Season 2, Episodes 21–22: Miss Twin Peaks / Beyond Life and Death — June 10, 1991–August 27, 1992

In article <man0ang@fido.asd.sgi.com>, sjohnson@texas.vlsi.sgi.com (Scott Johnson) writes...

} While visiting the area, I talked to the owner of the Mar-T who said
} that Silva was added as Bob some time after the pilot. She said they
} filmed the pilot about a year before it appeared on ABC, and seemed
} to imply that it wasn't until the series that Silva doubled as Bob
} (he's a tech of some sort for the show.)  I had heard something like
} that before, but wasn't sure if Bob appeared in the pilot. Did he? I
} don't think so (at least the American ABC version.)

No, Bob didn't appear in the pilot. His "first appearance" was in the
additional footage shot for the Euroversion of the pilot. Some of this
footage showed up in Episodes 1001 and 1002 as (in the former) Sarah
Palmer's vision of Bob at the foot of Laura's bed and (in the latter)
as part of Cooper's dream.

-- "Take that surface-man Autry to the Lightning Room!" --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) boyajian%ruby.DEC@DECWRL.DEC.COM or ...!decwrl!ruby.enet.dec.com!boyajian

In article <1991Sep24.044056.9041@marlin.jcu.edu.au> eefps@marlin.jcu.edu.au (Francesco Peter Savaglio) writes:
[...]
> >I just wanted to know of any thoughts on the one quote that's bugged
> >me the most. What ,if any, significance does the quote
> >"Wow Bob Wow"
> >have?????
> >

It's not only a palindrome when it's spelled out, it also *sounds* the
same forward or backward, at least the way he said it, with a little
nasal intonation.  I thought that that might mean that when he said
that, marked the turning point of the episode, or the scene, or maybe
the whole series, but I think it was just a cute word trick.

-carol


--
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
Carol Osterbrock                        *  Such a long, long time to be gone, 
carolo@cis.ucsc.edu                     *     And a short time to be there...
================================================================================

In article <1991Sep20.173357.1222@risky.ecs.umass.edu> giovin@medr0.ecs.umass.edu (Rocky J Giovinazzo) writes:

> >   In article <1991Sep20.023955.33717@kuhub.cc.ukans.edu> 2fowgodson@kuhub.cc.ukans.edu writes:
> >
> >   >If Senor Droolcup was indeed the Giant (who we have decided is Mr. Homm)
> >   >why didn't he help coop when he was shot?
> >   The Giant seems to be limited by something or someone.  He told
> >   Cooper in his first visit "That is all I am permitted to say," and
> >   also answered, "That cannot be revealed," when asked where he was from.
> >   Therefore, it is not unreasonable to assume that if SDC was aware of 
> >   Cooper's bleeding he may not have helped him because he either
> >   knew that he didn't need to or because he was not permitted to do so.

Or because Cooper had to be in that dream state between life and
death to become receptive to the message that the giant was giving.  I
don't have anything handy to check exactly when it was that the giant
started speaking to Cooper, but I believe that it was after he was
shot and before he got medical help.

Barb Miller

In article <1991Sep20.165823.22393@cco.caltech.edu> tlynch@cco.caltech.edu (Timothy W. Lynch) writes:
> >pgiltner@epas.utoronto.ca (Philip W. Giltner Jr.) writes:
> >
>> >>Yes. Yes. Yes.  But if you really watch, you'll see an episode where
>> >>Leland plays a primative proto-vulcan, who wants to worship "the
>> >>Picard" (as we all do), and Annie (coop's squeeze) also appears on an
>> >>episode, though the plotline escapes me right now. 
> >
> >I'm afraid not, as far as the latter assertion goes.  You may be thinking of
> >Madchen Amick (Shelley), who _does_ have a small role in TNG's "The Dauphin".

Speaking of Madchen, she has the starring role in Rick Astley's video:
"It Would Take A Strong, Strong Man".  Or, at least, it looks like her.

Anybody else seen this?

In article <man0ang@fido.asd.sgi.com>, sjohnson@texas.vlsi.sgi.com (Scott Johnson) writes:
> > While visiting the area, I talked to the owner of the Mar-T who said
> > that Silva was added as Bob some time after the pilot.  She said
> > they filmed the pilot about a year before it appeared on ABC,
> > and seemed to imply that it wasn't until the series that Silva
> > doubled as Bob (he's a tech of some sort for the show.)  I had
> > heard something like that before, but wasn't sure if Bob appeared
> > in the pilot.  Did he?  I don't think so (at least the American
> > ABC version.)

There was at least one shot of him in the pilot, maybe two.  In the one I
remember for sure, he was crouched by Laura's bed.  If there was another,
he was similarly skulking.  Of course, the scene I remember was about a
two-second shot, and could have been added at any later time.
-- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet...

In a previous article, boyajian@ruby.dec.com (The Film Fan Man) says:

> >
> >} I'm not at all convinced that the death of these characters has
> >} been fully established Dave.
> >
> >Well, there's no guarantee that they are dead, but given what happened
> >at the bank, I think it's justifiable to assume that they are dead in
> >the absence of evidence otherwise. Which doesn't mean that they *are*
> >dead. Just that what evidence we have suggests it.

Well, I would be willing to be that Eckhardt, Pete, and the bank man
were dead because they were practically standing right in front of the 
bomb.  However, Audrey was way over at the entrance chained up.  So, 
while Audrey might be injured, I don't think she'd be dead.  The building
didn't exacly collapse or anything.
-- I love myself, I want you to love me, when I feel down, I want you above me, I search myself, I want you to find me, I forget myself, I want you to remind me, I don't want anybody else, when I think about you, I touch myself, ooh I don't want anybody else, oh no, oh no, oh no --diVinyls

I haven't been following Peaks the movie much, but the subject
did come up briefly last night in a phone convesation with
Scott Frost (my cousin-in-law).  About all I found out was...

    --Scott did some work on the movie as a consultant.
He says the first third of the script is "pretty
bizarre", but of course that's natural where
David Lynch is involved.

    --The movie is in fact (approximately) about the last
week of Laura Palmer's life, so it won't tie off
any loose ends left by the TV series.

    --Except for Sheryl Lee, most of the acting goes to
new people.  Many of the "old regulars" have only
a couple days' production work, Kyle MacLachlan
has only about a week's work.  Lara Flynn Boyle
didn't want the job, so there's a new actress as
Donna Hayward.

    --There's about a week of shooting left on location;
then it'll move indoors to the studios in Van Nuys.


Aside from Peaks, Scott's recent writing includes some for
Frost/Lynch, some for others.  The Frost/Lynch work included
a pilot and at least one episode of a new comedy about the early
days of TV.  ABC bought the pilot and ordered scripts for
7 episodes, but hasn't authorized production beyond the pilot
(yet).  It remains to be seen whether this will become
a new series, but it sounds like it could be a great vehicle
for the humor that I've always considered to be Scott's forte.


------------------
Paul Raveling
Raveling@Unify.com

>> >> In article <14740045@hpfcso.FC.HP.COM> daq@hpfcso.FC.HP.COM (Doug Quarnstrom) writes:
>>> >> >In alt.tv.twin-peaks, joe@zitt (Joe Zitt) writes:
>>>> >> >> dyke@grandview.dab.ge.com (Erick Dyke) writes:
>> >>  
>>> >> >You did not miss anything.  Eerie was incredibly bad.  It will be cancelled
>>> >> >for sure.
>> >> 
>> >> Do you have a crystal ball?  Of course it will be cancelled eventually
>> >> but you're the first person I've heard say anything bad about it.
>> >> It's not TP, but its sort of fun and has an appealling slightly
>> >> Twilight Zone feel.
> >
> >No, no crystal ball, but I would wager money that this show will
> >not get a second season.  I even gave it another chance.  Yes,
> >it is only my opinion, but for me this show sucked.  I mean there
> >is absolutely no reason to watch it.  It has no redeeming qualities
> >whatsoever.  And while people may find it amusing for awhile, I 
> >am betting that 60 minutes will trash it in the ratings.

Sorry-- I thought you meant that it would be cancelled before its
season finished (I think this happened to Ferris Bueller?).  It
could very well die after 1 year-- but I still like to laugh at
its sillyness.

Rocky Giovinazzo

In article <BARB.91Sep24090254@chamarti.ai.mit.edu> barb@zurich.ai.mit.edu writes:
> >In article <1991Sep20.173357.1222@risky.ecs.umass.edu> giovin@medr0.ecs.umass.edu (Rocky J Giovinazzo) writes:
> >
>> >>   In article <1991Sep20.023955.33717@kuhub.cc.ukans.edu> 2fowgodson@kuhub.cc.ukans.edu writes:
>> >>   >If Senor Droolcup was indeed the Giant (who we have decided is Mr. Homm)
>> >>   >why didn't he help coop when he was shot?
>> >>   The Giant seems to be limited by something or someone.  He told
>> >>   Cooper in his first visit "That is all I am permitted to say," and
>> >>   also answered, "That cannot be revealed," when asked where he was from.
>> >>   Therefore, it is not unreasonable to assume that if SDC was aware of 
>> >>   Cooper's bleeding he may not have helped him because he either
>> >>   knew that he didn't need to or because he was not permitted to do so.

> >Or because Cooper had to be in that dream state between life and
> >death to become receptive to the message that the giant was giving.  I
> >don't have anything handy to check exactly when it was that the giant
> >started speaking to Cooper, but I believe that it was after he was
> >shot and before he got medical help.

Umm... well I guess that could be why, but he delivered messages later
too.  Also, you are correct about the Giant's first appearance.

Rocky Giovinazzo

This group is picked up on FidoNet, as that is where I am getting it.  I have gotten a bunch of Usenet newsgroups on a unix net at work, but they don't carry any of the "alt" groups.


 * Origin: A fly can't bird, but a bird can fly. (1:109/716.919)

In article <1991Sep23.212039.19298@nntp.uoregon.edu>, rhaller@phloem.uoregon.edu
(Rich Haller) says:
> >
> >Are the articles in this newgroup cross posted to any non-internet bbs like
> >Fidonet, Compuserve, et cetera?  Does anyone out there know if, in particular,
> >there is anyway for Prodigy users to read and post to this newsgroup?
> >Email responses, please.
> >

For the benefit (?) of readers at large:


     Fidonet:  'dunno.
  CompuServe:  I've followed TP discussions in CompuServe's Showbiz Forum
               from time to time.  The postings are not the same.
     Prodigy:  There is no gateway from Prodigy to the Internet, or to
               anything else, for that matter.  It's a closed system; you
               can only communicate with other Prodigy members on
               Prodigy.


Rich's question sparks me to put in my $0.02 on other "electronic" Twin
Peaks discussions.  Of the couple other sources I've followed, this
newsgroup right here is by far the best, most insightful, and most
intelligent.  ;)

I only look for TP discussions on CompuServe occasionally, on account of
$$$. There doesn't seem to be as much activity there as here ($$$,
again?), but I'm not "regular" enough to be an authority on this.  One
interesting note on CompuServe is that I've seen an occasional posting
by Bill Greenblatt, who says he is the father of James Marshall (James
Hurley).  Some interesting tidbits:  James was often bored with his story
line, which he "was not responsible for."  He had left the show to work
on _GLADIATOR_ and Lynch was very cooperative in letting him go.  James
was also selling his 1986 Harley-Davidson Heritage Softail, signed by
David Lynch, for $25,000.

As for Prodigy: Please don't flame me for being elitist, but the
discussion on Prodigy is much more mundane, possibly because it caters to
a broader, "simpler," kindler, gentler audience.  Things really dropped
off (nearly disappeared!) after the series ended, but with the movie in
production, there's been a bit more activity.  Still, the postings
generally seem less informed and less interesting.

In any case, this newsgroup (IMHO) gets top honors.  I don't blame you,
Rich, for wanting to know if you can stay with it off the Internet.

------------------------------------------------------------------------

Ty Warner
U40643@uicvm.cc.uic.edu
Prodigy: FNHC17A
CompuServe: 76011,2572

In article <1991Sep21.080913.4334@ryn.mro4.dec.com>, boyajian@ruby.dec.com (The
Film Fan Man) says:
> >
> >In article <goomcb32.685425355@vulcan>, goomcb32@vulcan.anu.edu.au (Miles
> >Goodhew) writes...
> >
> >} I think I remember the giant showing-up [on STAR TREK: THE NEXT GENERATION]
> >} as an "extra-universal" being that gets the enterprises drives going at
> >} warp n, or something, [...]
> >
> >Nope. Different actor.

But he does play Lwoxana Troi's Valet...

Scott

Hi Everyone.....

I am writting this in regards to the twin-peaks ftp site and the PICTURE 
files that are available.
I have managed to obtain the uudecode program to decode the pictures but I
am having problems with displaying them as I am not too sure what package to 
use!!!!!!.

Could someone out there who's had a bit of experience at this field PLEASE
help me out!

The thing is I don't know what to use for the displying .... is there an
ftp site out there somewhere????????

Personally, I am on a System V unix :-) :-) :-)

Looking forward to hearing from you


Yours' electronically
riaz Akhtar-Khavari
Department of Computer Science
University of Tasmania
Australia.

e-mail : u895297@bruny.cc.utas.edu.au
                              (___)
                              (o o)
                       yes moo \O/ No moo
                      /--------//
                     / |      ||
                    *  ||-----||
                       ~~     ~~
Ps : I am sure there are some people out there with the same problem! so 
your effoerts will be for a worthy cause :-) :-)

> >In article <man0ang@fido.asd.sgi.com>, sjohnson@texas.vlsi.sgi.com (Scott Johnson) writes:
>> >> While visiting the area, I talked to the owner of the Mar-T who said
>> >> that Silva was added as Bob some time after the pilot.  

Last year in New York City, my brother attended sort of question and answer
session with Lynch and Frost as well as several cast members.  
(Log Lady and Lucy and maybe more I think)  
When asked about Frank Silva they apparently said that
he was a prop man/furniture mover or something and while he was moving a bed
someone said to him 'you better get out of the way or you'll get caught on 
film', and DL said 'hmmmmm'.  Where could one begin to look to find such a 
scary man, I guess they just waited for him to find them...

There's more interesting stuff he wrote to me about this conference, let me
know if you'all are interested,


Gian Di Loreto

After viewing the movie the other night, the trailer included...

"Soundtrack available on Polydor records, cassettes, and compact discs"

or something to that effect.


-- ----------------------------------------------------------------------- Ken Hughes | (hughes@sol.csee.usf.edu) | "Let's just hope she's FT-Ph D candidate, PT-ex-sysadm | rubbing noses with Jesus!" Dept of Comp Sci and Eng | .... _Heathers_ University of South Florida | --------------------------------------------------------------------

In article <1991Sep25.120041.4342@galileo.cc.rochester.edu>, lgo1_ltd@uhura.cc.rochester.edu (G. DiLoreto) writes...

} When asked about Frank Silva they apparently said that he was a
} prop man/furniture mover or something  [...]

And this points out a commonly-held misconception. A lot of people think
that Frank Silva is a wardrobe man because he's referred to as a "dresser".
But his title is "Set Dresser" or "On Set Dresser", which means that he's
responsible for setting up the sets (furniture, props, that sort of thing).

-- "Take that surface-man Autry to the Lightning Room!" --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) boyajian%ruby.DEC@DECWRL.DEC.COM or ...!decwrl!ruby.enet.dec.com!boyajian

In article <1991Sep24.012000.1065@uokmax.ecn.uoknor.edu> dtburton@uokmax.ecn.uoknor.edu (Darren Todd Burton) asked:
> >Could someone please post or mail me a description of what a doppleganger
> >is.  A formal definition, any literature references etc.  I thought I read
> >something like this after the last episode, but I could not find it.

In article <1991Sep24.000627.1390@ac.dal.ca> ogre@ac.dal.ca wrote:
> >i'm not certain i'm remembering this right, but didn't the statue in the
> >waiting room disappear after coop's doppelganger arrived? if so, any
> >speculation as to why?
> >o.

This is related to but not exactly the point you are talking about. On the
UK twin-peaks mailing list in june I wrote the following speculations about
one of the statues in the Lodge scene:

> >Now for more speculation on the Venu de Milo symbolism.
> >
> >Suppose the corridoor between the curtains is always the starting point for a
> >trip into either lodge. As you pass into a room, from the corridoor, your
> >destination is governed by your emotions, fear==>black love==>white.
[ Also remember Major Briggs biggest fear "that love is not enough"]
> >
> >When you return you will know which lodge you were in by whether the Venus is
> >in the corridoor or not. Venus is the god of love after all so she symbolises
> >love. Cooper knows of the Venus de Milo because he said so to Gordon and so,
> >as we've almost settled on the fact that the Lodge imagery is made up by your
> >own experiences/knowledge, the Venus is not out of place.
> >
> >The corridoor consistently had the Venus in it (implying white lodge) at the
> >beginning. Cooper then entered a room where the screaming Laura came up to him.
> >WE's face flashed on her face and Cooper left visibly distressed. He returned
> >to the corridoor where the Venus still was. However he was now consumed by fear
> >and so when he entered the next room he entered the black lodge. This is when
> >he felt himself stabbed and blood covered his hands. He returned to the
> >corridoor (no venus) and it looked like he had already walked along the
> >corridoor bleeding heavily (blood on the floor). This (blood on floor) would
> >imply some sort of duality in the corridoor or maybe, as many seem to be
> >saying, the non-linearity of time in the lodges.
> >
> >Maybe Coop's stabbing (after seeing WE for the first time) is just more
> >imagery from personal experience, that was the time that he probably felt he
> >had failed totally (i.e. in Pitsburgh) and so when he entered the black side,
> >the overwhelming sense of despair and failure caused him to relive the
> >Pitsburgh experience.
> >
> >Well that's enough wacky idea's for the moment. 
> >

Brian

 Just a few speculations on the last twenty minutes of the final episode...

1) Cooper's bleeding- 
   The Black Lodge supposedly transcends time and space, right? So cause and
   effect don't neccesarily follow chronologically. The wound could therefore
be from Earle stabbing Cooper near the end of the sequence; remember that
immediately following this, time reverses, and Earle removes the knife. No more 
wound! With time running backwards, this works. 

2) Was Cooper in the Lodge after all?
   Cooper may very well have entered the Black Lodge, but lost his way. Recall
   that while he's in the Waiting Room, the dwarf says,"The next time you see
   me, it won't be me," or words to that effect. The next time Cooper sees the
   dwarf, the dwarf says,"Wrong way," and Cooper leaves that room. But,
   according to the dwarf himself, that wasn't him, and so Coop was mislead.
   I personally feel that his fate was sealed from then on.

Feedback of (nearly) any kind is welcome.
                                  
                                    Speculatively yours,
                                    Chris

The Twin Peaks movie is being shot in the Seattle area now. I think shooting
has been going on for a week or so and will continue until the first or
second week of October. Yesterday I drove through North Bend (aka TP) and
saw little activity, although there were a few studio trailers from Burbank
and the "RR" sign was up at the Mar-T Cafe. Reliable sources indicated that
shooting was happening at the Colonial Inn, in Fall City (neither a city 
nor near the falls, or course), so off I went.

At the Colonial Inn (aka the Roadhouse) the Bang-Bang neon sign was up and
a small group of people were setting up lights and reflectors for a night
shoot. A group of bikers, hired locally as extras, were standing around
fretting about the dust on their bikes kicked up from all the machine
activity. The generator truck, and other utility vehicles all had placards
which read, "Lynch-Frost Productions, Twin Peaks / Fire Walk with Me" on
their dashboards. Local police agencies were all represented (North Bend,
King County (Seattle), and the Washington State Patrol). 

Around 6, after an early dinner at the Colonial (which closed for the
night because they needed to paper the windows), the Log Lady appeared.
She wandered around the set briefly, in character and carrying her log,
then disappeared into a trailer which was parked next to Big Ed's Gas
truck.

A few hours passed, with Lynch-Frost vans racing around but seeming to 
do nothing at all. The bikers took photos of each other spread-eagled
against the cop cars.

Around 8:30, a small group of people materialized from nowhere, and rushed
from the road to the trailers. David Lynch, jauntily dressed in a blue 
blazer, chinos, and cap -- a 70s preppie hunting outfit -- followed by
his minions, swept onto the set. Later, when his cap came off, his
trademark Reaganesque hairdo was unmistakeable.

More activity. Its amazing how frantic yet controlled a film shoot can be.

By this time, a crowd had gathered. Snippets of conversation from hardcore
fans reached us in the now-chilly night air. Someone had seen David Bowie
a few days before. "Kyle finished shooting yesterday and left town", said
a woman with a disappointed leer -- she missed him by minutes but did get 
to see his personal chair. (Yes, they all have personalized, director's
style chairs -- Lynch has not only a chair but a frilly stool). I was glad 
to see everyone was on a first-name basis with the cast and crew. David had
"almost" autographed someone's Twin Peaks t-shirt, but fled when asked to
explain Eraserhead. Bobby has already left town. Someone thought they saw
Major Briggs, maybe. Laura's stunt double was seen, deep in the woods,
driving a vintage car fast over backcountry roads.

A crew member tried to start a small portable generator. The engine
sputtered and died, once, twice, three times. One of the bikers helpfully
pointed out that "if it was a Harley it would have started by now." The 
bikers started to polish their bikes, just behind a cop car. One of the 
cops ambled over to them.

"They want a few dents in your bikes, guys, so I'm gonna back my car up
into them," he said.

One of the bikers grabbed the cop by the scruff of the neck and made to
spread-eagle him against the squad car. The cop grinned and twisted away,
making a pretend grab for his holster.

9:30pm. The bikes are lined up in front of the Roadhouse. I flee for hot
chocolate at the little market ("Fall City Convenience Mart, open 24 hours
for all your shopping needs," says the woman behind the counter) and walk
back around the corner to the roadhouse, making eye contact with a woman in 
hair curlers and a slightly frumpy housecoat. She's talking to the Log Lady 
and Lynch beneath a wooden awning at the roadhouse entrance. Yep, she's Laura 
Palmer. She practises striding up to the roadhouse, pantomimes
a conversation with the Log Lady (who touches her face gently), and then 
walks up three steps into the building.

They disappear for another half-hour or so, while the crew shoos the crowd
around the set like a gaggle of unwanted Canada geese ("Sorry, guys, I need
you all to move thirty feet to the left. Ooops, now move fifty feet back.
To the right, please, thirty feet").

We can tell shooting will start soon when Lynch and crew settle into their
chairs, surrounded by cast and crew. Laura appears, sans curlers, wearing
high-heeled leather boots that reach most of the way up her legs and a short 
dark coat. She hops into her car (a Studebaker?) and starts the engine. Lynch
decides the white Comet should switch places with the black Mustang, so
two crew members play parking valets for a few minutes. Then everyone yells,
"Quiet!" Laura starts the car again and backs it up 10 feet. Cameras roll.
Sound rolls. She drives forward ten feet, cuts the engine and lights and
steps out gracefully. She walks the twenty feet to the roadhouse with
great aplomb, but the big tan labrador who has been sitting with us in the
crowd decides the moment is perfect to lope across the frame right behind
Laura. We all try not to giggle, but fail. 

"Cut," says Lynch. "Perfect."

We all laugh. A few crew people chase the dog around. 

They set up the shot again. This time, a crew member holds the dog tight,
lavishing it with attention. The set quiets, rolling begins, and Laura
begins her brief walk to the roadhouse once again. The dog-tender, incredibly,
releases the dog, and once again he crisscrosses her tracks in exactly the 
same place. We realize we've been duped, that the damned dog is actually 
in the cast, and the time he spent with us, in the crowd, he was just slumming.

11pm. Not prepared for the cold, I abandon the shooting. It will probably 
continue for another few hours. Next time, I'll find a day shoot.

------------------------------------------------------------------------------
Craig Horman   xwidget@hardy.u.washington.edu

In article <BRIAN.91Sep25083439@tadsrc.uucp>, brian@tadtec.uucp (Brian Kelly) writes...
> >In article <1991Sep24.012000.1065@uokmax.ecn.uoknor.edu> dtburton@uokmax.ecn.uoknor.edu (Darren Todd Burton) asked:
>> >>Could someone please post or mail me a description of what a doppleganger
>> >>is.  A formal definition, any literature references etc.  I thought I read
>> >>something like this after the last episode, but I could not find it.

>From the Longman New Universal Dictionary:

> >doppelganger, N a ghostly counterpart of a living person [G doppelganger, fr 
> >doppel- double + ganger goer] 
> >Brian

In typical Doppelganger stories, the protagonist (originally a monk or a 
student) would learn of the actions of his physical double.  Usually his double
was his opposite in character, and would cause havoc in the protagonist's life
ie. stealing his girlfriend, wrecking his reputation, etc.  Eventually the 
protagonist would confront his double, usually killing him and therefore killing
himself.  There are variations on this formula.

Edgar Allan Poe's short story, "William Wilson" is a fairly accessible example
of a doppelganger tale (actually, Poe's work in general has a running theme of
a double self).  There's also a short story by (I think) Tolstoy (?)entitled
"The Double". 

I can give you more examples if you're interested, just e-mail me.

--Michelle L. Zafron
--------------------------------------------------------------------------------
"Suppose that you were an idiot and suppose you were a member of Congress.  But
 I repeat myself."
                                 --Mark Twain   
--------------------------------------------------------------------------------

In article <CLINDH.91Sep21024025@abalon.abalon.se> clindh@abalon.se (Christer Lindh) writes:
> >
> >[description of "A Cowboy and a Frenchman" deleted]

> >This is out of memory, I'm propably leaving some out.  Yes it's pretty
> >bizarre, quite funny and very Lynch!  Too bad very few of you will get
> >to see this one.
> >
> >Does anyone have a list of Lynch'es productions? I know about
> >Eraserhead, Dune, Elephant Man, Blue Velvet, Wild At Heart, Twin
> >Peaks, that new sitcom, American Cronicles and A Cowboy And A
> >Frenchman. Anything else?
> >-- 

Thanks for the posting.  I hope I can locate this film
somewhere in the US.

There are 2 short, early Lynch films I've seen a long time ago-
one is called "The Grandmother" and the other is something like
"The Alphabet".  They're both black & white, short (~ 1/2 hour),
and quite bleak and bizarre.  They're both pre-Eraserhead, I think,
or certainly from that period.  No really memorable plots, though
one of them focussed on a surreal family situation.  Yeah, David's
really lightened up! ;-)

Margaret

-- ==========================================================================

Could someone out there please repost the chronological TP timeline?

I never got a chance to save it and it expired.  Thank you.


Also, anyone who watched ABC Primetime Live last year about Twin Peaks may
recall that they had a really funky relationship chart with graphics, etc.
I have a version of that chart laserprinted off of IBM freelance and anybody
who wants a copy can write to me and let me know.

I have a copy.  On campus I have a taped recording from the album which I have at home.  I do not want to sell my album, but I would be glad to make a copy of it for you.  You can reach me through Internet: st911127@pip.cc.brandeis.edu.

I just sent some new greyscale GIFs from the second season premiere of 
TP to the audrey.sait.edu.au TP archive.  They're in
/pub/twin-peaks/GIF/09-30-90 or something like that.  I would also like to 
make some GIFs of the pilot episode (04-08-90), but I don't have a copy 
and don't know anyone who does.  Therefore:  if anyone is interested in 
having GIFs made of the pilot episode and would be willing to send me a 
tape they can e-mail me and we can discuss the matter further.  (This is 
also my way of obtaining my own copy of the pilot).  

Peter Moorhouse
moorhouse@skycat.usask.ca

What ftp site are the Twin Peaks pictures located in?  I am interested in
getting some...
-- -------------------------------------------------------------------- Internet/CSnet: mhw@cs.brown.edu | Mark Weaver BITNET: mhw@BROWNCS.BITNET | Box 2160, Brown University UUCP: uunet!brunix!mhw | Providence, RI 02912-2160

   Sorry if I sounded flamey in my criticism of the Diane...it is now 1.17pm
articles, but there have been some articles posted in code(eg in rec.humour) -
and this gets a bit annoying at times.  I have had mail from people all over
the planet and beyond explaining about the sound files and there may be a way
for me to use them so thanks.

    As for those people who decided to flame back - remember that everyone has
to start somewhere and as I admitted - I really don't know that much about the
systems at all.  So please contain the flames as alt.tv.twin peaks is too good
a newsgroup to be spoiled by such things.

    Now onto the giant - I think it was shown throughout the series that the
giant was a helpful and good being.  His presence in the final scenes of the
TP final adds weight to the theory that both the black lodge and white lodge
were shown.  Maddy was also in the lodge but I don't recall her ever having any
evil motives - she was just another victim(as was the old man) of Bob's evil
deeds.

    It's been a few weeks since the series ended here in Australia and I'm
really missing it at the moment - I miss those classiclines, those great
characters, and the enthralling story *sob*.  I just miss Twin Peaks in
general.  So I am really glad and appreciative that this newsgroup is still
going so strongly.  It's great to see a newsgroup full of "thinkers" who are
all interested in the great series.  So - keep up the cool postings.

    Some people out there have been hastling the second series quite a bit.  I
think this was a pretty popular thing to do at the time, but I don't think it
is justified at all.  The way I see it, the first series was a lot more
constructed in terms of plot while in the second series David let himself go a
bit more into the creative side.  I must agree though that the first and second
series should definately be separated.  I think the reason people first hastled
the second series is because they had just come off from the "high" of the
first series ending only to begin again it seemed in the second series.  Just
an opinion though...

    Is it definate about the 3rd series?  I think I had read that somewhere.  I
would love it if someone would confirm this.  I also think it's about time TV
stations stopped worrying about ratings ALL the time and started worrying more
about the quality of TV in general.  If this were so, then TP would still be
running and probably would continue so for a long time.

/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
Don Sharp ....ssharpde@cc.curtin.edu.au /\    DDDD    OOO   NN N  /\  Sorry, I
(A small man from another place...)     /\    D   D  O   O  N NN  /\  can't mail
                                        /\    DDDD    OOO   N  N  /\  back...
/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
Disclaimer..My opinion is that people are too opinionated about opinions and
            offer unnecessary opinions on who's opinions they actually are...
            but that's just my opinion...

In article <1991Sep24.212342.16467@risky.ecs.umass.edu> giovin@medr0.ecs.umass.edu (Rocky J Giovinazzo) writes:

[in response to my suggestion as to why Senor Droolcup/the Giant
didn't help the wounded Cooper:
   >Or because Cooper had to be in that dream state between life and
   >death to become receptive to the message that the giant was giving.  I
   >don't have anything handy to check exactly when it was that the giant
   >started speaking to Cooper, but I believe that it was after he was
   >shot and before he got medical help.

   Umm... well I guess that could be why, but he delivered messages later
   too.

...which was why I said "to become receptive".  It would seem that,
once the Giant's messages had come true and Cooper believed him,
Cooper might be more inclined to be receptive to the messages without
having to be in such a dream state.

Or one could argue, as some have, that Cooper changed fundamentally
after this and became less sharp and rational.  This could open up the
question of the importance of the wound he receives from Josie (I
wonder if this is the first moderately serious wound he's received
since Pittsburgh) in changing his overall approach to what he's doing.
If it opens up communication with the spiritual realms that the Giant
represents, this new approach could be seen as helpful, in that it
helps him become aware of Bob.  It certainly leaves him vulnerable to
Windom Earle however, although I might argue that Cooper would always
be vulnerable to him (more symbolism of the wound).

Since these wounds are "opened up" again in the final sequence they
would seem to be significant.  I have to get to work now, but I could
cite instances in mythology and initiation rites where a wound is
essential to achieving a greater understanding or higher consciousness
as it were.  I'm not sure where all of this leads (and it's a lot to
draw from a question of why a supposedly "good" character didn't help
the wounded Cooper), but maybe I'll have some time to follow it
further.

Barb Miller

In article <1991Sep25.170511.1@sask.usask.ca> moorhouse@sask.usask.ca writes:
> >I just sent some new greyscale GIFs from the second season premiere of 
                      ^^^^^^^^^

So are there any good *color* TP GIFs out there?  After shelling out all
the bucks for my SVGA card, I'd hope to find _something_ that took advantage
of color!

       __     ____         __   ____         __   __        (__==__)
      /\ \   /  \_\       / /\ /  \ \       / |\ / /\         (oo)  ( moo.)
     /  \_\ / /\ |_|     / / /| /\ \ \     /  ||/ / /  /-------\/  -'
    / /\ | |\ \/ /_/_   / / / \ \/  \ \   /   |/ / /  / | U.T.||
   /  \/ |_| \  __ \_\ /_/ /   \  /\ \_\ / /|   / /  *  ||----||
  / /\ ./_/   \ \ \/_/_\_\/     \ \ \/_// / |  / /      ^^    ^^
  \ \/ |_|     \ \_\ /_/\        \ \_\ /_/ /|_/ /     Br!an Bloom
   \__/_/       \/_/ \_\/         \/_/ \_\/ \_\/   brianb@natinst.com

        Look, why don't all of you people get a life. Twin Peaks 
was a spoof on detectives and such just to give you guys something to do 
with your lives.  All you idiots swallowed it up.  I bet you even 
bought the books they started churning out by the truckload.
        Listen, Her father killed her, END OF STORY!!!!!!  Lets
not become totally braindead by watching this, whadasay?

        You people are the dregs of society. GET A LIFE!!!!

                                      Mark.

I vaguely remember article <1991Sep26.122820.9853@cc.curtin.edu.au>, where you
said something like:
> >
> >   Sorry if I sounded flamey in my criticism of the Diane...it is now 1.17pm
> >articles, but there have been some articles posted in code(eg in rec.humour) -
> >and this gets a bit annoying at times.  I have had mail from people all over
> >the planet and beyond explaining about the sound files and there may be a way
> >for me to use them so thanks.

I don't know if you know this, but the code (usually) used to garble these
(potentially offensive) articles is called ROT-13. It ROTates the letters of the
alphabet by 13, so two applications of rot13 will give you the original message.
Most news readers allow you to view messages using a rot13 filter (i.e. nn and
rn, the two readers I've ever used). With nn, I think you press "d", and with
rn it's "^X" (Control-X).

If this is old-hat to you, then please don't abuse me for insulting your
intelligence, I'm only trying to help.

> >    As for those people who decided to flame back - remember that everyone has
> >to start somewhere and as I admitted - I really don't know that much about the
> >systems at all.  So please contain the flames as alt.tv.twin peaks is too good
> >a newsgroup to be spoiled by such things.

Yeah, I feel that most of the Netdwellers are far too eager to fire-up the
flamethrower.

> >    Some people out there have been hastling the second series quite a bit.  I
> >think this was a pretty popular thing to do at the time, but I don't think it
> >is justified at all.  The way I see it, the first series was a lot more
> >constructed in terms of plot while in the second series David let himself go a
> >bit more into the creative side.  I must agree though that the first and second
> >series should definately be separated.  I think the reason people first hastled
> >the second series is because they had just come off from the "high" of the
> >first series ending only to begin again it seemed in the second series.  Just
> >an opinion though...

There were three (I thought 4 at first) series of TP, I think you mean:
"just come off from the "high" of the second series ending only to begin again
it seemed in the third".
No?

> >    Is it definate about the 3rd series?  I think I had read that somewhere.  I
> >would love it if someone would confirm this.  I also think it's about time TV
> >stations stopped worrying about ratings ALL the time and started worrying more
> >about the quality of TV in general.  If this were so, then TP would still be
> >running and probably would continue so for a long time.

*QUITE* definite, as in been and gone. As for a fourth (if indeed there are
already three), I don't think anybody's got the ball rolling, but I think it's
more likely that there would be another series NOW, than it was likely at the
END of the last series.

Somebody mentioned that David Bowie was given a "walk-on" part in the current
movie, so that he hould have a much-fuller role in the SECOND movie. I'm still
being pessimitic about the existance of any plans for a second movie, but if it
were to eventuate, it couldn't be squeezed between the first movie, and the
first series. So this leaves two possibilities (from my point of view):

1) the Theresa Banks murder ("Somewhere in the south-west of the state" ??)
 - before the first movie. not too likely, I don't think.
2) Continuation of the series'.
 - after the third series. the best bet, IMHO.

MHG.


-- /--------------------------+------------------------------------------\ | goomcb34@boris.anu.oz.au | FROM std IMPORT witty_comment; | +--------------------------+------------------------------------------+

In article <1991Sep25.120041.4342@galileo.cc.rochester.edu>, comrade
lgo1_ltd@uhura.cc.rochester.edu (G. DiLoreto) rambles:
> >There's more interesting stuff he wrote to me about this conference, let me
> >know if you'all are interested,

I'm interested, and I'll wager a pound of dried bananas to a ha'penny bun that
99.9% of other TP readers are too.

MHG.


-- /--------------------------+------------------------------------------\ | goomcb34@boris.anu.oz.au | FROM std IMPORT witty_comment; | +--------------------------+------------------------------------------+

In article <goomcb32.685425355@vulcan> goomcb32@vulcan.anu.edu.au (Miles Goodhew) writes:
> >2fowgodson@kuhub.cc.ukans.edu writes:
> >
>> >>I'm going to ask a stupid question, and if it has been asked before 
>> >>and the answer resolved, then please...by all means...ignore me!
> >
>> >>Does anyone here watch STAR TREK THE NEXT GENERATION?
> >
>> >>If so, isn't it true that Counselor Troi's mother's valet is the giant?
> >
> >I think I remember the giant showing-up as an "extra-universal" being that
> >gets the enterprises drives going at warp n, or something, and the crew can't
> >get back for several thousand years, going at normal maximum speed. (In the
> >end I think wesley fixed it). I saw this on videotape, as the series STILL
> >hasn't started here (Oz).

Sorry this isn't true.  There is one of those Star Trek conventions
being advertised around here and the time-traveller character is one
actor who is showing up.  I didn't exactly catch his name (I think it
was Eric <something or other>) and Carol Stryken plays Mr. Homm,
Lwaxana Troi's valet and the giant in TP.  I probably have all the names
misspelled.

Bruce Rodean
rodean@fc.hp.com

In article <1991Sep25.133441.19301@ryn.mro4.dec.com> boyajian@ruby.dec.com (The Film Fan Man) writes:
> >In article <1991Sep25.120041.4342@galileo.cc.rochester.edu>, lgo1_ltd@uhura.cc.rochester.edu (G. DiLoreto) writes...
> >} When asked about Frank Silva they apparently said that he was a
> >} prop man/furniture mover or something  [...]
> >And this points out a commonly-held misconception. A lot of people think
> >that Frank Silva is a wardrobe man because he's referred to as a "dresser".
> >But his title is "Set Dresser" or "On Set Dresser", which means that he's
> >responsible for setting up the sets (furniture, props, that sort of thing).

I read in a newspaper article a looong time ago (it's stored in Colorado,
and I'm in Massachusetts, so don't ask me for the reference), that Frank
Silva works a lot for Patricia Norris, who was the production designer for
"Twin Peaks" as well as (I believe) _Blue Velvet_ and _Wild at Heart_. This
is how Silva became employed at L/F productions.

--
--
 David E. Coufal                                 dcoufal@athena.mit.edu
           "One time I removed all the hair from a mouse 
            with Nair-Hair just to see what it looked like.
            And it looked beautiful." - David K. Lynch

In article <1991Sep25.210007.9569@igor.tamri.com> margaret@igor.tamri.com (Margaret Kritzer) writes:
> >In article <CLINDH.91Sep21024025@abalon.abalon.se> clindh@abalon.se (Christer Lindh) writes:
>> >>
>> >>[description of "A Cowboy and a Frenchman" deleted]
>> >>
>> >>Does anyone have a list of Lynch'es productions? I know about
>> >>Eraserhead, Dune, Elephant Man, Blue Velvet, Wild At Heart, Twin
>> >>Peaks, that new sitcom, American Cronicles and A Cowboy And A
>> >>Frenchman. Anything else?
>> >>-- 
> >
> >Thanks for the posting.  I hope I can locate this film
> >somewhere in the US.
> >

Good luck finding this film. To my knowledge, it has only been shown
on European television. It was produced as part of the French
Bicentennial celebration.

Here's a list of Lynch's work from the oeuvre's located at the TP ftp
site (audrey.sait.edu.au). Please note that none of his commericials
or his paintings are included in this list.

Posted (9/26/91)
There has been one addition since the last posting (9/11/91)
regarding Teresa Banks under Feb 88.

This timeline is based off of one begun by Jerry Boyajian.
Many thanks go to Ed Hughes, David Coufal and all others who have posted
transcriptions and summaries which I've incorporated here.
This is for non-profit purposes.

A copy will be made available via anonymous ftp at audrey.levels.unisa.edu.au
(130.220.16.88) in pub/twin-peaks/timeline.Z

Edwin Nomura
enomura@ucsd.edu

--

1965 approx (Cooper to Truman, 2021)
   -- Windom Earle may have begun searching for the BLack Lodge

1969 approx ("going on 20 years now," Truman to Cooper, 1003)
   -- Bookhouse Boys formed

March 1969 ("20th anniversary," Shelly to Norma, 2021)
   -- Norma wins the first Miss Twin Peaks pageant

April 1969
  -- Hank and Norma get together ("20 years ago, next month," Hank to Norma,
     1007)
  -- Norma begins working at the RR  ("20 years this April," Norma to Nadine,
     2007)

1981 approx (Catherine to Pete, 2014)
   -- Eckhardt plans Andrew's death

1983 ("6 years ago," Truman to Cooper, 1000)
   -- Andrew Packard brings Josie over from Hong Kong to be his wife

1985 ("4 years ago," Cooper to Truman, 2014)
   -- Caroline killed while under Earle's and Cooper's assigned protection

1986 ("3 years ago," Cooper to Truman, 1002)
   -- Cooper has a dream where he learns the deductive technique he exercises
      in 1002 and becomes deeply moved by the plight of the Tibetan people

April 1986 (Cooper to Leo, 1003)
   -- Leo cited for an illegal U turn

August 1987 (approx)
   -- Andrew Packard supposedy dies, in a boating accident.  In actuality,
      Hank is responsible, and is to receive $90,000 payment from Josie.
      [Truman first tells Cooper Packard died "last year" (1000) but later
      tells him it happened "a year and a half ago" (1001)]
   -- Hank Jennings takes the fall for the killing of an unnamed vagrant,
      is convicted of vehicular manslaughter and sent to jail.

November (Cooper to Leo, 1003)
   -- Leo cited for a drunken disorderly

February 1988 (Cooper to leaders of community, 1000)
   -- Teresa Banks murdered in southwest corner of the state

August 1988
   -- Laura gets her safety deposit box ("6 months ago," clerk to Cooper, 1000)
   -- Laura begins seeing Dr. Jacoby (Jacoby to Cooper, 1004)

September (Cooper to Leo, 1003)
   -- Leo cited for an aggravated assault.  Charges later dropped.

December
   --  Laura begins seeing James ("2 months ago," Donna to mom, 1001)

January 1989
   -- Truman starts seeing Josie (Truman to Cooper)

05 Feb (Sunday) (Cooper to James, 1000)
   -- Laura and James and the locket

06 Feb (Monday) (date at top of page in diary, 1000)
   -- "Day One" (entry in Laura's diary).

12 Feb (Sunday)
   -- The picnic ("2 Sundays ago," James to Cooper, 1001)

22 Feb (Wednesday)
   -- Maddy feels Laura's in trouble (Maddy to Donna and James, 1005)

23 Feb (Thursday)

   5:00 pm (Josie to Cooper and Truman, 1001)
   -- Laura arrives at Josie's for her English lessons.  Josie says Laura left
      an hour later.

   Sometime after dinner
   -- Last entry in Laura's diary:  "Nervous about meeting J. tonight."
      (She remarks about having asparagus for dinner again, 1000)
   -- Bobby meets with Leo (Bobby to Mike, 1001)

   9:00 - 9:30 pm
   -- Laura returns home from Bobby's.  (Sarah Palmer tells Truman she last saw
      Laura when she got home about 9:00, 1000).  Bobby answers yes when
      Cooper asks him, "she was studying at your house until about 9:30.
      Isn't that right?", 1000)

   9:30 pm
   -- Laura snuck out of her house (James to Cooper, 1001)

   10:00 pm
   -- Leland calls Laura from Ben's office (Cooper to Truman and Albert, 2009)

   12:30 pm
   -- Laura jumps off James' bike at Sparkwood and 21 and runs off (James to 
      Cooper, 1001)

   12:00 - 4:00 am
   -- Estimated time of Laura's death according to the preliminary autopsy
      (Doc Hayward to Cooper and Truman, 1001)

24 Feb (Friday)   [Episode 1000 (pilot) - 4/8/90, 8/5/90
   Written by Mark Frost and David Lynch
   Directed by David Lynch]

   "Just after dawn" (Truman to Bobby)
   -- Josie at the mirror
   -- Pete Martell discovers Laura's body:  "She's dead...wrapped in pastic"
      He calls Truman.
   -- Truman and Doc Hayward identify the body as Laura Palmer's.  Andy
      takes pictures and breaks down and cries.
   -- Sarah can't find Laura.  She calls the Briggs' and the football coach.
   -- Ben and Leland have meeting with Norwegians.  Ben mentions he has
      information that the sawmill will go belly up within a year.
   -- Audrey gets in a car
   -- Leland receives news about Laura.
   -- Heidi's late to work.  Bobby takes Shelly home from the RR
   -- Leland makes a positive ID of Laura's body
   -- At Twin Peaks High, Audrey changes her shoes, and James meets Donna
      J: "Nice day for a picnic."  Bobby arrives at school and is wanted in
      the office.  In class, Donna notices Laura's empty seat after a cop
      talks to the teacher.
   -- Bobby is questioned, then arrested
   -- Principal Wolchezk makes the announcement.  Students grieve.

   Mid-morning
   -- Truman questions Sarah.  Hawk is gathering items out of Laura's room.
      Truman gets the message that Ronnette is missing
   -- Josie has Pete "push the plug" and makes an announcement that work
      will stop today in memory of Laura.  Catherine fires a worker.
   -- Ronnette is found wandering along the tracks

   10:00 (approx.) (Nadine to Ed)
   -- James stops at Big Ed's Gas Farm.  He has a note for Donna.  Nadine
      sends Ed off to get the drapes ("They said those drapes would
      be ready by 10.")

   11:30 am (Cooper to Diane)
   -- Cooper enters Twin Peaks (He had lunch at the Lamplighter Inn)

   2:46 pm (clock on wall)
   -- Cooper meets Truman and they check on Ronnette.  Truman to Cooper: "as
      far as we know, [Ronnette and Laura] hardly knew each other."  Ronnette:
      "no, don't go there"
   -- Cooper and Truman take an elevator with a one-armed man.  Dr. Jacoby
      meets and tells them he wants to go to the morgue.  Truman
      says no.  Jacoby also says that Laura's parents didn't know she was
      seeing him.
   -- Cooper and Truman check on Laura.  Cooper finds an "R" under Laura's left
      ring finger.
   -- Donna comes to Big Ed's Gas Farm looking for James.  Mike comes by to
      get Donna but Ed kicks him off the property.  Nadine yells at Ed about
      the drapes and Ed gives Donna James' note for her.
   -- Cooper and Truman investigate Laura's diary.  There's a safety deposit
      box key and a bag with what looks like cocaine residue.
   -- Andy and team find the train car
   -- Cooper and Truman question Bobby.  Cooper doesn't think he did it.

   3:45 (clock on wall)
   -- Audrey walks into the Norwegians' meeting.  She mentions Laura's death.
   -- Bobby and Mike talk about going after a biker.  Lucy overhears.
   -- Cooper questions Donna.  She says some hiker shot the picnic video.
      He wants to know who she's protecting.
   -- Lucy is about to tell Cooper what she overheard from Bobby and Mike, but
      he already knows - the person they're looking for is a biker.
   -- James with the locket on a thong

   4:00 pm (approx.)
   -- "The Norwegians are leaving!" (one of Ben's employees tells the
      concierge Ben would be back by 4:00 for the final signing of the deal
      with the Norwegians and Ben arrives as the Norwegians are leaving)

   4:10 pm (Cooper to Diane)
   -- Cooper and Truman at the train car.  They find the necklace, on a chain,
      with half of the heart and a note, "Fire, walk with me."
   -- James with the locket on a thong
   -- Sylvia tells the nurse to tell Johnny that Laura won't be coming back

   Late afternoon
   -- Cooper and Truman at the bank.  Inside Laura's safety deposit box are
      over $10,000 and a copy of Fleshworld.
   -- Leo finds two kinds of cigarette butts in the ashtray and threatens
      Shelly
   -- Norma calls Ed.  They agree to meet at the Roadhouse at 9:30.

   Early evening
   -- Town meeting where Cooper addresses the community leaders.  He says that
      one year ago, almost to the day, in the southwest corner of the state,
      a girl by the name of Teresa Banks was found dead and because of
      "irrefutable similarities," he believes that same perpetrator killed
      Laura and almost killed Ronnette.
   -- Leo calls Mike (Mike to Bobby, 1001)

   9:30 pm (approx.)
   -- Donna sneaks out after overhearing her parents talk about the necklace.
   -- Mike and Bobby arrive at the Hayward's looking for Donna.  Doc discovers
      she is missing.  The boys head for the Roadhouse.
   -- Doc calls Cooper and Truman who are staking out the Roadhouse about
      missing Donna.
   -- Big Ed and Norma talk about leaving their respective spouses for each
      other. Cooper and Truman see Mike and Bobby arrive, then Donna.
      Truman calls for backup.  Fight breaks out, Joey Paulson takes Donna to
      meet James.  Cooper and Truman pursue but lose them.  James and Donna
      talk about Laura.  He says that Laura mentioned something about a guy
      getting killed. They kiss, then bury the locket.  Jacoby watches
      all this (2001).  James is arrested.
   -- Doc picks up Donna at the station.  James is put in a cell.

   12:28 am (Cooper to Diane)
   -- Truman and Cooper have coffee and donuts.  Truman recommends the
      Great Northern for Cooper.
   -- Bobby and Mike bark at James.  Bobby: "When you least expect it."
   -- Truman meets Josie, has been seeing her for about 6 weeks
   -- Catherine tells Ben on the phone that Truman is with Josie again, and 
      they agree to meet to talk about it.
   -- Sarah has a vision of the locket on a thong dug up by person
      unknown (Jacoby).

25 Feb (Saturday)   [Episode 1001 - 4/12/90, 8/11/90
     Written by Mark Frost and David Lynch
     Directed by Duwayne Dunham]

   6:18 am (Cooper to Diane)
   -- Cooper's up and describes the room to Diane

   6:50 am approx. (Cooper tells Diane he'll breakfast in about half-an-hour)
   -- Cooper goes to breakfast, where he meets Audrey

   Morning
   -- Cooper rattles off the day's schedule to Truman, who's stuffin' his face
      with a donut.  C: "Harry, I really have to urinate!"
   -- Cooper and Truman get autopsy results from Dr. Hayward.  He couldn't
      bring himself to do the autopsy himself.
   -- Shelly discovers Leo's shirt soaked with blood and hides it
   -- Cooper and Truman question James.  He says Laura jumped off his bike
      at Sparkwood at 21 last night.  He flashes back on Feb 5 when Laura
      broke the locket.
   -- Leo can't find his shirt
   -- Mike and Bobby talk in jail cell about Leo
   -- The Donna and Laura picnic video

   10:30 am (Donna to Eileen)
   -- Donna to mom: Laura's been seeing James for 2 months.  Donna is sad but
      happy.
   -- Cooper meets Ed and gets a call from Albert.  Truman and Ed discuss the
      stakeout.  Ed thinks his drink was drugged at the Roadhouse.  The
      bartender was Jacques Renault.
   -- Norma runs into Nadine buying cotton balls at the general store
   -- James released into Ed's custody, Mike and Bobby released

   "Just barely morning" (Pete to Josie)
   -- Cooper and Truman talk to Josie.  Pete: There was a fish... *in* the
      percolator.
   -- Catherine meets Ben.  They plan to torch the sawmill.

   Afternoon
   -- Donna visits the Palmers.  Sarah has a vision of Laura on Donna, and
      killer BOB
   -- Jenny's first day at One-Eyed Jack's (not shown but mentioned later)

   Late afternoon/early evening (exterior shot is dark)
   -- Hawk qustions the Pulaskis, spots one-armed man
   -- Ben confronts Audrey about her involvement with the Norwegians leaving
   -- Bobby and Major Briggs have words over dinner.  Briggs socks Bobby
      when he lights up.
   -- Cooper and Truman talk to Norma about Laura's involvement with the Meals
      on Wheels program, and the Log Lady says her log saw something the night
      Laura died

   Later in evening
   -- Shelly gets home and is beaten by Leo over the lost shirt
   -- James has dinner at Haywards'
   -- Jacoby listens to tape from Laura, takes out the locket on a thong
   -- Bob Lydecker assaulted outside a bar in Lowtown, a section of Twin Peaks
      (Philip Michael Gerard to Cooper, 1004)

[Episode 1002 - 4/19/90, 8/18/90
Written by Mark Frost and David Lynch
Directed by David Lynch]

Saturday evening (continued)  
   -- Jerry Horne gets back from Paris with some baguettes.  Ben tells him
      about the Norwegians leaving and Laura's murder.  They go to OEJ.
   -- Mr. and Mrs. Hayward hit the sack
   -- Ben and Jerry at OEJ.  Ben wins the coin toss for the new girl.
      Blackie:  "When you really want love, you'll find it waiting for you."

   Midnight (clock at Haywards')
   -- James and Donna have their heart-to-heart
   -- Hawk calls Cooper, tells him that Ronnette recently quit at the perfume
      counter at Horne's and about seeing the OAM
   -- Person unknown (Audrey) slips a note under Cooper's door ("Jack with one
      eye")
   -- Bobby and Mike meet with Leo in the woods.  Bobby sees someone with Leo.
      Not all of the coke is in the football since Bobby and Mike don't have
      all the money - Laura had the other half.  Leo mentions Laura's wild
      life and Shelly's infidelity.  Leo: "Leo needs a new pair of shoes!"

26 Feb (Sunday)

   Morning
   -- Ed drops grease on Nadine's drape runners.  Nadine's arms bend back.
   -- Cooper prepares for his rock/bottle experiment
   -- Shelly turns off a commercial for "Invitation to Love" and Bobby visits
   -- Cooper teaches Truman, Hawk, Andy and Lucy about Tibet.
   -- Ed meets Norma at the RR
   -- Rock/bottle:
                             1 "James Hurley, secret boyfriend"
                !            2 "Josie Packard, was instructed in English by
                U3             Laura."  Bottle wobbled slightly.
              !---!          3 "Dr. Lawrence Jacoby, Laura's psychiatrist."
              2   !            Bottle was struck but did not break.
              !   !          4 "Johnny Horne, Laura was his special education
       !----! !   ! !--1-!     tutor."   Rock hit trash can.
       !    ! !   ! !    !   5 "Norma Jennings, she helped Laura organize the
       !    ! !   ! !    !     Meals on Wheels program."
                5            6 "Shelly Johnson, waitress at diner, friend."
                               Rock hit tree, then Andy.
                             7 Jack with one eye.  No rock thrown.
                             8 "Leo Johnson, husband of Shelly, drives a truck,
                               connection with Laura unknown."  Bottle struck.
   -- Ed meets Norma at the RR

   Late morning (after church)
   -- Haywards meet Audrey at the RR who puts on music on the juke.  "God,
      I love this music.  Isn't it too dreamy?"

   Afternoon ("Are we going to have to stand here all afternoon?"  Albert to
              Lucy)
   -- Cooper and Truman examine the bloody rag.  Hawk found it 5 miles from
      the train car.
   -- Albert and team arrive

   Night
   -- Nadine ecstatic about her now-silent runners
   -- Pete and Catherine talk.  Pete sneaks safe key to Josie and she finds two
      ledgers there.
   -- Leland has a breakdown to the strains of Glen Miller
   -- Cooper dreams:
      A series of sudden images, as if illuminated by a strobe light with
      darkness in between:
Cooper in a chair, the dwarf
Laura's mother running downstairs [from 1000]
BOB at foot of Laura's bed
A bloody cloth [in the railroad car?]
Laura dead
BOB crouched at Laura's bed  [Sarah's vision]
      The One-Armed Man:
Through the darkness of future past,
The magician longs to see
One..chants...out..between two worlds...
Fire...walk with me.
We lived among the people -- I think you say convenience store?
We lived above it.  I mean it like it is, as it sounds.  I too
have been touched by the devilish one; tattoo on the left shoulder.
Ah, but when I saw the face of God, I was changed.  I took the
entire arm off.  My name is Mike.  His name is BOB.
      BOB, crouched in some room full of clutter (tantalizingly
      unrecognizable metal objects) like an attic or basement.  He looks
      around and says:
Mike?  Mike?  Can you hear me?  [he turns to look at the camera]
Catch you with my death bag!
You may think I've gone insane, but I promise I *will* kill again!
      A small mound of dirt with a gold necklace on it, surrounded by a
      ring of candles.  A puff of wind; the candles blow out.
      An older Agent Cooper (in his 50s or so) is sitting in a red-carpeted, 
      red-curtained lounge.  Laura Palmer is sitting a few chairs away from
      him, dressed in a slinky black dress and looking very elegant.  There 
      is a strange scraping noise - a distorted silhouette of a person,
      backlit against a doorway -- it seems to be shuddering somehow -- the 
      scraping noise gets faster.  Suddenly the distorted silhouette turns
      around.  It's The Little Man From Another Place.  The scraping sound
      was him rubbing his palms together.  He's got a cheerful, wide smile,
      and he says (in twisted, reversed backwards English):
Let's rock!
      He sits in one of the chairs.  There is a pause.  A black shadow drifts
      slowly over the red curtains, over their heads. Laura puts one finger
      next to her nose, looking significantly at Cooper.  Then:
      LMFAP: [to Cooper]  I've got good news.  That gum you like is going to 
come back in style.  [noticing Cooper staring at Laura]  She's my
cousin.  But, doesn't she look almost exactly like Laura Palmer?
      Cooper: [to LMFAP]  But she is Laura Palmer.
[to Laura]  Are you Laura Palmer?
      Laura: [arching her back weirdly]  I feel like I know her,
 but sometimes my arms bend back.
      LMFAP: She's filled with secrets.  Where we're from, the birds sing a 
pretty song, and there's always music in the air.
      Slow jazz music begins to play.  The Little Man From Another Place
      stands and starts a jerky dance.  Laura stands, crosses to Cooper,
      kisses him, and whispers something in his ear. 
      -- Cooper jerks awake, with his special Cooper Cowlick pointing straight
 up.  He calls Truman and says he knows who killed Laura Palmer -- 
 but it can wait till morning.

27 Feb (Monday)   [Episode 1003 - 4/26/90, 8/28/90
   Written by Harley Peyton
   Directed by Tina Rathborne]

   7:15 am (Cooper to Diane)
   -- Cooper meets with Audrey over breakfast and chat about OEJ and Laura.
      He then tells Truman and Lucy about his dream. [In actuality, he
      describes the ending to the European version]:
      "Harry... you were there. Lucy, so were you.  In my dream, Sarah Palmer
      has a vision of her daughter's killer.  Deputy Hawk sketched his
      picture.  I got a phone call from a one-armed man named Mike. The
      killer's name was BOB.... They lived above a convenience store.  They had
      a tatoo: Fire, Walk With Me.  Mike couldn't stand the killing anymore,
      so he cut off his arm.  BOB vowed to kill again, so Mike shot him....
      Suddenly it was 25 years later.  I was old, sitting in a red
      room.  There was a midget in a red suit and a beautiful woman.  The
      little man told me that my favorite gum was coming back into style and
      didn't his cousin look exactly like Laura Palmer, which she did....
      She's filled with secrets; sometimes her arms bend back; where she's
      from, the birds sing a pretty song, and there's always music in the air.
      The midget did a dance, Laura kissed me, and she whispered the name of
      the killer in my ear."
      He can't remember the killer's name.
   -- Fight at the morgue - Ben and Doc Hayward won't let Albert continue with
      his autopsy
      Albert: Mr. Horne, I realize that your position in this fair
community pretty well guarantees venality, insincerity, and a certain
        irritating manner of expressing yourself.  Stupidity, however, is not
        a necessarily inherent trait.  Therefore, please listen closely - you
        can have a funeral any old time.  You dig a hole, you plant a coffin.
        I, however, cannot perform these tests next year, next month, next
        week or tomorrow - I must perform them now.  <drill noise--VEEP
        VEEP!> I've got a lot of cutting and pasting to do, gentlemen, so
        why don't you please return to your porch rockers and resume whittling.
      Truman slugs him.

   Mid to late morning (?)
   -- Cousin Madeline arrives to the strains of "Daddy!" on ItL
   -- Norma is told of Hank's pending parole
   -- Cooper and Truman talk to Leo
   -- Bobby and father have words again

   12:27 am (Cooper to Diane)
   -- Cooper and Truman leave for funeral after Albert's autopsy report
      Laura was tied up twice, two kinds of twine.  Traces of soap at the back
      of her neck.  Died of numerous cuts.
   -- Ed and Nadine have a quiet moment.  James declines to go to the funeral.
   -- Audrey checks on her family through a peephole.  Ben and Sylvia fight
      over whether or not to take Johnny to the funeral.  Dr. Jacoby comforts
      Johnny.

   Early afternoon
   -- Laura's funeral.  James and Bobby fight.  Leland freaks out.

   Evening (full moon)
   -- Shelly demonstrates Leland's coffin ride
   -- Truman, Hawk, and Ed talk to Cooper about someone running drugs into
      Twin Peaks, and about a sort of evil out in the woods
   -- Cooper meets the Bookhouse Boys (Truman, Ed, James, Joey, Hawk) and they
      question Bernard Renault at the Bookhouse.
   -- Jacques calls Leo for help.  Shelly hides the gun.
   -- Catherine eavesdrops on Josie and Truman.  Josie shows Harry the safe,
      but one of the ledgers is missing.  Catherine has it.
   -- Cooper meets Jacoby at the cemetary
   -- Cooper talks with Hawk about spirits and Laura at the Roadhouse, then the
      two take a drunken Leland home.

28 Feb (Tuesday)   [Episode 1004 - 5/3/90, 9/1/90
    Written by Robert Engles
    Directed by Tim Hunter]

   Day
   -- Andy sketches BOB from Sarah Palmer's description.  She, at Leland's
      insistance, then describes her vision of someone digging up the necklace.
      Donna's thinking.
   -- Lucy watches ItL
   -- Cooper questions Jacoby
   -- Gordon calls Cooper.  Andy shows the BOB sketch to Cooper.
   -- Hawk tracks down the OAM to the Timber Falls motel, where at the
      same time, Ben and Catherine are having a rendezvous, and are being
      staked out by Josie.  Catherine says the bogus ledger has the mill
      turning a profit, and tells Ben where the real one is.  She picks up
      a OEJ chip Ben drops.
   -- Cooper and the boys arrive and question Philip Michael Gerard the OAM.
      He has a suitcase full of shoes.  Andy drops his gun and it goes off.
   -- Bernard Renault makes bail (not shown but mentioned later)
   -- Audrey gets Donna to agree to help her find Laura's killer
   -- Norma goes to Hank's parole meeting
   -- Cooper and the boys visit the Lydecker Clinic and confiscate files
   -- Bobby has rendezvous with Shelly and she gives him Leo's bloody shirt
   -- Cooper, Truman, Hawk and Andy practice in the shooting range.  Lucy's
      mad at Andy.
   -- James runs into Madeline Ferguson at the RR diner, after speaking with
      Donna on the phone

  5:00 pm approx (parole board'll call about 5)
   -- Norma gets a call from the prison.  Hank is being paroled.
   -- Ben talks to Jerry about some Icelanders, then Audrey talks to Ben about
      learning the family business by starting work at the department store.
      Someone (Leo) calls Ben to meet him in half an hour.
   -- A fax arrives from Gordon with a reconstruction of the plastic piece
      found in Laura's stomach.  Andy comes across the file on Waldo, a mynah
      bird belonging to Jacques Renault.  The cops race to Jacques' apartment.
      They find Leo's bloody shirt there, planted by Bobby.

   Evening
   -- Ben meets Leo by the river and they make plans about setting fire to the
      mill.  Bernard's body is lying on the ground. Leo confesses to killing
      him and reports that frere Jacques is hiding out in Canada.
      (Leo tapes this conversation)
   -- James and Donna go to the buried necklace and find it missing

   12:50 am (clock on table)
   -- Pete chats with Josie and retires.  She gets a call from Hank.

01 Mar (Wednesday)   [Episode 1005 - 5/10/90, 9/8/90
      Written by Mark Frost
      Directed by Lesli Linka Glatter]

   4:28 am (Cooper to Diane)
   -- Cooper is woken up by singing Icelanders

   Morning
   -- Cooper meets Audrey in the hotel restaurant
   -- Ben and Jerry discuss the Sons of Odin.  Jerry's got a leg of lamb.
   -- Cooper meets Truman and Andy at Jacques' place.  The blood on Leo's shirt
      is determined to be AB-.  It doesn't match Laura's but matches Jacques'.

   9:14 am (clock on wall)
   -- Bobby has breakfast at Shelly's.  Andy comes looking for Leo.  Leo calls.
   -- Norma drops by Ed's and they agree to cool their relationship for awhile
   -- Audrey has her job interview at daddy's store
   -- James and Donna meet.  His dad was a musician who ran off and his mom's
      an alcoholic.
   -- Cooper discovers Laura's ad in Fleshworld
   -- Madeline meets with James and Donna at the RR and agrees to help them
   -- Hank, now out on parole, shows up at the RR to start work.  Shelly
      watches ItL.
   -- The Briggs family goes to see Dr. Jacoby.  Bobby says Laura made him
      sell drugs.
   -- Cooper, Truman, Hawk, and Doc Hayward go hiking:
      As they approach the cabin, a crow lands on a nearby branch and
      eyes them.  The Log Lady appears and the crow caws.
      LL:   "It's about time you got here."
        {To no one in particular} "They move so slowly when they're not 
         afraid.  Come on, then, my log does not judge."
        { They follow her inside. }
      LL:   "I've got tea.  I've got cookies.  No cake."
      Coop: "That's very kind ma'am, but I don't believe..."
      Hawk: "What kind of cookies?"
      LL:   "Sugar.  The owls won't see us in here."
      Doc:  "A cup of tea would be very nice."
      LL:   {To HST & Coop} "Shut your eyes and you'll burst into flames."
      HST:  {Strolling to the table} "Thanks Margaret."
      LL:   "We'll let it steep."
        { All sitting at the table.  Coop goes for a cookie, and Margaret
        slaps his hand. }
      LL:   "Wait for the tea.  The fish aren't running."
      HST:  "You've been expecting us, Margaret?"
      LL:   "You're two days late, but that's you're concern.  My log saw 
        something, something significant."
      HST:  "What did your log see?"
      LL:   "Tea first.  Then be ready."
        "My husband was a logging man.  He met the devil.  Fire is the devil
        hiding like a coward in the smoke."
      Doc:  "It was the day after the wedding, wasn't it Margaret?"
      Hawk: "The wood holds many spirits, doesn't it Margaret?"
      LL:   {Gesturing with log to Coop} "You can ask it now."
      Coop: "What did you see that night - the night Laura Palmer was killed."
      LL:   "I'll do the talking."
        "Dark.  Laughing.  The owls were flying.  Many things were blocked.  
        Laughing.  Two men.  Two girls.  Flashlights pass by the woods over 
        the ridge.  The owls were near.  The dark was pressing in on her.
        Quiet then.  Later, footsteps.  One man passed by.  Screams.
        Far away.  Terrible.  Terrible.  One voice."
      Coop: "Man or girl?"
      LL: "Girl.  Further up over the ridge, the owls were silent."
      { As they leave on the way to discovering Jacques' cabin, the crow leaves
      the branch it has been on all this time and follows, landing on a branch
      when they stop once again.  We get a close-up of its blinking eye.       }

   4:00 pm (cuckoo clock)
   -- Cooper, Truman, Hawk, and Doc find Jacques' cabin and discover clues
      given to Cooper in his dream

   Evening
   -- Party at the Great Northern for the Icelanders.  Ben and Catherine meet
      in private, Audrey eavesdrops.  Catherine confronts Ben about the OEJ
      chip, slaps him 3 times, says lets burn the mill now.
   -- Leland freaks out to music
   -- Madeline calls Donna.  She found a tape of Laura's.
   -- Back at the party, Ben surreptitiously meets with Josie.  She found the
      ledger where he said it would be.  Ben: "we can proceed.  Tommorrow
      night."
   -- Leo gets home and is beat up by Hank.  "I told you to mind the store, not
      open up your own franchise."  Leo gets pissed at Shelly who shoots him.
   -- Cooper arrives back at his room to find Audrey in his bed

[Episode 1006 - 5/17/90, 9/8/90
Written by Harley Peyton
Directed by Caleb Deschanel]

Wednesday evening (continued) (1/2 moon) 
   -- Cooper has a talk (and that's all) with Audrey

02 Mar (Thursday)

   Morning
   -- Andy arrives at the station.  Lucy won't talk to him and gets a call from
      a doctor.
   -- Cooper, Truman, and Doc Hayward are trying to get Waldo to speak
   -- Hawk shows up with a forensics report on Jacques' cabin and says that
      Jacques is now working as a dealer at OEJ.  There were defenitely 3
      guests at Jacques' cabin - Laura, Ronnette, and Leo.

   Afternoon
   -- Leo spots Bobby arriving at his house to see Shelly.  He then takes off
      when he hears on the police band radio about Waldo.
   -- Maddy, Donna, and James listen to the tape that Maddy found.  They plot
      to get the missing tape (2/23) they belive Jacoby has.
   -- Audrey and another girl, Jenny, are working the perfume counter at
      Horne's.  Audrey hides in manager Emory Battis' office to listen in on
      his conversation with Jenny concerning her sideline work at OEJ.
   -- Cooper receives his ear plugs (Cooper to Diane, 1007)

  12:10 pm (clock on wall)
   -- At the RR Diner, Hank palms a lighter that a customer left, and
      has thoughts about Big Ed after a talk with Shelly.  Truman comes in with
      Cooper and warns Hank to keep clean.
   -- Audrey gets Black Rose's number from Jenny
   -- Nadine is home watching "Invitation to Love" and feeling miserable
      because the patent attorney she went to didn't like her drape runner
      idea.  Ed comes in, comforts her, and encourages her to keep trying.
   -- Truman stops by Josie's and asks about her being at the Timber Falls
      Motel on Tuesday.  She tries to deny it but then tells him about Ben and
      Catherine and about overhearing Catherine's plan to burn the mill.

   Evening (Cooper to Truman)
   -- Truman and Ed rendezvous with Cooper at the hotel.  Truman tells Cooper
      about Josie's problem.  Cooper seems suspicious.  Audrey shows up looking
      for Cooper just as they leave.
   -- Mr. Neff, an insurance agent, shows up at Catherine's about an unsigned
      policy.  Josie was to get $1,000,000 upon Catherine's death.
   -- Catherine finds her bogus ledger missing
   -- Audrey leaves a note under Cooper's door and notices an Asian man
      (Tojamura's assistant) checking in a couple of doors down from Cooper
   -- Leo shoots Waldo and drives off, but not before Waldo's last words are
      recorded.  "Laura, Laura, don't go there.  Hurting me, hurting me.  Stop
      it, stop it, stop it.  Leo, no, Leo no."
   -- Cooper and Ed show up at OEJ posing as "Fred and Barney" and meet
      Blackie.  Ed craps, Cooper jacks.
   -- Maddy sneaks out, though she is seen by Leland, to meet James and Donna.
   -- Ben and Jerry eat ice cream, then Jerry goes off with the Icelanders to
      OEJ for a signing party for the Ghostwood deal
   -- Ben calls Josie about Catherine.  Josie says she'll "get Catherine there"
      and that it is "planned for tonight."
   -- Audrey meets Blackie.  She ties a cherry stem into a knot with her
      tongue, and is hired at OEJ
   -- Jacques relieves the previous dealer at the blackjack table where Cooper
      is playing
   -- Dr. Jacoby is watching ItL on tv when he gets a call from "Laura." At the
      gazebo, Maddy, disguised as Laura, is waiting with James and Donna
      and Bobby is watching them. The whole tableux is being watched by a
      mysterious heavy breather.
   -- Jacoby takes off to find out what's going on with "Laura" while James and
      Donna sneak into his office to search for the mising tape.  Bobby has
      followed them there and sticks a bag of cocaine in James' gas tank.

[Episode 1007 - 5/23/90, 9/15/90
Written and directed by Mark Frost]

Thursday evening/Friday morning (continued)  
   -- James and Donna enter Jacoby's place, find paper umbrellas, the (slightly
      different) missing tape and half the locket on a chain
   -- Jacoby, watching "Laura" is beaten by person unknown (Leland)
   -- Audrey meets with Blackie and notices Cooper on a monitor
   -- Cooper talks with Jacques, sets him up.  Jacques says the bird had a
      thing for Laura.  Leo put a chip in Laura's mouth while the bird was
      attacking her and said, "bite the bullet, baby."
   -- Leo kidnaps Shelly
   -- Jacques arrested, struggles, is about to shoot Truman when Andy shoots
      him
   -- Bobby, Maddy, Donna listen to the tape, as Will takes off for a
      hospital emergency.
"Hey what's up doc?  It's Laura, in case you haven't guessed.  It's
Thursday the 23rd and I'm so bored.  Actually, I'm in kind of a weird
mood.  God, James is sweet, but he's so dumb.  And right now I can only
take so much of sweet.  Hey, remember that mystery man I told you
about?  Well, if I tell you his name then you're gonna be in trouble.
He wouldn't be such a mystery man anymore, but you might be history,
man.  I think a couple of times he's tried to kill me.  But guess what?
As you know, I sure got off on it.  Isn't sex weird?  This guy can
really light my F-I-R-E.  He's a red corvette... Uh oh, here comes mom
with milk and cookies.  Later, Lawrence.  Bye bye."
   -- Leo prepares to burn the mill with Shelly tied up in it.  Timer set for
      one hour.
   -- Nadine writes a note and takes pills
   -- Hank receives $90,000 from Josie for the job 18 months ago.  He says
      doing business with someone is for life and slits both their thumbs.
   -- Catherine is upset.  She can't find the ledger.  She deviously asks for
      Pete's help.
   -- Ed, Hank, and Andy tell other deputies what happened within earshot of
      Lucy.  Andy makes his move and she announces she is pregnant.
   -- Lucy receives call from "Leo" (Bobby) to check out James.  "He's an easy
      rider."
   -- Cooper and Truman question Jacques.  He was in the cabin with Leo, Laura,
      and Ronnette.  He and Leo had fought and had hit him with a whisky bottle.
   -- Hayward tells Cooper and Truman that Jacoby said he saw Laura
   -- Catherine gets a call from Hank.  "It's at the mill, what you're looking
      for."
   -- Hank tries to sweet talk Norma

   3:25 am (clock on wall)
   -- Ed finds Nadine unconscious.  He calls for an ambulance. The address is
      422 Riverside.
   -- Lucy gives message to Cooper and Truman from Leo (Bobby).  Leland asks
      Truman about a suspect.
   -- James gives Cooper Laura's tape.  Cooper tells him Jacoby is in the
      hospital and confronts him about the cocaine found in his gas tank.
   -- Icelanders (Einar Thorson) sign the Ghostwood contract
   -- Ben tells Hank to proceed
   -- Bobby goes to see Shelly, is attacked by Leo, who is shot by Hank
   -- Catherine finds Shelly and frees her.  Fire starts.
   -- Leland kills Jacques
   -- Pete goes into burning sawmill after Catherine
   -- Ben signs the contract and goes to see the new girl (Audrey)
      "Close your eyes. This is the stuff as dreams are made of."

   4:37 am (Cooper to Diane)
   -- Cooper returns to his room, notices the quiet, picks up a note addressed,
      "My special agent," receives a phone call (Andy) and is shot by person
      unknown (Josie).

03 Mar (Friday)  [Episode 2001 - 9/30/90
 Written by Mark Frost
 Directed by David Lynch]

   Early morning (4:45? am)
   -- Room service waiter delivers Cooper's warm milk, hangs up phone on
      Andy.  "I've heard about you."
   -- The Giant appears:
      G: "I will tell you three things.  If I tell them to you and they come
true, then will you believe me?"
      C: "Who's that?"
      G: "Think of me as a friend."
      C: "Where do you come from?"
      G: {Shaking head} "The question is: where have you gone?"
 "The 1st thing I will tell you is: There's a man in a smiling bag."
      C: "Man in a smiling bag..."
      G: "The 2nd thing is: The owl's are not what they seem.
  The 3rd thing is: Without chemicals, he points."
      C: "What do these things mean?"
      G: "This is all I'm permitted to say.  Give me your ring.  I will
return it to you when you find these things to be true."
      {Takes Coop's ring} "We want to help."
      C: "Who's we?"
      G: "One last thing.  Leo locked inside Hungry Horse.  There's a clue at 
Leo's house.  You will require medical assistance."
   -- Jerry gives heroin to Blackie
   -- Audrey evades Ben, Jerry calls him away: Brother Ben, we got an S-N-A-G.
   -- Cooper tells Diane things he'd like to've done until Andy, Hawk, and
      Truman arrive

   7:45 am
   -- Lucy updates Cooper. Truman and Doc Hayward are present.
      C: Doc, when the will is invoked, the recuperative powers of the physical
 body are simply extraordinary.  Just give me a couple of hours to
 get dressed.
   -- Shelly, in her hospital bed, cries for Bobby

   Morning
   -- Cooper sees Jacques' body wheeled away in a bag
C: Is that bag smiling?
Doc: Smiling?
Lucy: What's there to smile about?
   -- Ronnette has a vision, "Laura..."
                                                     
   Day
   -- Sarah asks Maddy if she misses Beth (her mom).  Maddy describes her
      dream (the rug) and Leland sports a new 'do, singing Mairzy Doats:
Mairzy doats and dozy doats
and little lambzy divy.
A kiddly divy, too, wooden shoe?
Now if the words sounds queer,
and funny to your ear,
a little bit jumbled and jivy,
Sing:
Mares eat oats and does eats oats
and little lambs eat ivy.
A kid'll eat ivy, too, wouldn't you?
      Maddy sees something in the rug.
   -- Ben and Jerry talk.  Ben wants to know about Catherine and Leo's status.
      Leland arrives, singing Mairzy Doats.  The brothers dance.
   -- Cooper determines what happened at Leo's.
      C: Sherrif, get your mind off Shelly - for a moment.
      Hawk finds a tarp smelling of gasoline.  Albert and team arrive.  Andy
      steps on a board and walks like a chicken, underneath are a pair of
      Circle Brand boots and cocaine.
      A: And it's another great moment in law enforcement history.
   -- Maddy meets with Donna at the RR and gives her Laura's shades that she
      wanted and breaks her own.  They agree to "keep it quiet."
      D: Maybe the sun won't go up tommorow if you wash your hair.  Think
 like that and you'll go crazy.
      Norma gives Donna a letter that got to the RR "yesterday:" Look into
      the Meals on Wheels.  The log lady spits out her gum.
   -- Albert examines Cooper: "You were shot by a right handed person 5 foot
      6 to 5 foot 10 inches tall at a distance of less than 3 feet."
      Cooper tries to get Albert to open up to the locals.
      A: After the square dance, we can all go for a hayride.
      Andy reports that Leo was in jail in Hungry Horse, Montana on 2/9/88.
      A: Where do they keep his water dish?
   -- The OAM arrives at the station to "sell shoes" to Truman (to Lucy)
   -- Truman questions James.  Cooper demands and gets the locket on a thong
      from James.
      C: Jacoby!  I didn't figure he had anything to do with this at all.
 Sometimes, you just get lucky.
   -- Donna arrives at the station in Laura's shades, smoking and meets
      James in his cell.
      J: When did you start smoking?
      D: I smoke every once in a while.  Helps relieve tension.
      J: When did you get so tense?
      D: When I started smoking.
   -- Cooper has Andy and Lucy look through the back issues of the last three
      years of Fleshworld for Teresa Banks.
      C to D: Diane, just received the back issues of Fleshworld.  Good work.
      It's nice to see some cooperation with the law especially from
      a company that preys on human weaknesses.
   -- Hayward examines Jacoby.  Cooper and Truman arrive.  Cooper confronts
      Jacoby with the locket on a thong: I don't want any baloney, magic
      tricks or psychological mumbo jumbo.
      Jacoby said the night after Laura died, he followed Leo, lost him,
      saw and followed James and Donna and dug up the locket.
      J: Laura was, was in fact, no she was living a double life.  Two people.
 Yeah, but then, then when I saw her the last time, she
 I dunno, she seemed to've reached a kind of peace herself.  Now I
 believe that what she in fact, she had arrived at was the decision
 to end her life.
      T: Are you saying Laura wanted to die?
      C: Laura Palmer did not commit suicide.
      J: No, but maybe she allowed herself to be killed.
      Jacoby smelled scorched engine oil the night before.
   -- Bobby visits Shelly, brings her flowers
   -- Cooper, Truman, and Albert spot Bobby in the hospital.  A: Sherrif
      Truman, to see this kind of investigative genius at work is just a
      real treat for me.
      They meet Ed in the hall.
      Ed: I never believed in fate, Agent Cooper.  Always felt, you make your
  own way, you take care of your own, you pick up after yourself.
      Albert: Farmer's Almanac?
      Cooper: Albert, I would like to speak to Ed.
      Truman: Albert, I'll buy you a cup of coffee.
      Ed tells his tale of how he was with Norma but married Nadine and
      shot her eye out accidently on their homeymoon.  James drops by.  Cooper
      sees the smiling bag.  Albert goes to check in at the Great Northern.
   -- Pete is disgusted by the hospital food
   -- Norma visits Shelly in her room, then sees Ed caring over Nadine
   -- Bobby runs into his father at the RR:
      MB: "Bobby, may I share something with you?"
      BB: "Okay."
      MB: "A vision I had in my sleep last night, as distinguished from a
dream, which is mere sorting and cataloguing of the day's events by
the subconscious.  This was a vision, fresh and clear as a mountain
stream, the mind revealing itself to itself.  In my vision, I was on
        the veranda of a vast estate, a palazzo of some fantastic proportion.
There seemed to emanate from it a light from within, this gleaming,
radiant marble.  I'd known this place.  I had in fact been
born and raised there.  This was my first return.  A reunion with the
deepest well-springs of my being.  Wandering about, I noticed happily
that the house had been immaculately maintained.  There'd been added
a number of additional rooms, but in a way that blended so seamlessly
with the original construction, one would never detect any difference.
Returning to the house's grand foyer, there came a knock at the door.
My son was standing there.  He was happy and carefree, clearly living
a life of deep harmony and joy.  We embraced, a warm and loving
embrace, nothing withheld.  We were, in this moment, one.  My vision
        ended and I awoke with a tremendous feeling of optimism and
confidence in you and your future.  That was my vision of you.  I'm
so glad to have had this opportunity to share it with you.  I wish
you nothing but the best in all things."
      BB: "Thank you Dad."
      Bobby appears moved.  Hank asks Briggs how the pie was and salutes him.
   -- Norma won't talk about Shelly and Bobby recognizes Hank as he who
      shot Leo.
   -- Cooper and Albert tell their theory of what happened on 2/23:
C: The night Laura Palmer was killed, it appears she made 2
   appointments.  In her diary, she had written, "Nervous about
   meeting J. tonight."  I now believe this was a refernce to James
   Hurley.  She was nervous because she planned to tell him she
   didn't want to see him anymore.  Before she snuck out of the
   house, she received a phone call.
A: We believe it was Leo Johnson making a second appointment
   for some time later that night.
C: Laura met James, was with him until 12:30 when, at the intersection
   of 21 and Sparkwood, she jumped from the bike and ran into
   the woods.  We believe that it was there that she met up with
   Jacques Renault, Leo Johnson and Ronette Pulaski.  Together
   they drove to the foot of the trail leading to Jacques' cabin.
   They climbed the trail, they were heard passing the cabin of
   the Log Lady.  They reached Jacques Renault's cabin at approximately
   1 am.  Drugs and alcohgol were consumed.  Laura was tied up
   and had sexual relations with both Leo and Jacques.  Waldo the
   bird was let out of his cage and attacked Laura.  Leo and
   Jacques fought.  Jacques went outside and passed out.  When he
   came to, Leo and the girls were gone.  We believe Leo hiked
   back down to his Corvette alone, leaving the girls behind.
A: The reason being, there was a third man.
C: Deputy Hawk found evidence of a third man outside the window
   of Jacques' cabin.
A: The third man took Laura and Ronette to the train car, where
   they were tied up.  Laura for the 2nd time, Ronette for the 1st.
C: Using a blunt object, the killer hit Ronette and knocked her
   unconscious.  He must've been so intent on killing Laura, he
   didn't realize Ronette regained consciousness and escaped.
A: He either didn't know or he didn't care. He made a small mound
   of dirt and put the half heart necklace of Laura's on top.  He
   then placed a small cut out letter R under the nail of her
   left ring finger.  You'll recall he placed the letter T under
   the fingernail of Teresa Banks.  He, uh, left a note written in
   blood, "Fire, walk with me."
C: Here's the interesting thing.  The blood on the note was tested.
   It doesn't match Leo's, Jacques', Laura's or Ronette's.
A: So we surmise the killer wrote the note in his own blood.  The
   rare type, AB negative.  The towel that Deputy Hawk found five
   miles down the tracks was soaked in blood of that type.  He
   also found, near the towel, scraps of faded paper.
C: The scraps may have been left by the killer.  They'll be sent
   back to Washington DC for testing.
{Andy cries}
A: I know, Andy, I know, I know, I know.  It's what we call a real
   three hanky crime.
Andy: Albert Rosenfeld.  I don't like the way you talk smart about
      Sherrif Truman or anybody.  You just shut your mouth! {Exits}
C: Laura Palmer is dead.  Jacques Renault is dead.  Ronette
   Pulaski and Leo Johnson are in comas.  Waldo the bird is dead.
   This leaves only the third man.
   -- Truman gives Pete a ride home. P: This smoke inhalation is nasty
      business.  I feel like somebody taped my lips to the tailpipe
      of a bus.
      Josie left a note; she went to Seattle, she goes shopping every 3
      months.  An Asian man calls, asking for her, then he makes a collect
      call to Hong Kong.
   -- Ben and Jerry meet with Hank.  Hank confirms he put Catherine in the mill
      and they hope to frame the arson on her and Leo.
   -- Audrey meets with Blackie, she's not pleased with her not satisfying the
      owner

   Night
   -- Donna calls Norma about taking over Laura's Meals on Wheels route.
      She'll use the RR station wagon.
   -- At the Hayward Supper Club, Gersten plays the piano and Harriet
      recites a poem:
        "It was Laura
        And I saw her glowing.
        In the dark woods,
        I saw her smiling.
        We were crying
        And I saw her laughing.
        In our sadness,
        I saw her dancing.
        It was Laura
        Living in my dreams.
        It was Laura.
        The glow was life.
        Her smile was to say
        It was all right to cry.
        The woods was our sadness.
        The dance was her calling.
        It was Laura
        And she came to kiss me goodbye."
      Donna sits on her hands. Leland sings "Get Happy" and collapses.

   11:55 pm (Cooper to Diane)
   -- Cooper goes to bed.  C to D: I'm dog tired.  A man can only go long
without submitting to a period of rest.  As we know from experiments
conducted on American GI's during the Korean War, sleep deprivation
is a one way ticket to temporary psychosis.  And I'm working on a
3 day jag.
   -- Audrey prays for Cooper
   -- The Giant returns:
      G: "Sorry to wake you."
      C: "I'm not dreaming."
      G: "I forgot to tell you something."
      C: "You were right about the smiling bag."
      G: "The things I tell you will not be wrong.  Better to listen then to
talk."
      C: "I believe you."
      G: "Don't search for all the answers at once.  A path is formed by
laying one stone at a time.  One person saw the third man.  Three have
seen him, yes.  But not his body.  One only.  Known to you.  Ready now
        to talk.  One more thing: you forgot something."
      C: "What?"
      { Flash of green gets zapped into Coop. He lies alone in the dark,
      blinking.  }
   -- Ronnette has a vision of BOB and Laura

04 Mar (Saturday)   [Episode 2002 - 10/6/90
     Written by Harley Peyton
     Directed by David Lynch]

   Morning
   -- Cooper talks to Albert about Tibet over breakfast:
      C: Buddhist tradition first came to the land of snow in the fifth
century AD.  The first Tibetan came to be touched by the Dharma was
King Hathatha Rignamputsan.  He and succeeding generations came to be
collectively called the Happy Generations.  Now some historians place
them in the Water Snake Year, two-thirteen AD; others in the year
of the water ox 173 AD.  Amazing isn't it?  The Happy Generations.
      A: Agent Cooper, I am thrilled to pieces that the Dharama came to King
Hohoho, I really am, but right now I am trying hard to focus on the
 more immediate problems of our own century right in Twin Peaks.
      C: Albert, you'd be surprised at the connection between the two.
      A: Color me amazed.
      Albert tells of Cooper's ex-partner Windom Earle escaping from a mental
      institution.  The Asian man watches Cooper drink coffee.

   Afternoon
   -- Donna delivers a meal to Mrs. Tremond.  Her grandson makes the creamed
      corn disappear.  "Sometimes things can happen just like this."
"She seemed like a very nice girl."
   -- Cooper and Truman see Ronnette and wrestle with the stools.  They show
      sketches of Leo and BOB to her.  She reacts violently to the second.
      "Tr- tr- tr-"
   -- Ben and Jerry contemplate over which ledger to burn then decide to roast
      marshmallows
   -- Andy fights scotch tape at the RR.  The log lady enters and tells the
      Major to "deliver the message."
   -- Andy tells Lucy he's sterile:
      Listen to me, Lucy Moran, you just listen.  When the Takoma
      Sperm Bank was looking for donors, naturally I applied.  It's my civic
      duty and I like whales.  A routine physical examination revealed that
      I'm sterile.  Sure I thought it meant I didn't have to take a
      bath, but the doctors told me the truth.  They told me I can't have
      babies.  So what I wanna know now is why are you having one and how?
   -- Hank sees Cooper and Truman, signs his parole form.  Hank was a Bookhouse
      Boy.  Ben calls: Audrey's missing.
   -- Jerry shows Ben the unsigned insurance policy.  Ben calls Einar Thorson -
      Leland's already called.  Leland recognizes Bob; he lived next door to
      his grandfather.  J: Is this real Ben? Or some twisted dream?

   8:08 pm (clock on wall)
   -- Shelly sees Leo on life support.  Norma's waiting to drive her home.
   -- Lucy gets a call but hangs up on him because he remains anonymous
   -- At OEJ, Audrey questions Battis.  He recruited Laura and Ronnette to work
      at OEJ.  Laura used drugs one weekend so they got rid of her.
   -- Bobby and Shelly scheme over Leo

   Night
   -- Cooper reports Windom Earle's flight to Diane.  The Major visits.
      BRIGGS: I have a message for you.
      COOPER: From whom?
      BRIGGS: I'm not at liberty to reveal the nature of my work.  This
secrecy pains me from time to time.  Any bureaucracy that
functions in secret inevitably lends itself to corruption.
But these rules I have pledged to uphold and I believe a
pledge is sacred.
      Briggs shows Cooper the message: /THE/OWLS/ARE/NOT/WHAT/THEY/SEEM/
   -- James sings with Donna and Maddy.  James and Maddy exchange looks, Donna
      gets jealous, then gets a call from Harold Smith.  Maddy sees BOB.
   -- Cooper is awaken from a dream by a call from Audrey.  She is caught by
      Blackie.

05 Mar (Sunday)   [Episode 2003 - 10/13/90
                   Written by Robert Engles
                   Directed by Lesli Linka Glatter]
 
   6:40 am (clock on wall) 
   -- Ronnette is in the throes of a violent seizure.  Truman turns off a
      machine by her bed, then tells Cooper and Albert, who have just arrived,
      that she took out her IV.  Cooper pulls out a 'B' from under Ronnette's
      fingernail.
   -- Cooper enlightens Albert and Truman about his visitations from the Giant
 
   12:30 pm (?) (Harold's watch)
   -- Donna visits Harold, who gives her a flower to put on Laura's grave. 
      He's known Laura since she started the Meals on Wheels. She pulls on a
      piece of paper sticking out of a drawer.
   -- Cooper and Truman discuss BOB.                     R   B   T
      Albert reports: the B from Ronnette's             Mrs. Palmer
      finger was from a Fleshworld.           Maddy ----===========---- Cooper
      The cocaine found in James' cycle                   Ronnette
      matches that found in Leo's house and Jacques' car.
      Cooper was shot with a Walther PPK.
      Albert and Truman trade words:
      ALBERT: You listen to me.  While I will admit to a certain cynicism, the
       fact is that I am a nay-sayer and hatchet man in the fight against
       violence.  I pride myself in taking a punch and I'll gladly take
       another, because I choose to live my life in the company of Gandhi and
       King.  My concerns are global.  I reject absolutely revenge,
       aggression, and retaliation.  The foundation of such a method...is
       love. I love you, Sheriff Truman.
      COOPER: Albert's path is a strange and difficult one.
   -- Lucy looks for words with R, B, and T.  Richard Tremayne, her lunch date,
      arrives at the station.  Hawk offers two more words: prohibited, robot.
   -- Leland drops by and tells Cooper, Truman, and Hawk about the man in the
      sketch - he lived in a white house, across a vacant lot from his
      grandfather's place on Pearl Lakes.  His name was Robertson and he used
      to flick matches at him, "you wanna play with fire, little boy?"  Leland
      flicks a match nicely himself into an ashtray.  Cooper picks it up and
      blows it out.
 
   Afternoon
   -- At the RR, Lucy and Dick have words over lunch.  They used to go out
      every Thursday night for three months, but he hasn't called in 6 weeks,
      since their encounter in Horne's Home Furnishings.  She tells him of her
      pregnancy.
   -- James and Maddy discuss Donna.  She arrives at an opportune moment, while
      they're holding hands, and storms out.
   -- Emory videotapes Audrey as Blackie shoots her up
   -- The OAM shows shoes to Truman, sees the sketch of BOB, gets dizzy
      and heads for the bathroom
   -- Shelly drops by the station and tells Cooper and Truman she won't give
      a statement against Leo.  Cooper smells an insurance scam and wonders
      who's behind it.
   -- The OAM has spasms in the toilet stall, flushes the toilet and the
      spasms cease.  He drops his needle.  Mike takes over.
   -- Cooper meets Ben at the Great Northern, who tells him to watch his step
      with Audrey.  The Asian Man watches and follows Cooper.
   -- Jean Renault gives Audrey some English caramel
   -- Emory recognizes Cooper on the monitor.  Jean and Nancy, Blackie's
      sister, arrive.  They and Blackie scheme.  Jean wants Cooper and Blackie
      wants money.  He'll be the go-between for 30%.
   -- Truman gets a call from Pete - Josie will be back tommorow afternoon.
      Hawk has information about the white house - it's boarded up and no name
      on the mailbox.  Truman tells Cooper about the OAM and flinches when
      Cooper reminds him that in his dream, the OAM knew BOB.  Cooper finds the
      needle in the bathroom.
 
   4:15 (?) (clock on wall)
   -- Ed visits Nadine who is strapped to her bed.  He sings to her, and she
      breaks her straps and wakes up.  She's 18.
   -- Cooper and Truman visit Jacoby in his hospital room.  His wife is there.
      Hypnotized, he says he smelled engine oil at the park, and he saw
      Jacques' killer
 
   Night (full moon)
   -- Donna brings Harold's flower to Laura's grave and has a one-way
      converstion with her
   -- James sees Maddy at the Palmer home.  He's depressed since his mom came
      home.  Donna once again catches them at another opportune moment.
   -- Maddy cries to Leland, "Everybody thinks I'm Laura, but I'm not!"
      Cooper and Truman arrive to arrest Leland for the murder of Jacques.
   -- Donna goes over to Harold's and finds Laura's secret diary next to a
      knife
 
06 Mar (Monday)   [Episode 2004 - 10/20/90
                   Written by Jerry Stahl and Mark Frost,
                              Harley Peyton, Robert Engles
                   Directed by Todd Holland]
 
   Early morning
   -- Cooper and Truman question Leland, who admits to killing Jacques
   -- Doc Hayward and Andy discuss Andy's sterility.  Doc asks for another
      sample.  Andy, with a copy of Fleshworld, runs into Lucy on the way to
      the restroom.
   -- Truman tells Cooper no one named Robertson ever lived in the white house.
      Andy runs into a deputy, "Sorry, Bob."  Cooper notices Andy's wearing
      Circle Brand Boots.
 
   "Not even 9:30" (Ben to Louie)
   -- Louie tells Ben that travel critic M. T. Wentz is coming to town
   -- Jean, who "sells insurance to small businesses," visits Ben with the
      video of Audrey and the condition that Cooper bring the ransom money
 
   Afternoon
   -- Donna picks up lunches from the RR
   -- Norma tells Hank about M. T. Wentz.  He says there's enough time and
      takes off.
   -- At Harold's, he shows Donna the secret diary and reads from it.  Donna
      suggests giving it to the sheriff but Harold disagrees.
   -- Ben shows the Audrey video to Cooper and asks him to deliver the money
   -- Josie returns
   -- At OEJ, Emory brings Audrey to Jean.  Audrey says Emory hit him.  Jean
      kills Emory.
   -- Andy approaches Lucy.  Cooper has a talk with her.
   -- Cooper asks Truman a favor.  He needs the best Bookhouse Boy.
   -- M.T. Wentz to arrive today

   7:05 (clock on wall) (1/2 moon)
   -- Hank and Norma patronize a large man at the RR.  Hank lifts his billfold
      and finds it is Daryl Lodwick, District Attorney.
   -- Donna meets Maddy at the RR and asks her help in getting the secret diary
   -- Truman confronts Josie about the mill, she seduces him on the couch.
      A mystery man watches outside the window in the rain (Asian man?).
   -- Judge Clinton Sternwood arrives at the station and meets Lucy, Cooper
      and the sheriff.
   -- Dick Tremayne arrives, offers Lucy money for an abortion, and is kicked
      out by her.
   -- Andy, who overhears Lucy crying, brings in Leland to meet with the Judge.
      Sid arrives.
 
   Evening
   -- Ben bows to Mr. Tojamura who checks in.  Louie calls Norma - she thinks
      it's M. T. Wentz.
   -- Josie introduces her cousin Jonathan to Pete.  Jonathan tells Josie her
      job is to sell the mill and she is expected in Hong Kong by Mr. Eckhardt.
 
   9:30 pm
   -- Truman meets Cooper at the Roadhouse
   -- Hank at the RR gets a visit from the Asian man and is beaten up
 
07 Mar (Tuesday)   [Episode 2005 - 10/27/90
                    Written by Barry Pullman
                    Directed by Graeme Clifford]
 
   6:42 am (Cooper to Diane)
   -- Cooper awakes, chewing on his ear plug, and finds Audrey's note
 
   Morning
   -- Hawk tells Truman of his finds - two old ladies at the white house.
      They never heard of a Robertson.
   -- Lucy leaves for Tacoma.  She'll stay at sister Gwen and Larry's for
      two days.
   -- Cooper tells Truman he knows where Audrey is
   -- Mr Pinkle demonstrates for Bobby and Shelly the Leo-lifter apparatus
   -- Leland's hearing.  Truman defends, Andy sketches.  Ben chews on nuts and
      leaves.  Leland's released.  His grandfather, Joshua, brought them over
      75 years ago.
   -- Donna delivers lunch to Harold and makes a deal.  He'll read the diary if
      she tells her story.  She taunts him outside, he collapses.
   -- Leo's hearing.  He's ruled incompetent to stand trial.  The Judge,
      Cooper, and Truman have a drink.  Cooper doesn't think Leo did it.  
      Truman tells Shelly Leo's coming home.
   -- Ed brings Nadine home.  She rips off the refrigerator door.
   -- Tojamura meets Ben and offers him 5 million dollars for Ghostwood
   -- At the Great Northern, Bobby is snooping around Hank
 
   Noon ("Expect a call tommorow. Noon." Jean to Ben)
   -- Cooper meets Ben.  They get a call from Jean with instructions on where
      and when to deliver the money.  Ben has Hank follow Cooper.
   -- Donna and Maddy plot to get the diary
   -- At OEJ, Jean arms himself.  Nancy reports that Audrey is asleep.
   -- Andy mans the phones at the station.  He calls the Doc for the results
      of his sperm test.  "I'm a whole damn town!" to Truman as he's zipping
      his fly.  He sees Gwen's number, calls, and gets an abortion clinic.
   -- Cooper and Truman plan.  Hawk enters and reports that the OAM is staying
      at the Robin's Nest.  No one's seen him for "a day, a day and a half."
      He found a mysterious drug.
 
   Night
   -- Maddy gets some coffee at the RR.  James follows.
   -- Donna tells a story to Harold
   -- Cooper and Truman bust into OEJ.  There's a roll of plastic on theu
      stairs.
   -- Harold shows Donna some orchids
   -- Cooper runs into Nancy and gets Audrey
   -- Truman watches Jean kill Blackie.  Hawk saves Cooper and Truman.
      H: "Good thing you guys can't keep a secret."
   -- Hank is caught outside by Jean and is identified as DA Lodwick (billfold)
   -- Maddy and Donna are caught by Harold
 
[Episode 2006 - 11/3/90
 Written by Harley Peyton & Robert Engles
 Directed by Lesli Linka Glatter]
 
   Night (con't)
   -- James rescues Donna and Maddy.  Harold sprays his plants and grieves.
   -- Cooper brings Audrey to the Bookhouse
   -- Maddy leaves Donna and James, who share a moment
   -- Truman recognizes Jean in a book of criminals and points him out to
      Cooper, who begins to feel remorse for getting Audrey messed up in his
      problems
   -- Cooper gives back the money to Ben and tells him what happened.  Ben hugs
      him, then the briefcase.
 
08 Mar (Wednesday)
 
   Morning
   -- Bobby brings Leo home.  He and Shelly get their first check - it's only
      $700, it was supposed to be $5000.  Leo groans.
   -- Donna tells Truman about the secret diary.  Gordon Cole arrives ("sounds
      real good, Sherrif, but I already ate"), with Albert's report: vicuna
      fibers were found outside Cooper's room, the OAM's chemicals were weird
      stuff, and the scraps of paper found near the train site were diary
      pages.  Hawk brings in the OAM. G: "There's the one-armer now!"
   -- Ben sees Audrey.  A: "I saw so much." "I'm aware of a lot of new things
      too, Daddy."
 
   1:50 pm (clock on wall)
   -- Nadine comes home
   -- Jonathan rapes Josie and gives her a one way ticket to Hong Kong.  She
      says she hasn't received her insurance money nor the money from Ben.
      She's waited five years for this.  The plane leaves at midnight.
   -- Maddy says goodbye to James at a dock.  She leaves tomorrow.
   -- Ben meets Josie at his office.  They drink to the fire.  She got Pete's
      signature and wants her money.  He threatens, she threatens.  He gives
      her the check from Tojamura, she gives him the contract.
   -- Bobby and Shelly party around Leo.  They make out in front of him, Leo
      moves.
   -- Cooper meets Gordon.  Albert thinks Cooper is in over his head.  Gordon's
      worried over Pittsburgh.  Cooper gets an unmarked letter with an opening
      chess move (P to K-4) from Windom Earle.
   -- Leland meets with Ben and proves himself, while pocketing fur off of a
      stuffed dog.  Jerry's on his way to Tokyo.
 
   Night
   -- Truman arrives as Josie's leaving.  He is introduced to Jonathan as "Mr.
      Lee," Josie's assistant.  He tells her he loves her, she hesitates, then
      leaves.
   -- Ben meets with Tojamura.  Leland sings.  Pete chats with Tojamura:
      Pete: The King and I!  [to Tojamura] Do you like musicals?
      Tojamura: No.
      Pete: Not even Fiddler on the Roof?  Made me weep like a little baby.
      Tojamura: I find adherence to fantasy troubling and unreasonable.
   -- Cooper questions Mike:
      M:  There is no need...for medicine.  I am not in pain.
      C:  Who are you?
      M:  My name is Mike.
      C:  What are you?
      M:  I am...an inhabiting spirit.
      C:  Who is Phillip Gerard?
      M:  He is host to me.
      C:  You spoke to me in my dream...about BOB.
      M:  Mmm.  He...was...my familiar.
      C:  Where does BOB come from?
      M:  That...cannot be revealed.
      C:  What does BOB want?
      M:  He is BOB...eager for fun.  He wears a smile... Everybody run!
          Do you understand the parasite? It attaches itself to a life form and
          feeds.  Eh.  BOB requires a human host.  He feeds on fear...and the
          pleasures.  They are his children.  I am similar to BOB.  We once
          were partners.
      M and C in unison:
          Through the darkness of future past,
          The magician longs to see.
      M:  One...chants out, between two worlds,
          Fire...walk with me.
          Oh, but then...I saw the face of God...and was purified.  I took off
          the arm...but remained... close to this vessel, inhabiting from time
          to time, for ONE, SINGLE, PURPOSE.
      C:  To find BOB [produces sketch of Bob].
      M:  TO STOP HIM!  This [points to sketch] is his true face.  But few can
          see it.  The gifted...and the damned!
      C:  Is BOB near us now?
      M:  For nearly forty years.
      C:  Where?
      M:  Ah.  A large house, made of wood, surrounded by trees.  The house is
          filled with many rooms, each alike, but occupied by different souls,
          night after night.
      C:  The Great Northern Hotel!
 
09 Mar (Thursday)  [Episode 2007 - 11/10/90
                    Written by Mark Frost
                    Directed by David Lynch]
 
   Early morning
   -- Mike babbles, Gordon tells Truman about the diary pages.  Gordon is on
      his way to Bend Oregon, "hush hush" business.
 
   7:24 am (clock on wall)
   -- Andy shows guests to Mike, who says "no...no..."  Navy sailors bounce
      handballs.  Ben enters the room and Mike faints.
   -- Hawk discovers Harold's body
 
   9:05 am (clock on wall)
   -- Maddy tells Leland and Sarah she's leaving tommorow.  "I'll come
      galloping back often!"
   -- Cooper and Truman find the French note on Harold's body, "I'm a lonely
      soul."  Hawk finds the torn diary.
   -- Bobby and Shelly pay their bills and end up with $42.  She wants Bobby to
      take a necklace back.  Leo's truck's been impounded.  Leo screams and
      spits, "new shoes."  Leo had Shelly take in a pair of boots "last week."
   -- Audrey confronts Ben with what she knows.  He's owned OEJ for five years.
      Laura worked there a short time, Battis recruited her without his
      knowledge.  He slept with her.
 
   Day
   -- A tearful Shelly tells Norma she's quitting.  Nadine and Ed arrive.
      Norma's been working there "20 years this April."  Nadine crushes a
      glass.
   -- Bobby and Mike get back to Leo's with the boots and find a tape in the
      heel.
 
   2:47 pm (Cooper to Diane)
   -- Cooper pieces together the diary.  Audrey arrives and tells him what she
      found out about Ben.
 
   Night (full moon) (Albert puts Maddy's death bewteen 10 and 12 and
      Truman says they took Ben in after that, 2009)
   -- Ben gets a fax from Jerry - he's talked with the people in Osaka and
      it's thumbs up.  Hawk, Andy, Truman, and Cooper arrive to take Ben in
      for questioning.
   -- At the Palmer house, a record skips at the end, and Sarah (drugged)
      crawls down the stairs, "Leland."
   -- Ben is brought to the station.  The Log Lady tells Cooper, "We don't know
      what will happen or when, but there are owls in the Roadhouse."  She
      acknowledges that something is happening.
   -- Pete runs into Tojamura - it's Catherine
   -- Sarah sees a white horse and faints.  Leland's at the mirror.
   -- At the Roadhouse, Donna meets James and they discuss Harold.  The Log
      Lady arrives with Cooper and Truman.  The navy sailors are there also.
      Donna lip syncs.
   -- Cooper and the Log Lady see the giant, "It is happening again."
   -- Leland at the mirror, sees BOB.  Maddy smells something burning and is
      killed by Bob/Leland.  An 'O' is put underneath her fingernail.
   -- The waiter from the Great Northern tells Cooper, "I'm so sorry."  Bobby
      and Donna appear moved.  Cooper's thinking hard.

10 Mar (Friday)   [Episode 2008 - 11/17/90
   Written by Scott Frost
        Directed by Caleb Deschanel]

   Morning
   -- Leland plays indoor golf.  Donna and James drop by and miss their chance
      to say goodbyw to Maddy.  Leland says he dropped Maddy off at the bus
      station not 20 minutes ago.  Leland excuses himself and talks to Sarah.
      After Donna and James leave, Leland packs the club into his bag
      (Maddy's in there) and leaves.  His license plate says "The Timber
      State."
   -- Ben brushes his teeth in his cell when Jerry arrives back from Japan.
      Ben says he was with Catherine the night Laura died.  Ben and Jerry
      reminisce about Louise Dombrowski dancing with a flashlight.
   -- Lucy's back with her sister Gwen

   10:03 am (Cooper to Diane)
   -- Cooper and Truman come across Leland dancing with his golf club.
      Truman tells Leland Ben's been arrested.  Cooper asks him to get back
      to him if he remembers anything about Ben.
T: Everything OK?
C: I'm not sure.

   Late morning
   -- Doc Hayward takes a blood sample from Ben.  Jerry defends, and Cooper
      and Truman question him.
   -- Bobby makes a copy of Leo's tape and writes a letter for Ben
   -- Norma's mom Vivien arrives with her new husband Ernie, a financial
      anaylist.  He says he's through with gambling, but leaves a paper on
      the counter and Norma sees "$1000 Houston by 3 points" written on it.
   -- The OAM ("he's close...") bumps the deputy and escapes from his room
   -- Hank returns to the RR and smooth talks Norma
   -- Truman and Pete look through a pair of binoculars at a pileated
      woodpecker.  They trade stories about Josie and get funny feelings.
      Truman leaves with Cooper.  The OAM is missing.
   -- Andy sees Lucy with Gwen's baby and faints

   1:40 pm (?) (Ben's watch)
   -- Pete delivers a voice message to Ben from Catherine.  She'll testify
      for the mill.  Ben throws a tantrum.
   -- Leland sings "Surry With a Fringe on Top" while driving.  Cooper's
      whistling the same tune in a different key.  They nearly collide.
      Truman pulls Leland over and they chat.  Leland mentions Ben made a
      phone call at 10 pm the night Laura died and mentioned a "derry"
      or diary.  Leland offers to show Cooper his new clubs and appears
      to almost whack Cooper with one when Truman calls him away - they
      found the OAM, near the waterfall.

   Afternoon
   -- Hawk brings in the OAM to the station.  Lucy attends to Andy while
      while Gwen gabs.  Andy tells Lucy about his sperm.
   -- The OAM examines Ben.  Truman charges Ben with the murder of Laura.
      The OAM is taken to back to the hotel.  Cooper tells Truman he doesn't
      think Ben didi it.

   8:30 pm (Vivien to Hank)
   -- Norma, Hank, Ernie and Vivien have dinner together, Hank's got a
      new domino - double 4.  When the ladies are in the powder room, Hank
      and Ernie talk.  They were prison buddies.  Ernie Niles, "The
      Professor," got out 6 months ago.  He met Vivien at a Republican
      fund raiser.  He says he doesn't gamble anymore.

   11:05 pm (clock on table)
   -- Audrey visits Cooper.  Cooper gets a call.
   -- Cooper and Truman identify Maddy's body

11 Mar (Saturday)   [Episode 2009 - 12/1/90
     Written by Mark Frost, Harley Peyton and Robert Engles
     Directed by Tim Hunter]

   Morning
   -- Albert reports: letter O under Maddy's fingernail, fur in her hand
      from a dead, stuffed fox.  Cooper asks for 24 hours to finish it.
      Albert:Cooper... an observation.  I don't know where this is headed,
        but the only one of us with the coordinates for this destination in his
hardware is you.  Go on whatever vision quest you require.  Stand on
the rim of the volcano, stand alone and do your dance.  Just find
this beast before he takes another bite.
      Cooper:<Sigh>  God help me, I don't know where to start.
      Hawk:You're on the path.  You don't need to know where it leads.
        Just follow...
   -- James gives Donna a ring.  Donna mentions last night.
   -- Vivien doesn't like Norma's eggs.
   -- Andy's French surprises Donna
   -- Donna, Cooper, and Andy arrive at the Tremonds.  A younger Mrs. Tremond
      answers the door.  Her mother passed away 3 years ago and she has no
      children.  She has a letter addressed to Donna that was in her mail
      the morning after Harold died.  It's a page from Laura's diary:
February 22.  Last night I had the strangest dream. I was in a
red room with a small man, dressed in red, and an old man
sitting in a chair.  I tried to talk to him.  I wanted to tell
him who BOB is, because I thought he could help me.  But my
words came out slow and odd.  It was frustrating trying to talk.
I got up and walked to the old man.  Then I leaned over and
whispered the secret in his ear.
Somebody has to stop BOB.  BOB's only afraid of one man.  He
told me once.  A man named Mike.  I wonder if this was Mike in
my dream.  Even if it was only a dream, I hope he heard me.  No
one in the real world would believe me.
February 23.  Tonight is the night that I die.  I know I have
to because it's the only way to keep BOB away from me.  The
only way to tear him out from inside.  I know he wants me.  I
can feel his fire.  But if I die he can't hurt me anymore.
   -- Cooper questions the OAM who says, "you have all the clues you need."
   -- Cooper, standing in a hall at the Great Northern, thinking hard,
      sees the waiter.  "I know about you.  That milk'll cool down on you
      but it's getting warmer now."
   -- Cooper, Truman and Albert examine Ben's office.  Albert says Maddy
      was killed the night before last between 10 and 12.  He also has
      Ben's blood test results.

   12:43 pm (clock on wall)
   -- Andy calls Dick while Lucy watches - they need to talk
   -- Tojamura sees Ben.  He wants the contract signed or the money
      returned.  Ben signs it and Tojamura reveals his true identity.
   -- Leland comes home to Donna.  She's got a tape of her, Maddy and James
      singing for Maddy.  Leland recognizes Laura's shades on Donna and
      she mentions Laura's secret diary.  Leland gets a call from Beth -
      Maddy never made it home.  He chews gum, dances with Donna, and hugs
      her hard.  Truman's at the door for Leland.
   -- Donna tells James about Maddy.  He leaves her crying.

12 Mar (Sunday)

   3:00 am (clock on wall)
   -- At the Roadhouse, Ben eats nuts.  Cooper and Truman are at the bar.
      Truman brings Leland, Ed arrives and they clear the room.  Hawk brings
      Bobby and Leo.  Major Briggs brings the waiter, who gives Cooper a
      stick of gum.  Leland: "I know that gum.  That's my most favorite gum
      in the world."  Cooper remembers: Laura: "My father killed me."  The
      Giant gives Cooper his ring back.
   
   3:55 (clock on wall)
   -- Cooper and Truman trick Leland into a cell.  He freaks.
   -- At gunpoint, Leland is cuffed and read his rights.  Leland/BOB
      confesses to killing Laura and Maddy.  He mentions Pittsburgh and
      Cooper is noticeably shaken.

   Early morning
   -- Dick and Andy listen to Lucy.  Dick smokes.
   -- Cooper tells his story of how the answer was staring him in the
      face all this time - Leland's dancing, grey hair, Robertson, the
      letters, the secret diary.  Leland recites Mike's poem and BOB's
      response.  The sprinklers go off and Leland rams his head into the door.
      <Cooper, Albert, and Truman burst into the room. The sprinkler system
      has gone off and water is pouring over them all>
      Cooper: Call an ambulence! <Cooper kneels next to Leland and cradles
Leland's head in his lap.  For the rest of the scene he strokes
Leland's hair and face, comforting him.>
      Leland: Oh God!  Laura!  I killed her.  Oh my God, I killed my daughter.
I didn't know.  Forgive me.  Oh God.  I was just a boy.  I saw him
in my dream.  He said he wanted to play.  He opened me and I
invited him and he came inside me.  When he was inside, I
didn't know.  When he was gone, I couldn't remember.  He made me
do things.  Terrible things.  He said he wanted lives.  He wanted
others, others that they could use, like they used me.
      Cooper: Like Laura.
      Leland: They wanted her.  But she was strong.  She fought.  She wouldn't
let him in.  Oh God.  They had me kill that girl, Teresa.  And
they said if I didn't give them Laura, they'd have me kill
her, too.
      Cooper: But she wouldn't let them in.
      Leland: They said she'd die before she'd let them.  Then they made me
kill her.  Oh God, have mercy on me.  What have I done?  What
have I done?  Oh God.  I love her.  I love her with all my heart.
My angel, forgive me.
      <Cooper looks to Albert, who shakes his head -- apparently Leland
      isn't going to live>
      Cooper: Leland.  Leland, the time has come for you to seek the path.
Your soul has set you face to face with the clear light and
you are now about to experience it in its reality.  Wherein all
things are like the void and cloudless sky and the naked
spotless intellect is like a transparent vacuum, without
circumference or center.  Leland, in this moment, know yourself
and abide in that state.  Look to the light, Leland.  Find the
light. 
      Leland: I see it.
      Cooper: Into the light, Leland.  Into the light.
      Leland: I see... Her.  She's there.
      Cooper: Into the light, Leland.
      Leland: She's beautiful.
      Cooper: Into the light.
      Leland: Laura?
      Cooper: Don't be afraid.
      <Leland dies. Wordlessly Cooper pushes his own hair back and looks up.
      The sprinklers shut off>

   Day
   -- Cooper, Albert and Truman, meet Briggs and talk about BOB
   -- An owl flying by some wrecked cars

15 Mar (Wednesday)   [Episode 2010 - 12/8/90
      Written by Tricia Brook
      Directed by Tina Rathborne]

   Day
   -- Cooper explains to Sarah what happened the night Maddy died and
      Leland's final moments
   -- Leland's wake.  Dr. Jacoby's back from Hawaii. Dougie pulls his brother's
      (Mayor Dwayne Milford) ear.  Dougie owns the newspaper and is
      engaged to be married.  The Mayor first ran for that office in '62.
      Cooper to Truman: Harry, I'm really gonna miss this place.
   -- Dr. Jacoby and Ed ask to have 35 year old Nadine admitted to school
   -- Audrey sees Cooper, who tells his tale of Earle.  A: "Friendship is
      the foundation of any lasting relationship."

   12:35 pm (clock on wall)
   -- Bobby puts on Leo's clothes and goes to see Ben
   -- Catherine talks to Truman.  She says a guardian angel saved her and
      directed her to the summer cabin on Pearl Lakes.  There appears to
      be an owl-shaped smudge on her cheek.
   -- Dick talks to Lucy while she's replacing ceiling light bulbs.  She
      nearly falls but Dick's oblivious.  Andy offers to be friends.
   -- Cooper says goodbye to Truman, who gives him a green butt skunk hook
      and a Bookhouse Boy patch.  He says goodbye to Hawk, Andy and Lucy,
      when Roger Hardy arrives with a mountie and tells Cooper he has been
      suspended from the FBI.
   -- Audrey gets Bobby in to see Ben, but gets kicked out.  They go to
      get ice cream. B: Cup or cone? A: Mmmm...cone. I like to lick.
   -- Roger and the mountie question Cooper, who surrenders his gun and
      badge.  They only knew of two deaths, and Cooper didn't know about
      Battis.  Truman stands up for Cooper.
   -- Nadine Butler tries out for cheerleading

   6:20 pm (clock on wall)
   -- Shelly brushes Leo's teeth.  Bobby calls, Leo moves.

   Night
   -- Vivien reveals herself to Norma, who kicks her out
   -- Hank brings Ernie to Jean at OEJ.  Jean's assistant is the mountie -
      he'll put some of the stolen cocaine in Cooper's car
   -- Josie, injured, returns to Truman's place
   -- Cooper and Briggs around a campfire:
      COOPER: At the time I did what I thought was right.  I must now face
the consequences.
      BRIGGS: You can do no more.
      (Cooper and Major Briggs, roasting marshmallows over a campfire.)
      COOPER: You know, Major, I find myself thinking a lot about BOB.
If he truly exists.
      BRIGGS: Yeah, I've pondered that same question continuously since this
horror was revealed.
      COOPER:I try to imagine him out there, incarnate, looking for
another victim to inhabit.
      BRIGGS:There are powerful forces of evil in the world.  It is some
men's fate to face great darkness.  We each choose how to react.
If the choice is fear, then we become vulnerable to darkness.
There are ways to resist.  You, sir, were blessed with certain
gifts.  In this respect, you are not alone.  Have you ever heard
of the White Lodge?
      COOPER: The White Lodge.  No, I don't believe I have.
      (Briggs appears to ponder what he should say about this.)
      (Angle on the woods from the point of view of some unknown entity,
      moving through the woods.)
      COOPER:Major, I'm going to take a moment here.  I feel the call of
        nature.  There's nothing quite like urinating out in the open air.  I
look forward to hearing more about this White Lodge.
(Cooper moves off into the woods. Major Briggs laughs, gives
the departing Cooper a "thumb's-up".)
When I return.  From my journey.
      (Lingering on Briggs, who looks off in the direction of Cooper's
      exit with a speculative expression.  An owl hoots.  Major Briggs looks
      up, alarmed.)
      (Cooper urinating in the woods.  An owl hoots in the tree above him.
      Cooper watches the owl.  Suddenly a brilliant white light appears
      behind him.  Cooper turns toward the light.)
      (Angle on Briggs, bathed in blinding white light.)
      BRIGGS:COOPER!  COOPER!
      (A robed figure appears in the light, backlit.  No features are visible.)
      (Cooper dashes through the woods to the camp site.  The Major is gone.)
      COOPER: Major Briggs?  MAJOR?
      (Cooper looks at the light.  It seems to be receding into the woods.
      Cooper runs toward it.  He reaches the top of a small hill and freezes,
      looking into the light.  The light blinks out.)

16 Mar (Thursday)   [Episode 2011 - 12/15/90
     Written by Barry Pullman
     Directed by Duwayne Dunham]

   Morning
   -- James cycles
   -- Mrs. Briggs talks to Cooper and Truman about her husband's disappearence.
      Being "in the woods is very significant," he "talks about them
      constantly." He left some notes by his bedside table so she'll call back
      later.
   -- Andy and Hawk found a present for Mr. & Mrs. Milford
   -- Gordon calls from Bend (a temp patches him through - Lucy's helping
      with the wedding).  Dennis Bryson from the DEA will be arriving.
   -- Cooper presents no defense to Roger
   -- Nadine asks Donna about Mike
   -- James cycles to Wallies and meets Evelyn Marsh

   12:18 pm (clock on wall)
   -- Andy leaves flowers for Lucy
   -- Dick brings Nicky, his charge from Happy Helping Hand, to the station.
      Andy offers him a malt.
   -- Cooper, Truman, and Hawk discuss the White Lodge:
      HAWK: Cooper, you may be fearless in this world, but there are other
worlds.
      COOPER: Tell me more.
      HAWK: My people believe that the White Lodge is a place where the
spirits that rule man and nature here reside.
      TRUMAN: Local legend.  Goes way back.
      HAWK: There is also a legend of a place called the Black Lodge...
the shadow-self of the White Lodge.  The legend says that
every spirit must pass through there on the way to perfection.
There, you will meet your own shadow-self.  My people call
it "The Dweller on the Threshhold." 
      COOPER: "The Dweller on the Threshhold..."
      HAWK: But it is said, if you confront the Black Lodge with imperfect
courage, it will utterly annihilate your soul.
   -- Dennis arrives. He and Cooper worked together in Oakland.  An RCMP
      officer says he stole drugs.
   -- Nadine leg presses 600 lbs.
   -- Josie tells Truman about Eckhardt. He took her off the streets in Hong
      Kong at 16 and taught her about life and business. She was afraid for her
      life when she met Andrew, a business partner. She says she believes
      Eckhardt is responsible for Andrew's death. She escaped from the airport
      at Seattle.
   -- Roger has pie at the RR (story on Leland in his paper)
   -- Hank and Ernie return.  When Norma asks Ernie if he caught anything, he
      spins a tale she doesn't buy.  Vivien's returned to Seattle.
   -- Nicky blows whip cream in Dick's face and spins Andy's seat
   -- James looks at Evelyn's '48 Jaguar.  Her husband, Jeffrey, travels
      extensively.  She'll provide room and board while he works on the car.
   -- Ben watches old footage of the groundbreaking ceremony for the Great
      Northern.  Hank arrives: "Ben, I have had an absolutely killer schedule."
      Ben wants to rearrange furniture.  Hank tells him OEJ has been taken
      over.  Ben makes shadow figures.
   -- Cooper gets an envelope from Windom Earle.  P to Q4.
      "Of course, you couldn't help but take note of my emphatically
      traditional opening.  I must say, your responding move was nothing
      if not reflective of your predilection for the tidy and fastidious.
      See how my response to you begins to lead us towards a classical
      confrontation?  But there's doubt in your mind: what are my true
      intentions?  How will you answer this time?  Hobgoblins, Dale...
      consistency...predictability, giving rise to patterns.  We both
      know only too well how these patterns leave you vulnerable to
      attack.  You with your wounds, I with mine, let me paint you a
      picture: my knights will skirmish, lanes of power and influence
      will open through my bishops and rooks, pawns will naturally
      be forfeit.  I'm even prepared to sacrifice my queen because,
      I assure you, dear Dale, my goal will be attained at any cost;
      the king must die!"
   -- The Milford wedding.  Dwayne objects.
   -- Denise tells Cooper s/he found cocaine in Cooper's car and explains
      what happened.
   -- Cooper dances with Audrey, Andy with Denise
   -- Josie tells Catherine Thomas Echhardt killed Andrew and she should be
      careful.  Catherine employs Josie as her maid.  Andrew's alive:
      "Everything's going exactly as we planned."  He and Catherine will be
      waiting for Eckhardt.

17 Mar (Friday)   [Episode 2012 - 1/12/90
                   Written by Harley Peyton and Robert Engles
   Directed by Caleb Deschanel]

   Morning
   -- Bobby tries again to blackmail Ben, who's acting too weird for it to
      take.  B: "You know what you have to have in this life? Balance,
      distance, symmetry."  He's stacked his furniture.  Eventually he hires
      Bobby to spy on Hank.  Lana runs by screaming.
   -- Cooper is discussing houses with a real estate agent (Irene).  A coin
      flip leads him to like Dead Dog Farm, an estate with a mysterious past
      where no one stays for long.
   -- Andy, Dick and Lucy visit with Nickie's case worker.  Nickie is an orphan
      who has been through many foster homes, and is the victim of "persistent
      random misfortune." Truman breaks up the meeting calling Andy to an
      emergency at the Great Northern.
   -- Truman, Doc Hayward and Andy investigate Dougie Milford, dead in his
      hotel bed.  Dwayne comes in and grieves, accusing the wife of murder by
      sex.  Andy doesn't cry.  "My Secret Life" by Chris Gerrity is found
      on the bed. 
   -- In the hallway, Hawk is talking/flirting with the widow.  H: "When
      something really big goes down, I'm the man."

   10:10 am (clock on wall)
   -- Nadine has joined the wrestling team and takes district champion Mike in
      one fall while asking him out
   -- Mike complains to Donna about Nadine.  D: "I'm not that good of an
      actress."
   -- James meets Malcolm Sloan - Evelyn Marsh's brother, Jeffrey Marsh's
      driver.  He says Marsh abuses Evelyn.  Once a fortnight she breaks one
      of his things.  M: "I'm sorry.  Am I being obscure?"
   -- At Dead Dog Farm, Cooper notices some tire tracks: "A Jeep, a four-
      wheeler and a luxury sedan."  In the house he deduces a meeting took
      place in the past few hours.  He finds baby laxative and cocaine dust.
   -- Dick fixes a flat (reading the instructions) while Nicky is being
      irritating.  While Nicky is away from the car, it falls off the jack.
      Nicky panics and runs to hug Dick (who is unhurt).

   Day
   -- Cooper comes to tell Truman about Dead Dog Farm, but instead visits
      with Air Force Colonel Riley investigating Major Briggs.  Briggs is a
      great pilot and his disappearance makes the cold war look like the
      sniffles.  "The owls are not what they seem" was broadcast from
      the woods, not deep space -- maybe from the White Lodge ("That's
      classified").  Cooper mentions seeing an owl before Briggs disappeared.
   -- James and Evelyn flirt and kiss.  James encourages her to leave her
      husband but she refuses.  When Jeffrey comes home she runs to greet him.
   -- Bobby, returning to Ben's office with photos, sees Audrey who flirts
      with him but doesn't kiss him.  Audrey goes to her secret listening
      place.
   -- Ben, who is working on a civil war model ("Gettysburg, day 1"), accepts
      the photos from Bobby and gives him a raise.  Audrey eavesdrops.
   -- Pete and Catherine enjoy a romantic meal, served by Josie in a maid
      outfit.  Pete is bothered by Catherine's treatment of Josie, but is
      having too much fun to make an issue of it.
   -- Cooper brings Diane up to date:
      "Diane, I'm holding in my hand a nationally distributed newspaper.  My
      opening move [P to Q4] responding to Windom Earle's opening move was
      printed in the personal column as per my instructions, but I have
      already received his response to this yesterday.  He anticipated my
      response to his opening move perfectly.  He's toying with me, Diane.
      I wonder where he is and what he's planning."
      Audrey knocks and offers Cooper Bobby's photos she has just stolen from
      her father's office.  Cooper identifies them as Hank, Ernie, Jean Renault
      and the mountie, meeting at Dead Dog Farm.  Denise comes in, and Audrey
      kisses Cooper on her way out.  Cooper briefs Denise.
      D: I may be wearing a dress but I still pull my panties on one leg at a
         time, if you know what I mean.
      Cooper: Not really...

   Night
   -- At the RR, Ed looks depressed, prompting Norma to suggest they can still
      be friends and to take his hand, all this secretly witnessed by Hank,
      sporting a 3:4 domino.
   -- Dick tells Andy he thinks Nicky is the devil
   -- In Truman's office, Dwayne continues to accuse Lana of murder.  Doc says
      it was a natural heart attack.
   -- In the hallway, all the men watch Lana being escorted to a room.  They
      begin collectively reciting Shakespeare.
   -- Lucy tries to call the sheriff to the phone, but gets no response.  She
      eventually finds all the men literally spellbound by Lana telling
      stories.
   -- Denise visits Ernie at the RR.  At the Great Northern, Cooper and Denise
      interrogate Ernie.  They apparently want to let him off, using him to
      catch the big guys.  Denise will pose as a buyer from Seattle and Ernie
      will arrange for a deal between Renault and Denise.
   -- James hears Evelyn and Jeffrey fighting.  Malcolm tells James the first
      beating was four years ago.  He swears to kill Jeffrey.
   -- Bobby goes home to find his mother sitting in the dark grieving over the
      Major's disappearance.  She flips on an owl lamp and Bobby tells his
      mother about the Major's vision.  Suddenly the lights go out and the
      major materializes in the house, wearing a vintage pilot's outfit
      (leather jacket and goggles) and asking how long he's been gone.
      Betty: Is everything all right?
      Garland: No, dear...not exactly.


18 Mar (Saturday)  [Episode 2013 - 1/19/90
                    Written by Harley Peyton
    Directed by Todd Holland]

   Morning
   -- Fade up on night time sky/field of stars.  Camera pans
      slowly to right.
 VOICE: (whispers) Cooperrr...                                 
      In the background, a chittering noise is heard.  A yellow
      symbol consisting of three equilateral triangles overlapping
      slightly at their apexes (like the international radiation
      symbol) appears spinning in the center of the screen and
      rapidly moves towards the camera with a screaming noise.
      When it hits the camera, the screen erupts with flames.
 BRIGGS (V.O.): I remember stepping from the flames.  A
   vague shape in the dark.  Then nothing.
      Slow fade from flames to Major Garland Briggs.  He is
      seated on a throne of stone in the middle of a jungle.
      The camera moves slowly towards him.
 BRIGGS: 'Til I found myself standing by the cold
   remains of our campfire.  Two days later.
 HAYWARD (Distorted V.O.): Major, there are some new techniques
   that might help us break through your amnesia.
 BRIGGS: Well, my memories are immune from regression.
   I can feel them...
      A wolf begins to growl in the background.
 BRIGGS: ...they're palpable, the smells, the sensation.
   Everything is known to me, yet somehow beyond my reach.
 COOPER (distorted V.O.): Do you remember anything else?
 BRIGGS: Very little, save for one disturbing image
   of a giant owl, pervasive.
      The wolf continues to growl.
 COOPER (distorted V.O.): A giant owl?
      With a flash of light, we cut to a brief negative image of an owl flying,
      then to a close shot of the back of the Major's neck, where there is a
      small red scar identical to the 3-triangle symbol seen before.  Cut
      to Briggs face.  The flash is revealed to be from an Instamatic
      camera that Doc Hayward used to take a picture of the scar.  
      The camera slowly pulls back from Briggs.  The scene is the
      Sheriff's Station Conference Room, the time is apparently morning.
      Major Briggs, Agent Cooper, Doc Hayward and Sheriff Truman
      are present.
 COOPER: A giant owl?  How big?
 BRIGGS: (fidgeting with his fingers) Enough to cloud my mind and
           memory.
 HAYWARD: (handing the instant picture he has just taken to Cooper)
   Three triangular scars behind the right ear, in perfect proportion.
 TRUMAN: Major Briggs...what exactly does your work involve?
 BRIGGS: That information...as I've repeated endlessly
   to myself...classified.  Though the keeping of
   secrets ... seems less meaningful to me now.
   (Pause.  The Major is nervous and shaken.)
   Perhaps there are sources of information that are
   so important as to transcend the human need
   to conspire.  Information of such weight that
   pertains not ... (Garland pauses.  He begins to
   lose control of his emotions.)  Oh, God!  Is
   this meant for the soul?!  My soul?
 COOPER: Major--perhaps you'd better start back at the beginning.
 BRIGGS: Are you familiar with...Project Bluebook?
 COOPER: Yes sir, I am.  The Air Force investigation into
   the phenomenon of Unidentified Flying Objects.
 BRIGGS: Officially disbanded in 1969.  But, there are those
   of us who ... continue in an _unofficial_ capacity.
   Examining the heavens as before...in the case of 
   Twin Peaks, the earth below.
      Cooper and Truman look at each other.
 BRIGGS: We are searching for a place called the White Lodge.
      Briggs stops talking as the door opens and two M.P.s step in.
 M.P. #1: Major Briggs?
 BRIGGS: I've been expecting you.
 TRUMAN: Now hold on just a minute, fellas.
 M.P. #1: Colonel Riley's orders.
 TRUMAN: I don't care what orders you got, this is my
   station and Major Briggs happens to be a friend of mine.
 BRIGGS: Harry (Briggs rises).   I'm afraid we will have to continue
   this discussion at a later date.
 TRUMAN: Are you sure you wanna to go with them?
 BRIGGS: (Nods) Yeah. (to Cooper) Goodbye.
 M.P. #1: Major.                               
      A sprinkler drips onto the photo Cooper is holding {we hear the
      "hand shakes" sound from 2020}.
   -- Denise and Cooper have Ernie call Jean for the setup
   -- Dick tells Andy Nicky's records were sealed and returned to the
      orphanage
   -- Cooper asks Lucy if she's seen anything from Earle in the newspapers
   -- At the RR, Ed tells Norma, "We need to talk"
   -- Shelly's fed up with taking care of Leo and slaps Bobby who's going
      out again, as Invitation to Love plays on the TV.  Leo's eye twitches.
   -- Ed gets a call from James who wants all his money ($12) sent to him
      at Wallies
   -- Evelyn asks James about his girls and for his help

   9:25 am (clock on wall)
   -- Mike tries to fight off Nadine at the RR
   -- Hank asks Norma where's she's going
   -- Josie answers the door to Truman who can't keep his hands off her
   -- Audrey visits Ben's battlefield and calls Jerry
   -- Ed answers the door to Norma
   -- Hawk prepares Ernie with a bug:
      (Hawk is attaching a "wire" to Ernie with adhesive tape)
      E: Ouch!  Will you mind the chest hair, will ya?
      H: You're sweatin' like a pig, Mr. Niles!
      E: Oh, thanks a lot!  That's nervous perspiration, man, hyperhydrosis.
 It's a childhood condition--and I didn't notice it 'til the war.  
 Korea, remember that?  Do ya?  I was leading a batallion up towards
 the 49th parallel.  We were just a bunch of fresh-faced kids.
         I didn't know what kinda hell we were steppin' into.
      C: Ernie!  Ernie, I want you to focus on the here and now.  Repeat your
 instructions to me, step by step.
      E: Okay.  Uh...I take...Denise...up to Dead Dog Farm.  I introduce her to
 Renault.
      C: Right.
      E: I, uh...take Renault through the buy...complete the transaction, and
         get the hell out of there, huh?
      C: Good.  Harry--that's when you come in. (Truman nods)  By golly...I
         sure wish I could join you fellas.  But I've temporarily lost my
 enforcement franchise.
      E: Heh, I bet.
      T: Well...I've been givin' that some thought. (tosses badge to Cooper)
 Consider yourself deputized.  The bureau's loss is my gain.
      (Cooper looks at the badge--it's number 13.)
      C: (happily)  I hope I can live up to this.
      H: (finishes wiring Ernie)  He's done.  You might want to towel him off
 before we go! (wipes his hands, exits)
      E: Ah, come on!  (to Cooper and Truman)  Uh...how long will it, uh...
 take you guys to storm the farmhouse after, uh, I complete the buy?
      C: (pinning on his badge)  You go out, we come in.
      E: Can I, can I ask you a question?
      T: What, Ernie?
      E: Don't make me do this!  This isn't my line of work!  I'm a coward!  I
 don't do this kind of thing, I'm a CPA!
      T: Ernie.
      C: Ernie.
      E: (laughs nervously) Just a momentary lapse.  I'm okay, I'm...I'm cool. 
 Let's go do it, huh?
      C: Where's Denise?
      T: Haven't seen her.
      (Door opens.  Dennis enters dressed as a man, hair pulled back into a
       ponytail)
      D: (proudly)  You can call me Dennis!  Oh, I don't know, somehow it
 seemed...more appropriate.  (Cooper beams, absolutely delighted)
 Whadda you think?
      (Truman whistles appreciatively)   
   -- Andy and Dick at the Dorritt Home for Boys
      D: Our investigation must proceed "sub rosa."  We may have to pick the
 lock.  Tricky business, that.  (Andy opens the unlocked door)  Voila!
 We enter!
      A: Where is everybody?
      D: Lunch!  Here we are, the case files.  N...N...N...(turns to another
 set of files) N!  Nales...Nester...Netherby...Needleman, Nicholas.
 Needleman, our little Nicky!
      A: We can read it in the car!
      D: Oh, patience, Andrew.
      A: (increasingly nervous) Dick!
      D: Sh!  The usual background information...mmm...birthplace...initial
 adoption...  mm-hmm!  First of several, it seems.
      A: Dick!
      D: (oblivious to Andy)  Ah, the plot thickens.  Where are thy secrets,
 little Nicky?
      (The Brewsters appear at the door, wave eagerly.  Andy sees them.)
      A: Dick!
      (The Brewsters enter.  Dick jumps up, startled, and clumsily hides
      Nicky's file in his trenchcoat.)
      B: Hi!
      (Andy, petrified, crosses and stands beside Dick.)
      B: We're the Brewsters.  (laughs)  I know we're a little early.  It's
 just that we're so darn eager to see him.  Can we see him?  Where's
 Donny?
      D: D--Uh, little Donny is...uh, dead.  (The Brewsters look horrified.) 
 Eh!  Dead tired, I mean.  I'm afraid little Donny, he isn't feeling up
 to snuff.
      B: Well, he was in perfect health only yesterday.
      (Dick is stumped.)
      A: Dick!
      D: Just a minute...*Woody*.  Let me finish helping these good people.
 Now--where were we?
  
   Afternoon
   -- Ed answers the door to Donna who's looking for James.  She'll deliver
      the money.
   -- Norma leaves and Nadine rescues Ed from Hank
   -- Bobby sees Ben, then Audrey.  A: I think Daddy needs an injection.
   -- Catherine visits Ben
   -- James shows Evelyn the fixed car who seduces him as Malcolm watches
   -- At Dead Dog Farm, Ernie's shirt smokes, blowing the cover.  Hawk calls
      for backup as Cooper exchanges himself for Ernie and Dennis.

   Evening (1/4 moon)
   -- Evelyn leaves James in bed to go at it with Malcolm
   -- Jean, the mountie, and Cooper in the center room:
      C:  Is my death so important to you?
      R:  My two brothers die...I hold you responsible.
      C:  Why?
      R:  Well...before you came here...Twin Peak was a simple place.
  My brothers deal dope to the teenagers and the truckdrivers...
  oh...One Eyed Jack welcomed the businessman and the tourist...
  quiet people lived a quiet life.  Then--a pretty girl die,
  and you arrive...and everything change.  My brother Bernardo,
  shot, and left to die in the...the woods.  A grieving father
  smother my remaining brother with, ah...the pillow.
  Kidnaping...death...suddenly, ah, the quiet people...they're
  quiet no more.  Suddenly the...the simple dream, become the
  nightmare.  So.  If you die, maybe you will be the last to die.
  Maybe you brought, ah...the nightmare...with you.  And maybe...
  the nightmare will *die* with you.
   -- Dennis in a RR uniform, delivers food.  Cooper shoots Jean with a 
      gun hidden in Dennis' panty hose and Dennis kicks the mountie's ass.
   -- Shelly wakes to intermittent power to find Leo
   -- Power's off at the station.  Lucy says there were two fires and an
      explosion.  Cooper finds a dead person pointing to a chessboard:
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  |     | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  |     | WP  | WP  |     | WP  | WP  |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w| ?  b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BQ  | BP  |     |
      |    b|    w|    b|    w|    b|    w| ?  b| ?  w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     | BP  |     | BP  | BP  |     |     |     |
      |    w|    b|    w|    b|    w| ?  b| ?  w| ?  b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  |     | BK  |     | BB  |     |     |
      |    b|    w|    b|    w| ?  b| ?  w| ?  b| ?  w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      b = black square  w = white square
      B = black piece   W = white piece
      K= king  Q = queen  B = bishop  N = knight  R = rook  P = pawn
      ? denotes square not visible or partially obscured

[Episode 2014 - 2/2/91
 Written by Scott Frost
 Directed by Uli Edel]

Saturday evening (continued)
   -- Truman, Cooper, and Doc Hayward investigate the dead body - there's a
      black pawn in the mouth.  Cooper says it's a vagrant, and makes several
      predictions borne out by investigation (type of wound, an abandoned
      car ...).
   -- Audrey plots with Bobby to save the Horne empire.  AUDREY:  From now on,
      Bobby, it's me you suck up to.
   -- Leo stalks Shelly with an axe, as an owl watches.  LEO:  Bad girl.
      Bobby returns home and after a struggle, Shelly stabs Leo in the leg who
      runs away into the woods.

19 Mar (Sunday)

   Day
   -- Cooper's been cleared, but the suspension remains.  Truman offers the
      vagrant murder case to deputy Cooper.  Hawk reports Hank is in the
      hospital - he missed the drug deal because he was "hit by a bus."
      Shelly called to report Leo's awakening.
   -- Andy tells Lucy about his and Dick's theory of Nicky killing his parents
      at the age of 6
   -- James meets Jeffrey, who gets in the car and drives off.  Evelyn
      puts the moves on James.  JAMES:  IT'S WRONG!!!
   -- At the RR, Ed and Doc Hayward discuss Nadine's dating and sex life.
      Donna took the van to look for James who's "out a couple of hours west."
   -- Ed tells Norma about the Nadine/Hank fight.  Norma says Truman will
      arrest Hank for parole violation.  Ed and Norma plan a romantic weekend.
      NORMA:  People will find out.  ED: Let 'em.
   -- James prepares to leave
   -- Cooper talks with Truman:
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  | WN  | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BN  |     |     |    Captured:
      |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
      +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
      | BP  | BP  | BP  |     | BP  | BP  | BP  | BP  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      T: So how does chess figure into all this?
      C: Because Windom Earle and I played a game every day for three years.
 He felt that all of life could be found in the patterns and conflicts
 on the board.  (pauses)  Because I never beat him.  (pauses)  Now it's
 my turn.  I'll publish my response in the Twin Peaks Gazette.  I don't
 know what else to do.
      T: Coop, you're gonna have to give me some more information here.
      C: Harry, I've brought some baggage to town I haven't told you about.
 (sits) Windom Earle was my first partner.  Everything I know about the
 law and the bureau, I owe to him.  Four years ago, we drew the
 assignment of protecting a material witness in a federal crime.  She
 was, uh...very beautiful...very gentle woman.  Her name was Caroline.
 She and I fell in love.  One night, I...failed in my vigilance.  An
 attack was made; I wasn't ready.  I was wounded and I lost
 consciousness.  (swallows hard)  When I came to, she was in my arms,
 she...she was dead, she'd been stabbed.
      T: The wounds on the vagrant.
      C: Identical.  The killer was never found.  My wound healed; Windom Earle
 went mad.  Institutionalized until his recent escape.
      T: So why is he after you?
      C: Harry--Caroline was Windom Earle's wife.
      (Truman has been sitting on the edge of his desk.  Now, he sits in his
      chair, taken aback.)
      T: So...he blames you for her death.
      C: (shakes his head, leans forward)  It's much worse than that.  I think
 he killed her.  And I think he committed the crime that she originally
 witnessed.  Harry-- Windom Earle's mind is like a diamond!  It's cold,
 and hard, and brilliant.  I think he feigned the insanity that sent
 him away, but at some point he lost the ability to distinguish between
 what's right and what's wrong.  You don't know what he's capable of,
 Harry...you don't know!
   -- Donna shows up at Wallies looking for James but finds Evelyn instead.
      Evelyn said he had done some work for her and then headed off to Mexico.
   -- Audrey ushers Jerry into Ben's office.  BEN: "Jeb!"  Dr. Jacoby is there.
      He says Ben's reversal of the South's fortunes is a healthy way for Ben
      to recover from his own defeat.
   -- Briggs staggers into the sheriff's office and collapses.  Lucy checks her
      lip stick.
   -- Briggs, Truman and Cooper at the station:
      (Briggs, Cooper, and Truman are all sucking down huge glasses of water.
       Lucy is standing nearby with a pitcher of water.)
      L: More?
      C: I'm fine.
      T: Fine, Lucy.
      B: Fine.
      (Lucy exits.)
      T: Major--what happened?
      B: Well, as men who have dedicated their lives to service, I know that
 you're able to understand how sacred I hold a pledge of allegiance.
 And the cost one must pay when breaking a pledge.
      C: It can be very great.
      B: Well, the Air Force, *I thought*, was not unlike other societies of
 men dedicated to the fight for the good.  (pauses, mops his brow)
 Gentlemen, frankly I'm worried.  When my superiors questioned me about
 my disappearance, they exhibited a degree of suspicion and intolerance
 bordering on the paranoic.  I must now admit that their motivation in
 the search for the White Lodge is not ideologically pure.  I believe
 that during my disappearance I was taken to the White Lodge.  I can 
 remember, virtually nothing.  But I have the clear, intuitive sense
 that there's...  much trouble ahead.
      C: Major?  What kind of trouble?
      B: I am unaware of the form it will take.  (pauses)  I will return.
 Until that time, I will be in the shadows if you need me.  Good day,
 gentlemen.
      C: Good day, Major.
      (the Major exits.)
      T: In the shadows.  Can you beat that?
      C: No...
   -- Jacoby, Lana, Cooper, Truman, Hawk at the station
      (Cooper and Truman enter the meeting room after Hawk.  Jacoby and Lana
       are waiting there.)
      J: Good.  I wanted all of you to hear this.  I've just spent almost the
 last twenty-four hours with this charming young lady, and as you can
 see, uh...  I have no bruises, no broken bones...any claims by her
 deceased husband's brother that she's cursed or somehow responsible
 for a death is nonsense.  Now what she does, in fact, possess is a
 heightened sexual drive.  And a working knowledge of technique,
 anatomy, and touch, that few men have ever had the pleasure of
 experiencing, or the skills to match.
      T: Is it *hot* in here?
      C: Yeah.
      H: Yep.
      C: Lana, let me be the first to congratulate you.
      L: Thank you!  Well--I could never have done it without Dr. Jacoby.
      J: Heh, heh, heh, heh, heh.  Okay.  Well then, we're gonna go bowling.
         See ya later, guys!
   -- Dwayne Milford is in the lobby with a shotgun, threatening to shoot Lana.
      Cooper suggests that the mayor and the widow go alone into the conference
      room to work it out.  Truman: Now what?  Cooper: We wait.
   -- The cops enter the conference room to find the widow and the mayor
      making wedding plans.
   -- Catherine reveals Andrew Packard to Pete.  P: "We forgot the weenies!"
      Catherine and Andrew knew of the attempt on Andrew's life so they staged
      it.  Eckhardt tried to kill him after he got the better of him in a
      business deal.  It was planned for 6 years.

   Dusk
   -- Eckhardt and Jones check into the Great Northern
   -- Truman shows Cooper a Seattle newspaper story -- Jonathan is dead.
      Truman suspects Josie and asks Cooper to investigate.  C: "If you
      say drink coffee, I'll drink coffee."
   -- Doc Hayward tells Dick and Andy about Nicky's past.  His mother was an
      immigrant, maid at the Great Northern.  She was impregnated during a
      rape, died in child birth.  Nicky was in an orphanage, then adopted. 
      His adopted parents were killed in a car crash.  Lucy is indignant that
      the men had suspected Nicky of wrong-doing.  She swats a fly.
      Dick and Andy break down and cry.
   -- It comes down at the Marsh place.  Evelyn says Jeffrey died in a car
      crash, the brake lines were cut.  JAMES: "You set me up!"  Evelyn says
      she loves James, and hopes he gets away.  Police arrive.  James is
      sneaking away.  Donna is there in the shadows, and they run away
      together.

   Night
   -- Leo walking through the woods.  Gratuitous owl shots.  There is a cabin
      with a light on.  Leo walks in and meets Windom Earle.

20 Mar (Monday)   [Episode 2015 - 2/9/21
           Written by Harley Peyton and Robert Engles
   Directed by Diane Keaton]

   Day
   -- Evelyn and Malcolm tell the cops about James
   -- At Wallies, the cops watch an opera, while James and Donna talk
      as the bartender persists in listening in.  Donna wants to talk to Ed,
      James wants to talk to Evelyn.
   -- Donna calls Ed
   -- Cooper and Truman question Shelly and Bobby, who says that Hank shot Leo
   -- Albert ("Get a life, punk!") tells Cooper about Earle's leavings at
      five different police departments in different cities, each an article of
      Caroline's clothing.
   -- Earle makes music as Leo awakens
   -- Ed and Norma discuss their future in bed when Nadine rips off the door
      and joins them in bed.  She says she knows about them, mentions Mike,
      and bends her 2nd place wrestling trophy.
   -- Cooper and Truman question Josie
   -- Pete returns with a load of dry cleaning.  Cooper takes a sample from
      a coat.
   -- Thomas calls Josie.  Catherine listens.
   -- Ben continues on in the war.  Johnny is present in his Indian headdress.
      Bobby trumpets.
   -- Evelyn and Donna trade words at Wallies until Malcolm comes for Evelyn
   -- Albert's report.  The dead Asian man was Johnathan Kumagi.  The fibers
      found outside Cooper's door and from Josie's coat are a perfect match.
      The dead vagrant's name was Eric Powell.  Powell was Caroline's maiden
      name.
   -- Pete beats Toad, Cooper and Doc Hayward in chess
   -- Shelly gets her job back and cleans the ice cream cone
   -- Truman tells Norma Hank is going back to jail

   Night (1/2 moon)
   -- Josie answers the door to Eckhardt, who dines with Catherine.  They
      debate over what to do with Josie.
   -- James confronts Evelyn, who's blowing smoke rings.  She confesses and
      seduces him.  Malcolm knocks him out.
   -- The North surrenders and Ben's back
   -- Earle prepares himself and tutors Leo in penmanship
   -- Donna stumbles into Evelyn and Malcolm scheming.  Fiasco results
      in Evelyn shooting Malcolm.
   -- Cooper looks at a picture of Caroline as Earle walks out of the elevator.
      Earle leaves a message for Audrey.
   -- Cooper finds a mask and a message from Earle in his bed.

21 Mar (Tuesday)   [Episode 2016 - 2/16/91
    Written by Tricia Brook
    Directed by Lesli Linka Glatter]

   Morning
   -- Cooper and Truman listen to Earle's tape.  They decide to call Pete
      for Cooper's next move.  Lucy: Paper and Pete, got it - I'll do it
      alphabetically!
   -- Pete answers Lucy's call then serves breakfast to Catherine and Andrew.
      Josie enters, sees Andrew and faints.
   -- Truman reads the paper, an article on the Asian man's death
   -- Hank (on crutches) and Hawk in Truman's office.  Truman accuses Hank of
      shooting Leo.  Hank says he was home with Norma then, and offers to deal
      info on Packard's death for freedom.  No deal.  Hawk kicks Hank's
      crutch out from under him.
   -- Albert's report reagrding the gun:
      A: This is the bullet we removed from you.  This is the one that was
         excavated from the dead man's skull.  Same bullets, same gun, same
 killer.  Let's go get her.
      C: Albert, hold your horses.
      A: Coop--I appreciate any reluctance you might have for busting your
 pal's old lady, but the woman ventilated you and left you for dead.
      C: (holds up his hand) Albert--I don't take it personally.  What about
 the gloves, the powder tests?
      A: News at five.  All right, fine, you're not mad, but there's an
 epidemic of multiple gunshot wounds following this chick around,
 she is a menace.
      C: (nods) I'll talk to her.  Maybe she'll confess, turn herself in.
      A: Maybe she'll grow wings and join the circus. (leaves)
   -- Audrey working as concierge at the Great Northern.  J.J. Wheeler walks
      in; he claims to have seen Audrey years ago playing Heidi.  Audrey has
      mail -- a note containing a torn piece of paper with writing, and a
      note inviting her to "save the one you love" by attending "a gathering
      of angels" at the Roadhouse that night.
   -- Ed replaces some figurines on a shelf when Nadine returns from school
      early. She confesses to Ed her love for Mike.  NADINE: "We have to
      call a spade a spade.  We're breaking up."
   -- Cooper pleads the truth from Josie.  Catherine listens in.  COOPER: "I
      don't know what place Harry occupies in your heart, but I do know that
      you own his."  Josie is unresponsive.  After Cooper leaves, Catherine
      badgers Josie while oozing slime.  Catherine says Josie will have to
      see Eckhardt alone that night.  JOSIE: "He'll kill me."  Catherine
      casually exposes a gun in the book case which Josie grabs and fondles.
   -- Bobby, Ben, Jerry, Audrey and John Justice Wheeler plot business.
      Ben reveals there is an endangered species on the mill/Ghostwood
      property: the pine weasel.
      B: I give you...the little pine weasel.  Found only in our tri-county
 area...  it is nearly extinct.
      J: (happily) They're incredible roasted.
      Ben will use this fact to stop development until he is in the driver's
      seat.  BEN: "And then, I'm considering a run for the Senate."

   1:16 (clock on wall)
   -- Earle the truck driver leaves the RR, leaving a note for Shelly. 
      Norma is on the phone with her sister, Annie, who lives at a
      convent.  Shelly reads the note, identical to Audrey's.
      Ed comes in and proposes to Norma.
   -- Leo whittles under Earle's instruction
   -- Norma visits Hank in jail, asks for a divorce.  Hank promises to reform
      and asks for an alibi regarding Leo.  Norma refuses, although Hank
      swears he'll die if he goes back to prison.  HANK: "You're his whore,
      Norma."  NORMA: "I'd rather be his whore than your wife."
   -- Pete selects a move that will give Earle "sleepless nights" and not
      allow him to capture any pieces for 5-6 moves.  It appears to be P to
      QN-3.  This is just about the only legal move in that corner of the
      board (to Cooper's right) that would prevent any immediate capture. 
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  | WN  | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BN  | BP  |     |    Captured:
      |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
      +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
      | BP  | BP  | BP  |     | BP  | BP  |     | BP  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
   5:00 pm (A to C: "News at five.")
   -- Albert says the powder on Josie's glove proves she shot Cooper.  There
      was a positive ID of her in Seattle.
   -- Andrew visits Josie putting on makeup in her room.  He says he loved her
      though she didn't love him and she should go to Eckhardt who can
      get her out of the country.

   Dusk
   -- James and Donna meet for a picnic in the mountains.  James is going to
      continue traveling around.  Donna will return to TP.  They will continue
      to love each other and meet again some day. Evelyn is going to stand
      trial and James will be a witness.

   Evening
   -- Truman comes to see Josie.  Catherine says she's gone to see Eckhardt.
   -- Eckhardt and Andrew meet in the elevator.  Andrew says he is alive
      because Josie betrayed Eckhardt.  Something about Josie in love with
      Truman.  ECKHARDT: "I have taken care of that [Truman]."
   -- Ben, Audrey and Jack at supper.  Jack is in business of saving troubled
      businesses with environmental problems.  Ben is called away;
      attraction/repulsion/defensiveness between Audrey and Jack ensues.

   9:30 pm
   -- Shelly, Audrey and Donna meet at the Roadhouse.  They put their three
      pieces of paper together. Earle watches from the bar.
      "See the mountains kiss high heaven
      And the waves clasp one another.
      No sister flower would be forgiven
      If it disdained its brother.
      And the sunlight clasps the earth,
      And the moonbeams kiss the sea.
      What is all this sweet work worth,
      If thou kiss not me?"
   -- Cooper practices fly fishing in his room.  Catherine calls to let him 
      know where Josie is.  He grabs his gun and goes to investigate.  He hears
      a shot and opens Eckhardt's door.  Eckhardt stands up and dies.
      Josie and Cooper point guns at each other.
      J: He tried to kill me.
      C: Is that what you'll say about me, Josie--that I tried to kill you?
 What about Jonathan?  Did he try to kill you, too?
      J: He...he was taking me back.
      C: Why did you shoot me, Josie?
      J: Because you came here.  I knew this day was going to come.  I'm not
 going to jail!  I can't!
      (Truman enters, gun drawn)
      H: Put it down, Josie.
      J: Ah!  Harry?!
      H: PUT IT DOWN!!
      J: Harry--forgive me.  I never meant to hurt you. (takes several sharp
  breaths, closes her eyes, hugs the gun to her chest, and collapses on
 the bed)
      H: (rushes to her, cradles her in his arms) Josie!  Josie?!  Josie!
         (looks up) She's dead.  
      (Truman and Josie on the bed disappear, spotlight appears.  BOB climbs
      onto the bed from the floor on the far side, laughing maniacally, until
      he is on his hands and knees on the bed)
      B: Coop!  What happened to Josie?! (continues to laugh)
      (BOB disappears, the little Man From Another Place appears, dances on
      the bed, and disappears.  Truman and Josie reappear as before.  Josie's
      face appears in the knob of the nightstand, crying out in torment)

22 Mar (Wednesday)   [Episode 2017  -  3/28/91
      Written by Barry Pullman
      Directed by James Foley]

[Cooper's Prologue: March 28th, Thursday night.  Diane, I want to bring you
up to speed on a few recent developments.  Nadine Hurley, 35 years old,
persists in the belief that she is a high school girl.  She has apparently
fallen in love with Mike Nelson, high school varsity star.  
   Word has it that Bobby Briggs is shacked up with Shelly the waitress.
Shelly's husband, Leo, has awakened from his coma and is somewhere in
the woods.
   Ben Horne has suddenly become an environmentalist, and enlisted the 
aid of trusted friend John Justice Wheeler to help him save the pine
weasel.
   As for me...I find myself suffused with a vague sense of contentment;
a premonition of happiness.  I hope I will be ready when it comes.  Mean-
while, there's Windom Earle, my former partner.  Windom continues to play
his deadly game of chess.  Deadly, Diane, because every time he removes 
a piece from the board, Earle takes a human life.  I have enlisted the
aid of chess champion Pete Martell, in hopes of formulating a stalemate
game.  In the meantime, I can only wait for Earle's next move.
   Major Briggs has returned from his disappearance in the woods, but
remembers nothing.  He cannot explain the mysterious tattoo on his neck.
   Diane, Josie Packard is dead, possibly from fear.  And while I am
absolutely certain that she tried to take my life, I feel both sadness
and even sympathy.  Sheriff Truman is suffering terribly as a result.
   When Josie died, I saw a vision, revealing BOB, and the midget from
my dream.  Windom Earle...BOB...the midget...is there a connection, Diane?
Do these events foretell BOB's return?  I hope not...for all our sakes.]

   Morning
   -- Truman thinks of Josie in a darkened room and Hawk comes in offering
      breakfast.  Truman refuses, finding solace in a bottle of Jack Daniels.

   11:18 am (clock on wall)
   -- Annie, Norma's sister, arrives and is to start working at the RR
   -- The Log Lady touches the Major's tattoo
   -- Hawk tells Cooper about Truman's condition.  Doc said he can't figure  
      Josie's cause of death.  Her body weight was 65 lbs.
   -- Windom talks to Leo about the country life, while Leo fetches things.
      Windom's got himself a laptop.  He gets the latest move from Cooper
      in the paper.  He doesn't like it.
   -- People from the Great Nothern & Horne's store set up for a benefit
      show to save the pine weasel.  Pinkle's to give a talk about the pine
      weasel.  John and Audrey ramble then plan a picnic.
   -- Cooper visits Truman and gives him the scoop on Josie.  She had multiple
      felons and two arrests for prostitution besides the shooting of Eckhardt,
      Jonathan, and Cooper himself.  Truman kicks him out. 
   -- Catherine looks at plans and is visted by Jones, Eckhardt's executive
      assistant.  She's got a gift for Catherine.
   -- Dr. Gerald Craig (Earle), a friend of Dr. Hayward's, comes by, talks with
      Donna and leaves a gift for Will
   -- Pete looks for a stalemate game but he informs Cooper that at
      least six men are lost by such a game.  Andy and Lucy argue over the
      knight's hook move.
   -- Cooper, the Log Lady, and Major Briggs compare notes. Margaret, at age 7,
      Major Briggs:        Margaret:               took a walk in the woods and
/\    /\            /\             /\      was told that she had
       /  \  /  \          /  \           /  \    disappeared for a day. She
      /____\/____\        /    \/\     /\/    \    got a tattoo on her leg. She
   /\            /        \   /        \   also heard an owl when her
  /  \          /__________\ /__________\  husband died. All three have
 /____\                                    heard that call as well as
   seen the light.

   Afternoon
   -- John sings to Audrey at their picnic
   -- WIll and Eileen return. Donna tells him about Dr. Craig.  She's informed
      that Dr. Craig was his roommate and also drowned years ago.  The gift
      contains a note: KN to KB3.  The phone number given to Donna by Dr. Craig
      was for a cemetary.
      [The board presently:
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WR  |     | WB  | WK  | WQ  | WB  | WN  | WR  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     | WN  |     |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     | WP  |     |     |     |     |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      |     |     |     |     |     | BN  | BP  |     |    Captured:
      |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
      +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
      | BP  | BP  | BP  |     | BP  | BP  |     | BP  |
      |    w|    b|    w|    b|    w|    b|    w|    b|
      +-----+-----+-----+-----+-----+-----+-----+-----+
      | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
      |    b|    w|    b|    w|    b|    w|    b|    w|
      +-----+-----+-----+-----+-----+-----+-----+-----+                        ]
   -- Ed and Nadine discuss their future with Jacoby
   -- Mrs. Hayward answers the door to Ben who kisses her on the cheek.
      Donna watches.

   6:05 pm (?) clock on wall
   -- Norma shows a flier to Shelly about the Miss Twin Peaks contest.  "Easy
      Rider" Earle says she'd be perfect for it.  Cooper meets Annie and gets a 
      good strong cup of coffee she made.  Windom in disguise watches Annie with
      Cooper, who notices Annie's scar.  Cooper looks puzzled after Earle
      leaves unnoticed.

   Dusk
   -- Hawk gets Cooper.  A drunken Truman wrecked all the furniture in the
      Bookhouse and Cooper calms him down.
   -- Mr. & Mrs. Inkman (Nadine and Mike) rent the honeymoon suite at the
      Great Northern.  A friend, Susan, recognizes Mike.  Nadine smashes the
      bell.
   -- Ben speaks for the Stop Ghostwood campaign.  Dick is host for the fashion
      show.  Lucy and Andy model bright plaid colors.
   -- Ben chats with Catherine at the bar, convinced he's a reformed person
   -- Pinkle speaks about the pine weasel and takes one of its cage.
      It becomes attracted to the studs and cheap cologne of Dick's,
      bites his nose and gets loose.  Chaos ensues.  Jack catches Audrey.
   -- Jones knocks out a Bookhouse guard and gets into sleeping Truman's bed

[Episode 2018  -  4/4/91
Written by Harley Peyton & Robert Engels
Directed by Duwayne Dunham]

Wednesday evening (continued)
   -- Jones puts some perfume on Truman's and her lips.  He sees Josie in his
      haze and she tries to strangle him.  They struggle and Truman triumphs.

23 Mar (Thursday)

   Morning
   -- Audrey delivers breakfast to John's room
   -- Truman tells Cooper that Jones won't speak to anyone but the South
      African consulate.  There's a bonsai delieverd this morning "from Josie."
      Gordon arrives as Earle listens via the bugged bonsai.  Earle was
      apparantly high on the same drug, Haliperidol, as the OAM, as well as
      involved with Project Bluebook.  Gordon reinstates Cooper and gives him
      a new Smith and Wesson 10 mm.
   -- Leo picks some cards from Earle: Queen of Clubs (Donna), Queen of
      Diamonds (Audrey), Queen of Spades (Shelly), King of Spades (Cooper).
      The Queen of Hearts (blank) will be Miss Twin Peaks.
   -- Donna, at the Great Northern, sees her mom with Ben.  Mike and Nadine
      check out.  Donna and Audrey chat and wonder about their parents.
   -- Eileen and Ben discuss some happenings 20 years ago.  She's got some
      old letters.  Donna and Audrey eavesdrop.  Eileen says stay away from
      her.
   -- At the RR, Gordon's cure for a hangover sends Truman running for the
      restrooms.  Gordon notices Shelly, likes what he sees and makes his
      move.  He can hear her perfectly.
   -- Cooper and Annie chat about a chickadee he saw out the window.  He tells
      /\her a joke about penguins, and she
    /    \mentions his sketch looks just
    \    /like the one at Owl Cave.
      \/
       /\    /  \     /\
     /    -<      >-     \
   /         \  /          \
 -------------/\--------------
    /    \
    \    /
      \/
   -- Donna reads a postcard from James at San Francisco.  Her father asks
      about James and she asks about her mom and Ben.  He seems like he's
      hiding something.  Flowers arrive anonymously for Eileen.
   -- Prof. Edward (Earle) Perkins runs into Audrey at the library.  He
      identifies her poem as Shelley.
   -- Shelly and Annie chat about Cooper
   -- Lucy, playing chess, chats with Andy as he climbs down a rope.  He's
      going spelunking.
   -- Pete just called in the next move:
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WR  |     | WB  | WK  | WQ  | WB  | WN  | WR  |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     | WN  |     |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     |     |     | BN  | BP  | BP  |    Captured:
       |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
       +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
       | BP  | BP  | BP  |     | BP  | BP  |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+      ]
      Cooper's in gear and ready to go.  Cooper mentions that Shelly took
      Gordon down to Doc's regarding his hearing.
   -- Johnny Horne shoots buffalo
   -- Ben thinks Audrey's the best man for the job and informs her that her
      plane to Seattle leaves in an hour.  John shows up to see this.  He and 
      Ben chat about how Ben can be good.  He mentions he's fallen in love with
      Audrey and they munch on carrots.

   Night
   -- At Owl Cave, Andy slips and falls.  Cooper, Truman, and Hawk are also
      there.  They see the symbol on the wall.  An owl flies around them.
      Andy swings at it with his pick and hits the symbol.  The middle
      diamond falls out revealing a pole with a petroglyph on the end.
      The owl flies away.

   9:05 pm (Cooper to Diane)
   -- Cooper, after making a quick message to Diane, runs into Annie at the
      Great Northern bar.
      Dale: Hello Annie.
      Annie: Hi.
      D: Can I get you something... oh,
      A: No, no, I have a rum and tonic.
      D: I see.
      A: One of the sisters used to put rum in her tea and I thought it was
 exotic, so...
      D: It's all new to you isn't it?
      A: I feel constantly amazed. Stunned. Music and people-- the way they
         talk and laugh and the way some of them are so clearly in love.  It's
         like a foreign language to me.  I know just enough of the words to
         realize how little I understand.
      D: Man, I'd love to see the world through your eyes.
      A: Why?
      D: Oh, there are some things I might do different if I had the chance.
      A: Me too.
      [Annie reaches for her drink-- Dale notices the suicide scar -- and 
      Annie notices him noticing.  She pulls back her hand to cover her wrist.]
      A: You see, the thing is I failed before and [pause] I'm just afraid it
 might happen again.
      D: You want to talk about it?
      A: Not yet.
      D: Maybe I can help.
      A: Can you?
      D: If you want me to. 
      A: I'm stubborn, extremely willful.
      D: I can handle that.
      A: Some people think I'm strange.
      D: I know the feeling.
      A: [laughs] I couldn't promise you that I would always make sense or do
 things that you'd expect me to do.
      D: Annie I don't expect anything.
      A: Then I accept your kind and generous offer.
      D: Good.  I'm glad.
   -- Earle explores Owl Cave:
      [Thw bright light of Windom's flashlight and then we see his figure in
      Owl Cave as he appears to be looking for something.
      He comes across the uncovered "petroglyph."]
      Windom: My, my, my. What have we ...  [while turning his flashlight to
        other parts of the cave] ...here?
 /\[Shot of the same petroglyph but upside
/  \ down on the ceiling from Windom's
       /    \ point of view.  This one is enclosed
      /      \ in a diamond.]
     /        \
    / /\    \
   /    /  \    \
  /    /    \    \
 /     \    /     \
 \  \  /\  /\  /  /
  \  \/ \/  \/  /
   \            / 
    \          /
     \        /
      \     /
       \    /
\  /
 \/
      W: Could it be?  [Looks back at the petroglyph on the wall.]  Yes.
 [Looks back at the ceiling.]  The symbol inverted. 
 [laughs a wheezing kind of little laugh]  Now.
      [Struggling a little, Windom grasps the stone shaft on the wall with his 
       right hand and rotates it counter-clockwise until the symbol on the wall
       is the same as the one on the ceiling.  Andy's axe stuck in the "fire" 
       symbol begins to move as a trembling sound begins.  The axe is now
       directly above the petroglyph on the wall.  The axe falls out 
       of the wall as the walls begin to shake more.  Windom is backing out
       of the cave with tiny laughs of satisfication.  Dust coming off of the
       wall fills the screen.]

24 Mar (Friday)   [Episode 2019 - 4/11/91
   Written by Mark Frost & Harley Peyton
   Directed by Johnathan Sanger]

   Morning
   -- Cooper, Andy, Hawk, and Truman are back at Owl Cave and find a new
      petroglyph.  The tracks they find are the same ones outside the
      powerstation.  Cooper deduces it was Earle.
      _______________________________________________________________________
      
      BLACK                              O        lollipops
      BLOB                               |  O  O
                                      ____  |  |  O  O
              O                           -----   |  |  O  O
              |                       /\       ______   |  |        \   |   /
            giant   o                /  \            ----__          \ _|_ /
              |   little            /PEAK\             /\  antlers____|SUN|____
              |    man             /      \           /  \            |___|
             / \   / \            /    @   \         /    \          /  |  \
                                 /        ~~~~~~~~  / PEAK \       /    |   \
                                         ~~~~LAKE~~/        \
                          flame  4  =falls=~~~~~~ /     @    \
                          (cave)    ||||||| ~~~~
               oo                   |||||||
       XX    o    o                 |||||||
       XX   o ring o                |||||||         (various crisscrossing
             o    o                 |||||||            lines everywhere)
               oo
      
                                                      M A Y O R
      
                                                         M C
      
                                                     C H E E S E
      _______________________________________________________________________
   -- Earle talks to Leo and a punk who thought he was invited to a party,
      about the White Lodge and the Black Lodge.  On a computer is the
      petroglygh from Owl Cave.
      Earle: Once upon a time, there was a place of great goodness, called the
       White Lodge.  Gentle fawns gamboled there amidst happy, laughing
       spirits.  The sounds of innocence and joy filled the air.  And when
       it rained, it rained sweet nectar that infused one's heart with a
       desire to live life in truth and beauty.  Generally speaking, a
       ghastly place, reeking of virtue's sour smell.  Engorged with the
       whispered prayers of kneeling mothers, mewling newborns, and fools,
       young and old, compelled to do good without reason.  Heh-heh!
  But, I am happy to point out that our story does not end in this
       wretched place of saccharine excess.  For there's another place, its
       opposite; a place of almost unimaginable power, chock full of dark
       forces and vicious secrets.  No prayers dare enter this frightful maw.
       Spirits there care not for good deeds or priestly invocations; they 
       are as like to rip the flesh from your bone as greet you with a happy
       "Good day!"  And if harnessed, these spirits in this hidden land of
       unmuffled screams and broken hearts would offer up a power so vast that
       its bearer might reorder the earth itself--to his liking!  Now!  This
       place I speak of--is known as the Black Lodge.  And I intend to find it.
   -- Pete tries to create a poem on Josie but is interrupted by
      Catherine.  She hasn't been able to open the box left by Eckhardt's
      assistant.  Pete tells her it's a puzzle box that could take
      YEARS to open.  Catherine: "Open it!  I've been trying for days."
   -- At the RR Bobby tries to convince Shelly to enter the Miss TP pageant
   -- Elsewhere at the RR, Lana tries to convince the mayor to help her
      win the contest since he's a judge
   -- Cooper enters and orders coffee and donuts from Annie for his team,
      and makes a date with Annie (a nature study) for this afternoon.
      He overhears a piece of the poem Shelly was reciting and gets her
      piece of the poem.  Blue plate special is 'Hearty Beaver Broth'.
   -- Cooper tells Truman that the message was from Earle.  It was the poem
      that he sent to Caroline.
   -- Major Briggs points out an error in Andy's chalkboard rendition
      of the petroglyph.  He's dreamed of it.  Cooper says that Leo's
      disappearance, Owl Cave, and Earle are all related.  He asks for
      Briggs' help, who ponders his situation and dedication to his work.
      We see a silhouette of a hooded figure.  When it comes toward the screen,
      a starscape is seen inside, and an owl flies in the starscape and we
      then see a wall of fire appear.  Briggs agrees to help.  Hawk brings in
      Leo's arrest report, which Cooper compares to the poem and concludes
      it was Leo's handwriting.
   -- Dick and Ben chat. Ben: Sometimes the urge to do bad...is nearly
      overpowering.
   -- The punk is in a papermache (pawn) and Earle asks for an arrow. Leo
      doesn't want to but those shocks from his collar convinces him to.
      Earle loads a crossbow and shoots the punk.

   3:35 pm (clock on wall)
   -- The Miss Twin Peaks Committee (Doc Hayward, the Mayor, and Pete) meets
      and listens to Ben who wants the topic of the pageant to be to save the
      forests
   -- Miss TP contestants gather.  Mike: "Do you have any idea what a
      combination of sexual maturity and superhuman strength can result in?"

   3:36 pm (grandfather clock)
   -- Truman and Catherine talk about Josie and why she did what she did.
      She shows him the puzzle box.  Pete shows up and drops it,
      opening it.  The contents seems to be another puzzle box which consistsi
      of two concentric rings of symbols.  The inner ring is made
      up of symbols corresponding to the phases of the moon.  The outer ring
      is made up mostly of zodiac symbols.
Clock position       Inner Symbol           Outer Symbol
                         (moonphase)            (zodiac)
--------------------------------------------------------
12:00                Full Moon              Libra
 1:30                 Waxing Gibbous         Pisces
 3:00                 First Quarter          Cancer (modified)*
 4:30                 Waxing Crescent        Unknown**
 6:00                 New Moon               Aries
 7:30                 Waning Crescent        Sagittarius
 9:00                 Third Quarter          Taurus
10:30                Waning Gibbous         Gemini
      * The Cancer symbol differs from that shown in the dictionary.
Essentially, it's like a lowercase sigma with a long , straight
tail and another similarly modified sigma, rotated 180 degrees,
directly beneath it.
      ** This symbol is a large circle with four much smaller circles
 just outside it at clock positions 10:30, 11:30, 12:30, and 1:30.
 The overall effect is that of a paw.  Perhaps it's a different
 sign for Leo.

   Sometime after 4:00 (Cooper tells Annie he'll pick her up at 4:00 sharp)
   -- Annie and Coop in a boat.  Annie tells Cooper that she had
      one senior year boyfriend and because of him, there are scars on her 
      wrist before she entered the convent.  Cooper kisses her twice.
      Earle watches.
   -- A wine tasting party which Dick is hosting with a bandaged nose
   -- Gordon again speaks normally to Shelly.  When Cooper and Annie
      appear Gordon tells them and Shelly that he's leaving but
      he'll try to return to TP to be with Shelly.  He gives her
      two kisses, the first interrupted by Bobby who is expressing
      his disbelief.
   -- Lana and Andy find banana and chocolate in the taste of
      the wine they taste.  Lucy spits wine in Dick's face.
   -- Jack and Cooper chat about love.  Jack receives a telegram and
      quickly makes arrangements to check out.
   -- Donna still wants to know about Eileen's involvement with Ben,
      and she is thinking of studying overseas.  Eileen wants more peas.
   -- Hooded silhouette but with a half moon where the head is.  The owl flies.
   -- Cooper and the police at the gazebo.  There's a crate on the gazebo.
      On it there's a ring on a sign that says "PULL ME".  Cooper does
      from a distance using a police line tied to the ring and a
      rock.  He shoots the rock and the crate opens.  The punk is
      in a chess piece scupture with a sign saying that "Next time it will
      be someone you know."

      [The board presently:
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WR  |     |     | WK  | WQ  | WB  | WN  | WR  |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | WP  | WP  | WP  |     |     | WP  | WP  | WP  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     | WN  |     |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     | WP  |     |     |     |     |
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       |     |     |     |     |     | BN  | BP  | WB  |    Captured:
       |    b|    w|    b|    w|    b|    w|    b|    w|    ---------
       +-----+-----+-----+-----+-----+-----+-----+-----+    BP by WP
       | BP  | BP  | BP  |     | BP  | BP  |     |     |    BP by WB
       |    w|    b|    w|    b|    w|    b|    w|    b|
       +-----+-----+-----+-----+-----+-----+-----+-----+
       | BR  | BN  | BB  | BK  | BQ  | BB  |     | BR  |
       |    b|    w|    b|    w|    b|    w|    b|    w|
       +-----+-----+-----+-----+-----+-----+-----+-----+      ]

[Episode 2020 - 4/18/91
 Written by Harley Peyton & Robert Engels
 Directed by Stephen Gyllenhaal]

Friday evening (continued)
   -- The cops haul the pawn off the gazebo.  A friend of the punk in
      the pawn describes how Scott, wearing a weird suit, came out of the
      woods, saying he had beer so Rusty Tomaski the punk went with him.
      Andy cries.  Cooper thinks Earle is playing off the board since
      Earle didn't tell him his move.

25 Mar (Saturday)

   Morning
   -- Lucy tells Truman that Hawk is feeding breakfast to some guy she's never
      seen before because he looked sad.  She tells Andy tommorow is D-Day
      (Dad Day) when she'll choose the father of her baby.  She's also
      going to enter the Miss Twin Peaks contest and Andy's got some ideas
      for her speech.
   -- At the Great Northern, Jack checks to see if there are any messages
      for him from Audrey
   -- Doc Hayward, after examining Ben, gives him a clean bill of health,
      and tells him to stay away from Eileen.  Ben says not as long as the
      lie survives.  Jack enters, looking for Audrey.  He has to leave
      because his partner was murdered.
   -- Donna Marie Hayward finds a blank space on her birth certificate
      under the "Father" entry and some pictures of her parents with Ben.
      Hawk is on the phone for her.
   -- Audrey returns and runs into Hawk who tells her it is important
      to see Cooper immediately
   -- Jack and Ben chat.  Jack's got to take his partner's place in the
      Rain Forest business.  He's got something for Audrey.
   -- Briggs has Cappy look for symbols and has some information for Cooper
      and Truman.  Earle was the best and brightest of them, but became
      obsessive and destructive when the attention turned from outer space
      to Twin Peaks and so was removed from the project.
      E: These, uh, these evil sorcerers, uh,...dugpas, they're called...they,
uh, cultivate evil for the sake of evil, nothing else, they, uh, 
express thenselves in darkness, for darkness without leavening motive,
uh--Now this, this ardent purity allows them to access a secret place
where the cultivation of evil proceeds in exponential fashion, and
with it, the furtherance of evil's resulting power!  Th-this place of
power is tangible and as such it can be found, entered, and perhaps
utilized in, in some fashion.  Th-the dugpas have, have, many names
for it, but chief among them (coughs) is the, uh, is the Black Lodge.
You don't believe me, do you?  You think I'm mad.  Overworked.
Go away.
      C: (pauses tape)  Gentlemen, when Windom Earle arrived in Twin Peaks I
assumed he had come for vengeance.  For me.  But I miscalculated.
He has insinuated himself into the lives of people I care for, he has
murdered innocents; he has engaged us in subterfuge and red herring--
a fish I don't particularly care for.  But all of these acts are
merely camouflage; he's been after something else all along.  The 
Black Lodge.  Fellas, we need to find out what this (points to
monitor), the Black Lodge, has to do with that! (points to drawing of
map)
      Cooper and Truman will look through the old files and Briggs will go
      for a walk.
   -- Earle, eavesdropping on Cooper, Truman, and Briggs, laughs.  Leo
      pockets the shocker.
   -- At the RR, a pie-eater's hand shakes.  Bobby and Shelly discuss her
      speech and his recent inattention to Shelly.  Cooper's on the phone
      for Shelly.

   7:52 am (clock on wall)
   -- At the roadhouse, the mayor tells Lana she's gonna win since the other
      judges are gonna be Norma and Dick.  She says she'll marry after she
      wins.
   -- Cooper has Shelly, Audrey, and Donna compare stories of running into
      strange people.  Shelly recognizes Leo's handwriting.  Cooper tells them
      they need to check into the sherrif's everyday at 9 am and 9 pm.
   -- Earle babbles, Leo cleans, recognizes Shelly on the card and shocks
      himself
   -- Audrey enters the Great Northern just missing Jack on his way out.
      Ben wants Audrey to enter Miss Twin Peaks so she can speak about his
      cause.  He mentions Jack's flight so she takes off, getting Pete,
      who babbles about seeing Josie's face, to drive her.  Something
      surprises Ben.
   -- Cooper and Truman ponder the petroglyph.  Andy goes to call Mrs.
      Briggs to find out about Briggs who should've arrived by now.
      Cooper talks about Annie then gets the hand shakes.
   -- Briggs in the woods, stops at a tree, touches it and his tattoo,
      and is shot by Earle in a horse outfit
   -- Jack prepares to take off

   10:34 am (clock on wall)
   -- Cooper and Annie chat then kiss.  Plates fall.
   -- Pete and Audrey catch up to Jack.  They proclaim their love for each
      other and she says she's a virgin and wants him to make love with her.
      Pete cries and gets the hand shakes.
   -- Earle interrogates Briggs strung up on a target.  Windom: "What do you
      fear most...in this world?"  Major: "The possibility that love is
      not enough."
      Briggs: "There's a time if Jupiter and Saturn meet, they will receive
      you."  He also says something like "That gum you like is coming back"
      backwards.
   -- Andrew and Catherine fiddle with the puzzle box.  After trying Eckhardt's
      birthday and his own birthday, he tries the day the gift arrived and it
      opens, revealing another box.  Andrew smashes it, revealing a metal box.
   -- Annie and Cooper dance.  She mentions entering the Miss Twin Peaks
      pageant.  The Giant appears to Cooper with a mouthed warning, "no, no."

   Dusk
   -- Pete wakes in his truck.  The jet takes off for Brazil.  Audrey's still
      here.  Pete: "There are many cures for a broken heart.  But nothing
      quite like a trout's leap in the moonlight..."  
   -- Cooper's vision of the Giant ends.  Mayor: "This isn't right.  There's
      something wrong here."
   -- Leo and Briggs writhe in pain.  Earle determines the petroglyph is a
      map.

   Night
   -- BOB appears in Glastenberry Grove, "I'm out!"

26 Mar (Sunday)   [Episode 2021 - 6/10/91
   Part 1 Written by Barry Pullman
   Directed by Tim Hunter]

  Morning
   -- Leo reaches for the key and frees Briggs.  L: "Save Shelly"
   -- Ghostly Earle returns with a new game for Leo.  He's got something
      in a bag.

  1:05 pm (clock on wall)
   -- Norma, Shelly, and Annie chat about the Miss Twin Peaks pageant.
      Norma won the first one 20 years ago.
   -- Ben and Audrey talk about Jack.  He's got some philosophy books
      from which he hopes to learn how to be good.  Audrey reports that
      the Packards are using the Twin Peaks Savings and Loan to funnel cash
      to their Ghostwood project.  Ben hopes to expose this and still wants
      Audrey to make a speech.
   -- Andy stares at the petroglyph.  Cooper tells Truman about how he thinks
      Josie died of fear and a vision of BOB immediately afterwards.  Earle
      eavesdrops and talks to Leo about getting Miss Twin Peaks.  Leo's teeth
      are clamped on a string from which a flimsy cage of spiders hang over
      him.
   -- Pinkle has the Miss Twin Peaks contestants rehearse a dance.  The mayor,
      Dick, and Norma discuss criteria, then Lana seduces Dick in a storage
      room.

  1:17 pm (Cooper to Diane)
   -- Cooper tells Diane he just finished his second meditation.  Annie
      arrives wanting help with her speech.  The pageant is in 6 hours.
      They end up in bed.
   -- Nadine shows slides of her wrestling.  Jacoby has Nadine (with Mike)
      and Ed (with Norma) discuss their breaking up.  Both proclaim they
      are getting married.
   -- Briggs is picked up by Hawk
   -- Cooper and Truman attempt to question Briggs.  Cooper smells haliperidol
      on him.  Andy looks at the petroglyph again.
   -- Andrew, Pete, and Catherine are still wrestling with the box.  Andrew
      finally shoots it open.  Inside is a key, which Catherine puts in a
      cake-saver so it is in plain sight.
   -- Donna demands the truth from uncooperative Will and Eileen
   -- Andy looks at the petroglyph again.  Cooper figures out from a book
      that the petroglyph tells of a time when Jupiter and Saturn are in
      conjunction.  Briggs mutters "protect the queen" and "fear and love
      open the doors."  Andy knocks the bonsai to the floor.  Truman goes
      to pick it up and discovers the bug.

   7:00 approx (Annie to Cooper, "in 6 hours")
   -- The Miss Twin Peaks pageant, opening dance number.  Pinkle makes his
      move on the Log Lady.  Talent competition begins.  Lucy dances.
   -- Earle as the Log Lady knocks out Bobby.  Lana dances.
   -- Audrey makes her speech.  Donna demands and gets the truth from Ben.
      He's her father.
   -- Annie makes her speech.  Earle watches from the rafters.
   -- Lucy makes her announcement to Andy and Dick that she wants Andy to
      be the baby's father.  Andy then goes to look for Cooper.
   -- Annie is named Miss Twin Peaks.  Lights go out and chaos ensues as
      Nadine is hit on the head with a sandbag, Cooper sees Earle, and
      Earle takes Annie.  Power is restored and Andy tells Cooper he's
      figured out the petroglyph to be a map.

[Part 2 Written by Mark Frost & Harley Peyton & Robert Engels
Directed by David Lynch]

  Night
   -- Lucy and Andy discuss what happened at the pageant
   -- Cooper, with Truman and Hawk, ponders the petroglyph and "Fire walk with
      me."  Pete enters and says the Log Lady stole his truck which had 12
      rainbow trout in the bed.  The circle of 12 sycamore trees is where
      Hawk found the bloody towel and ripped pages - Glastenberry Grove.  The
      Log Lady arrives with some oil which her husband said is the opening to
      a gateway.  Cooper determines it to be what Jacoby smelled.  Ronette is
      brought in and recognizes the smell of that oil from the night Laura
      died.
   -- Earle takes Annie to the circle of trees and beyond the red curtains
   -- Nadine is 35 again.  She wants to know who Mike is, why Norma is there,
      and where her drape runners are.
   -- Ben apologizes to Eileen.  Donna cries for Will to be her father.
      Slyvia walks in and Will belts Ben, who hits his head on the fireplace.
   -- Andrew switches the mystery key with another he has for a safety
      deposit box
   -- Cooper and Truman find Pete's truck.  They head into the woods.
      Cooper goes alone, with Truman following, and sees an owl and the
      sycamore trees.  He enters the curtains into the red room.  The
      little man from another place is there.  Another man sings, then
      disappears.
   -- Andy comes looking for Truman

27 Mar (Monday)

  Morning
   -- 10 hours later, Truman and Andy are still waiting for Cooper

  7:25 am (Andrew's watch)
   -- Audrey practices civil disobedience and chains herself to the bank vault.
      Andrew and Pete arrive and open the safety deposit box to discover a bomb
      that goes off.  Eckhardt's note: Got you, Andrew, Love, Thomas.
   -- Bobby tells Shelly he wants to marry her.  Heidi arrives for work.
   -- Leo still surviving
   -- Jacoby brings Sarah to Mr. and Mrs. Briggs.  Sarah has a message for
      Garland:  "I'm in the Black Lodge...with Dale Cooper.  I'm waiting
      for you."
   -- Cooper and the little man from another place sitting in the red room.
      LMFAP:  When you see me again, it won't be me.  This is the waiting room.
      Would you like some coffee?  Some of your friends are here.
      Laura:  Hello Agent Cooper.  {winks, snaps her fingers}  I'll see you
      again in 25 years.  Meanwhile... {presents her hands}
      Great Northern room service waiter:  Hoo! Woo, woo, woo, woo {with hand 
      in front of mouth--the "Indian noise"}  Hallelujah!
      LMFAP:  Hallelujah!
      GNRSW:  Coffee.  Coffee.  Coffee.  Coffee.  Coffee.  Coffee. {sets down
      solid coffee for Cooper}
      Giant:  One and the same.
      {LMFAP rubs his hands.  Cooper picks up his coffee - it's liquid.  When
      he's about to drink, it's solid.  LMFAP continues rubbing his
      hands.  The coffee's liquid.  LMFAP continues rubbing his
      hands.  The coffee's viscous.}
      LMFAP:  Wow, Bob, wow.  Fire walk with me.
      {Fire.  A scream.  Strobe effect.  Cooper walks to the other room.
      Identical furniture but empty.  Back to the original room.}
      LMFAP:  Wrong way
      {Cooper goes back to to the other room.  LMFAP babbles excitedly. Then:}
      LMFAP:  Another friend.
      {Maddy enters wearing a black dress identical to Laura's.  LMFAP
      continues to babble, ducks behind a chair.}
      Maddy:  I'm Maddy.  Watch out for my cousin. {can't see whether her eyes
      are white}
      {Cooper goes back to the original room.  It's empty.  Then:}
      LMFAP (shadow self):  Doppelganger
      Laura  (shadow self):  {presenting hands}  {angrily}  Meanwhile
      {screams, climbs up on the chair}
      {Back to the other room.  Empty, but Cooper is bleeding from his stomach. 
      There's a trail of blood on the floor-- Cooper follows it back to the
      original room.  Caroline and Cooper on the floor bleeding.  No,
      it's Annie.  Annie gets up.}
      Cooper:  Caroline?  Annie?  Annie?  Annie?  Annie?  Annie?  Annie?
      {Cooper goes back to the other room.  Annie/Caroline is standing there,
      wearing the black dress from the pageant}
      Annie:  Dale.  I saw the face of the man who killed me.
      Cooper:  Annie...the face of the man who killed you?
      Annie:  It was my husband.
      Cooper:  Annie?
      Annie:  Who's Annie?  It's me, it's me, it's me.
      Cooper:  Caroline?                       
      {Annie changes to Caroline (shadow self), in Caroline's dress}
      Caroline (shadow self):  You must be mistaken.  I'm alive.
      {Laura (shadow self) screaming, then turns into Windom Earle.}
      {Annie, in pageant dress, appears off to the side, vanishes}
      Earle:  Dale Cooper.  If you give me your soul, I'll let Annie live.
      Cooper:  I will.
      {Earle stabs Cooper.  Fire.  Rewind.  BOB appears, grabs Earle}
      BOB:  {to Earle}  Be quiet.  Be quiet.  {to Cooper}  You go.  He is wrong.
      He can't ask for your soul.  I will take his.  {a spout of fire
      appears over Earle's head, and his head slumps forward}
      {Cooper's shadow self enters as Cooper leaves, crouches beside BOB, and
      laughs with him}
      {Cooper exits into the hallway}
      Leland (shadow self):  I did not kill anybody.
      {Cooper's shadow self chases Cooper and catches up to him.  BOB laughs.}


   Night
   -- Cooper and Annie are back
   -- Will tends to Cooper in his bed.  Annie's at the hospital and will be
      okay.  Cooper gets up, "I need to brush my teeth."  In the bathroom,
      BOB has Cooper ram his head into the mirror.  "How's Annie?!" 

-- /\__Edwin Nomura -- enomura@ucsd.edu____________________________________/\ / \\ "Gonna rest my bones an sit for a spell Guns N' Roses / \\ / \\\ This side of heaven this close to hell" - Right Next Door to Hell \\\ / \\\\________________________________________________________________/ \\\\

Would anybody care to explain in a few words what the difference
between the US and European version is all about?
The reason I ask is that over here in the Netherlands we are just
up to episode 1004 now, and I hesitate to go and read the lengthy
explanation that's on the server - if it is really a difference
in the last episode (which I suspect from what I've seen up till
now) I guess it's full of spoilers for me.

Thank you,
Henk

In article <1643@philtis.cft.philips.nl> hd@cft.philips.nl (Henk Davids @ Philips Medical Systems) writes:
> >
> >Would anybody care to explain in a few words what the difference
> >between the US and European version is all about?

Okay, short version.  Remember the whole long dream sequence at the end of
episode #1002?  The one-armed man reciting "Fire...  Walk With Me",
Bob crowing "You may think I've gone insane, but I promise, I will kill
again!", and the dwarf in the red room?  Well, in the European movie version
(which had to have a conclusion), all that in the dream really happened.
There were a bunch of slight differences, and some added scenes as well.
Listen to Coop's summary of the dream in the next episode, and you'll hear
it the way it happened in the movie version.

In article <1991Sep25.160722.123@merrimack.edu>, castiglionec@merrimack.edu writes:
> >
> > Just a few speculations on the last twenty minutes of the final episode...
> >
> >1) Cooper's bleeding- 
> >   The Black Lodge supposedly transcends time and space, right? So cause and
> >   effect don't neccesarily follow chronologically. The wound could therefore
> >be from Earle stabbing Cooper near the end of the sequence; remember that
> >immediately following this, time reverses, and Earle removes the knife. No more 
> >wound! With time running backwards, this works. 
> >
> >2) Was Cooper in the Lodge after all?
> >   Cooper may very well have entered the Black Lodge, but lost his way. Recall
> >   that while he's in the Waiting Room, the dwarf says,"The next time you see
> >   me, it won't be me," or words to that effect. The next time Cooper sees the
> >   dwarf, the dwarf says,"Wrong way," and Cooper leaves that room. But,
> >   according to the dwarf himself, that wasn't him, and so Coop was mislead.
> >   I personally feel that his fate was sealed from then on.
> >
> >Feedback of (nearly) any kind is welcome.
> >                                  
> >                                    Speculatively yours,
> >                                    Chris

In article <9774@umd5.umd.edu>, jblum@umd5.umd.edu (Jon Blum) writes:

> > Listen to Coop's summary of the dream in the next episode, and you'll hear
> > it the way it happened in the movie version.

Didn't Coop also say to Truman and Lucy that they were both in the dream?
Is that really the case?

- Greg
-- Greg Sandell Institute for the Learning Sciences sandell@ils.nwu.edu Northwestern University, Evanston IL USA

People seemed to be upset that shows like TP are being replased with shows 
like unsolved mysterys or rescue 911. I saw some of those types of shows 
last night. Some of them where very good, but do we need so many. Many of 
them cover the same exact topic. They would be interesting if thay only had 
a few somewhat diferent ones, but with so many and som many exactly the 
same?

2609cowend@vms.csd.mu.edu writes:

>> >>(Although I'm not kidding about the "Rockin'... Tibetan Mix", it really
>> >>does exist!  Imagine "Rockin' Back Inside My Heart" with a dance beat!)
> > 
> >I thought the Tibetan Mix was miserable, and detracted from the beauty
> >of the original song through that horrid "DNA" beat...

I think the Tibetian Mix really just appeals to people who follow both
dance music and TWIN PEAKS. :-)  I found the mix enjoyable because 
a) an ambient-house backbeat was chosen (and if any dance-style would 
fit the song, it's ambient-house :-), and b) the beat ran in 4/4-time,
which actually didn't clash all that horribly with Cruise's 12/8-time
vocals.  Made for fun listening.  And again, I'm into dance and techno
to begin with, so I knew I'd like it. :-)


===============================================================================
    :: :: :: :: ::      Synth           synth@euler.unm.edu      U S E N E T
 :: :: :: :: :: :: ::   (F. Oberheim)   synth@yenta.alb.nm.us        in color!
-------------------------------------------------------------------------------
 Fire your boss! Get out of the rat race forever. Call 24hr msg (505) 764-0621
===============================================================================
"COOP! WE CAN'T LEAVE ALL THIS SPICE BEHIND, COOP!"

**SPOILERS ABOUND FOR THOSE HERE AND IN EUROPE**

Background: This list was first done as a tongue-in-cheek joke by yours
truly, but is now a "canonical" listing of the legitimate and not-so-
legitimate recurring imagery that occurs freqently in the "^Twin Peaks^"
TV show.
 
Well, here's the TENTH version of this list.
Special thanks go to the following people for contributing:
  Linda Birmingham (twice), Scott L. Vandenberg, Ann Hodgins,
  Jeanne Stapleton, Bradford H. Needham (twice), Palmer Davis,
  "Arachnid", Greg M. Brown, Eric Daniels, Ron Sires, Bill Downing,
  "Scratch", Rocky Giovinazzo (thrice), Kathleen Hunt (twice),
  Bob Hettmansperger, John Locke, Nadir Ahmed (twice), Gary Kacmarcik,
  Marc Kriguer, David Barker-Plummer, S. Clark (twice), "Cool Bean",
  Kenneth Bays, Rod Johnson (twice), Kurt Svihla, Malachi O. Kelerison,
  Jeff Calhoun, Raymond S. Flournoy, Darren T. Burton, Scott Johnson,
  Robert Russell, Jim Shaffer, and a special thank you to Paul B. Loux
  for the BIG list.

Symbols/Motifs in the "^Twin Peaks^" Universe Version 10
(last updated 6/1/91, 4/21/91...): 

  1.  Sex, comedy, violence, and rock 'n roll music (what else could
one want in a TV show?)

  2.  Rotating objects:
a. Ceiling fan in the Palmer home
b. Ticking record player in the Palmer home
c. Ticking fan in the Hayward's attic

  3.  Traffic light

  4.  "Invitation to Love" soap opera

  5.  Waterfall outside The Great Northern Inn

  6.  Sprinkler on the Sheriff's Office ceiling

  7.  Birds:
a. Robin (?)(from opening sequence)
b. Crow (when Agent Cooper, Sheriff Truman, Deputy Hawk, and
     Doctor Hayward enter Jacque Renault's log cabin)
c. Woodpecker (Sheriff Truman sees one outside the Sheriff's
     Office window--Episode 1005?)
d. Chickadee on a Dodge Dart
e. Waldo the minah bird 
f. Owls:
     i. Owls
    ii. Owl Cave 

  8.  Psychic visions

  9.  Trees/forest/wood:
a. Forest in/outside Twin Peaks
b. Log Lady's log
c. Book House Boys patch
d. Knob on drawer in The Great Northern Inn

 10.  Dead people:
a. Laura Palmer
b. Bernard/Jacque/Jean Renault
c. Emory Battis
d. Blackie O'Reilly
e. Harold Smith
f. Madeleine Ferguson
g. Leland Palmer
h. Douglas "Dougie" Milford
i. Eric Powell (dead drifter)
j. Jeffery Marsh
k. Malcolm Sloan
l. Jonathan Kumagai
m. Thomas Eckhardt
n. Josie Packard
o. Rusty Tomaski (heavy metal victim)

      Also:
a. Theresa Banks
b. The Log Lady's husband (see #15)
c. Nicholas "Nicky" Needleman's parents
d. Caroline Powell Earle

 11.  Phases of the moon 

 12.  Glasses/sunglasses:
a. Doctor Jacoby
b. Benjamin Horne
c. Jerry Horne
d. The Log Lady
e. Madeleine Ferguson
f. Laura Palmer/Donna Hayward
g. Evelyn Marsh
h. Thomas Eckhardt
e. John Wheeler

 13.  Cigarette/cigar smoking:
a. Benjamin Horne
b. Shelley/Leo Johnson
c. Bobby Briggs
d. Audrey Horne
e. Josie Packard
f. Donna Hayward
g. Evelyn Marsh

 14.  Fire:
a. The Log Lady's husband died in a forest fire
b. "Fire, walk with me"--Mike and BOB
c. "Fire is the devil, hiding like a coward in the smoke"
     --The Log Lady
d. The scorched smell that Doctor Jacoby and Madeleine Ferguson
     both smelled when BOB was around
e. Packard sawmill fire
f. The fire from the fireplace at the Great Northern lobby
     reflecting off Thomas Eckhardt's sunglasses 

 15.  White horse:
a. Laura Palmer's pony (Troy) that was seen by Sarah Palmer
     right before BOB killed Madeleine Ferguson
b. "General" Benjamin Horne's Civil War piece(s)
c. "General" Benjamin Horne's stuffed horse "Traveller"

 16.  Light and dark/White and black:
a. White/Black Lodge
b. Chess pieces (see #21)

 17.  Light fixtures/lightbulbs on the ceiling:
a. Sputtering light in the morgue of the Calhoun Memorial
     Hospital when Agent Cooper Cooper inspects Laura Palmer's
     body
b. Sheriff's Office light when Eric Powell is found
c. Leo/Shelly Johnson's ceiling light when Leo awakens

 18.  Animal heads:
a. A chicken head (maybe a whole chicken) on "'Big' Ed's Gas
     Farm" sign (see #33)
b. The mounted deer head in the Sheriff's Office with "The Buck
     Stopped Here" sign
c. The deer head that's on the table when Sheriff Truman and
     Agent Cooper bring in Laura Palmer's safety deposit box
d. The assortment of trophys in the den (?) in Pete/Catherine
     Martell's home
e. The deer head next to Eric Powell
f. The cooked pig head that Josie serves as the main course in
     the dinner to Catherine Martell and Thomas Eckhardt
g. The mounted dear head in the Book House
h. The goat head that's visible when Andrew Packard opens the
     puzzle box

 19.  Hank Jenning's domino

 20.  Chess/chess pieces:
a. Agent Cooper and Windham Earle's chess game
b. "Dr. Gerald Craig's" gift (black knight) to Dr. Hayward
c. Rusty Tomaski inside giant (black pawn) at the gazebo

 21.  Twins/opposites:
a. Agent Cooper/Windham Earle
b. Agent Cooper/Albert Rosenfield
c. Laura Palmer/Madeleine Ferguson
d. Bobby Briggs/James Hurley
e. Bernard/Jacque Renault
f. Mike/Bob:
     i. Mike Nelson (Nadine Hurley's crush)/Bobby Briggs
    ii. Phillip Michael Gerard (the OAM)/Bob Lydecker (vet)
   iii. Mike (spirit inside OAM)/Killer BOB
g. The Giant/Little Man from Another Place

      Also:
a. Laura Palmer/James Hurley's broken heart necklace halves
b. Jade/Emerald from "Invitation to Love" (see #24)
c. Laura Palmer's two diaries
d. The two Packard Sawmill ledgers
e. $10K cash bundles
f. Boots ([Spit] "New shoes.") 

 22.  "Family trios" (warped versions on Daddy/Mommy/Child): 
a. Bobby Briggs/Shelly Johnson/Leo Johnson
b. (Dick Tremayne/Andy)/Lucy Moran/Nicholas "Nicky" Needleman
c. "Big" Ed Hurley/Norma Jennings/Nadine Hurley
d. Bobby Briggs/Audrey Horne/Benjamin Horne
e. Malcolm/Evelyn Marsh/James Hurley
f. (Pete Martell/Andrew Packard/Thomas Eckhardt)/Catherine Martell/
     Josie Packard

 23.  The color brown

 24.  Lookalikes (characters who physically resemble each other):
a. Benjamin Horne/Leland Palmer
b. Audrey Horne/Donna Hayward
c. Laura Palmer/Madeleine Ferguson
d. Sarah Palmer/Sylvia Horne

      Also
a. Jade/Emerald from "Invitation to Love"

 25.  Tattoos:
a. Phillip Michael Gerard (the OAM)
b. Major Brigg's neck
c. The Log Lady's leg
d. Windam Earle (in one scene)

 26.  Red curtains in various dreams/visions/places:
a. The Roadhouse stage
b. Agent Cooper's first dream sequence with the Little Man from
     Another Place
c. Jacque Renault's log cabin
d. One Eyed Jacks

 27.  Furry animals:
a. The llama
b. Josie Packard's vicuua coat
c. The white animal (fox?) in Benjamin Horne's office
d. The pine weasel
 
28.  Picnics:
a. Laura Palmer/Donna Hayward/James Hurley
b. Donna Hayward/James Hurley
c. Audrey Horne/John Wheeler

 29.  Items on shelves:
a. The Hurley home ("Big" Ed)
b. The Palmer's home (fireplace mantle)
c. The Great Northern

 30.  Alteregos/characters:
a. Madeleine Ferguson/Laura Palmer
b. Hester Prinn (sp?)/Audrey Horne
c. Leo/Bobby (he did an impression of him)
d. Mister Tojamura/Catherine Martell
e. Dennis/Densie Bryson
f. (Woody and name)/Andy Brennan and Dick Tremayne (when they were
     looking for Nichola "Nicky" Needleman's file)
g. Civil War characters/Benjamin Horne, Jerry Horne, Bobby Briggs,
     Audrey Horne, and Doctor Jacoby
h. Mr. and Mrs. Inkman/Mike Nelson and Nadine Hurley
i. Dr. Gerald Craig/Windham Earle
j. Edward Perkins/Windham Earle

 31.  Astrological symbols

 32.  Lumber trucks

 33.  Signs:
a. "Welcome to Twin Peaks"
b. "Twin Peaks Sheriff Station"
c. "Mar-T"/"RR Diner"
d. "The Great Northern"
e. "Twin Peaks High School"
f. "'Big' Ed's Gas Farm"
g. "The Road House"
h. "One-Eyed Jack's"
i. "Wallie's Hide-Out"
j. "The Book House"

      Also:
a. "The Bang Bang Bar"

 34.  Poetry:
a. Mike--"Fire, walk with me"/"His name is BOB"
b. BOB--"Fire, walk with me"/"I'll catch you in my death bag"
c. Shakespeare--"Shall I compare thee to..." (poetic lines from R&H)
     R&H)
d. Yeats--"Love comes in at the eye..."
e. Shelley--(fragment of "Love's Philosophy" sent by Agent Cooper
     to Caroline Powell Earle, and by Windham Earle to Audrey
     Horne, Donna Hayward, and Shelly Johnson)
f. Pete Martell--(limerick/ode to Josie)

 35.  Food:
a. Donuts at the Twin Peaks Sheriff's Station
b. Cherry pie and coffee at the RR Diner
c. Benjamin Horne and carrots

 36.  Skirts (almost all of the females in Twin Peaks and at least one
male seem to prefer them to pants)

 37.  Overlap of two faces:
a. Donna Hayward/Laura Palmer (Sarah Palmer's vision)
b. BOB/Owl (Agent Cooper's first dream sequence and BOB at Laura
     Palmer's bed)

 38.  Couples in a room with red curtains:
a. Little Man From Another Place/Laura Palmer (Agent Cooper's
     first dream sequence)
b. Mrs. Tremond/Grandson

And now, the BIG list:

There are some visual images and themes which don't seem to attract
much discussion.  I thought I'd see if I could elicit some debate by
throwing out a few observations.  So here goes...

 39.  Quick shots:
a. The tricky dissolve from the picture of Leo's truck, in
     _Flesh World_ magazine, to the actual truck (Episode 1000,
     1005).  This gave the viewer a connection between Leo and
     Ronnette long before the lawmen.
b. The connection between the flashing flourescent lights in
     the morgue, and the stobe light in the dream sequence
     (1000, 1002).
c. The ceramic figurine at Big Ed's and Nadine's place, of a
     woman wearing an eye patch (right eye) (1002, 1003).
d. The ceramic Twin Peaks train depot in the model train set in
     the window of the Twin Peaks General Store (1001).
e. Maps and books on Tibet (1002, various subsequent).
f. The "Just Say NO to Ghostwood" poster in the Double-R Diner
     (with the slash-thru-the O bit) (1004, various subsequent). 
g. The sappy arrangement of "Talk to the Animals", from "Dr.
     Doolittle", playing on the Muzak in the Lydecker Veterinary
     Clinic (1004).
h. The nice cut from the discussion, at the Palmer's house, of
     the broken heart necklace, to Emarald's necklace on
     "Invitation to Love".
i. The life-sized cardboard cutout of Emerald (or Jade?) next
     to the tray of cosmetics at the perfume counter of Horne's
     Dept. Store, the day Audrey went to work there; the
     "Invitation to Love" Collection (1004).
j. Cover your left eye whenever discussing One Eyed Jack's
     (1002, various subsequent).
k. When Audrey is told to "Pick a card", by Blackie, she
     selects a Queen of Diamonds; a much larger version of this
     same card is later sewn onto her costume (the girls use
     the cards much like numbers on a football jersey) (1007).
l. The chalkboard at the Double-R Diner proclaims the Soup of
     the Day.  It has portrayed such delicacies as Rabbit
     Chili, Split Pea and Lamb, and other yummies (2004,
     various subsequent).
m. The cut from the close up on the neon sign in front of the
     Road House, "The Bang Bang Bar", to Judge Sternwood's
     gavel, sounding "Bang Bang" inside (2005).
n. The close up of this same neon sign, "The Bang Bang Bar", is
     reflected upside down in a puddle, along with two rifle
     cartridges (2007).
o. The flashes of the police photographer's camera, at Harold
     Smith's house, punctuating the discovery of key evidence
     by the lawmen (2007).
p. The similarity of the many handballs being dribbled in the
     lobby of the Great Northern, and the many golfballs being
     pitched by Leland in his living room (2007, 2008).
q. The highly effective use of the phonograph as a presage of
     Maddy's killing by Leland (2007).  It hadn't been since
     1002, when Leland played music, danced with Laura's
     portrait, and fought over it with Sarah, breaking it and
     smearing his blood over her picture; then there's the
     incident at the funeral...
r. The amazing similarity between the Dwarf, in the dream
     sequence, and Leland, in the Great Northern lobby, when
     told of the arrest of Ben Horne.  He has his back to
     Cooper, holding a golf club in front of him with both
     hands, shivering with tears/laughter, in a foyer run riot
     with red drapes.

Many contributers have made note of various twin pairings in the
series, but little discussion has grown from the metaphor of
left-sidedness.  This assymetry is the anitithesisi of duality, or
twin-ness.  The left side is classically (literally) _sinister_ and
there are a multitude of references to this in the show, mostly through
characters bearing some deformity on the left side of their body.

 40.  Left-sided references:
a. Nadine's eyepatch, over the left eye.
b. One Eyed Jack's (1002).  The neon sign shows the right eye,
     it is missing the left one; when discussing OEJ, the
     speaker covers his own left eye in sympathy.
c. The One-Armed Man (seen earlier in 1000 than Cooper is).  He
     is, of course, missing the left arm.
d. The bandage on Big Ed's head, following his getting knocked
     out in 1000, is on the left side.
e. Shelly's bruises, courtesy of Leo, on the left side (1002).
f. Letters under the left ring fingernail (1000, various
     subsequent).
g. Tattoos ("Fire--Walk With Me") on the left arm of the OAM
     and Killer BOB (1002).
h. Leo shot in the left arm (1005).
i. Jacques Renault shot in the left arm (1007).
j. Tape concealed in heel of Leo's left boot (2007).
k. Cooper cut by left eye, by Jean Renault, lingering injury
     (2013, various subsequent).
l. Leo stabbed in left leg (2014).

The series' central duality metaphor is richly portrayed through the
constant use of twinning symbols.  I have collected a list of the more
obvious ones.

 41.  Twins, opposites, or yin-yang pairs:
a. The two ledgers for the mill, maintained by Catherine.
b. Twin Peaks versus "Invitation to Love".
c. The two sets of $10,000 (one of which was held by Laura, the
     other half had been paid to Leo).
d. The two brands of twine used to bind the victims, Laura and
     Ronette.
e. The two poker chips (one from Jacque's cabin, with the notch
     in Laura's stomach, the one in Ben's pants pocket).
f. The two Queen of Diamonds playing cards, from Audrey's debut
     at One Eyed Jack's (the one Audrey picked out of the deck
     offered by Blackie, and the matching large one sewn onto
     her costume by the hunchbacked seamstress).
g. The two diaries of Laura Palmer
h. The two safe deposit keys (Ben and Josie, holding blackmail
     evidence for protection from each other (2006).
i. Dennis/Denise Bryson (2011).
j. Jade and Emerald, from ITL (1003, various subsequent).
k. Laura and Maddy versus Jade and Emerald (1003).
l. Laura's double life.
m. Josie's double life.
n. Audrey's double life (1000).
o. The White Lodge and the Black Lodge.
p. Iceland versus Twin Peaks (treeless tundra and verdent
     forests).
q. The broken-heart necklace.
r. Leo's and Andy's new shoes (bought from Gerard).
s. The beating of Chet by Montana (ITL) versus Leo beating
     Shelly.
t. The shooting of Montana by Chet (ITL) versus Shelly shooting
     Leo (redux with Hank shooting Leo).
u. Hank's 3x3 domino.
v. Jacque' 3x3 pair of dice bow-tie dangles.
w. The two tapes used to blackmail Ben Horne (Bobby's copy of
     Leo's tape from the riverside meeting, and Pete's tape of
     Catherine, back from the dead) (2008).
x. Vivian and Ernie versus Norma and Hank (both wives to
     convicts but have no idea just how dangerous they are).
y. Blue Pine Lodge versus Great Northern.
z. The two cabins (the Log Lady's and Jacque's).
       aa. Pete's snake/mongoose trophy.
       bb. Laura and Cooper having the same dream.
       cc. The Dwarf and the Giant.
       dd. The Double-R Diner.
       ee. Characters with physical similarities:
     i. Ben and Leland.
    ii. Sarah and Sylvia.
   iii. Audrey and Donna.
    iv. James and Bobby.
     v. Norma and Shelly (especially after the beauty parlor
  visit).
    vi. Laura and Maddy (same actress).
   vii. Jade and Emerald (each of these pairs having a same
  actress).
       ff. Characters with opposing characteristics:
     i. Doc Hayward and Major Briggs
    ii. Hank and Big Ed.
   iii. Cooper and Albert.
    iv. Donna and Audrey.
     v. Laura and Maddy.
    vi. Laura and Laura.
   vii. Laura and Donna.
  viii. Mike (owl) and Killer BOB.
    ix. Ben and Leland.
     x. Bobby and James.
       gg. Characters with similar characteristics, differing in
     intensity:
     i. Leo and Hank.
    ii. Mike and Bobby.
   iii. Andy and Harry.
    iv. Catherine and Ben.
     v. Laura and Ronette.
    vi. Laura and Josie.
   vii. Donna and Harold Smith.
       hh. Characters with other miscellaneous duality symbols:
     i. Lucy and Gwen having babies.
    ii. Lucy's baby having two potential fathers (Andy and Dick).
   iii. Dennis/Denise Bryson

These pairings symbolize twins of one kind or another in furtherance of
the central duality metaphor.  In Leland Palmer, we have the kindly
family man and ethical, responsible businessman, in contrast to Ben
Horne, the scheming, double-dealing, faithless, amoral criminal.  To
futher reinforce their kinship, their wives Sarah and Sylvia also share
a physical resemblance.  We have James Hurley, the not-too-bright,
unimaginative, well-meaning, leather-jacketed kid, versus Bobby, the
highly intelligent, ambitious, opportunistic, crooked, sociopathic
leather-jacketed kid.  We have Norma, the confident, strong-willed,
unselfish, stoic yet world-weary woman, to Shelly's weak, dependent,
clinging insecurity--the self-made punching bag.  Donna, the sweet,
naive, girl next door, and Audrey, the ambitious, calculating,
manipulative seductress.  Laura, who was leading a double life, and
hence, her own twin.  Maddy, the child-like, sheltered, simple,
look-alike cousin, versus Laura's sophisticated life as a woman.

There are also some twins in which the outward physical appearance is
not obvious.  Big Ed versus Hank--strength applied to good or evil.
Major Briggs, the uptight authority figure; Doc Hayward, the laid-back
authority figure.  New in this episode, The Giant contrasts with The
Little Man from Another Place.  Also in tonight's episode, we get a
clear image of Albert as Cooper's twin.  When Albert grimaces at the
coffee in the hospital scene with Big Ed, it sends the message: he
doesn't even like the coffee.

Let's take inventory.  Cooper tries to find the good in everyone he
meets.  he derives pleasure from every sensory experience, particularly
new experiences.  Coffee is his most singular vice.  His investigative
technique is positively right-brained, holistic, inductive.  Above all
else, he cares.  Albert, of course, doesn't seem to like anybody he
meets; most sensory input is likely to be perceived negatively; new
experience is an utter inconvenience.  his investigative technique is
classic left-brained, analytic, deductive, factually contrived.  He
doesn't seem to care at all about people, only whatever fits his veiw
of logic and theory.

These, of course, are all yin-yang pairings.  There are also twins in
the same-same direction.  Ben and Catherine, Leo and Hank, Harry and
Andy.  These twins differ only in intensity.  Another example, perhaps
Josie and Laura (both seem to have led a double life).

Recall that the principle of duality is also reinforced throughout the
show by such dopplegangers as "Invitation to Love", the soap within the
soap, and the characters Emerald and Jade; the vrey names, Twin Peaks
and Double-R; the two murders, linked by the letters of the alphabet;
the two recent victims, Ronette and Laura, one alive and one dead; the
two cabins in the wood, Jacque's and the Log Lady's, both of which led
to important clues to the crime; the two sets of books at the mill; the
two poker chips; the Blue Pine Lodge versus the Great Northern; the
treeless expanse of Iceland versus the Douglas firs of Twin Peaks.

The antithesis of duality is asymmetry.  So, we have the constant
reinforcement of charactes bearing some deformity on the left side: the
One-Armed Man; Killer BOB and Mike having tattoos on the left arm; the
letters found under the left ring fingernail of the victims; Nadine's
eyepatch; Big Ed's bandage; Shelly's bruises; Leo and Jacque each shot
in the left arm.  Jacoby wears bi-colored glasses, Leo shot in the left
side of the chest in the cliffhanger episode, mirrored by Chet, in
"Invitation to Love", being shot in the same place, while Leo watches,
bleeding.

Against this backdrop is another layer of duality, never directly
addressed and only hinted at.  But the clues, while obscure, are
numerous and consistent.  Recall the many references to the woods:
logging trucks, wind-blown trees, the Log Lady's log, the Book House
Boys, the knotty pine decor at the Great Northern, the economic
lifeblood of the sawmill.  These are generally positive images.  In
contrst we have endless closeups of fireplaces.  There's the mill fire.
The obscure message, "Fire, walk with me."  The Log Lady said, "Fire is
the Devil, hiding like a coward in the smoke."  Her husband was killed
fighting a fire.  She also said, "Close your eyes and you'll burst into
flames."  James said Laura told him of BOB, asking, "Do you want to
play with fire?"  The man that lights Laura's fire.  The town's key
intersection, the pivot point of many key events, is "Sparkwood and
21", dual symbology again.

The foundation of the community is wood, and fire a manifestation of
things which threaten that community.  The central essence of the
series, the murder of Laura Palmer, brings her into focus as the
cneterpiece in the balance (or struggle) between good and evil.  Her
double life was the direct result of good and evil tearing her in half.
She lived a constant juggling act, deperately trying to maintain
distance between the two.  As long as she lived, the balance was
maintained.  But as Jacoby said, she ultimately reached the decision to
end that life.  The pressure must have been enormous.  As Jacoby said
earlier, everytime she tried to do good, it turned bad; she corrupted
everything around her.  She was forever tainted by her assigned role in
life.  And after her death, the delicate balance was broken, leading to
an onrush of tragendy, culminating in the cliffhanger episode.  The
community is still in a violent process of re-equalizing these twin
forces.

We can further extrapolate this idea to postulate the identity of
Killer BOB.  The Log Lady referred several times to the owls.  The
Giant said, "The owls are not what they seem."  No one has seen Killer
BOB in real life, except for perhaps Ronette; Cooper and Sarah,
independently, saw him only in visions.  The idea of fire as a symbol
of evil, the references to owls, and the other spiritual allusions in
the show, are all consistent with the notion that Killer BOB is in fact
the Devil himself, and that the killer, in the physical sense, has yet
to be identified.  Woever he was, he was merely an agent of the Devil.
The Devil slowly wore Laura Palmer down, until she could no longer
fight.  Now, he's been set loose. 
--
Jeff "Koganuts" Koga              1) "The 'Star Wars' Trilogy" by John Williams
Internet: 6600hien@ucsbuxa.ucsb.edu        2)"Dances with Wolves" by John Barry
Bitnet: 6600hien@ucsbuxa.bitnet          3) "Star Trek II:TWoK" by James Horner
Recommended CDs:      4) "Soundtrack from '^Twin Peaks^'" by Angelo Baladamenti

FYI, Twin Peaks Press (POBox 129, Vancouver, WA 98666-0129, phone:
206-694-2462 or 800-637-2256, FAX: 206-696-3210) are selling the
Twin Peaks Pilot (Euro-TP) for $79.99 and the 1st seven episodes
for $99.99 (or $19.99 individually).  They also have a board game
for $39.95 of which they say, "We can't believe how much fun this
quality board game is for Twin Peaks fans - a good way to 
perpetuate "Twin Peaks." We have to ship these air from London - makes
the game more expensive, but well worth it. For four to six players -
contains: one playing board, one Agent Cooper's handbook, six miniature
pentagon puzzles, one pack of suspect cards, 75 donut counters, one die
and one poker die, six playing pieces."

They also note that the TP film is scheduled for release in March 1992.

Rocky Giovinazzo

Let's hear it for those of us who _do_ like the occasional oddball show --
wouldn't it be boring if we all _did_ like Tony Danza. What do you think -
the Egghead CAble Network???

Hello everyone.  I am writing now my first article in this newsgroup.  
It's not like I just "decided" to become a Twin Peaks fan for some sort
of Yuppy status thing, it is simply that I am new to all this computer
network stuff.  I would appreciate any mail sent to me concerning 
any aspect of the show:  plots, symbolism, humor, characters . . . 
anything!  I have seen all of the shows approximately six times, so I
am fairly well-versed in all episodes.
My favorite topics within the show are probably Laura and the things
that happened before the show started (i.e. the Diary).  So write to me
if you are bored or if you would like to talk (type) about Twin Peaks or
more importantly what "the movie" will be about.
So, to all you fans of the show, goodbye and remember:
 
                    "A path is laid one brick at a time." 
                                     -The G.


    David "The man in the smiling bag"

mail me at:  marbach@feserve.cc.purdue.edu

In article <3375@anaxagoras.ils.nwu.edu> sandell@ils.nwu.edu (Greg Sandell) writes:

> >In article <9774@umd5.umd.edu>, jblum@umd5.umd.edu (Jon Blum) writes:

>> >> Listen to Coop's summary of the dream in the next episode, and you'll hear
>> >> it the way it happened in the movie version.

> >Didn't Coop also say to Truman and Lucy that they were both in the dream?
> >Is that really the case?

Yes, Truman and Lucy were in the dream that Cooper described at the
Great Northern (the break-the-code-solve-the-crime scene)-- but 
in the series, we didn't "see" all of Cooper's dream. i.e. there
was more to the dream than the Red Room and the scary poem.  Read
the Euro-version transcript (on the sait.audrey...whatever archive)
and you'll understand-- or watch the movie.

Rocky Giovinazzo

In article <3375@anaxagoras.ils.nwu.edu>, sandell@ils.nwu.edu (Greg Sandell) writes...

} In article <9774@umd5.umd.edu>, jblum@umd5.umd.edu (Jon Blum) writes:

}} Listen to Coop's summary of the dream in the next episode, and you'll hear
}} it the way it happened in the movie version.

Precisely. Especially his comment about Hawk drawing the sketch of BOB when
in the series, it was Andy who'd done so. And also his reference to the
Red Room scene being "25 years later".

} Didn't Coop also say to Truman and Lucy that they were both in the dream?
} Is that really the case?

Kinda sorta. Keep in mind that the "dream" material was *not* part of a
dream in the Euroversion of the pilot -- it actually happened (so to speak).
Some of the added footage *not* seen in the TV series involved Lucy (and
Andy) back at her apartment. Also in the added footage, Harry was with
Cooper when he confronted MIKE at the hospital and they all went down to
the hospital basement to confront BOB.

When Coop and Harry meet MIKE at the hospital, that's when MIKE gives his
"Fire, Walk With Me" speech. When they go down to confront BOB, that's when
*he* gives his "catch you with my death bag" speech. And then the Red Room
sequence is an epilogue to the film, subtitled "25 Years Later".

-- "Take that surface-man Autry to the Lightning Room!" --- jayembee (Jerry Boyajian, DEC, "The Mill", Maynard, MA) boyajian%ruby.DEC@DECWRL.DEC.COM or ...!decwrl!ruby.enet.dec.com!boyajian

 This is my first chance of being able to contribute to this newsgroup after
a long period of only being able to read. To sum up what I think of it, I will
phrase it in a way we can all relate to:
 
    "Damn fine newsgroup!"
 
 Two things have bugged me when reading this newsgroup over the past while.
 First off, the supposed "last" episode of Twin Peaks was in fact the last
episode of the 2nd season and *NOT* the last episode of the series as a nice
few people had thought.
 
 Also, about the Black Lodge/Waiting Room debate.. I had always thought he
was only in "The Waiting Room" all along and we never got to see the Black
Lodge at all. The checkerboard type floor and red curtains etc. seemed fine
for a Waiting Room but if one of the rooms was also The Black Lodge, well,
I thought a bit more imagination would have gone into it. I had thought that
the possible entrance into The Black Lodge would be in "Owl cave" (possibly
a wall crumbling down revealing a dark tunnel). Also, I think it would have
been interesting to make the entrance to the White Lodge behind the
Waterfalls in front of The Great Northern.
 
 Was just some thoughts I wanted to express.
 
 I am glad to hear about the new TP movie..cannot wait for it! Any news as to
whether or not they will continue with movie now? Or was there any word back
about the rumour that NBC was interested in re-airing the episodes and maybe
continuing on with the series?
 
 One final note, could someone please re-post the file Twin Peaks Allusions?
 
-=*George*=-
 
"And I'll be seeing you, and you'll be seeing me, in the branches that blow
in the breeze, under the sycamore tree.."

In article <28533@natinst.natinst.com>, brianb@natinst.com (Brian Bloom) writes:
> > 
> > So are there any good *color* TP GIFs out there?  After shelling out all
> > the bucks for my SVGA card, I'd hope to find _something_ that took advantage
> > of color!

Actually, if there any good GIFs of TP stuff *AT ALL*, please post some of them
to 'alt.binaries.pictures', so that those of us without access to FTP can get
them.
-- ________________________________________________________________________ Michael Buck | (western religious thinking) UUCP: uunet!dg-rtp!fibers!mbuck | + (healthy attitude towards sex) | ============================== | = (unexplored concept)

Several people have made reference to the "Third Season" but no one has 
apparently seen it. 

Does it actually exist? 

When (where) did it air? 

Is there any connection to the movie? 

Any information appreciated!

Jonathan Davidson

DAVIDSON@AC.DAL.CA

In article <1991Sep26.154536.135@merrimack.edu> morencym@merrimack.edu writes:
> >
> >        You people are the dregs of society. GET A LIFE!!!!
> >
> >                                      Mark.

Let's nip this in the bud.  Nobody flame this poor attention-starved wretch,
as that's probably what he wants.  He has his opinion, we have ours.  Everyone
has the right to be wrong.

|-Ian Novack (Particle Man)----------------------------ian@lerch.jpl.nasa.gov-|
| "I try to make everyone's day a little more          Jet Propulsion Lab     |
|  surreal."  -- Calvin                                Pasadena, CA           |
|-Disclaimer: They might be fake, they might be lies. -- They Might Be Giants-|

In a previous article, ian@lerch.Jpl.Nasa.Gov (Particle Man) wrote:
> >In article <1991Sep26.154536.135@merrimack.edu> morencym@merrimack.edu writes:
>> >>
>> >>        You people are the dregs of society. GET A LIFE!!!!
>> >>
>> >>                                      Mark.
> > 
> >Let's nip this in the bud.  Nobody flame this poor attention-starved wretch,
> >as that's probably what he wants.  He has his opinion, we have ours.  Everyone
> >has the right to be wrong.
> > 

True, but his behavior was totally uncalled for.  I personally think we
each should email this dork a meg or two of garbage (like an .EXE file
or something) just to piss him off.

In article <1700@ucsbcsl.ucsb.edu> 6600hien@ucsbuxa.ucsb.edu (Hien Le) writes:
> >
> >  7.  Birds:
> >a. Robin (?)(from opening sequence)
It was a Varied Thrush, a bird common in Pacific Northwest forests and with
a particularly haunting, wistful song (a slow two-voiced whistle/trill; the
bird sings in harmony with itself).  It is related to the American Robin,
which is also a thrush.

> >b. Crow (when Agent Cooper, Sheriff Truman, Deputy Hawk, and
> >     Doctor Hayward enter Jacque Renault's log cabin)
That was a Common Raven, one of the most intelligent birds in the world, and
a powerful religious figure for Pacific Northwest indians.  In one of the most
famous myths, the Raven is said to have brought the sun to the world by
cleverly stealing it from a man who kept the sun in a wooden box.  The Raven
was thought to be able to shape-shift and to talk (real ravens can learn to
mimic human speech).  The Common Raven and the American Crow are closely
related, but the Raven can be distinguished by its larger size, wedge-shaped
tail, and massive bill.  The large bill can be seen in the Twin Peaks scene.

> >c. Woodpecker (Sheriff Truman sees one outside the Sheriff's
> >     Office window--Episode 1005?)
Pileated Woodpecker, if it matters...

> >d. Chickadee on a Dodge Dart
> >e. Waldo the minah bird 
> >f. Owls:
> >     i. Owls
All of the owls so far have been Great Horned Owls.  I think it's a pity
Lynch hasn't taken advantage of other owls that have much more frightening
and bizarre calls than the mellow hoot of the Great Horned.  The Barred
Owl in particular has an alarming raspy bellow for its regular call and a
truly frightening whooping holler (the "chimp call") when it gets excited.
The sad whinny of the Screech Owl can give you cold shivers.  Also the great
dark eyes of the Barred Owl and Spotted Owl make them seem especially
supernatural, and finally the enormous Great Grey Owl would definitely make
a psychological impact.  But trained Great Horned Owls are probably easier
to find for filming than the other species, and I suppose many people 
wouldn't connect the non-hoot calls with owls, and wouldn't get
the psychological impact of "owl!" that they get with the familiar Great
Horned's call & appearance.

> > 15.  White horse:
> >a. Laura Palmer's pony (Troy) that was seen by Sarah Palmer
> >     right before BOB killed Madeleine Ferguson
That can't have been Troy because Troy wasn't a white horse.  Laura
describes him as "cinnamon-colored" which I take to be either sorrel or
some sort of red roan, but definitely not white.

> >b. The connection between the flashing flourescent lights in
> >     the morgue, and the stobe light in the dream sequence
> >     (1000, 1002).
And the fiasco at the end of the Miss Twin Peaks contest...

> > 41.  Twins, opposites, or yin-yang pairs:
After seeing the finale, I think it's clear that doppelgangers are *the*
major theme in TP.  (Nice discussion, by the way)
Does anyone have any thoughts on what the Leland-double (I assume it was
his doppelganger because of the silver eyes) meant by "I didn't kill
anyone"?  It's true that in a sense Leland didn't kill anyone because
BOB did the killing, not Leland himself.  But this wasn't Leland, it was
Leland's doppelganger.  He also seemed to have that creepy smile that 
BOB-Leland (not true Leland) had, but he had the dark hair of true Leland.
I was a little puzzled, anyway.   Comments?

Great list!

Kathleen
-- Kathleen Hunt / U.W. Zoology / jespah@milton.u.washington.edu Teacher: Now kids, can anyone give me an example of a proverb? 3rd grader: "Shut up and sit down."

In article <1991Sep26.154536.135@merrimack.edu> morencym@merrimack.edu writes:
> >
> >        Look, why don't all of you people get a life. Twin Peaks 
> >was a spoof on detectives and such just to give you guys something to do 
> >with your lives.  All you idiots swallowed it up.  I bet you even 
> >bought the books they started churning out by the truckload.
> >        Listen, Her father killed her, END OF STORY!!!!!!  Lets
> >not become totally braindead by watching this, whadasay?
> >
> >        You people are the dregs of society. GET A LIFE!!!!
> >
> >                                      Mark.
I have a life, thank you very much. Quite a full and interesting one too.
Full of books, good music, good friends and lots of hobbies much more
interesting than posting to newsgroups that bore and irritate me, as
alt.tv.twin-peaks obviously does you. Usenet newsgroups exist for people
who want to talk about mutual interests, be it skiing, physics, kids,
language, or about 2000 other subjects. We happen to like Twin Peaks.
What's it to you? Do you go into every newsgroup you don't like and tell
everyone to "get a life"?  Do you call everyone who's interested in a
subject you have no interest in "the dregs of society"? 

I could care less if you like Twin Peaks or not. Sorry about your problems
dealing with a diverse society, though.

Vickie
katefans@chinet.chi.il.us

In article <3375@anaxagoras.ils.nwu.edu> sandell@ils.nwu.edu (Greg Sandell) writes:
> >In article <9774@umd5.umd.edu>, jblum@umd5.umd.edu (Jon Blum) writes:
>> >> Listen to Coop's summary of the dream in the next episode, and you'll hear
>> >> it the way it happened in the movie version.
> >Didn't Coop also say to Truman and Lucy that they were both in the dream?
> >Is that really the case?

Mm-hm, there was more footage.  Spoiler city:

Haven't actually seen the scenes myself, but here's the best summary I've
heard.  Lucy and Andy have a romantic scene together which is interrupted
by a call from Leland Palmer.  Sarah, in her vision at the end of the
pilot, saw the face of BOB.  Also, one-armed MIKE calls them to meet him
at the hospital.  In this version, Truman was with Coop for the scene where
MIKE tells them about BOB, and then MIKE directs them to the basement of
the hospital where BOB is hiding out in a ring of candles.  After BOB raves
for a while, MIKE shoots him and dies as the candles gutter and blow out.
Flash forward twenty-five years to the red room.

And there's more details, but I don't want to blow it completely for you.
:-)

In article <1991Sep28.163355.1445@ac.dal.ca> davidson@ac.dal.ca writes:
> >Several people have made reference to the "Third Season" but no one has 
> >apparently seen it. 
> >
> >When (where) did it air? 

As best I can determine:

The "third season" was a myth that started with the overseas airings.
Some countries put in a season break between Leland Palmer's death and
the next episodes.  Others (like America) pre-empted the show so many
times that it seemed that the second season was split in half.

For the record for foreign posters -- there were only two seasons of
Twin Peaks made.  The first included a two-hour pilot and seven
one-hour episodes, ending with Dale Cooper getting shot.  The second
included a two-hour premiere and twenty-one regular episodes, ending
with "Hooooow's Annie???"

Which is the title of a Beatles song but no matter...

I have the unfortunate situation of being someone who
1) discovered TP too late (i.e. midway thru the 2nd season) and 
worse 2) didn't have a VCR until the LAST episode!

So, I am faced with the gargantuan task of trying to find
every other episode on tape.  I know that they are comingout with
the first 7 commercially, but at this time I can't afford it.
I live in the Boston area...

I feel a little foolish asking this, but like most of
you I really got hooked on this show when I got to see it, and I
would LOVE to at the very least see the episodes I haven't seen,
although ideally would like to have Coop et al. at my VCRs beck and 
call.

So if any Beantown area TPers have any pity for such a wretch :-)
please get in touch!  My doppelganger will thank you profusely!  :-)

Cheers, BBC

In article <1991Sep29.012202.11427@chinet.chi.il.us>, katefans@chinet.chi.il.us (Chris'n'Vickie of Chicago) writes...
>> >>
>> >>        You people are the dregs of society. GET A LIFE!!!!
>> >>
>> >>                                      Mark.
> >I have a life, thank you very much. Quite a full and interesting one too.
> >Full of books, good music, good friends and lots of hobbies much more
> >interesting than posting to newsgroups that bore and irritate me, as
> >alt.tv.twin-peaks obviously does you. Usenet newsgroups exist for people
> >who want to talk about mutual interests, be it skiing, physics, kids,
> >language, or about 2000 other subjects. We happen to like Twin Peaks.
> >What's it to you? Do you go into every newsgroup you don't like and tell
> >everyone to "get a life"?  Do you call everyone who's interested in a
> >subject you have no interest in "the dregs of society"? 
> > 
> >I could care less if you like Twin Peaks or not. Sorry about your problems
> >dealing with a diverse society, though.
> > 
> >Vickie
> >katefans@chinet.chi.il.us
> > 
Very nice response, Vickie.

Thanks for answering simply and effectively, without feeling the need 
to put down that poor demented creature, who is probably still 
searching for his drool as it slowly drips from the corners of his 
gaping mouth.

That was (excuse me) a damn fine response.
    :-D ave

> >

Hi folks......

Does anyone know where to access some x-rated GIFS on Audrey Horne (Sherryl
Fin). As a committed reader of this newsgroup I remember the discussion about
the nice pics of Audrey in playboy. mag. ..[..i think :-?> ..]

So if anyone has some of the above mentioned GIFs somewhere i think some of
us would benefit if we get access to them :-) :-).

Cheers for now....
I'll be desperately waiting for some pics.

riaz

                                  (####)
                                (#######) 
                              (#########) 
                             (#########)
                            (#########) 
                           (#########)
                          (#########) 
                         (#########)
                        (#########)
                       (#########)
                      (#########)
                     (#########)
                    (#########)
                   (#########)
   __&__          (#########) 
  /     \        (#########)   |\/\/\/|     /\ /\  /\               /\
 |       |      (#########)    |      |     | V  \/  \---.    .----/  \----. 
 |  (o)(o)       (o)(o)(##)    |      |      \_        /       \          /
 C   .---_)    ,_C     (##)    | (o)(o)       (o)(o)  <__.   .--\ (o)(o) /__.
  | |.___|    /____,   (##)    C      _)     _C         /     \     ()     / 
  |  \__/       \     (#)       | ,___|     /____,   )  \      >   (C_)   <
  /_____\        |    |         |   /         \     /----'    /___\____/___\ 
 /_____/ \       OOOOOO        /____\          ooooo             /|    |\
/         \     /      \      /      \        /     \           /        \

fuck off.  Twin Peaks is the best thing that ever happened to me.  Just because you are too "new Kids on the Block"-y to understand it, you can go to BOB!!!

Lately I've been hearing a song on my local radio a lot called
"I promise" by "when in rome".   

The song uses sound effects from Twin Peaks-- the sound they always 
play when killer BOB appears or something terrifying reveals itself.  
I wondered if anyone else noticed this?  It sends chills down my spine 
and drives me nuts when I hear that sound.  (kind of an eerie howling)
The sound is very distinctive and memorable, I'm sure I'm not mistaken.

Not that I especially recommend the show (actually, I thought the first one
was pretty good, the 2nd one was pretty lousy except for a couple of killer
lines, and the 3rd one was okay), "Eerie, Indiana" had Deputy Andy in a
bit part, as another police officer, in tonight's (3rd) episode.  Since
they are trying their best to be quirky, I wouldn't be surprised to see
other cast members from or allusions to our favorite show.
-- -larryy@apple.com "The enemy will be revealed under infrared rays detecting with varied sounds while 8 sorts of weapon fire." - Taiwanese Laser Pistol Key Chain instruction

Hi Folks,

Here in the UK, we seem to be getting confusing messages about the 
Twin Peaks follow-up movie. I read in this newsgroup that the filming
has started but we *still* get numerous newspaper and 'movie' magazines
over here saying that there will be no film and the all the old cast
have pulled out from ever doing another TP thing!

1) Is the film going ahead ?
2) Who's in it ? Original cast ?

Thanks, 

Mike
****

Why won't kyle play Coop in the peaks film that they wanted to start shooting r
ight after the cancelation of the series.  I just don't understand what is goin
g on.  He should be greatful and atleat want to finish what was not finished on
 the series.  Speaking of the series,  When is there going to be another movie
to finish what happened at the end of the last episode.  Later.

bill

Keep the Faith!!!!!!!!!!

In article <1991Sep27.221306.1601@risky.ecs.umass.edu> giovin@medr0.ecs.umass.edu (Rocky J Giovinazzo) writes:
> >They also have a board game
> >for $39.95 of which they say, "We can't believe how much fun this
> >quality board game is for Twin Peaks fans - a good way to
> >perpetuate "Twin Peaks." We have to ship these air from London - makes
> >the game more expensive, but well worth it. For four to six players -
> >contains: one playing board, one Agent Cooper's handbook, six miniature
> >pentagon puzzles, one pack of suspect cards, 75 donut counters, one die
> >and one poker die, six playing pieces."

Is there any info about a euro(specifically UK) connection for said item ? 
I'm going down to London next weekend and I'd sure love to pick up the game.

Thanks in advance.

Brian

In article <1991Sep26.154536.135@merrimack.edu>, morencym@merrimack.edu writes:
> >         Look, why don't all of you people get a life. Twin Peaks 
> > was a spoof on detectives and such just to give you guys something to do 
> > with your lives.  All you idiots swallowed it up.  I bet you even 
> > bought the books they started churning out by the truckload.
> >         Listen, Her father killed her, END OF STORY!!!!!!  Lets
> > not become totally braindead by watching this, whadasay?
> >         You people are the dregs of society. GET A LIFE!!!!

Why thank you.  I must have missed that episode.

Have you read Moby Dick?  It's dull.  It's about this whale who kills a guy.
-- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet...

In article <91273.120130WAS104@psuvm.psu.edu> WAS104@psuvm.psu.edu writes:
> >Why won't kyle play Coop in the peaks film that they wanted to start shooting r
> >ight after the cancelation of the series.  I just don't understand what is goin

What!?!  Kyle is NOT playing Dale C. in the movie?
Is this true?  Who is playing Coop then?
(I really can't imagine anyone else in that role...)


just another Peak-ed person...
Tim S.

In article <91273.120130WAS104@psuvm.psu.edu> WAS104@psuvm.psu.edu writes:
> >X-Subliminal-Message: Fiend Lives On!!!!
> >Why won't kyle play Coop in the peaks film that they wanted to start shooting r
> >ight after the cancelation of the series.  I just don't understand what is goin
> >g on.  He should be greatful and atleat want to finish what was not finished on
> > the series.  Speaking of the series,  When is there going to be another movie
> >to finish what happened at the end of the last episode.  Later.

Actually, Coop _is_ going to be in the prequel movie, but in a relatively
small part.  Over the summer they did persuade MacLachlan to join in.
However, Lara Flynn Boyle and Sherilyn Fenn are still out, and since
shooting has started it's a bit late for them to change their minds.

And no, there's no news on a conclusion movie.  Unless the first movie
is a success on the order of Star Trek: The Motion Picture...

   In a previous article, ian@lerch.Jpl.Nasa.Gov (Particle Man) wrote:
   >In article <1991Sep26.154536.135@merrimack.edu> morencym@merrimack.edu writes:
   >>
   >>        You people are the dregs of society. GET A LIFE!!!!
   >>
   >>                                      Mark.
   > 
   >Let's nip this in the bud.  Nobody flame this poor attention-starved wretch,
   >as that's probably what he wants.  He has his opinion, we have ours.  Everyone
   >has the right to be wrong.
   > 

   True, but his behavior was totally uncalled for.  I personally think we
   each should email this dork a meg or two of garbage (like an .EXE file
   or something) just to piss him off.


I agree...  I just love people who use the net for constructive
things... :-P

-Wyatt

I just received my update to ^Twin Peaks Press^ and the headlines that backup
statements made before include:

Coop Tshirts $16.95
1992 Calendar $12.95
Board Game $39.95

Twin Peaks Video
(US Version)
First Seven episodes $19.99 (each)
Set of Seven $99.99
(European Version)
Two hour pilot $79.99

The Cooper Rap (price not listed)

Also mentioned is the announcement of a TwinPeaks convention:
A Twin Peaks convention in the Seattle area is being planned to coincide with
the film opening in March.  Many events are being planned including a Miss Twin
Peaks contest.

Will keep you posted
Best Regards,


Don Kasprzak
UToledo

In article <21447@darkstar.ucsc.edu> kitty@ucscb.ucsc.edu (Kitty) writes:
> >
> >
> >Lately I've been hearing a song on my local radio a lot called
> >"I promise" by "when in rome".   
> >
> >The song uses sound effects from Twin Peaks-- the sound they always 
> >play when killer BOB appears or something terrifying reveals itself.  
> >I wondered if anyone else noticed this?  It sends chills down my spine 
> >and drives me nuts when I hear that sound.  (kind of an eerie howling)
> >The sound is very distinctive and memorable, I'm sure I'm not mistaken.
> >
> >

Well, actually, if anything it's the OTHER WAY AROUND. The song is actually
called THE PROMISE. It was recorded in the UK (I think) in early 1988! 

I think it's one of those unsettling coincidences. I was just listening to that
song yesterday. It never ocurred to me before, but Kitty is definitely right:
the sounds are virtually identical. And it's such a nice sappy song too! Oh
well, another song ruined by association...


SPEAKING OF SUCH: a guy posted recently in reply to the (very well-done) bogus
report of a second TP sndtrk. He asked about THE WORLD SPINS. Here's your 
answer: it was the song played at the end of the episode when Madeline Ferguson
was having her little encounter with Bob. It countinued over the credits. It's
on (really, it is) the Julee Cruise CD (FLOATING INTO THE NIGHT -- good name;
think about it for a few minutes).


Well, that's all for now, from the town famous for its mindless knee-jerk
activism...


Philip Lee Tanner, BASW 1992, 2QT2BSTR8.    Internet:  philfree@ocf.berkeley.edu
********************************************************************************
*********"BOB killed Laura; ABC killed everyone else -- including BOB."*********
***********************"Let's play master and servant."*************************

Kyle can do whatever he wants as far as i'm concerned. He shouldn't feel
any obligation to continue twin peaks if it's not in his personal
best interests. He's  a human, not a product.

o.

In article <BRIAN.91Sep30113438@tadsrc.uucp> brian@tadtec.uucp (Brian Kelly) writes:
> >In article <1991Sep27.221306.1601@risky.ecs.umass.edu> giovin@medr0.ecs.umass.edu (Rocky J Giovinazzo) writes:
>> >>They also have a board game
>> >>for $39.95 of which they say, "We can't believe how much fun this
>> >>quality board game is for Twin Peaks fans - a good way to
>> >>perpetuate "Twin Peaks." We have to ship these air from London - makes
>> >>the game more expensive, but well worth it. For four to six players -
>> >>contains: one playing board, one Agent Cooper's handbook, six miniature
>> >>pentagon puzzles, one pack of suspect cards, 75 donut counters, one die
>> >>and one poker die, six playing pieces."

> >Is there any info about a euro(specifically UK) connection for said item ? 
> >I'm going down to London next weekend and I'd sure love to pick up the game.

I called Twin Peaks Press today for you.  The person I talked to told me that
they order the game from the manufacturer directly (I forgot to ask the
name) and not from a store in London. She said that you should just
try calling some bookstores or stores that sell games and that it
shouldn't be too hard to find.

Also, if you can't find it, Twin Peaks Press will take overseas orders
with Mastercard or Visa.

Rocky

In article <1991Sep30.145826.4876@uoft02.utoledo.edu> csbgc@uoft02.utoledo.edu writes:
> >I just received my update to ^Twin Peaks Press^ and the headlines that backup
> >statements made before include:
> >
> >Coop Tshirts $16.95
> >  [other neat stuff deleted]
> >The Cooper Rap (price not listed)

1 - What is ^Twin Peaks Press^?  Any relation to "Twin Peaks Gazette"?

2 - Aaaarrrgggghhh!!  How come I never got the COOP T-shirt I sent in my
    hard-earned bucks for, yet now there's a commercial outfit selling them?
    Bob Cappel and company:  you out there?  Any good answers?

3 - What is "The Cooper Rap"?
-- -larryy@apple.com "The enemy will be revealed under infrared rays detecting with varied sounds while 8 sorts of weapon fire." - Taiwanese Laser Pistol Key Chain instruction

From the TV Guide's "TV News Update":

'More of Laura in "Twin" Film'
The new "Peaks" is a prequel. That's the early word from the set of the
big-screen "Twin Peaks" project, reportedly a look at the seven days
leading up to Laura Palmer's death.

This time around, Laura (actress Sheryl Lee) will be the main character,
not FBI agent Dale Cooper (Kyle MacLachlan). MacLachlan had initially
refused to take part in the project, which began filming in early
September in Seattle. But the actor's longstanding relationship with
director David Lynch induced him to do the movie. Officially called
"Twin Peaks: Fire Walk with Me," the feature reunites cast members
Joan Chen, Frank Silva, Ray Wise, Peggy Lipton, Michael Ontkean,
Everett McGill, Grace Zabriske, Dana Ashbrook, and James Marshall.
New additions include: Chris Isaak, Harry Dean Stanton and David Bowie.
Among the major absentees will be Sherilyn Fenn.

With all these actors, however, the film, intended for 1992 release,
is still not guaranteed a major American release. So far, Spelling
International is handling foreign sales, but no domestic distributor
has yet been found.

--
sj

In article <1991Sep29.171007.2936@mintaka.lcs.mit.edu> 
donahue@wombat.gnu.ai.mit.edu (Bob Donahue) writes:
> >  ... but at this time I can't afford it. I live in the Boston area...

Would you care to elaborate on the connection between these two facts?

Roar Larsen,
Trondheim, Norway

        O.K.  It's time to clear the air.  The posted note
under the subject  ALL FANS READ THIS!!!!! was not written by
me, (Mark), but actually by my friend who got a hold of my
pass code.  He considered it rather funny, since I actually
like the show.  So far I have recieved about 27 pieces of mail
blasting me for it.  I have dealt with the pass code theif, and
I would like to apologize for any and all insulting comments
made in the post.  Thank you for understanding.

                           Sincerely,
                                Mark

Possibly they use the same sound, but the song is older than Twin Peaks, so
maybe David used the sound from the song in the series !

I like the song by the way....

Sture

Hello all,

I would first like to say I was pretty stupid not to include a phone or mailing
address for the ^Twin Peaks^ Press Annoucement that I posted yesterday.  Here
is the info most of you have asked for:

^Twin Peaks^ Press
PO Box 129
Vancouver, WA 98666-0129
Phone 206.694.2462
Phone 800.637.2256
Fax 206.696.3210
US & Canada

Some of you have asked about The Cooper Rap, well here is the info:
"A fan in Nebraska says she and her brother are the ultimate "Peaks Freaks" and
have created "The Cooper Rap" by taking sections of the T.P. Tapes of Agent
Cooper and setting them to rap music.  This product is available through ^TP^
Press however no price was listed.

Any more info I can help with just send me some mail!

All the best,

Don Kasprzak
UToledo

PS  Does the ZIP code for Vancouver (ie 666) surprise you?

I've heard a good deal of talk about the Twin Peaks board game and FRP
game. As anyone actually seen or played them. Are they any good? 

Thanks...



lisa roraback

lr1b+@andrew.cmu.edu
===============================================================================
=

"First things first, but not necessarily in that order"  Dr. Who

In <1991Sep28.023622.10833@risky.ecs.umass.edu> giovin@medr0.ecs.umass.edu (Rocky J Giovinazzo) writes:

> >Yes, Truman and Lucy were in the dream that Cooper described at the
> >Great Northern (the break-the-code-solve-the-crime scene)-- but 
> >in the series, we didn't "see" all of Cooper's dream. i.e. there
> >was more to the dream than the Red Room and the scary poem.  Read
> >the Euro-version transcript (on the sait.audrey...whatever archive)
> >and you'll understand-- or watch the movie.
> >
> >Rocky Giovinazzo
 
 I've only read this newsproup two or three times, so I'm new with all the
 stuff behind Twin Peaks. What movie do you mean? I've heard about a TP movie
 being made right now, but I think you mean another movie.

 David.

Well now that the Laura Palmer murder is solved (Yeah, right...)
Andy is now the sheriff of Eerie Ind.
--
-------
Erick S. Dyke -- GE Simulation & Control Systems
EMail : dyke@lakevue.dab.ge.com
"GE Aerospace -- We make the BEST video games in the world"

In article <1643@philtis.cft.philips.nl> hd@cft.philips.nl (Henk Davids @ Philips Medical Systems) writes:
<
<Would anybody care to explain in a few words what the difference
<between the US and European version is all about?

There is no difference between the European *TV* series and the
US *TV* series.  The only difference there is, is between the *TV* first
season pilot (episode 1000, doesn't matter whether US or European) and
the European *movie* called "Twin Peaks".  This *movie* has just been
released in the US on videocassette and laser.

<The reason I ask is that over here in the Netherlands we are just
<up to episode 1004 now, and I hesitate to go and read the lengthy
<explanation that's on the server - if it is really a difference
<in the last episode (which I suspect from what I've seen up till
<now) I guess it's full of spoilers for me.

Yes, it's full of spoilers because the TV series is the same
everywhere in the world.  I am not sure what you mean by "difference
in the last episode."  There is no difference anywhere, except that some
countries (New Zealand I think) decided to cancel Twin Peaks second
season earlier, but whatever was shown was the same.

Jan Bielawski
Computervision R&D, San Diego
jpb@calmasd.prime.com

In article <9774@umd5.umd.edu> jblum@umd5.umd.edu (Jon Blum) writes:
<In article <1643@philtis.cft.philips.nl> hd@cft.philips.nl (Henk Davids @ Philips Medical Systems) writes:
<>
<>Would anybody care to explain in a few words what the difference
<>between the US and European version is all about?
<
<Okay, short version.  Remember the whole long dream sequence at the end of
<episode #1002?  The one-armed man reciting "Fire...  Walk With Me",
<Bob crowing "You may think I've gone insane, but I promise, I will kill
<again!", and the dwarf in the red room?  Well, in the European movie version
<(which had to have a conclusion), all that in the dream really happened.

The more I think about it the more it looks like it's a dream to me
too.  Even in episode 1003 Coop describes the scene with Lucy and Andy
as a dream.  The editing, the total change of pace, the sudden reappearance
of an irrelevant character (the one-armed man) from the elevator, it's just
like it is in dreams.

Jan Bielawski
Computervision R&D, San Diego
jpb@calmasd.prime.com

I talked to the person who posted the "dregs of society" message a
few days ago.  Apparently, he is a big TP fan and someone got a hold
of his password and posted the message.

John Schultz (caffeine abuser)  !  ABC killed Laura Palmer
c491153@umcvmb.bitnet           !  Macintosh-free and proud of it!
c491153@umcvmb.missouri.edu     !  Subscriber to the hacker ethic

So according to the article in TV Guide, there is as yet no American 
distributor for the upcoming movie.  Does anyone here know anything about 
the movie biz, and if so, should we wourry about this?  Is it likely that 
we Americans may have to wait for a videotape to be released to see the 
movie?

Perhaps it's once again time for a letter-writing campaign, this time to 
movie distributors.

Kenneth Bays

..

In article <9110012238.AA16508@nettlerash.berkeley.edu>, C491153@UMCVMB.MISSOURI.EDU (John Schultz) writes:
> > I talked to the person who posted the "dregs of society" message a
> > few days ago.  Apparently, he is a big TP fan and someone got a hold
> > of his password and posted the message.

Obviously, the Login Lady.
-- cdt@pdp.sw.stratus.com "Deliver the message!" OR cdt@vos.stratus.com

This is an attempt to digest the confirmed details about the movie TWIN
PEAKS: FIRE WALK WITH ME for infrequent and foreign callers.  If anyone
would care to update this regularly as more info comes in, go for it.

The movie is in production at this time (10/1), in various towns in the
Pacific Northwest, including the Snoqualmie area.  Shooting will also be
done in Van Nuys, CA on the soundstage.

Kyle MacLachlan will be appearing as Agent Cooper; however, he will not be
the star of the movie.  He is doing five days worth of shooting.

Other stars include "the entire cast" (according to the Washington Post),
with the exception of Lara Flynn Boyle (Donna) and Sherilyn Fenn (Audrey).
The role of Donna has been recast, but there is no word on the absence of
Audrey.  James Marshall (James) and Joan Chen (Josie) will be in the movie,
despite the fact that they left the series.  Among the confirmed semi-
regulars are Al Strobel (the One-Armed Man), Austin Lynch (Pierre, the kid
with the creamed corn), and (someone get this name) (Pierre's grandmother Mrs.
Tremond).  There is no word on the appearances of Michael J. Anderson
(the dwarf) or Carel Struycken (the giant), though it is considered likely.

Other stars include Kiefer Sutherland, David Bowie and Chris Issak as FBI
agents and Harry Dean Stanton as the owner of a trailer park.

The movie will focus on the last days of the life of Laura Palmer, and
possibly also on the investigation of the murder of Teresa Banks.  All plot
twists are being kept very secret, but following is one very big SPOILER
about the ending:

Laura Palmer dies.

In the last episode of Northern Exposure,
in the scene where Maurice(?) pulls up in
his car, a logging truck rolls by, looks just
like the one outside the Double R.


===============================================================================
Matt Brockman                                        mbrockma@en.ecn.purdue.edu
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><
"Achievement is its own reward; pride obscures it." -Maj. G. Briggs, TWIN PEAKS
"While you are an excellent starship captain, as a taxi driver, you leave
 much to be desired." -Mr. Spock, APOTA
===============================================================================

giovin@medr0.ecs.umass.edu (Rocky J Giovinazzo) writes:

> >C491153@UMCVMB.MISSOURI.EDU (John Schultz) writes:
>> >>I talked to the person who posted the "dregs of society" message a
>> >>few days ago.  Apparently, he is a big TP fan and someone got a hold
>> >>of his password and posted the message.
> >
> >So why hasn't this person apologized for the incident?

Probably doesn't understand netiquette ... I got the same explanation from
him in email as well.


===============================================================================
    :: :: :: :: ::      Synth           synth@euler.unm.edu      U S E N E T
 :: :: :: :: :: :: ::   (F. Oberheim)   synth@yenta.alb.nm.us        in color!
-------------------------------------------------------------------------------
 Fire your boss! Get out of the rat race forever. Call 24hr msg (505) 764-0621
===============================================================================
"Ow!  Don't bite me!  I'm alive, I'm a sentient being!  Ow!"
          "... but it was TOO LATE -- the kids had *crushed the crullers* ..."
-- Tom & Crow, MST3K

In article <1991Oct2.003012.8770@risky.ecs.umass.edu>, giovin@medr0.ecs.umass.edu (Rocky J Giovinazzo) writes:
> > In article <9110012238.AA16508@nettlerash.berkeley.edu> C491153@UMCVMB.MISSOURI.EDU (John Schultz) writes:
>> >>I talked to the person who posted the "dregs of society" message a
>> >>few days ago.  Apparently, he is a big TP fan and someone got a hold
>> >>of his password and posted the message.
> > 
> > So why hasn't this person apologized for the incident?

I run this guy's site. When I saw his post I told him to get his asbestos
suit, be prepared to be called immature, blah, blah, blah.

Listen, if you've been around the net for a while you KNOW he got the
message. You should also know these things are going to happen. Why
run around asking for an apology like he hurt your feelings or
something? Let it be--one more person's been initiated the hard way.
Oh, Well... 

rand

To quote from the ^Twin Peaks^ Timeline:

> >      Briggs: "There's a time if Jupiter and Saturn meet, they will receive
> >      you."  He also says something like "That gum you like is coming back"
> >      backwards.

> >   -- Andy looks at the petroglyph again.  Cooper figures out from a book
> >      that the petroglyph tells of a time when Jupiter and Saturn are in
> >      conjunction.  Briggs mutters "protect the queen" and "fear and love
> >      open the doors."  Andy knocks the bonsai to the floor.  Truman goes
> >      to pick it up and discovers the bug.

Sorry folks, but there is NO way Saturn and Jupiter could be in conjunction
in early 1989, when TP is set;

The last conjunction was in 1981, and the next will be on
                31st May 2000 at 10:00 UT (=GMT)

Info from "The Amateur Astronomer" by Antonin Rukl, ISBN 0 7064 1034 3

Nice try though.

  Jon                                           FIRE, walk with me

jblum@umd5.umd.edu (Jon Blum) writes:
> >possibly also on the investigation of the murder of Teresa Banks.  All plot
> >twists are being kept very secret, but following is one very big SPOILER
> >about the ending:

> >Laura Palmer dies.

Ah! but wouldn't it be an interesting plot twist if she
didn't die. Perhaps everyone in town was lying about who it
was wrapped in plastic....
Bob.

I was rewatching the Star Trek episode "Who Watches the Watchers" the
other day (one of my favorite Next Generation episodes, by the way).
This episode stars Ray Wise (Leland) as a humanoid proto-Vulcan who
is saved by Dr. Crusher and who then attempts to revive an ancient
belief that gods created everything that is - chief of the gods being
Picard, of course.

This has been discussed here before.  The interesting thing is that 
"Leland" and his people find a missing scientist whose name is Palmer!


Brian WOOD    *House address 710 -- same as Blue Lady's apt in Blue Velvet
              *Just got through studying major religious works like Ben Horne
              *Live next to a grove of TREES
              *My wife's aunt's name is Annie; my sister's name is Anne
              *My wife grew up next to a forest; next street - Glastonbury
              *My father's name - Palmer

In article <1991Oct01.172437.20829@cs.ruu.nl> dnmneder@cs.ruu.nl (David van Nederveen Meerkerk) writes:
> >In <1991Sep28.023622.10833@risky.ecs.umass.edu> giovin@medr0.ecs.umass.edu (Rocky J Giovinazzo) writes:
> >
>> >>Yes, Truman and Lucy were in the dream that Cooper described at the
>> >>Great Northern (the break-the-code-solve-the-crime scene)-- but 
>> >>in the series, we didn't "see" all of Cooper's dream. i.e. there
>> >>was more to the dream than the Red Room and the scary poem.  Read
>> >>the Euro-version transcript (on the sait.audrey...whatever archive)
>> >>and you'll understand-- or watch the movie.
 
> > I've only read this newsproup two or three times, so I'm new with all the
> > stuff behind Twin Peaks. What movie do you mean? I've heard about a TP movie
> > being made right now, but I think you mean another movie.

I was referring to the Euro-version of TP (2 hour complete show-- no
series).

Rocky Giovinazzo

Anyone willing to copy some/all the TP episodes onto Ep VHS if I 
supply tapes/shipping money?

if so respond to: (DO NOT JUST REPLY TO THIS ARTICLE! MAIL MAUALLY TO:

walshm@clutx.clarkson.edu
614-424-4159
thanks

--
Matt Walsh  walshm@clutx.clarkson.edu
614-424-4159 (daytime)
614-538-9427 (after 5 est)
How can you have your pudding if you don't eat your meat? You! Yes You!

In article <1991Oct01.172437.20829@cs.ruu.nl> dnmneder@cs.ruu.nl (David van Nederveen Meerkerk) writes:
> > I've only read this newsproup two or three times, so I'm new with all the
> > stuff behind Twin Peaks. What movie do you mean? I've heard about a TP movie
> > being made right now, but I think you mean another movie.

The movie being referred to was the release in Europe on video of an
extended version of the pilot episode, with ten or fifteen minutes of extra
footage serving as an ending.  It has just been released on video in the
US as well.

We really do need to find a way to come up with a convention for referring
to the two different "movies" -- the extended pilot and Fire Walk With Me
(FWWM?).

In article <1991Oct2.031323.2662@en.ecn.purdue.edu> mbrockma@en.ecn.purdue.edu  
(Matt Brockman) writes:
> > In the last episode of Northern Exposure,
> > in the scene where Maurice(?) pulls up in
> > his car, a logging truck rolls by, looks just
> > like the one outside the Double R.

I remember another episode a while back had some more blatant TP references in  
it, too.. I wish I had taped it because I can't completely recall all of the  
details, but it did involve a number of the NE characters standing around an  
observation deck (upon which was one of those little pay-telescopes), looking  
at a waterfall.  My first thought when the scene started was "that waterfall  
reminds me of the TP intro..."  Then, the conversation began turning to coffee  
and donuts, and the scene actually ended with one of them saying something  
along the lines of "Who's that over there?  And what's she carrying?  It's a  
LOG!".. End of scene.

Anyway, 'danyone see that?

In article <1991Oct1.124517.182@merrimack.edu> morencym@merrimack.edu writes:
> >
> >        O.K.  It's time to clear the air.  The posted note
> >under the subject  ALL FANS READ THIS!!!!! was not written by
> >me, (Mark), but actually by my friend who got a hold of my
> >pass code. He considered it rather funny, since I actually
> >like the show.  So far I have recieved about 27 pieces of mail
> >blasting me for it.  I have dealt with the pass code theif, and
> >I would like to apologize for any and all insulting comments
> >made in the post.  Thank you for understanding.
> >
> >                           Sincerely,
> >                                Mark

Are you sure you weren't temporarily possessed
by BOB ???

-Margaret

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