, made of wood, surrounded by trees.  The house is
          filled with many rooms, each alike, but occupied by different souls,
          night after night.
      C:  The Great Northern Hotel!
 
09 Mar (Thursday)  [Episode 2007 - 11/10/90
                    Written by Mark Frost
                    Directed by David Lynch]
 
   Early morning
   -- Mike babbles, Gordon tells Truman about the diary pages.  Gordon is on
      his way to Bend Oregon, "hush hush" business.
 
   7:24 am (clock on wall)
   -- Andy shows guests to Mike, who says "no...no..."  Navy sailors bounce
      handballs.  Ben enters the room and Mike faints.
   -- Hawk discovers Harold's body
 
   9:05 am (clock on wall)
   -- Maddy tells Leland and Sarah she's leaving tomorrow.  "I'll come
      galloping back often!"
   -- Cooper and Truman find the French note on Harold's body, "I'm a lonely
      soul."  Hawk finds the torn diary.
   -- Bobby and Shelly pay their bills and end up with $42.  She wants Bobby to
      take a necklace back.  Leo's truck's been impounded.  Leo screams and
      spits, "new shoes."  Leo had Shelly take in a pair of boots "last week."
   -- Audrey confronts Ben with what she knows.  He's owned OEJ for five years.
      Laura worked there a short time, Battis recruited her without his
      knowledge.  He slept with her.
 
   Day
   -- A tearful Shelly tells Norma she's quitting.  Nadine and Ed arrive.
      Norma's been working there "20 years this April."  Nadine crushes a
      glass.
   -- Bobby and Mike get back to Leo's with the boots and find a tape in the
      heel.
 
   2:47 pm (Cooper to Diane)
   -- Cooper pieces together the diary.  Audrey arrives and tells him what she
      found out about Ben.
 
   Night (full moon) (Albert puts Maddy's death between 10 and 12 and
      Truman says they took Ben in after that, 2009)
   -- Ben gets a fax from Jerry - he's talked with the people in Osaka and
      it's thumbs up.  Hawk, Andy, Truman, and Cooper arrive to take Ben in
      for questioning.
   -- At the Palmer house, a record skips at the end, and Sarah (drugged)
      crawls down the stairs, "Leland."
   -- Ben is brought to the station.  The Log Lady tells Cooper, "We don't know
      what will happen or when, but there are owls in the Roadhouse."  She
      acknowledges that something is happening.
   -- Pete runs into Tojamura - it's Catherine
   -- Sarah sees a white horse and faints.  Leland's at the mirror.
   -- At the Roadhouse, Donna meets James and they discuss Harold.  The Log
      Lady arrives with Cooper and Truman.  The navy sailors are there also.
      Donna lip syncs.
   -- Cooper and the Log Lady see the giant, "It is happening again."
   -- Leland at the mirror, sees BOB.  Maddy smells something burning and is
      killed by Bob/Leland.  An 'O' is put underneath her fingernail.
   -- The waiter from the Great Northern tells Cooper, "I'm so sorry."  Bobby
      and Donna appear moved.  Cooper's thinking hard.

10 Mar (Friday)   [Episode 2008 - 11/17/90
   Written by Scott Frost
        Directed by Caleb Deschanel]

   Morning
   -- Leland plays indoor golf.  Donna and James drop by and miss their chance
      to say goodbye to Maddy.  Leland says he dropped Maddy off at the bus
      station not 20 minutes ago.  Leland excuses himself and talks to Sarah.
      After Donna and James leave, Leland packs the club into his bag
      (Maddy's in there) and leaves.  His license plate says "The Timber
      State."
   -- Ben brushes his teeth in his cell when Jerry arrives back from Japan.
      Ben says he was with Catherine the night Laura died.  Ben and Jerry
      reminisce about Louise Dombrowski dancing with a flashlight.
   -- Lucy's back with her sister Gwen

   10:03 am (Cooper to Diane)
   -- Cooper and Truman come across Leland dancing with his golf club.
      Truman tells Leland Ben's been arrested.  Cooper asks him to get back
      to him if he remembers anything about Ben.
T: Everything OK?
C: I'm not sure.

   Late morning
   -- Doc Hayward takes a blood sample from Ben.  Jerry defends, and Cooper
      and Truman question him.
   -- Bobby makes a copy of Leo's tape and writes a letter for Ben
   -- Norma's mom Vivien arrives with her new husband Ernie, a financial
      analyst.  He says he's through with gambling, but leaves a paper on
      the counter and Norma sees "$1000 Houston by 3 points" written on it.
   -- The OAM ("he's close...") bumps the deputy and escapes from his room
   -- Hank returns to the RR and smooth talks Norma
   -- Truman and Pete look through a pair of binoculars at a pileated
      woodpecker.  They trade stories about Josie and get funny feelings.
      Truman leaves with Cooper.  The OAM is missing.
   -- Andy sees Lucy with Gwen's baby and faints

   1:40 pm (?) (Ben's watch)
   -- Pete delivers a voice message to Ben from Catherine.  She'll testify
      for the mill.  Ben throws a tantrum.
   -- Leland sings "Surry With a Fringe on Top" while driving.  Cooper's
      whistling the same tune in a different key.  They nearly collide.
      Truman pulls Leland over and they chat.  Leland mentions Ben made a
      phone call at 10 pm the night Laura died and mentioned a "derry"
      or diary.  Leland offers to show Cooper his new clubs and appears
      to almost whack Cooper with one when Truman calls him away - they
      found the OAM, near the waterfall.

   Afternoon
   -- Hawk brings in the OAM to the station.  Lucy attends to Andy while
      while Gwen gabs.  Andy tells Lucy about his sperm.
   -- The OAM examines Ben.  Truman charges Ben with the murder of Laura.
      The OAM is taken to back to the hotel.  Cooper tells Truman he doesn't
      think Ben didi it.

   8:30 pm (Vivien to Hank)
   -- Norma, Hank, Ernie and Vivien have dinner together, Hank's got a
      new domino - double 4.  When the ladies are in the powder room, Hank
      and Ernie talk.  They were prison buddies.  Ernie Niles, "The
      Professor," got out 6 months ago.  He met Vivien at a Republican
      fund raiser.  He says he doesn't gamble anymore.

   11:05 pm (clock on table)
   -- Audrey visits Cooper.  Cooper gets a call.
   -- Cooper and Truman identify Maddy's body

11 Mar (Saturday)   [Episode 2009 - 12/1/90
     Written by Mark Frost, Harley Peyton and Robert Engles
     Directed by Tim Hunter]

   Morning
   -- Albert reports: letter O under Maddy's fingernail, fur in her hand
      from a dead, stuffed fox.  Cooper asks for 24 hours to finish it.
      Albert:Cooper... an observation.  I don't know where this is headed,
        but the only one of us with the coordinates for this destination in his
hardware is you.  Go on whatever vision quest you require.  Stand on
the rim of the volcano, stand alone and do your dance.  Just find
this beast before he takes another bite.
      Cooper:<Sigh>  God help me, I don't know where to start.
      Hawk:You're on the path.  You don't need to know where it leads.
        Just follow...
   -- James gives Donna a ring.  Donna mentions last night.
   -- Vivien doesn't like Norma's eggs.
   -- Andy's French surprises Donna
   -- Donna, Cooper, and Andy arrive at the Tremonds.  A younger Mrs. Tremond
      answers the door.  Her mother passed away 3 years ago and she has no
      children.  She has a letter addressed to Donna that was in her mail
      the morning after Harold died.  It's a page from Laura's diary:
February 22.  Last night I had the strangest dream. I was in a
red room with a small man, dressed in red, and an old man
sitting in a chair.  I tried to talk to him.  I wanted to tell
him who BOB is, because I thought he could help me.  But my
words came out slow and odd.  It was frustrating trying to talk.
I got up and walked to the old man.  Then I leaned over and
whispered the secret in his ear.
Somebody has to stop BOB.  BOB's only afraid of one man.  He
told me once.  A man named Mike.  I wonder if this was Mike in
my dream.  Even if it was only a dream, I hope he heard me.  No
one in the real world would believe me.
February 23.  Tonight is the night that I die.  I know I have
to because it's the only way to keep BOB away from me.  The
only way to tear him out from inside.  I know he wants me.  I
can feel his fire.  But if I die he can't hurt me anymore.
   -- Cooper questions the OAM who says, "you have all the clues you need."
   -- Cooper, standing in a hall at the Great Northern, thinking hard,
      sees the waiter.  "I know about you.  That milk'll cool down on you
      but it's getting warmer now."
   -- Cooper, Truman and Albert examine Ben's office.  Albert says Maddy
      was killed the night before last between 10 and 12.  He also has
      Ben's blood test results.

   12:43 pm (clock on wall)
   -- Andy calls Dick while Lucy watches - they need to talk
   -- Tojamura sees Ben.  He wants the contract signed or the money
      returned.  Ben signs it and Tojamura reveals his true identity.
   -- Leland comes home to Donna.  She's got a tape of her, Maddy and James
      singing for Maddy.  Leland recognizes Laura's shades on Donna and
      she mentions Laura's secret diary.  Leland gets a call from Beth -
      Maddy never made it home.  He chews gum, dances with Donna, and hugs
      her hard.  Truman's at the door for Leland.
   -- Donna tells James about Maddy.  He leaves her crying.

12 Mar (Sunday)

   3:00 am (clock on wall)
   -- At the Roadhouse, Ben eats nuts.  Cooper and Truman are at the bar.
      Truman brings Leland, Ed arrives and they clear the room.  Hawk brings
      Bobby and Leo.  Major Briggs brings the waiter, who gives Cooper a
      stick of gum.  Leland: "I know that gum.  That's my most favorite gum
      in the world."  Cooper remembers: Laura: "My father killed me."  The
      Giant gives Cooper his ring back.
   
   3:55 (clock on wall)
   -- Cooper and Truman trick Leland into a cell.  He freaks.
   -- At gunpoint, Leland is cuffed and read his rights.  Leland/BOB
      confesses to killing Laura and Maddy.  He mentions Pittsburgh and
      Cooper is noticeably shaken.

   Early morning
   -- Dick and Andy listen to Lucy.  Dick smokes.
   -- Cooper tells his story of how the answer was staring him in the
      face all this time - Leland's dancing, grey hair, Robertson, the
      letters, the secret diary.  Leland recites Mike's poem and BOB's
      response.  The sprinklers go off and Leland rams his head into the door.
      <Cooper, Albert, and Truman burst into the room. The sprinkler system
      has gone off and water is pouring over them all>
      Cooper: Call an ambulance! <Cooper kneels next to Leland and cradles
Leland's head in his lap.  For the rest of the scene he strokes
Leland's hair and face, comforting him.>
      Leland: Oh God!  Laura!  I killed her.  Oh my God, I killed my daughter.
I didn't know.  Forgive me.  Oh God.  I was just a boy.  I saw him
in my dream.  He said he wanted to play.  He opened me and I
invited him and he came inside me.  When he was inside, I
didn't know.  When he was gone, I couldn't remember.  He made me
do things.  Terrible things.  He said he wanted lives.  He wanted
others, others that they could use, like they used me.
      Cooper: Like Laura.
      Leland: They wanted her.  But she was strong.  She fought.  She wouldn't
let him in.  Oh God.  They had me kill that girl, Teresa.  And
they said if I didn't give them Laura, they'd have me kill
her, too.
      Cooper: But she wouldn't let them in.
      Leland: They said she'd die before she'd let them.  Then they made me
kill her.  Oh God, have mercy on me.  What have I done?  What
have I done?  Oh God.  I love her.  I love her with all my heart.
My angel, forgive me.
      <Cooper looks to Albert, who shakes his head -- apparently Leland
      isn't going to live>
      Cooper: Leland.  Leland, the time has come for you to seek the path.
Your soul has set you face to face with the clear light and
you are now about to experience it in its reality.  Wherein all
things are like the void and cloudless sky and the naked
spotless intellect is like a transparent vacuum, without
circumference or center.  Leland, in this moment, know yourself
and abide in that state.  Look to the light, Leland.  Find the
light. 
      Leland: I see it.
      Cooper: Into the light, Leland.  Into the light.
      Leland: I see... Her.  She's there.
      Cooper: Into the light, Leland.
      Leland: She's beautiful.
      Cooper: Into the light.
      Leland: Laura?
      Cooper: Don't be afraid.
      <Leland dies. Wordlessly Cooper pushes his own hair back and looks up.
      The sprinklers shut off>

   Day
   -- Cooper, Albert and Truman, meet Briggs and talk about BOB
   -- An owl flying by some wrecked cars

15 Mar (Wednesday)   [Episode 2010 - 12/8/90
      Written by Tricia Brook
      Directed by Tina Rathborne]

   Day
   -- Cooper explains to Sarah what happened the night Maddy died and
      Leland's final moments
   -- Leland's wake.  Dr. Jacoby's back from Hawaii. Dougie pulls his brother's
      (Mayor Dwayne Milford) ear.  Dougie owns the newspaper and is
      engaged to be married.  The Mayor first ran for that office in '62.
      Cooper to Truman: Harry, I'm really gonna miss this place.
   -- Dr. Jacoby and Ed ask to have 35 year old Nadine admitted to school
   -- Audrey sees Cooper, who tells his tale of Earle.  A: "Friendship is
      the foundation of any lasting relationship."

   12:35 pm (clock on wall)
   -- Bobby puts on Leo's clothes and goes to see Ben
   -- Catherine talks to Truman.  She says a guardian angel saved her and
      directed her to the summer cabin on Pearl Lakes.  There appears to
      be an owl-shaped smudge on her cheek.
   -- Dick talks to Lucy while she's replacing ceiling light bulbs.  She
      nearly falls but Dick's oblivious.  Andy offers to be friends.
   -- Cooper says goodbye to Truman, who gives him a green butt skunk hook
      and a Bookhouse Boy patch.  He says goodbye to Hawk, Andy and Lucy,
      when Roger Hardy arrives with a mountie and tells Cooper he has been
      suspended from the FBI.
   -- Audrey gets Bobby in to see Ben, but gets kicked out.  They go to
      get ice cream. B: Cup or cone? A: Mmmm...cone. I like to lick.
   -- Roger and the mountie question Cooper, who surrenders his gun and
      badge.  They only knew of two deaths, and Cooper didn't know about
      Battis.  Truman stands up for Cooper.
   -- Nadine Butler tries out for cheerleading

   6:20 pm (clock on wall)
   -- Shelly brushes Leo's teeth.  Bobby calls, Leo moves.

   Night
   -- Vivien reveals herself to Norma, who kicks her out
   -- Hank brings Ernie to Jean at OEJ.  Jean's assistant is the mountie -
      he'll put some of the stolen cocaine in Cooper's car
   -- Josie, injured, returns to Truman's place
   -- Cooper and Briggs around a campfire:
      COOPER: At the time I did what I thought was right.  I must now face
the consequences.
      BRIGGS: You can do no more.
      (Cooper and Major Briggs, roasting marshmallows over a campfire.)
      COOPER: You know, Major, I find myself thinking a lot about BOB.
If he truly exists.
      BRIGGS: Yeah, I've pondered that same question continuously since this
horror was revealed.
      COOPER:I try to imagine him out there, incarnate, looking for
another victim to inhabit.
      BRIGGS:There are powerful forces of evil in the world.  It is some
men's fate to face great darkness.  We each choose how to react.
If the choice is fear, then we become vulnerable to darkness.
There are ways to resist.  You, sir, were blessed with certain
gifts.  In this respect, you are not alone.  Have you ever heard
of the White Lodge?
      COOPER: The White Lodge.  No, I don't believe I have.
      (Briggs appears to ponder what he should say about this.)
      (Angle on the woods from the point of view of some unknown entity,
      moving through the woods.)
      COOPER:Major, I'm going to take a moment here.  I feel the call of
        nature.  There's nothing quite like urinating out in the open air.  I
look forward to hearing more about this White Lodge.
(Cooper moves off into the woods. Major Briggs laughs, gives
the departing Cooper a "thumb's-up".)
When I return.  From my journey.
      (Lingering on Briggs, who looks off in the direction of Cooper's
      exit with a speculative expression.  An owl hoots.  Major Briggs looks
      up, alarmed.)
      (Cooper urinating in the woods.  An owl hoots in the tree above him.
      Cooper watches the owl.  Suddenly a brilliant white light appears
      behind him.  Cooper turns toward the light.)
      (Angle on Briggs, bathed in blinding white light.)
      BRIGGS:COOPER!  COOPER!
      (A robed figure appears in the light, backlit.  No features are visible.)
      (Cooper dashes through the woods to the camp site.  The Major is gone.)
      COOPER: Major Briggs?  MAJOR?
      (Cooper looks at the light.  It seems to be receding into the woods.
      Cooper runs toward it.  He reaches the top of a small hill and freezes,
      looking into the light.  The light blinks out.)

16 Mar (Thursday)   [Episode 2011 - 12/15/90
     Written by Barry Pullman
     Directed by Duwayne Dunham]

   Morning
   -- James cycles
   -- Mrs. Briggs talks to Cooper and Truman about her husband's disappearance.
      Being "in the woods is very significant," he "talks about them
      constantly." He left some notes by his bedside table so she'll call back
      later.
   -- Andy and Hawk found a present for Mr. & Mrs. Milford
   -- Gordon calls from Bend (a temp patches him through - Lucy's helping
      with the wedding).  Dennis Bryson from the DEA will be arriving.
   -- Cooper presents no defense to Roger
   -- Nadine asks Donna about Mike
   -- James cycles to Wally's and meets Evelyn Marsh

   12:18 pm (clock on wall)
   -- Andy leaves flowers for Lucy
   -- Dick brings Nicky, his charge from Happy Helping Hand, to the station.
      Andy offers him a malt.
   -- Cooper, Truman, and Hawk discuss the White Lodge:
      HAWK: Cooper, you may be fearless in this world, but there are other
worlds.
      COOPER: Tell me more.
      HAWK: My people believe that the White Lodge is a place where the
spirits that rule man and nature here reside.
      TRUMAN: Local legend.  Goes way back.
      HAWK: There is also a legend of a place called the Black Lodge...
the shadow-self of the White Lodge.  The legend says that
every spirit must pass through there on the way to perfection.
There, you will meet your own shadow-self.  My people call
it "The Dweller on the Threshold." 
      COOPER: "The Dweller on the Threshold..."
      HAWK: But it is said, if you confront the Black Lodge with imperfect
courage, it will utterly annihilate your soul.
   -- Dennis arrives. He and Cooper worked together in Oakland.  An RCMP
      officer says he stole drugs.
   -- Nadine leg presses 600 lbs.
   -- Josie tells Truman about Eckhardt. He took her off the streets in Hong
      Kong at 16 and taught her about life and business. She was afraid for her
      life when she met Andrew, a business partner. She says she believes
      Eckhardt is responsible for Andrew's death. She escaped from the airport
      at Seattle.
   -- Roger has pie at the RR (story on Leland in his paper)
   -- Hank and Ernie return.  When Norma asks Ernie if he caught anything, he
      spins a tale she doesn't buy.  Vivien's returned to Seattle.
   -- Nicky blows whip cream in Dick's face and spins Andy's seat
   -- James looks at Evelyn's '48 Jaguar.  Her husband, Jeffrey, travels
      extensively.  She'll provide room and board while he works on the car.
   -- Ben watches old footage of the groundbreaking ceremony for the Great
      Northern.  Hank arrives: "Ben, I have had an absolutely killer schedule."
      Ben wants to rearrange furniture.  Hank tells him OEJ has been taken
      over.  Ben makes shadow figures.
   -- Cooper gets an envelope from Windom Earle.  P to Q4.
      "Of course, you couldn't help but take note of my emphatically
      traditional opening.  I must say, your responding move was nothing
      if not reflective of your predilection for the tidy and fastidious.
      See how my response to you begins to lead us towards a classical
      confrontation?  But there's doubt in your mind: what are my true
      intentions?  How will you answer this time?  Hobgoblins, Dale...
      consistency...predictability, giving rise to patterns.  We both
      know only too well how these patterns leave you vulnerable to
      attack.  You with your wounds, I with mine, let me paint you a
      picture: my knights will skirmish, lanes of power and influence
      will open through my bishops and rooks, pawns will naturally
      be forfeit.  I'm even prepared to sacrifice my queen because,
      I assure you, dear Dale, my goal will be attained at any cost;
      the king must die!"
   -- The Milford wedding.  Dwayne objects.
   -- Denise tells Cooper s/he found cocaine in Cooper's car and explains
      what happened.
   -- Cooper dances with Audrey, Andy with Denise
   -- Josie tells Catherine Thomas Eckhardt killed Andrew and she should be
      careful.  Catherine employs Josie as her maid.  Andrew's alive:
      "Everything's going exactly as we planned."  He and Catherine will be
      waiting for Eckhardt.

17 Mar (Friday)   [Episode 2012 - 1/12/90
                   Written by Harley Peyton and Robert Engles
   Directed by Caleb Deschanel]

   Morning
   -- Bobby tries again to blackmail Ben, who's acting too weird for it to
      take.  B: "You know what you have to have in this life? Balance,
      distance, symmetry."  He's stacked his furniture.  Eventually he hires
      Bobby to spy on Hank.  Lana runs by screaming.
   -- Cooper is discussing houses with a real estate agent (Irene).  A coin
      flip leads him to like Dead Dog Farm, an estate with a mysterious past
      where no one stays for long.
   -- Andy, Dick and Lucy visit with Nickie's case worker.  Nickie is an orphan
      who has been through many foster homes, and is the victim of "persistent
      random misfortune." Truman breaks up the meeting calling Andy to an
      emergency at the Great Northern.
   -- Truman, Doc Hayward and Andy investigate Dougie Milford, dead in his
      hotel bed.  Dwayne comes in and grieves, accusing the wife of murder by
      sex.  Andy doesn't cry.  "My Secret Life" by Chris Gerrity is found
      on the bed. 
   -- In the hallway, Hawk is talking/flirting with the widow.  H: "When
      something really big goes down, I'm the man."

   10:10 am (clock on wall)
   -- Nadine has joined the wrestling team and takes district champion Mike in
      one fall while asking him out
   -- Mike complains to Donna about Nadine.  D: "I'm not that good of an
      actress."
   -- James meets Malcolm Sloan - Evelyn Marsh's brother, Jeffrey Marsh's
      driver.  He says Marsh abuses Evelyn.  Once a fortnight she breaks one
      of his things.  M: "I'm sorry.  Am I being obscure?"
   -- At Dead Dog Farm, Cooper notices some tire tracks: "A Jeep, a four-
      wheeler and a luxury sedan."  In the house he deduces a meeting took
      place in the past few hours.  He finds baby laxative and cocaine dust.
   -- Dick fixes a flat (reading the instructions) while Nicky is being
      irritating.  While Nicky is away from the car, it falls off the jack.
      Nicky panics and runs to hug Dick (who is unhurt).

   Day
   -- Cooper comes to tell Truman about Dead Dog Farm, but instead visits
      with Air Force Colonel Riley investigating Major Briggs.  Briggs is a
      great pilot and his disappearance makes the cold war look like the
      sniffles.  "The owls are not what they seem" was broadcast from
      the woods, not deep space -- maybe from the White Lodge ("That's
      classified").  Cooper mentions seeing an owl before Briggs disappeared.
   -- James and Evelyn flirt and kiss.  James encourages her to leave her
      husband but she refuses.  When Jeffrey comes home she runs to greet him.
   -- Bobby, returning to Ben's office with photos, sees Audrey who flirts
      with him but doesn't kiss him.  Audrey goes to her secret listening
      place.
   -- Ben, who is working on a civil war model ("Gettysburg, day 1"), accepts
      the photos from Bobby and gives him a raise.  Audrey eavesdrops.
   -- Pete and Catherine enjoy a romantic meal, served by Josie in a maid
      outfit.  Pete is bothered by Catherine's treatment of Josie, but is
      having too much fun to make an issue of it.
   -- Cooper brings Diane up to date:
      "Diane, I'm holding in my hand a nationally distributed newspaper.  My
      opening move [P to Q4] responding to Windom Earle's opening move was
      printed in the personal column as per my instructions, but I have
      already received his response to this yesterday.  He anticipated my
      response to his opening move perfectly.  He's toying with me, Diane.
      I wonder where he is and what he's planning."
      Audrey knocks and offers Cooper Bobby's photos she has just stolen from
      her father's office.  Cooper identifies them as Hank, Ernie, Jean Renault
      and the mountie, meeting at Dead Dog Farm.  Denise comes in, and Audrey
      kisses Cooper on her way out.  Cooper briefs Denise.
      D: I may be wearing a dress but I still pull my panties on one leg at a
         time, if you know what I mean.
      Cooper: Not really...

   Night
   -- At the RR, Ed looks depressed, prompting Norma to suggest they can still
      be friends and to take his hand, all this secretly witnessed by Hank,
      sporting a 3:4 domino.
   -- Dick tells Andy he thinks Nicky is the devil
   -- In Truman's office, Dwayne continues to accuse Lana of murder.  Doc says
      it was a natural heart attack.
   -- In the hallway, all the men watch Lana being escorted to a room.  They
      begin collectively reciting Shakespeare.
   -- Lucy tries to call the sheriff to the phone, but gets no response.  She
      eventually finds all the men literally spellbound by Lana telling
      stories.
   -- Denise visits Ernie at the RR.  At the Great Northern, Cooper and Denise
      interrogate Ernie.  They apparently want to let him off, using him to
      catch the big guys.  Denise will pose as a buyer from Seattle and Ernie
      will arrange for a deal between Renault and Denise.
   -- James hears Evelyn and Jeffrey fighting.  Malcolm tells James the first
      beating was four years ago.  He swears to kill Jeffrey.
   -- Bobby goes home to find his mother sitting in the dark grieving over the
      Major's disappearance.  She flips on an owl lamp and Bobby tells his
      mother about the Major's vision.  Suddenly the lights go out and the
      major materializes in the house, wearing a vintage pilot's outfit
      (leather jacket and goggles) and asking how long he's been gone.
      Betty: Is everything all right?
      Garland: No, dear...not exactly.


18 Mar (Saturday)  [Episode 2013 - 1/19/90
                    Written by Harley Peyton
    Directed by Todd Holland]

   Morning
   -- Fade up on night time sky/field of stars.  Camera pans
      slowly to right.
 VOICE: (whispers) Cooperrr...                                 
      In the background, a chittering noise is heard.  A yellow
      symbol consisting of three equilateral triangles overlapping
      slightly at their apexes (like the international radiation
      symbol) appears spinning in the center of the screen and
      rapidly moves towards the camera with a screaming noise.
      When it hits the camera, the screen erupts with flames.
 BRIGGS (V.O.): I remember stepping from the flames.  A
   vague shape in the dark.  Then nothing.
      Slow fade from flames to Major Garland Briggs.  He is
      seated on a throne of stone in the middle of a jungle.
      The camera moves slowly towards him.
 BRIGGS: 'Til I found myself standing by the cold
   remains of our campfire.  Two days later.
 HAYWARD (Distorted V.O.): Major, there are some new techniques
   that might help us break through your amnesia.
 BRIGGS: Well, my memories are immune from regression.
   I can feel them...
      A wolf begins to growl in the background.
 BRIGGS: ...they're palpable, the smells, the sensation.
   Everything is known to me, yet somehow beyond my reach.
 COOPER (distorted V.O.): Do you remember anything else?
 BRIGGS: Very little, save for one disturbing image
   of a giant owl, pervasive.
      The wolf continues to growl.
 COOPER (distorted V.O.): A giant owl?
      With a flash of light, we cut to a brief negative image of an owl flying,
      then to a close shot of the back of the Major's neck, where there is a
      small red scar identical to the 3-triangle symbol seen before.  Cut
      to Briggs face.  The flash is revealed to be from an Instamatic
      camera that Doc Hayward used to take a picture of the scar.  
      The camera slowly pulls back from Briggs.  The scene is the
      Sheriff's Station Conference Room, the time is apparently morning.
      Major Briggs, Agent Cooper, Doc Hayward and Sheriff Truman
      are present.
 COOPER: A giant owl?  How big?
 BRIGGS: (fidgeting with his fingers) Enough to cloud my mind and
           memory.
 HAYWARD: (handing the instant picture he has just taken to Cooper)
   Three triangular scars behind the right ear, in perfect proportion.
 TRUMAN: Major Briggs...what exactly does your work involve?
 BRIGGS: That information...as I've repeated endlessly
   to myself...classified.  Though the keeping of
   secrets ... seems less meaningful to me now.
   (Pause.  The Major is nervous and shaken.)
   Perhaps there are sources of information that are
   so important as to transcend the human need
   to conspire.  Information of such weight that
   pertains not ... (Garland pauses.  He begins to
   lose control of his emotions.)  Oh, God!  Is
   this meant for the soul?!  My soul?
 COOPER: Major--perhaps you'd better start back at the beginning.
 BRIGGS: Are you familiar with...Project Bluebook?
 COOPER: Yes sir, I am.  The Air Force investigation into
   the phenomenon of Unidentified Flying Objects.
 BRIGGS: Officially disbanded in 1969.  But, there are those
   of us who ... continue in an _unofficial_ capacity.
   Examining the heavens as before...in the case of 
   Twin Peaks, the earth below.
      Cooper and Truman look at each other.
 BRIGGS: We are searching for a place called the White Lodge.
      Briggs stops talking as the door opens and two M.P.s step in.
 M.P. #1: Major Briggs?
 BRIGGS: I've been expecting you.
 TRUMAN: Now hold on just a minute, fellas.
 M.P. #1: Colonel Riley's orders.
 TRUMAN: I don't care what orders you got, this is my
   station and Major Briggs happens to be a friend of mine.
 BRIGGS: Harry (Briggs rises).   I'm afraid we will have to continue
   this discussion at a later date.
 TRUMAN: Are you sure you wanna to go with them?
 BRIGGS: (Nods) Yeah. (to Cooper) Goodbye.
 M.P. #1: Major.                               
      A sprinkler drips onto the photo Cooper is holding {we hear the
      "hand shakes" sound from 2020}.
   -- Denise and Cooper have Ernie call Jean for the setup
   -- Dick tells Andy Nicky's records were sealed and returned to the
      orphanage
   -- Cooper asks Lucy if she's seen anything from Earle in the newspapers
   -- At the RR, Ed tells Norma, "We need to talk"
   -- Shelly's fed up with taking care of Leo and slaps Bobby who's going
      out again, as Invitation to Love plays on the TV.  Leo's eye twitches.
   -- Ed gets a call from James who wants all his money ($12) sent to him
      at Wally's
   -- Evelyn asks James about his girls and for his help

   9:25 am (clock on wall)
   -- Mike tries to fight off Nadine at the RR
   -- Hank asks Norma where's she's going
   -- Josie answers the door to Truman who can't keep his hands off her
   -- Audrey visits Ben's battlefield and calls Jerry
   -- Ed answers the door to Norma
   -- Hawk prepares Ernie with a bug:
      (Hawk is attaching a "wire" to Ernie with adhesive tape)
      E: Ouch!  Will you mind the chest hair, will ya?
      H: You're sweatin' like a pig, Mr. Niles!
      E: Oh, thanks a lot!  That's nervous perspiration, man, hyperhydrosis.
 It's a childhood condition--and I didn't notice it 'til the war.  
 Korea, remember that?  Do ya?  I was leading a battalion up towards
 the 49th parallel.  We were just a bunch of fresh-faced kids.
         I didn't know what kinda hell we were steppin' into.
      C: Ernie!  Ernie, I want you to focus on the here and now.  Repeat your
 instructions to me, step by step.
      E: Okay.  Uh...I take...Denise...up to Dead Dog Farm.  I introduce her to
 Renault.
      C: Right.
      E: I, uh...take Renault through the buy...complete the transaction, and
         get the hell out of there, huh?
      C: Good.  Harry--that's when you come in. (Truman nods)  By golly...I
         sure wish I could join you fellas.  But I've temporarily lost my
 enforcement franchise.
      E: Heh, I bet.
      T: Well...I've been givin' that some thought. (tosses badge to Cooper)
 Consider yourself deputized.  The bureau's loss is my gain.
      (Cooper looks at the badge--it's number 13.)
      C: (happily)  I hope I can live up to this.
      H: (finishes wiring Ernie)  He's done.  You might want to towel him off
 before we go! (wipes his hands, exits)
      E: Ah, come on!  (to Cooper and Truman)  Uh...how long will it, uh...
 take you guys to storm the farmhouse after, uh, I complete the buy?
      C: (pinning on his badge)  You go out, we come in.
      E: Can I, can I ask you a question?
      T: What, Ernie?
      E: Don't make me do this!  This isn't my line of work!  I'm a coward!  I
 don't do this kind of thing, I'm a CPA!
      T: Ernie.
      C: Ernie.
      E: (laughs nervously) Just a momentary lapse.  I'm okay, I'm...I'm cool. 
 Let's go do it, huh?
      C: Where's Denise?
      T: Haven't seen her.
      (Door opens.  Dennis enters dressed as a man, hair pulled back into a
       ponytail)
      D: (proudly)  You can call me Dennis!  Oh, I don't know, somehow it
 seemed...more appropriate.  (Cooper beams, absolutely delighted)
 Whadda you think?
      (Truman whistles appreciatively)   
   -- Andy and Dick at the Dorritt Home for Boys
      D: Our investigation must proceed "sub rosa."  We may have to pick the
 lock.  Tricky business, that.  (Andy opens the unlocked door)  Voila!
 We enter!
      A: Where is everybody?
      D: Lunch!  Here we are, the case files.  N...N...N...(turns to another
 set of files) N!  Nales...Nester...Netherby...Needleman, Nicholas.
 Needleman, our little Nicky!
      A: We can read it in the car!
      D: Oh, patience, Andrew.
      A: (increasingly nervous) Dick!
      D: Sh!  The usual background information...mmm...birthplace...initial
 adoption...  mm-hmm!  First of several, it seems.
      A: Dick!
      D: (oblivious to Andy)  Ah, the plot thickens.  Where are thy secrets,
 little Nicky?
      (The Brewsters appear at the door, wave eagerly.  Andy sees them.)
      A: Dick!
      (The Brewsters enter.  Dick jumps up, startled, and clumsily hides
      Nicky's file in his trenchcoat.)
      B: Hi!
      (Andy, petrified, crosses and stands beside Dick.)
      B: We're the Brewsters.  (laughs)  I know we're a little early.  It's
 just that we're so darn eager to see him.  Can we see him?  Where's
 Donny?
      D: D--Uh, little Donny is...uh, dead.  (The Brewsters look horrified.) 
 Eh!  Dead tired, I mean.  I'm afraid little Donny, he isn't feeling up
 to snuff.
      B: Well, he was in perfect health only yesterday.
      (Dick is stumped.)
      A: Dick!
      D: Just a minute...*Woody*.  Let me finish helping these good people.
 Now--where were we?
  
   Afternoon
   -- Ed answers the door to Donna who's looking for James.  She'll deliver
      the money.
   -- Norma leaves and Nadine rescues Ed from Hank
   -- Bobby sees Ben, then Audrey.  A: I think Daddy needs an injection.
   -- Catherine visits Ben
   -- James shows Evelyn the fixed car who seduces him as Malcolm watches
   -- At Dead Dog Farm, Ernie's shirt smokes, blowing the cover.  Hawk calls
      for backup as Cooper exchanges himself for Ernie and Dennis.

   Evening (1/4 moon)
   -- Evelyn leaves James in bed to go at it with Malcolm
   -- Jean, the mountie, and Cooper in the center room:
      C:  Is my death so important to you?
      R:  My two brothers die...I hold you responsible.
      C:  Why?
      R:  Well...before you came here...Twin Peak was a simple place.
  My brothers deal dope to the teenagers and the truckdrivers...
  oh...One Eyed Jack welcomed the businessman and the tourist...
  quiet people lived a quiet life.  Then--a pretty girl die,
  and you arrive...and everything change.  My brother Bernardo,
  shot, and left to die in the...the woods.  A grieving father
  smother my remaining brother with, ah...the pillow.
  Kidnaping...death...suddenly, ah, the quiet people...they're
  quiet no more.  Suddenly the...the simple dream, become the
  nightmare.  So.  If you die, maybe you will be the last to die.
  Maybe you brought, ah...the nightmare...with you.  And maybe...
  the nightmare will *die* with you.
   -- Dennis in a RR uniform, delivers food.  Cooper shoots Jean with a 
      gun hidden in Dennis' panty hose and Dennis kicks the mountie's ass.
   -- Shelly wakes to intermittent power to find Leo
   -- Power's off at the station.  Lucy says there were two fires and an
      explosion.  Cooper finds a dead person pointing to a chessboard:
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  |     | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  |     | WP  | WP  |     | WP  | WP  |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w| ?  b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BQ  | BP  |     |
      |    b|    w|    b|    w|    b|    w| ?  b| ?  w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     | BP  |     | BP  | BP  |     |     |     |
      |    w|    b|    w|    b|    w| ?  b| ?  w| ?  b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  |     | BK  |     | BB  |     |     |
      |    b|    w|    b|    w| ?  b| ?  w| ?  b| ?  w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      b = black square  w = white square
      B = black piece   W = white piece
      K= king  Q = queen  B = bishop  N = knight  R = rook  P = pawn
      ? denotes square not visible or partially obscured

[Episode 2014 - 2/2/91
 Written by Scott Frost
 Directed by Uli Edel]

Saturday evening (continued)
   -- Truman, Cooper, and Doc Hayward investigate the dead body - there's a
      black pawn in the mouth.  Cooper says it's a vagrant, and makes several
      predictions borne out by investigation (type of wound, an abandoned
      car ...).
   -- Audrey plots with Bobby to save the Horne empire.  AUDREY:  From now on,
      Bobby, it's me you suck up to.
   -- Leo stalks Shelly with an axe, as an owl watches.  LEO:  Bad girl.
      Bobby returns home and after a struggle, Shelly stabs Leo in the leg who
      runs away into the woods.

19 Mar (Sunday)

   Day
   -- Cooper's been cleared, but the suspension remains.  Truman offers the
      vagrant murder case to deputy Cooper.  Hawk reports Hank is in the
      hospital - he missed the drug deal because he was "hit by a bus."
      Shelly called to report Leo's awakening.
   -- Andy tells Lucy about his and Dick's theory of Nicky killing his parents
      at the age of 6
   -- James meets Jeffrey, who gets in the car and drives off.  Evelyn
      puts the moves on James.  JAMES:  IT'S WRONG!!!
   -- At the RR, Ed and Doc Hayward discuss Nadine's dating and sex life.
      Donna took the van to look for James who's "out a couple of hours west."
   -- Ed tells Norma about the Nadine/Hank fight.  Norma says Truman will
      arrest Hank for parole violation.  Ed and Norma plan a romantic weekend.
      NORMA:  People will find out.  ED: Let 'em.
   -- James prepares to leave
   -- Cooper talks with Truman:
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  | WN  | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BN  |     |     |    Captured:
      |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
      +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
      | BP  | BP  | BP  |     | BP  | BP  | BP  | BP  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      T: So how does chess figure into all this?
      C: Because Windom Earle and I played a game every day for three years.
 He felt that all of life could be found in the patterns and conflicts
 on the board.  (pauses)  Because I never beat him.  (pauses)  Now it's
 my turn.  I'll publish my response in the Twin Peaks Gazette.  I don't
 know what else to do.
      T: Coop, you're gonna have to give me some more information here.
      C: Harry, I've brought some baggage to town I haven't told you about.
 (sits) Windom Earle was my first partner.  Everything I know about the
 law and the bureau, I owe to him.  Four years ago, we drew the
 assignment of protecting a material witness in a federal crime.  She
 was, uh...very beautiful...very gentle woman.  Her name was Caroline.
 She and I fell in love.  One night, I...failed in my vigilance.  An
 attack was made; I wasn't ready.  I was wounded and I lost
 consciousness.  (swallows hard)  When I came to, she was in my arms,
 she...she was dead, she'd been stabbed.
      T: The wounds on the vagrant.
      C: Identical.  The killer was never found.  My wound healed; Windom Earle
 went mad.  Institutionalized until his recent escape.
      T: So why is he after you?
      C: Harry--Caroline was Windom Earle's wife.
      (Truman has been sitting on the edge of his desk.  Now, he sits in his
      chair, taken aback.)
      T: So...he blames you for her death.
      C: (shakes his head, leans forward)  It's much worse than that.  I think
 he killed her.  And I think he committed the crime that she originally
 witnessed.  Harry-- Windom Earle's mind is like a diamond!  It's cold,
 and hard, and brilliant.  I think he feigned the insanity that sent
 him away, but at some point he lost the ability to distinguish between
 what's right and what's wrong.  You don't know what he's capable of,
 Harry...you don't know!
   -- Donna shows up at Wally's looking for James but finds Evelyn instead.
      Evelyn said he had done some work for her and then headed off to Mexico.
   -- Audrey ushers Jerry into Ben's office.  BEN: "Jeb!"  Dr. Jacoby is there.
      He says Ben's reversal of the South's fortunes is a healthy way for Ben
      to recover from his own defeat.
   -- Briggs staggers into the sheriff's office and collapses.  Lucy checks her
      lip stick.
   -- Briggs, Truman and Cooper at the station:
      (Briggs, Cooper, and Truman are all sucking down huge glasses of water.
       Lucy is standing nearby with a pitcher of water.)
      L: More?
      C: I'm fine.
      T: Fine, Lucy.
      B: Fine.
      (Lucy exits.)
      T: Major--what happened?
      B: Well, as men who have dedicated their lives to service, I know that
 you're able to understand how sacred I hold a pledge of allegiance.
 And the cost one must pay when breaking a pledge.
      C: It can be very great.
      B: Well, the Air Force, *I thought*, was not unlike other societies of
 men dedicated to the fight for the good.  (pauses, mops his brow)
 Gentlemen, frankly I'm worried.  When my superiors questioned me about
 my disappearance, they exhibited a degree of suspicion and intolerance
 bordering on the paranoic.  I must now admit that their motivation in
 the search for the White Lodge is not ideologically pure.  I believe
 that during my disappearance I was taken to the White Lodge.  I can 
 remember, virtually nothing.  But I have the clear, intuitive sense
 that there's...  much trouble ahead.
      C: Major?  What kind of trouble?
      B: I am unaware of the form it will take.  (pauses)  I will return.
 Until that time, I will be in the shadows if you need me.  Good day,
 gentlemen.
      C: Good day, Major.
      (the Major exits.)
      T: In the shadows.  Can you beat that?
      C: No...
   -- Jacoby, Lana, Cooper, Truman, Hawk at the station
      (Cooper and Truman enter the meeting room after Hawk.  Jacoby and Lana
       are waiting there.)
      J: Good.  I wanted all of you to hear this.  I've just spent almost the
 last twenty-four hours with this charming young lady, and as you can
 see, uh...  I have no bruises, no broken bones...any claims by her
 deceased husband's brother that she's cursed or somehow responsible
 for a death is nonsense.  Now what she does, in fact, possess is a
 heightened sexual drive.  And a working knowledge of technique,
 anatomy, and touch, that few men have ever had the pleasure of
 experiencing, or the skills to match.
      T: Is it *hot* in here?
      C: Yeah.
      H: Yep.
      C: Lana, let me be the first to congratulate you.
      L: Thank you!  Well--I could never have done it without Dr. Jacoby.
      J: Heh, heh, heh, heh, heh.  Okay.  Well then, we're gonna go bowling.
         See ya later, guys!
   -- Dwayne Milford is in the lobby with a shotgun, threatening to shoot Lana.
      Cooper suggests that the mayor and the widow go alone into the conference
      room to work it out.  Truman: Now what?  Cooper: We wait.
   -- The cops enter the conference room to find the widow and the mayor
      making wedding plans.
   -- Catherine reveals Andrew Packard to Pete.  P: "We forgot the weenies!"
      Catherine and Andrew knew of the attempt on Andrew's life so they staged
      it.  Eckhardt tried to kill him after he got the better of him in a
      business deal.  It was planned for 6 years.

   Dusk
   -- Eckhardt and Jones check into the Great Northern
   -- Truman shows Cooper a Seattle newspaper story -- Jonathan is dead.
      Truman suspects Josie and asks Cooper to investigate.  C: "If you
      say drink coffee, I'll drink coffee."
   -- Doc Hayward tells Dick and Andy about Nicky's past.  His mother was an
      immigrant, maid at the Great Northern.  She was impregnated during a
      rape, died in child birth.  Nicky was in an orphanage, then adopted. 
      His adopted parents were killed in a car crash.  Lucy is indignant that
      the men had suspected Nicky of wrong-doing.  She swats a fly.
      Dick and Andy break down and cry.
   -- It comes down at the Marsh place.  Evelyn says Jeffrey died in a car
      crash, the brake lines were cut.  JAMES: "You set me up!"  Evelyn says
      she loves James, and hopes he gets away.  Police arrive.  James is
      sneaking away.  Donna is there in the shadows, and they run away
      together.

   Night
   -- Leo walking through the woods.  Gratuitous owl shots.  There is a cabin
      with a light on.  Leo walks in and meets Windom Earle.

20 Mar (Monday)   [Episode 2015 - 2/9/21
           Written by Harley Peyton and Robert Engles
   Directed by Diane Keaton]

   Day
   -- Evelyn and Malcolm tell the cops about James
   -- At Wally's, the cops watch an opera, while James and Donna talk
      as the bartender persists in listening in.  Donna wants to talk to Ed,
      James wants to talk to Evelyn.
   -- Donna calls Ed
   -- Cooper and Truman question Shelly and Bobby, who says that Hank shot Leo
   -- Albert ("Get a life, punk!") tells Cooper about Earle's leavings at
      five different police departments in different cities, each an article of
      Caroline's clothing.
   -- Earle makes music as Leo awakens
   -- Ed and Norma discuss their future in bed when Nadine rips off the door
      and joins them in bed.  She says she knows about them, mentions Mike,
      and bends her 2nd place wrestling trophy.
   -- Cooper and Truman question Josie
   -- Pete returns with a load of dry cleaning.  Cooper takes a sample from
      a coat.
   -- Thomas calls Josie.  Catherine listens.
   -- Ben continues on in the war.  Johnny is present in his Indian headdress.
      Bobby trumpets.
   -- Evelyn and Donna trade words at Wally's until Malcolm comes for Evelyn
   -- Albert's report.  The dead Asian man was Jonathan Kumagai.  The fibers
      found outside Cooper's door and from Josie's coat are a perfect match.
      The dead vagrant's name was Eric Powell.  Powell was Caroline's maiden
      name.
   -- Pete beats Toad, Cooper and Doc Hayward in chess
   -- Shelly gets her job back and cleans the ice cream cone
   -- Truman tells Norma Hank is going back to jail

   Night (1/2 moon)
   -- Josie answers the door to Eckhardt, who dines with Catherine.  They
      debate over what to do with Josie.
   -- James confronts Evelyn, who's blowing smoke rings.  She confesses and
      seduces him.  Malcolm knocks him out.
   -- The North surrenders and Ben's back
   -- Earle prepares himself and tutors Leo in penmanship
   -- Donna stumbles into Evelyn and Malcolm scheming.  Fiasco results
      in Evelyn shooting Malcolm.
   -- Cooper looks at a picture of Caroline as Earle walks out of the elevator.
      Earle leaves a message for Audrey.
   -- Cooper finds a mask and a message from Earle in his bed.

21 Mar (Tuesday)   [Episode 2016 - 2/16/91
    Written by Tricia Brook
    Directed by Lesli Linka Glatter]

   Morning
   -- Cooper and Truman listen to Earle's tape.  They decide to call Pete
      for Cooper's next move.  Lucy: Paper and Pete, got it - I'll do it
      alphabetically!
   -- Pete answers Lucy's call then serves breakfast to Catherine and Andrew.
      Josie enters, sees Andrew and faints.
   -- Truman reads the paper, an article on the Asian man's death
   -- Hank (on crutches) and Hawk in Truman's office.  Truman accuses Hank of
      shooting Leo.  Hank says he was home with Norma then, and offers to deal
      info on Packard's death for freedom.  No deal.  Hawk kicks Hank's
      crutch out from under him.
   -- Albert's report regarding the gun:
      A: This is the bullet we removed from you.  This is the one that was
         excavated from the dead man's skull.  Same bullets, same gun, same
 killer.  Let's go get her.
      C: Albert, hold your horses.
      A: Coop--I appreciate any reluctance you might have for busting your
 pal's old lady, but the woman ventilated you and left you for dead.
      C: (holds up his hand) Albert--I don't take it personally.  What about
 the gloves, the powder tests?
      A: News at five.  All right, fine, you're not mad, but there's an
 epidemic of multiple gunshot wounds following this chick around,
 she is a menace.
      C: (nods) I'll talk to her.  Maybe she'll confess, turn herself in.
      A: Maybe she'll grow wings and join the circus. (leaves)
   -- Audrey working as concierge at the Great Northern.  J.J. Wheeler walks
      in; he claims to have seen Audrey years ago playing Heidi.  Audrey has
      mail -- a note containing a torn piece of paper with writing, and a
      note inviting her to "save the one you love" by attending "a gathering
      of angels" at the Roadhouse that night.
   -- Ed replaces some figurines on a shelf when Nadine returns from school
      early. She confesses to Ed her love for Mike.  NADINE: "We have to
      call a spade a spade.  We're breaking up."
   -- Cooper pleads the truth from Josie.  Catherine listens in.  COOPER: "I
      don't know what place Harry occupies in your heart, but I do know that
      you own his."  Josie is unresponsive.  After Cooper leaves, Catherine
      badgers Josie while oozing slime.  Catherine says Josie will have to
      see Eckhardt alone that night.  JOSIE: "He'll kill me."  Catherine
      casually exposes a gun in the book case which Josie grabs and fondles.
   -- Bobby, Ben, Jerry, Audrey and John Justice Wheeler plot business.
      Ben reveals there is an endangered species on the mill/Ghostwood
      property: the pine weasel.
      B: I give you...the little pine weasel.  Found only in our tri-county
 area...  it is nearly extinct.
      J: (happily) They're incredible roasted.
      Ben will use this fact to stop development until he is in the driver's
      seat.  BEN: "And then, I'm considering a run for the Senate."

   1:16 (clock on wall)
   -- Earle the truck driver leaves the RR, leaving a note for Shelly. 
      Norma is on the phone with her sister, Annie, who lives at a
      convent.  Shelly reads the note, identical to Audrey's.
      Ed comes in and proposes to Norma.
   -- Leo whittles under Earle's instruction
   -- Norma visits Hank in jail, asks for a divorce.  Hank promises to reform
      and asks for an alibi regarding Leo.  Norma refuses, although Hank
      swears he'll die if he goes back to prison.  HANK: "You're his whore,
      Norma."  NORMA: "I'd rather be his whore than your wife."
   -- Pete selects a move that will give Earle "sleepless nights" and not
      allow him to capture any pieces for 5-6 moves.  It appears to be P to
      QN-3.  This is just about the only legal move in that corner of the
      board (to Cooper's right) that would prevent any immediate capture. 
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  | WN  | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BN  | BP  |     |    Captured:
      |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
      +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
      | BP  | BP  | BP  |     | BP  | BP  |     | BP  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
   5:00 pm (A to C: "News at five.")
   -- Albert says the powder on Josie's glove proves she shot Cooper.  There
      was a positive ID of her in Seattle.
   -- Andrew visits Josie putting on makeup in her room.  He says he loved her
      though she didn't love him and she should go to Eckhardt who can
      get her out of the country.

   Dusk
   -- James and Donna meet for a picnic in the mountains.  James is going to
      continue traveling around.  Donna will return to TP.  They will continue
      to love each other and meet again some day. Evelyn is going to stand
      trial and James will be a witness.

   Evening
   -- Truman comes to see Josie.  Catherine says she's gone to see Eckhardt.
   -- Eckhardt and Andrew meet in the elevator.  Andrew says he is alive
      because Josie betrayed Eckhardt.  Something about Josie in love with
      Truman.  ECKHARDT: "I have taken care of that [Truman]."
   -- Ben, Audrey and Jack at supper.  Jack is in business of saving troubled
      businesses with environmental problems.  Ben is called away;
      attraction/repulsion/defensiveness between Audrey and Jack ensues.

   9:30 pm
   -- Shelly, Audrey and Donna meet at the Roadhouse.  They put their three
      pieces of paper together. Earle watches from the bar.
      "See the mountains kiss high heaven
      And the waves clasp one another.
      No sister flower would be forgiven
      If it disdained its brother.
      And the sunlight clasps the earth,
      And the moonbeams kiss the sea.
      What is all this sweet work worth,
      If thou kiss not me?"
   -- Cooper practices fly fishing in his room.  Catherine calls to let him 
      know where Josie is.  He grabs his gun and goes to investigate.  He hears
      a shot and opens Eckhardt's door.  Eckhardt stands up and dies.
      Josie and Cooper point guns at each other.
      J: He tried to kill me.
      C: Is that what you'll say about me, Josie--that I tried to kill you?
 What about Jonathan?  Did he try to kill you, too?
      J: He...he was taking me back.
      C: Why did you shoot me, Josie?
      J: Because you came here.  I knew this day was going to come.  I'm not
 going to jail!  I can't!
      (Truman enters, gun drawn)
      H: Put it down, Josie.
      J: Ah!  Harry?!
      H: PUT IT DOWN!!
      J: Harry--forgive me.  I never meant to hurt you. (takes several sharp
  breaths, closes her eyes, hugs the gun to her chest, and collapses on
 the bed)
      H: (rushes to her, cradles her in his arms) Josie!  Josie?!  Josie!
         (looks up) She's dead.  
      (Truman and Josie on the bed disappear, spotlight appears.  BOB climbs
      onto the bed from the floor on the far side, laughing maniacally, until
      he is on his hands and knees on the bed)
      B: Coop!  What happened to Josie?! (continues to laugh)
      (BOB disappears, the little Man From Another Place appears, dances on
      the bed, and disappears.  Truman and Josie reappear as before.  Josie's
      face appears in the knob of the nightstand, crying out in torment)

22 Mar (Wednesday)   [Episode 2017  -  3/28/91
      Written by Barry Pullman
      Directed by James Foley]

[Cooper's Prologue: March 28th, Thursday night.  Diane, I want to bring you
up to speed on a few recent developments.  Nadine Hurley, 35 years old,
persists in the belief that she is a high school girl.  She has apparently
fallen in love with Mike Nelson, high school varsity star.  
   Word has it that Bobby Briggs is shacked up with Shelly the waitress.
Shelly's husband, Leo, has awakened from his coma and is somewhere in
the woods.
   Ben Horne has suddenly become an environmentalist, and enlisted the 
aid of trusted friend John Justice Wheeler to help him save the pine
weasel.
   As for me...I find myself suffused with a vague sense of contentment;
a premonition of happiness.  I hope I will be ready when it comes.  Mean-
while, there's Windom Earle, my former partner.  Windom continues to play
his deadly game of chess.  Deadly, Diane, because every time he removes 
a piece from the board, Earle takes a human life.  I have enlisted the
aid of chess champion Pete Martell, in hopes of formulating a stalemate
game.  In the meantime, I can only wait for Earle's next move.
   Major Briggs has returned from his disappearance in the woods, but
remembers nothing.  He cannot explain the mysterious tattoo on his neck.
   Diane, Josie Packard is dead, possibly from fear.  And while I am
absolutely certain that she tried to take my life, I feel both sadness
and even sympathy.  Sheriff Truman is suffering terribly as a result.
   When Josie died, I saw a vision, revealing BOB, and the midget from
my dream.  Windom Earle...BOB...the midget...is there a connection, Diane?
Do these events foretell BOB's return?  I hope not...for all our sakes.]

   Morning
   -- Truman thinks of Josie in a darkened room and Hawk comes in offering
      breakfast.  Truman refuses, finding solace in a bottle of Jack Daniels.

   11:18 am (clock on wall)
   -- Annie, Norma's sister, arrives and is to start working at the RR
   -- The Log Lady touches the Major's tattoo
   -- Hawk tells Cooper about Truman's condition.  Doc said he can't figure  
      Josie's cause of death.  Her body weight was 65 lbs.
   -- Windom talks to Leo about the country life, while Leo fetches things.
      Windom's got himself a laptop.  He gets the latest move from Cooper
      in the paper.  He doesn't like it.
   -- People from the Great Northern & Horne's store set up for a benefit
      show to save the pine weasel.  Pinkle's to give a talk about the pine
      weasel.  John and Audrey ramble then plan a picnic.
   -- Cooper visits Truman and gives him the scoop on Josie.  She had multiple
      felons and two arrests for prostitution besides the shooting of Eckhardt,
      Jonathan, and Cooper himself.  Truman kicks him out. 
   -- Catherine looks at plans and is visited by Jones, Eckhardt's executive
      assistant.  She's got a gift for Catherine.
   -- Dr. Gerald Craig (Earle), a friend of Dr. Hayward's, comes by, talks with
      Donna and leaves a gift for Will
   -- Pete looks for a stalemate game but he informs Cooper that at
      least six men are lost by such a game.  Andy and Lucy argue over the
      knight's hook move.
   -- Cooper, the Log Lady, and Major Briggs compare notes. Margaret, at age 7,
      Major Briggs:        Margaret:               took a walk in the woods and
/\    /\            /\             /\      was told that she had
       /  \  /  \          /  \           /  \    disappeared for a day. She
      /____\/____\        /    \/\     /\/    \    got a tattoo on her leg. She
   /\            /        \   /        \   also heard an owl when her
  /  \          /__________\ /__________\  husband died. All three have
 /____\                                    heard that call as well as
   seen the light.

   Afternoon
   -- John sings to Audrey at their picnic
   -- WIll and Eileen return. Donna tells him about Dr. Craig.  She's informed
      that Dr. Craig was his roommate and also drowned years ago.  The gift
      contains a note: KN to KB3.  The phone number given to Donna by Dr. Craig
      was for a cemetery.
      [The board presently:
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  |     | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     | WN  |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BN  | BP  |     |    Captured:
      |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
      +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
      | BP  | BP  | BP  |     | BP  | BP  |     | BP  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+                        ]
   -- Ed and Nadine discuss their future with Jacoby
   -- Mrs. Hayward answers the door to Ben who kisses her on the cheek.
      Donna watches.

   6:05 pm (?) clock on wall
   -- Norma shows a flier to Shelly about the Miss Twin Peaks contest.  "Easy
      Rider" Earle says she'd be perfect for it.  Cooper meets Annie and gets a 
      good strong cup of coffee she made.  Windom in disguise watches Annie with
      Cooper, who notices Annie's scar.  Cooper looks puzzled after Earle
      leaves unnoticed.

   Dusk
   -- Hawk gets Cooper.  A drunken Truman wrecked all the furniture in the
      Bookhouse and Cooper calms him down.
   -- Mr. & Mrs. Inkman (Nadine and Mike) rent the honeymoon suite at the
      Great Northern.  A friend, Susan, recognizes Mike.  Nadine smashes the
      bell.
   -- Ben speaks for the Stop Ghostwood campaign.  Dick is host for the fashion
      show.  Lucy and Andy model bright plaid colors.
   -- Ben chats with Catherine at the bar, convinced he's a reformed person
   -- Pinkle speaks about the pine weasel and takes one of its cage.
      It becomes attracted to the studs and cheap cologne of Dick's,
      bites his nose and gets loose.  Chaos ensues.  Jack catches Audrey.
   -- Jones knocks out a Bookhouse guard and gets into sleeping Truman's bed

[Episode 2018  -  4/4/91
Written by Harley Peyton & Robert Engels
Directed by Duwayne Dunham]

Wednesday evening (continued)
   -- Jones puts some perfume on Truman's and her lips.  He sees Josie in his
      haze and she tries to strangle him.  They struggle and Truman triumphs.

23 Mar (Thursday)

   Morning
   -- Audrey delivers breakfast to John's room
   -- Truman tells Cooper that Jones won't speak to anyone but the South
      African consulate.  There's a bonsai delivered this morning "from Josie."
      Gordon arrives as Earle listens via the bugged bonsai.  Earle was
      apparently high on the same drug, Haliperidol, as the OAM, as well as
      involved with Project Bluebook.  Gordon reinstates Cooper and gives him
      a new Smith and Wesson 10 mm.
   -- Leo picks some cards from Earle: Queen of Clubs (Donna), Queen of
      Diamonds (Audrey), Queen of Spades (Shelly), King of Spades (Cooper).
      The Queen of Hearts (blank) will be Miss Twin Peaks.
   -- Donna, at the Great Northern, sees her mom with Ben.  Mike and Nadine
      check out.  Donna and Audrey chat and wonder about their parents.
   -- Eileen and Ben discuss some happenings 20 years ago.  She's got some
      old letters.  Donna and Audrey eavesdrop.  Eileen says stay away from
      her.
   -- At the RR, Gordon's cure for a hangover sends Truman running for the
      restrooms.  Gordon notices Shelly, likes what he sees and makes his
      move.  He can hear her perfectly.
   -- Cooper and Annie chat about a chickadee he saw out the window.  He tells
      /\her a joke about penguins, and she
    /    \mentions his sketch looks just
    \    /like the one at Owl Cave.
      \/
       /\    /  \     /\
     /    -<      >-     \
   /         \  /          \
 -------------/\--------------
    /    \
    \    /
      \/
   -- Donna reads a postcard from James at San Francisco.  Her father asks
      about James and she asks about her mom and Ben.  He seems like he's
      hiding something.  Flowers arrive anonymously for Eileen.
   -- Prof. Edward (Earle) Perkins runs into Audrey at the library.  He
      identifies her poem as Shelley.
   -- Shelly and Annie chat about Cooper
   -- Lucy, playing chess, chats with Andy as he climbs down a rope.  He's
      going spelunking.
   -- Pete just called in the next move:
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WR  |     | WB  | WK  | WQ  | WB  | WN  | WR  |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     | WN  |     |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     |     |     | BN  | BP  | BP  |    Captured:
       |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
       +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
       | BP  | BP  | BP  |     | BP  | BP  |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+      ]
      Cooper's in gear and ready to go.  Cooper mentions that Shelly took
      Gordon down to Doc's regarding his hearing.
   -- Johnny Horne shoots buffalo
   -- Ben thinks Audrey's the best man for the job and informs her that her
      plane to Seattle leaves in an hour.  John shows up to see this.  He and 
      Ben chat about how Ben can be good.  He mentions he's fallen in love with
      Audrey and they munch on carrots.

   Night
   -- At Owl Cave, Andy slips and falls.  Cooper, Truman, and Hawk are also
      there.  They see the symbol on the wall.  An owl flies around them.
      Andy swings at it with his pick and hits the symbol.  The middle
      diamond falls out revealing a pole with a petroglyph on the end.
      The owl flies away.

   9:05 pm (Cooper to Diane)
   -- Cooper, after making a quick message to Diane, runs into Annie at the
      Great Northern bar.
      Dale: Hello Annie.
      Annie: Hi.
      D: Can I get you something... oh,
      A: No, no, I have a rum and tonic.
      D: I see.
      A: One of the sisters used to put rum in her tea and I thought it was
 exotic, so...
      D: It's all new to you isn't it?
      A: I feel constantly amazed. Stunned. Music and people-- the way they
         talk and laugh and the way some of them are so clearly in love.  It's
         like a foreign language to me.  I know just enough of the words to
         realize how little I understand.
      D: Man, I'd love to see the world through your eyes.
      A: Why?
      D: Oh, there are some things I might do different if I had the chance.
      A: Me too.
      [Annie reaches for her drink-- Dale notices the suicide scar -- and 
      Annie notices him noticing.  She pulls back her hand to cover her wrist.]
      A: You see, the thing is I failed before and [pause] I'm just afraid it
 might happen again.
      D: You want to talk about it?
      A: Not yet.
      D: Maybe I can help.
      A: Can you?
      D: If you want me to. 
      A: I'm stubborn, extremely willful.
      D: I can handle that.
      A: Some people think I'm strange.
      D: I know the feeling.
      A: [laughs] I couldn't promise you that I would always make sense or do
 things that you'd expect me to do.
      D: Annie I don't expect anything.
      A: Then I accept your kind and generous offer.
      D: Good.  I'm glad.
   -- Earle explores Owl Cave:
      [Thw bright light of Windom's flashlight and then we see his figure in
      Owl Cave as he appears to be looking for something.
      He comes across the uncovered "petroglyph."]
      Windom: My, my, my. What have we ...  [while turning his flashlight to
        other parts of the cave] ...here?
 /\[Shot of the same petroglyph but upside
/  \ down on the ceiling from Windom's
       /    \ point of view.  This one is enclosed
      /      \ in a diamond.]
     /        \
    / /\    \
   /    /  \    \
  /    /    \    \
 /     \    /     \
 \  \  /\  /\  /  /
  \  \/ \/  \/  /
   \            / 
    \          /
     \        /
      \     /
       \    /
\  /
 \/
      W: Could it be?  [Looks back at the petroglyph on the wall.]  Yes.
 [Looks back at the ceiling.]  The symbol inverted. 
 [laughs a wheezing kind of little laugh]  Now.
      [Struggling a little, Windom grasps the stone shaft on the wall with his 
       right hand and rotates it counter-clockwise until the symbol on the wall
       is the same as the one on the ceiling.  Andy's axe stuck in the "fire" 
       symbol begins to move as a trembling sound begins.  The axe is now
       directly above the petroglyph on the wall.  The axe falls out 
       of the wall as the walls begin to shake more.  Windom is backing out
       of the cave with tiny laughs of satisfaction.  Dust coming off of the
       wall fills the screen.]

24 Mar (Friday)   [Episode 2019 - 4/11/91
   Written by Mark Frost & Harley Peyton
   Directed by Johnathan Sanger]

   Morning
   -- Cooper, Andy, Hawk, and Truman are back at Owl Cave and find a new
      petroglyph.  The tracks they find are the same ones outside the
      powerstation.  Cooper deduces it was Earle.
      _______________________________________________________________________
      
      BLACK                              O        lollipops
      BLOB                               |  O  O
                                      ____  |  |  O  O
              O                           -----   |  |  O  O
              |                       /\       ______   |  |        \   |   /
            giant   o                /  \            ----__          \ _|_ /
              |   little            /PEAK\             /\  antlers____|SUN|____
              |    man             /      \           /  \            |___|
             / \   / \            /    @   \         /    \          /  |  \
                                 /        ~~~~~~~~  / PEAK \       /    |   \
                                         ~~~~LAKE~~/        \
                          flame  4  =falls=~~~~~~ /     @    \
                          (cave)    ||||||| ~~~~
               oo                   |||||||
       XX    o    o                 |||||||
       XX   o ring o                |||||||         (various crisscrossing
             o    o                 |||||||            lines everywhere)
               oo
      
                                                      M A Y O R
      
                                                         M C
      
                                                     C H E E S E
      _______________________________________________________________________
   -- Earle talks to Leo and a punk who thought he was invited to a party,
      about the White Lodge and the Black Lodge.  On a computer is the
      petroglyph from Owl Cave.
      Earle: Once upon a time, there was a place of great goodness, called the
       White Lodge.  Gentle fawns gamboled there amidst happy, laughing
       spirits.  The sounds of innocence and joy filled the air.  And when
       it rained, it rained sweet nectar that infused one's heart with a
       desire to live life in truth and beauty.  Generally speaking, a
       ghastly place, reeking of virtue's sour smell.  Engorged with the
       whispered prayers of kneeling mothers, mewling newborns, and fools,
       young and old, compelled to do good without reason.  Heh-heh!
  But, I am happy to point out that our story does not end in this
       wretched place of saccharine excess.  For there's another place, its
       opposite; a place of almost unimaginable power, chock full of dark
       forces and vicious secrets.  No prayers dare enter this frightful maw.
       Spirits there care not for good deeds or priestly invocations; they 
       are as like to rip the flesh from your bone as greet you with a happy
       "Good day!"  And if harnessed, these spirits in this hidden land of
       unmuffled screams and broken hearts would offer up a power so vast that
       its bearer might reorder the earth itself--to his liking!  Now!  This
       place I speak of--is known as the Black Lodge.  And I intend to find it.
   -- Pete tries to create a poem on Josie but is interrupted by
      Catherine.  She hasn't been able to open the box left by Eckhardt's
      assistant.  Pete tells her it's a puzzle box that could take
      YEARS to open.  Catherine: "Open it!  I've been trying for days."
   -- At the RR Bobby tries to convince Shelly to enter the Miss TP pageant
   -- Elsewhere at the RR, Lana tries to convince the mayor to help her
      win the contest since he's a judge
   -- Cooper enters and orders coffee and donuts from Annie for his team,
      and makes a date with Annie (a nature study) for this afternoon.
      He overhears a piece of the poem Shelly was reciting and gets her
      piece of the poem.  Blue plate special is 'Hearty Beaver Broth'.
   -- Cooper tells Truman that the message was from Earle.  It was the poem
      that he sent to Caroline.
   -- Major Briggs points out an error in Andy's chalkboard rendition
      of the petroglyph.  He's dreamed of it.  Cooper says that Leo's
      disappearance, Owl Cave, and Earle are all related.  He asks for
      Briggs' help, who ponders his situation and dedication to his work.
      We see a silhouette of a hooded figure.  When it comes toward the screen,
      a starscape is seen inside, and an owl flies in the starscape and we
      then see a wall of fire appear.  Briggs agrees to help.  Hawk brings in
      Leo's arrest report, which Cooper compares to the poem and concludes
      it was Leo's handwriting.
   -- Dick and Ben chat. Ben: Sometimes the urge to do bad...is nearly
      overpowering.
   -- The punk is in a papermache (pawn) and Earle asks for an arrow. Leo
      doesn't want to but those shocks from his collar convinces him to.
      Earle loads a crossbow and shoots the punk.

   3:35 pm (clock on wall)
   -- The Miss Twin Peaks Committee (Doc Hayward, the Mayor, and Pete) meets
      and listens to Ben who wants the topic of the pageant to be to save the
      forests
   -- Miss TP contestants gather.  Mike: "Do you have any idea what a
      combination of sexual maturity and superhuman strength can result in?"

   3:36 pm (grandfather clock)
   -- Truman and Catherine talk about Josie and why she did what she did.
      She shows him the puzzle box.  Pete shows up and drops it,
      opening it.  The contents seems to be another puzzle box which consists
      of two concentric rings of symbols.  The inner ring is made
      up of symbols corresponding to the phases of the moon.  The outer ring
      is made up mostly of zodiac symbols.
Clock position       Inner Symbol           Outer Symbol
                         (moonphase)            (zodiac)
--------------------------------------------------------
12:00                Full Moon              Libra
 1:30                 Waxing Gibbous         Pisces
 3:00                 First Quarter          Cancer (modified)*
 4:30                 Waxing Crescent        Unknown**
 6:00                 New Moon               Aries
 7:30                 Waning Crescent        Sagittarius
 9:00                 Third Quarter          Taurus
10:30                Waning Gibbous         Gemini
      * The Cancer symbol differs from that shown in the dictionary.
Essentially, it's like a lowercase sigma with a long , straight
tail and another similarly modified sigma, rotated 180 degrees,
directly beneath it.
      ** This symbol is a large circle with four much smaller circles
 just outside it at clock positions 10:30, 11:30, 12:30, and 1:30.
 The overall effect is that of a paw.  Perhaps it's a different
 sign for Leo.

   Sometime after 4:00 (Cooper tells Annie he'll pick her up at 4:00 sharp)
   -- Annie and Coop in a boat.  Annie tells Cooper that she had
      one senior year boyfriend and because of him, there are scars on her 
      wrist before she entered the convent.  Cooper kisses her twice.
      Earle watches.
   -- A wine tasting party which Dick is hosting with a bandaged nose
   -- Gordon again speaks normally to Shelly.  When Cooper and Annie
      appear Gordon tells them and Shelly that he's leaving but
      he'll try to return to TP to be with Shelly.  He gives her
      two kisses, the first interrupted by Bobby who is expressing
      his disbelief.
   -- Lana and Andy find banana and chocolate in the taste of
      the wine they taste.  Lucy spits wine in Dick's face.
   -- Jack and Cooper chat about love.  Jack receives a telegram and
      quickly makes arrangements to check out.
   -- Donna still wants to know about Eileen's involvement with Ben,
      and she is thinking of studying overseas.  Eileen wants more peas.
   -- Hooded silhouette but with a half moon where the head is.  The owl flies.
   -- Cooper and the police at the gazebo.  There's a crate on the gazebo.
      On it there's a ring on a sign that says "PULL ME".  Cooper does
      from a distance using a police line tied to the ring and a
      rock.  He shoots the rock and the crate opens.  The punk is
      in a chess piece sculpture with a sign saying that "Next time it will
      be someone you know."

      [The board presently:
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WR  |     |     | WK  | WQ  | WB  | WN  | WR  |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     | WN  |     |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     |     |     | BN  | BP  | WB  |    Captured:
       |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
       +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
       | BP  | BP  | BP  |     | BP  | BP  |     |     |    BP by WB
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+      ]

[Episode 2020 - 4/18/91
 Written by Harley Peyton & Robert Engels
 Directed by Stephen Gyllenhaal]

Friday evening (continued)
   -- The cops haul the pawn off the gazebo.  A friend of the punk in
      the pawn describes how Scott, wearing a weird suit, came out of the
      woods, saying he had beer so Rusty Tomaski the punk went with him.
      Andy cries.  Cooper thinks Earle is playing off the board since
      Earle didn't tell him his move.

25 Mar (Saturday)

   Morning
   -- Lucy tells Truman that Hawk is feeding breakfast to some guy she's never
      seen before because he looked sad.  She tells Andy tomorrow is D-Day
      (Dad Day) when she'll choose the father of her baby.  She's also
      going to enter the Miss Twin Peaks contest and Andy's got some ideas
      for her speech.
   -- At the Great Northern, Jack checks to see if there are any messages
      for him from Audrey
   -- Doc Hayward, after examining Ben, gives him a clean bill of health,
      and tells him to stay away from Eileen.  Ben says not as long as the
      lie survives.  Jack enters, looking for Audrey.  He has to leave
      because his partner was murdered.
   -- Donna Marie Hayward finds a blank space on her birth certificate
      under the "Father" entry and some pictures of her parents with Ben.
      Hawk is on the phone for her.
   -- Audrey returns and runs into Hawk who tells her it is important
      to see Cooper immediately
   -- Jack and Ben chat.  Jack's got to take his partner's place in the
      Rain Forest business.  He's got something for Audrey.
   -- Briggs has Cappy look for symbols and has some information for Cooper
      and Truman.  Earle was the best and brightest of them, but became
      obsessive and destructive when the attention turned from outer space
      to Twin Peaks and so was removed from the project.
      E: These, uh, these evil sorcerers, uh,...dugpas, they're called...they,
uh, cultivate evil for the sake of evil, nothing else, they, uh, 
express themselves in darkness, for darkness without leavening motive,
uh--Now this, this ardent purity allows them to access a secret place
where the cultivation of evil proceeds in exponential fashion, and
with it, the furtherance of evil's resulting power!  Th-this place of
power is tangible and as such it can be found, entered, and perhaps
utilized in, in some fashion.  Th-the dugpas have, have, many names
for it, but chief among them (coughs) is the, uh, is the Black Lodge.
You don't believe me, do you?  You think I'm mad.  Overworked.
Go away.
      C: (pauses tape)  Gentlemen, when Windom Earle arrived in Twin Peaks I
assumed he had come for vengeance.  For me.  But I miscalculated.
He has insinuated himself into the lives of people I care for, he has
murdered innocents; he has engaged us in subterfuge and red herring--
a fish I don't particularly care for.  But all of these acts are
merely camouflage; he's been after something else all along.  The 
Black Lodge.  Fellas, we need to find out what this (points to
monitor), the Black Lodge, has to do with that! (points to drawing of
map)
      Cooper and Truman will look through the old files and Briggs will go
      for a walk.
   -- Earle, eavesdropping on Cooper, Truman, and Briggs, laughs.  Leo
      pockets the shocker.
   -- At the RR, a pie-eater's hand shakes.  Bobby and Shelly discuss her
      speech and his recent inattention to Shelly.  Cooper's on the phone
      for Shelly.

   7:52 am (clock on wall)
   -- At the roadhouse, the mayor tells Lana she's gonna win since the other
      judges are gonna be Norma and Dick.  She says she'll marry after she
      wins.
   -- Cooper has Shelly, Audrey, and Donna compare stories of running into
      strange people.  Shelly recognizes Leo's handwriting.  Cooper tells them
      they need to check into the sheriff's everyday at 9 am and 9 pm.
   -- Earle babbles, Leo cleans, recognizes Shelly on the card and shocks
      himself
   -- Audrey enters the Great Northern just missing Jack on his way out.
      Ben wants Audrey to enter Miss Twin Peaks so she can speak about his
      cause.  He mentions Jack's flight so she takes off, getting Pete,
      who babbles about seeing Josie's face, to drive her.  Something
      surprises Ben.
   -- Cooper and Truman ponder the petroglyph.  Andy goes to call Mrs.
      Briggs to find out about Briggs who should've arrived by now.
      Cooper talks about Annie then gets the hand shakes.
   -- Briggs in the woods, stops at a tree, touches it and his tattoo,
      and is shot by Earle in a horse outfit
   -- Jack prepares to take off

   10:34 am (clock on wall)
   -- Cooper and Annie chat then kiss.  Plates fall.
   -- Pete and Audrey catch up to Jack.  They proclaim their love for each
      other and she says she's a virgin and wants him to make love with her.
      Pete cries and gets the hand shakes.
   -- Earle interrogates Briggs strung up on a target.  Windom: "What do you
      fear most...in this world?"  Major: "The possibility that love is
      not enough."
      Briggs: "There's a time if Jupiter and Saturn meet, they will receive
      you."  He also says something like "That gum you like is coming back"
      backwards.
   -- Andrew and Catherine fiddle with the puzzle box.  After trying Eckhardt's
      birthday and his own birthday, he tries the day the gift arrived and it
      opens, revealing another box.  Andrew smashes it, revealing a metal box.
   -- Annie and Cooper dance.  She mentions entering the Miss Twin Peaks
      pageant.  The Giant appears to Cooper with a mouthed warning, "no, no."

   Dusk
   -- Pete wakes in his truck.  The jet takes off for Brazil.  Audrey's still
      here.  Pete: "There are many cures for a broken heart.  But nothing
      quite like a trout's leap in the moonlight..."  
   -- Cooper's vision of the Giant ends.  Mayor: "This isn't right.  There's
      something wrong here."
   -- Leo and Briggs writhe in pain.  Earle determines the petroglyph is a
      map.

   Night
   -- BOB appears in Glastenberry Grove, "I'm out!"

26 Mar (Sunday)   [Episode 2021 - 6/10/91
   Part 1 Written by Barry Pullman
   Directed by Tim Hunter]

  Morning
   -- Leo reaches for the key and frees Briggs.  L: "Save Shelly"
   -- Ghostly Earle returns with a new game for Leo.  He's got something
      in a bag.

  1:05 pm (clock on wall)
   -- Norma, Shelly, and Annie chat about the Miss Twin Peaks pageant.
      Norma won the first one 20 years ago.
   -- Ben and Audrey talk about Jack.  He's got some philosophy books
      from which he hopes to learn how to be good.  Audrey reports that
      the Packards are using the Twin Peaks Savings and Loan to funnel cash
      to their Ghostwood project.  Ben hopes to expose this and still wants
      Audrey to make a speech.
   -- Andy stares at the petroglyph.  Cooper tells Truman about how he thinks
      Josie died of fear and a vision of BOB immediately afterwards.  Earle
      eavesdrops and talks to Leo about getting Miss Twin Peaks.  Leo's teeth
      are clamped on a string from which a flimsy cage of spiders hang over
      him.
   -- Pinkle has the Miss Twin Peaks contestants rehearse a dance.  The mayor,
      Dick, and Norma discuss criteria, then Lana seduces Dick in a storage
      room.

  1:17 pm (Cooper to Diane)
   -- Cooper tells Diane he just finished his second meditation.  Annie
      arrives wanting help with her speech.  The pageant is in 6 hours.
      They end up in bed.
   -- Nadine shows slides of her wrestling.  Jacoby has Nadine (with Mike)
      and Ed (with Norma) discuss their breaking up.  Both proclaim they
      are getting married.
   -- Briggs is picked up by Hawk
   -- Cooper and Truman attempt to question Briggs.  Cooper smells haliperidol
      on him.  Andy looks at the petroglyph again.
   -- Andrew, Pete, and Catherine are still wrestling with the box.  Andrew
      finally shoots it open.  Inside is a key, which Catherine puts in a
      cake-saver so it is in plain sight.
   -- Donna demands the truth from uncooperative Will and Eileen
   -- Andy looks at the petroglyph again.  Cooper figures out from a book
      that the petroglyph tells of a time when Jupiter and Saturn are in
      conjunction.  Briggs mutters "protect the queen" and "fear and love
      open the doors."  Andy knocks the bonsai to the floor.  Truman goes
      to pick it up and discovers the bug.

   7:00 approx (Annie to Cooper, "in 6 hours")
   -- The Miss Twin Peaks pageant, opening dance number.  Pinkle makes his
      move on the Log Lady.  Talent competition begins.  Lucy dances.
   -- Earle as the Log Lady knocks out Bobby.  Lana dances.
   -- Audrey makes her speech.  Donna demands and gets the truth from Ben.
      He's her father.
   -- Annie makes her speech.  Earle watches from the rafters.
   -- Lucy makes her announcement to Andy and Dick that she wants Andy to
      be the baby's father.  Andy then goes to look for Cooper.
   -- Annie is named Miss Twin Peaks.  Lights go out and chaos ensues as
      Nadine is hit on the head with a sandbag, Cooper sees Earle, and
      Earle takes Annie.  Power is restored and Andy tells Cooper he's
      figured out the petroglyph to be a map.

[Part 2 Written by Mark Frost & Harley Peyton & Robert Engels
Directed by David Lynch]

  Night
   -- Lucy and Andy discuss what happened at the pageant
   -- Cooper, with Truman and Hawk, ponders the petroglyph and "Fire walk with
      me."  Pete enters and says the Log Lady stole his truck which had 12
      rainbow trout in the bed.  The circle of 12 sycamore trees is where
      Hawk found the bloody towel and ripped pages - Glastenberry Grove.  The
      Log Lady arrives with some oil which her husband said is the opening to
      a gateway.  Cooper determines it to be what Jacoby smelled.  Ronette is
      brought in and recognizes the smell of that oil from the night Laura
      died.
   -- Earle takes Annie to the circle of trees and beyond the red curtains
   -- Nadine is 35 again.  She wants to know who Mike is, why Norma is there,
      and where her drape runners are.
   -- Ben apologizes to Eileen.  Donna cries for Will to be her father.
      Slyvia walks in and Will belts Ben, who hits his head on the fireplace.
   -- Andrew switches the mystery key with another he has for a safety
      deposit box
   -- Cooper and Truman find Pete's truck.  They head into the woods.
      Cooper goes alone, with Truman following, and sees an owl and the
      sycamore trees.  He enters the curtains into the red room.  The
      little man from another place is there.  Another man sings, then
      disappears.
   -- Andy comes looking for Truman

27 Mar (Monday)

  Morning
   -- 10 hours later, Truman and Andy are still waiting for Cooper

  7:25 am (Andrew's watch)
   -- Audrey practices civil disobedience and chains herself to the bank vault.
      Andrew and Pete arrive and open the safety deposit box to discover a bomb
      that goes off.  Eckhardt's note: Got you, Andrew, Love, Thomas.
   -- Bobby tells Shelly he wants to marry her.  Heidi arrives for work.
   -- Leo still surviving
   -- Jacoby brings Sarah to Mr. and Mrs. Briggs.  Sarah has a message for
      Garland:  "I'm in the Black Lodge...with Dale Cooper.  I'm waiting
      for you."
   -- Cooper and the little man from another place sitting in the red room.
      LMFAP:  When you see me again, it won't be me.  This is the waiting room.
      Would you like some coffee?  Some of your friends are here.
      Laura:  Hello Agent Cooper.  {winks, snaps her fingers}  I'll see you
      again in 25 years.  Meanwhile... {presents her hands}
      Great Northern room service waiter:  Hoo! Woo, woo, woo, woo {with hand 
      in front of mouth--the "Indian noise"}  Hallelujah!
      LMFAP:  Hallelujah!
      GNRSW:  Coffee.  Coffee.  Coffee.  Coffee.  Coffee.  Coffee. {sets down
      solid coffee for Cooper}
      Giant:  One and the same.
      {LMFAP rubs his hands.  Cooper picks up his coffee - it's liquid.  When
      he's about to drink, it's solid.  LMFAP continues rubbing his
      hands.  The coffee's liquid.  LMFAP continues rubbing his
      hands.  The coffee's viscous.}
      LMFAP:  Wow, Bob, wow.  Fire walk with me.
      {Fire.  A scream.  Strobe effect.  Cooper walks to the other room.
      Identical furniture but empty.  Back to the original room.}
      LMFAP:  Wrong way
      {Cooper goes back to to the other room.  LMFAP babbles excitedly. Then:}
      LMFAP:  Another friend.
      {Maddy enters wearing a black dress identical to Laura's.  LMFAP
      continues to babble, ducks behind a chair.}
      Maddy:  I'm Maddy.  Watch out for my cousin. {can't see whether her eyes
      are white}
      {Cooper goes back to the original room.  It's empty.  Then:}
      LMFAP (shadow self):  Doppelganger
      Laura  (shadow self):  {presenting hands}  {angrily}  Meanwhile
      {screams, climbs up on the chair}
      {Back to the other room.  Empty, but Cooper is bleeding from his stomach. 
      There's a trail of blood on the floor-- Cooper follows it back to the
      original room.  Caroline and Cooper on the floor bleeding.  No,
      it's Annie.  Annie gets up.}
      Cooper:  Caroline?  Annie?  Annie?  Annie?  Annie?  Annie?  Annie?
      {Cooper goes back to the other room.  Annie/Caroline is standing there,
      wearing the black dress from the pageant}
      Annie:  Dale.  I saw the face of the man who killed me.
      Cooper:  Annie...the face of the man who killed you?
      Annie:  It was my husband.
      Cooper:  Annie?
      Annie:  Who's Annie?  It's me, it's me, it's me.
      Cooper:  Caroline?                       
      {Annie changes to Caroline (shadow self), in Caroline's dress}
      Caroline (shadow self):  You must be mistaken.  I'm alive.
      {Laura (shadow self) screaming, then turns into Windom Earle.}
      {Annie, in pageant dress, appears off to the side, vanishes}
      Earle:  Dale Cooper.  If you give me your soul, I'll let Annie live.
      Cooper:  I will.
      {Earle stabs Cooper.  Fire.  Rewind.  BOB appears, grabs Earle}
      BOB:  {to Earle}  Be quiet.  Be quiet.  {to Cooper}  You go.  He is wrong.
      He can't ask for your soul.  I will take his.  {a spout of fire
      appears over Earle's head, and his head slumps forward}
      {Cooper's shadow self enters as Cooper leaves, crouches beside BOB, and
      laughs with him}
      {Cooper exits into the hallway}
      Leland (shadow self):  I did not kill anybody.
      {Cooper's shadow self chases Cooper and catches up to him.  BOB laughs.}


   Night
   -- Cooper and Annie are back
   -- Will tends to Cooper in his bed.  Annie's at the hospital and will be
      okay.  Cooper gets up, "I need to brush my teeth."  In the bathroom,
      BOB has Cooper ram his head into the mirror.  "How's Annie?!" 


-- /\__Edwin Nomura -- enomura@ucsd.edu____________________________________/\ / \\ "When you're talkin to yourself and nobody's home / \\ / \\\ You can fool yourself, you came in this world alone / \\\ / \\\\____________________________ "Estranged," Guns N' Roses ________/ \\\\

In article <31882@uflorida.cis.ufl.EDU>, traveler@uflorida.cis.ufl.EDU writes:
> > 
> > The European fan who complained about having plot details
> > spoiled by Americans who'd already seen the whole series is
> > justified, IMHO.  I don't see why anybody would object to the simple
> > practice of putting a spoiler warning saying "Information about
> > <name of character, situation, whatever>" at the start of an
> > article.                                         -----

...

> > During that run of boring stories after Leland's...
> > SPOILER!   ABOUT SOMETHING BIG THAT HAPPENS
> > TO LELAND!  I have to do this,
> > I just lectured everyone else on it.

...

This isn't exactly the START of the article, is it? I am surprised that you
can't even follow your own suggested rule in the same posting! Besides, I am
working on a windows device that displays two to three pages at a time, so I
can see your spoiler on the screen at the same time as your warning. Not a great
solution.

Darrell Broughton

I'd kind of like to make a point by point rebuttal of your critic's
article, but just don't have the time right now.  In the meantime,
I'll just make the following observations:

I always found viewing TP more like reading a really good book than like
watching even the best of other television programming.  I noted this a
long time ago, but had little explanation for why.  Only recently did it
occur to me that much of the reason for this particularly pleasant aspect
of the TP experience might be the very same style of visual and narrative
composition that your critic was calling irrelevent at best, or a hoax
at worst.

In particular, one can observe that in writing and reading an
especially good book, one of the key elements for drawing the reader into
the book's reality is an attention to detail.  This attention to detail
can take the form of historically accurate observations about place,
people, technology, or whatever.  A novelist friend of mine is so
thorough at this particular literary device that if characters in one of
his books order a particular dish in a particular restaurant, you can
generally be assured that not only does the restaurant exist at the
location he indicates, but that the dishes those characters ordered are
actually on the menu.  He is also fond of including accurate scientific
tidbits from whatever field is apppropriate to the storyline.  When
reading a fictional book so embellished with fact, especially when one
recognizes a particularly obscure, but accurate detail, or a particularly
pithy truism, one cannot help but be caught up in the storyline, because it
becomes possible to "trust" the author, to more fully suspend disbelief.

Television and movies, being primarily images with dialog, do not normally
provide as many cues in support of their alternate version of reality (as
opposed to books which can incorporate extensive scene-setting imagery, and
internal dialog).  But Lynch's particular style of directing is to suffuse
both his images and his storylines with a myriad of details, some
insignificant, some rich with meaning and import.  What the critic seems to
have latched onto is the fact that, in general, those details do not
necessarily form a single coherent whole, and thus he judges them to be
shallow.  But I claim that life is generally much too rich and deep to form
a single coherent whole, and that, in fact, stories and images that can tie
their entire substance up into a "high concept", single coherent whole are
the shallow, sterile fare we've come to know and loathe on television.
Quite by contrast, Lynch speaks the language of visual composition, indeed,
has extended the language of visual composition, so eloquently that it
communicates to the viewer in a fashion that is almost "literary".

Embracing Lynch's diversity and occasional chaos is not to say that internal
consistency is unimportant; on the contrary, the quickest way to lose the
viewer's "trust" is to introduce inconsistencies into the story.  But those
internals can be consistent and still be rich and highly textured, or they can
be consistent and utterly flat.  Lynch always chooses to texture his visions
profusely, and we, the audience, are profoundly better off for it.  With the
32 hours of the TP series, it has been possible for Lynch to incorporate more
details and textures than ever before - ever before for him, and perhaps for
*any* of the predominantly visual offerings in the history of film and
television.

And that's why I'd like to "read" more Twin Peaks - as soon and as often
as possible!

Uhh... your soapbox, sir or madam...
-- -larryy@apple.com "Shi Nou Kou Sho Inu Neko Programmer" - Takada Naoki

I just scanned in some of the pictures I took on my recent visit
to the TP area.  What is the best way to make these available to 
those who want to check them out?  Post them, store them at
audrey?  Whadya think?

Included are:

bridge.gif:ronnette's walking place
falls.gif:take a wild guess
lynch.gif:our hero
marT.gif:from the outside (nice view of Mt.Si)
mt.si.gif:THE Twin Peaks (or peak)
opening.gif:opening shot sans welcome sign
peaks.gif:shot of the area including three mountains
sheriff.gif:sheriff's dept facade

sj

Actually, they are currently all in SGI format, but I hope to find
a decent gif converter.  The one I have basically sucks.

I just scanned in some of the pictures I took on my recent visit
to the TP area.  What is the best way to make these available to 
those who want to check them out?  Post them, store them at
audrey?  Whadya think?

Included are:

bridge.gif:ronnette's walking place
falls.gif:take a wild guess
lynch.gif:our hero
marT.gif:from the outside (nice view of Mt.Si)
mt.si.gif:THE Twin Peaks (or peak)
opening.gif:opening shot sans welcome sign
peaks.gif:shot of the area including three mountains
sheriff.gif:sheriff's dept facade

sj

Actually, they are currently all in SGI format, but I hope to find
a decent gif converter.  The one I have basically sucks.

     Recently, while visiting home in Alaska, I rented the Twin Peaks
pilot movie which has been released.  It said on the cover it was the
pilot movie to the popular tv series and contained material not
previously shown on tv.  I must say I had my suspicions about these
extra bits, but I rented it anyways.  Everything was fine until about the
last 15 minutes or so, which turned out to have the European movie ending.
I was extremely disappointed.

     Does anyone know why this version of the pilot was released and
not the original version?  Is the original two hour tv movie ever going
to be released?  I sure hope it is, since I would like to buy the set
of episodes that are coming out, and I would like a copy of the original
pilot movie to accompany them.

     Thanks to anyone that can offer some help on this matter.

     Ian

In article <37830005@otter.hpl.hp.com>, cjr@otter.hpl.hp.com (Chris Robson) writes:
[deletions]
> > Well, if what you say is true, then the American meaning differs from the
> > English as well. There is definitely a supernatural aspect to the concept
> > of a doppleganger - sort of your 'other self'. The Collins English dictionary
> > describes it as BK said:
> > 
> > doppelga"nger: n. (Legend) a ghostly duplicate of a living person. [from
> > German Doppelga"nger, literally: double-goer]
> > 
> > I think that it is fairly obvious that David Lynch intends the allusion to
> > go beyond 'look-alike'. To perhaps re-phrase BK's question, does anyone know
> > the legends alluded to in the dictionary definition?
> > 
> >                  Chris. xxx.

I wish I had saved my original post about this when we first discussed the issue, but I didn't, so this is from memory that is no longer fresh.  The idea of the  doppelgaenger (ae is one way to represent a-umlaut) first appeared in literature several hundred years ago in the writings of a German author whose name escapes me. However, it is believed to also be a part of German folklore, at least in some parts of the country.  Initially, it meant something like 'one who has seen himself' and was an omen of d










eath.  That is, to glimpse someone else in the street who was a dead (you should pardon the expression) ringer for you was an indication that you were soon to die. 

Since the initial introduction of the word and theme into literature it has taken on different meanings from the one I give above. One of them is along the lines of the shadow self--the embodiment of those aspects of ones personality that one attempts to repress. I believe some authors have further embellished this form with the idea that if the person meets his doppelgaenger, they mutually distruct. Interestingly enough, this is consistent with the original idea.

The doppelgaenger theme appeared in Frankenstein and the author's husband, the poet Shelly, was supposed to have had a doppelgaenger experience shortly before his death.

It would appear to me that Lynch/Frost had something in mind along the lines of the shadow self doppelgaenger.  As has been pointed out before, Lynch seems to be fascinated by 'twos' and the doppelgaenger is, of course, a special form of two. However, it would appear that they are suggesting that if you meet your shadow self, the distruction is not physical, it is spiritual and results in the triumph of either good or evil.

-Rich Haller

In article <3388@npri6.npri.com>, eric@npri6.npri.com (Eric Williams) writes:
> > 
[deletions]
> > I think the motives of storytelling are to entertain and amaze, not to
> > examine existential questions. For those in the literary community who
> > whould raise their voices and shout, "Style Over Content!"-- well,
> > I agree. I like style, without any political, sociological or humanistic
> > "benefit." I also like style mixed with content, cooked style, raw
> > style, style with content fricassee, and even (sometimes) mostly content
> > with the style in a small plastic saucer on the side. That TP entertains
> > SOME of us demonstrates that it relates a story attuned to the
> > tastes of a portion of the global audience.  There is no dearth of
> > artistry in successfully crossing borders, geopolitical and mental...
> > 

I think Eric makes a very good point.  For me, the style was the thing and it was enough.  When the 'chess thing' started, I wanted it to be a true allegory, more like, say, Spenser's Faierie Queene.  I got very frustrated, because they didn't fulfill my expectations along those lines.  Eventually, I just relaxed, stopped trying to fit everything that was going on into a consistent master plan, and just enjoyed.

>From what I can tell, Lynch doesn't like to intellectualize his film making. Instead, he gets struck by images which he strings together in an intuitive, associative, rather than logical, rationalistic way.  He also appears to be a great believer in serendipity.  If something spontaneously occurs during filming that grabs him, he incorporates it into whatever was scripted.

I'm going to post an example separately.

-Rich Haller

>From what I have read, Lynch likes to incorporate spontanous stuff that grabs his attention into the written script on the fly as it were.

An example that appeared in an interview with Richard Beymer is that one day on the set, he had a new pair of shoes that were somewhat tight and started tap dancing to loosen them up.  Lynch saw him and told him he was going to work it in. Sure enough when Leland came in singing "Mairzy Doats" as had been scripted, Lynch said, "that's it; here's where you dance" and we got the scene of Ben and Jerry dancing on the table while Leland sings.

While visiting the "Fire Walk With Me" on location shooting I had the fortunate opportunity to watch Lynch interact with Jack Nance for a while.  Jack had just arrived and they were chatting like old friends will. Lynch noticed the wristwatch that Jack was wearing and was fascinated by it.  As I recall, he said something like "That's a real Las Vegas watch!" and commented to someone else, either an assistant director or his cinematographer, that they could make a whole character out of that watch and somet










hing else I can't remember.  (I think what he meant by 'a real Las Vegas watch' is a watch a 'high roller' at Vegas would wear. ) So, if that watch shows up somewhere in one of his movies, you read about it here first.

By the way, I have a few more annecdotes from my visit and one of these days I'll post them here.  Before 'blue hat' ran me off I got to stand quietly right next to Lynch and watch him interact with both Jack Nance and Joan Chen.  It was a truly fascinating experience.

-Rich Haller

My daughter started grad school at UW this fall.  We are 
both monster TP fans so when I heard that shooting on the 
prequel was going to start in Snoqualmie/North Bend in early 
September, I decided I would drive up with her to her 
apartment in Tacoma and we would make a pilgrimage and 
hopefully see some shooting.

We drove up to Tacoma on Sunday and decided to go over to 
Snoqualmie/North Bend on Monday. If it turned out to be 
their day off, that gave us at least two more days to score 
before I had to go back.

We pulled into North Bend about 10 am on the 16th and parked 
near the Mar-T. It was sunny and hot, so the "Save the Pine 
Weasel" t-shirt I was wearing was just the thing for the 
weather. No obvious signs of activity, though a lampost on 
the corner under the famous stop light had been knocked over 
or cut down to look as if it had been knocked over and there 
was indeed stuff in the corner building that looked like it 
might be movie related as someone had reported earlier.

We peered in the Mar-T and then walked up and down the main 
drag, looking for the Alpine Blossom Gift Shop where I hoped 
to get a map and some souvenirs.  We finally gave up and got 
back in the car and headed out of town for the sites that I 
already knew about (I made a trip by myself in May). We 
didn't go more than a block before I spotted the gift shop 
on the street that is right angles to the main drag and we 
stopped. That was our first, but not last, piece of luck.

Picked up a map and some souvenirs and headed off to visit 
the old sites. Found nothing at the falls, the bridge, 'TP 
Sherriff's Office', Roadhouse, et cetera.  Stopped for lunch 
in Snoqualmie and picked up a realtor map of the area and 
looked up trailer parks in the phone book since I had read 
here that they had shot stuff in one previously.  Three
were listed.

Found two of them, but no action.  The third was difficult to 
find. We almost gave up and started back for Tacoma
when we stumbled on it.  Then we got REALLY lucky.
They weren't filming there, (and it turned they 
hadn't filmed at it or the other two we checked earlier). 
However, we overshot the trailer park and as we slowed to 
turn around I spotted a bunch of trucks parked in a vacant 
lot.  Just beyond them was a really funky motel.  We 
stopped, got out and sure enough, there they were, filming 
at the motel.

(to be continued)

They were filming inside one of the motel rooms.  Ray Wise's 
chair was there as was a convertible that might have been the 
one he drove in the famous golf club scene, but he was not on 
the set while we were there. The only other 'talent' we saw that 
day was a young lady with short, blond hair whom I didn't 
recognize.  She was dressed in a very tight, short dress, but 
somewhat stylishly. If she was supposed to be a prostitute, it was 
a high class call girl, not a street hooker. David Lynch's son was
on the set, but I don't think he was in this scene.

All the shooting was inside one of the rooms. Most of the time, 
people just sat around waiting for the next shot. Outside the 
room was a shady area under a tarp where Lynch woul review 
video of the previous shot.  I sauntered in and managed to get 
close enough while they were not actually filming to see Laura 
sitting on a bed in a filmy black negligee with her legs tucked 
under her.  As far as I could tell, Laura was the only person in 
the room (besides all the crew) during the interior shots we saw.  
That is, no other actor ever went in or came out of the room. 
These might be reaction shots, though, that would be intercut 
with some other footage.

One interesting thing was the contrast between the actual set and 
the shots we will see. As I said, Laura appeared to be the only 
actor in the room, and I suspect the scene we see will have at 
most one other person in it.  The room itself and the open door 
way was crowded with people off camera.  Another was how 
short the actual shots were.  The ones we saw never lasted 
longer than 2 minutes, I would say.  I don't recall seeing how 
much time is actually spent shooting footage on the average, 
but it's got to be well down below 5%, maybe even less than 1%
of the time the actors are there.

(to be continued)

Then I made a mistake.  I didn't have the nerve to walk up to 
the doorway and take a picture of Sheryl Lee on the bed, but I 
took a picture of David Lynch talking to someone while he was 
seated under the tarp, surrounded by people.  This attracted the 
attention of one of the crew who came over and politely, but 
firmly asked me to withdraw to the edge of the motel proper.

I didn't recognize him at the time, but this was none other than 
Craig MacLachlan. He was one of several people who wore 
radios and headsets and would raise the hue and cry when it was 
time to be quiet for a shot.  This usually was initiated by a guy 
who looked big enough to be an ex-football player who would 
step out of the room and yell. The others would pick it up and 
relay it to the outer edges of the set.  They would also use radios 
to contact the Police who were holding traffic in some instances. 
The hue and cry would be repeated when the shot was through, 
letting people know it was OK to start movie around again and 
the police would be radioed to release the traffic.  

They broke for lunch at around 2:30 or so.  Since we were 
commuting from Tacoma, we didn't want to get caught in rush 
hour traffic and decided to leave.  Walking back to our car, we 
were paralleling Lynch and Sheryl Lee and Craig who were 
walking over to the lunch area.  Craig was actively discouraging 
people who were trying to take pictures and I felt self conscious 
about doing so myself as he had already asked me not to.

Sheryl had a very simple, blue terrycloth robe on over her 
negligee costume. Apparently she stepped on something because 
she and Lynch leaned over and appeared to be examining her 
foot. I took advantage of the fact that no one was looking our 
way to snap a photo.  Nothing to brag about, however. Due to 
the distance and their being bent over, if I showed it to you, you 
would have to take my word it was of them.  We left.

(to be continued)

In article <8421@harrier.ukc.ac.uk>, idc@ukc.ac.uk (I.D.Catchpole) writes...

} Does anyone know why this version of the pilot was released and not the
} original version?

Because Warner Brothers had the video rights to that pilot movie, and that's
the version they wanted to release (since it's what they released outside
of North America last year). One assumes that they figured that the lure of
"extra scenes" would increase the sales.

} Is the original two hour tv movie ever going to be released? I sure hope
} it is, since I would like to buy the set of episodes that are coming out,
} and I would like a copy of the original pilot movie to accompany them.

It's doubtful that the broadcast version of the pilot will be released at
any time in the foreseeable future, as Spelling Entertainment, which has
the rights to the regular series episodes does *not* have the rights to
release the pilot.

There's an easy solution, though. Buy the Euroversion tape, watch it right
up to the point where Sarah Palmer wakes up from her nightmare/psychic
vision, and then stop the tape. That way, you'll have seen everything that
was in the broadcast pilot, and you won't see anything that wasn't. Up to
that point, the two versions are identical.

-- "Be mindful, I am the wealthiest man in Padua, and he who weds Katrina lands a dowry you could cry for." --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) boyajian%ruby.DEC@DECWRL.DEC.COM or ...!decwrl!ruby.enet.dec.com!boyajian