Fire Walk with Me — August 28, 1992–December 31, 1992
Laura Palmer's harrowing final days are chronicled one year after the murder of Teresa Banks, a resident of Twin Peaks' neighboring town.
Subject
From
Date
Re: just a theory.. larryy@gallant.apple.com (Larry Yaeger) 1992-09-22 23:19
In article <SBILES.92Sep19170505@dante.nmsu.edu> sbiles@nmsu.edu (Susannah E Biles) writes: > > > >Perhaps if time flows backwards in the lodge.. > >At the end of the two seasons..we see Coop possessed by Bob, right? > >well, what if (in reference to when BOB says to Coop in TP in the > >Leland confession episode, "Just like in Pittsburg")...What if... > >What if he is referring to time earlier (in the lodge) where Coop was > >already possessed..and what if..Coop killed Caroline..and that was the > >end of his 'circle' where the possession (of Coop) is the beginning??? Kind of a neat theory, Susan, but besides other suggestions there might have been, I think the final episode or two make it pretty clear who killed Caroline. WE says something like, "I haven't had this much fun since I severed Caroline's aorta." And Caroline, in the waiting room (though she looks like Annie at the time, I think), says something like, "I saw the face of the man who killed me. It was my husband." So lovable ol' WE did that particular deed. -- -larryy@apple.com "Shi Nou Kou Sho Inu Neko Programmer" - Takada Naoki </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Annie is dead larryy@gallant.apple.com (Larry Yaeger) 1992-09-22 23:39
In article <1992Sep18.023458.13914@morgan.ucs.mun.ca> pnorman@morgan.ucs.mun.ca (Peter T. Norman) writes: > >In the last scene of the final episode, Cooper asks how Annie is. I > >paid particularly close attention this time; Coop turns to Harry when he > >asks the question; Harry says she is fine, she is in hospital. Harry > >looks hesitantly at Doc Hayward, who in turn lowers his eyes and bends > >his head down-covering his expression from Cooper. > > > >The reactions of both Harry and the Doc point toward anything but good > >news concerning Annie. And remember Harry made several attempts to stir > >Annie in the Grove of Sycamore trees - one attempt brought Cooper > >around; Annie didn't respond at all. > > > >It really looks to me as if Annie is dead. Well, this has been hashed over before, and some people really believe she's dead, and some don't. I don't think we could know for certain until the movie, but I think that suggests she's alive. As far as the look that Doc Hayward and Sherrif Truman exchange... keep watching that scene... they exchange just as meaningful a look over Coop's request to brush his teeth. They are just concerned and anxious about everything at the moment. Besides, that last episode was *supposed* to be a cliffhanger. You were *supposed* to think that an awful lot of the characters *could* be dead. Just exactly like the final episode of the first season. I'd give my eye teeth (and a few others for that matter) for the writer's bible for the 3rd season. They probably did have *some* idea of where they were going! -- -larryy@apple.com "Shi Nou Kou Sho Inu Neko Programmer" - Takada Naoki </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Audrey in space? mcramm@dct.ac.uk (McRamm) 1992-09-23 01:39
In article <lbvafjINNr2d@news.bbn.com>, ingria@bbn.com (Bob Ingria) writes: > > In article <1992Sep22.164845.20514@syma.sussex.ac.uk> grahamt@syma.sussex.ac.uk (Graham Thomas) writes: > > Last weekend the film Barbarella was shown on British TV. My local > > paper, the Brighton Evening Argus, claimed that Roger Vadim wants to > > remake the film with Sherilyn Fenn in the title role. > > > > Can this be true? > > > > I heard the same rumor over Labor Day weekend (in Chicago), so at > > least it's spread around. > > [Apologies for not crediting contributors by leaving partial .sigs] The rumour has got as far as the BBC or ITV over here. I seem to remember someone (either Barry Norman or Richard Jobson [on Hollywood Report]) mentioning it as official. A. </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Looking to Mr. James Brock root@fnikola.sasco.georgia.su (root) 1992-09-23 03:24
Hello Mr.Brock Message to me your E-mail adress. SHVIDKATSA Kiazo Beriashvili 23.09.1992 </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: TP Laser Disks? smah@sdcc13.ucsd.edu (Steve Mah) 1992-09-23 04:01
In article <jgp.716161288@raid> jgp@raid.Rational.COM (Jim Pellmann) writes: [....] > >One more time (sigh, where is the FAQ?): yes, there is a Japanese > >laserdisc set (I'll include Jerry's review below); no, it is sold > >out and virtually impossible to get (I read somewhere there were > >only 2000 sets made); yes, there is *supposed* to be a US laserdisc > >release (*possibly* by Voyager), but it is has NOT been announced. > > I was talking to someone at Mikado Laser Japan in San Francisco about the TP discs and he mentioned to me that there are plans to re-release TP on disc again, but not as a whole box set; instead, they're supposed to be broken up into 3 different sets (I don't know the break up). If I recall correctly, I think he said something like the first set (1st season?) would go for about $180 or so and the second around $250? And just to clarify, these would be imports, not domestic. I think they mentioned that they had it on order but I'm not sure on that. Also, if anyone's interested, "Twin Peaks: Fire Walk With Me" will be released in Japan for rental on 11/20 if I read this article correctly- not sure if this means an LD release as well. -- * Steve Mah smah@sdcc13.ucsd.EDU * * * * "Is it safe?" * *************************************************************** </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Questions and answers pitchon@paradyne.com (Howard Pitchon) 1992-09-23 05:09
The following statements do not necessarily reflect the thoughts of the poster or the company the posting is from; and only definitely represent the thoughts and feelings of Summer Storm. From: Summer Storm Joji Matsuo asks: Who was with Leo when Bobby and Mike ego to the woods to pick up the football of cocaine? One of the Bernaud(sp) brothers? [early episode] **We're never told, but it very well could have been Bernard Renault (one of the Renault brothers). When Bob leaves Leland's body in that scene where the sprinklers come on in the jail cell, why does Leland always say "They made me do it"? Why doesn't he say 'He' made me do it, as in BOB? **My guess is that he's had encounters w/other members of the lodge. Did Donna, after Mrs. Tremond (middle-aged lady) gives her the letter from Harold, know that Leland is Laura's killer? I get that impression, because otherwise it doesn't explain why she went to their house to tell Leland about the secret diary. **I wouldn't think Donna suspected Leland. She didn't look scared until he hugged her to him really hard when they were dancing. Also, she didn't bring anyone with her to help if she ran into trouble. She just wanted to tell Leland that there was more evidence. Also, didn't Harold kill himself the night after Donna and Maddy try to take the diary. How did he manage to mail that letter to Donna? **He really just needed to leave the letter for the postal worker before he commits suicide. <told you my questions were trivial>**questions are never trivial Where does Bobby take this receipt to claim Leo's old boots from? A shoe repair shop? If so, would it not be possible for the repair shop to accidentaly come across the tape in the sole? Or were they just suppose to clean the shoes? **As long as the shoe shop was not instructed to look at/repair the heels in any way, they probably wouldn't have pried (sp?) them off. It was a careless thing for Leo to do. He has a history of carelessness: going to secret meetings in a red corvette, giving Shelly the bloody shirt w/the rest of his laundry, etc. Not the brightest guy...(Formerly appearing at Calhoun Memorial as Mr. Potato(e?) Head Is Mrs. Tremond's grandson played by David Lynch's son or something? **Yes. In the series the little magician is played by Lynch's son. Not in the movie. My guess is that he's at an age where he's not so little anymore. In the roadhouse, the night Maddy is killed, Donna is sitting in a both with James. The Giant tells Cooper that it is happening again. He goes, she starts crying. Why? Also, Bobby has this remorseful look on his face. Why? **My guess is that the people feeling sad, ie. Donna and Bobby, it were experiencing some kind of paranormal emotional response to something that they didn't even know was happening. Prior to crying, Donna seemed to be getting back into a good mood, as she was smiling at James and mouthing the words, "I want you, right back inside my heart." Remember, also, Senor Droolcup comes over to Cooper and says, "I'm so sorry." Wouldn't you like to see the one with Ben doing the killing scene? **Absolutely! Scott Gorcey writes: >> >>Does anyone know if the Log Lady saw the Giant up on the stage. > >No. We don't know. Yes we do. She saw the whole thing... She's moving during the visitation... **I just rewatched that whole scene. I agree, if you look at when Coop first sees the giant, Margaret's fingers are stroking the log when everyone else is supposed to be still. BUT, if you look at the top right hand portion of your screen, one of the sailors is also moving slowly, so I'm not sure if that just wasn't one of those careless little things. I agree that she knows that something significant has taken place, but not necessarily that she saw the giant communicating w/Cooper. **General question: Why does anyone think that Dr. Jacoby was w/Leo during the football scene w/Mike and Bobby? If Leo hadn't known anyone was w/him, maybe. But Leo tells them not to worry about who's there, so he knew. I just never got any clues that Jacoby was in league w/Leo in any way, except that they both have secret relationships w/Laura. On a tape to Jacoby, Laura refers to Leo as a Mystery Man; then she gives away who he is by telling about a red corvette. Jacoby does follow the red corvette one night, but due to his lack of horsepower, he loses it. This would indicate that they were not working together. Also, Jacoby was trying to help Laura get away from cocaine; the same can not be said for Leo! </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Any tapes wanted (UK) kjalcock@vax.oxford.ac.uk 1992-09-23 07:32
I must be about the only person in the Western world who can say this, but I haven't seen any episodes of Twin Peaks on TV (Good excuse: I was in Africa at the time), however I have seen the movie and now want to see the TV series. I'm looking for someone in Britain (must be in Britain, owing to the different video format), preferably in or around Oxford, who could either lend me some episodes or help me to find some. Hope someone can help me! Katie </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Location filming of FWWM markw@meaddata.com (Mark Wasson) 1992-09-23 10:35
Last September, I took a month off and travelled the west. My route brought me to the Seattle area for a few days. I camped at a little park east of the city and south of North Bend (just outside of Palmer, WA, I might add). The first day in the area, I hit North Bend and Snoqualmie to see the TP sites. I took a lot of photos, had dinner at the Double R, etc. I picked up a local paper and found that Lynch was in the area filming FWWM at another park. Those scenes were the Sheriff Cable scenes. In order to use the site, Lynch had agreed to fund the refurbishing of the house, etc. I suspect that is where Agent Sam Stanley got his $27,000 estimate. After seeing the sites in Seattle the next day and part of the day after, I headed east on I-90 and stopped again to pick up a few more TP sites. I stopped at Windjammers (kites/windsocks/formerly Big Ed's Gas Farm) and talked to the proprietor a bit. Lynch had been filming a scene the day before and had caused a school bus to be late for school by an hour, according to her. I worked my way toward the Mar T (Double R) in North Bend, and when I got there, I came upon them filming the scenes we saw in the movie. The first scene I saw filmed was of Mrs. Tremond/Chalfont and the Creamed Corn Kid slowly walking away. The second had the camera looking over Laura's sholder at the picture of the door. The third was of Laura talking to someone - I now believe it was the new Donna, but the scene wasn't in the movie. It was interesting to see how the scenes were presented in the movie. For instance, in the movie when we see Laura getting the picture, we see it from a few angles, including one that looks toward the front of the diner to her back. When I was watching the filming, there were props, lighting gear and about 50 onlookers in that direction. Between scenes, Sheryl Lee and James Marshall signed a few autographs, and Francis Bay and Marshall posed for a few photos (I got their photos but no autographs). Others there include Everett McGill (Big Ed), Wendie Robie (Nadine) and Catherine Coulson (Log Lady). Having never seen a real movie being filmed, it was all pretty interesting to me. That it was TP was icing on the cake. Other observations from the movie location filming - Mt. Si is the mountain from the opening credits. Although Deer Meadow is supposed to be in the SW portion of the state (near Portland, OR), Mt. Si was in the background of a lot of those scenes. I've seen some stories/postings that claimed Mt. Si High School was used for TPHS. At least with respect to the movie, however, I don't see how the two could possibly be the same. I was there in September, and the trees were in full foilage. In fact, when I went to take a photo of Mt. Si from the opening credits (TV) location, I had to move to the other side of the street to see the mountain. The events of the series started in February. I wondered how they would reconcile that - obviously they made no attempt to. James Marshall's hair as he walked around the set was brown with some sun-bleached blond. I recalled from the show that it started out jet black. Looks like the continuity people recalled that too. In one of my photos, a prop person is holding a little white thing - which turned out to be the mask. The CC Kid wasn't wearing it in the over Laura's sholder scene - the camera stayed focussed on the picture for that brief take. Since the Mar T was closed for the filming, I decided to get dinner elsewhere. I continued east on I-90 and stopped in Roslyn, WA, where the exteriors for Northern Exposure are filmed, and had dinner at the Roslyn Cafe featured in the opening credits of that show. I think I watch too much TV. Mark </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Coffee markw@meaddata.com (Mark Wasson) 1992-09-23 11:04
One thing I missed in the movie was the food. Coffee, doughnuts, pie... When watching the movie again, however, I noticed coffee/coffee-related in almost every scene. Someone brought Gordon Cole a cup when he was on the phone to Chet, Deer Meadow Sheriff's Department scenes mentioned old coffee or had a coffee maker in the background, Sam spilled his coffee in Hap's diner, Carl Rodd brought some "Good Morning, America" to the agents in Teresa's trailer. The oddest coffee placement in those scenes...... The morgue. If you get a chance to see the movie again, look at the shelf in the background. It is lined with coffee pots and perculators. Mark </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Coffee - Oops! markw@meaddata.com (Mark Wasson) 1992-09-23 11:13
When I saw that I noticed coffee in almost every scene, I meant almost every scene in the Deer Meadow portion of the movie. Once we hit TP, the coffee all but disappeared. Maybe it's an FBI thing. </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Audrey in space? mking@lizardo.WPI.EDU (Matthew Alexander King) 1992-09-23 12:02
Wow Bob Wow. Audrey in space? Anything with Fenn is worth watching and Lynch was very fortunate to have her in Twin Peaks. By the way, anyone know what else she has been in? I saw her in some b film on like cinemax, like a strange beauty &beast. Then get this, she was the girl in "just one of the guys" (not the main character though). She is going to play a quadrapeligic and she'll be in Of Mice and Men. Also in Two Moon Juction. Anything else, I'm a big time Fenn fan. Matt Lynch - how could you let her blow up in the bank, why kill the best character twin peaks has to offer. </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Audrey in space? rjking@acsu.buffalo.edu (Randall J. King) 1992-09-23 13:14
mking@lizardo.WPI.EDU (Matthew Alexander King) writes: > >Wow Bob Wow. Audrey in space? Anything with Fenn is worth watching > >and Lynch was very fortunate to have her in Twin Peaks. I second the motion... Can't wait for the torture seen ;) > >By the way, anyone know what else she has been in? > >I saw her in some b film on like cinemax, like a strange beauty &beast. I envy you, I think you saw the film "Meridian" I have been looking for it everywhere. the major chains of video stores don't carry it. It was also called "Kiss of the Beast". It was a kind of Beauty and the Beast thing. Her boyfriend was transformed into a monster and she has to save him (I can't be sure as I haven't seen it :). > >Then get this, she was the girl in "just one of the guys" (not the main > >character though). She was also in "SlamDance"(?). a teenie bopper mosh-fest. > >She is going to play a quadrapeligic and she'll be in Of Mice and Men. > >Also in Two Moon Juction. My personsal fav (love her as a blond :) > >Anything else, I'm a big time Fenn fan. Ditto, I have been falling behind... 'I just killed my best friend.' \ / Randall King 'And your worst enemy.' \ / rjking@acsu.buffalo.edu 'Same difference.' - Heathers \/ V050QRQ3@cc.buffalo.edu </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Re: Twin Peaks: Fire Walk With Me (*MAJOR SPOILERS*) floyd@maple.circa.ufl.edu (FLOYD) 1992-09-23 16:11
In article <1992Sep16.151017.1695@athena.mit.edu>, thomasl@mtl.mit.edu (Thomas J Lohman) writes: > >In article <10340076@hplvec.LVLD.HP.COM> brian@hplvec.LVLD.HP.COM (Brian Wood) writes: > > >> >>In your theater, is the film as scratched up and the sound as bad as it >> >>was in the theater I saw TP in (Boulder, CO)? And was there anything in >> >>the release to indicate why so many listings read "Twin Peaks: Firewalk >> >>with me"? > > > >The theater in which I saw it (Nickelodeon at BU) also had a problem > >with the sound and file quality. In fact the film stopped twice and the > >house lights came up. We actually missed about 2 minutes of the film due > >to these blunders. Most people thought it was Lynch behind it...ooowww the > >eerie spirits of Twin Peaks are possessing the film projector... > > > > > >--tom Same here. The first time I saw it in Tampa, the film got off track (or whatever it's called) and for two minutes everyone just sat there watching the movie with Laura and Bobby's heads cut off (it was the coke scene in the woods). Eventually I got up and had to ask somebody to see if the problem was being fixed. I say it's a plot of the mainstream moviegoers to ruin the movie :) Internet address: Floyd@ufcc.ufl.edu Bitnet address : Floyd@ufcc All opinions expressed are my own or mine. </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Owls/Aliens cdt@sw.stratus.com (C. D. Tavares) 1992-09-23 18:35
In article <1992Sep11.041514.6097@cs.mun.ca>, georgen@pooky.cs.mun.ca (George Noel) writes: > > In article <1992Sep10.095034.1@cubldr.colorado.edu> crago_l@cubldr.colorado.edu writes: >> > >Just a reminder that the whole bundle of clues like The Owls, The >> > >Owls Are Not What They Seem, Major Briggs having worked on Project >> > >Blue Book, etc. etc. point not to *spirits* so much as to Aliens, >> > >that is beings from UFOs... > > At first when I was watching the series I had thought they were leading > > to an alien subplot but now that I have watched the series, for the most > > part again, I am fairly confident they are not aliens... Well, Lynch may be turning the wheel once more. I heard from a fellow on CompuServe that attended a roundtable on Genie with one of the writers who worked on FWWM that he stated that "MIKE and BOB come from a planet of corn." A planet? Here we go again. -- cdt@pdp.sw.stratus.com --If you believe that I speak for my company, OR cdt@vos.stratus.com write today for my special Investors' Packet... </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Whooping noises and SDC episode 2022 (another allusion) hist1261@waikato.ac.nz 1992-09-23 23:29
In article <19m3hoINNeaf@agate.berkeley.edu>, sally@anableps.berkeley.edu (S. A. Wilson) writes: > > > > > > Ciao, > > > > Way back in when I saw the last episode (2022) in the scene in > > the Lodge when SDC does his little Indian whoop and shouts Hallelujah > > I thought that this was in fact another allusion inside joke regarding > > the actor who played SDC. It has been bugging me ever since, and ever > > since I wanted to post my idea of this to the net but was too > > embarrassed. Now, I thought this was an inside joke referring to > > a character that the actor played in a John Wayne western. I am > > uncertain about my memory, but I vaguely remember that in this flick > > the actor played this guy was somewhat touched mentally due to > > some Indian attack which occurred in his past. He always babbled about > > wanting a rocking chair, and in the end of the flick we see him on > > a porch in his newly acquired rocking chair. Also, if I remember > > correctly he repeated the "Hallelujah" throughout the flick, or > > at least in this final scene of the picture. Now, I also believe > > that he would come out with an Indian whooping sound occasionally > > as well. > > > > Now, I might be completely wrong, but I seem to think I am not. > > While going over the Allusions file I did not notice this reference. > > > > I have heard that the guy who plays SDC was in a number if not all > > of John Wayne's westerns.... > > > > Anyway, I finally had the courage to pass this on to the net. Flame > > if you like. I sure would like this either confirmed or denied for > > my personal peace of mind. > > > > Sally-- > > -- > > Video meliora proboque, deteriora sequor! ###Sally A. Wilson > > [Ovid's _Metaphorposes_] ### sally@mica.berkeley.edu > > Vita non est vivere sed valere vita est. ### P. Spud Peel > > [Martial] ###[A member of Babble since 87] It's not just any old John Wayne film: its "The Searchers"! Hank Worden is superb in the film, and I've always thought his appearance in "Twin Peaks" owes everything to the John Ford classic. Surely I can't be the only person in the world who picked up the reference immediately ... "The Searchers" is one of the most influential American films of all time, this is exactly why Lynch is quoting it! Considering Worden is ABOUT 90 YEARS OLD, I think he was pretty good in the television series. Is he in "Fire Walk With Me"? Richard. </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Audrey in space? mking@wpi.WPI.EDU (Matthew Alexander King) 1992-09-24 00:25
Audrey has to be a brunette, did you see the Playboy with her, wuh! But back to twin peaks, does anyone know why she wasn't in it???? FWWM that is. Matt. A little change of pace cause i noticed a Heathers-Fan "I got paid in puke," Heather#1 "Lick it up baby, LICK IT UP!", Veronica Lynch, all of these people's theories have so many holes, hmmmm... ....just like donuts. </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
THE ^TWIN PEAKS^ TIMELINE (COMPLETE INCLUDING MOVIE) SPOILERS enomura@sdcc13.ucsd.edu (Eddie the 'ead) 1992-09-24 02:06
[This is a very long file (around 5000 lines) and contains no page breaks.
It may be truncated at some sites]
The ^Twin Peaks^ Timeline
Compiled by Edwin Nomura
This is completely revised and includes complete movie spoilers (most scenes
are transcribed) and added quotes abound all throughout. New chess board
diagrams, as well as floor diagrams of the Red Room in 2021 are included from
Thomas Michanek.
This timeline covers only events mentioned or that have taken place in the
United States version of the television series Twin Peaks and the movie
Twin Peaks - Fire Walk With Me. Material from other books or tapes and the
so-called "Euroversion" has been ignored. There are spoilers all throughout
so don't even read about an episode if you haven't seen the entire series or
movie and don't want spoilers. I have tried to include everything, even if it
creates conflicts in continuity.
For the most part, Twin Peaks shows events in order so this also doubles
as a detailed episode guide. All events listed after an episode are shown
or are mentioned in that episode unless otherwise stated. To get to a
particular episode, do a search for the string "Episode xxxx" where xxxx is the
number of the episode in question. (i.e., 2007 corresponds to season two,
episode seven)
(Cooper to Doc, 1002) means Cooper mentions an event to Doc in episode 1002.
This timeline is based off of one begun by Jerry Boyajian. Many thanks go to
Ed Hughes, Thomas Michanek, David Coufal and all others on alt.tv.twin-peaks
whose help has been invaluable.
A compressed copy will be made available via anonymous ftp at
audrey.levels.unisa.edu.au (130.220.16.88) in pub/twin-peaks/timeline.Z
This timeline is for private use only and may be distributed freely.
Edwin Nomura
enomura@ucsd.edu
--------------------------------------------------------------------------------
The ^Twin Peaks^ Timeline
1913 (approx) (Truman to Sternwood, 2005)
-- Joshua Palmer, Leland's grandfather, brings over the family
?? (Jerry to Ben, 2008)
-- Ben, Jerry, and Louise Dombrowski dancing on the hook rug
1959 (Will to Cooper, 2001)
-- Elks Club fire
1962 (Will and Truman to Cooper, 2010)
-- Dwayne Milford first runs for mayor
1965 (approx)
-- Windom Earle may have begun searching for the Black Lodge (Cooper to
Truman, 2021)
-- FBI loans out Earle to the Air Force (Gordon to Cooper, 2018)
-- Ed and Norma get together ("for 4 years," Ed to Cooper, 2001)
1969 (Briggs to Cooper, 2013)
-- Project Bluebook officially disbanded
1969 (approx)
-- Bookhouse Boys formed ("going on 20 years now," Truman to Cooper, 1003)
-- Eileen gets love letters from Ben ("20 years," Ben to Eileen, 2018)
-- Norma runs off with Hank. Ed and Nadine get together and marry. On
the honeymoon, Ed shoots out Nadine's eye accidentally. (Ed to Cooper,
2001)
Mar ("20th anniversary," Shelly to Norma, 2021)
-- Norma wins the first Miss Twin Peaks pageant
Apr
-- Hank and Norma get married ("20 years ago, next month," Hank to Norma,
1007)
-- Norma begins working at the RR ("20 years this April," Norma to Nadine,
2007)
Jul (one of Jacoby's umbrellas, 1007)
-- Jacoby's umbrella from Kahala Hilton
1974 (Cooper to Jerry, 2008)
-- Jerry graduates last in his class of 142 from Gonzaga University
Aug (one of Jacoby's umbrellas, 1007)
-- Jacoby's umbrella: I first lay eyes on Mimsey
?? (Audrey to Donna, 1002)
-- Ben sings to Laura
1981 (approx) (Catherine to Pete, 2014)
-- Eckhardt plans Andrew's death
1982 (approx) ("for 3 years," Cooper to Truman, 2014)
-- Cooper and Earle begin playing chess everyday for three years. Cooper
never wins.
1983
-- Andrew Packard brings Josie over from Hong Kong to be his wife ("6 years
ago," Truman to Cooper, 1000)
-- Josie's job begins ("6 years," Jonathan to Josie, 2004)
1983 (approx) (Will to Andy and Dick, 2014)
-- Nicky born after conceived in assault. Mother dies in childbirth.
1984 ("5 years," Ben to Audrey, 2007)
-- Ben takes on as owner of OEJ
1984 (approx) ("I was 13 or 14," Donna to Harold, 2005)
-- Donna and Laura meet Josh, Rick and Tim
1985
-- Caroline killed while under Earle's and Cooper's assigned protection.
Cooper is wounded and Earle is institutionalized. ("4 years ago,"
Cooper to Truman, 2014)
-- Jeffrey first beats Evelyn ("4 years ago," Malcolm to James, 2012)
1986
-- Cooper has a dream where he learns the deductive technique he exercises
in 1002 and becomes deeply moved by the plight of the Tibetan people
("3 years ago," Cooper to Truman, 1002)
-- The real Mrs. Tremond's mother dies (Tremond to Donna, 2009)
Apr 1986 (Cooper to Leo, 1003)
-- Leo cited for an illegal U turn
1987 ("1 1/2 years," Lucy to Cooper, 2004)
-- Andy and Lucy start going out
Aug (approx)
-- Josie hires Hank to kill Andrew Packard but Catherine and Andrew stage
his death in a boating accident [Truman first tells Cooper Packard
died "last year" (1000) but later tells him it happened "a year and a
half ago" (1001)]
-- Hank takes the fall for the killing of an unnamed vagrant, is convicted
of vehicular manslaughter and sent to jail
Nov (Cooper to Leo, 1003)
-- Leo cited for a drunk and disorderly
1988
-- Something at Mr. Blodgett's barn causes Andy to break down and cry
("last year," Truman to Andy, 1000)
-- Denise discovers wearing women's clothes calms him ("last year," Denise
to Cooper, 2011)
Jan
-- Teresa moves into the Fat Trout Trailer Park (Teresa's file, FWWM)
9 Feb (Andy to Cooper, 2001)
-- Leo in jail in Hungry Horse, Montana
??
-- Leland answers Teresa's ad in Fleshworld and meets her at a motel
-- Teresa arranges for Leland's next encounter with her and a couple of her
girlfriends at a motel who turn out to be Laura and Ronette. Leland
sees Laura and takes off after giving Teresa some money. He sees Pierre
who does a dance and disappears after Leland has walked off.
-- Teresa tries to blackmail Leland (Ronette and Jacques to Laura, FWWM)
"just before [Teresa's] time" (Irene to Desmond and Stanley, FWWM)
-- Teresa's left arm goes dead for three days
Early-mid Feb (FWWM)
-- Leland smashes a TV, then bashes Teresa's head in
[Fire Walk With Me (movie) - 8/28/92
Written by David Lynch and Robert Engels
Directed by David Lynch]
Day
-- Teresa Banks' body, wrapped in plastic, floats along in Wind River
[Cooper tells Diane he is standing at Wind River near where the body was
found]
Day
-- Gordon Cole's office in Portland.
C: GET ME AGENT CHESTER DESMOND OUT IN FARGO, NORTH DAKOTA.
-- Fargo, North Dakota. Desmond and two other agents are in the middle of
busting some prostitutes. Kids in a bus are crying and screaming.
Desmond's car phone rings and Cole tells him he's needed out west.
D: {answers car phone} Hello.
C: CHET, I'M CALLING YOU FROM PORTLAND, OREGON. {Desmond lowers
the antenna} IT'S REGIONAL BUREAU CHIEF GORDON COLE CALLING FROM
PORTLAND, OREGON.
D: OKAY, GORDON.
C: O-RE-GON!! I GOT A GIRL THAT'S BEEN MURDERED. SEVENTEEN YEARS
OLD. NAMED TERESA BANKS. CHET, I'VE GOT A SURPRISE FOR YOU.
SOMETHING INTERESTING I WOULD LIKE TO SHOW YOU. ARRANGEMENTS ARE
BEING MADE AND I WILL MEET YOU AT THE PRIVATE PORTLAND AIRPORT.
D: Okay, Gordon.
-- Private Portland Airport. Desmond flies in.
Cole: Chet, good to see you.
Desmond: {shakes Cole's hand} Gordon.
C: CHET, GIVE SAM STANLEY THE GLAD HAND. {motions to Stanley}
HE'S COME OVER FROM SPOKANE.
S: {shakes Desmond's hand} Pleasure. Heard a lot about you.
C: SAM'S THE MAN WHO CRACKED THE WHITMAN CASE.
D: {to Sam} Congratulations. {to Cole} I HEARD ABOUT THAT.
C: CHET, YOUR SURPRISE. {motions to a hangar}
{Lil walks out, wearing a red wig, does a dance. She makes a sour face,
walks in place, puts one hand in her pocket, and makes a fist with the
other while blinking both eyes.
C: HER NAME IS LIL. SHE'S MY MOTHER'S SISTER'S GIRL. {holds four
fingers in front of his eyes}
D: Federal.
C: GOOD LUCK, CHET. SAM, YOU STICK WITH CHET. HE'S GOT HIS OWN
M.O. - MODUS OPERANDI. YOU FELLAS CAN REACH ME IN THE PHILADELPHIA
OFFICES. I'M FLYING OUT TODAY.
-- On the highway, Desmond explains Lil's dance to Stanley.
S: That really was something with the dancing girl, wasn't it?
What exactly did that mean?
D: I'll explain it to you. Remember Lil's wearing a sour face.
S: What do you mean?
D: Her face had a sour look on it. {Stanley nods} We're gonna
have problems with the local authorities. They're not gonna be
receptive to the FBI. Both eyes blinking means trouble higher up.
The eyes of the local authority. Sheriff and a deputy'd be my guess.
You notice she had one hand in her pocket. Which means they're
hiding something. And the other hand made into a fist, which means
they're gonna be belligerent. Lil was walking in place which means
there's gonna be a lot of legwork involved. Cole said
Lil was her mother's sister's girl. Now what's missing in that
sentence? The uncle. Not Cole's uncle but probably the sheriff's
uncle is in federal prison. Let me ask you something Stanley.
Did you notice anything about her dress?
S: The dress was altered to fit her. I noticed a different color
thread where the dress was taken in.
D: Gordon said you were good. Tailored dress is our code for drugs.
S: Oh.
D: You notice what was pinned to it?
S: A blue rose?
D: Good. But I can't tell you about that.
S: Can't?
D: No, I can't.
4:30 pm (Cable to Desmond)
-- Desmond and Stanley at the sheriff's station in Deer Meadow.
{Desmond is waiting at the counter, Stanley is casing the place.
Receptionist is reading a book. Nothing. Then the deputy walks in.}
Desmond: Good afternoon. Federal Bureau of Investigation. Special
Agent Chester Desmond. I'd like to see Sheriff Cable please.
Deputy Cliff: Why don'tcha have a seat over there why don'tcha
partner. Go ahead, make yourself at home... 'cause it's gonna be
awhile. {receptionist laughs. Cliff leans over, whispers to
her and they laugh some more} Why don'tcha have some coffee
there? It was fresh about two days ago. {laughs with receptionist}
D: I've had enough of the waiting room now. {walks around the
counter}
C: Oh, is that so? {blocks Desmond's way}
{Desmond stops in front of Cliff, one hand raised. Pause. Then he
grabs Cliff's nose and spins him into a chair and knees him.}
D: {to receptionist} You can start that fresh pot of coffee right
now.
-- Desmond walks into Cable's office.
C: How the hell did you get in here?
D: Federal Bureau of Investigation Special Agent Chet Desmond.
I'm here to investigate the murder of Teresa Banks.
C: Well... little fella. We don't need any outside help
around here. I don't like you people sniffing around my neck
of the woods. In fact, when the state boys told me about a J.
Edgar coming up here. I think I said, "so what?"
{Cliff walks in, still holding his nose}
D: S'All right deputy. Sheriff Cable can handle it from here.
Cable: Cliff... {motions to him, Cliff walks out}
D: Your behavior's not funny. It's wasting the time of the federal
government.
C: You're lucky I'm not wasting you.
D: Well little fella, let me put it to you this way. The
operative word here is "federal." I'm now ordering you to release
all pertinent information concerning Teresa Banks. Both while
living and deceased.
C: {pulls out a box, tosses it at Desmond} Basic kill. Banks was
a drifter and nobody knew her.
D: Where's the body?
C: It's out in back in our morgue. {Desmond starts to walk out}
It's 4:30. We close at 5.
D: We have our own clock. We'll lock up.
{On his way out, Desmond notices a framed newspaper clipping on the
wall. It reads "Cable Bends Steel" and there is a picture of Cable
bending a steel bar.}
-- Desmond and Stanley walk to the adjoining morgue.
Stanley: You know, Agent Desmond, I figure this whole office,
furniture included, is worth $27,000.
-- At the morgue, Desmond reads Teresa's file.
D: {reading} Teresa Banks... Teresa Banks lives at the Fat Trout
Trailer Park for a month. We'll check that.
S: Yeah.
D: Worked as a waitress at Hap's diner. Worked the night shift.
Good place for dinner when we're through here, Sam.
S: Yes...
D: No one came to claim the body. No known next of kin.
S: {get his recorder out, hits record and sets it down, examines
Teresa} Crushed skull. Probable cause repeated blows to the
back of the head by a blunt obtuse angled object. {noticing}
I wonder where her ring is?
D: Personal effects include a watch, undergarment, pink waitress
uniform... {looks through personal effects} The ring's missing.
S: {looking at the ring finger of the left hand} Seems to be an
interesting contusion. Under the ring finger of the left hand.
D: Accidental?
S: {pulls his machine over, puts Teresa's hand in it, looks through
it} Agent Desmond, could you hold the finger for me please?
{Desmond holds the hand in place} There's something in there.
{pulls the fingernail back} Yes...
D: What is it?
S: A piece of white paper. With the latter T imprinted on it.
Come here, take a look. {Desmond looks}
3:30 am (Stanley to Desmond)
-- Stanley and Desmond exit the morgue.
S: Agent Desmond, it's 3:30 in the morning. When are we going to
sleep?
D: We're not. You and I are gonna get some food.
-- Hap's Diner. There in the manager's office, they question the manager
Jack who is wearing a button that reads "Say hello to Jack" with "hello"
crossed out and "goodbye" scratched above it.
J: Ask Irene about that. Irene knows that. Now, Irene is her name
and it is night. Don't go any further with it. There's nothing
good about it. {Desmond and Stanley head towards the counter}
Someone is working in the room on a light that keeps buzzing and
shorting.
J: How's it going with that goddamn lamp?
-- At the counter, they question Irene.
D: Federal Bureau of Investigation. Special Agent Chet Desmond.
I'd like to ask you a few questions about Teresa Banks. Jack
said you knew her. How well?
I: She only worked here a month. Nice girl. Never seemed to get here
on time, though. If you ask me, she had a little problem with...
{sniffs hard three times}
D: Did you ever see Teresa Banks take cocaine?
I: No.
D: Do you ever take cocaine, Irene?
I: No I do not. I never took cocaine or any other drug. I don't
take drugs.
S: Nicotine's a drug. Caffeine's a drug.
I: {to Desmond, motioning to Sam} Who's the toehead? {to Sam}
Those drugs are legal.
D: He's with me. Is there anything you'd like to tell us about
Teresa Banks that might help us out?
I: I been thinking about that. If you ask me, her death was what
you'd call a freak accident.
D: Thanks.
Man: Are you talking about that little girl that got murdered?
D: You got something to tell us?
Man: I know shit from shinola. {woman with him says something to him}
S: {quietly to Chet} Agent Desmond, should we question him?
D: {sees Stanley holding his coffee in his left hand} What time is
it, Stanley? {Stanley spills his coffee all over himself who dabs at
himself with napkins} It's late, Sam. I'm sorry.
S: It's early. It's really early.
I: You know, I never told anybody this. But once, for about three
days, just before her time, Teresa's arm went completely dead.
D: What do you mean?
I: Her left arm. It was numb. She said she couldn't use it.
Probably those drugs she was taking. I just thought I'd oughta
tell you.
D: Thanks.
Man: Are you talking about that little girl that got murdered?
S: {quietly to Chet} I doubt it was a drug problem. Probably a
nerve problem. I could recheck the arm for injuries but I'd
have to take the body back to Portland to do some real nerve work.
D: I think that's a good idea.
S: Irene, we'd like to order some food please.
I: You want to hear about our specials? We don't have any.
Dawn
-- Desmond and Stanley arrive at Fat Trout Trailer Court and bang on Carl
Rodd's door (it reads, "Do not ever disturb before 9 a.m... ever").
R: {from inside, cranky} WHAAAAT? WHAT IS IT?! WHAT?!
D & S: {notice the message and fumble their badges out} Nine...
R: Can't you read?!
S: It's really late. Or really early.
{Rodd kicks the door open}
D: Federal Bureau of Investigation Special Agent Chet Desmond, Agent
Sam Stanley. Sorry to disturb you but we need to see Teresa Banks'
trailer.
R: Oh shit. That goddamn trailer's more popular than uncle's day
in a whorehouse. You see what I mean? It just means I-- more shit I
gotta do now.
-- Desmond and Stanley look around Teresa's trailer.
R: {outside} Everything's exactly like she left it, I haven't
touched a goddamn thing! God!
D: {notices a picture in which Teresa is wearing a ring} Take a look
at this.
S: {looks} She's got the ring on.
R: {outside} Well I'm gonna make myself a cup of Good Morning
America. Y'all want some? {Chet and Sam mutter affirmatives, Rodd
nods, walks back}
-- Rodd brings them some coffee.
R: {with mugs} Here you go boys.
D: Hey. {takes mug}
R: Good Morning America. {gives one to Sam who drinks and coughs}
D: You weren't kidding. This stuff's got the sting of the 48 hour
blend.
R: {all laugh} That's right. That's the best goddamn coffee you're
gonna get anywhere, buddy.
S: We sure do need a good wake-me-up, don't we Agent Desmond. {looks
at Chet} We sure do need a good wake-me-up, don't we Agent Desmond.
D: Yeah, we do, Sam.
{grimy old lady with an ice pack over one eye walks up to the door}
D: {to lady} Did you know Teresa Banks?
{Telephone pole accompanied by the Indian whooping sound. On it are
visible 24810 (a digit before and after are covered) and a large 6,
lady walks away}
R: {emotional} See, I've already gone places... I just want to stay
where I am.
Midday
-- At the Sheriff's station, Cable won't let the FBI take the body.
{Desmond and Stanley walk in, FBI van driver is standing there,
so is Cable, Cliff and the receptionist eating a donut}
Cable: What the hell is that thing doing out there? You're not taking
that body anywhere.
D: {looks at the driver, then to Cable} We're taking the body back
to Portland and there's not a thing you can do about it. Teresa
Banks had a ring. Any idea what happened to it?
Cable: We got a phone here. It's got a little ring.
-- Stanley gets in the crime van with Teresa's body.
D: Take the van back to Portland, Stanley. I'm going to take one
more look at the trailer park.
S: Agent Desmond. One thing has been troubling me. The blue rose.
You're going back to the trailer park for the blue rose.
Day
-- Desmond is back at the trailer park.
R: That's Deputy Cliff's trailer over by the red truck. That's his
truck too.
D: Teresa Banks' trailer is over... here. {looking back}
R: Right where we left it.
Old lady: Where's my goddamn hot water?
R: I'll be in my trailer.
OL: Hot water, Carl.
R: I'm gonna get you some Valium. {leads her away}
{Desmond sees the telephone pole [Indian whooping noise], then looks
towards another trailer. He walks over to it and sees a mound of dirt
with a small indentation at the top. Teresa's ring is in it. He
reaches out to take it.}
16 Feb
10:10 am (Cooper to Cole)
-- In Philadelphia, Cooper enters Cole's 7th floor office.
C: Gordon, it is 10:10 a.m. on February 16th. I was worried about
today because of the dream I told you about.
He walks from the room into the hallway and looks into the lens of the
surveillance camera. He runs into the surveillance room and sees an
empty hallway on the monitor. Back to the hall, then back to the
surveillance room. The monitor shows an empty hallway. He runs back
into the hallway. Behind him, at the end of the hall, an elevator door
opens and Phillip Jeffries enters the hallway, headed towards Cooper,
who doesn't see him because he is staring intently into the camera.
Cooper runs back to the surveillance room and sees on the monitor
himself staring into the camera, then Phillip Jeffries walking past him
towards the camera.
-- Albert and Cole are staring at Jeffries. Cooper runs in.
Cole: PHILLIP, IS THAT YOU?
{Albert stands up. Jeffries moves into the room.}
Cooper: {looking at Phillip} Phillip?
Cole: COOPER, MEET THE LONG LOST PHILLIP JEFFRIES. YOU MAY HAVE
HEARD OF HIM FROM THE ACADEMY.
Jeffries: Well now, I'm not going to talk about Judy. In fact, we're
not gonna talk about Judy at all. We're gonna keep her out of it.
Cooper: Gordon...
Cole: I KNOW, COOP.
J: {pointing at Cooper} Who do you think this is there?
A: Suffered some bumps on the old noggin', eh, Phil?
Cole: WHAT THE HELL DID HE SAY THERE, ALBERT? {pointing at Cooper}
THAT'S SPECIAL AGENT DALE COOPER. {focusing on Jeffries} FOR GOD'S
SAKES, JEFFRIES, WHERE THE HELL HAVE YOU BEEN? YOU'VE BEEN GONE DAMN
NEAR TWO YEARS.
J: I wanna tell you everything.
{Static. Then flashback to a dirty run-down room. A man dressed in
red, holding a stick. There are seven others. The MFAP
and BOB are sitting at a table. By the far wall are Mrs.
Tremond/Chalfont and her grandson, two woodsmen, and another man.
On the table is a pan with creamed corn.}
MFAP: Garmonbozia. This is a formica table.
J: Oh, believe me, I followed!
MFAP: Green is its color.
J: It was a dream. We live inside a dream.
Pierre: {pointing} Fell a victim.
MFAP: With this ring, I thee wed.
J: Ring. It was above a convenience store.
{Woodsman raises and lowers his arm twice.}
MFAP: Electricity.
J: Listen all, listen carefully. I've been to one of their meetings.
{Man in red jumps back.} ???, I found something! And then there
they were.
{Pierre pulls the mask from his face. It's Pierre. He replaces the
mask and pulls it away. Chimp. BOB and MFAP go beyond red curtains.
Jeffries screams. Static.}
Cole: HE'S GONE. HE'S GONE. ALBERT, CALL THE FRONT DESK.
A: {on phone} I've got the front desk now. He was never here. And
news from Deer Meadow. Agent Chester Desmond has disappeared.
Cooper: Gordon, what's going on?
-- Cooper plays back the surveillance camera tape for Cole.
Cooper: He was here.
Cole: But where did he go? And where is Chester Desmond?
Day
-- Rodd points the way to Cliff's trailer but Cooper picks up the same
vibe that struck Desmond and walks in the opposite direction.
R: {pointing} That's her trailer over there, I never touched a
goddamn thing. Agent Chet Desmond come by a second time and asked
to see Deputy Cliff Howard's trailer over here which I showed him.
Then I went back to my trailer, and after that, never saw him again.
C: Thank you Carl. Sorry to wake you. {walks}
R: All right. Was having a bad dream anyway. {notices} That's not
the way out to Deputy Cliff's trailer, I told you.
C: I'm not going to Deputy Cliff's trailer.
R: Well where the hell are you going?
C: I'm going over here. {walks}
R: What's over there? Goddamn these people are confusing.
-- Cooper finds tire tracks where a trailer used to be.
R: What're you looking for?
C: What was here, Mr. Rodd?
R: Trailer was here. What the hell'd you think?
C: Can you tell me who's trailer it was... and who stayed in it?
R: {thinking} Uh... an old woman and her grandson.
C: Can you tell me what their names were?
R: Chalfont. As a matter of fact, Chalfont was the name of the
people that rented the space before. Two Chalfonts. Weird, huh?
C: {notices the car} Is that Agent Desmond's vehicle?
R: Yup, sure is.
{They walk to the car. On the windshield, in red, is written, "Let's
Rock."
4:20 pm (Cooper to Diane)
Cooper: {into recorder} Diane, it's 4:20 pm. I am standing here at
Wind River near the location where the body of Teresa Banks was
found. Diane, this case gives me a strange feeling. Not only has
Special Agent Chester Desmond disappeared without a trace, but this
is one of Cole's Blue Rose cases. The clues that were found by
Special Agent Desmond and Agent Stanley have led to dead ends. The
letter that was extracted from underneath the fingernail of Teresa
Banks gives me the feeling that the killer will strike again. But
like the song goes, "...who knows where or when."
Aug
-- Laura gets her safety deposit box ("6 months ago," clerk to Cooper, 1000)
-- Laura begins seeing Dr. Jacoby ("6 months," Jacoby to Cooper, 1004)
Sep
-- Leo cited for an aggravated assault. Charges later dropped. (Cooper to
Leo, 1003)
-- Ernie Niles gets out of jail ("6 months," Ernie to Hank, 2008)
Oct
-- Lucy starts seeing Dick every Thursday night ("for 3 months," Lucy to
Dick, 2003)
Dec
-- Laura begins seeing James ("2 months ago," Donna to mom, 1001)
-- Laura and James are in the woods and Laura recites some poem about
fire, and asks James "You want to play with fire, little boy?
Would you like to play with Bob?" ("one night when we first started
seeing each other," James to Truman, 2001)
Jan 1989
-- Truman starts seeing Josie ("6 weeks," Truman to Cooper, 1000)
-- Lucy and Dick have an encounter on a display bed in Horne's Home
Furnishings ("6 weeks," Lucy to Dick, 2003)
5 Feb (Sunday) (Cooper to James, 1000)
-- Laura and James and the locket
6 Feb (Monday) (date at top of page in diary, 1000)
-- "Day One" (entry in Laura's diary).
Diary: Ran 3 miles today. I am exhausted. Kitty got new collar.
12 Feb (Sunday)
-- The picnic ("2 Sundays ago," James to Cooper, 1001)
15 Feb (Wednesday)
9:15 pm ("last night," Donna to Laura)
-- James calls Donna looking for Laura
16 Feb (Thursday)
Morning
-- In Twin Peaks, Laura walks outside her house, address 708.
-- Donna joins Laura in walking to school. They pass Mike and Bobby.
D: Yeah, Mike, you're the real man.
M: That's right, Mike *is* the man.
B: Mike... {with Mike in unison} *is* the man.
B: Laura Palmer, see you later.
-- Laura runs into James at school
-- Laura ducks into the bathroom to do a quick hit of cocaine.
Schoolbell rings.
2:30 pm (clock on wall)
-- Bobby's late to school again. He kisses the trophy case with Laura's
picture in it.
-- James and Laura meet in the custodian's room.
L: Kiss me.
J: It does matter. We're in love.
L: James, you don't know what you're talking about. Quit trying to
hold on so tight. I'm gone, long gone... like a turkey in the corn.
J: You're not a turkey. A turkey's one of the dumbest birds in the
world.
L: {in tears} Gobble... g-gobble, gobble.
J: Don't leave me. Laura, don't. I'll never leave you.
They make love on the floor.
End of school (bell ringing)
-- Bobby's pissed at Laura.
B: Hey! Where were you for the last hour? I've been looking all over
for you.
L: I was standing right behind you, but you're too dumb to turn
around. {to Donna} If he turned around, he might get dizzy and fall
down. {grabbed by Bobby}
B: Oh yeah? You'll be callin' soon and maybe I won't be around.
L: {smooth, smiling} C'mon, Bobby. C'mon... C'mon.
B: {can't hold it, smiles} Love ya, baby.
Bobby dances back into school. The other kids start dancing in a daze
also when Bobby starts.
After school
-- Donna and Laura at Donna's.
D: Are you gonna see James tonight?
L: Why are you suddenly so interested in who I'm gonna see at night?
Night time is my time.
D: You're telling me. That's only because you won't let me in on
any of it. You're not gonna see Bobby, are you?
L: Maybe.
D: My God, Laura.
L: Well, why not?
D: 'Cause Bobby's a loser. You said so yourself. He's a goon.
James is the one. He loves you with that everlasting love.
True love.
L: Yes, James is very sweet. Why don't you get out your violin,
Donna?
D: Sweet. God, he's gorgeous.
L: Yes, James is very sweet and very gorgeous.
D: I wonder if Mike could ever write a poem. {Laura laughs.} Do you
think that if you were falling in space that you would slow
down after a while or go faster and faster?
L: {swallows} Faster and faster. For a long time you wouldn't feel
anything. Then you'd burst into fire... forever. And the angels
wouldn't help you... 'cause they've all gone away.
-- Laura returns home. No one else is home. She goes to her room,
lights up a cigarette. She gets out her private diary from behind the
dresser, ready to write in it, when she notices pages are torn out.
She panics, taking it and running from the room.
-- Laura arrives at Harold's.
H: Laura...
L: {holding diary} My secret diary. There are pages missing.
H: Who would do that?
L: Bob.
H: But Bob is not real.
L: There are pages torn out - that is real, Harold.
H: {taking diary, flipping through it} Well, maybe...
L: Bob is real. He's been having me since I was 12. {Harold is
stunned} And the diary was hidden too well. There is no other
person who could've known where it was. He comes in through my
window at night. He's real. He's getting to know me, now. He
speaks to me.
H: What does Bob say?
L: {shaking} He says he wants to be me... or he'll kill me.
H: No... No...
L: {strangely} Yes... yes... {starts toward Harold}
H: What? Please. What?
L: {Feeling of Bob comes over her. Harold leans back. Laura grabs
him.} FIRE WALK WITH ME. {makes a face, then buries her face
in his shoulder, crying, whispers:} The trees... the trees...
{they break} You have to hide the diary, Harold. You made me write
it all down. He doesn't know about you. You'll be safe. I'm sorry.
{she kisses him, crying, then gets up to the door} I don't know when
I can come back. Maybe never. {leaves}
-- Laura dazed under the fan.
BOB: I want to taste through your mouth.
17 Feb (Friday)
Day
-- Cooper talks to Albert.
C: Lately I've been filled with the knowledge that the killer will
strike again. But because it is just a feeling, I am powerless to
stop it. One more thing Albert. When the next murder happens,
you will help me solve it.
A: {gets up from desk, buttons his coat} Let's test it for the
record, Coop. Will the next victim be a man or a woman.
C: Woman.
A: All right. What color hair will she have?
C: Blonde.
A: Tell me some other things about her.
C: She's in high school, she is sexually active, she is using drugs.
She is crying out for help.
A: Well damn, Cooper, that really narrows it down-- you're talking
about half the high school girls in America! What's she doing right
now?
C: She's preparing a great abundance of food.
-- At the RR, Norma sends Shelly to help Laura take the Meals on Wheels
meals to the car because Heidi has a bloody nose. As Laura puts the
dinners into the back of the car, she sees Mrs. Tremond/Chalfont and her
grandson in the parking lot waving for her to come over. Laura walks
over, and Mrs. Tremond/Chalfont holds out a framed picture.
T: This would look nice on your wall.
{Laura takes the picture. It's of a room with flowered wallpaper
and a dark doorway in its corner}
G: The man behind the mask is looking for the book with the pages torn
out. He's going towards the hiding place. He's under the fan now.
Laura sees Shelly coming out of the RR with another load of meals.
She turns back to see the Tremonds walking away, unrealistically far,
then tells Shelly she can't do Meals on Wheels today.
-- Laura runs home, holding the picture. She enters her house, moving
slowly. When she gets to her room, she sees Bob standing there,
having pulled out the dresser. He screams at her and she bolts from
the room. She runs across two front yards to a big tree, crying, and
watches as Leland walks out of the house, into his car (license 758-EAK)
and drive off. Laura denies to herself that it's her father.
-- Laura arrives at Donna's in tears.
L: Donna... Are you... are you my best... are you my best friend?
D: Of course. What is it, Laura? What's wrong? {they hug} I'm
your friend always.
Dusk
-- Laura arrives home for dinner. Leland is already seated.
Leland: Hi honey. How's Donna?
Laura: Fine.
Leland: School?
Laura: School's fine.
Leland: Sit down. {Laura takes off her jacket, drapes it around her
chair and sits} Sit down. Are you hungry?
Laura: Not really.
Leland: {notices the half-heart necklace} You didn't wash your hands
before you sat down to dinner, did you. {gets up, goes over to
Laura} Let me see. {takes her hands}
Laura: All right...
Leland: Oh, these hands are filthy. Look, {indicating the ring finger
of the left hand} there is dirt way under this fingernail.
Sarah: {enters with a bowl of mashed potatoes, sets it down on the
table} Leland, what are you doing?
Leland: Look at this finger here.
Sarah: Leland...
Leland: Laura did not wash her hands before dinner. {grabs the
half-heart necklace} Oh, look at this.
Laura: {trying to push his hands away} Don't...
Leland: Oh, is it from a lover? Did you get this from your lover?
Sarah: They don't call them lovers in high school, Leland.
Leland: Bobby didn't give you this.
Sarah: How do you know Bobby didn't give her that?
Leland: {pinches Laura's cheek} Did Bobby give you this? Or is
there someone new?
Sarah: {scared} Leland, Leland, no, don't do that, she doesn't like
that.
Leland: How do you know what she likes?
Sarah: Stop it! Stop it!
{Leland lets go of the necklace and sits down.}
Sarah: Now you sit down and we'll all have dinner.
Leland: Oh, I'll sit down, but not a one of us is going to start
eating until Laura washes her hands. {to Laura} Wash your
hands!
{Laura, in tears, gets up. Terrified, she washes her hands.}
10:35 pm (clock)
-- Leland and Sarah get ready for bed, when Leland begins to cry. He
goes and tells Laura he loves her. Laura is frozen, in tears. She looks
at her painting on the wall, then remembers she left the picture from
Tremond/Chalfont on the neighbor's lawn so she gets it and puts it on
her wall.
-- Laura dreams.
{The picture. Into the picture and through the doorway.
There's another room. Mrs. Tremond/Chalfont is standing there,
beckoning us towards her and through another doorway. Through the
second doorway. Another room. Pierre is standing there. He snaps
his fingers and a light shines. Red room. The ring is on a table.
Cooper enters.
MFAP: {to Cooper} Do you know who I am? {Cooper shakes his head}
I am The Arm. And I sound like this... {Puts his hands
in front of his lips and makes the Indian whooping sound. He picks
up the ring. It's Teresa's. The symbol on it is identical to
the petroglyph on the end of the pole at Owl cave.}
Cooper: {to camera} Don't take the ring... Laura, don't take the
ring.
{Laura is half awakened, tries to move her left arm, but it's
asleep. She moves it with her right arm. She looks at her door,
then turns to her left to see Annie Blackburn in bed with her, blood
around her mouth.
Annie: My name is Annie. I've been with Dale and Laura. The good
Dale is in the lodge and he can't leave. Write it in your diary.
{Laura looks at the door, then at her bed. Annie's gone. In her hand
is Teresa's ring. She's scared. Sarah calls, "Laura," distant,
mournful. She gets up, goes to the door, opens it. Dark on
the other side, accompanied with the Indian whooping sound. She
looks back at the picture and sees herself in the doorway looking
back into the darkened rooms where Mrs. Tremond/Chalfont and her
grandson were. Laura in the picture turns around and looks down at
her room, sees herself asleep.}
{Laura wakes from the dream, no ring in her hand, and looks at the
picture. She takes the picture down.}
18 Feb (Saturday)
Day
-- Leo shows Shelly how to scrub the floor.
L: This is where we live Shelly!
S: As if I didn't know.
L: Let me show you how to wash this tile and then you're going
to do it.
S: Come off it, Leo. I have to get ready for work.
L: {stops} What did you say? {pulls Shelly down}
Shelly, I'm not fooling around anymore! The first thing you're
gonna learn is to have a good attitude! That's the key! Anybody'll
tell you that! {phone rings, Leo gets up, slaps Shelly} Don't
even think about going anywhere, I'm not finished with you!
{answers phone} Yeah.
Bobby: Leo. Bobby.
L: What're you doing calling me here?
B: I'm sorry, um, the football's empty. I'm looking for Santa
Claus.
L: No way, you already owe me money. Five thousand to be exact.
{Shelly mouths to herself, "Five Thousand???", Leo wonders if Shelly
heard}
B: Leo, are you telling me there's no Santa Claus?
-- Bobby calls Jacques.
J: Yeah, Roadhouse.
B: Jacques. Bobby. I need some things man.
J: How come you only call me when you're desperate? You desperate,
baby?
B: Are you interested or not?
J: Maybe, Bobby. Maybe. Maybe. For 10K I have a friend who has what
you want. Oh, his stuff is the best.
B: Hit me. {starts writing some stuff down}
J: Two days. Midnight. By the sound of sawing wood.
B: Jacques you crazy fuckin' Canadian. This sounds big.
Night
-- Donna arrives at Laura's just as she is getting ready to leave.
D: Where're you going?
L: Nowhere fast. And you're not coming.
D: Laura, come on. Remember me? I'm your best friend. {Laura's
not responsive} Laura, aren't you going to fix me a drink?
Where are the cookies?
L: You mean Fred and Ginger?
D: Dancing... {notices lots of butts in the ashtrays} If I had a
nickel for every cigarette your mom smoked, I'd be dead.
L: I'll call you tomorrow. {leaves}
-- Laura arrives at the Roadhouse. At the entrance, she meets the Log Lady.
LL: When this kind of fire starts, it is very hard to put out.
{Touches Laura's forehead.} The tender bows of innocence burn first
and the wind rises - then all goodness is in jeopardy.
Laura pauses to look at her reflection before walking in.
-- Inside the Roadhouse, a singer sings on stage. Laura sits down and
cries. Donna walks in and sits down. Laura nods to Jacques behind the
bar. Jacques motions to a couple of guys who come over to her with
drinks. One slides her a fifty. She looks at it.
Laura: So you want to fuck the homecoming queen.
Buck: Let's go around the world, babe.
L: {picks up the fifty} This isn't gonna get you to walla-walla.
B: You do go all the way, don't you, little girl?
L: Sooner or later. {grabs his balls} You willing to go all the way?
Huh? You gonna do it to me? {let's go}
{Donna wipes a tear and walks to the table.}
D: Let's boogie.
L: What the hell are you doing?
Tommy: Are you part of the deal?
L: No, she isn't.
{Donna picks up a drink and downs it. Laura kisses Buck passionately.}
L: What did you say your name was?
B: Buck.
L: {nods} That's really nice, Buck. {looks at Donna}
{Donna kisses Tommy passionately.}
B: Yeah...
L: Okay, Donna, let's go.
-- Inside a place in Canada, Laura and her friends meet Jacques.
L: {to Donna} Welcome to Canada... Don't expect a turkey dog in here.
J: Hey slowpokes. Guess what?
L: What?
J: There's no tomorrow. Know why, baby? Because it'll never get
here.
L: Hey Jacques.
J: I'm not Jacques. I am the Great Went.
L: I am the Muffin.
J: And what a muffin you have. {makes motions of shooting his brains
out} I am as blank as a fart.
{They trade drinks around and Buck drops something in Donna's drink.}
L: Chug-a-lug, Donna.
{They drain their bottles}
-- Laura's topless, dancing with Buck
-- Donna's stoned, dancing with Tommy. She sees Laura's blouse and
ties it around her waist. Ronette's here too.
L: I haven't seen you since I was thrown out of One Eyed Jacks.
R: What else did we do together? Oh, I remember... {smiling}
J: {to Laura and Ronette} The party twins. My high school
sandwich. Let's put some meat inside.
R: She's been dead a year.
J: Who?
R: Teresa.
L: Teresa Banks? Yeah, a whole year.
R: Yeah, she was going to get rich blackmailing somebody.
J: That's right. She called me one day. She even asked me what
your father looked like.
L: {jolted} What?! She asked about my father?
J: Hey, why don't you two come up to the cabin this week? Thursday.
-- Laura and Ronette sitting in a booth. Laura snaps her finger and points
down. Buck goes down, pleasing the two.
R: Here we go again... like we're back at One Eyed Jacks.
L: {in pleasure} Oh, God. It sure is.
{Laura and Ronette enjoy themselves.}
R: Oh shit. Is that Donna Hayward?
{Laura opens her eyes, white light, then she screams, getting up
to get Jacques to help get Donna out of there, who's topless and
having a good time with Tommy. Laura screams at Donna never ever
to wear her stuff.}
L: Donna, not you... {Jacques carries Donna out}
19 Feb (Sunday)
Late morning
-- Leland drives up to the Hayward's. Inside, Donna and Laura talk.
D: Hey, how'd I get in my house? How'd I get in my bed?
L: Life is full of mysteries, Donna.
D: Were you mad at me for wearing something of yours?
L: I don't want you to wear my stuff.
D: I do love you, Laura. {they hug}
L: I love you, Donna. But I don't want you to be like me.
D: Why do you do it?
-- Leland walks in and flashbacks to Laura and Ronette sitting on a bed.
Leland: Excuse me, honey. We're late to meet Mom for breakfast.
Laura: {to Donna} Catch you later.
D: {to Laura} Bye.
Leland: {to Donna} Bye bye, Donna.
D: {to Laura} Bye.
-- On the road, the OAM follows, accompanied by the Indian whooping sound.
Leland stops behind a logging truck which has stopped due to two old
people crossing the road. Laura smells something burning. The OAM
races around the logging truck and comes back around, stopping on
Leland's side. Leland starts to rev the engine while staying on the
brakes.
OAM: You stole the corn! I had it canned over the store!
{shouting to Laura} And Miss, the look on her face when it was
opened. There was a stillness! {dog barks} Like the formica table
top! {the car smokes, making horrendous sounds, barely able to hear
OAM} The thread will be torn, Mr. Palmer, {dog barks} the thread
will be torn! {Leland turns to Laura, he's sweating profusely. The
OAM holds up his hand with a ring on the little finger. Leland
starts blowing the horn.} It's HIM! IT'S YOUR FATHER! {Laura
can't make him out with the noise}
The logging truck moves and the OAM takes off. Leland drives into a
service station.
Mechanic: Don't do that to your engine! You oughta take it easy,
Mister.
Leland: Why doesn't somebody do something about this? A man comes
out of the blue like that -- and starts screaming at you like a
crazy person and harrassing my daughter?! {to Laura} Are you
all right, honey?
Laura: {scared} Dad, are _you_ all right?
-- Leland flashes back to himself answering Teresa's ad in Fleshworld
and their meeting in a motel.
L: Teresa Banks. You look just like my Laura.
T: So when's the next business trip, big boy?
L: Ah, soon. And next time, let's party with those girlfriends you
told me about.
T: Sure. I can arrange that. {Leland covers Teresa's eyes}
What are you doing?
L: Who am I?
T: I don't know.
L: That's right.
-- Laura and Leland.
Laura: Dad? Dad?! {Leland jolted out of flashback} WhO _WAS_ THAT?!
He looked... familiar, have I met him?
Leland: No, you haven't met him. Have you met him?
Laura: No!
Leland: Let's go get your mother.
Laura: {still shaken} No, no, just sit here for a moment.
Leland: {kills engine} Oh my God, a man comes out of the blue like
that. What's the world coming to?
-- Leland flashes back to himself arriving at the motel and seeing Laura
and Ronette on the bed. He is about to leave but Teresa catches him.
T: Hey handsome.
L: Hi. {pulls her aside}
T: What's wrong?
L: Nothing. I chickened out. {gives her money, takes off. He sees
Pierre do a dance with the white mask and stick. After Leland walks
off, Pierre disappears.}
-- Laura and Leland.
Laura: Dad?
Leland: Yes?
Laura: Did you come home during the day last week?
Leland: No... {shakes head, to mechanics} LEAVE US ALONE!!
GODDAMNIT GET BACK TO YOUR WORK!!
Laura: {shaking} I thought... I saw you.
Leland: Oh God, you know? I did stop home on Friday, come to think
of it. I had a severe headache and I was in the neighborhood
so I darted in and out of the house to get some aspirin.
Where were you, Laura? I didn't see you.
Laura: {scared} Um... I was just down the street...
8:00 pm (clock)
-- Laura flashbacks. She remembers the ring the OAM had, the one
the MFAP had and the one Teresa had. She realizes it's the same.
White light on the ceiling.
L: Who are you? Who are you REALLY?
-- Leland flashbacks to him crushing Teresa's skull. Before he strikes
the TV, the Indian whooping sound is heard.
21 Feb (Tuesday)
Morning
-- In her room, Laura sniffs the last of the cocaine in her packet
Day
-- Laura meets Bobby at school.
B: Hey.
L: I'm nearly out.
B: Taken care of, babe. You and I are gonna make a big score
tonight. What is that? {pulls packet from behind her ear}
But this should tide you over.
L: Thanks. {takes packet} A big score?
B: Maybe our biggest. Don't tell Mike. This is just behind you and
me. Tonight, meet me two doors down from your place at 11.
Midnight (Jacques to Bobby)
-- Bobby and Laura in the woods. They toot up and wait.
L: Bobby, I found a little pine cone. {shows him pine cone}
B: Shut up, shut up, shut up.
L: Bobby, I found some dirt.
B: Shut up, shut up. Here he comes.
Deputy Cliff Howard shows up.
B: Who sent you?
C: Jacques.
L: That's right. {pulls out a large bag of cocaine, Laura grabs it
out his hand} Wow.
C: Like that little girl? {starts to pull out his gun}
B: WHAT?! {Laura screams, Bobby pulls out gun and shoots Cliff, still
standing, shoots again, Cliff moves, shoots again}
L: OMIGOD! Oh my God. Bobby, what did you do?
B: {shocked} I shot him. Oh my God! I shot him! Fuck! {starts to
throw dirt on Cliff} Get over here and help me! C'mere! Fuck!
{Laura still, then bursts into laughter. Bobby shakes her} Shut
the fuck up, this isn't funny, Laura! This is not fuckin funny.
Now help me bury him. Shit.
L: Bobby, you killed Mike.
B: This isn't fuckin Mike!! {looks back at Cliff} This is Mike?
L: Bobby, do you realize what you did? You killed Mike.
B: Shut up.
L: {laughs} Bobby, you killed Mike.
B: Shut the fuck up!! Shut the-- C'mon let's get the fuck out of
here! C'mon... Let's get the fuck out of here... the fuck out
of here... c'mon... {Laura still laughing}
22 Feb (Wednesday)
Day
-- James sees Laura outside her place.
J: Where were you last night? I thought we were supposed to get
together. {Laura looks at him, around} You're on something
again.
L: {sighs} James.
J: So, when will I get to see you?
L: {sees that Leland is standing on the porch} I gotta go.
-- Maddy feels Laura's in trouble (Maddy to Donna and James, 1005)
-- Laura writes in her secret diary (Donna to Cooper, 2009)
February 22. Last night I had the strangest dream. I was in a
red room with a small man, dressed in red, and an old man
sitting in a chair. I tried to talk to him. I wanted to tell
him who BOB is, because I thought he could help me. But my
words came out slow and odd. It was frustrating trying to talk.
I got up and walked to the old man. Then I leaned over and
whispered the secret in his ear.
Somebody has to stop BOB. BOB's only afraid of one man. He
told me once. A man named Mike. I wonder if this was Mike in
my dream. Even if it was only a dream, I hope he heard me. No
one in the real world would believe me.
Night
-- Laura in her room tooting up
-- Leland gives Sarah a drugged glass of milk. After she finishes it, he
walks into the hallway and hits the fan switch, starting it. Laura
freezes. Sarah nods off while reading "How to Speak German" and sees
the white horse. BOB enters Laura's room through the window and gets on
top of her. She fights, holding his face, trying to see it.
L: Who are you... who are you?!
BOB becomes Leland. She screams, screams.
23 Feb (Thursday)
Morning
-- The Palmers at breakfast.
Leland: Laura, honey... I really would like to talk to you.
Sarah: Laura, sweetheart. {Laura quickly gets up, puts her bowl in
the kitchen and goes upstairs} Laura... {lights up}
-- Laura gets ready for school.
Leland: {walks into Laura's room} Laura, honey? Sweetheart?
Is something wrong this morning?
Laura: {meaning it, hissing} Stay away from me. {leaves}
{Leland knows she knows and he knows what he has to do.}
-- Laura goes to school. The day is a blur.
After school
-- Ronette's parents think she went to work at the perfume counter but
she had in fact quit (Hawk to Cooper, 1002)
5:00 pm (Josie to Cooper and Truman, 1001)
-- Laura arrives at Josie's for her English lessons
6:00 pm ("an hour later," Josie to Cooper and Truman, 1001)
-- Laura leaves Josie's. L: I think now I understand how you feel about
your husband's death.
Early evening
-- Last entry in Laura's diary: "Nervous about meeting J. tonight."
(She remarks about having asparagus for dinner again, 1000)
-- Laura writes in her secret diary (Donna to Cooper, 2009)
February 23. Tonight is the night that I die. I know I have
to because it's the only way to keep BOB away from me. The
only way to tear him out from inside. I know he wants me. I
can feel his fire. But if I die he can't hurt me anymore.
-- Bobby meets with Leo and gives him $10,000 (Bobby to Mike, 1001)
-- Leo calls Shelly ("last night," Shelly to Bobby, 1000)
-- Ben is with Catherine (Ben to Jerry, 2008)
-- Laura at Bobby's.
{Laura and Bobby are on a couch, kissing, Laura pulls away}
L: Not tonight... Just... give me some stuff to hold me over
'til tomorrow.
B: Why? Why not? Where are you going? {again} Where are you
going??
L: I'm going _home_, Bobby.
B: You don't want me. You just want the blow, don't you?
Okay. {gives some to her}
9:00 - 9:30 pm
-- Laura returns home from Bobby's. (Sarah tells Truman she last saw
Laura when she got home about 9:00, 1000. Bobby answers yes when
Cooper asks him, "she was studying at your house until about 9:30.
Isn't that right?", 1000)
L: Goodnight.
Sarah: Goodnight, sweetheart.
-- Laura toots up
-- James calls. [Albert confirmed, however, that the one call Laura
received was placed from Ben's office, 2009]
L: James... Yeah, okay... Oh James, I do love you. Yeah, okay.
I'll meet you in 15 minutes. {phone slips away, she gets it,
puts it to her other ear, wrong way} I'll meet you in 15 minutes.
{readjusts phone} Okay? I'll meet you in 15 minutes. {hangs up,
to herself} God, why did I say that? 15 minutes...
She looks at her painting and the angel disappears.
-- Laura sneaks out of her house. James arrives and she gets on his bike
as Leland watches out the front window.
10:00 pm
-- Leland calls Laura from Ben's office (Cooper to Truman and Albert, 2009)
Night
-- James and Laura stop at a clearing in the woods.
J: The hell's wrong with you?
L: That's right. There's no place left to go is there, James?
J: The hell's that supposed to mean?
L: You know it and I know it.
J: What's wrong with us? We have everything.
L: Everything but everything.
J: Laura...
L: {mocking} Lau-ra... {slaps him}
J: {smiles} You always hurt the ones you love.
L: You mean the ones you pity.
J: Say whatever you want. I know you love me, and I love you.
L: {they kiss} I do love you, James. {whispers} Let's get lost
together. {break, scared} Shit!
J: What?
L: He might try to kill you!
J: Laura! {Laura screams} What's wrong?
J: What?
L: If he finds out.
J: Laura, what's the matter?
L: Bobby killed a guy.
J: What are you talking about? Bobby didn't kill anybody.
L: Do you want to see?
J: See what?
L: Right. Open your eyes, James. You don't even know me. There
are things about me even Donna doesn't even know me. Your Laura
disappeared. It's just me now.
J: Laura... {grabs her, she twists out}
L: What about this, James? {flips him the bird, he kisses her hard
but she is ice cold} I think you want to take me home now.
12:30 pm (full moon)
-- Laura jumps off James' bike at Sparkwood and 21 (James to Cooper, "at
Sparkwood and 21," 1001)
J: LAURA!
L: DON'T!
J: C'MON!
J: DON'T! JUST DON'T!! {hugs him} I LOVE YOU, JAMES!! {runs off}
-- In the woods, Laura meets up with Ronette, Leo, and Jacques
J: Right on time, baby.
1:00 am (Cooper to cops, 2001)
-- At Jacques', everyone is high. Laura is tied up.
L: {being tied up by Jacques} Don't. Jacques, don't. DON'T TIE ME
UP TONIGHT!!
Ronette is also tied up.
-- Waldo is let out of his cage and pecks at Laura, and Leo puts a OEJ
chip in her mouth and says, "Bite the bullet, baby." (Jacques to Cooper,
1007)
-- Leland appears at the window, unseen.
-- Jacques, zipping up, walks out of the cabin. Leland trips, grabs the
bottle, knocks it over Jacques' head, and kicks him some. Leo hears the
crash and comes outside to see Jacques bleeding. (Jacques thinks Leo
hit him, Jacques to Cooper, 1007) Leo panics and takes off in his
Corvette. Leland goes inside.
-- Leland marches the two tied up girls through the woods
-- Out of breath, the OAM arrives at the cabin, too late. He can hear
screams.
-- At the train car. BOB and Leland going in and out like breathing. Girls
shuddering as he circles them. He ties Laura up with the twine,
bending the arms back. Ronette praying. Leland puts a mirror under
Laura and she screams when she sees herself become BOB. Leland shows
the diary pages to Laura.
Leland: {shows pages} Your diary. I always thought you knew it
was me.
Ronette continues to pray, then an angel appears and breaks her bonds.
OAM: {arrives outside, bangs on the door} LET ME IN. LET ME IN.
Ronette pushes it open a little, the OAM reaches up, Leland punches
her a few times and shoves her out. The OAM tosses the ring inside.
Door is shut. Laura puts on the ring.
Leland: NOOOO!! DON'T MAKE ME DO THIS!! NOO!!!
Leland stabbing. Laura dead. OAM leaves.
-- Leland puts a letter R under Laura's fingernail (Cooper finds it, 1000)
and puts Laura's half-heart necklace on a small mound of dirt. He writes
in his own blood on a small piece of paper, "Fire walk with me." (Cooper
finds all this, 1000)
-- Leland wraps Laura in plastic and hauls her out over his shoulder.
His shirt is puffed out and bloody. He kicks over Ronette but she is
unresponsive.
-- Leland washes his hands with industrial soap and then kisses Laura
(Albert to Cooper, 1003)
-- Leland lowers Laura into the river
-- Leland at Glastonberry Grove. He pulls the diary pages out of his
pocket and drops them and the towel. (Hawk to Cooper, 2021)
-- Leland enters the curtains. The OAM is sitting there with MFAP.
Leland levitates and divides. One half becomes BOB, the other floats
up and becomes Leland. MFAP puts his hand on the OAM's armless
shoulder.
MFAP and OAM in unison: BOB... I want all my garmonbozia.
BOB reaches up and grabs Leland's wound, healing it and tossing the
blood to the floor.
-- Mouth eating corn. Chimp.
-- James rides around the rest of the night (James to Donna, 1000)
24 Feb (Friday) [Episode 1000 (pilot) - 4/8/90, 8/5/90
Written by Mark Frost and David Lynch
Directed by David Lynch]
5:00 am (Betty to Sarah)
-- Bobby goes running
"Just after dawn" (Truman to Bobby)
-- Josie at the mirror
-- Pete Martell discovers Laura's body. He calls the sheriff's station.
Lucy: Sheriff, it's Pete Martell up at the mill. Um, I'm gonna
transfer it to the phone on the table by the red chair, the red chair
against the wall. The little table, with the lamp on it - the lamp
that we moved from the corner? The BLACK phone, not the brown
phone.
Pete: {on phone to Truman} She's dead... wrapped in plastic.
-- Truman and Doc Hayward identify the body as Laura Palmer's. Andy
takes pictures and breaks down and cries.
-- Sarah can't find Laura. She calls the Briggs' and the football coach.
-- Audrey gets in a car for school
-- Ben and Leland have meeting with Norwegians. Ben mentions he has
information that the sawmill will go belly up within a year.
-- Leland receives news about Laura.
-- Heidi's late to work at the RR.
S: What kept you, Heidi? Seconds on knockwurst this morning?
H: I couldn't get my car started.
S: Too busy jump starting the old man, huh?
B: I thought you Germans were always on time.
N: I thought the only time you cared about, Bobby, was making time.
Leo called Shelly from afar last night so Bobby takes her home. Leo's
home so he drops her off and takes off.
-- Leland makes a positive ID of Laura's body
-- At Twin Peaks High, Audrey changes her shoes, and James meets Donna
J: "Nice day for a picnic." Bobby arrives at school and is wanted in
the office. In class ("Terry Franklin... Martha Grimes..."), Donna
notices Laura's empty seat after a cop talks to the teacher. Bobby's
in room 107.
-- Bobby is questioned, then arrested
-- Principal Wolchezk makes the announcement. Students grieve.
Mid-morning
-- Truman questions Sarah. Hawk gathers items out of Laura's room.
Truman gets the message that Ronette is missing
-- Josie has Pete "push the plug" and makes an announcement that work
will stop today in memory of Laura. Catherine fires Fred Truax.
-- Ronette is found wandering along the tracks
10:00 (approx) (Nadine to Ed)
-- James stops at Big Ed's Gas Farm.
J: Laura's dead.
E: I heard.
J: She was the one.
James has a note for Donna. Nadine sends Ed off to get the drapes
("They said those drapes would be ready by 10") at Gentleman Jim's
(Nadine to Norma, 1001)
11:30 am (Cooper to Diane)
-- Cooper enters Twin Peaks (He had lunch at the Lamplighter Inn)
2:46 pm (clock on wall)
-- Cooper meets Truman and reminds him that he is in charge. They check
on Ronette. She was raped several times, and Cooper finds nothing under
her fingernail. Truman to Cooper: "as far as we know, [Ronette and
Laura] hardly knew each other." Ronette: "no, don't go there"
-- Cooper and Truman take an elevator with a one-armed man. Dr. Jacoby
meets and tells them he wants to go to the morgue. Truman
says no. Jacoby also says that Laura's parents didn't know she was
seeing him.
-- Cooper and Truman check on Laura. Cooper finds an "R" under Laura's left
ring finger and mentions that he knew he would see this again. He tells
Diane to give this to Albert, not Sam.
-- Donna comes to Big Ed's Gas Farm looking for James. Mike comes by to
get Donna but Ed kicks him off the property. Nadine yells at Ed about
the drapes and Ed gives Donna James' note for her.
-- Cooper and Truman investigate Laura's diary. The last entry is "Nervous
about meeting J. tonight." There's a safety deposit box key and a bag
with what looks like cocaine residue. C: Diane, I'm holding in my hand
a small box of chocolate bunnies.
-- Andy and team find the train car
-- Cooper and Truman question Bobby. Cooper doesn't think he did it and
shows the picnic video to him. Bobby says he didn't do drugs and
thinks a moment when Cooper mentions the letter J.
3:45 (clock on wall)
-- Audrey walks into the Norwegians' meeting. She mentions Laura's death.
-- Bobby and Mike talk about going after a biker. Lucy overhears.
-- Cooper questions Donna. She says some hiker shot the picnic video.
He wants to know who she's protecting.
-- Lucy is about to tell Cooper what she overheard from Bobby and Mike, but
he already knows - the person they're looking for is a biker.
-- James with the locket on a thong
4:00 pm (approx)
-- "The Norwegians are leaving!" (one of Ben's employees tells the
concierge Ben would be back by 4:00 for the final signing of the deal
with the Norwegians and Ben arrives as the Norwegians are leaving)
4:10 pm (Cooper to Diane)
-- Cooper and Truman at the train car. They find the necklace, on a chain,
with half of the heart and a note, "Fire, walk with me."
-- James with the locket on a thong
-- Sylvia tells the nurse to tell Johnny that Laura won't be coming back
Late afternoon
-- Cooper and Truman at the bank. Inside Laura's safety deposit box are
over $10,000 and a copy of Fleshworld with Ronette's picture in it.
-- Leo finds two kinds of cigarette butts in the ashtray and threatens
Shelly
-- Norma calls Ed. They agree to meet at the Roadhouse at 9:30.
Early evening
-- Town meeting where Cooper addresses the community leaders. He says that
one year ago, almost to the day, in the southwest corner of the state,
a girl by the name of Teresa Banks was found dead and because of
"irrefutable similarities," he believes that same perpetrator killed
Laura and almost killed Ronette.
-- Leo calls Mike looking for Bobby and wanting the other half of the
money ("yesterday," Mike to Bobby, 1001)
9:30 pm (approx) (James to Donna in note)
-- Donna sneaks out after overhearing her parents talk about the necklace.
Harriet works on her poem.
-- Mike and Bobby arrive at the Hayward's looking for Donna. Doc discovers
she is missing. The boys head for the Roadhouse.
-- Doc calls Cooper and Truman who are staking out the Roadhouse about
missing Donna.
-- Ed and Norma talk about leaving their respective spouses for each
other. Cooper and Truman see Mike and Bobby arrive, then Donna.
Truman calls for backup. Fight breaks out, Joey Paulson takes Donna to
meet James. Ed gets his ass kicked by Bobby. His drink was drugged
and the bartender was Jacques Renault. (Ed to Cooper, 1001)
Jacoby follows Leo but loses him and instead follows Joey and Donna.
(Jacoby to Cooper, 2001) Cooper and Truman pursue but lose Joey and
Donna. James and Donna talk about Laura. He says Laura mentioned
something about a guy getting killed. They kiss, then bury the locket.
James is arrested.
-- Doc picks up Donna at the station. James is put in a cell.
12:28 am (Cooper to Diane)
-- Truman and Cooper have coffee and donuts. Truman recommends the
Great Northern for Cooper.
-- Bobby and Mike bark at James. Bobby: "When you least expect it."
-- Truman meets Josie, has been seeing her for about 6 weeks
-- Catherine tells Ben on the phone that Truman is with Josie again, and
they agree to meet to talk about it.
-- Sarah has a vision of the locket on a thong dug up by person
unknown
-- Jacoby digs up the locket (Jacoby to Cooper, 2001)
4:00 am (Nadine to Norma, 1001)
-- Nadine thinks up of the idea of using cotton balls to make her drape
runners silent
25 Feb (Saturday) [Episode 1001 - 4/12/90, 8/11/90
Written by Mark Frost and David Lynch
Directed by Duwayne Dunham]
6:18 am (Cooper to Diane)
-- Cooper's up and describes the room to Diane
6:50 am (approx) (Cooper tells Diane he'll breakfast in about half-an-hour)
-- Cooper goes to breakfast, where he meets Audrey
Morning
-- Cooper rattles off the day's schedule to Truman, who's stuffin' his face
with a donut. C: "Harry, I really have to urinate!"
-- Cooper and Truman get autopsy results from Dr. Hayward. He couldn't
bring himself to do the autopsy himself.
-- Shelly discovers Leo's shirt soaked with blood and hides it
-- Cooper and Truman question James. He says Laura jumped off his bike
at Sparkwood at 21 last night. He flashes back on Feb 5 when Laura
broke the locket.
-- Leo can't find his shirt
-- Mike and Bobby talk in jail cell about Leo
-- The Donna and Laura picnic video
10:30 am (Donna to Eileen)
-- Donna to mom: Laura's been seeing James for 2 months. Donna is sad but
happy.
-- Cooper meets Ed and gets a call from Albert. Truman and Ed discuss the
stakeout. Ed thinks his drink was drugged at the Roadhouse. The
bartender was Jacques Renault.
-- Norma runs into Nadine buying cotton balls at the general store
-- James released into Ed's custody, Mike and Bobby released
"Just barely morning" (Pete to Josie)
-- Cooper and Truman talk to Josie. Catherine calls Josie to tell her
shutting down the mill the day before cost $87,000. Pete: There was
a fish... *in* the percolator.
-- Catherine meets Ben. They plan to torch the sawmill.
Afternoon
-- Donna visits the Palmers. Sarah has a vision of Laura on Donna, and
killer BOB
Late afternoon/early evening (exterior shot is dark)
-- Hawk questions the Pulaskis, spots one-armed man
-- Ben confronts Audrey about her involvement with the Norwegians leaving
-- Bobby and Major Briggs have words over dinner. Briggs socks Bobby
when he lights up.
-- Cooper and Truman talk to Norma about Laura's involvement with the Meals
on Wheels program, and the Log Lady says her log saw something the night
Laura died.
C: Can I ask her about her log?
T: Many have.
Later in evening
-- Leo cuts open a football then beats up Shelly over the lost shirt
when she gets home
-- James has dinner at the Haywards'
-- Jacoby listens to tape from Laura, takes out the locket on a thong
"Hey what's up doc? It's Laura Palmer, in case you haven't guessed.
I'm making you another one of these tapes, which, as you already know,
I've mailed to you in one of the envelopes you gave me. It's
Thursday the 23rd and I'm so bored. Actually, I'm in kind of a weird
mood. God, James is sweet, but he's so dumb. I should've met you
a long time ago, Dr. Jacoby, 'cause right now I can take just so much
of sweet. I just know I'm gonna get lost in those woods again tonight.
I just know it. Remember me telling you about that mystery man?
Well -
-- Bob Lydecker assaulted outside a bar in Lowtown, a section of Twin Peaks
(Truman to Cooper, 1004)
[Episode 1002 - 4/19/90, 8/18/90
Written by Mark Frost and David Lynch
Directed by David Lynch]
Saturday evening (continued)
-- Jerry Horne gets back from Paris with some baguettes. Ben tells him
about the Norwegians leaving and Laura's murder. They go to OEJ.
-- Mr. and Mrs. Hayward hit the sack
-- Ben and Jerry at OEJ. Ben wins the coin toss for the new girl.
Blackie: "When you really want love, you'll find it waiting for you."
Midnight (clock at Haywards')
-- James and Donna have their heart-to-heart
-- Hawk calls Cooper, tells him that Ronette recently quit at the perfume
counter at Horne's and about seeing the OAM
-- Person unknown (Audrey, 1003) slips a note under Cooper's door ("Jack
with one eye")
-- Bobby and Mike meet with Leo in the woods. Bobby sees someone with Leo.
Not all of the coke is in the football since Bobby and Mike don't have
all the money - Laura had the other half. Leo mentions Laura's wild
life and Shelly's infidelity. Leo: "Leo needs a new pair of shoes!"
-- Nadine is up all night working on her silent drape runners (Nadine
to Ed, 1002)
26 Feb (Sunday)
Morning
-- Ed drops grease on Nadine's drape runners. Nadine's arms bend back.
-- Cooper prepares for his rock/bottle experiment
-- Shelly turns off a commercial for "Invitation to Love" and Bobby visits
-- Ed comes into the RR for a cup of coffee
-- Cooper teaches Truman, Hawk, Andy and Lucy about Tibet.
-- Rock/bottle:
1 "James Hurley, secret boyfriend"
! 2 "Josie Packard, was instructed in English by
U3 Laura." Bottle wobbled slightly.
!---! 3 "Dr. Lawrence Jacoby, Laura's psychiatrist."
2 ! Bottle was struck but did not break.
! ! 4 "Johnny Horne, Laura was his special education
!----! ! ! !--1-! tutor." Rock hit trash can.
! ! ! ! ! ! 5 "Norma Jennings, she helped Laura organize the
! ! ! ! ! ! Meals on Wheels program."
5 6 "Shelly Johnson, waitress at diner, friend."
Rock hit tree, then Andy.
7 Jack with one eye. No rock thrown.
8 "Leo Johnson, husband of Shelly, drives a truck,
connection with Laura unknown." Bottle struck.
Late morning (after church)
-- Donna meets Audrey at the RR who puts a tune on the juke. A: "God,
I love this music. Isn't it too dreamy?"
Afternoon ("Are we going to have to stand here all afternoon?" Albert to
Lucy)
-- Cooper and Truman examine the bloody rag. Hawk found it 1/2 mile from
the train car. [Albert later says Hawk found it 5 miles away, 2001]
-- Albert and team arrive.
A: What the hell kind of a two-bit operation are they running out
of this treehouse, Cooper?
C: Albert, this is Sheriff Truman.
A: I have seen some slipshod backwater burgs, but the place takes
the cake. What are we waiting for? Christmas?! We've got work to
do damnit! They're putting this girl in the ground tomorrow and
we wasted half the day traveling out here to the middle of nowhere.
C: Albert, I suggest you and your team should get started.
T: I'll have one of my men escort you over to the morgue.
A: That'd be fine.
C: Results from the local pathologist lab. {hands Albert the report}
A: {examining it} Welcome to amateur hour. Looks like an
all-nighter boys.
T: Albert, got a minute? {draws Albert aside} I hear that you're
real good at what you do.
A: Yeah, that's correct.
T: Well, that's good. 'Cause normally if a stranger walked into
my station talkin' that kinda crap, he'd be lookin' for his
teeth two blocks up on queer street.
Night
-- Nadine ecstatic about her now-silent runners
-- Pete and Catherine talk. Pete sneaks safe key to Josie and she finds two
ledgers there.
-- Leland has a breakdown to the strains of Glen Miller. Sarah: What's
going on in this house?!
-- Cooper dreams:
A series of sudden images, as if illuminated by a strobe light with
darkness in between:
Cooper in a chair, the dwarf
Laura's mother running downstairs [from 1000]
BOB at foot of Laura's bed
A bloody cloth [in the railroad car?]
Laura dead
BOB crouched at Laura's bed [Sarah's vision]
The One-Armed Man:
[As written in the script. Some have said the closed caption differs]
Through the darkness of futures past,
The magician longs to see,
One..chance...out..between two worlds...
Fire...walk with me.
We lived among the people -- I think you say convenience store?
We lived above it. I mean it like it is, as it sounds. I too
have been touched by the devilish one; tattoo on the left shoulder.
Ah, but when I saw the face of God, I was changed. I took the
entire arm off. My name is Mike. His name is BOB.
BOB, crouched in some room full of clutter (tantalizingly
unrecognizable metal objects) like an attic or basement. He looks
around and says:
Mike? Mike? Can you hear me? [he turns to look at the camera]
Catch you with my death bag!
You may think I've gone insane, but I promise I *will* kill again!
A small mound of dirt with a gold necklace on it, surrounded by a
ring of twelve candles. A puff of wind; the candles blow out.
An older Agent Cooper (in his 50s or so) is sitting in a red-carpeted,
red-curtained lounge. Laura Palmer is sitting a few chairs away from
him, dressed in a slinky black dress and looking very elegant. There
is a strange scraping noise - a distorted silhouette of a person,
backlit against a doorway -- it seems to be shuddering somehow -- the
scraping noise gets faster. Suddenly the distorted silhouette turns
around. It's The Little Man From Another Place. The scraping sound
was him rubbing his palms together. He's got a cheerful, wide smile,
and he says (in twisted, reversed backwards English):
Let's rock!
He sits in one of the chairs. There is a pause. A black shadow drifts
slowly over the red curtains, over their heads. Laura puts one finger
next to her nose, looking significantly at Cooper. Then:
LMFAP: [to Cooper] I've got good news. That gum you like is going to
come back in style. [noticing Cooper staring at Laura] She's my
cousin. But, doesn't she look almost exactly like Laura Palmer?
Cooper: [to LMFAP] But she is Laura Palmer.
[to Laura] Are you Laura Palmer?
Laura: [arching her back weirdly] I feel like I know her,
but sometimes my arms bend back.
LMFAP: She's filled with secrets. Where we're from, the birds sing a
pretty song, and there's always music in the air.
Slow jazz music begins to play. The Little Man From Another Place
stands and starts a jerky dance. Laura stands, crosses to Cooper,
kisses him, and whispers something in his ear.
-- Cooper jerks awake, with his special Cooper Cowlick pointing straight
up. He calls Truman and says he knows who killed Laura Palmer -
but it can wait till morning.
week of Feb 27 ("last week," Shelly to Bobby, 2007)
-- Shelly takes in a pair of Leo's boots for repair. There's a tape
in the heel.
27 Feb (Monday) [Episode 1003 - 4/26/90, 8/25/90
Written by Harley Peyton
Directed by Tina Rathborne]
7:15 am (Cooper to Diane)
-- Cooper meets with Audrey over breakfast and chat about OEJ and Laura.
He then tells Truman and Lucy about his dream. [In actuality, he
describes the ending to the European version]:
C: Harry, let me tell you about a dream I had last night.
T: Tibet?
C: No... you were there. Lucy, so were you. Harry, my dream is a code
waiting to be solved. Break the code, solve the crime.
L: Break the code, solve the crime...
C: In my dream, Sarah Palmer has a vision of her daughter's killer.
Deputy Hawk sketched his picture. I got a phone call from a
one-armed man named Mike. The killer's name was BOB.
T: Mike and Bobby?
C: No, different Mike, different BOB. They lived above a convenience
store. They had a tatoo: Fire Walk With Me. Mike couldn't stand
the killing anymore, so he cut off his arm. BOB vowed to kill
again, so Mike shot him. Do you know where dreams come from?
T: Not really. L: No, no.
C: Acetylcholine neurons fire high voltage impulses into the forebrain.
These impulses become pictures, the pictures become dreams - but
no one knows why we choose these particular pictures.
T: So what was the end of this dream?
C: Suddenly it was 25 years later. I was old, sitting in a red
room. There was a midget in a red suit and a beautiful woman. The
little man told me that my favorite gum was coming back into style and
didn't his cousin look exactly like Laura Palmer, which she did.
T: What cousin?
C: The beautiful woman. She's filled with secrets; sometimes her arms
bend back; where she's from, the birds sing a pretty song, and
there's always music in the air. The midget did a dance, Laura
kissed me, and she whispered the name of the killer in my ear."
T: Who was it?
C: I don't remember.
T, L: Damn.
C: Harry, our job is simple - break the code, solve the crime.
-- Fight at the morgue - Ben and Doc Hayward won't let Albert continue with
his autopsy
Albert: Mr. Horne, I realize that your position in this fair
community pretty well guarantees venality, insincerity, and a rather
irritating method of expressing yourself. Stupidity, however, is not
a necessarily inherent trait. Therefore, please listen closely - you
can have a funeral any old time. You dig a hole, you plant a coffin.
I, however, cannot perform these tests next year, next month, next
week or tomorrow - I must perform them now. <drill noise--VEEP
VEEP!> I've got a lot of cutting and pasting to do, gentlemen, so
why don't you please return to your porch rockers and resume whittling.
{puts glasses on, starts up the drill, about to drill Laura's head}
Doc: That does it, I'm taking charge of the body and you don't touch
Laura from this moment on. {pulls the drill plug}
A: {whips off the glasses, grabs Doc} The hell you -
{Truman and Cooper arrive as Ben intervenes}
C: Gentlemen, gentlemen!
T: What's going on?
D: Thank God.
A: Cooper, this old fool is obstructing an investigation. Cuff 'im.
D: He won't release Laura's body for the funeral - he's not human.
T: What's the holdup?
A: Please Cooper, I do not suffer fools gladly and fools with badges
never. I want no interference from this hulking boob, is that clear?
T: I've had just about enough of your insults.
A: Well I've had enough of uh, morons and halfwits, dolts, dunces,
dullards and dumbbells, and you chowderhead yokel, you blithering
hayseed, you've had enough of me?
T: Yes, I have. {socks Albert}
Mid to late morning (?)
-- Cousin Madeleine arrives to the strains of "Daddy!" on ItL
-- Norma is told of Hank's pending parole
-- Cooper and Truman talk to Leo
-- Bobby and father have words again
12:27 pm (Cooper to Diane)
-- Cooper and Truman leave for the funeral after Albert's autopsy report
Laura was tied up twice, two kinds of twine. It was cocaine in her
diary, waiting on the toxicology report. Traces of soap at the back
of her neck. Died of numerous cuts. Plastic fragment found in
stomach (portion of OEJ chip with the letter J, fax from Gordon to
Cooper, 1004). Cooper won't sign Albert's report of Truman punching him.
-- Ed and Nadine have a quiet moment. James declines to go to the funeral.
-- Audrey checks on her family through a peephole. Ben and Sylvia fight
over whether or not to take Johnny to the funeral. Dr. Jacoby comforts
Johnny.
Early afternoon
-- Laura's funeral. James and Bobby fight. Leland freaks out.
Evening (full moon)
-- Shelly demonstrates Leland's coffin ride
-- Truman, Hawk, and Ed talk to Cooper about someone running drugs into
Twin Peaks, and about a sort of evil out in the woods
-- Cooper meets the Bookhouse Boys (Truman, Ed, James, Joey, Hawk) and they
question Bernard Renault at the Bookhouse.
-- Jacques calls Leo for help. Shelly hides the gun.
-- Catherine eavesdrops on Josie and Truman. Josie shows Harry the safe,
but one of the ledgers is missing. Catherine has it.
-- Cooper meets Jacoby at the cemetery
-- Josie raises the possibility to Truman of Andrew having been murdered
-- Cooper talks with Hawk about spirits and Laura at the Roadhouse, then the
two take a drunken Leland home.
28 Feb (Tuesday) [Episode 1004 - 5/3/90, 9/1/90
Written by Robert Engels
Directed by Tim Hunter]
Morning
-- Bernard Renault makes bail (Truman to Cooper)
Day
-- Andy sketches BOB from Sarah Palmer's description. She, at Leland's
insistence, then describes her vision of someone digging up the necklace.
Donna's thinking.
-- Lucy watches ItL
-- Cooper questions Jacoby
-- Gordon calls Cooper. Andy shows the BOB sketch to Cooper.
-- Hawk tracks down the OAM to the Timber Falls motel, where at the
same time, Ben and Catherine are having a rendezvous, and are being
staked out by Josie. Catherine says the bogus ledger has the mill
turning a profit, and tells Ben where the real one is. She picks up
a OEJ chip Ben drops.
-- Cooper and the boys arrive. Andy drops his gun and it goes off. They
question Philip Michael Gerard. His suitcase is full of shoes and he
says he lost his arm in a car accident and his tattoo said "Mom" (Bob?).
-- Audrey gets Donna to agree to help her find Laura's killer
-- Norma goes to Hank's parole meeting, who's sporting a 3:3 domino
-- Cooper and the boys visit the Lydecker Clinic and confiscate files
-- Bobby has rendezvous with Shelly and she gives him Leo's bloody shirt
-- Cooper, Truman, Hawk and Andy practice in the shooting range. Lucy's
mad at Andy.
-- James runs into Madeleine Ferguson at the RR diner, after speaking with
Donna on the phone
5:00 pm (approx) (parole board'll call about 5)
-- Norma gets a call from the prison. Hank is being paroled.
-- Ben talks to Jerry about some Icelanders, then Audrey talks to Ben about
learning the family business by starting work at the department store.
Someone (Leo) calls Ben to meet him in half an hour.
-- A fax arrives from Gordon with a reconstruction of the plastic piece
found in Laura's stomach. Andy comes across the file on Waldo, a mynah
bird belonging to Jacques Renault. The cops race to Jacques' apartment.
They find Leo's bloody shirt there, planted by Bobby.
5:30 pm (approx) ("meet me in 1/2 an hour," Ben to Leo)
-- Ben meets Leo by the river and they make plans about setting fire to the
mill. Bernard's body is lying on the ground. Leo confesses to killing
him and reports that frere Jacques is hiding out in Canada.
Leo tapes this conversation. (tape, 2008)
B: Nice touch, Leo. Bright red sports car for a secret meeting. Nice.
Evening
-- James and Donna go to the buried necklace and find it missing. An owl
watches. Donna talks James out of going to the police.
12:50 am (clock on table)
-- Pete chats with Josie and retires. She gets a call from Hank. Hawk
sucks on a domino.
01 Mar (Wednesday) [Episode 1005 - 5/10/90, 9/8/90
Written by Mark Frost
Directed by Lesli Linka Glatter]
4:28 am (Cooper to Diane) (full moon)
-- Cooper is woken up by singing Icelanders
Morning
-- Cooper meets Audrey in the hotel restaurant
-- Ben and Jerry discuss the Sons of Odin. Jerry's got a leg of lamb.
-- Cooper meets Truman and Andy at Jacques' place. The blood on Leo's shirt
is determined to be AB-. It doesn't match Laura's but matches Jacques'.
9:14 am (clock on wall)
-- Lucy's out sick (Cooper to Lucy, 1006)
-- Nadine is off to the patent office in Fairville
-- Bobby has breakfast at Shelly's. Andy comes looking for Leo. Leo calls.
-- Norma drops by Ed's and they agree to cool their relationship for awhile
-- Audrey has her job interview at daddy's store. She threatens the manager
Emory Battis and gets a job at the perfume counter. A: I'm Audrey Horne
and I get what I want. Understand?
-- James and Donna meet. His dad was a musician who ran off and his mom's
an alcoholic.
-- Cooper discovers Laura's ad in Fleshworld
-- Madeleine meets with James and Donna at the RR and agrees to help them
-- Hank, now out on parole, shows up at the RR to start work. Shelly
watches ItL.
-- The Briggs family goes to see Dr. Jacoby. Jacoby asks if Laura laughed
and Bobby cried after the first time they had sex. Bobby says Laura
made him sell drugs so she could get them.
-- Cooper, Truman, Hawk, and Doc Hayward go hiking:
As they approach the cabin, a crow lands on a nearby branch and
eyes them. The Log Lady appears and the crow caws.
LL: "It's about time you got here."
{To no one in particular} "They move so slowly when they're not
afraid. Come on, then, my log does not judge."
{ They follow her inside. }
LL: "I've got tea. I've got cookies. No cake."
Coop: "That's very kind ma'am, but I don't believe..."
Hawk: "What kind of cookies?"
LL: "Sugar. The owls won't see us in here."
Doc: "A cup of tea would be very nice."
LL: {To HST & Coop} "Shut your eyes and you'll burst into flames."
HST: {Strolling to the table} "Thanks Margaret."
LL: "We'll let it steep."
{ All sitting at the table. Coop goes for a cookie, and Margaret
slaps his hand. }
LL: "Wait for the tea. The fish aren't running."
HST: "You've been expecting us, Margaret?"
LL: "You're two days late, but that's your concern. My log saw
something, something significant."
HST: "What did your log see?"
LL: "Tea first. Then be ready."
"My husband was a logging man. He met the devil. Fire is the devil
hiding like a coward in the smoke."
Doc: "It was the day after the wedding, wasn't it Margaret?"
Hawk: "The wood holds many spirits, doesn't it Margaret?"
LL: {Gesturing with log to Coop} "You can ask it now."
Coop: "What did you see that night - the night Laura Palmer was killed."
LL: "I'll do the talking."
"Dark. Laughing. The owls were flying. Many things were blocked.
Laughing. Two men. Two girls. Flashlights pass by the woods over
the ridge. The owls were near. The dark was pressing in on her.
Quiet then. Later, footsteps. One man passed by. Screams.
Far away. Terrible. Terrible. One voice."
Coop: "Man or girl?"
LL: "Girl. Further up over the ridge, the owls were silent."
{ As they leave on the way to discovering Jacques' cabin, the crow leaves
the branch it has been on all this time and follows, landing on a branch
when they stop once again. We get a close-up of its blinking eye. }
4:00 pm (cuckoo clock)
-- Cooper, Truman, Hawk, and Doc find Jacques' cabin and discover clues
given to Cooper in his dream - music, red drapes, twine, blood, OEJ
chip missing the J portion.
Evening
-- Party at the Great Northern for the Icelanders. Ben and Catherine meet
in private, Audrey eavesdrops. Catherine confronts Ben about the OEJ
chip, slaps him 3 times, says lets burn the mill now.
-- Leland freaks out to music
-- Madeleine calls Donna. She found a tape of Laura's.
-- Back at the party, Ben surreptitiously meets with Josie. She found the
ledger where he said it would be. Ben: "we can proceed. Tomorrow
night."
-- Leo gets home and is beat up by Hank. "I told you to mind the store, not
open up your own franchise." Leo gets pissed at Shelly who shoots him.
-- Cooper arrives back at his room to find Audrey in his bed
[Episode 1006 - 5/17/90, 9/8/90
Written by Harley Peyton
Directed by Caleb Deschanel]
Wednesday evening (continued) (1/2 moon)
-- Cooper has a talk (and that's all) with Audrey
02 Mar (Thursday)
Morning
-- Andy arrives at the station. Lucy won't talk to him and gets a call from
a doctor.
-- Cooper, Truman, and Doc Hayward are trying to get Waldo to speak
-- Hawk shows up with a forensics report on Jacques' cabin and says that
Jacques is now working as a dealer at OEJ. There were definitely 3
guests at Jacques' cabin - Laura, Ronette, and Leo.
Afternoon
-- Leo spots Bobby arriving at his house to see Shelly. She tells him she
shot Leo. Leo then takes off when he hears on the police band radio
about Waldo.
-- Maddy, Donna, and James listen to the tape that Maddy found.
What's up doc? Just a few words before I go to sleep. I feel
like I'm gonna dream tonight. Big bad ones, you know? The kind
you like. It's easier talking into the recorder. I guess I feel
like I can say anything. All my secrets - the naked ones. I know
you like those, doc. I know you like me too. That'll be my little
secret, okay? Just like your little coconut. Why is it so easy
to make men like me? And I don't even have to try very hard.
Maybe if it was harder -
They plot to get the missing tape (2/23) they believe Jacoby has.
-- Audrey and another girl, Jenny, are working the perfume counter at
Horne's. Audrey hides in manager Emory Battis' office to listen in on
his conversation with Jenny concerning her sideline work at OEJ.
-- Cooper receives his ear plugs (Cooper to Diane, 1007)
12:10 pm (clock on wall)
-- At the RR Diner, Hank palms a lighter that a customer left, and
has thoughts about Big Ed after a talk with Shelly. Truman comes in with
Cooper and warns Hank to keep clean.
-- Audrey gets Black Rose's number from Jenny
-- Nadine is home watching "Invitation to Love" and feeling miserable
because the patent attorney she went to didn't like her drape runner
idea. Ed comes in, comforts her, and encourages her to keep trying.
-- Truman stops by Josie's and asks about her being at the Timber Falls
Motel on Tuesday. She tries to deny it but then tells him about Ben and
Catherine and about overhearing Catherine's plan to burn the mill.
-- Letter from Harold to Donna (Look into the Meals on Wheels) arrives at
the RR (Norma to Donna, 2001)
Evening (Cooper to Truman)
-- Truman and Ed rendezvous with Cooper at the hotel. Truman tells Cooper
about Josie's problem. Cooper seems suspicious. Audrey shows up looking
for Cooper just as they leave.
-- Mr. Neff, an insurance agent, shows up at Catherine's about an unsigned
policy. Josie was to get $1,000,000 upon Catherine's death. Neff
offers to help Catherine.
-- Catherine finds her bogus ledger missing
-- Audrey leaves a note under Cooper's door and notices an Asian man
(Tojamura's assistant) checking in a couple of doors down from Cooper
-- Leo shoots Waldo and drives off, but not before Waldo's last words are
recorded. "Laura, Laura, don't go there. Hurting me, hurting me. Stop
it, stop it, stop it. Leo, no, Leo no."
-- Cooper and Ed show up at OEJ posing as "Fred and Barney" and meet
Blackie. Ed craps, Cooper jacks.
-- Maddy sneaks out, though she is seen by Leland, to meet James and Donna.
-- Ben and Jerry eat ice cream, then Jerry goes off with the Icelanders to
OEJ for a signing party for the Ghostwood deal
-- Ben calls Josie about Catherine. Josie says she'll "get Catherine there"
and that it is "planned for tonight."
-- Audrey meets Blackie. She ties a cherry stem into a knot with her
tongue, and is hired at OEJ
-- Jacques relieves the previous dealer at the blackjack table where Cooper
is playing
-- Dr. Jacoby is watching ItL on tv when he gets a call from "Laura." At the
gazebo, Maddy, disguised as Laura, is waiting with James and Donna
and Bobby is watching them. The whole tableaux is being watched by a
mysterious heavy breather.
-- Jacoby takes off to find out what's going on with "Laura" while James and
Donna sneak into his office to search for the missing tape. Bobby has
followed them there and sticks a bag of cocaine in James' gas tank.
[Episode 1007 - 5/23/90, 9/15/90
Written and directed by Mark Frost]
Thursday evening/Friday morning (continued)
-- James and Donna enter Jacoby's place, find paper umbrellas, the (slightly
different) missing tape and half the locket on a chain
-- Jacoby, watching "Laura" is beaten by person unknown (Leland). He smells
scorched engine oil (Jacoby to Cooper, 2003)
-- Audrey meets with Blackie and notices Cooper on a monitor
-- Cooper talks with Jacques, sets him up. Jacques says the bird had a
thing for Laura. Leo put a chip in Laura's mouth while the bird was
attacking her and said, "bite the bullet, baby."
-- Leo kidnaps Shelly
-- Jacques arrested, struggles, is about to shoot Truman when Andy shoots
him
-- James, Maddy, and Donna listen to the tape, as Will takes off for a
hospital emergency.
"Hey what's up doc? It's Laura, in case you haven't guessed. It's
Thursday the 23rd and I'm so bored. Actually, I'm in kind of a weird
mood. God, James is sweet, but he's so dumb. And right now I can only
take so much of sweet. Hey, remember that mystery man I told you
about? Well, if I tell you his name then you're gonna be in trouble.
He wouldn't be such a mystery man anymore, but you might be history,
man. I think a couple of times he's tried to kill me. But guess what?
As you know, I sure got off on it. Isn't sex weird? This guy can
really light my F-I-R-E. He's a red corvette... Uh oh, here comes mom
with milk and cookies. Later, Lawrence. Bye bye."
-- Leo prepares to burn the mill with Shelly tied up in it. Timer set for
one hour.
-- Nadine writes a note and takes pills
-- Hank receives $90,000 from Josie for the job 18 months ago. He says
doing business with someone is for life and slits both their thumbs.
-- Catherine is upset. She can't find the ledger. She deviously asks for
Pete's help.
-- Ed, Hawk, and Andy tell other deputies what happened within earshot of
Lucy. Andy makes his move and she announces she is pregnant.
-- Lucy receives call from "Leo" (Bobby) to check out James. "He's an easy
rider."
-- Cooper and Truman question Jacques. He was in the cabin with Leo, Laura,
and Ronette. He and Leo had fought and had hit him with a whisky bottle.
-- Hayward tells Cooper and Truman that Jacoby said he saw Laura at the
gazebo before he passed out
-- Catherine gets a call from Hank. "It's at the mill, what you're looking
for."
-- Hank tries to sweet talk Norma
3:25 am (clock on wall)
-- Ed finds Nadine unconscious. He calls for an ambulance. The address is
422 Riverside.
-- Lucy gives message to Cooper and Truman from Leo (Bobby). Leland asks
Truman about a suspect.
-- James gives Cooper Laura's tape. Cooper tells him Jacoby is in the
hospital and confronts him about the cocaine found in his gas tank.
-- Icelanders (Einar Thorson) sign the Ghostwood contract
-- Ben tells Hank to proceed
-- Bobby goes to see Shelly, is attacked by Leo, who is shot by Hank
-- Catherine finds Shelly and frees her. Fire starts. C: I can't
understand a word you're saying... you have a thing in your mouth!
-- Leland kills Jacques. Jacoby sees him. (Jacoby to Cooper, 2003)
-- Pete goes into burning sawmill after Catherine
-- Ben signs the contract and goes to see the new girl (Audrey)
"Close your eyes. This is the stuff as dreams are made of."
4:37 am (Cooper to Diane)
-- Cooper returns to his room, notices the quiet, picks up a note addressed,
"My special agent," receives a phone call from Andy and is shot by person
unknown. It's Josie (2016).
-- Briggs receives the message "The owls are not what they seem" ("around
the time I was shot," Cooper to Briggs, 2002)
(approx)
-- Windom Earle escapes from the mental institution. (Albert arrives on
Friday and tells Cooper on Saturday.)
03 Mar (Friday) [Episode 2001 - 9/30/90
Written by Mark Frost
Directed by David Lynch]
Early morning (4:45? am)
-- Room service waiter delivers Cooper's warm milk, hangs up phone on
Andy. "I've heard about you."
-- The Giant appears:
G: I will tell you three things. If I tell them to you and they come
true, then will you believe me?
C: Who's that?
G: Think of me as a friend.
C: Where do you come from?
G: {Shaking head} The question is: where have you gone?
The 1st thing I will tell you is: There's a man in a smiling bag.
C: Man in a smiling bag...
G: The 2nd thing is: The owl's are not what they seem.
The 3rd thing is: Without chemicals, he points.
C: What do these things mean?
G: This is all I'm permitted to say. Give me your ring. I will
return it to you when you find these things to be true.
{Takes Coop's ring} We want to help.
C: Who's we?
G: One last thing. Leo locked inside Hungry Horse. There's a clue at
Leo's house. You _will_ require medical attention.
-- Jerry gives heroin to Blackie
-- Audrey evades Ben, Jerry calls him away: Brother Ben, we got an S-N-A-G.
-- Cooper tells Diane things he'd like to've done until Andy, Hawk, and
Truman arrive
7:45 am (Doc to Cooper)
-- Lucy updates Cooper. Truman and Doc Hayward are present.
C: Doc, when the will is invoked, the recuperative powers of the physical
body are simply extraordinary. Just give me a couple of hours to
get dressed.
-- Shelly, in her hospital bed, cries for Bobby
Morning
-- Cooper sees Jacques' body wheeled away in a bag
C: Is that bag smiling?
Truman: Smiling?
Lucy: What's there to smile about?
-- Ronette has a vision, "Laura..."
Day
-- Sarah asks Maddy if she misses Beth (her mom). Maddy describes her
dream (the rug) and Leland sports a new 'do, singing Mairzy Doats:
Mairzy doats and dozy doats
and little lambzy divy.
A kiddly divy, too, wooden shoe?
Now if the words sounds queer,
and funny to your ear,
a little bit jumbled and jivy,
Sing:
Mares eat oats and does eats oats
and little lambs eat ivy.
A kid'll eat ivy, too, wouldn't you?
Maddy sees something in the rug. [BOB in the European TV version]
-- Ben and Jerry talk. Ben wants to know about Catherine and Leo's status.
Leland arrives, singing Mairzy Doats. The brothers dance.
-- Cooper determines what happened at Leo's.
C: Sheriff, get your mind off Shelly - for a moment.
Hawk finds a tarp smelling of gasoline. Albert and team arrive. Andy
steps on a board and walks like a chicken, underneath are a pair of
Circle Brand boots and cocaine.
A: And it's another great moment in law enforcement history.
-- "Hot _damn_, that pie's good!"
-- Maddy meets with Donna at the RR and gives her Laura's shades that she
wanted and breaks her own. They agree to keep it quiet about the
happenings last night at the gazebo.
D: Maybe the sun won't go up tomorrow if you wash your hair. Think
like that and you're gonna go crazy.
Norma gives Donna a letter that got to the RR "yesterday:" Look into
the Meals on Wheels. The log lady spits out her gum.
-- Albert examines Cooper: "You were shot by a right handed person 5 foot
6 to 5 foot 10 inches tall at a distance of less than 3 feet."
Cooper tries to get Albert to open up to the locals.
A: Great. After the square dance, maybe we can all take a hayride.
Andy reports that Leo was in jail in Hungry Horse, Montana on 2/9/88.
A: Where do they keep his water dish?
-- The OAM arrives at the station to "sell shoes" to Truman (to Lucy)
-- Truman questions James. Cooper demands and gets the locket on a thong
from James.
C: Jacoby! I didn't figure he had anything to do with this at all.
Sometimes, you just get lucky.
-- Donna arrives at the station in Laura's shades, smoking and meets
James in his cell.
J: When did you start smoking?
D: I smoke every once in a while. Helps relieve tension.
J: When did you get so tense?
D: When I started smoking.
-- Cooper has Andy and Lucy look through the back issues of the last three
years of Fleshworld for Teresa Banks.
C to D: Diane, just received the back issues of Fleshworld. Good work.
It's nice to see some cooperation with the law especially from
a company that preys on human weaknesses.
-- Hayward examines Jacoby, who's reeling from the hospital food. Cooper
and Truman arrive. Cooper confronts Jacoby with the locket on a thong.
C: I don't want any baloney, magic tricks or psychological mumbo jumbo.
Jacoby said the night after Laura died, he followed Leo, lost him,
saw and followed James and Donna and dug up the locket.
J: Laura was, was in fact, no she was living a double life. Two people.
Yeah, but then, then when I saw her that last time, she
I dunno, she seemed to've reached a kind of peace with herself. Now
I believe that what she in fact, she had arrived at was the decision
to end her life.
T: Are you saying Laura wanted to die?
C: Doctor, Laura Palmer did not commit suicide.
J: No, no, but maybe she allowed herself to be killed.
Jacoby says he smelled scorched engine oil the night before. (In fact it
was at the gazebo, Jacoby to Cooper under hypnosis, 2003)
-- Bobby visits Shelly, brings her flowers
-- Cooper, Truman, and Albert spot Bobby in the hospital. A: Sheriff
Truman, to see this kind of investigative genius at work is just a
real treat for me.
They meet Ed in the hall.
Ed: I never believed in fate, Agent Cooper. Always felt, you make your
own way, you take care of your own, and you pick up after yourself.
Albert: Farmer's Almanac?
Cooper: Albert, I would like to speak to Ed.
Truman: Albert, I'll buy you a cup of coffee.
Ed tells his tale of how he was with Norma but married Nadine and
shot her eye out accidently on their honeymoon. James drops by. Cooper
sees the smiling bag. Albert goes to check in at the Great Northern.
C: Harry, when Albert finishes up at the Great Northern, we'll
meet back at the station. I'm ready to lay the whole thing out.
T: Rocks and bottles?
C: Chalk and blackboard will be just fine.
T: Jelly donuts?
C: Harry, that goes without saying.
-- Doc to Nurse: Nurse, I really mean it. You better speak to that kitchen.
Pete is disgusted by the hospital food.
-- Norma visits Shelly in her room, then sees Ed caring over Nadine
-- Bobby runs into his father at the RR:
MB: "Bobby, may I share something with you?"
BB: "Okay."
MB: "A vision I had in my sleep last night, as distinguished from a
dream, which is mere sorting and cataloguing of the day's events by
the subconscious. This was a vision, fresh and clear as a mountain
stream, the mind revealing itself to itself. In my vision, I was on
the veranda of a vast estate, a palazzo of some fantastic proportion.
There seemed to emanate from it a light from within, this gleaming,
radiant marble. I'd known this place. I had in fact been
born and raised there. This was my first return. A reunion with the
deepest well-springs of my being. Wandering about, I noticed happily
that the house had been immaculately maintained. There'd been added
a number of additional rooms, but in a way that blended so seamlessly
with the original construction, one would never detect any difference.
Returning to the house's grand foyer, there came a knock at the door.
My son was standing there. He was happy and carefree, clearly living
a life of deep harmony and joy. We embraced, a warm and loving
embrace, nothing withheld. We were, in this moment, one. My vision
ended and I awoke with a tremendous feeling of optimism and
confidence in you and your future. That was my vision of you. I'm
so glad to have had this opportunity to share it with you. I wish
you nothing but the very best in all things."
BB: "Thank you Dad."
Bobby appears moved. Hank asks Briggs how the pie was and salutes him.
-- Norma won't talk about Shelly and Bobby recognizes Hank as he who
shot Leo.
-- Cooper and Albert tell their theory of what happened on 2/23:
C: The night Laura Palmer was killed, it appears she made 2
appointments. In her diary, she had written, "Nervous about
meeting J. tonight." I now believe this was a reference to James
Hurley. She was nervous because she planned to tell him she
didn't want to see him anymore. Before she snuck out of the
house, she received a phone call.
A: We believe it was Leo Johnson making a second appointment
for some time later that night.
C: Laura met James, was with him until 12:30 when, at the intersection
of Sparkwood and 21, she jumped from the bike and ran into
the woods. We believe that it was there that she met up with
Jacques Renault, Leo Johnson and Ronette Pulaski. Together
they drove to the foot of the trail leading to Jacques' cabin.
They climbed the trail, they were heard passing by the cabin of
the Log Lady. They reached Jacques Renault's cabin at approximately
1 am. Drugs and alcohol were consumed. Laura was tied up
and had sexual relations with both Leo and Jacques. Waldo the
bird was let out of his cage and attacked Laura. Leo and
Jacques fought. Jacques went outside and passed out. When he
came to, Leo and the girls were gone. We believe Leo hiked
back down the trail to his Corvette alone, leaving the girls behind.
A: The reason being, there was a third man.
C: Deputy Hawk found evidence of a third man outside the window
of Jacques' cabin.
A: The third man took Laura and Ronette to the train car, where
they were tied up. Laura for the 2nd time, Ronette for the 1st.
C: Using a blunt object, the killer hit Ronette and knocked her
unconscious. He must've been so intent on killing Laura, he
didn't realize that Ronette regained consciousness and escaped.
A: He either didn't know or he didn't care. He made a small mound
of dirt and put the half heart necklace of Laura's on top. He
then placed a small cut out letter R under the nail of her
left ring finger. You'll recall he placed the letter T under
the fingernail of Teresa Banks. He, uh, left a note written in
blood, "Fire, walk with me."
C: Here's the interesting thing. The blood on the note was tested.
It doesn't match Leo's, Jacques', Laura's or Ronette's.
A: So we surmise the killer wrote the note in his own blood. It's a
rare type, AB negative. The towel that Deputy Hawk found five
miles down the tracks was soaked in blood of that type. He
also found, near the towel, scraps of faded paper.
C: The scraps may have been left by the killer. They'll be sent
back to Washington DC for testing.
{Andy cries}
A: I know, Andy, I know, I know, I know. It's what we call a real
three hanky crime.
Andy: Albert Roserfelt. I don't like the way you talk smart about
Sheriff Truman or anybody. You just shut your mouth! {Exits}
C: Laura Palmer is dead. Jacques Renault is dead. Ronette
Pulaski and Leo Johnson are in comas. Waldo the bird is dead.
This leaves only the third man.
-- Truman gives Pete a ride home.
P: This smoke inhalation is nasty business. I feel like somebody
taped my lips to the tailpipe of a bus.
Josie left a note; she went to Seattle, she goes shopping every 3
months. An Asian man (Jonathan) calls, asking for her, then he makes a
collect call to Hong Kong.
-- Ben and Jerry meet with Hank. Hank confirms he put Catherine in the mill
and shot Leo.
H: He was chopping wood.
J: Chopping wood? Inside?
H: Yeah, you know Leo.
J: Wait a minute. Chopping wood? Inside?!
H: Yeah. You know Leo.
They hope to frame the arson on her and Leo.
B: Hank, leave the creative thinking to the brothers Horne. You're
a bicep. Relax, until we say "flex."
-- Audrey meets with Blackie, who's not pleased with her not satisfying the
owner
-- Andrew helps out Catherine to survive (Catherine to Pete, 2014)
Night
-- Donna calls Norma about taking over Laura's Meals on Wheels route.
She'll use the RR station wagon.
-- At the Hayward Supper Club, Gersten plays the piano and Harriet
recites a poem:
"It was Laura
And I saw her glowing.
In the dark woods,
I saw her smiling.
We were crying
And I saw her laughing.
In our sadness,
I saw her dancing.
It was Laura
Living in my dreams.
It was Laura.
The glow was life.
Her smile was to say
It was all right to cry.
The woods was our sadness.
The dance was her calling.
It was Laura
And she came to kiss me goodbye."
Donna sits on her hands. Leland sings "Get Happy" and collapses.
11:55 pm (Cooper to Diane)
-- Cooper goes to bed. C to D: I'm dog tired. A man can only go long
without submitting to a period of rest. For as we know from experiments
conducted on American GI's during the Korean War, sleep deprivation
is a one way ticket to temporary psychosis. And I'm working on a
3 day jag.
-- Audrey prays for Cooper
-- The Giant returns:
G: "Sorry to wake you."
C: "I'm not dreaming."
G: "I forgot to tell you something."
C: "You were right about the smiling bag."
G: "The things I tell you will not be wrong. Better to listen then to
talk."
C: "I believe you."
G: "Don't search for all the answers at once. A path is formed by
laying one stone at a time. One person saw the third man. Three have
seen him, yes. But not his body. One only, known to you, ready now
to talk. One more thing: you forgot something."
C: "What?"
{ Flash of green gets zapped into Coop. He lies alone in the dark,
blinking. }
-- Ronette has a vision. Train car, BOB with dead Laura and the mound
of dirt. BOB running, teeth clamping down. Laura screaming, BOB
pounding. Laura dead, BOB laughing.
04 Mar (Saturday) [Episode 2002 - 10/6/90
Written by Harley Peyton
Directed by David Lynch]
Morning
-- Cooper talks to Albert about Tibet over breakfast:
C: Buddhist tradition first came to the land of snow in the fifth
century AD. The first Tibetan came to be touched by the Dharma was
King Hathatha Rignamputsan. He and succeeding generations came to be
collectively called the Happy Generations. Now some historians place
them in the Water Snake Year, two-thirteen AD; others in the year
of the water ox 173 AD. Amazing isn't it? The Happy Generations.
A: Agent Cooper, I am thrilled to pieces that the Dharama came to King
Hohoho, I really am, but right now I am trying hard to focus on the
more immediate problems of our own century right here in Twin Peaks.
C: Albert, you'd be surprised at the connection between the two.
A: Color me amazed.
Albert tells of Cooper's ex-partner Windom Earle escaping from a mental
institution. The Asian man (Jonathan) watches Cooper drink coffee.
A: I performed the autopsy on Jacques Renault. Stomach contents
revealed, let's see. Beer cans, a Maryland license plate, half
a bicycle tire, a gota, and a small wooden puppet. Goes by the
name of Pinocchio.
C: Albert, you're making a joke.
A: I like to think of myself as one of the happy generations.
9:00 am (Donna to Norma, 2001)
-- Donna meets Norma regarding Meals on Wheels
Afternoon
-- Donna delivers a meal to Mrs. Tremond/Chalfont. "I requested no creamed
corn. Do you see creamed corn on this plate?" Her grandson makes the
creamed corn disappear. "Sometimes things can happen just like this."
"J'ai une a^me solitaire." Tremond/Chalfont mentions Harold next door
and Donna leaves a note under his door. "She seemed like a very nice
girl."
-- Cooper and Truman see Ronette and wrestle with the stools. They show
sketches of Leo and BOB to her. She reacts violently to the second.
"Tr- tr- tr-"
-- Ben and Jerry contemplate over which ledger to burn then decide to roast
marshmallows
-- Andy fights scotch tape at the RR. The Log Lady enters and Norma tells
not to spit her gum out in the restaurant so she swallows it.
LL: You wear shiny objects on your chest.
Major: Yes, I do.
LL: Are you proud?
M: No, achievement is its own reward. Pride obscures it. Cream?
The Log Lady then tells the Major to "deliver the message" and chews her
gum again.
-- Andy tells Lucy he's sterile:
Listen to me, Lucy Moran, you just listen. When the Takoma
Sperm Bank was looking for donors, naturally I applied. It's my civic
duty and I like whales. A routine physical examination revealed that
I'm sterile. Sure I thought it meant I didn't have to take a
bath, but the doctors told me the truth. They told me I can't have
babies. So what I wanna know now is why are you having one and how?
-- Hank sees Cooper and Truman, signs his parole form. Hank was a Bookhouse
Boy. Ben calls: Audrey's missing.
-- Jerry shows Ben the unsigned insurance policy. Ben calls Einar Thorson -
Leland's already called. Leland recognizes Bob; he lived next door to
his grandfather's summer home on Pearl Lake.
B: Jerry? Please kill leland.
J: Is this real Ben? Or some strange and twisted dream?
8:08 pm (clock on wall)
-- Shelly sees Leo on life support. Norma's waiting to drive her home.
-- Lucy gets a call but hangs up on him because he remains anonymous
-- At OEJ, Audrey questions Battis. He recruited Laura and Ronette to work
at OEJ. Laura used drugs one weekend so they got rid of her.
-- Bobby and Shelly scheme over Leo
Night
-- Cooper reports Windom Earle's flight to Diane. The Major visits.
BRIGGS: I have a message for you.
COOPER: From whom?
BRIGGS: I'm not at liberty to reveal the nature of my work. This
secrecy pains me from time to time. Any bureaucracy that
functions in secret inevitably lends itself to corruption.
But these rules I have pledged to uphold and I believe a
pledge is sacred.
Briggs shows Cooper the message: /THE/OWLS/ARE/NOT/WHAT/THEY/SEEM/
It came from the woods of Twin Peaks (Riley to Cooper, 2012)
-- James sings with Donna and Maddy. James and Maddy exchange looks, Donna
gets jealous, then gets a call from Harold Smith. Maddy sees BOB, who
climbs over the sofa to her, brushing and rotating the vase on the coffee
table to exactly the position it was before the vision.
-- Cooper dreams. Giant, Ronette, walking man. "The owls are not what
they seem," says the Giant. Flash. "The owls are not what they seem,"
says Briggs. Flash. Giant. BOB with owl superimposed on his face.
Sarah on the stairs. The walking man is BOB. He is awoken by a call
from Audrey. She is caught by Blackie.
-- Nadine rips two pairs of leather restraints at the hospital (Will to
Ed, 2003)
05 Mar (Sunday) [Episode 2003 - 10/13/90
Written by Robert Engels
Directed by Lesli Linka Glatter]
6:40 am (clock on wall)
-- Ronette is in the throes of a violent seizure. Truman turns off a
machine by her bed, then tells Cooper and Albert, who have just arrived,
that she took out her IV, which is colored blue. Cooper pulls out a 'B'
from under Ronette's fingernail.
-- Cooper enlightens Albert and Truman about his visitations from the Giant.
T: You saw a giant?
C: Yes.
A: Any relation to the dwarf?
-- Andy calls in sick today (Hawk to Lucy)
12:30 pm (?) (Harold's watch)
-- Donna visits Harold, who gives her a flower to put on Laura's grave.
He's known Laura since she started the Meals on Wheels. She pulls on a
piece of paper sticking out of a drawer.
-- Cooper and Truman discuss BOB. R B T
Albert reports: the B from Ronette's Mrs. Palmer
finger was from a Fleshworld. Maddy ----===========---- Cooper
The cocaine found in James' cycle Ronette
matches that found in Leo's house and Jacques' car.
Cooper was shot with a Walther PPK.
Albert and Truman trade words:
ALBERT: You listen to me. While I will admit to a certain cynicism, the
fact is that I am a nay-sayer and hatchet man in the fight against
violence. I pride myself in taking a punch and I'll gladly take
another, because I choose to live my life in the company of Gandhi and
King. My concerns are global. I reject absolutely revenge,
aggression, and retaliation. The foundation of such a method...is
love. I love you, Sheriff Truman.
COOPER: Albert's path is a strange and difficult one.
-- James is released
-- Lucy looks for words with R, B, and T. Richard Tremayne, her lunch date,
arrives at the station. Hawk offers two more words: prohibited, robot.
-- Leland drops by and tells Cooper, Truman, and Hawk about the man in the
sketch - he lived in a white house, across a vacant lot from his
grandfather's place on Pearl Lakes. His name was Robertson and he used
to flick matches at him, "you wanna play with fire, little boy?" Leland
flicks a match nicely himself into an ashtray. Cooper picks it up and
blows it out.
Afternoon
-- Andy buys boots from the OAM while he was waiting (Andy to Cooper, 2004)
-- At the RR, Lucy and Dick have words over lunch. They used to go out
every Thursday night for three months, but he hasn't called in 6 weeks,
since their encounter in Horne's Home Furnishings. She tells him of her
pregnancy.
-- James and Maddy discuss Donna. She arrives at an opportune moment, while
they're holding hands, and storms out.
-- Emory videotapes Audrey as Blackie shoots her up
-- The OAM shows shoes to Truman, sees the sketch of BOB, gets dizzy
and heads for the bathroom
-- Shelly drops by the station and tells Cooper and Truman she won't give
a statement against Leo. Cooper smells an insurance scam and wonders
who's behind it.
-- The OAM has spasms in the toilet stall, flushes the toilet and the
spasms cease. He drops his needle. Mike takes over.
-- Cooper meets Ben at the Great Northern, who tells him to watch his step
with Audrey. The Asian Man (Jonathan) watches and follows Cooper.
-- Jean Renault gives Audrey some English caramel
-- Emory recognizes Cooper on the monitor. Jean and Nancy, Blackie's
sister, arrive. They and Blackie scheme. Jean wants Cooper and Blackie
wants money. He'll be the go-between for 30%.
-- Truman gets a call from Pete - Josie will be back tomorrow afternoon.
Hawk has information about the white house - it's boarded up and no name
on the mailbox. Truman tells Cooper about the OAM and flinches when
Cooper reminds him that in his dream, the OAM knew BOB. Cooper finds the
needle in the bathroom. C: 'Without chemicals, he points.'
4:15 (?) (clock on wall)
-- Ed visits Nadine who is strapped to her bed. He sings to her, and she
breaks her straps and wakes up. She's 18.
-- Cooper and Truman visit Jacoby in his hospital room. His wife, Eolani,
is there. Hypnotized, he says he smelled engine oil at the park, and he
saw Jacques' killer
Night (full moon)
-- Donna brings Harold's flower to Laura's grave and has a one-way
conversation with her
-- James sees Maddy at the Palmer home. He's depressed since his mom came
home. Donna once again catches them at another opportune moment.
-- Maddy cries to Leland, "Everybody thinks I'm Laura, but I'm not!"
Cooper and Truman arrive to arrest Leland for the murder of Jacques.
-- Donna goes over to Harold's and finds Laura's secret diary next to a
knife
06 Mar (Monday) [Episode 2004 - 10/20/90
Written by Jerry Stahl and Mark Frost,
Harley Peyton, Robert Engels
Directed by Todd Holland]
Early morning
-- Cooper and Truman question Leland, who admits to killing Jacques
-- Doc Hayward and Andy discuss Andy's sterility. Doc asks for another
sample. Andy, with a copy of Fleshworld, runs into Lucy on the way to
the restroom.
-- Truman tells Cooper no one named Robertson ever lived in the white house.
Andy runs into a deputy, "Sorry, Bob." Cooper notices Andy's wearing
Circle Brand Boots.
"Not even 9:30" (Ben to Louie)
-- Louie tells Ben that travel critic M. T. Wentz is coming to town
-- Jean, who "sells insurance to small businesses," visits Ben with the
video of Audrey and the condition that Cooper bring the ransom money
Afternoon
-- Donna picks up lunches from the RR
-- Norma tells Hank about M. T. Wentz. He says there's enough time and
takes off.
-- At Harold's, he shows Donna the secret diary and reads from it. Donna
suggests giving it to the sheriff but Harold disagrees.
-- Ben shows the Audrey video to Cooper and asks him to deliver the money
-- Josie returns
-- At OEJ, Emory brings Audrey to Jean. Audrey says Emory hit him. Jean
kills Emory.
-- Andy approaches Lucy. Cooper has a talk with her.
-- Cooper asks Truman a favor. He needs the best Bookhouse Boy.
7:05 (clock on wall) (1/2 moon)
-- Hank and Norma patronize a large man at the RR. Hank lifts his billfold
and finds it is Daryl Lodwick, District Attorney.
-- Donna meets Maddy at the RR and asks her help in getting the secret diary
-- Truman confronts Josie about the mill, she seduces him on the couch.
A mystery man (Jonathan) watches outside the window in the rain.
-- Judge Clinton Sternwood arrives at the station and meets Lucy, Cooper
and the sheriff.
-- Dick Tremayne arrives, offers Lucy money for an abortion, and is kicked
out by her.
-- Andy, who overhears Lucy crying, brings in Leland to meet with the Judge.
Sid arrives.
Evening
-- Ben bows to Mr. Tojamura who checks in. Louie calls Norma - she thinks
it's M. T. Wentz.
-- Josie introduces her cousin Jonathan to Pete. Jonathan tells Josie her
job is to sell the mill and she is expected in Hong Kong by Mr. Eckhardt.
9:30 pm
-- Truman meets Cooper at the Roadhouse
-- Hank at the RR gets a visit from the Asian Man (Jonathan) and is beat up
07 Mar (Tuesday) [Episode 2005 - 10/27/90
Written by Barry Pullman
Directed by Graeme Clifford]
6:42 am (Cooper to Diane)
-- Cooper awakes, chewing on his ear plug, and finds Audrey's note
Morning
-- Hawk tells Truman of his finds - two old ladies at the white house.
They never heard of a Robertson.
-- Lucy leaves for Tacoma. She'll stay at sister Gwen and Larry's for
two days.
-- Cooper tells Truman he knows where Audrey is
-- Mr Pinkle demonstrates for Bobby and Shelly the Leo-lifter apparatus
while Bobby reads Shooting
-- Leland's hearing. Truman defends, Andy sketches. Ben chews on nuts and
leaves. Leland's released.
-- Donna delivers lunch to Harold and makes a deal. He'll read the diary if
she tells her story. She taunts him outside, he collapses.
-- Leo's hearing. He's ruled incompetent to stand trial. The Judge,
Cooper, and Truman have a drink. Cooper doesn't think Leo did it.
Truman tells Shelly Leo's coming home. Judge tells Cooper to keep an
eye on the woods.
-- Ed brings Nadine home. She rips off the refrigerator door.
N: Where are Mom and Dad?
E: Whoooaaa... out of town.
N: Oh, okay!
-- Tojamura meets Ben and offers him 5 million dollars for Ghostwood
[His assistant is the Asian man from 1006]
-- At the Great Northern, Bobby is snooping around Hank
Noon ("Expect a call tomorrow. Noon," Jean to Ben, 2004)
-- Cooper meets Ben. They get a call from Jean with instructions on where
and when to deliver the money. Ben has Hank follow Cooper.
-- Donna and Maddy plot to get the diary
-- At OEJ, Jean arms himself. Nancy reports that Audrey is asleep.
-- Andy mans the phones at the station. He calls the Doc for the results
of his sperm test. "I'm a whole damn town!" to Truman as he's zipping
his fly. He sees Gwen's number, calls, and gets an abortion clinic.
-- Cooper and Truman plan. Hawk enters and reports that the OAM is staying
at the Robin's Nest. No one's seen him for "a day, a day and a half."
He found a mysterious drug. They try to keep their plans from Hawk.
Night (1/2 moon)
-- Maddy gets some coffee at the RR. James follows.
-- Donna tells a story to Harold
-- Cooper and Truman bust into OEJ. An owl sees them. There's a roll of
plastic on the stairs.
-- Harold shows Donna some orchids
-- Cooper runs into Nancy and gets Audrey
-- Truman watches Jean kill Blackie and lick her blood on his lips. Hawk
saves Cooper and Truman.
H: "Good thing you guys can't keep a secret."
-- Hank is caught outside by Jean and is identified as DA Lodwick (billfold)
-- Maddy and Donna are caught by Harold
[Episode 2006 - 11/3/90
Written by Harley Peyton & Robert Engels
Directed by Lesli Linka Glatter]
Night (con't)
-- James rescues Donna and Maddy. Harold sprays his plants and grieves.
-- Cooper brings Audrey to the Bookhouse
-- Maddy leaves Donna and James, who share a moment
-- Truman recognizes Jean in a book of criminals and points him out to
Cooper, who begins to feel remorse for getting Audrey messed up in his
problems
-- Cooper gives back the money to Ben and tells him what happened. Ben hugs
him, then the briefcase.
08 Mar (Wednesday)
Morning
-- Bobby brings Leo home. He and Shelly get their first check - it's only
$700, it was supposed to be $5000. Leo groans.
-- Donna tells Truman about the secret diary. Gordon Cole arrives.
Cole: FEDERAL BUREAU OF INVESTIGATION REGIONAL BUREAU CHIEF GORDON
COLE. THAT'S A REAL MOUTHFUL, BUT I CAN'T HEAR MYSELF ANYWAY
Cole's got Albert's report: vicuna fibers were found outside Cooper's
room.
T: Coat was vi...cuna...
C: SOUNDS REAL GOOD, SHERIFF, BUT I ALREADY ATE.
Cole says the OAM's chemicals were weird stuff, and the scraps of paper
found near the train site were diary pages. Hawk brings in the OAM
C: "THERE'S THE ONE-ARMER NOW!"
-- Ben sees Audrey. A: "I'm aware of a lot of new things too, Daddy."
"I saw so much."
1:50 pm (clock on wall)
-- Nadine comes home from shopping
-- Jonathan rapes Josie and gives her a one way ticket to Hong Kong. She
says she hasn't received her insurance money nor the money from Ben.
She's waited five years for this. The plane leaves at midnight.
-- Maddy says goodbye to James at a dock. She leaves tomorrow.
-- Ben meets Josie at his office. They drink to the fire. She got Pete's
signature and wants her money. He threatens, she threatens. He gives
her the check from Tojamura, she gives him the contract.
-- Bobby and Shelly party around Leo. They make out in front of him, Leo
moves. B: Good thing we didn't light the candles.
-- Cooper meets Gordon. Albert thinks Cooper is in over his head. Gordon's
worried over Pittsburgh. Cooper gets an unmarked letter with an opening
chess move (P to K-4) from Windom Earle, sent to the FBI office.
-- Leland meets with Ben and proves himself, while pocketing fur off of a
stuffed fox. Jerry's on his way to Tokyo.
Night
-- Truman arrives as Josie's leaving. He is introduced to Jonathan as "Mr.
Lee," Josie's assistant. He tells her he loves her, she hesitates, then
leaves.
-- Ben meets with Tojamura. Leland sings. Pete chats with Tojamura:
Pete: The King and I! [to Tojamura] Do you like musicals?
Tojamura: No.
Pete: Not even Fiddler on the Roof? Made me weep like a little baby.
Tojamura: I find adherence to fantasy troubling and unreasonable.
-- Cooper questions Mike:
M: There is no need...for medicine. I am not in pain.
C: Who are you?
M: My name is Mike.
C: What are you?
M: I am...an inhabiting spirit.
C: Who is Phillip Gerard?
M: He is host to me.
C: You spoke to me in my dream...about BOB.
M: Mmm. He...was...my familiar.
C: Where does BOB come from?
M: That...cannot be revealed.
C: What does BOB want?
M: He is BOB...eager for fun. He wears a smile... Everybody run!
Do you understand the parasite? It attaches itself to a life form and
feeds. Eh. BOB requires a human host. He feeds on fear...and the
pleasures. They are his children. I am similar to BOB. We once
were partners.
M and C in unison:
Through the darkness of futures past,
The magician longs to see.
M: One...chance out, between two worlds,
Fire...walk with me.
Oh, but then...I saw the face of God...and was purified. I took off
the arm...but remained... close to this vessel, inhabiting from time
to time, for ONE, SINGLE, PURPOSE.
C: To find BOB [produces sketch of Bob].
M: TO STOP HIM! This [points to sketch] is his true face. But few can
see it. The gifted...and the damned!
C: Is BOB near us now?
M: For nearly forty years.
C: Where?
M: Ah. A large house, made of wood, surrounded by trees. The house is
filled with many rooms, each alike, but occupied by different souls,
night after night.
C: The Great Northern Hotel!
09 Mar (Thursday) [Episode 2007 - 11/10/90
Written by Mark Frost
Directed by David Lynch]
Early morning
-- Mike babbles, Gordon tells Hawk about the diary pages. Gordon is on
his way to Bend Oregon, "HUSH HUSH" business.
-- Note arrives for Donna at Tremonds', it's a page of Laura's secret
diary ("morning after poor Harold died," Mrs. Tremond to Donna, 2009)
7:24 am (clock on shelf)
-- Andy shows guests to Mike, who says "no...no..." Navy sailors bounce
handballs. Ben enters the room and Mike faints.
-- Hawk discovers Harold's body
9:05 am (clock on mantelpiece)
-- Maddy tells Leland and Sarah she's leaving tomorrow. "I'll come
galloping back often!"
-- Cooper and Truman find the French note on Harold's body, "I'm a lonely
soul." Hawk finds the torn diary.
-- Bobby and Shelly pay their bills and end up with $42. She wants Bobby to
take a necklace back. Leo's truck's been impounded. Leo screams and
spits, "new shoes." Leo had Shelly take in a pair of boots "last week."
-- Audrey confronts Ben with what she knows. He's owned OEJ for five years.
Laura worked there a short time, Battis recruited her without his
knowledge. He slept with her.
Day
-- A tearful Shelly tells Norma she's quitting. Nadine and Ed arrive.
Norma's been working there "20 years this April." Nadine crushes a
glass. Nadine: OH!!... There goes _another_ one!.
-- Bobby and Mike get back to Leo's with the boots and find a tape in the
heel.
2:47 pm (Cooper to Diane)
-- Cooper pieces together the diary. There are repeated references to BOB.
Audrey arrives and tells him what she found out about Ben.
10:00 pm - 12:00 am (full moon) (Albert puts Maddy's death between 10 and
12 and Truman says they took Ben in after that, 2009)
-- At the Palmer house, a record skips at the end, and Sarah (drugged)
crawls down the stairs, "Leland."
-- Ben is brought to the station. The Log Lady tells Cooper, "We don't know
what will happen or when, but there are owls in the Roadhouse." She
acknowledges that something is happening.
-- Pete runs into Tojamura - it's Catherine
-- Sarah sees a white horse and faints. Leland's at the mirror.
-- At the Roadhouse, Donna meets James and they discuss Harold. The Log
Lady arrives with Cooper and Truman. The navy sailors are there also.
Donna lip syncs.
-- Cooper and the Log Lady see the giant, "It is happening again."
-- Leland at the mirror, sees BOB. Maddy smells something burning and is
killed by Bob/Leland. An 'O' is put underneath her fingernail.
-- The waiter from the Great Northern tells Cooper, "I'm so sorry." Bobby
and Donna appear moved. Cooper's thinking hard.
-- Ben gets a fax from Jerry - he's talked with the people in Osaka and
it's thumbs up. Hawk, Andy, Truman, and Cooper arrive to take Ben in
for questioning.
B: Go away. Get out, go on! Go on! I'm gonna go out for a sandwich.
{scuffle scuffle} No! No! No! No! No! No! No! You can't do
this to me!
C: It's already done.
10 Mar (Friday) [Episode 2008 - 11/17/90
Written by Scott Frost
Directed by Caleb Deschanel]
Morning
-- Leland plays indoor golf. Donna and James drop by and miss their chance
to say goodbye to Maddy. Leland says he dropped Maddy off at the bus
station not 20 minutes ago. Leland excuses himself and talks to Sarah.
After Donna and James leave, Leland packs the club into his bag
(Maddy's in there) and leaves. His license plate says "The Timber
State."
-- Ben brushes his teeth in his cell when Jerry arrives back from Japan.
Ben says he was with Catherine the night Laura died. Ben and Jerry
reminisce about Louise Dombrowski dancing with a flashlight.
-- Lucy's back with her sister Gwen
10:03 am (Cooper to Diane)
-- Cooper and Truman come across Leland dancing with his golf club.
Truman tells Leland Ben's been arrested. Cooper asks him to get back
to him if he remembers anything about Ben.
T: Everything OK?
C: I'm not sure.
Late morning
-- Doc Hayward takes a blood sample from Ben. Jerry defends, and Cooper
and Truman question him. Jerry's license to practice law has been
revoked in IL, FL, AL, MA.
-- Bobby makes a copy of Leo's tape and writes a letter for Ben
-- Norma's mom Vivien arrives with her new husband Ernie, a financial
analyst. He says he's through with gambling, but leaves a paper on
the counter and Norma sees "$1000 Houston by 3 points" written on it.
-- The OAM ("he's close...") bumps the deputy and escapes from his room
-- Hank returns to the RR and smooth talks Norma
-- Truman and Pete look through a pair of binoculars at a pileated
woodpecker. They trade stories about Josie and get funny feelings.
Truman leaves with Cooper. The OAM is missing.
-- Andy sees Lucy with Gwen's baby and faints
1:40 pm (?) (Ben's watch)
-- Pete delivers a voice message to Ben from Catherine. She'll testify
for the mill. Ben throws a tantrum.
-- Leland sings "Surry With a Fringe on Top" while driving. Cooper's
whistling the same tune in a different key. They nearly collide.
Truman pulls Leland over and they chat. Leland mentions Ben made a
phone call at 10 pm the night Laura died and mentioned a "derry"
or diary. Leland offers to show Cooper his new clubs and appears
to almost whack Cooper with one when Truman calls him away - they
found the OAM, near the waterfall.
Afternoon
-- Hawk brings in the OAM to the station. Lucy attends to Andy
while Gwen gabs. Andy tells Lucy about his sperm.
G: My God! Just what the world needs. Another sperm gun running
around loose.
-- The OAM examines Ben.
Jerry: Sheriff, isn't there something you'd like to share with us?
Oh great... Would you tell this guy to stop staring at me like
I'm a dog biscuit?!
OAM: Bob... he's been very close.
J: Who's Bob? I don't know a Bob. Do we know a Bob?
Truman charges Ben with the murder of Laura:
J: Now, your 24 hours are up! You either charge my client or let him
go!
T: Ben Horne, I'm charging you with the murder of Laura Palmer.
B: Good move, Jer.
The OAM is taken to back to the hotel. Cooper tells Truman he doesn't
think Ben did it.
8:30 pm (Vivien to Hank)
-- Norma, Hank, Ernie and Vivien have dinner together, Hank's got a
new domino - double 4. When the ladies are in the powder room, Hank
and Ernie talk. They were prison buddies. Ernie Niles, "The
Professor," got out 6 months ago. He met Vivien at a Republican
fund raiser. He says he doesn't gamble anymore.
11:05 pm (clock on table)
-- Cooper makes a quick message to Diane
-- Audrey visits Cooper. Cooper gets a call.
-- Cooper and Truman identify Maddy's body
11 Mar (Saturday) [Episode 2009 - 12/1/90
Written by Mark Frost, Harley Peyton and Robert Engels
Directed by Tim Hunter]
Morning
-- Albert reports: letter O under Maddy's fingernail, fur in her hand
from a dead, stuffed fox. Cooper asks for 24 hours to finish it.
Albert:Cooper... an observation. I don't know where this is headed,
but the only one of us with the coordinates for this destination in his
hardware is you. Go on whatever vision quest you require. Stand on
the rim of the volcano, stand alone and do your dance. Just find
this beast before he takes another bite.
Cooper:<Sigh> God help me, I don't know where to start.
Hawk:You're on the path. You don't need to know where it leads.
Just follow...
-- James gives Donna a ring. Donna mentions last night.
-- Vivien doesn't like Norma's eggs.
-- Andy's French surprises Donna "J'ai une a^me solitaire"
-- Donna, Cooper, and Andy arrive at the Tremonds. A younger Mrs. Tremond
answers the door. Her mother passed away 3 years ago and she has no
children. She has a letter addressed to Donna that was in her mail
the morning after Harold died. It's a page from Laura's diary with the
entries for February 22 and 23.
C: Laura and I had the same dream.
A: That's impossible!
C: Yes, it is.
-- Cooper questions the OAM in a bed at the Great Northern.
M: BOB and I, when we were killing together, it was this, this
perfect relationship. Appetite, satisfaction, a golden circle.
C: A golden circle. A ring. My ring. I gave my ring to the
giant.
M: He is known to us here.
C: Then he's real.
M: As real as I. {laughs} He can help you find BOB.
C: How?
M: You must ask him first.
C: How do I do that?
M: You have all the clues you need. The answers are not here,
my friend, {touches Cooper's forehead} the answers are here.
{touches Cooper's chest}
-- Cooper, standing in a hall at the Great Northern, thinking hard,
sees the waiter. "I know about you. That milk'll cool down on you
but it's getting warmer now."
-- Cooper, Truman and Albert examine Ben's office. Albert says Maddy
was killed the night before last between 10 and 12. He also has
Ben's blood test results.
12:43 pm (clock on wall)
-- Andy calls Dick while Lucy watches - they need to talk
-- Tojamura sees Ben. He wants the contract signed or the money
returned. Ben signs it and Tojamura reveals his true identity.
-- Donna goes over to the Palmers' and meets Leland. She's got a tape of
her, Maddy and James singing for Maddy. Leland recognizes Laura's
shades on Donna and she mentions Laura's secret diary. Leland gets a
call from Beth - Maddy never made it home. He chews gum, dances with
Donna, and hugs her hard. He's BOB again. Truman's at the door for
Leland.
-- Donna tells James about Maddy. He leaves her crying.
3:00 pm (clock on wall)
-- At the Roadhouse, Ben eats nuts. Cooper and Truman are at the bar.
Truman brings Leland, Ed arrives and they clear the room. Hawk brings
Bobby and Leo.
Ben: Would you like us to hum? A Tibetan chant, perhaps?
Albert: I think it's going wonderfully well, don't you?
Truman: Now what?
Cooper: Harry, I'm not completely sure. _Someone_ is missing.
Major Briggs brings the waiter, who gives Cooper a stick of gum.
Leland: I know that gum. I used to chew it when I was a kid.
That's my most favorite gum in the world.
Waiter: That gum you like is going to come back in style.
Cooper remembers: Laura: "My father killed me." The Giant gives Cooper
his ring back.
3:55 (clock on wall)
-- Cooper and Truman trick Leland into a cell. He freaks.
-- At gunpoint, Leland is cuffed and read his rights:
Truman: You have the right to an attorney. If you cannot afford an
attorney, one will be appointed for you.
BOB: {snickers} Hee hee hee! Oh yeah, I suppose you wanna ask him
some questions, huh?
Cooper: Did you kill Laura Palmer?
BOB: WHOOOO! WHOO! WHOO WHOO WHOO WHOO WHOOOO WHOO WHOO WHOOOO
WHOOOO!! That's a yes.
Cooper: How about Madeleine Ferguson?
BOB: What do you think?
Cooper: I'm asking you.
BOB: No, what do you think?
Cooper: That's not the question.
BOB: Oh, gosh, gee, gee, whiz. I guess I kinda sorta did... I
have this thing for knives... just like what happened to you in
PITTSBURGH that time, huh, Cooper?? Oh, Leland... Leland,
Leland... you've been a good vehicle, and I've enjoyed the
ride... but now he's weak... and full of holes... it's almost
nearly time to shuffle off to Buffalo!!
Cooper: Does Leland know what you've done?
BOB: Ah, Leland's a babe in the woods... with a large hole... where
his conscience used to be. And when I go, children, I
will pull that ripcord--and you watch Leland remember!! Watch
him! But not for long.... WHOO! WHOO!
Truman: That's enough for me.
-- Dick and Andy listen to Lucy. Dick smokes.
-- Cooper tells his story of how the answer was staring him in the
face all this time - Leland's dancing, grey hair, Robertson, the
letters, the secret diary. Leland recites Mike's poem and BOB's
response. The sprinklers go off and Leland rams his head into the door.
<Cooper, Albert, and Truman burst into the room. The sprinkler system
has gone off and water is pouring over them all>
Cooper: Call an ambulance! <Cooper kneels next to Leland and cradles
Leland's head in his lap. For the rest of the scene he strokes
Leland's hair and face, comforting him.>
Leland: Oh God! Laura! I killed her. Oh my God, I killed my daughter.
I didn't know. Forgive me. Oh God. I was just a boy. I saw him
in my dream. He said he wanted to play. He opened me and I
invited him and he came inside me.
Cooper: He went inside.
Leland: When he was inside, I didn't know. When he was gone, I
couldn't remember. He made me do things. Terrible things. He said
he wanted lives. He wanted others, others that they could use, like
they used me.
Cooper: Like Laura.
Leland: They wanted her. They wanted Laura. But she was strong. She
fought. She wouldn't let him in. Oh God. They had me kill that
girl, Teresa. And they said if I didn't give them Laura, they'd have
me kill her, too.
Cooper: But she wouldn't let them in.
Leland: They said she'd die before she'd let them. Then they made me
kill her. Oh God, have mercy on me. What have I done? What
have I done? Oh God. I love her. I love her with all my heart.
My angel, forgive me.
<Cooper looks to Albert, who shakes his head -- apparently Leland
isn't going to live>
Cooper: Leland. Leland, the time has come for you to seek the path.
Your soul has set you face to face with the clear light and
you are now about to experience it in its reality. Wherein all
things are like the void and cloudless sky and the naked
spotless intellect is like a transparent vacuum, without
circumference or center. Leland, in this moment, know yourself
and abide in that state. Look to the light, Leland. Find the
light.
Leland: I see it.
Cooper: Into the light, Leland. Into the light.
Leland: I see... Her. She's there.
Cooper: Into the light, Leland.
Leland: She's beautiful.
Cooper: Into the light.
Leland: Laura?
Cooper: Don't be afraid.
<Leland dies. Wordlessly Cooper pushes his own hair back and looks up.
The sprinklers shut off>
Late afternoon
-- Cooper, Albert and Truman, meet Briggs and talk about BOB
-- An owl flying by some wrecked cars
Beginning of week of Mar 13
-- Cooper decides an opening move and puts in a personal ad ("Earle: P to
K4") to a nationally distributed newspaper. (published in the Mar 16
paper, 2012)
14 Mar (Tuesday) [Episode 2010 - 12/8/90
Written by Tricia Brook
Directed by Tina Rathborne]
Day
-- Cooper explains to Sarah what happened the night Maddy died and
Leland's final moments
-- Leland's wake. Dr. Jacoby's back from Hawaii. Dougie pulls his brother's
(Mayor Dwayne Milford) ear. Dougie owns the newspaper and is
engaged to be married. Cooper: Harry, I'm really gonna miss this place.
-- Dr. Jacoby and Ed ask to have 35 year old Nadine admitted to school
-- Audrey sees Cooper, who tells his tale of Earle. A: "Friendship is
the foundation of any lasting relationship."
12:35 pm (clock on wall)
-- Bobby puts on Leo's clothes and goes to see Ben
-- Catherine talks to Truman. She says a guardian angel saved her and
directed her to the summer cabin on Pearl Lakes. There appears to
be an owl-shaped smudge on her cheek.
-- Dick talks to Lucy while she's replacing ceiling light bulbs. She
nearly falls but Dick's oblivious. Andy offers to be friends.
-- Cooper says goodbye to Truman, who gives him a green butt skunk hook
and a Bookhouse Boy patch. He says goodbye to Hawk, Andy and Lucy,
when Roger Hardy arrives with a mountie and tells Cooper he has been
suspended from the FBI.
-- Audrey gets Bobby in to see Ben, but gets kicked out. They go to
get ice cream. B: Cup or cone? A: Mmmm...cone. I like to lick.
-- Roger and the mountie question Cooper, who surrenders his gun and
badge. They only knew of two deaths, and Cooper didn't know about
Battis. Truman stands up for Cooper.
-- Nadine Butler tries out for cheerleading
6:20 pm (clock on wall)
-- Shelly brushes Leo's teeth. Bobby calls, Leo moves.
Night (full moon)
-- Vivien reveals herself to Norma, who kicks her out
-- Hank brings Ernie to Jean at OEJ. Jean's assistant is the mountie -
he'll put some of the stolen cocaine in Cooper's car
-- Josie, injured, returns to Truman's place
-- Cooper and Briggs around a campfire:
COOPER: At the time I did what I thought was right. I must now face
the consequences.
BRIGGS: You can do no more.
(Cooper and Major Briggs, roasting marshmallows over a campfire.)
COOPER: You know, Major, I find myself thinking a lot about BOB.
If he truly exists.
BRIGGS: Yeah, I've pondered that same question continuously since this
horror was revealed.
COOPER:I try to imagine him out there, incarnate, looking for
another victim to inhabit.
BRIGGS:There are powerful forces of evil in the world. It is some
men's fate to face great darkness. We each choose how to react.
If the choice is fear, then we become vulnerable to darkness.
There are ways to resist. You, sir, were blessed with certain
gifts. In this respect, you are not alone. Have you ever heard
of the White Lodge?
COOPER: The White Lodge. No, I don't believe I have.
(Briggs appears to ponder what he should say about this.)
(Angle on the woods from the point of view of some unknown entity,
moving through the woods.)
COOPER:Major, I'm going to take a moment here. I feel the call of
nature. There's nothing quite like urinating out in the open air. I
look forward to hearing more about this White Lodge.
(Cooper moves off into the woods. Major Briggs laughs, gives
the departing Cooper a "thumb's-up".)
When I return. From my journey.
(Lingering on Briggs, who looks off in the direction of Cooper's
exit with a speculative expression. An owl hoots. Major Briggs looks
up, alarmed.)
(Cooper urinating in the woods. An owl hoots in the tree above him.
Cooper watches the owl. Suddenly a brilliant white light appears
behind him. Cooper turns toward the light.)
(Angle on Briggs, bathed in blinding white light.)
BRIGGS:COOPER! COOPER!
(A robed figure appears in the light, backlit. No features are visible.)
(Cooper dashes through the woods to the camp site. The Major is gone.)
COOPER: Major Briggs? MAJOR?
(Cooper looks at the light. It seems to be receding into the woods.
Cooper runs toward it. He reaches the top of a small hill and freezes,
looking into the light. The light blinks out.)
15 Mar (Wednesday) [Episode 2011 - 12/15/90
Written by Barry Pullman
Directed by Duwayne Dunham]
Morning
-- James cycles
-- Mrs. Briggs talks to Cooper and Truman about her husband's disappearance.
Being "in the woods is very significant," he "talks about them
constantly." He left some notes by his bedside table so she'll call back
later.
-- Andy and Hawk found a present for Mr. & Mrs. Milford
-- Gordon calls from Bend (a temp patches him through - Lucy's helping
with the wedding). Dennis Bryson from the DEA will be arriving.
-- Cooper presents no defense to Roger
-- Nadine asks Donna about Mike
-- James cycles to Wallies and meets Evelyn Marsh. She asks if he would fix
her husband's Jaguar which she drove into a ditch.
12:18 pm (clock on wall)
-- Andy leaves flowers for Lucy
-- Dick brings Nicky, his charge from Happy Helping Hand, to the station.
Andy offers him a malt.
-- Cooper, Truman, and Hawk discuss the White Lodge:
HAWK: Cooper, you may be fearless in this world, but there are other
worlds.
COOPER: Tell me more.
HAWK: My people believe that the White Lodge is a place where the
spirits that rule man and nature here reside.
TRUMAN: Local legend. Goes way back.
HAWK: There is also a legend of a place called the Black Lodge...
the shadow-self of the White Lodge. The legend says that
every spirit must pass through there on the way to perfection.
There, you will meet your own shadow-self. My people call
it "The Dweller on the Threshold."
COOPER: "The Dweller on the Threshold..."
HAWK: But it is said, if you confront the Black Lodge with imperfect
courage, it will utterly annihilate your soul.
-- Dennis arrives, dressed in women's clothes and calling himself Denise.
He and Cooper worked together in Oakland. An RCMP officer says he stole
drugs.
-- Nadine leg presses 600 lbs
-- Josie tells Truman about Eckhardt. He took her off the streets in Hong
Kong at 16 and taught her about life and business. She was afraid for her
life when she met Andrew, a business partner. She says she believes
Eckhardt is responsible for Andrew's death. She escaped from the airport
at Seattle.
-- Roger has pie at the RR (story on Leland in his paper)
-- Hank and Ernie return. When Norma asks Ernie if he caught anything, he
spins a tale she doesn't buy. Vivien's returned to Seattle.
-- Nicky blows whip cream in Dick's face and spins Andy's seat
-- James looks at Jeffrey's '48 Jaguar. Her husband, Jeffrey, travels
extensively. She'll provide room and board while he works on the car.
-- Ben watches old footage of the groundbreaking ceremony for the Great
Northern. Hank arrives: "Ben, I have had an absolutely killer schedule."
Ben wants to rearrange furniture. Hank tells him OEJ has been taken
over. Ben makes shadow figures.
-- Cooper gets an envelope from Windom Earle (P to Q4) together with
a tape:
"Of course, you couldn't help but take note of my emphatically
traditional opening. I must say, your responding move was nothing
if not reflective of your predilection for the tidy and fastidious.
See how my response to you begins to lead us towards a classical
confrontation? But there's doubt in your mind: what are my true
intentions? How will you answer this time? Hobgoblins, Dale...
consistency...predictability, giving rise to patterns. We both
know only too well how these patterns leave you vulnerable to
attack. You with your wounds, I with mine, let me paint you a
picture: my knights will skirmish, lanes of power and influence
will open through my bishops and rooks, pawns will naturally
be forfeit. I'm even prepared to sacrifice my queen because,
I assure you, dear Dale, my goal will be attained at any cost;
the king must die!"
-- The Milford wedding. Dwayne objects.
-- The reception. Denise tells Cooper he found cocaine in Cooper's car
and explains what happened with him and his cross-dressing.
-- Cooper dances with Audrey, Andy with Denise. Log lady likes the cake.
-- Josie tells Catherine Thomas Eckhardt killed Andrew and she should be
careful. Catherine employs Josie as her maid. Andrew's alive:
"Everything's going exactly as we planned." He and Catherine will be
waiting for Eckhardt.
16 Mar (Thursday) [Episode 2012 - 1/12/90
Written by Harley Peyton & Robert Engels
Directed by Caleb Deschanel]
(approx)
-- Windom Earle arrives in Twin Peaks (probably not earlier since envelope
delivered to Cooper in 2011 is postmarked, not dropped off)
7:00 am (Catherine to Josie, 2011)
-- Catherine will have breakfast. Coffee, juice, dry toast, oatmeal.
Morning
-- Bobby tries again to blackmail Ben, who's acting too weird for it to
take. Ben: "You know what you have to have in this life? Balance,
distance, symmetry." He's stacked his furniture. Eventually he hires
Bobby to spy on Hank. Lana runs by screaming.
-- Cooper is discussing houses with a real estate agent, Irene. A coin
flip leads him to like Dead Dog Farm, an estate with a mysterious past
where no one stays for long.
-- Andy, Dick and Lucy visit with Nicky's case worker, Jane. Nicky is
an orphan who has been through many foster homes, and is the victim of
"persistent random misfortune." Truman breaks up the meeting calling
Andy to an emergency at the Great Northern.
-- Truman, Doc Hayward and Andy investigate Dougie Milford, dead in his
hotel bed. Dwayne comes in and grieves, accusing the wife of murder by
sex. Andy doesn't cry. "My Secret Life" by Chris Gerrity is found
on the bed.
-- In the hallway, Hawk is talking/flirting with the widow. H: "When
something really big goes down, I'm the man."
10:10 am (clock on wall)
-- Nadine has joined the wrestling team and takes district champion Mike in
one fall while asking him out
-- Mike complains to Donna about Nadine. D: "I'm not that good of an
actress."
-- James meets Malcolm Sloan, who poses as Evelyn Marsh's brother (Evelyn
to James, 2014), and is Jeffrey Marsh's driver. He says Marsh abuses
Evelyn. Once a fortnight he beats her and she breaks something of his.
M: "I'm sorry, am I being obscure?"
-- At Dead Dog Farm, Cooper notices some tire tracks: "A Jeep, a four-
wheeler and a luxury sedan." In the house he deduces a meeting took
place in the past few hours. He finds baby laxative and cocaine dust.
-- Dick fixes a flat (reading the instructions) while Nicky is being
irritating. While Nicky is away from the car, it falls off the jack.
Nicky panics and runs to hug Dick (who is unhurt).
Day
-- Cooper comes to tell Truman about Dead Dog Farm, but instead visits
with Air Force Colonel Riley investigating Major Briggs. Briggs is a
great pilot and his disappearance makes the cold war look like the
sniffles. "The owls are not what they seem" was broadcast from
the woods, not deep space -- maybe from the White Lodge ("That's
classified"). Cooper mentions seeing an owl before Briggs disappeared.
-- James and Evelyn flirt and kiss. James encourages her to leave her
husband but she refuses. When Jeffrey comes home she runs to greet him.
-- Bobby, returning to Ben's office with photos, sees Audrey who flirts
with him but doesn't kiss him. Audrey goes to her secret listening
place.
-- Ben, who is working on a civil war model ("Gettysburg, day 1"), accepts
the photos from Bobby and gives him a raise. Audrey eavesdrops.
-- Pete and Catherine enjoy a romantic meal, served by Josie in a maid
outfit. Pete is bothered by Catherine's treatment of Josie, but is
having too much fun to make an issue of it.
-- Cooper brings Diane up to date:
"Diane, I'm holding in my hand a nationally distributed newspaper. My
opening move [Earle: P to Q4] responding to Windom Earle's opening move
was printed in the personal column as per my instructions, but I have
already received his response to this yesterday. He anticipated my
response to his opening move perfectly. He's toying with me, Diane.
I wonder where he is and what he's planning."
[Cooper's opening move is incorrect above. It is in fact P to K4.]
Audrey knocks and offers Cooper Bobby's photos she has just stolen from
her father's office. Cooper identifies them as Hank, Ernie, Jean Renault
and the mountie, meeting at Dead Dog Farm. Denise comes in.
Audrey: They have women agents?
Denise: More or less.
Audrey kisses Cooper on her way out. Cooper briefs Denise.
D: I may be wearing a dress but I still pull my panties on one leg at a
time, if you know what I mean.
Cooper: Not really...
Night
-- At the RR, Ed looks depressed, prompting Norma to suggest they can still
be friends and to take his hand, all this secretly witnessed by Hank,
sporting a 3:4 domino.
-- Dick tells Andy he thinks Nicky is the devil
-- In Truman's office, Dwayne continues to accuse Lana of murder. Doc says
it was a natural heart attack.
-- In the hallway, all the men watch Lana being escorted to a room. They
begin collectively reciting Shakespeare.
-- Lucy tries to call the sheriff to the phone, but gets no response. She
eventually finds all the men literally spellbound by Lana telling
stories.
-- Denise visits Ernie at the RR. At the Great Northern, Cooper and Denise
interrogate Ernie. They apparently want to let him off, using him to
catch the big guys. Denise will pose as a buyer from Seattle and Ernie
will arrange for a deal between Renault and Denise.
-- James hears Evelyn and Jeffrey fighting. Malcolm tells James the first
beating was four years ago. He swears to kill Jeffrey.
-- Bobby goes home to find his mother sitting in the dark grieving over the
Major's disappearance. She flips on an owl lamp and Bobby tells his
mother about the Major's vision. Suddenly the lights go out and the
major materializes in the house, wearing a vintage pilot's outfit
(leather jacket and goggles) and asking how long he's been gone.
Betty: Is everything all right?
Garland: No, dear...not exactly.
17 Mar (Friday) [Episode 2013 - 1/19/90
Written by Harley Peyton
Directed by Todd Holland]
Morning
-- Fade up on night time sky/field of stars. Camera pans
slowly to right.
VOICE: (whispers) Cooperrr...
In the background, a chittering noise is heard. A yellow
symbol consisting of three equilateral triangles overlapping
slightly at their apexes (like the international radiation
symbol) appears spinning in the center of the screen and
rapidly moves towards the camera with a screaming noise.
When it hits the camera, the screen erupts with flames.
BRIGGS (V.O.): I remember stepping from the flames. A
vague shape in the dark. Then nothing.
Slow fade from flames to Major Garland Briggs. He is
seated on a throne of stone in the middle of a jungle.
The camera moves slowly towards him.
BRIGGS: 'Til I found myself standing by the cold
remains of our campfire. Two days later.
HAYWARD (Distorted V.O.): Major, there are some new techniques
that might help us break through your amnesia.
BRIGGS: Well, my memories are immune from regression.
I can feel them...
A wolf begins to growl in the background.
BRIGGS: ...they're palpable, the smells, the sensation.
Everything is known to me, yet somehow beyond my reach.
COOPER (distorted V.O.): Do you remember anything else?
BRIGGS: Very little, save for one disturbing image
of a giant owl, pervasive.
The wolf continues to growl.
COOPER (distorted V.O.): A giant owl?
With a flash of light, we cut to a brief negative image of an owl flying,
then to a close shot of the back of the Major's neck, where there is a
small red scar identical to the 3-triangle symbol seen before. Cut
to Briggs face. The flash is revealed to be from an Instamatic
camera that Doc Hayward used to take a picture of the scar.
The camera slowly pulls back from Briggs. The scene is the
Sheriff's Station Conference Room, the time is apparently morning.
Major Briggs, Agent Cooper, Doc Hayward and Sheriff Truman
are present.
COOPER: A giant owl? How big?
BRIGGS: (fidgeting with his fingers) Enough to cloud my mind and
memory.
HAYWARD: (handing the instant picture he has just taken to Cooper)
Three triangular scars behind the right ear, in perfect proportion.
TRUMAN: Major Briggs...what exactly does your work involve?
BRIGGS: That information...as I've repeated endlessly
to myself...classified. Though the keeping of
secrets ... seems less meaningful to me now.
(Pause. The Major is nervous and shaken.)
Perhaps there are sources of information that are
so important as to transcend the human need
to conspire. Information of such weight that
pertains not ... (Garland pauses. He begins to
lose control of his emotions.) Oh, God! Is
this meant for the soul?! My soul?
COOPER: Major--perhaps you'd better start back at the beginning.
BRIGGS: Are you familiar with...Project Bluebook?
COOPER: Yes sir, I am. The Air Force investigation into
the phenomenon of Unidentified Flying Objects.
BRIGGS: Officially disbanded in 1969. But, there are those
of us who ... continue in an _unofficial_ capacity.
Examining the heavens as before...in the case of
Twin Peaks, the earth below.
Cooper and Truman look at each other.
BRIGGS: We are searching for a place called the White Lodge.
Briggs stops talking as the door opens and two M.P.s step in.
M.P. #1: Major Briggs?
BRIGGS: I've been expecting you.
TRUMAN: Now hold on just a minute, fellas.
M.P. #1: Colonel Riley's orders.
TRUMAN: I don't care what orders you got, this is my
station and Major Briggs happens to be a friend of mine.
BRIGGS: Harry (Briggs rises). I'm afraid we will have to continue
this discussion at a later date.
TRUMAN: Are you sure you wanna to go with them?
BRIGGS: (Nods) Yeah. (to Cooper) Goodbye.
M.P. #1: Major.
A sprinkler drips onto the photo Cooper is holding {we hear the
"hand shakes" sound from 2020}.
-- Denise and Cooper have Ernie call Jean for the setup
-- Dick tells Andy Nicky's records were sealed and returned to the
orphanage
-- Cooper asks Lucy if she's seen anything from Earle in the newspapers
-- At the RR, Ed tells Norma, "We need to talk"
-- Shelly's fed up with taking care of Leo and slaps Bobby who's going
out again, as Invitation to Love plays on the TV. Leo's eye twitches.
-- Ed gets a call from James who wants all his money ($12) sent to him
at Wallies
-- Evelyn asks James about his girls and for his help
9:25 am (clock on wall)
-- Mike tries to fight off Nadine at the RR
-- Hank asks Norma where's she's going
-- Josie answers the door to Truman who can't keep his hands off her
-- Audrey visits Ben's battlefield and calls Jerry
-- Ed answers the door to Norma
-- Hawk prepares Ernie with a bug:
(Hawk is attaching a "wire" to Ernie with adhesive tape)
E: Ouch! Will you mind the chest hair, will ya?
H: You're sweatin' like a pig, Mr. Niles!
E: Oh, thanks a lot! That's nervous perspiration, man, hyperhydrosis.
It's a childhood condition--and I didn't notice it 'til the war.
Korea, remember that? Do ya? I was leading a battalion up towards
the 49th parallel. We were just a bunch of fresh-faced kids.
I didn't know what kinda hell we were steppin' into.
C: Ernie! Ernie, I want you to focus on the here and now. Repeat your
instructions to me, step by step.
E: Okay. Uh...I take...Denise...up to Dead Dog Farm. I introduce her to
Renault.
C: Right.
E: I, uh...take Renault through the buy...complete the transaction, and
get the hell out of there, huh?
C: Good. Harry--that's when you come in. (Truman nods) By golly...I
sure wish I could join you fellas. But I've temporarily lost my
enforcement franchise.
E: Heh, I bet.
T: Well...I've been givin' that some thought. (tosses badge to Cooper)
Consider yourself deputized. The bureau's loss is my gain.
(Cooper looks at the badge--it's number 13.)
C: (happily) I hope I can live up to this.
H: (finishes wiring Ernie) He's done. You might want to towel him off
before we go! (wipes his hands, exits)
E: Ah, come on! (to Cooper and Truman) Uh...how long will it, uh...
take you guys to storm the farmhouse after, uh, I complete the buy?
C: (pinning on his badge) You go out, we come in.
E: Can I, can I ask you a question?
T: What, Ernie?
E: Don't make me do this! This isn't my line of work! I'm a coward! I
don't do this kind of thing, I'm a CPA!
T: Ernie.
C: Ernie.
E: (laughs nervously) Just a momentary lapse. I'm okay, I'm...I'm cool.
Let's go do it, huh?
C: Where's Denise?
T: Haven't seen her.
(Door opens. Dennis enters dressed as a man, hair pulled back into a
ponytail)
D: (proudly) You can call me Dennis! Oh, I don't know, somehow it
seemed...more appropriate. (Cooper beams, absolutely delighted)
Whadda you think?
(Truman whistles appreciatively)
-- Andy and Dick at the Dorritt Home for Boys
D: Our investigation must proceed "sub rosa." We may have to pick the
lock. Tricky business, that. (Andy opens the unlocked door) Voila!
We enter!
A: Where is everybody?
D: Lunch! Here we are, the case files. N...N...N...(turns to another
set of files) N! Nales...Nester...Netherby...Needleman, Nicholas.
Needleman, our little Nicky!
A: We can read it in the car!
D: Oh, patience, Andrew.
A: (increasingly nervous) Dick!
D: Sh! The usual background information...mmm...birthplace...initial
adoption... mm-hmm! First of several, it seems.
A: Dick!
D: (oblivious to Andy) Ah, the plot thickens. Where are thy secrets,
little Nicky?
(The Brewsters appear at the door, wave eagerly. Andy sees them.)
A: Dick!
(The Brewsters enter. Dick jumps up, startled, and clumsily hides
Nicky's file in his trenchcoat.)
B: Hi!
(Andy, petrified, crosses and stands beside Dick.)
B: We're the Brewsters. (laughs) I know we're a little early. It's
just that we're so darn eager to see him. Can we see him? Where's
Donny?
D: D--Uh, little Donny is...uh, dead. (The Brewsters look horrified.)
Eh! Dead tired, I mean. I'm afraid little Donny, he isn't feeling up
to snuff.
B: Well, he was in perfect health only yesterday.
(Dick is stumped.)
A: Dick!
D: Just a minute...*Woody*. Let me finish helping these good people.
Now--where were we?
Afternoon
-- Ed answers the door to Donna who's looking for James. She'll deliver
the money to James.
-- Norma leaves and Nadine rescues Ed from Hank
-- Bobby sees Ben, then Audrey. A: I think Daddy needs an injection.
-- Catherine visits Ben
-- James shows Evelyn the fixed car who seduces him as Malcolm watches.
The bottle of champagne disappears off the car seat.
-- At Dead Dog Farm, Ernie's shirt smokes, blowing the cover. Hawk calls
for backup as Cooper exchanges himself for Ernie and Dennis.
Evening (1/2 moon)
-- Evelyn leaves James in bed to go at it with Malcolm
-- Jean, the mountie, and Cooper in the center room:
C: Is my death so important to you?
R: My two brothers die...I hold you responsible.
C: Why?
R: Well...before you came here...Twin Peak was a simple place.
My brothers deal dope to the teenagers and the truckdrivers...
oh...One Eyed Jack welcomed the businessman and the tourist...
quiet people lived a quiet life. Then--a pretty girl die,
and you arrive...and everything change. My brother Bernardo,
shot, and left to die in the...the woods. A grieving father
smother my remaining brother with, ah...the pillow.
Kidnaping...death...suddenly, ah, the quiet people...they're
quiet no more. Suddenly the...the simple dream, become the
nightmare. So. If you die, maybe you will be the last to die.
Maybe you brought, ah...the nightmare...with you. And maybe...
the nightmare will *die* with you.
-- Dennis in a RR uniform, delivers food. Cooper shoots Jean with a
gun hidden in Dennis' panty hose and Dennis kicks the mountie's ass.
-- Shelly wakes to intermittent power to find Leo
-- Power's off at the station. Lucy says there were two fires and an
explosion. Cooper finds a dead person pointing to a chessboard.
C: It's a chess game. Windom Earle's next move.
[Explanation of chessboard diagram followed by one of the board in this
scene. Note that the U.S. 'notation' of the chess pieces and the
squares is added since it is very different from the 'European' one.]
[Explanation of chessboard diagram]
(KR) (KN) (KB) (K) (Q) (QB) (QN) (QR) <-- (Pos.)
Rook Knight Bishop King Queen Bishop Knight Rook <-- Name
R N B K Q B N R <-- Abbr.
+-------+-------+-------+-------+-------+-------+-------+-------+
| |_|_| | ,^-. | /+\ | _+_ | o o o | /+\ | ,^-. | |_|_| | White
(1)| |_| | /'_ | | \_/ | (_|_) | \_|_/ | \_/ | /'_ | | |_| |<-- pieces
| _|_|_ | `'/_| | __=__ | === | === | __=__ | `'/_| | _|_|_ | (above)
+-------+-------+-------+-------+-------+-------+-------+-------+
| o | o | o | o | o | o | o | o | White
(2)| (_) | (_) | (_) | (_) | (_) | (_) | (_) | (_) |<-- Pawns
| /_\ | /_\ | /_\ | /_\ | /_\ | /_\ | /_\ | /_\ | P
+-------+-------+-------+-------+-------+-------+-------+-------+
| |///////| |///////| |///////| |///////|
(3)| |///////| |///////| |///////| |/ QR3 <--- (from
. | |///////| |///////| |///////| |///////| white)
. +-------+-------+-------+-------+-------+-------+-------+-------+ Square
. |///////| |///////| |///////| |///////| | notation
|///////| |///////| |///////| |///////| QR5 <--- (from
|///////| |///////| |///////| |///////| | black)
+-------+-------+-------+-------+-------+-------+-------+-------+
| |///////| |///////| |///////| |///////| Empty
| |///////| |///////| |///////| |//// <----- black
. | |///////| |///////| |///////| |///////| square
. +-------+-------+-------+-------+-------+-------+-------+-------+
. |///////| |///////| |///////| |///////| | Empty
(3)|///////| |///////| |///////| |///////| <----- white
|///////| |///////| |///////| |///////| | square
+-------+-------+-------+-------+-------+-------+-------+-------+
| o | o | o | o | o | o | o | o | Black
(2)| (#) | (#) | (#) | (#) | (#) | (#) | (#) | (#) |<-- Pawns
| /#\ | /#\ | /#\ | /#\ | /#\ | /#\ | /#\ | /#\ | P
+-------+-------+-------+-------+-------+-------+-------+-------+
| |_|_| | ,^-. | /+\ | _+_ | o o o | /+\ | ,^-. | |_|_| | Black
(1)| |#| | /'##| | \#/ | (#|#) | \#|#/ | \#/ | /'##| | |#| |<-- pieces
| _|#|_ | `'/#| | __#__ | === | === | __#__ | `'/#| | _|#|_ | (below)
+-------+-------+-------+-------+-------+-------+-------+-------+
R N B K Q B N R <-- Abbr.
Rook Knight Bishop King Queen Bishop Knight Rook <-- Name
(KR) (KN) (KB) (K) (Q) (QB) (QN) (QR) <-- (Pos.)
[The board presently]
+-------+-------+-------+-------+-------+-------+-------+-------+
| |_|_| |///////| /+\ | _+_ | o o o | /+\ | ,^-. | |_|_| |
| |_| |///////| \_/ | (_|_) | \_|_/ | \_/ | /'_ | | |_| |
| _|_|_ |///////| __=__ | === | === | __=__ | `'/_| | _|_|_ |
+-------+-------+-------+-------+-------+-------+-------+-------+
| o | | o | o |///////| o | o | |
| (_) | | (_) | (_) |///////| (_) | (_) | |
| /_\ | | /_\ | /_\ |///////| /_\ | /_\ | |
+-------+-------+-------+-------+-------+-------+-------+-------+
| |///////| |///////| |///////| |///////|
| |///////| |///////| |///////| |///////|
| |///////| |///////| |///////| |///////|
+-------+-------+-------+-------+-------+-------+-------+-------+
|///////| |///////| |///////| |///////| |
|///////| |///////| |///////| |///////| |
|///////| |///////| |///////| |///////| |
+-------+-------+-------+-------+-------+-------+-------+-------+
| |///////| | o | |///////| |///////|
| |///////| | (_) | |///////| |// ? //|
| |///////| | /_\ | |///////| |///////|
+-------+-------+-------+-------+-------+-------+-------+-------+
|///////| |///////| |///////| o o o | o | |
|///////| |///////| |///////| \#|#/ | (#) | ? |
|///////| |///////| |///////| === | /#\ | |
+-------+-------+-------+-------+-------+-------+-------+-------+
| | o |? o ?| o | o |///////| |? o ?|
| | (#) |? (#) ?| (#) | (#) |// ? //| ? |? (#) ?|
| | /#\ |? /#\ ?| /#\ | /#\ |///////| |? /#\ ?|
+-------+-------+-------+-------+-------+-------+-------+-------+
| |_|_| | ,^-. |///////| _+_ |? o ?| /+\ |? ,^-.?| |
| |#| | /'##| |///////| (#|#) |? (#) ?| \#/ |?/'##|?| ? |
| _|#|_ | `'/#| |///////| === |? /#\ ?| __#__ |?`'/#|?| |
+-------+-------+-------+-------+-------+-------+-------+-------+
[Episode 2014 - 2/2/91
Written by Scott Frost
Directed by Uli Edel]
Friday evening (continued)
-- Truman, Cooper, and Doc Hayward investigate the dead body - there's a
black pawn in the mouth. Cooper says it's a vagrant, and makes several
predictions borne out by investigation (type of wound, an abandoned
car ...). He tells Truman he's sure Windom Earle's behind this.
C: He's taken his first pawn in a very sick game.
[Shots of chess board shows set-up slightly different from above in 2013]
-- Audrey plots with Bobby to save the Horne empire.
A: From now on, Bobby, it's me you suck up to.
-- Leo stalks Shelly with an axe, as an owl watches.
Leo: "Goodbye wife", "Bad girl"
Bobby returns home and after a struggle, Shelly stabs Leo in the leg who
runs away into the woods.
18 Mar (Saturday)
Day
-- Cooper's been cleared, but the suspension remains. Truman gives us the
bird and offers the vagrant murder case to deputy Cooper. Hawk reports
Hank is in the hospital - he missed the drug deal because he was "hit by
a bus." Shelly called to report Leo's awakening.
[Shots of chess board shows set-up slightly different from above in 2013]
-- Andy tells Lucy about his and Dick's theory of Nicky killing his parents
at the age of 6
-- James meets Jeffrey, who gets in the car and drives off.
-- At the RR, Ed and Doc Hayward discuss Nadine's dating and sex life.
Donna took the van to look for James who's "out west a couple of hours."
-- Ed tells Norma about the Nadine/Hank fight. Norma says Truman will
arrest Hank for parole violation. Ed and Norma plan a romantic weekend.
NORMA: People will find out. ED: Let 'em.
-- James prepares to leave. Evelyn puts the moves on him. J: It's wrong!
-- Cooper talks with Truman:
+-------+-------+-------+-------+-------+-------+-------+-------+
| |_|_| | ,^-. | /+\ | _+_ | o o o | /+\ | ,^-. | |_|_| |
| |_| | /'_ | | \_/ | (_|_) | \_|_/ | \_/ | /'_ | | |_| |
| _|_|_ | `'/_| | __=__ | === | === | __=__ | `'/_| | _|_|_ |
+-------+-------+-------+-------+-------+-------+-------+-------+
| o | o | o | |///////| o | o | o |
| (_) | (_) | (_) | |///////| (_) | (_) | (_) |
| /_\ | /_\ | /_\ | |///////| /_\ | /_\ | /_\ |
+-------+-------+-------+-------+-------+-------+-------+-------+
| |///////| |///////| |///////| |///////|
| |///////| |///////| |///////| |///////|
| |///////| |///////| |///////| |///////|
+-------+-------+-------+-------+-------+-------+-------+-------+
|///////| |///////| o |///////| |///////| |
|///////| |///////| (_) |///////| |///////| |
|///////| |///////| /_\ |///////| |///////| |
+-------+-------+-------+-------+-------+-------+-------+-------+
| |///////| | o | |///////| |///////|
| |///////| | (_) | |///////| |///////|
| |///////| | /_\ | |///////| |///////|
+-------+-------+-------+-------+-------+-------+-------+-------+
|///////| |///////| |///////| ,^-. |///////| |
|///////| |///////| |///////| /'##| |///////| |
|///////| |///////| |///////| `'/#| |///////| |
+-------+-------+-------+-------+-------+-------+-------+-------+
| o | o | o |///////| o | o | o | o |
| (#) | (#) | (#) |///////| (#) | (#) | (#) | (#) |
| /#\ | /#\ | /#\ |///////| /#\ | /#\ | /#\ | /#\ |
+-------+-------+-------+-------+-------+-------+-------+-------+
| |_|_| | ,^-. | /+\ | _+_ | o o o | /+\ |///////| |_|_| |
| |#| | /'##| | \#/ | (#|#) | \#|#/ | \#/ |///////| |#| |
| _|#|_ | `'/#| | __#__ | === | === | __#__ |///////| _|#|_ |
+-------+-------+-------+-------+-------+-------+-------+-------+
T: So how does chess figure into all this?
C: Because Windom Earle and I played a game every day for three years.
He felt that all of life could be found in the patterns and conflicts
on the board. (pauses) Because I never beat him. (pauses) Now it's
my turn. I'll publish my response in the Twin Peaks Gazette. I don't
know what else to do.
T: Coop, you're gonna have to give me some more information here.
C: Harry, I've brought some baggage to town I haven't told you about.
(sits) Windom Earle was my first partner. Everything I know about the
law and the bureau, I owe to him. Four years ago, we drew the
assignment of protecting a material witness in a federal crime. She
was, uh...very beautiful...very gentle woman. Her name was Caroline.
She and I fell in love. One night, I...failed in my vigilance. An
attack was made; I wasn't ready. I was wounded and I lost
consciousness. (swallows hard) When I came to, she was in my arms,
she...she was dead, she'd been stabbed.
T: The wounds on the vagrant.
C: Identical. The killer was never found. My wound healed; Windom Earle
went mad. Institutionalized until his recent escape.
T: So why is he after you?
C: Harry--Caroline was Windom Earle's wife.
(Truman has been sitting on the edge of his desk. Now, he sits in his
chair, taken aback.)
T: So...he blames you for her death.
C: (shakes his head, leans forward) It's much worse than that. I think
he killed her. And I think he committed the crime that she originally
witnessed. Harry-- Windom Earle's mind is like a diamond! It's cold,
and hard, and brilliant. I think he feigned the insanity that sent
him away, but at some point he lost the ability to distinguish between
what's right and what's wrong. You don't know what he's capable of,
Harry...you don't know!
-- Donna shows up at Wallies looking for James but finds Evelyn instead.
Evelyn said he had done some work for her and then headed off to Mexico.
-- James wrestles with his emotions
-- Audrey ushers Jerry into Ben's office. BEN: "Jeb!" Dr. Jacoby is there.
He says Ben's reversal of the South's fortunes is a healthy way for Ben
to recover from his own defeat.
-- Briggs staggers into the sheriff's office and collapses. Lucy checks her
lip stick.
-- Briggs, Truman and Cooper at the station:
(Briggs, Cooper, and Truman are all sucking down huge glasses of water.
Lucy is standing nearby with a pitcher of water.)
L: More?
C: I'm fine.
T: Fine, Lucy.
B: Fine.
(Lucy exits.)
T: Major--what happened?
B: Well, as men who have dedicated their lives to service, I know that
you're able to understand how sacred I hold a pledge of allegiance.
And the cost one must pay when breaking a pledge.
C: It can be very great.
B: Well, the Air Force, *I thought*, was not unlike other societies of
men dedicated to the fight for the good. (pauses, mops his brow)
Gentlemen, frankly I'm worried. When my superiors questioned me about
my disappearance, they exhibited a degree of suspicion and intolerance
bordering on the paranoic. I must now admit that their motivation in
the search for the White Lodge is not ideologically pure. I believe
that during my disappearance I was taken to the White Lodge. I can
remember, virtually nothing. But I have the clear, intuitive sense
that there's... much trouble ahead.
C: Major? What kind of trouble?
B: I am unaware of the form it will take. (pauses) I will return.
Until that time, I will be in the shadows if you need me. Good day,
gentlemen.
C: Good day, Major.
(the Major exits.)
T: In the shadows. Can you beat that?
C: No...
-- Jacoby, Lana, Cooper, Truman, Hawk at the station
(Cooper and Truman enter the meeting room after Hawk. Jacoby and Lana
are waiting there.)
J: Good. I wanted all of you to hear this. I've just spent almost the
last twenty-four hours with this charming young lady, and as you can
see, uh... I have no bruises, no broken bones...any claims by her
deceased husband's brother that she's cursed or somehow responsible
for a death is nonsense. Now what she does, in fact, possess is a
heightened sexual drive. And a working knowledge of technique,
anatomy, and touch, that few men have ever had the pleasure of
experiencing, or the skills to match.
T: Is it *hot* in here?
C: Yeah.
H: Yep.
C: Lana, let me be the first to congratulate you.
L: Thank you! Well--I could never have done it without Dr. Jacoby.
J: Heh, heh, heh, heh, heh. Okay. Well then, we're gonna go bowling.
See ya later, guys!
-- Dwayne Milford is in the lobby with a shotgun, threatening to shoot Lana.
Cooper suggests that the mayor and the widow go alone into the conference
room to work it out. Truman: Now what? Cooper: We wait.
-- The cops enter the conference room to find the widow and the mayor
making plans to adopt a baby
-- Catherine reveals Andrew Packard to Pete. P: "We forgot the weenies!"
Catherine and Andrew knew of the attempt on Andrew's life so they staged
it. Eckhardt tried to kill him after he got the better of him in a
business deal. It was planned for 6 years.
Dusk
-- Eckhardt and Jones check into the Great Northern
-- Truman shows Cooper a Seattle newspaper story -- Jonathan is dead.
Truman suspects Josie and asks Cooper to investigate.
C: Harry, let's get one thing straight--I work for you now. If you
say drink coffee, I'll drink coffee.
-- Doc Hayward tells Dick and Andy about Nicky's past. His mother was an
immigrant, maid at the Great Northern. She was impregnated during a
rape, died in child birth. Nicky was in an orphanage, then adopted.
His adopted parents were killed in a car crash. Lucy is indignant that
the men had suspected Nicky of wrong-doing. She swats a fly.
Dick and Andy break down and cry.
-- It comes down at the Marsh place.
{First police car arrives}
E: There's been an accident. Jeffrey's dead.
J: His car?
E: Yes.
J: You killed him!
E: No. No. No...
J: My God, you set me up!
E: It was Malcolm's idea. He's not my brother. Hurry James, go find
that young girl who loves you. {Second police car arrives}
Go! {James grabs his jacket and leaves}
Donna is there in the shadows outside, and they run away together.
Night
-- Leo walking through the woods. Gratuitous owl shots. There is a cabin
with a light on. Leo walks in and meets Windom Earle.
19 Mar (Sunday) [Episode 2015 - 2/9/21
Written by Harley Peyton and Robert Engels
Directed by Diane Keaton]
Day
-- Evelyn and Malcolm tell the cops about James
Malcolm: Mrs. Marsh hired him to fix the Jaguar.
Cop: Jaguar... J-a-g-w... uh, a car.
-- At Wallies, bus drivers watch an opera, while James and Donna talk
as the bartender persists in listening in. Donna wants to talk to Ed,
James wants to talk to Evelyn.
-- Donna calls Ed
-- Cooper and Truman question Shelly and Bobby, who says that Hank shot Leo
-- Albert ("Get a life, punk!") tells Cooper about Earle's leavings at
five different police departments in different cities, each an article of
Caroline's clothing. He also has photos of the dead vagrant, showing
a set-up of the chess board different from above in 2013.
-- Earle makes music as Leo awakens and puts the collar on him
-- Ed and Norma discuss their future when Nadine rips off the door
and joins them in bed. She says she knows about them, mentions Mike,
and bends her 2nd place wrestling trophy.
-- Cooper and Truman question Josie
-- Pete returns with a load of dry cleaning. Cooper takes a sample from
a coat.
-- Thomas calls Josie. Catherine listens. Eckhardt and Jones speak
Afrikaans.
-- Ben continues on in the war. Johnny is present in his Indian headdress.
Bobby trumpets.
-- Evelyn and Donna trade words at Wallies until Malcolm comes for Evelyn
-- Albert's report. The dead Asian man was Jonathan Kumagai. The fibers
found outside Cooper's door and from Josie's coat are a perfect match.
Truman reports the dead vagrant's name was Eric Powell. Powell was
Caroline's maiden name.
T: So whenever he takes a piece from the board...
C: ...someone dies.
-- Pete beats Toad, Cooper and Doc Hayward in chess, and agrees to help
Cooper with his chess game.
C: Great players are either far or few.
-- Shelly gets her job back and cleans the ice cream cone
-- Truman tells Norma Hank is going back to jail
Night (1/2 moon)
-- Josie answers the door to Eckhardt, who dines with Catherine. They
debate over what to do with Josie.
-- James confronts Evelyn, who's blowing smoke rings. She confesses and
seduces him. Malcolm knocks him out.
-- The North surrenders and Ben's back
-- Earle prepares himself and tutors Leo in penmanship. He shows photos
of Audrey, Donna and Shelly. E: Which one shall be my queen?
-- Donna stumbles into Evelyn and Malcolm scheming. Fiasco results
in Evelyn shooting Malcolm.
-- Cooper looks at a picture of Caroline as Earle walks out of the elevator.
Earle leaves a message for Audrey.
-- Cooper finds a mask and a message from Earle in his bed.
E: It's your move!!
20 Mar (Monday) [Episode 2016 - 2/16/91
Written by Tricia Brook
Directed by Lesli Linka Glatter]
Morning
-- Cooper and Truman listen to Earle's tape. They decide to call Pete
for Cooper's next move. Lucy: Paper and Pete, got it - I'll do it
alphabetically!
-- Pete answers Lucy's call then serves breakfast to Catherine and Andrew.
Josie enters, sees Andrew and faints.
-- Truman reads the paper, an article on Jonathan's death
-- Hank (on crutches) and Hawk in Truman's office. Truman accuses Hank of
shooting Leo. Hank says he was home with Norma then, and offers to deal
info on Packard's death for freedom. No deal. Hawk kicks Hank's
crutch out from under him.
-- Albert's report regarding the gun:
A: This is the bullet we removed from you. This is the one that was
excavated from the dead man's skull. Same bullets, same gun, same
killer. Let's go get her.
C: Albert, hold your horses.
A: Coop--I appreciate any reluctance you might have for busting your
pal's old lady, but the woman ventilated you and left you for dead.
C: (holds up his hand) Albert--I don't take it personally. What about
the gloves, the powder tests?
A: News at five. All right, fine, you're not mad, but there's an
epidemic of multiple gunshot wounds following this chick around,
she is a menace.
C: (nods) I'll talk to her. Maybe she'll confess, turn herself in.
A: Maybe she'll grow wings and join the circus. (leaves)
-- Audrey working as concierge at the Great Northern. J.J. Wheeler walks
in; he claims to have seen Audrey years ago playing Heidi. Audrey has
mail -- a note containing a torn piece of paper with writing, and a
note inviting her to "save the one you love" by attending "a gathering
of angels" at the Roadhouse that night.
-- Ed replaces some figurines on a shelf when Nadine returns from school
early. She confesses to Ed her love for Mike. NADINE: "We have to
call a spade a spade. We're breaking up."
-- Cooper pleads the truth from Josie. Catherine listens in. COOPER: "I
don't know what place [Harry] occupies in your heart, but I do know that
you own his." Josie is unresponsive. After Cooper leaves, Catherine
badgers Josie while oozing slime. Catherine says Josie will have to
see Eckhardt alone that night. JOSIE: "He'll kill me." Catherine
casually exposes a gun in the book case which Josie grabs and fondles.
-- Health-conscious Ben, Bobby, Jerry, Audrey and John Justice Wheeler plot
business. Ben reveals there is an endangered species on the
mill/Ghostwood property: the pine weasel.
B: I give you...the little pine weasel. Found only in our tri-county
area... it is nearly extinct.
J: (happily) They're incredible roasted.
Ben will use this fact to stop development until he is in the driver's
seat. BEN: "And then, I'm considering a run for the Senate."
1:16 (clock on wall)
-- Earle the truck driver leaves the RR, leaving a note for Shelly.
Norma is on the phone with her sister, Annie, who lives at a
convent. Shelly reads the note, identical to Audrey's.
Ed comes in and proposes to Norma.
-- Leo whittles under Earle's instruction
-- Norma visits Hank in jail, asks for a divorce. Hank promises to reform
and asks for an alibi regarding Leo. Norma refuses, although Hank
swears he'll die if he goes back to prison. HANK: "You're his whore,
Norma." NORMA: "I'd rather be _his_ whore than your wife."
5:00 pm (A to C: "News at five.")
-- Pete selects a move that will give Earle "sleepless nights" and not
allow him to capture any pieces for 5-6 moves. It is P to
QN-3.
+-------+-------+-------+-------+-------+-------+-------+-------+
| |_|_| | ,^-. | /+\ | _+_ | o o o | /+\ | ,^-. | |_|_| |
| |_| | /'_ | | \_/ | (_|_) | \_|_/ | \_/ | /'_ | | |_| |
| _|_|_ | `'/_| | __=__ | === | === | __=__ | `'/_| | _|_|_ |
+-------+-------+-------+-------+-------+-------+-------+-------+
| o | o | o | |///////| o | o | o |
| (_) | (_) | (_) | |///////| (_) | (_) | (_) |
| /_\ | /_\ | /_\ | |///////| /_\ | /_\ | /_\ |
+-------+-------+-------+-------+-------+-------+-------+-------+
| |///////| |///////| |///////| |///////|
| |///////| |///////| |///////| |///////|
| |///////| |///////| |///////| |///////|
+-------+-------+-------+-------+-------+-------+-------+-------+
|///////| |///////| o |///////| |///////| |
|///////| |///////| (_) |///////| |///////| |
|///////| |///////| /_\ |///////| |///////| |
+-------+-------+-------+-------+-------+-------+-------+-------+
| |///////| | o | |///////| |///////|
| |///////| | (_) | |///////| |///////|
| |///////| | /_\ | |///////| |///////|
+-------+-------+-------+-------+-------+-------+-------+-------+
|///////| |///////| |///////| ,^-. | o | |
|///////| |///////| |///////| /'##| | (#) | |
|///////| |///////| |///////| `'/#| | /#\ | |
+-------+-------+-------+-------+-------+-------+-------+-------+
| o | o | o |///////| o | o | | o |
| (#) | (#) | (#) |///////| (#) | (#) | | (#) |
| /#\ | /#\ | /#\ |///////| /#\ | /#\ | | /#\ |
+-------+-------+-------+-------+-------+-------+-------+-------+
| |_|_| | ,^-. | /+\ | _+_ | o o o | /+\ |///////| |_|_| |
| |#| | /'##| | \#/ | (#|#) | \#|#/ | \#/ |///////| |#| |
| _|#|_ | `'/#| | __#__ | === | === | __#__ |///////| _|#|_ |
+-------+-------+-------+-------+-------+-------+-------+-------+
-- Albert says the powder on Josie's glove proves she shot Cooper. There
was a positive ID of her in Seattle.
-- Andrew visits Josie putting on makeup in her room. He says he loved her
though she didn't love him and she should go to Eckhardt who can
get her out of the country.
Dusk
-- James and Donna meet for a picnic in the mountains. James is going to
continue traveling around. Donna will return to TP. They will continue
to love each other and meet again some day. Evelyn is going to stand
trial and James will be a witness.
Evening
-- Truman comes to see Josie. Catherine says she's gone to see Eckhardt.
-- Eckhardt and Andrew meet in the elevator. Andrew says he is alive
because Josie betrayed Eckhardt. Something about Josie in love with
Truman. ECKHARDT: "I have taken care of [Truman]."
-- Ben, Audrey and Jack at supper. Jack is in business of saving troubled
businesses with environmental problems. Ben is called away;
attraction/repulsion/defensiveness between Audrey and Jack ensues.
9:30 pm
-- Shelly, Audrey and Donna meet at the Roadhouse. They put their three
pieces of paper together. Earle watches from the bar.
"See the mountains kiss high heaven
And the waves clasp one another.
No sister flower would be forgiven
If it disdained its brother.
And the sunlight clasps the earth,
And the moonbeams kiss the sea.
What is all this sweet work worth,
If thou kiss not me?"
-- Cooper practices fly fishing in his room. Catherine calls to let him
know where Josie is. He grabs his gun and goes to investigate. He hears
a shot and opens Eckhardt's door. Eckhardt stands up and dies.
Josie and Cooper point guns at each other.
J: He tried to kill me.
C: Is that what you'll say about me, Josie--that I tried to kill you?
What about Jonathan? Did he try to kill you, too?
J: He...he was taking me back.
C: Why did you shoot me, Josie?
J: Because you came here. I knew this day was going to come. I'm not
going to jail! I can't!
(Truman enters, gun drawn)
H: Put it down, Josie.
J: Ah! Harry?!
H: PUT IT DOWN!!
J: Harry--forgive me. I never meant to hurt you. (takes several sharp
breaths, closes her eyes, hugs the gun to her chest, and collapses on
the bed)
H: (rushes to her, cradles her in his arms) Josie! Josie?! Josie!
(looks up) She's dead.
(Truman and Josie on the bed disappear, spotlight appears. BOB climbs
onto the bed from the floor on the far side, laughing maniacally, until
he is on his hands and knees on the bed)
B: Coop! What happened to Josie?! (continues to laugh)
(BOB disappears, the little Man From Another Place appears, dances on
the bed, and disappears. Truman and Josie reappear as before. Josie's
face appears in the knob of the nightstand, crying out in torment)
21 Mar (Tuesday) [Episode 2017 - 3/28/91
Written by Barry Pullman
Directed by James Foley]
[Cooper's Prologue - only in the US TV version, due to a return from a long
hiatus. The date Cooper mentions is the airdate:
March 28th, Thursday night. Diane, I want to bring you up to speed on a
few recent developments. Nadine Hurley, 35 years old, persists in the belief
that she is a high school girl. She has apparently fallen in love with Mike
Nelson, high school varsity star.
Word has it that Bobby Briggs is shacked up with Shelly the waitress.
Shelly's husband, Leo, has awakened from his coma and is somewhere in
the woods.
Ben Horne has suddenly become an environmentalist, and enlisted the
aid of trusted friend John Justice Wheeler to help him save the pine
weasel.
As for me...I find myself suffused with a vague sense of contentment;
a premonition of happiness. I hope I will be ready when it comes. Mean-
while, there's Windom Earle, my former partner. Windom continues to play
his deadly game of chess. Deadly, Diane, because every time he removes
a piece from the board, Earle takes a human life. I have enlisted the
aid of chess champion Pete Martell, in hopes of formulating a stalemate
game. In the meantime, I can only wait for Earle's next move.
Major Briggs has returned from his disappearance in the woods, but
remembers nothing. He cannot explain the mysterious tattoo on his neck.
Diane, Josie Packard is dead, possibly from fear. And while I am
absolutely certain that she tried to take my life, I feel both sadness
and even sympathy. Sheriff Truman is suffering terribly as a result.
When Josie died, I saw a vision, revealing BOB, and the midget from
my dream. Windom Earle...BOB...the midget...is there a connection, Diane?
Do these events foretell BOB's return? I hope not...for all our sakes.]
Morning
-- Truman thinks of Josie in a darkened room and Hawk comes in offering
breakfast. Truman refuses, finding solace in a bottle of Jack Daniels.
Hawk: Earle's chess game is the big concern. The man has a poor sense
of recreation.
11:18 am (clock on wall)
-- Annie, Norma's sister, arrives and is to start working at the RR
-- The Log Lady touches the Major's tattoo
-- Hawk tells Cooper about Truman's condition. Doc said he can't figure
Josie's cause of death. Her body weight was 65 lbs.
Hawk: Maybe we'd better just whistle on our way past the graveyard.
-- Windom talks to Leo about the country life, while Leo fetches things.
Windom's got himself a laptop.
WE: Tacit agreement is acceptable, Leo. Your silence speaks volumes.
Or if not volumes, at least the occasional punctuated paragraph.
He gets the latest move from Cooper in the paper. He doesn't like it.
WE: He's playing a stalemate game. Cooper doesn't know the meaning
of STALEMATE!
WE: He's getting help. I cannot tolerate people who do not play by
the rules.
-- People from the Great Northern & Horne's store set up for a benefit
show to save the pine weasel. Pinkle's to give a talk about the pine
weasel. John and Audrey ramble then plan a picnic.
-- Cooper visits Truman and gives him the scoop on Josie. She had multiple
felons and two arrests for prostitution besides the shooting of Eckhardt,
Jonathan, and Cooper himself. Truman kicks him out.
-- Catherine looks at plans and is visited by Jones, Eckhardt's executive
assistant. She's got a gift for Catherine from Eckhardt.
-- Dr. Gerald Craig (Earle), a friend of Dr. Hayward's, comes by, talks with
Donna and leaves a gift for Will
-- Pete looks for a stalemate game but he informs Cooper that at
least six men are lost by such a game. Andy and Lucy argue over the
knight's hook move.
-- Cooper, the Log Lady, and Major Briggs compare notes. Margaret, at age 7,
Major Briggs: Margaret: took a walk in the woods and
/\ /\ /\ /\ was told that she had
/ \ / \ / \ / \ disappeared for a day. She
/____\/____\ / \/\ /\/ \ got a tattoo on her leg. She
/\ / \ / \ also heard an owl when her
/ \ /__________\ /__________\ husband died in the fire.
/____\ All three have heard that
call and seen the light.
Afternoon
-- John sings to Audrey at their picnic
-- Will and Eileen return. Donna tells him about Dr. Craig. She's informed
that Dr. Craig was his roommate and also drowned years ago. The gift
contains a note: KN to KB3. The phone number given to Donna by Dr. Craig
was for a cemetery. Doc leaves to go tell Truman.
[The board presently:
+-------+-------+-------+-------+-------+-------+-------+-------+
| |_|_| |///////| /+\ | _+_ | o o o | /+\ | ,^-. | |_|_| |
| |_| |///////| \_/ | (_|_) | \_|_/ | \_/ | /'_ | | |_| |
| _|_|_ |///////| __=__ | === | === | __=__ | `'/_| | _|_|_ |
+-------+-------+-------+-------+-------+-------+-------+-------+
| o | o | o | |///////| o | o | o |
| (_) | (_) | (_) | |///////| (_) | (_) | (_) |
| /_\ | /_\ | /_\ | |///////| /_\ | /_\ | /_\ |
+-------+-------+-------+-------+-------+-------+-------+-------+
| |///////| ,^-. |///////| |///////| |///////|
| |///////| /'_ | |///////| |///////| |///////|
| |///////| `'/_| |///////| |///////| |///////|
+-------+-------+-------+-------+-------+-------+-------+-------+
|///////| |///////| o |///////| |///////| |
|///////| |///////| (_) |///////| |///////| |
|///////| |///////| /_\ |///////| |///////| |
+-------+-------+-------+-------+-------+-------+-------+-------+
| |///////| | o | |///////| |///////|
| |///////| | (_) | |///////| |///////|
| |///////| | /_\ | |///////| |///////|
+-------+-------+-------+-------+-------+-------+-------+-------+
|///////| |///////| |///////| ,^-. | o | |
|///////| |///////| |///////| /'##| | (#) | |
|///////| |///////| |///////| `'/#| | /#\ | |
+-------+-------+-------+-------+-------+-------+-------+-------+
| o | o | o |///////| o | o | | o |
| (#) | (#) | (#) |///////| (#) | (#) | | (#) |
| /#\ | /#\ | /#\ |///////| /#\ | /#\ | | /#\ |
+-------+-------+-------+-------+-------+-------+-------+-------+
| |_|_| | ,^-. | /+\ | _+_ | o o o | /+\ |///////| |_|_| |
| |#| | /'##| | \#/ | (#|#) | \#|#/ | \#/ |///////| |#| |
| _|#|_ | `'/#| | __#__ | === | === | __#__ |///////| _|#|_ |
+-------+-------+-------+-------+-------+-------+-------+-------+
-- Ed and Nadine discuss their future with Jacoby
Nadine: I think I've gone _blind_ in my left eye!
-- Mrs. Hayward answers the door to Ben who kisses her on the cheek.
Donna watches.
6:05 pm (?) clock on wall
-- Norma shows a flier to Shelly about the Miss Twin Peaks contest. "Easy
Rider" Earle says she'd be perfect for it. Cooper meets Annie and gets a
good strong cup of coffee she made. Windom in disguise watches Annie with
Cooper, who notices Annie's scar. Cooper looks puzzled after Earle
leaves unnoticed.
Dusk
-- Hawk gets Cooper. A drunken Truman wrecked all the furniture in the
Bookhouse and Cooper calms him down.
-- Mr. & Mrs. Inkman (Nadine and Mike) rent the honeymoon suite at the
Great Northern. A friend, Susan, recognizes Mike. Nadine smashes the
bell.
-- Ben speaks for the Stop Ghostwood campaign. Dick is host for the fashion
show. Lucy and Andy model bright plaid colors.
-- Ben chats with Catherine at the bar, convinced he's a reformed person
-- Pinkle speaks about the pine weasel and takes one of its cage.
It becomes attracted to the studs and cheap cologne of Dick's,
bites his nose and gets loose. Chaos ensues.
Pinkle: Don't panic. He's completely harmless. He's already
endangered.
Jack catches Audrey and they kiss.
-- Jones knocks out a Bookhouse guard and gets into sleeping Truman's bed
[Episode 2018 - 4/4/91
Written by Harley Peyton & Robert Engels
Directed by Duwayne Dunham]
Tuesday evening (continued)
-- Jones puts some perfume on Truman's and her lips. He sees Josie in his
haze and she tries to strangle him. They struggle and Truman triumphs.
22 Mar (Wednesday)
Morning
-- Audrey delivers breakfast to John's room
-- Truman tells Cooper that Jones won't speak to anyone but the South
African consulate. Cooper's cure for a hangover sends Truman running
for the rest rooms. There's a bonsai delivered this morning "from
Josie." Doc tells Truman about Earle at his house.
C: We publish our next move today.
Gordon arrives as Earle listens via the bugged bonsai. Earle was
apparently high on the same drug, Haliperidol, as the OAM, as well as
involved with Project Bluebook. Gordon reinstates Cooper and gives him
a new Smith and Wesson 10 mm.
WE: Young Dale is continually refusing to play FAIR!
-- Leo picks some cards from Earle: Queen of Clubs (Donna), Queen of
Diamonds (Audrey), Queen of Spades (Shelly), King of Spades (Cooper).
The Queen of Hearts (blank) will be Miss Twin Peaks.
WE: Now, what do you get if you win? {...} Oh yes, I know... you get to
die! A royal execution. And Cooper... gets to watch. {giggles}
-- Donna, at the Great Northern, sees her mom with Ben. Mike and Nadine
check out. Donna and Audrey chat and wonder about their parents.
-- Eileen and Ben discuss some happenings 20 years ago. She's got some
old love-letters from him. He's trying to win her back by proving he's
reformed. Donna and Audrey eavesdrop. Eileen says stay away from
Donna.
-- At the RR, Gordon's cure for a hangover sends Truman running for the
restrooms. Gordon notices Shelly, likes what he sees and makes his
move.
Shelly: You don't have to shout. I can hear you.
Gordon: I HEARD THAT. I, I HEARD THAT.
Shelly: Um, do you want anything besides coffee?
Gordon: I HEARD YOU PERFECTLY!
Shelly: {desperately} And I can hear you, honest. Please!
-- Cooper, Truman and Annie chat about a chickadee he saw out the window.
T: What do you recommend for a hangover?
A: Teetotaling and prayer.
C: Good answer.
T: I'll try some coffee.
/\Cooper tells her a joke about penguins,
/ \and they laugh.
\ / T: Defense rests.
\/Annie mentions Cooper's sketch looks
/\ / \ /\just like the symbol in Owl Cave.
/ -< >- \
/ \ / \
-------------/\--------------
/ \
\ /
\/
-- Donna reads a postcard from James at San Francisco. He's off to Mexico.
Her father asks about James and she asks about her mom and Ben. He
seems like he's hiding something. Flowers arrive anonymously for Eileen.
-- Prof. Edward (Earle) Perkins runs into Audrey at the library. He
identifies her poem as Shelley.
WE: Reciting the verse of Shelley, you look very much like a queen.
-- Shelly and Annie chat about Cooper
-- Lucy, playing chess, chats with Andy as he climbs down a rope. He's
going spelunking.
-- Pete just called in the next move (P to QR-3):
+-------+-------+-------+-------+-------+-------+-------+-------+
| |_|_| |///////| /+\ | _+_ | o o o | /+\ | ,^-. | |_|_| |
| |_| |///////| \_/ | (_|_) | \_|_/ | \_/ | /'_ | | |_| |
| _|_|_ |///////| __=__ | === | === | __=__ | `'/_| | _|_|_ |
+-------+-------+-------+-------+-------+-------+-------+-------+
| o | o | o | |///////| o | o | o |
| (_) | (_) | (_) | |///////| (_) | (_) | (_) |
| /_\ | /_\ | /_\ | |///////| /_\ | /_\ | /_\ |
+-------+-------+-------+-------+-------+-------+-------+-------+
| |///////| ,^-. |///////| |///////| |///////|
| |///////| /'_ | |///////| |///////| |///////|
| |///////| `'/_| |///////| |///////| |///////|
+-------+-------+-------+-------+-------+-------+-------+-------+
|///////| |///////| o |///////| |///////| |
|///////| |///////| (_) |///////| |///////| |
|///////| |///////| /_\ |///////| |///////| |
+-------+-------+-------+-------+-------+-------+-------+-------+
| |///////| | o | |///////| |///////|
| |///////| | (_) | |///////| |///////|
| |///////| | /_\ | |///////| |///////|
+-------+-------+-------+-------+-------+-------+-------+-------+
|///////| |///////| |///////| ,^-. | o | o |
|///////| |///////| |///////| /'##| | (#) | (#) |
|///////| |///////| |///////| `'/#| | /#\ | /#\ |
+-------+-------+-------+-------+-------+-------+-------+-------+
| o | o | o |///////| o | o | |///////|
| (#) | (#) | (#) |///////| (#) | (#) | |///////|
| /#\ | /#\ | /#\ |///////| /#\ | /#\ | |///////|
+-------+-------+-------+-------+-------+-------+-------+-------+
| |_|_| | ,^-. | /+\ | _+_ | o o o | /+\ |///////| |_|_| |
| |#| | /'##| | \#/ | (#|#) | \#|#/ | \#/ |///////| |#| |
| _|#|_ | `'/#| | __#__ | === | === | __#__ |///////| _|#|_ |
+-------+-------+-------+-------+-------+-------+-------+-------+
Cooper's in gear and ready to go. Cooper mentions that Shelly took
Gordon down to Doc's regarding his hearing.
-- Johnny Horne shoots buffalo
-- Ben thinks Audrey's the best man for the job and informs her that her
plane to Seattle leaves in an hour. John shows up to see this. He and
Ben chat about how Ben can be good. He mentions he's fallen in love with
Audrey and they munch on carrots.
Ben: Always tell the hardest truth first...
Night
-- At Owl Cave, Andy slips and falls. Cooper, Truman, and Hawk are also
there. They see the symbol on the wall. An owl flies around them.
Andy swings at it with his pick and hits the symbol. The middle
diamond falls out revealing a pole with a petroglyph on the end.
It's the same symbol as on Teresa's ring. The owl flies away.
9:05 pm (Cooper to Diane)
-- Cooper, after making a quick message to Diane [incorrectly saying it's
Thursday], runs into Annie at the Great Northern bar.
Dale: Hello Annie.
Annie: Hi.
D: Can I get you something... oh,
A: No, no, I have a rum and tonic.
D: I see.
A: One of the sisters used to put rum in her tea and I thought it was
exotic, so...
D: It's all new to you isn't it?
A: I feel constantly amazed. Stunned. Music and people-- the way they
talk and laugh and the way some of them are so clearly in love. It's
like a foreign language to me. I know just enough of the words to
realize how little I understand.
D: Man, I'd love to see the world through your eyes.
A: Why?
D: Oh, there are some things I might do different if I had the chance.
A: Me too.
[Annie reaches for her drink-- Dale notices the suicide scar -- and
Annie notices him noticing. She pulls back her hand to cover her wrist.]
A: You see, the thing is I failed before and [pause] I'm just afraid it
might happen again.
D: You want to talk about it?
A: Not yet.
D: Maybe I can help.
A: Can you?
D: If you want me to.
A: I'm stubborn, extremely willful.
D: I can handle that.
A: Some people think I'm strange.
D: I know the feeling.
A: [laughs] I couldn't promise you that I would always make sense or do
things that you'd expect me to do.
D: Annie I don't expect anything.
A: Then I accept your kind and generous offer.
D: Good. I'm glad.
-- Earle explores Owl Cave:
[The bright light of Windom's flashlight and then we see his figure in
Owl Cave as he appears to be looking for something.
He comes across the uncovered "petroglyph."]
Windom: My, my, my. What have we ... [while turning his flashlight to
other parts of the cave] ...here?
/\[Shot of the same petroglyph but upside
/ \ down on the ceiling from Windom's
/ \ point of view. This one is enclosed
/ \ in a diamond.]
/ \
/ /\ \
/ / \ \
/ / \ \
/ \ / \
\ \ /\ /\ / /
\ \/ \/ \/ /
\ /
\ /
\ /
\ /
\ /
\ /
\/
W: Could it be? [Looks back at the petroglyph on the wall.] Yes.
[Looks back at the ceiling.] The symbol inverted.
[laughs a wheezing kind of little laugh] Now.
[Struggling a little, Windom grasps the stone shaft on the wall with his
right hand and rotates it counter-clockwise until the symbol on the wall
is the same as the one on the ceiling. Andy's axe stuck in the "fire"
symbol begins to move as a trembling sound begins. The axe is now
directly above the petroglyph on the wall. The axe falls out
of the wall as the walls begin to shake more. Windom is backing out
of the cave with tiny laughs of satisfaction. Dust coming off of the
wall fills the screen.]
23 Mar (Thursday) [Episode 2019 - 4/11/91
Written by Mark Frost & Harley Peyton
Directed by Johnathan Sanger]
Morning
-- Cooper, Andy, Hawk, and Truman are back at Owl Cave and find a new
petroglyph. The tracks they find are the same ones outside the
powerstation. Cooper deduces it was Earle.
_______________________________________________________________________
BLACK O lollipops
BLOB | O O
____ | | O O
O ----- | | O O
| /\ ______ | | \ | /
giant o / \ ----__ \ _|_ /
| little /PEAK\ /\ antlers____|SUN|____
| man / \ / \ |___|
/ \ / \ / @ \ / \ / | \
/ ~~~~~~~~ / PEAK \ / | \
~~~~LAKE~~/ \
flame 4 =falls=~~~~~~ / @ \
(cave) ||||||| ~~~~
oo |||||||
XX o o |||||||
XX o ring o ||||||| (various crisscrossing
o o ||||||| lines everywhere)
oo
M A Y O R
M C
C H E E S E
_______________________________________________________________________
-- Earle talks to Leo and a punk who thought he was invited to a party,
about the White Lodge and the Black Lodge. On a computer is the
petroglyph from Owl Cave.
Earle: Once upon a time, there was a place of great goodness, called the
White Lodge. Gentle fawns gamboled there amidst happy, laughing
spirits. The sounds of innocence and joy filled the air. And when
it rained, it rained sweet nectar that infused one's heart with a
desire to live life in truth and beauty. Generally speaking, a
ghastly place, reeking of virtue's sour smell. Engorged with the
whispered prayers of kneeling mothers, mewling newborns, and fools,
young and old, compelled to do good without reason. Heh-heh!
But, I am happy to point out that our story does not end in this
wretched place of saccharine excess. For there's another place, its
opposite; a place of almost unimaginable power, chock full of dark
forces and vicious secrets. No prayers dare enter this frightful maw.
Spirits there care not for good deeds or priestly invocations; they
are as like to rip the flesh from your bone as greet you with a happy
"Good day!" And if harnessed, these spirits in this hidden land of
unmuffled screams and broken hearts would offer up a power so vast that
its bearer might reorder the earth itself--to his liking! Now! This
place I speak of--is known as the Black Lodge. And I intend to find it.
-- Pete tries to create a poem on Josie but is interrupted by
Catherine. She hasn't been able to open the box left by Eckhardt's
assistant. Pete tells her it's a puzzle box that could take
YEARS to open. Catherine: "Open it! I've been trying for days."
-- At the RR Bobby tries to convince Shelly to enter the Miss TP pageant
-- Elsewhere at the RR, Lana tries to convince the mayor to help her
win the contest since he's a judge
-- Cooper enters and orders coffee and donuts from Annie for his team,
and makes a date with Annie (a nature study) for this afternoon.
He overhears a piece of the poem Shelly was reciting and gets her
piece of the poem. Blue plate special is 'Hearty Beaver Broth'.
-- Cooper tells Truman that the message was from Earle. It was the poem
that he sent to Caroline. Hawk brings in Donna's portion of the poem,
but Audrey is out of town. Cooper asks for Leo's arrest report.
-- Major Briggs points out an error in Andy's chalkboard rendition
of the petroglyph. He's dreamed of it. Cooper says that Leo's
disappearance, Earle and Owl Cave are all related. He asks for
Briggs' help, who ponders his situation and dedication to his work.
We see a silhouette of a hooded figure. When it comes toward the screen,
a starscape is seen inside, and an owl flies in the starscape and we
then see a wall of fire appear. Briggs agrees to help. Hawk brings in
Leo's arrest report, which Cooper compares to the poem and concludes
it was Leo's handwriting.
-- Dick and Ben chat. Dick wants compensation for his injuries. Ben agrees.
Ben: Sometimes the urge to do bad... is nearly overpowering.
-- The punk is in a papermache (pawn) and Earle asks for an arrow. Leo
doesn't want to but those shocks from his collar convinces him to.
Earle loads a crossbow and shoots the punk.
3:35 pm (clock on wall)
-- The Miss Twin Peaks Committee (Doc Hayward, the Mayor, and Pete) meets
and listens to Ben who wants the topic of the pageant to be to save the
forests
-- Miss TP contestants gather. Mike: "Do you have any idea what a
combination of sexual maturity and superhuman strength can result in?"
3:36 pm (grandfather clock)
-- Truman and Catherine talk about Josie and why she did what she did.
She shows him the puzzle box. Pete shows up and drops it,
opening it. The contents seems to be another puzzle box which consists
of two concentric rings of symbols. The inner ring is made
up of symbols corresponding to the phases of the moon. The outer ring
is made up mostly of zodiac symbols.
Clock position Inner Symbol Outer Symbol
(moonphase) (zodiac)
--------------------------------------------------------
12:00 Full Moon Libra
1:30 Waxing Gibbous Pisces
3:00 First Quarter Cancer (modified)*
4:30 Waxing Crescent Unknown**
6:00 New Moon Aries
7:30 Waning Crescent Sagittarius
9:00 Third Quarter Taurus
10:30 Waning Gibbous Gemini
* The Cancer symbol differs from that shown in the dictionary.
Essentially, it's like a lowercase sigma with a long , straight
tail and another similarly modified sigma, rotated 180 degrees,
directly beneath it.
** This symbol is a large circle with four much smaller circles
just outside it at clock positions 10:30, 11:30, 12:30, and 1:30.
The overall effect is that of a paw. Perhaps it's a different
sign for Leo.
Sometime after 4:00 (Cooper tells Annie he'll pick her up at 4:00 sharp)
-- Annie and Coop in a boat. Annie tells Cooper that she had
one senior year boyfriend and because of him, there are scars on her
wrist before she entered the convent. Cooper kisses her twice.
Earle watches.
A: I lived in my head mostly.
C: That's not a bad neighborhood.
A: There's some pretty strange neighbors.
-- A wine tasting party which Dick is hosting with a bandaged nose
-- Gordon again speaks normally to Shelly. When Cooper and Annie
appear Gordon tells them and Shelly that he's leaving but
he'll try to return to TP to be with Shelly. He gives her
two kisses, the first interrupted by Bobby who is expressing
his disbelief.
Gordon: YOU ARE WITNESSING A FRONT THREE-QUARTER VIEW OF TWO ADULTS
SHARING A TENDER MOMENT. {to Shelly} Acts like he's never seen
a kiss before.
Cooper: Uh, Gordon.
Gordon: TAKE ANOTHER LOOK, SONNY. IT'S GONNA HAPPEN AGAIN.
-- Lana and Andy find banana and chocolate in the taste of
the wine they taste. Lucy spits wine in Dick's face.
Lucy: I'm pregnant. I'm not supposed to drink.
Night (1/2 moon)
-- Jack and Cooper chat about love. Jack receives a telegram and
quickly makes arrangements to check out.
-- Donna still wants to know about Eileen's involvement with Ben,
and she is thinking of studying overseas. Eileen wants more peas.
-- Hooded silhouette but with a half moon where the head is. The owl flies.
-- Cooper and the police at the gazebo. There's a crate on the gazebo.
C: He's changing the pattern of the game board. Any hope of deducing
his next move has evaporated.
On the crate there's a ring on a sign that says "PULL ME". Cooper does
from a distance using a police line tied to the ring and a
rock. He shoots the rock and the crate opens. The punk is
in a chess piece sculpture with a sign saying that "Next time it will
be someone you know."
[The board presently:]
+-------+-------+-------+-------+-------+-------+-------+-------+
| |_|_| |///////| | _+_ | o o o | /+\ | ,^-. | |_|_| |
| |_| |///////| | (_|_) | \_|_/ | \_/ | /'_ | | |_| |
| _|_|_ |///////| | === | === | __=__ | `'/_| | _|_|_ |
+-------+-------+-------+-------+-------+-------+-------+-------+
| o | o | o | |///////| o | o | o |
| (_) | (_) | (_) | |///////| (_) | (_) | (_) |
| /_\ | /_\ | /_\ | |///////| /_\ | /_\ | /_\ |
+-------+-------+-------+-------+-------+-------+-------+-------+
| |///////| ,^-. |///////| |///////| |///////|
| |///////| /'_ | |///////| |///////| |///////|
| |///////| `'/_| |///////| |///////| |///////|
+-------+-------+-------+-------+-------+-------+-------+-------+
|///////| |///////| o |///////| |///////| |
|///////| |///////| (_) |///////| |///////| |
|///////| |///////| /_\ |///////| |///////| |
+-------+-------+-------+-------+-------+-------+-------+-------+
| |///////| | o | |///////| |///////|
| |///////| | (_) | |///////| |///////|
| |///////| | /_\ | |///////| |///////|
+-------+-------+-------+-------+-------+-------+-------+-------+
|///////| |///////| |///////| ,^-. | o | /+\ |
|///////| |///////| |///////| /'##| | (#) | \_/ |
|///////| |///////| |///////| `'/#| | /#\ | __=__ |
+-------+-------+-------+-------+-------+-------+-------+-------+
| o | o | o |///////| o | o | |///////|
| (#) | (#) | (#) |///////| (#) | (#) | |///////|
| /#\ | /#\ | /#\ |///////| /#\ | /#\ | |///////|
+-------+-------+-------+-------+-------+-------+-------+-------+
| |_|_| | ,^-. | /+\ | _+_ | o o o | /+\ |///////| |_|_| |
| |#| | /'##| | \#/ | (#|#) | \#|#/ | \#/ |///////| |#| |
| _|#|_ | `'/#| | __#__ | === | === | __#__ |///////| _|#|_ |
+-------+-------+-------+-------+-------+-------+-------+-------+
[Episode 2020 - 4/18/91
Written by Harley Peyton & Robert Engels
Directed by Stephen Gyllenhaal]
Thursday evening (continued)
-- The cops haul the pawn off the gazebo. A friend of the punk in
the pawn describes how "Scott," wearing a weird suit, came out of the
woods, saying he had beer so Rusty Tomaski the punk went with him.
Andy cries. Cooper thinks Earle is playing off the board:
C: He's taken another pawn, but this time he didn't tell us his move.
24 Mar (Friday)
Morning
-- Lucy tells Truman that Hawk is feeding breakfast to some guy she's never
seen before because he looked sad. She tells Andy tomorrow is D-Day
(Dad Day) when she'll choose the father of her baby. She's also
going to enter the Miss Twin Peaks contest and Andy's got some ideas
for her speech.
-- At the Great Northern, Jack checks to see if there are any messages
for him from Audrey
-- Doc Hayward, after examining Ben, gives him a clean bill of health,
and tells him to stay away from Eileen. Ben says not as long as the
lie survives. Jack enters, looking for Audrey. He has to leave
because his partner was murdered.
-- Donna Marie Hayward finds a blank space on her birth certificate
under the "Father" entry and some pictures of her parents with Ben.
The mother's maiden name entry is Eileen Hayward. Hawk is on the phone
for her.
-- Audrey returns and runs into Hawk who tells her it is important
to see Cooper immediately
-- Jack and Ben chat. Jack's got to take his partner's place in the
Rain Forest business. He's got something for Audrey.
-- Briggs has Cappy look for symbols and has some information for Cooper
and Truman. Earle was the best and brightest of them, but became
obsessive and destructive when the attention turned from outer space
to Twin Peaks and so was removed from the project. Cooper has a video
tape of Windom Earle:
E: These, uh, these evil sorcerers, uh,...dugpas, they're called...they,
uh, cultivate evil for the sake of evil, nothing else, they, uh,
express themselves in darkness, for darkness without leavening motive,
uh--Now this, this ardent purity allows them to access a secret place
where the cultivation of evil proceeds in exponential fashion, and
with it, the furtherance of evil's resulting power! Th-this place of
power is tangible and as such it can be found, entered, and perhaps
utilized in, in some fashion. Th-the dugpas have, have, many names
for it, but chief among them (coughs) is the, uh, is the Black Lodge.
You don't believe me, do you? You think I'm mad. Overworked.
Go away.
C: (pauses tape, sighs) Gentlemen, when Windom Earle arrived in Twin
Peaks I assumed he had come for vengeance. For me. But I
miscalculated. He has insinuated himself into the lives of people I
care for, he has murdered innocents; he has engaged us in subterfuge
and red herring-- a fish I don't particularly care for. But all of
these acts are merely camouflage; he's been after something else all
along. The Black Lodge. Fellas, we need to find out what this
(points to monitor), the Black Lodge, has to do with that! (points to
drawing of map)
Cooper and Truman will look through the old files and Briggs will go
for a walk.
-- Earle, eavesdropping on Cooper, Truman, and Briggs, laughs. Leo
pockets the shocker. Earle sweeps the chess board.
-- At the RR, a pie-eater's hand shakes. Bobby and Shelly discuss her
speech and his recent inattention to Shelly. Cooper's on the phone
for Shelly.
7:52 am (clock on wall)
-- At the roadhouse, the mayor tells Lana she's gonna win since the other
judges are gonna be Norma and Dick. She says she'll marry after she
wins.
-- Cooper has Shelly, Audrey, and Donna compare stories of running into
strange people. Shelly recognizes Leo's handwriting. Cooper tells them
they need to check into the sheriff's everyday at 9 am and 9 pm.
-- Earle babbles, Leo cleans, recognizes Shelly on the card and shocks
himself
-- Audrey enters the Great Northern just missing Jack on his way out.
Ben wants Audrey to enter Miss Twin Peaks so she can speak about his
cause. He mentions Jack's flight so she takes off, getting Pete,
who babbles about seeing Josie's face, to drive her. Something
surprises Ben.
-- Cooper and Truman ponder the petroglyph. Andy goes to call Mrs.
Briggs to find out about Briggs who should've arrived by now.
Cooper talks about Annie then gets the hand shakes.
-- Briggs in the woods, stops at a tree, touches it and his tattoo,
and is shot by Earle in a horse outfit
-- Jack prepares to take off
10:34 am (clock on wall)
-- Cooper and Annie chat then kiss. Plates fall.
-- Pete and Audrey catch up to Jack. They proclaim their love for each
other and she says she's a virgin.
A: I want you to make love with me.
J: What? Here and now?
A: It's your jet.
J: Thank God for that.
Pete cries and gets the hand shakes.
-- Earle interrogates Briggs strung up on a target.
WE: What's the capitol of North Carolina?
MB: Raleigh.
WE: Fat lot of good that'll do me.
Earle shoots up Briggs with haliperidol.
Windom: What do you fear most...in this world?
Major: The possibility that love is not enough.
Briggs: "There's a time if Jupiter and Saturn meet, they will receive
you." He also says something like "That gum you like is coming back"
backwards.
-- Andrew and Catherine fiddle with the puzzle box. After trying Eckhardt's
birthday and his own birthday, he tries the day the gift arrived and it
opens, revealing another box. Andrew smashes it, revealing a metal box.
-- Annie and Cooper dance. She mentions entering the Miss Twin Peaks
pageant. The Giant appears to Cooper with a mouthed warning, "no, no."
Dusk
-- Pete wakes in his truck. The jet takes off for Brazil. Audrey's still
here. Pete: "There are many cures for a broken heart. But nothing
quite like a trout's leap in the moonlight..."
-- Leo and Briggs writhe in pain. Earle determines the petroglyph is a map.
-- Cooper's vision of the Giant ends. Mayor: "This isn't right. There's
something wrong here."
Night
-- BOB appears in Glastonberry Grove, "I'm out!"
25 Mar (Saturday) [Episode 2021 - 6/10/91
Part 1 Written by Barry Pullman
Directed by Tim Hunter]
Morning
-- Leo reaches for the key and frees Briggs. L: "Save Shelly"
-- Ghostly Earle returns with a new game for Leo. He's got something
in a bag.
1:05 pm (clock on wall)
-- Norma, Shelly, and Annie chat about the Miss Twin Peaks pageant.
Norma won the first one 20 years ago.
-- Ben and Audrey talk about Jack. He's got some holy religious books
from which he hopes to learn how to be good. Audrey reports that
the Packards are using the Twin Peaks Savings and Loan to funnel cash
to their Ghostwood project. Ben hopes to expose this and still wants
Audrey to make a speech.
-- Andy stares at the petroglyph. Cooper tells Truman about Josie and BOB.
C: She was trembling with fear. I would go as far as to say quaking
like an animal. And I venture a guess to say that it was the fear
that killed her. At the moment of her death, I saw BOB... as if he
had slipped in through some crevice in time. Upon reflection, I
believe there's a connection between his appearance and Josie's
fear, as if he was attracted to it... feeding off it somehow.
T: You see a connection between BOB and the black lodge?
C: Harry, I think it's where he comes from. I think that the black
lodge is what you have referred to in the past as "the evil in
these woods." If Windom Earle is seeking access to that, it is
imperative that we find our way in before he does. There's a source
of great power there, Harry. Far beyond our ability to comprehend.
WE: Eureka! Dale, I could kiss your pointy little head! {laughs}
It's fear. It's fear, Leo, that's the key. My favorite emotional
state! And all this time it's been staring me right in the kitter!
Leo, it's marvellous. A perfect fit. These night creatures that
hover on the edge of our nightmares are drawn to us when we radiate
fear! It's their bread and butter. A perfect symbiosis. Oh nature,
perfect in design and aspects, you do not disappoint! Leo, look
lively, victory is at hand. We know where the entrance is, we know
when the lock appears, now... we hold the key in our hands. Forgive
my hasty departure, dear one, the time has come to gather my beloved
queen and embark upon our dark honeymoon. I haven't been this
excited since I punctured Caroline's aorta!
Leo's teeth are clamped on a string from which a flimsy cage of spiders
hang over him.
-- Pinkle has the Miss Twin Peaks contestants rehearse a dance. The mayor,
Dick, and Norma discuss criteria, then Lana seduces Dick in a storage
room.
1:17 pm (Cooper to Diane)
-- Cooper tells Diane he just finished his second meditation.
C to D: I'm also convinced that Windom Earle is searching for exactly
the same thing as we are, for diametrically opposite reasons.
If I'm correct in my assumptions about the power of this unholy
place, God help us if he gets there first.
Annie arrives wanting help with her speech. The pageant is in 6 hours.
They end up in bed.
-- Nadine shows slides of her wrestling. Jacoby has Nadine (with Mike)
and Ed (with Norma) discuss their breaking up. Both proclaim they
are getting married.
-- Briggs is picked up by Hawk. Briggs: Which way is the castle?
-- Cooper and Truman attempt to question Briggs. Cooper smells haliperidol
on him. Andy looks at the petroglyph again.
Briggs: The king of Rumania was unable to attend.
Cooper: Harry, this is gonna take some time.
-- Andrew, Pete, and Catherine are still wrestling with the box. Andrew
finally shoots it open. Inside is a key, which Catherine puts in a
cake-saver so it is in plain sight.
-- Donna demands the truth from uncooperative Will and Eileen
-- Andy looks at the petroglyph again. Cooper figures out from a book
that the petroglyph tells of a time when Jupiter and Saturn are in
conjunction, and that this is when the door to the lodge is open.
Briggs mutters "protect the queen" and "fear and love open the doors."
Andy knocks the bonsai to the floor. Truman goes to pick it up and
discovers the bug. They understand that "the queen" is about Miss Twin
Peaks. Andy figures out the petroglyph and tries to get Cooper's
attention, but he and Truman run off to the pageant.
7:00 (approx) (Annie to Cooper, "in 6 hours")
-- The Miss Twin Peaks pageant, opening dance number. Pinkle makes his
move on the Log Lady. Talent competition begins. Lucy dances.
-- Earle as the Log Lady knocks out Bobby. Truman and Cooper arrive,
as well as Andy (looking for Cooper). Lana dances.
-- Audrey makes her speech. Donna demands the truth from Ben, who says
"Donna, your mother and I..." She figures it out; he's her father.
-- Annie makes her speech. Earle watches from the rafters.
-- Lucy makes her announcement to Andy and Dick that she wants Andy to
be the baby's father. Andy then goes to look for Cooper.
-- Annie is named Miss Twin Peaks. Lights go out and chaos ensues as
Nadine is hit on the head with a sandbag, Cooper sees Earle, and
Earle takes Annie. Power is restored and Andy tells Cooper he's
figured out the petroglyph to be a map.
[Part 2 Written by Mark Frost & Harley Peyton & Robert Engels
Directed by David Lynch](Episode 2022 outside U.S.)
Night
-- Lucy and Andy discuss what happened at the pageant.
L and A in unison: I love you.
-- Cooper, with Truman and Hawk, ponders the petroglyph and "Fire walk with
me." Pete enters and says the Log Lady stole his truck which had 12
rainbow trout in the bed. The circle of 12 sycamore trees is where
Hawk found the bloody towel and ripped pages - Glastonberry Grove.
C: {snap} The legendary burial place of King Arthur. Glastonbury!
P: King Arthur is buried in England. {Cooper and Truman look at him}
Last I heard...
The Log Lady arrives with some oil which her husband said is the opening
to a gateway. Cooper and Truman determine it to be what Jacoby smelled
("scorched engine oil"). Ronette is brought in and recognizes the smell
of that oil from the night Laura died.
-- Earle takes Annie to the circle of trees. Annie prays but becomes silent
and appears to be hypnotized when she enters the circle. They go beyond
the red curtains.
-- Nadine is 35 again. She wants to know who Mike is, why Norma is there,
and where her drape runners are.
-- Ben apologizes to Eileen. Donna cries for Will to be her father.
Sylvia walks in and Will belts Ben, who hits his head on the fireplace.
-- Andrew switches the mystery key with another he has for a safety
deposit box. Pete enters and discovers him.
-- Cooper and Truman find Pete's truck. They head into the woods.
Cooper goes alone, with Truman following, and sees an owl and the
sycamore trees. {Figure 1 (see figures below)} He enters the curtains
into the hallway and the red room. Strobe effect. The Little Man From
Another Place comes in from the other side and goes to sit in a chair.
Another man sings, then disappears.
-- Andy comes looking for Truman
26 Mar (Sunday)
Morning
-- 10 hours later, Truman and Andy are still waiting for Cooper
7:25 am (Andrew's watch)
-- Audrey practices civil disobedience and chains herself to the Twin Peaks
Savings and Loans' bank vault "in protest of their financial ties to the
Ghostwood development project." Security guard answers the phone,
"it's a boy! It's a boy!" Andrew and Pete arrive and open the safety
deposit box to discover a bomb that goes off. Eckhardt's note: Got you,
Andrew, Love, Thomas.
-- Bobby tells Shelly he wants to marry her.
S: Oh, what kept us, Heidi? Seconds on knockwurst this morning?
H: I couldn't get my car started.
S: Too busy jump starting the old man... again.
B: I thought you Germans were always on time.
-- Leo still surviving
-- Jacoby brings Sarah to Mr. and Mrs. Briggs. Sarah has a message for
Garland: "I'm in the Black Lodge...with Dale Cooper," spoken in
a dark, muddy voice.
-- {Figure 2} Shot of empty hallway to the red rooms.
LMFAP:"I'm waiting for you."
-- {Figure 3} Cooper and the Little Man From Another Place sitting in
the red room. Normal light.
LMFAP:When you see me again, it won't be me. This is the waiting
room. Would you like some coffee? Some of your friends are
here.
Laura comes in and sits down in the chair next to LMFAP.
Laura:Hello Agent Cooper. {winks, snaps her fingers} I'll see you
again in 25 years. Meanwhile... {presents her hands}
{Figure 4} Great Northern room service waiter appears in the chair
where Laura sat, with a cup of coffee.
GNRSW:Hoo! Woo, woo, woo, woo {with hand in front of mouth--the
"Indian noise"} Hallelujah!
LMFAP:Hallelujah!
GNRSW rises and walks up to Cooper with the coffee.
GNRSW:Coffee. Coffee. Coffee. Coffee. Coffee. Coffee.
He sets down solid coffee for Cooper. The giant appears where GNRSW
stood. He walks back to the chair and sits down.
Giant:One and the same.
LMFAP rubs his hands. The giant has disappeared. Cooper picks up his
coffee - it's liquid. When he's about to drink, it's solid. LMFAP
continues rubbing his hands. The coffee's liquid. LMFAP looks away.
The coffee's viscous.
LMFAP:Wow, Bob, wow. Fire walk with me.
{Figure 5} Fire. A scream. Strobe effect. LMFAP has disappeared.
Cooper walks to the other room. Normal light. Identical furniture
but empty. He walks back to the original room.
{Figure 6} LMFAP sits in the chair. Normal light.
LMFAP:Wrong way
Cooper goes back to the other room. It is reversed. LMFAP sits in the
the chair and babbles excitedly. Then:
LMFAP:Another friend.
LMFAP continues to babble, ducks behind a chair. Maddy enters wearing
a black dress identical to Laura's.
Maddy:I'm Maddy. Watch out for my cousin. {can't see whether her
eyes are white}
{Figure 7} Maddy has disappeared. Cooper goes back to the original
room. It's empty. LMFAP (shadow self) appears next to him.
LMFAP (shadow self): Doppelganger
{Figure 8} Laura (shadow self) appears next to a chair.
Laura (shadow self): {presenting hands, angrily:} Meanwhile
Strobe effect. She screams, climbs up on the chair, runs up to Cooper,
flash of Earle's shadow self. Cooper runs back to the other room.
Normal light. Cooper is bleeding from his stomach, and there's a trail
of blood on the floor.
{Figure 9} Cooper follows the blood trail back to the original room.
Caroline and Cooper on the floor bleeding. Caroline changes to Annie,
in Caroline's dress. Annie sits up. Strobe effect.
Cooper:Caroline? Annie? Annie? Annie? Annie? Annie? Annie?
{Figure 10} Cooper goes back to the other room. Normal light.
Annie is standing there, wearing the black dress from the pageant.
Annie:Dale. I saw the face of the man who killed me.
Cooper:Annie...the face of the man who killed you?
Annie:It was my husband.
Cooper:Annie?
Annie:Who's Annie? It's me.
Annie changes to Caroline (shadow self), in Caroline's dress, standing
in front of a formica (?) table.
Caroline (shadow self): It's me, it's me.
Cooper:Caroline?
Caroline changes back to Annie, in Caroline's dress.
Annie:You must be mistaken. I'm alive.
Annie turns into Laura (shadow self), screaming, then turns into
Windom Earle.
Earle:Dale Cooper.
Annie, in pageant dress, appears off to the side by the table, vanishes.
Earle:{laughs} If you give me your soul, I'll let Annie live.
Cooper:I will.
Earle stabs Cooper. Fire. Rewind of stabbing.
{Figure 11} BOB appears, grabs Earle. Strobe effect.
BOB:{to Earle} Be quiet. Be quiet. {to Cooper} You go. He is
wrong. He can't ask for your soul. I will take his.
A spout of fire appears over Earle's head, and his head slumps forward.
BOB laughs, Cooper leaves. Cooper's shadow self enters, crouches
beside BOB, and laughs with him.
{Figure 12} Normal light. Cooper enters a hallway. Leland (shadow
self) enters from the side.
Leland (shadow self): I did not kill anybody.
Cooper sees his shadow self enter the hallway, and starts to run.
Cooper's shadow self follows him, walking past Leland's shadow self.
{Figure 13} Cooper runs through another hallway, an empty room (strobe
effect) and a hallway. His shadow self runs through the empty room.
{Figure 14} Normal light. Cooper runs through a hallway and a room
with chairs. His shadow self chases him closely and catches up to him
at the curtains. Strobe effect. BOB appears and laughs.
[Figures and explanation:]
C=Cooper D=dwarf S=singer L=Laura w=waiter G=giant *=shadow-self/
M=Maddy A=Annie c=Caroline W=Windom B=BOB Le=Leland doppelganger
?='wall' not visible 1=1st action in figure _ _ .-->-------._
normal=normal light 2=2nd action etc. _ | | | | `----.
strobe=strobing light o=statue |_ chairs | moving path <--'
Figure 1 Figure 2 Figure 3 Figure 4
_____ ___________ _____ ___________ ___________
| o | _o_ | | | | _o_ | | _o_ |
| .--->C_ |D| | 3| | | | _ |D|L| | | _ |D|w|1 |
| | | |_ \ S| | | | |C \ | | |C / , |
1 | | | \ | 2 | | | `-<--L | <-' / |
C-->--' | `--<--D | | | | | 2G--' |
|__?__|___________| |__?__| |_____?_____| |_____?_____|
normal strobe normal normal normal
Figure 5 Figure 6
___________ _____ ___________ ___________ _____ ___________ _____
| _o_ | o | _o_ | | _o_ | o | ? | ? |
| _ | | | | ,--->C_ | | | | | _ |D| | | .--->C | |
| |C--._ ?| / ,--C|_ | | |_ ?| | | M _ | 3M |
| 1 `-->-' / |2 ?| | | | |? _\_| | | |
| <--' | | | 1C---' | |_|D|\`--<--' |
|_____?_____|__?__|_____?_____| |_____?_____|__?__|___2D<-'___|__?__|
strobe normal normal normal normal normal
Figure 7 Figure 8
___________ _____ ___________ _____ ___________
| | o | 1 | ,-->-. | o | |
| | .----C | L*|_| | | .--->C--. |
| ?| | | | 1 L* | | | <--' |
| C<-._ | | | | 2C-._ | | | ?|
| 2D* `---' | | `---' | |
|_____?_____|__?__| |_____?_____|__?__|_____?_____|
normal normal strobe normal normal
Figure 9 Figure 10 Figure 11
___________ _____ _____ ___________ _____ ___________ _____
| ? | | | | 2 | | ? | ? | ? |
| | .----C | .->-._ A/c* _| | .---._2 W _| |
|? C ?| | | | | | `C L*/W| | | | | `C B1 | | 3C* |
| c/A | | | | | |? 3 |_| | V |? C* |_| | |
| <---' | 1C---' | A | | | `----<--' |
|_____?_____|_____| |__?__|_________4_| |__?__|_____?_____|__?__|
normal normal strobe -> normal strobe
Figure 12 Figure 13 Figure 14
_____ _____ ___________ _____ _____ ___________ _____
| | | ? | ? 2C| | 1 | ? | _o_ | ? | 1
| ,---C1 | .----C3 ,--| .----C |CATCH<--_.| | | | ,---C
| / ,--C*3 | | .----._ / | | | | 3 | |_\`-._ ?| / ,--C*
<--' / | | | | | `-/_ <--' | | | `-._`-<--' / | 2
<---' Le*2 <--' V | ,-' `----C*4 | | | `--<--' |
|_____| |_____|__/________|__?__| |__?__|_____?__4B_|_____|
normal normal strobe normal strobe <- normal normal
NOTES:
* In figure 3, we don't see Laura coming into the room.
* In figure 10, we don't see Cooper walking through the hallway.
It's possible (but unlikely) that the room should be reversed, so that the
table and the people ends up along the left 'wall' instead.
* In figure 13, Cooper actually runs through the room along the 'wrong'
diagonal, according to the floor pattern in that scene!
Night
-- Cooper and Annie are back on the ground at the sycamore tree circle.
-- Will tends to Cooper in his bed. He asks about Annie and Truman says
she's at the hospital and will be okay. Cooper gets up, "I need to
brush my teeth." In the bathroom, BOB has Cooper ram his head into
the mirror.
C: How's Annie? How's Annie? How's Annie?? {laughs}
How's Annie?? HOW'S ANNIE?? {laughs} HOW'S ANNIE??! {laughs}
??
-- Laura is sitting in the red room with Cooper standing next to her.
His hand is on her shoulder. She sees an angel and is happy. (FWWM)
-- /\__Edwin Nomura -- enomura@ucsd.edu__________.:___________.____________/\ / \\ .:. . : . : / \\ / \\\ : .:: : : Fire walk with me :.. : . : / \\\ / \\\\..::..:::.:::::.:.:.....:::::...::..:...:::::.:.:::::.:....::.../ \\\\
</pre>
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Missed Part of FWWM dkrause@miami.acs.uci.edu (Doug Krause) 1992-09-24 02:30
I finally went to "Fire Walk With Me" last night but missed part of it due to a little too much Dr Pepper. :-( Anyway, can someone tell me what happened between when Shelley and Leo were in their kitchen and when Laura and Donna were getting hit on by the two guys at the Roadhouse? Thanks. Douglas Krause One yuppie can ruin your whole day. =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= University of California, Irvine Internet: dkrause@hydra.acs.uci.edu Welcome to Irvine: Yuppieland USA BITNET: DJKrause@uci.edu </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: TP Sighting cicero@hotcity.COM (Andreas Locicero) 1992-09-24 02:32
In article <MejSWoq00VohELW5I7@andrew.cmu.edu>, Michael Bruce Tomblyn <mt1z+@andrew.cmu.edu> writes: > >So have any of you out there seen "Bob Roberts" yet? It's gotta be the > >most hysterical movie I've seen in a couple of years. Definitely "One to > >Check Out"tm > > > >BTW, Leland (or the guy who played him, Ray Wise if I remember > >correctly) was perfect for the part of Bob Robert's media advisor. He's > >just as passively psychotic as in TP.. > > > >Mike Better than that I saw a publicity photo for "Bob Roberts" featuring Wise grinning at the camera wearing a Vote BOB button!!! The silly editors in the newspaper (or magazine or wherever it was) simply mentioned that Ray Wise of Twin Peaks fame plays Bob Roberts' campaign manager without getting the hilarious double entendre of the photo! A.J. LoCicero >> cicero@hotcity.com This message comes to you from beautiful Morgan Hill, California, U.S.A.: The front line in the war against Suburbanization! </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Garland, Judy Garland? moon!cyberden!justice@well.sf.ca.us 1992-09-24 02:50
Did anyone ever think that Judy could actually be Judy Garland? Major Briggs brings up the name Judy Garland, but never goes further on it. Also, It is rumored that bootleg versions of the Movie and the Directors cut are floating around somewhere. But as the song goes "Who knows where or when". Any info on that? Another thing that has been spreading around is the possibility of a Peaks sequel being in pre production for the Japanese and European fans, but no remote chance of it getting here until delayed video. Also, did anyone make a connection between John Justice Wheeler and Phillip Jefferies? I'm working on that one. Well, now, were not going to talk about Judy, but we will talk about the strange petistool/table in the Red Room. I've seen it before, when BOB drains Windoms soul, it appeared. Any significance? You be the judge. The great thing about Twin Peaks is that it is open to interpetation. Interpetation is the key. So is Fear & Love. -note: I don't know if this is a joke or what, but Lynch/Frost aka Asymetrical tried to tell me of a possible Gordon Cole movie. This was months ago. It's probably a bad joke, but then again... __________________________________________________________________________ | / |\ | H E \ Y B E R |/ E N [ moon!cyberden!justice@well.sf.ca.us ] </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Questions and answers georgen@pooky.cs.mun.ca (George Noel) 1992-09-24 12:52
> > > >**General question: Why does anyone think that Dr. Jacoby was w/Leo > >during the football scene w/Mike and Bobby? If Leo hadn't known > >anyone was w/him, maybe. But Leo tells them not to worry about > >who's there, so he knew. I just never got any clues that Jacoby was > >in league w/Leo in any way, except that they both have secret > >relationships w/Laura. On a tape to Jacoby, Laura refers to Leo as > >a Mystery Man; then she gives away who he is by telling about a red > >corvette. Jacoby does follow the red corvette one night, but due to > >his lack of horsepower, he loses it. This would indicate that they > >were not working together. Also, Jacoby was trying to help Laura > >get away from cocaine; the same can not be said for Leo! I forget which episode but Jacoby is talking to either Coop or Truman and says how he followed Leo that night. Coop and Truman were after James and Donna that night weren't they? Jacoby said how he heard them drive by and knew that Coop and Truman had lost (went wrong way) who they were looking for. He then says he heard someone talking and went over to see who it was. It was Leo with Mike and Bobby. I didn't get the impression Leo knew who was there either. -=*George*=- </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
David Lynch - Recycling Pioneer <SAUDA@MAINE.MAINE.EDU> 1992-09-24 14:03
According to the Wall St Journal, "Director David Lynch of "Twin Peaks" fame is helping pioneer teh use of a product that could be a boon to recycling. The product Gridcore, worod fibers molded into panels to substitute for plywood and gypsum board in walls, furniture and other things. Invented by the US Dept of Agriculture, the product can be made of recycled paper, cardboard, textiles and some plastics. Noble Franklin, a Carlsbad, CA company has licensed the rights to the product from the government. The company is currently supplying samples to Hollywood set makers as a substitute for lauan plywood, a material mad from trees in threatened SE Asian rainforests. One use will be in sets for "Hotel Room," a television series directed by Mr. Lynch that is scheduled to air next year, according to Noble Franklin." Apologies if this has already been posted. M- </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Lynch questions rchao@well.sf.ca.us (Robert Chao) 1992-09-24 14:35
What is David Lynch working on now? Does he still drink those Big Boy shakes every day? Where is his Big Boy place located? The TIME article (Oct 1990) mentioned he lives in Hollywood Hills. Does anyone have his address? Has anyone ever seen David Lynch just hanging out somewhere? What is he like? -- Robert Chao Oakland, California </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Fell A Victim moon!cyberden!justice@well.sf.ca.us 1992-09-24 15:25
In my own interpetation, Fell A Victim is related to two things. The Theme of Twin Peaks "Falling" could relate to all the characters that fell a victim to love in the series and the movie. Still, we can also say that Fell A Victim relates to the immediate BOB reference of people becoming victimized by BOB. Or on the other hand, Leland, after killing Laura, went into the Red Room, and started floating or "falling" downwards in front of the OAM and MFAP. Could this then mean that "Fell A Victim" means lots of different things? Most likely. note-Was I the only one that noticed the look on Agent Chet Desmonds face as he was looking at the picture of Teresa Banks ? That was the look of TRUE LOVE! That is my theory of how he got into the Red Room. He didn't go back for the Blue Rose, but for Teresa. Chet knew. -Justice __________________________________________________________________________ | / |\ | H E \ Y B E R |/ E N [ moon!cyberden!justice@well.sf.ca.us ] </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Nervous xxxx@peptide.ecn.purdue.edu (Name Redacted) 1992-09-24 21:27
Nervous about meeting Judy tonight? </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Chinese Calendar xxxx@peptide.ecn.purdue.edu (Name Redacted) 1992-09-24 22:01
From looking at another 'symbols' list, I noticed that almost all of the animals from the Chinese Calendar have appeared in Twin Peaks. (Either alive or served as food (such as the Pig Head)). The Chinese Calendar is also mentioned in one episode. The monkey may have been in FWWM only because it was the last animal to go on the list. Of course though, a lot of animals that weren't on the Chinese Calendar appeared also. </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Not an Annie Imposter moon!cyberden!justice@well.sf.ca.us 1992-09-25 02:18
It was Annie, same actress, etc. She was wearing Carolines dress. As it would seem, there is no real timeline in the Red Room, so thus, future can reverse, placing Annie in a vision from the Red Room into the past in which it was then expierenced by Laura. Personally I can't understand why she had such a small part. Her other parts were cut. In which she says the same line in the future, in the hospital, after getting out of the lodge. Thus proving that in Twin Peaks, history repeats itself. -Note: Does anyone know why the german waitress (Heidi I think was her name) has a bloody nose in the movie? __________________________________________________________________________ | / |\ | H E \ Y B E R |/ E N [ moon!cyberden!justice@well.sf.ca.us ] </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Fell A Victim rrh@csthor.NoSubdomain.NoDomain (Robert John Hampshire) 1992-09-25 02:24
Omygod. I mean, like, Twin Peaks wasn't actually very good, was it? OK, it was pretty quirky to begin with, but it soon got a bit repetitive, non? As for the film, which I don't think we've had yet, is this more of the same or is it actually comprehensible now? Somehow I doubt it! </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Questions and answers twinpks@mentor.cc.purdue.edu (Freddy Couples) 1992-09-25 06:58
> >carelessness: going to secret meetings in a red corvette, giving
> >Shelly the bloody shirt w/the rest of his laundry, etc. Not the
> >brightest guy...(Formerly appearing at Calhoun Memorial as Mr.
> >Potato(e?) Head
^^^^^ - - - I love it!
> >**My guess is that the people feeling sad, ie. Donna and Bobby, it
> >were experiencing some kind of paranormal emotional response to
> >something that they didn't even know was happening. Prior to
Aren't they called "the owls"? Donna I can maybe understand having
some sort of psychic link with Laura (along with Cooper and Sarah
Palmer), but Bobby? Don't you think he's a bit too . . . shallow
for that sort of thing?
> >crying, Donna seemed to be getting back into a good mood, as she
> >was smiling at James and mouthing the words, "I want you, right
^^^^^^^^^^^^^^^^^
> >back inside my heart." Remember, also, Senor Droolcup comes over to
^^^^^^^^^^^^^^^^^^^^
Uh, actually the song goes "I want you, rockin' back inside my heart."
> >Wouldn't you like to see the one with Ben doing the killing scene?
> >**Absolutely!
I'm up for that scene!
-- *+++++++++++++++++++++++++++++++++++++++++++++++++++++++++* * "If you don't vote, you give up the right to complain." * * -Dennis Leary "I think you hear me knocking." * * twinpks@mentor.cc.purdue.edu *
</pre>
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Re: Lynch questions shiau@eniac.seas.upenn.edu (Duckie Shiau) 1992-09-25 12:09
In article <Bv3qMw.L8n@well.sf.ca.us> rchao@well.sf.ca.us (Robert Chao) writes: > > > >What is David Lynch working on now? > > > >Does he still drink those Big Boy shakes every day? Where is his Big Boy > >place located? > > > >The TIME article (Oct 1990) mentioned he lives in Hollywood Hills. Does > >anyone have his address? > > > >Has anyone ever seen David Lynch just hanging out somewhere? What is > >he like? If you really want to try to get in touch with Mr. Lynch, try calling his agent. He is with Creative Artists. (I believe.) The number is (310) 277-4545. I'd be interested in seeing how far you get. I must admit I have never actually tried to talk to any of the agents. I just called up once and heard the receptionist say "Creative Artists." -- There are only two kinds of people in| Duckie "The Player" Shiau the world: the buyers and the people | shiau@eniac.seas.upenn.edu who get bought.| University of Pennsylvania </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Not an Annie Imposter duane@thismoment.Corp.Sun.COM (Duane Day) 1992-09-25 13:37
In article <B2gNRB1w165w@cyberden.uucp> moon!cyberden!justice@well.sf.ca.us writes: > >-Note: Does anyone know why the german waitress (Heidi I think was her > >name) has a bloody nose in the movie? My guess is that it was to obscure the fact that it was a different actress. Not that Lynch couldn't have just decided it would be cool to have a familiar character with a bloody nose in the background of a scene. Aside from Donna, Mrs. Tremond/Chalfont's Grandson, and possibly Heidi, which other characters were played by different actors in the Series and FWWM? (Not counting, of course, the evil no-longer-wanting-to-be-involved- with-Peaks doppelganger of Kyle MacLachlan who appeared briefly in FWWM as Agent Cooper, the role played by Kyle himself on TV.) :-) </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Tibetan in upstate NY acaffrey@scott.skidmore.edu (alanna caffrey) 1992-09-25 16:58
Hey I am way up here in upstate NY and well... it's going to be getting cold real soon, bing bing --click Any way I saw the movie in Albany 30 miles away and I was a little disappointed in the movie as a hard core TP fan. Was any one else out there unhappy with the movie and felt that it did not do justice to the series? Come on the "Donna" in the movie must offended other people's senses as well as mine. And where the hell was agent cooper? I paid a hefty 6.75 to see what - "Donna" and laura rolling around in the buff???? PLEASE SPARE ME--- where was Audrey and Nadine and Big Ed and all the other characters that carried the show, oh well I guess D.L. should never have tampered with near perfection. </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
twin tibetan sbuthman@scott.skidmore.edu (sharon buthmann) 1992-09-25 17:05
i'm a fellow tibetan in the boonies of ny who wasn't all that thrilled with tp's latest installment. however, being a lynch fan first, i felt it was classic raw lynch. disappointing as it was not to see special agent dale cooper more, and laura and ronette and donna geting it on with jacques was practically sickening, it's lynch, and that's that. (get it, 'lana?) anyway, it will be getting cold up here soon, and the owls will no longer be whooing. </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Questions/Answers and some Trivia jblum@hamlet.umd.edu (Hi ho -- Kermit the Frog here...) 1992-09-25 21:37
In article <BuvBqK.9CD@acsu.buffalo.edu> v075q5fr@ubvmsb.cc.buffalo.edu (Scott J Gorcey) writes: > >In article <15559@umd5.umd.edu>, jblum@hamlet.umd.edu (Hi ho -- Kermit the Frog here...) writes... >> >>In article <28325@twics.co.jp> joji@twics.co.jp writes: >>> >>>Who was with Leo when Bobby and Mike ego to the woods to pick up the >>> >>>football of cocaine? One of the Bernaud(sp) brothers? [early episode] >> >>Good question, actually. My money is on Dr. Jacoby, since we find out > > My thought was always that it was Jawques -- someone standing > > behind Leo to imply someone BEHIND Leo -- a backer in the drug Guess we'll agree to differ on that one. Neither of us could convince the other before. >>> >>>When Bob leaves Leland's body in that scene where the sprinklers come >>> >>>on in the jail cell, why does Leland always say "They made me do it"? >>> >>>Why doesn't he say 'He' made me do it, as in BOB? >> >>Because back at the time when he killed Teresa, MIKE and BOB were still >> >>partners. We still don't know how / if Leland knew MIKE, or the one-armed >> >>man. > > That's not right. The One-Armed-Man says he was BOB's partner > > until he saw the Face of God and took off the arm -- he was > > already One-Armed when we see him in FWWM and nothing suggested > > he had JUST RECENTLY lost that arm... True. But this was well after the death of Teresa. Nothing tells us when the Arm was cut off -- it could have been any time after Teresa's death. > > Instead, I think Leland's dialogue in his death scene signifies > > only that there are more beings involved in it than just BOB: > > The LMFAP, the Tremonds/Chalfonts, probably the Giant as well... > > They have a larger motive than just thrills in feeding on the > > fear and suffering of victims. [theory deleted] Inventive, but perhaps a little too literal. I prefer to think of MIKE, the Giant, and the other beings as existing to test people -- Cooper, Laura, and maybe even Teresa and Leland. I don't really think of them as characters in their own right. This seems to fit in better with Blue Velvet and Lynch's other work -- evil doesn't need a motive, evil just IS. > > BOB, I'd argue, hordes the creamed corn for himself -- he's > > addicted to it, as his victims are usually addicted to drugs. > > So he kills humans. That makes the OAM a reformed alcaholic -- > > he broke the addiction. Now that, I buy wholeheartedly. It gives a wonderful symmetry to Twin Peaks -- the spirits are acting on cravings as irrational as the humans. In Tibetan terms, MIKE would be the one who got off the Wheel, who broke the cycle. That fits too. >>> >>>In the roadhouse, the night Maddy is killed, Donna is sitting in a both >>> >>>with James. The Giant tells Cooper that it is happening again. He goes, >>> >>>she starts crying. Why? >> >>Movie spoiler. There are hints that Donna's sudden transformation from >> >>nice-girl to weirdo is connected to something in the movie which begins at >> >>the Roadhouse. Maybe she too gets a sense that "it is happening again" -- >> >>that the process that corrupted Laura is happening to her. >> >>Or maybe not. It could just be that she's breaking down at the thought of >> >>her part in Harold Smith's death. > > Or not...! Um. I agree that on one level, Donna is probably > > crying for Harold Smith - but TWIN Peaks usually operates on > > at least two levels. James also looks stricken, and why would > > he be weeping for Harold? Or weeping for Donna. Then again, Donna might also have been crying as a parallel to her actions in the pilot upon realizing that Laura was dead. That would also explain Bobby's disbelieving, mystified look -- that's how he reacted when Truman told him Laura had been murdered. >>> >>>Does anyone know if the Log Lady saw the Giant up on the stage. >> >>No. We don't know. > > Yes we do. She saw the whole thing -- she's the most peacefully > > intuned to this shit in the whole town; she's survived exposure > > to the "Owls" (in the form of her husband and her log) and been > > left alone. Dramatically, though, it makes more sense to assume that she doesn't really know or directly understand. Otherwise, it's really remiss of Cooper not to interrogate her the next morning. Remember, the Log Lady doesn't always understand what her log says, she just relays it. (I.e. "Deliver the message.") > > She's moving during the visitation, and no one else in the > > Roadhouse is - that is, apart from Coop himself, who definitely > > saw it (duh). I think this just qualifies as an OOPS, like Hank's domino changing or the way Maddy is still breathing after getting her head smashed in. > > She's a savvy kind of lady, you know -- she knows what's what. She knows what IS. Whether she knows what "what is" is, is a different matter. Jeez, that's about as clear as some of the Log Lady's statements... :-) </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Tape Record It moon!cyberden!justice@well.sf.ca.us 1992-09-26 03:12
To get the best and official sounding of GARMONBOZIA, borrow someones mini cassette recorder and bring it in to the theater. I did, and I've been having lots of fun with it, especially on my answering machine. May you have just as much fun. __________________________________________________________________________ | / |\ | H E \ Y B E R |/ E N [ moon!cyberden!justice@well.sf.ca.us ] </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Tibetan in upstate NY cygnus@wpi.WPI.EDU (Marshall Robin) 1992-09-26 09:45
In article <1992Sep25.235821.14629@scott.skidmore.edu> acaffrey@scott.skidmore.edu (alanna caffrey) writes: > >Come on the "Donna" in the movie must offended other > >people's senses as well as mine. we thought it appropriate to yell "scab!" real loud whenever she appeared on the screen... and she looked like she was about 14...if the effect was to be to make donna appear like a little girl imitating her big sister...they succeeded. but donna and laura closest friends? chyeah right... -marsh -- Marshall Robin /\ where you come from is gone cygnus@wpi.wpi.edu /\ where you thought you were going were never there gweep with attitude /\ and where you are aint no good ~~~~~~~~~~~~~~~~~~~~ /\ unless you can get away from it </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Tibetan in upstate NY rhaller@oregon.uoregon.edu (Rich Haller) 1992-09-26 14:10
In article <1992Sep25.235821.14629@scott.skidmore.edu>, acaffrey@scott.skidmore.edu (alanna caffrey) wrote: > > > > Hey I am way up here in upstate NY and well... it's going to be > > getting cold real soon, bing bing --click Any way I saw the movie in > > Albany 30 miles away and I was a little disappointed in > > the movie as a hard core TP fan. Was any one else out > > there unhappy with the movie and felt that it did not do justice to > > the series? Come on the "Donna" in the movie must offended other > > people's senses as well as mine. And where the hell was agent cooper? > > I paid a hefty 6.75 to see what - "Donna" and laura rolling around in > > the buff???? PLEASE SPARE ME--- where was Audrey and Nadine and Big Ed and > > all the other characters that carried the show, oh well I guess D.L. > > should never have tampered with near perfection. Some of us, at least, found Laura in the demi-buff lagniappe :-) In any case, I urge you to go see it again. I had some of the same feelings you had the first viewing, but the second time I was able to relax and enjoy it for what it is, rather than what I hoped it would be. In particular, I also was disappointed with 'Donna' the first time round, but not the second. I'll bet you enjoy it more the second time. If not, I'll try to come up with something peakish to compensate you. -Rich Haller </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
...and now it's dark craigb@resmel.bhp.com.au (Craig Blundell) 1992-09-26 22:16
Question: In how many of David Lynch's films/TV productions etc has the quote "and now it's dark" occured ?? I've heard in in Twin Peaks (in one of Julie Cruise's songs) and Blue Velvet (Dennis Hopper says in the first scene in which he appears, I think). I seem to recall hearing it in Erasurehead but I'm not sure. Feel's a bit like Hitchcock spotting :-) Has Lynch ever mentioned his apparent fascination of darkness ?? </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Wild new tattoo! 01sybok@ac.dal.ca 1992-09-27 08:13
Well, I finally did it. I scraped together the cash and got another tattoo. This one's great; it's a petroglyph of an owl in an emeraly ring, surrounded by a flame. It cost $60 and it hurt quite a lot, but it was worth it! For those of you who are reading this on alt.tv.tp, can anyone tell me where I can get David Lynch's address? I'd like to send him a picture of the tattoo, since it was inspired by a petroglyph in Owl Cave. The funny thing is, my friend came with me, and on the spur of the moment, he got a tattoo of the Eye of Horus on his shoulder! He's been going around showing it off all weekend. Anyway, gotta go. Thought you all might like to know! Mike "Well, *this* certainly scared my fraternity brothers..." </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
re: On the Air rworman@magnus.acs.ohio-state.edu (Robert B Worman) 1992-09-27 11:48
I believe reading somewhere that only six episodes of "On the Air" were made.
ABC had planned to air all six, but, after incredibly low ratings, they stopped
with just three. I have read nothing about "On the AIr" being cancelled or
being a future mid-season replacement; however, I seriously doubt that it will
be back.
I'm posting this from a friend's account, so please post any
responses on the net to save him the certain deluge of mail!
M.B
-- TJ: "How do you know she's a witch?" | rworman@magnus.acs.ohio-state.edu JC: "She turned me into a newt!" | Rob Worman [long pause] | JC: "...Well, I got better" |
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BOB Roberts and Leland Palmer ncc1701a@isl.Stanford.EDU (ncc1701a) 1992-09-27 12:05
After finally seeing "Bob Roberts" in the theaters this weekend, did anybody else notice the subtle TP reference of Ray "Leland" Wise being BOB Roberts campaign manager and spokesman? That movie was one of the most eeriest I have seen in a long while and every time Wise cracked his "knowing smile", I got chills down my neck. And remember - VOTE this November! Its the greatest power in the world. ncc1701a@isl.stanford.edu </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Creative Artists... sbiles@nmsu.edu (Susannah E Biles) 1992-09-27 13:02
Hey! If anyone does get the nerve to call up Creative Artists and try
to talk or leave a message for David Lynch, why don't you invite him
to join or observe this news group and maybe comment?
That would be pretty neat, dontcha think???
And does anyone know how to get -hold- of Kyle ? (heh heh heh ;)
On to a more discussable topic..
I was re-watching last night the episode where Josie finally bites it
and had forgotton what had happened! My sis and I rewound it a few
times to try to catch exactly what BOB says when Coop sees him crawl
on the bed where Harry is cradleing Josie...The only thing we could
come up with was:
"WHAT HAPPENED TO JOSIE?? HAHAHAHAHAHAHAHAHAHAHAHAHA"
Why does he say that?
And what does it mean when the dwarf dances on the bed? Dancing on her
grave? Her soul? And what about when we see her face in the wood. I
know this has been tossed around a little, but I don't remember what
was decided...Is her soul in the wood? And why? How did Josie end up
being so important??? Was she possesed?
*whew*
Answers anyone?
Susan
**********************************************************************
- "I didn't know that God was a Republican, and that all the
angels only had right wings..."
**********************************************************************
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Lynched In The Dark tbuzzeo@ersys.edmonton.ab.ca (Tom Buzzeo) 1992-09-27 15:14
I don't know... but it would seem that Mr. Lynch likes the dark very much... Yeah, he uses "darkness "in alot of his films... He's always saying something about darkness... but what's wrong with the dark? :) And yeah... I'd be interested to get Lynch's (REAL WORLD) Mail address... just to thank him for providing us with the weird world of Twin Peaks.. Anyone got it? Dis claimer - not mine. :o) tbuzzeo@ersys.edmonton.ab.ca </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
sorry, what is the name of the ftp site? george@ccu1.aukuni.ac.nz (George Ma) 1992-09-28 02:50
Sorry, but I just missed the message which had the ftp address of the twin peaks stuff... our generous site holds alt group messages for only 24 hours so I only managed to see the header of the message. Thanks in advance. </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Project Blue Rose campbell_d@cho006.cho.ge.com 1992-09-28 05:35
According to a nature book I just read, a blue rose is a symbol for "impossibility" (since no one has yet hybridized a perfectly blue rose). Doug </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Picket Fences (New TV Show) campbell_d@cho006.cho.ge.com 1992-09-28 05:36
I'm surprised I have not seen any postings about Picket Fences. This is another Twin Peaks rip-off which is being touted as the "best show of the new season." The show is pleasantly quirky. The advertisement boasts, "Picket Fences; the only thing predictable is the traffic light." There is an irate medical examiner and a dwarf dispatcher at the police station. This week's episode featured a number of serial crime victims which had one HAND cut off. They were called "one ARMED men." What a stretch! The crime was being investigated by the FBI, and of course the FBI was in conflict with the local police over jurisdiction. OK, so I'm angry. First Northern Exposure, now this. Lynch's legacy lives on network TV, but I miss the quality and suspense of Twin Peaks. Doug </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
don't chastise be but..... zedaker@next05wor.wam.umd.edu (Pamela Marie Weller) 1992-09-28 05:55
Hello out there, hello... anyone...anyone... Well, I've always liked David Lynch's work from Blue Velvet to The Elephant Man to Wild At Heart to... Anyway, back when Twin Peaks was on tv I didn't start watching it right off because of work schedules, etc. (no VCR either!). Finally I started watching it and then it was off the air. Then a few weeks ago I saw the prequel at the theater. Oh..YES...YES...OH...OH...YES... Well, needless to say, I loved it!!! Now my best friend has also been a David Lynch fan for some time now, although he is a bit more fanatic about it than I. He has all the tv episodes on tape. (I've since purchased a VCR.) Now I watch about two episodes a week and again I'm lovin' it! Getting to the whole point of this posting...I'm confused on a couple of things about the movie. What is the deal with David Bowie's character? and What's the deal with Cooper's image remaining on the security screen? PLEASE don't chastise me for being new to the TP crowd of fans. At least I'm at last trying. Will I get the answer to my questions about the movie as I keep watching the series or what? any help can be posted or email me at: zedaker@wam.umd.edu Thanks for not insulting my intelligence, okay? -- "Map" </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
bob dreams? Jill Mc Fadden <JM1678A@auvm.american.edu> 1992-09-28 08:49
can anyone tell me if there are two bobs one evil and one good? While the evil bob possesses leland for example is the good bob trapped in the black lodge like sp. agent cooper is at the end of the series? i ask this because i had a dream in which bob and i were friends. he seemed to be good in this dream, but things are not what they seem. i'm waiting to have another dream to see if bob remains good. </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Picket Fences (New TV Show) v113np2v@ubvmsb.cc.buffalo.edu (George D Emmons) 1992-09-28 08:50
In article <1992Sep28.083614.438@cho006.cho.ge.com>, campbell_d@cho006.cho.ge.com writes...
> >
> > This week's episode featured a number of serial crime victims which had one
> >HAND cut off. They were called "one ARMED men." What a stretch! The crime
> >was being investigated by the FBI, and of course the FBI was in conflict with
> >the local police over jurisdiction.
If anybody recalls, the serial victims in _My Life, My Tapes_ had
their teeth bashed in & their HANDS cut off...
George...
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Re: PICKET FENCES - NOT ugh! iott@rtsg.mot.com (Joel K. Iott) 1992-09-28 12:30
ceblair@ux1.cso.uiuc.edu (Charles Blair) writes: > >Cheesy David Lynch imitation. You forgot IMHO. :) I prefer to think of it as "Lynch Lite". Less violence & darkness, familiar odd-ball characters. I would recommend Twin Peaks fans at least check it out and make up their own minds. Yes, it's not as good as Twin Peaks, but it's better than yet-another-stupid-family-sitcom, or yet-another-gritty-cop-drama. I predict it won't last too long, but then nothing lasts too long on network TV. So check it out while you can. Some good points of the show: The smart-alec son who is always pulling pranks and getting into trouble. Contrast this realistic, funny portrayal against the typical stereotypical sitcom smart-ass kid who is always wise-mouthing his stupid parents. The actor has previously played Marshall's best friend on Eerie, Indiania. I like the character of the male deputy. I enjoyed the story about his romance with the traveling singer. I think he does a good job of portraying somebody with a good heart, who has been burned in the past, and who is awkward at expressing himself. I like the mother character, who comes across a person trying to be a good parent, while having to deal with some unruly kids. Some bad points of the show: As noted, it can tend to be a bad David Lynch imitation. Teenage daughter is truly annoying. Refugee-from-Poltergeist female phone operator is annoying. Female deputy is not very interesting. -- Joel </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
The Prisoner & Twin Peaks mfrazer@scott.skidmore.edu (matthew frazer) 1992-09-28 17:23
So....
How many of you watched both The Prisoner And Twin Peaks
E-mail me if you watched one, or both or neither or whatever.
I'm just curious and I'll post the results.
--
===============================================================================
"I was kind of dissapointed actually. I mean here he is the great and
evil BOB and the worst thing he can do is squeeze a tube of toothpaste
out from the middle."
-Something Someone Said About The Finale Of Twin Peaks
Matthew Frazer | Matthew Frazer | mfrazer@skidmore.edu
Skidmore College | 5 Stevens Way | My SAAB is not old
Saratoga Springs NY 12866 | Durham NH 03824 | It is experienced
===============================================================================
Be Seeing You!
===============================================================================
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Re: PICKET FENCES - NOT ugh! flournoy@Xenon.Stanford.EDU (Raymond Suke Flournoy) 1992-09-28 21:55
In article <1992Sep28.193020.4849@rtsg.mot.com> iott@rtsg.mot.com (Joel K. Iott) writes: > >ceblair@ux1.cso.uiuc.edu (Charles Blair) writes: >> >>Cheesy David Lynch imitation. > > > >You forgot IMHO. :) > > > >I prefer to think of it as "Lynch Lite". > >Less violence & darkness, familiar odd-ball characters. > > > >I would recommend Twin Peaks fans at least check it out and make up their own > >minds. Yes, it's not as good as Twin Peaks, but it's better than > >yet-another-stupid-family-sitcom, or yet-another-gritty-cop-drama. I started watching this because reviews said that it had a Lynch-ian flavor, and to an extent it does. Unfortunately, where I thought we were going to have a good multi-hour mystery, suspenseful and incorporating the various storylines in surprising ways, we instead got a conventional wrap-up in 2 hrs. That was very disappointing. I watched the second episode just to see where it would go, and while it was somewhat pleasurable, it is just too standard. And I really dislike mysteries that finish in an hour. One other grievance, even though they claim in the pilot that this is Rome's first homicide in 10 years, the very next week we have another death. Is Rome going to turn into another Detroit, or worse yet, Cabot Cove? :^) > >Some good points of the show: > > > >The smart-alec son who is always pulling pranks and getting into trouble. Ugh, no! This kid overacts so outrageously, I couldn't wait for each of his scenes to end. The character might be somewhat interesting (protecting his little bro from bullies, etc.), but this actor needs to go. (IMHO, of course) > >I like the character of the male deputy. I enjoyed the story about his > >romance with the traveling singer. Agreement here. I like the character, and the actor pulls it off well. I wish that that romance had actual had some relevance, but in the end, it was a pretty conventional (almost-)love story. > >I like the mother character, who comes across a person trying to be a good > >parent, while having to deal with some unruly kids. Where have I seen this actress before? > >Some bad points of the show: > > > >Teenage daughter is truly annoying. Really? I liked her. And as Letterman says, "easy on the eyes, too." > >Refugee-from-Poltergeist female phone operator is annoying. Yeah, but they have given her some funny lines. > >Female deputy is not very interesting. Well, she got better in the second episode. Unfortunately, they decided to give her big hair after the pilot. Anyway, there are some really appealing characters and performers on this show, and it seems that it has (or could have) so much potential. But unfortunately, it just isn't quite satisfying. --Raymond Flournoy ====================================================================== flournoy@cs.stanford.edu "Throwing away happiness with Computer Science Dept. both hands, since 1966." Stanford University, CA </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Bob Lydecker moon!cyberden!justice@well.sf.ca.us 1992-09-29 01:06
Does anyone know if Bob Lydecker was actually BOB? I know that he was in a coma, and the receptionist of his Veternarian Clinic said he wasn't the gray haired man, but is it safe to say he was not BOB or someone under BOBs control, after all, the One Armed Man said "He was my best friend". And also, when questioned, the OAM says that on his arm (Episode 1004) was written "Mom", but did he actually say "Mom" or did he say "Bob" referring to a homosexual link between him and BOB or Bob Lydecker. note: Rumor has it that BOOTLEG copies of FWWM are being distributed across the US. More info on where and when as it comes. __________________________________________________________________________ | / |\ | H E \ Y B E R |/ E N [ moon!cyberden!justice@well.sf.ca.us ] </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Dr. Jacoby and Owls pitchon@paradyne.com (Howard Pitchon) 1992-09-29 04:54
The following statements do not necessarily reflect those of the
poster or the company the posting is from; and only definitely
represent the thoughts and feelings of Summer Storm.
From: Summer Storm
George: re: night Jacoby follows the red corvette.
I thought that when Jacoby hears someone talking, he hears Donna
and James. That's when he picks up the necklace they buried.
Jacoby follows the red corvette-ie. Leo.
Jacoby loses the corvette.
Cooper & Truman follow Joey and Donna on the motorcycle.
Cooper & Truman lose Joey and Donna.
Joey takes Donna to James.
Donna gets on James' motorcycle.
Donna & James talk in the woods and decide to hide the necklace
so that James is not implicated in Laura's death.
Jacoby overhears them and picks up the necklace.(He's the gloved
hand we see in the episode, and which Sarah sees in a vision.
James, in a later episode finds the necklace in Jacoby's
coconut.)
James & Donna leave, and Coop & Truman stop them.
At least that's what I thought happened. Am I totally out to lunch?
A distinct possibility, considering how much time we all spend
discussing this piece of fiction.....
I just don't think Leo would have continued an illegal transaction
if he didn't know the identity of who was behind him.
OWL NEWS: from Associated Press
Town's 2 residents move out
Hoot Owl, Okla.--Hoot Owwl is for the birds again now that the only
two human residents of Oklahoma's smallest town are packing their
bags and moving to the city.
William Bradley and his son, Robert, have to leave because the
bank foreclosed on their 36-acre farm which comprised the entire
northeastern Oklahoma town.
The Bradleys will move to nearby Salina after an auction to
sell their possessions.
The elder Bradley incorporated Hoot Owl in 1977, before a
state law required new towns to have at least 25 registered voters.
The town got its name Bradley said, because it had more owls than
people.
Bradley, 66, says his concern now is finding a home for the
town's mascot-a stuffed gray horn owl.
***How about along side a stuffed white fox in the Great Northern?
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Re: PICKET FENCES - NOT ugh! jlpicard@austin.ibm.com (Craig Becker) 1992-09-29 08:10
iott@rtsg.mot.com (Joel K. Iott) writes:
> > ceblair@ux1.cso.uiuc.edu (Charles Blair) writes:
>> > >Cheesy David Lynch imitation.
> >
> > You forgot IMHO. :)
> >
> > I prefer to think of it as "Lynch Lite".
> > Less violence & darkness, familiar odd-ball characters.
^^^^^^^^^^^^^^^^^^^^^^^^^^^^
_Real_ familiar...if the commercials for the next episode of PF
are to be believed, the dancing midget guy from TP is making an
appearance.
Craig
-- -- "You can expect virtually Craig Becker, Object Technology Products -- -- anything from a people who had Internet: craigb@ot.austin.ibm.com -- -- nuclear weapons in the early IBM TR: craigb@woofer.austin.ibm.com -- -- seventeenth century." VNET: CRAIGB at AUSVM1 --
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Re: Picket Fences jpm10@cd.amdahl.com (Jim Millar) 1992-09-29 09:42
Seeing the previews, LMFAP is on Picket Fences this Friday night. </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: bob dreams? rhaller@oregon.uoregon.edu (Rich Haller) 1992-09-29 10:52
In article <92272.114918JM1678A@auvm.american.edu>, Jill Mc Fadden
<JM1678A@auvm.american.edu> wrote:
> >
> > can anyone tell me if there are two bobs one evil and one good? While the
> > evil bob possesses leland for example is the good bob trapped in the black
> > lodge like sp. agent cooper is at the end of the series? i ask this because
> > i had a dream in which bob and i were friends. he seemed to be good in this
> > dream, but things are not what they seem. i'm waiting to have another dream
> > to see if bob remains good.
BOB does not appear to be split. In any case, based on what Leland said, I
wouldn't 'invite Bob in'. Here is a quotation from the Timeline from his
death scene.
"Leland: Oh God! Laura! I killed her. Oh my God, I killed my daughter.
I didn't know. Forgive me. Oh God. I was just a boy. I saw him
in my dream. He said he wanted to play. He opened me and I
invited him and he came inside me.
Cooper: He went inside.
Leland: When he was inside, I didn't know. When he was gone, I
couldn't remember. He made me do things. Terrible things. He said
he wanted lives. He wanted others, others that they could use, like
they used me."
If he gives you a hard time, tell him to talk to Mike about becoming good
(also from the Timeline):
"I too have been touched by the devilish one; tattoo on the left shoulder.
Ah, but when I saw the face of God, I was changed. I took the entire arm
off. My name is Mike. His name is BOB."
-Rich
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Re: Picket Fences (New TV Show) hckrus01@ulkyvx.louisville.edu 1992-09-29 11:31
In article <1992Sep28.083614.438@cho006.cho.ge.com>, campbell_d@cho006.cho.ge.com writes: > > > > I'm surprised I have not seen any postings about Picket Fences. This is > > another Twin Peaks rip-off which is being touted as the "best show of the new > > season." (premise details deleted) > > > > OK, so I'm angry. First Northern Exposure, now this. Lynch's legacy lives > > on network TV, but I miss the quality and suspense of Twin Peaks. > > > > Doug Well, I'm in not position to discuss _Picket Fences_, since I've never seen it, but I have to defend _Northern Exposure_ which I have a hard time thinking of as a _TP_ ripoff, since I believe it first aired either during the season when _TP_ debuted or shortly thereafter (meaning it had to be in development well before _TP_'s debut) Holly </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: bob dreams? salmieri@whitebase.ukp.com (Gregory Salmieri) 1992-09-29 12:50
Jill Mc Fadden <JM1678A@auvm.american.edu> writes:
> > can anyone tell me if there are two bobs one evil and one good? While the
> > evil bob possesses leland for example is the good bob trapped in the black
> > lodge like sp. agent cooper is at the end of the series? i ask this because
> > i had a dream in which bob and i were friends. he seemed to be good in this
> > dream, but things are not what they seem. i'm waiting to have another dream
> > to see if bob remains good.
Well The OAM's(Not Mike, the man he possesses) best friend was a
veterinarial named BOB, and he is as far as we can tell good. He is also
connected to things in an unexplained way because Waldo, the mina bird who
made the marks on Laura's sholder was a client :-)
--=>Arogorn<=--
>>------------>
/-------------------------------------------------------------------------\
| It's all a game... |
| Gregory C. Salmieri |
| ...It's all the same|
\-------------------------------------------------------------------------/
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Re: Bob Lydecker salmieri@whitebase.ukp.com (Gregory Salmieri) 1992-09-29 12:59
-> And also, when questioned, the OAM says that on his arm (Episode -> 1004) was written "Mom", but did he actually say "Mom" or -> did he say "Bob" referring to a homosexual link between -> him and BOB or Bob Lydecker. I though of this too, but no one seems to agree they all think it is "MOM." /-------------------------------------------------------------------------\ | It's all a game... | | Gregory C. Salmieri | | ...It's all the same| \-------------------------------------------------------------------------/ </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Tibetan in upstate NY dpeders1@cc.swarthmore.edu (Daniel Pedersen) 1992-09-29 13:10
acaffrey@scott.skidmore.edu (alanna caffrey) writes: > > > >**complaining about the movie deleted** > > > > the buff???? PLEASE SPARE ME--- where was Audrey and Nadine and Big Ed and > > all the other characters that carried the show, oh well I guess D.L. > > should never have tampered with near perfection. As I understand it, therewere quite a few scenes with some of the other characters, but because the movie was too long, they cut out many parts with some of the aforementioned people and shortened the movie to a paltry 2.5 hour shortie :-> I liked it. It put a lot of questions and uncertainties I had to rest. And opened up a hell of a lot of new ones... -->Daniel Pedersen - Keren's Daddy(215)543-8961 dpeders1@cc.swarthmore.edupedersen@engin.swarthmore.edu ====================================================================== Highway sign on I-10, AZ: "Federal Prison - Do Not Pick Up Hitch-Hikers" 50 yards later: "CampgroundNext Right" "Why do you kill people?" - "I am a terminator." [Terminator 2] </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Gesar: Tibetan Arthur (was Glastonbury) crago_l@cubldr.colorado.edu 1992-09-29 13:29
In article <1992Sep21.105917.7654@ac.dal.ca>, 01sybok@ac.dal.ca writes: > > In article <RJRcRB2w165w@netlink.cts.com>, jim@netlink.cts.com (Jim Bowery) writes: >> >> tallman%ailanth.uucp@wang.com (Robert Oliver) writes: >> >> >>> >>> >>> >>> Glastonbury is a small town in Somerset England. It is believed to be the >>> >>> site of Britain's first Christian community. Some tidbits about >>> >>> Glastonbury gleaned from the many tales of King Arthur: >>> >>> > > Actually, it is equated in some legends with Avalon. According to the legends, > > Aurthur isn't dead, but waiting until england is in its moment of greatest > > need... > > > > > > All this stuff leads me to believe that maybe people are being nabbed so that > > the will serve humanity in its hour of greatest need. Maybe Aurthur, and (stuff deleted) > > > > Mike Here comes a Tibetan tie-in again. Their epic hero, Gesar of Ling, is commonly believed to be *sleeping* until his people have great need of him again, at which time he will arise and lead a great army that will defeat the world-wide enemy, just like King Arthur of Great Britian. As I noted in a previous post, I see an Arthurian motif in the fact that both Teresa Banks and Laura Palmer were floated down the river. This relates to Elaine the Lily Maid, who was hopelessly in love with Launcelot (hope I'm correct there), and killed herself because he only had eyes for Queen Guinevere. In TP and FWWM, both victems were killed on land, presumably far from a river (wooded upland), so had to be wrapped in plastic, transported however far it was, and then set afloat on the river -- great shot of Teresa floating down the Wind River in FWWM -- so the action obviously did not follow logically, but had to be included because of its symbolism or mythic motif value. Make sense? Question about David Lynch -- does anybody know his birth data? He most generously gave us birth dates for the main characters in TP, but I would love to see his own chart. Lou </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
TWIN PEAKS Alumnus Appearing On PICKET FENCES sasha@cybernet.cse.fau.edu (David A. Tumarkin) 1992-09-29 15:07
This week's episode will feature the guy who portrayed the Man From
Another Place (i.e: the midget) as a relatively normal character who has
a thing for the female deputy. Finally, we'll be able to hear what his
voice sounds like normally.
- Sasha
--------------------------------------------------------------------------
"Though the fruits of crime bear bitter seaweed, the sea cucumbers of
crime makes a killer salad."
- Dr. Calamari in the DC/Marvel
Crossover with Suicide Squid
and Archangler in THE DEVIL,
THE ANGEL, AND THE DEEP BLUE
SEA
-------------------------------------------------------------------------------
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Re: BOB Roberts and Leland Palmer ingria@bbn.com (Bob Ingria) 1992-09-29 15:34
In article <1992Sep27.190540.16845@EE.Stanford.EDU> ncc1701a@isl.Stanford.EDU (ncc1701a) writes:
After finally seeing "Bob Roberts" in the theaters this weekend, did
anybody else notice the subtle TP reference of Ray "Leland" Wise being
BOB Roberts campaign manager and spokesman?
I saw it with a friend and said: ``Does this mean Ray Wise is
type-cast as always supporting BOB?''
That movie was one of the
most eeriest I have seen in a long while and every time Wise cracked his
"knowing smile", I got chills down my neck.
A wonderful film. If it hadn't been for the black comedy, it would
have been unendurable, it cut so close to the idiocies of electoral
politics.
And remember - VOTE this November! Its the greatest power in the world.
Here, here! Don't complain come January, 1993, if you don't vote in
November.
-30-
Bob
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Re: Picket Fences (New TV Show) ingria@bbn.com (Bob Ingria) 1992-09-29 15:38
In article <1992Sep28.083614.438@cho006.cho.ge.com> campbell_d@cho006.cho.ge.com writes:
I'm surprised I have not seen any postings about Picket Fences. This is
another Twin Peaks rip-off which is being touted as the "best show of the new
season."
The show is pleasantly quirky. The advertisement boasts, "Picket Fences;
the only thing predictable is the traffic light." There is an irate medical
examiner and a dwarf dispatcher at the police station.
The dwarf dispatcher might also be a reference to ``Police Squad'',
which had some episodes with giant and dwarf police officers. (In
fact, I've often wondered if Lynch didn't nick some of his TP effects
from the ZAZ crowd. _Top Secret_ had a scene in which the hero and
heroine go looking for help from a Swedish book dealer. The
``Swedish'' is English read backwards (ala Lodge Speak) and is
subtitled. Hmm...
-30-
Bob
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Re: Gesar: Tibetan Arthur (was Glastonbury) ingria@bbn.com (Bob Ingria) 1992-09-29 15:48
In article <1992Sep29.132907.1@cubldr.colorado.edu> crago_l@cubldr.colorado.edu writes: Here comes a Tibetan tie-in again. Their epic hero, Gesar of Ling, is commonly believed to be *sleeping* until his people have great need of him again, at which time he will arise and lead a great army that will defeat the world-wide enemy, just like King Arthur of Great Britian. This is a fairly common element of mythology and folklore. A great figure who achieves mythological status after his death, often acquires a legend that he is not really dead, but only sleeping until his country's (or whatever) hour of need. In addition to Arthur and Gesar, there's Barbarrosa, for example. And the sightings of Elvis (and JFK) (and the rumors that Jim Morrison faked his death) are in this pattern, too. It seems to be an archetype to not believe in the death of powerful personalities. -30- Bob </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: The Prisoner & Twin Peaks mnor1@cs.aukuni.ac.nz (Mark Hiro Norman ) 1992-09-29 16:29
I know you said to email, but sorry I can't right now... I am an avid watcher of both Twin Peaks and The Prisoner. I suspect that they both appeal in some common way to people; perhaps in their strangeness. -- Mark Norman | My university doesn't let me send email. mnor1@cs.aukuni.ac.nz | "We Hate It When Our Friends Become Successful..." </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
wheeler/jeffries kwest@andromeda.rutgers.edu (Kenneth C West) 1992-09-29 20:28
I don't recall who or when, but someone, in a longer post, mentioned quite briefly a connection between John Justice Wheeler and Phillip Jeffries. They didn't elaborate. This is my first chance to ask anybody out there if they know of anything about this, or was he hallucinating? (Or was I hallucinating?) _jeff </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: PICKET FENCES - NOT ugh! nad@tegra.com (Nancy Durgin) 1992-09-29 20:45
In article <1992Sep29.045548.17002@CSD-NewsHost.Stanford.EDU> flournoy@Xenon.Stanford.EDU (Raymond Suke Flournoy) writes:
|>In article <1992Sep28.193020.4849@rtsg.mot.com> iott@rtsg.mot.com (Joel K. Iott) writes:
|>>ceblair@ux1.cso.uiuc.edu (Charles Blair) writes:
|>>Some good points of the show:
|>>
|>>The smart-alec son who is always pulling pranks and getting into trouble.
|>
|> Ugh, no! This kid overacts so outrageously, I couldn't wait for
|>each of his scenes to end. The character might be somewhat
|>interesting (protecting his little bro from bullies, etc.), but this
|>actor needs to go. (IMHO, of course)
|>
Hmmm... the smart-alec kid (Matthew, played by Justin Sherenkov (sp?)) is
one of my favorite parts of the show. I guess there can be a fine line
between over-acting and just doing a well-defined character, but I think
he pulls it off.
The character is very similar to the one on "Eerie, Indiana", in terms of
his twist for interpreting things in a bizarre way. I can see why they
selected that actor for the role.
(I loved the way he took on the Nun in the first episode...)
I don't really dislike any of the other characters in the show. I've
always liked Tom Skerritt -- it seems he's constantly showing up as
a guest star in the early-60's shows I like to watch.
Nancy
-- ============================================================================== Nancy Durgin | (Usual disclaimers | Tegra-Varityper, Inc. uunet!tegra!nad | apply...) | Billerica, Massachusetts ==============================================================================
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Final on movie? georgen@pooky.cs.mun.ca (George Noel) 1992-09-29 23:36
Is TP:FWWM still playing in any theatres out there? Does anyone know of how much it made in North America all together if it is now out of theatres? Also, does anyone know where I can send away to get a movie poster of TP:FWWM? -=*George*=- </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
FWWMRING moon!cyberden!justice@well.sf.ca.us 1992-09-29 23:48
DOES ANYONE KNOW WHERE I CAN GET A REPLICA OF THE RING MADE? MUCH APPRECIATED -JUSTICE __________________________________________________________________________ | / |\ | H E \ Y B E R |/ E N [ moon!cyberden!justice@well.sf.ca.us ] </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Club in Jersey - THE BLACK LODGE - Anyone been? v075q5fr@ubvmsb.cc.buffalo.edu (Scott J Gorcey) 1992-09-29 23:55
I was home recently for the first time in months and heard
a radio ad for an alternative club in North Jersey called
The Black Lodge... This obviously stems from...
Anyone been? What's it like? A wood theme? Julee played?
Midget murals? Etc... (If I end up going anytime soon,
which is next to impossible, i'll post pertinent info if
anyone's interested... ??)
Shortly thereafter, the health of Annie
Blackburn still in question, the behavior
of Special Agent Dale Cooper was noticed
__________________________to have changed.
Scott Gorcey.
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Plee from Australia!!!! neal.pritchard@f605.n712.z3.fido.zeta.org.au (Neal Pritchard) 1992-09-30 01:30
For GOD'S SAKE people. Put SPOILER warnings on any messages that have to do with "Fire Walk With Me". We here in Aus are waiting for it to be released and are TRYING not to "hear" too much about the plot. We ALSO would like the ability to enjoy the movie WITHOUT knowing the next scene! Have some compassion for us poor, forgotten souls from the land down- under and MARK your messages... please... Neal Pritchard ___ X SLMR 2.1a X All hope abandon, ye who enter messages here. --- Maximus 2.01wb * Origin: THE WHITE LODGE (3:712/605) </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: IGNORING ME??? neal.pritchard@f605.n712.z3.fido.zeta.org.au (Neal Pritchard) 1992-09-30 02:09
Original to: Bobk@Hpscit.Sc.Hp.Com BO>She may or may not have died. In the final episode of the TV show, she BO>was chained to the bank vault door when Andrew Packard went in and opened BO>up his security box, which contained a note from his partner (who had just BO>died) laughing about the lack of money inside. Below the note was a bomb BO>that immediately blows up. The next scene shows the bank windows explode BO>outward and one of the character's eyeglasses land across the street. BO>The scene indicates that Audrey's probably gone all to pieces about the BO>bomb. Yup. I reckon she's a gonner. It was a VERY sad sight for myself and my brother (and sister) Fennimists. Neal Pritchard ___ X SLMR 2.1a X All hope abandon, ye who enter messages here. --- Maximus 2.00 * Origin: THE WHITE LODGE (3:712/605) </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Little Things neal.pritchard@f605.n712.z3.fido.zeta.org.au (Neal Pritchard) 1992-09-30 02:09
Original to: Blojo@Xcf.Berkeley.Edu BL> * Why Donna was so entranced with wearing Laura's sunglasses. Donna wanted to be like Laura for a couple of reasons, one being that Laura had captured James'es heart and another being that she was VERY popular and a free spirit BL> * Why Donna burst into tears when sitting at a certain booth in the BL> Roadhouse. Wouldn't have the foggiest, except that maybe that was their special seat in the Roadhouse. Neal Pritchard ___ X SLMR 2.1a X If this were an actual tagline, it would be funny. --- Maximus 2.00 * Origin: THE WHITE LODGE (3:712/605) </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Casting of Series Questi neal.pritchard@f605.n712.z3.fido.zeta.org.au (Neal Pritchard) 1992-09-30 02:09
Original to: Kvk@Questor.Sw.Stratus.C
KV> Who is the actress that played Laura's cousin, Maddy?
KV> Is it the same actress that played Laura?
Sheryl Lee played both parts in Twin Peaks, that of Laura Palmer and
Madeline "Maddie" Ferguson.
She also appeared in:
I Love You To Death 1990
Jersey Girls 1992
Love, Lies and Murder (TV) 17,18 Feb. 91
Twin Peaks -
Fire Walk With Me 1992
Wild at Heart 1992
Neal Pritchard
___
X SLMR 2.1a X --T-A+G-L-I+N-E--+M-E-A+S-U-R+I-N-G+--G-A+U-G-E--
--- Maximus 2.00
* Origin: THE WHITE LODGE (3:712/605)
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Re: bob dreams? 01sybok@ac.dal.ca 1992-09-30 04:15
In article <rhaller-290992103833@rhaller.cc.uoregon.edu>, rhaller@oregon.uoregon.edu (Rich Haller) writes: > > In article <92272.114918JM1678A@auvm.american.edu>, Jill Mc Fadden > > <JM1678A@auvm.american.edu> wrote: >> >> > > > > "I too have been touched by the devilish one; tattoo on the left shoulder. > > Ah, but when I saw the face of God, I was changed. I took the entire arm > > off. My name is Mike. His name is BOB." > > You shoulda seen the looks on my fraternity brothers faces when I did this little speech, than showed them my new owl petroglyph tattoo... Mike </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Gesar: Tibetan Arthur (was Glastonbury) 01sybok@ac.dal.ca 1992-09-30 04:23
In article <1992Sep29.132907.1@cubldr.colorado.edu>, crago_l@cubldr.colorado.edu writes: > > In article <1992Sep21.105917.7654@ac.dal.ca>, 01sybok@ac.dal.ca writes: >> >> In article <RJRcRB2w165w@netlink.cts.com>, jim@netlink.cts.com (Jim Bowery) writes: >>> >>> tallman%ailanth.uucp@wang.com (Robert Oliver) writes: >>> >>> >> >> All this stuff leads me to believe that maybe people are being nabbed so that >> >> the will serve humanity in its hour of greatest need. Maybe Aurthur, and > > (stuff deleted) >> >> >> >> Mike > > > > Here comes a Tibetan tie-in again. Their epic hero, Gesar of Ling, is > > commonly believed to be *sleeping* until his people have great need of > > him again, at which time he will arise and lead a great army that will > > defeat the world-wide enemy, just like King Arthur of Great Britian. > > Of course, there are so many people bleieved to be sleeping until they are needed at humanity's greatest hour of need, I don't think ther'll be any problem with the enemy ;-) > > As I noted in a previous post, I see an Arthurian motif in the fact > > that both Teresa Banks and Laura Palmer were floated down the river. > > This relates to Elaine the Lily Maid, who was hopelessly in love with > > Launcelot (hope I'm correct there), and killed herself because he only > > had eyes for Queen Guinevere. In TP and FWWM, both victems were killed > > on land, presumably far from a river (wooded upland), so had to be > > wrapped in plastic, transported however far it was, and then set afloat > > on the river -- great shot of Teresa floating down the Wind River in > > FWWM -- so the action obviously did not follow logically, but had to be > > included because of its symbolism or mythic motif value. Make sense? > > All this makes sence, but I wonder if BOB wasn't trying to recreate Viviene of the Lake instead of Elaine, or if he read Tennyson (The Lady of Shalott). Whatever, Lynch really is into the Aurthurian thang... I wonder if Windom id Lancelot then... Authur's (coop's) closest ally who turns on him. Or maybe Coop is Lancelot to Windom's Aurthur, since he fell in love with Caroline. I dunno... anyone else have an idea? Mike </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: PICKET FENCES - NOT ugh! edgar@function.mps.ohio-state.edu (Gerald Edgar) 1992-09-30 07:57
> >Hmmm... the smart-alec kid (Matthew, played by Justin Sherenkov (sp?)) is Shenkarow -- Gerald A. Edgar Internet: edgar@mps.ohio-state.edu Department of Mathematics Bitnet: EDGAR@OHSTPY The Ohio State University telephone: 614-292-0395 (Office) Columbus, OH 43210 -292-4975 (Math. Dept.) -292-1479 (Dept. Fax) </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: David Lynch's comment daq@hpfcso.FC.HP.COM (Doug Quarnstrom) 1992-09-30 08:13
In alt.tv.twin-peaks, rmichl@iiic.ethz.ch (Robert Michl) writes: > > > > Sad but true: There won't be any more new Twin Peaks films :-( YAAAAYYYY!! doug </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Picket Fences (New TV Show) markw@meaddata.com (Mark Wasson) 1992-09-30 09:19
In article <1992Sep29.143116.1@ulkyvx.louisville.edu>, hckrus01@ulkyvx.louisville.edu writes: |> In article <1992Sep28.083614.438@cho006.cho.ge.com>, campbell_d@cho006.cho.ge.com writes: |> > |> > I'm surprised I have not seen any postings about Picket Fences. This is |> > another Twin Peaks rip-off which is being touted as the "best show of the new |> > season." |> |> (premise details deleted) |> etc.... If you're going to be watching TV Friday's at 10, instead of Picket Fences, I'd strongly recommend "I'll Fly Away". It is not TP from a story-telling sense, but the ambiguity and lack of clear right and wrong in the character's lives has some parallels to TP, in my opinion. The characters are living through confusing times, witnessing unsettling events, and they don't always react in the right way. Although it's from the same folks who created Northern Exposure (and St. Elsewhere :-)), the episodes are not wrapped up with happy little endings and Chris-in-the-Morning homilies. NBC only ordered 13 episodes this season, so watch it while you can. Mark </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
More from Picket Fences campbell_d@cho006.cho.ge.com 1992-09-30 09:31
IT IS HAPPENING AGAIN! On this week's "Peaks-wanna-be" Picket Fences: A guest appearance by Michael J. Anderson (the LMFAP). IT IS HAPPENING AGAIN! Doug </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
That GAP commercial ukoga@mcl.ucsb.edu (Jeff "Koganuts" Koga) 1992-09-30 12:48
Is it just me, or does the model in the GAP commercial ("Sky fits heaven...")
look *a lot* like Madchen Amick?
--Jeff "Koganuts" Koga
--
Jeff "Koganuts" Koga ||"You're not the man I knew ten years ago."
AKA "Indiana" Koga ||"It's not the years, honey. It's the mileage."
ukoga@mcl.ucsb.edu ||--Marion R. & "Indiana" Jones, "Raiders Of The Lost Ark"
Finger animage@ferkel.ucsb.edu for the latest Cal-Animage Gamma information...
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Re: Arthur (was Glastonbury) rhaller@oregon.uoregon.edu (Rich Haller) 1992-09-30 13:37
In article <1992Sep30.082335.7862@ac.dal.ca>, 01sybok@ac.dal.ca wrote: > > Whatever, Lynch really is into the Aurthurian thang... I wonder if Windom > > id Lancelot then... Authur's (coop's) closest ally who turns on him. > > Or maybe Coop is Lancelot to Windom's Aurthur, since he fell in love with > > Caroline. I dunno... anyone else have an idea? > > > > Mike I bet on Coop as Lancelot to Windom's Aurthur since he committed adultery with Caroline. WE is using Annie as a Caroline stand in. -Rich </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: That GAP commercial bvickers@valentine.ics.uci.edu (Brett J. Vickers) 1992-09-30 14:15
ukoga@mcl.ucsb.edu (Jeff "Koganuts" Koga) writes:
> >Is it just me, or does the model in the GAP commercial ("Sky fits heaven...")
> >look *a lot* like Madchen Amick?
There's a really good reason for the resemblance.
It's her.
--
Brett J. Vickers "Don't go around saying the world owes you
bvickers@ics.uci.edu a living. The world owes you nothing.
It was here first." - Mark Twain
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Re: Location filming of FWWM donh@microsoft.com (Don Hacherl) 1992-09-30 19:23
In article <1992Sep23.173501.11059@meaddata.com> markw@meaddata.com (Mark Wasson) writes: > > > >I've seen some stories/postings that claimed Mt. Si High School was > >used for TPHS. At least with respect to the movie, however, I don't > >see how the two could possibly be the same. Mt Si HS was used in the series, but was in the process of being remodelled when the movie was filmed, so another school (sorry, don't remember which one) was used. Don from North Bend -- </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Last Episode moon!cyberden!justice@well.sf.ca.us 1992-10-01 01:56
A major finding has made me wonder if the Cooper "Hows Annie" scene was really real, or just a dream that Cooper has in which he never is shown waking up from. The only thing that I can say that would support this as just a dream is the fact that Doc Hayward was with Cooper when he wakes up, but then again, just the day before, didn't Doc Jacoby hit and maybe even kill Ben Horne. If he did, wouldn't Doc Hayward be in jail, or even athome thinking things thrgh? Hmmm. Coincidence? Maybe. Note: I have reason to beleive that Agent Chester Desmond went into the Lodge on his own in search of Teresa. Love opened the door for him. He fell in love with Teresa the minute he laid eyes on that picture. That is all. -Justice __________________________________________________________________________ | / |\ | H E \ Y B E R |/ E N [ moon!cyberden!justice@well.sf.ca.us ] </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Chet Desmond & Teresa Banks moon!cyberden!justice@well.sf.ca.us 1992-10-01 02:04
fell in love. In the future. Chet went willing to search for her. Doesn't anyone have any opinion on that? Speak up. __________________________________________________________________________ | / |\ | H E \ Y B E R |/ E N [ moon!cyberden!justice@well.sf.ca.us ] </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Arthur (was Glastonbury) 01sybok@ac.dal.ca 1992-10-01 04:47
In article <rhaller-300992133612@rhaller.cc.uoregon.edu>, rhaller@oregon.uoregon.edu (Rich Haller) writes: > > In article <1992Sep30.082335.7862@ac.dal.ca>, 01sybok@ac.dal.ca wrote: >> >> Whatever, Lynch really is into the Aurthurian thang... I wonder if Windom >> >> id Lancelot then... Authur's (coop's) closest ally who turns on him. >> >> Or maybe Coop is Lancelot to Windom's Aurthur, since he fell in love with >> >> Caroline. I dunno... anyone else have an idea? >> >> >> >> Mike > > > > I bet on Coop as Lancelot to Windom's Aurthur since he committed adultery > > with Caroline. WE is using Annie as a Caroline stand in. > > If so ( and we go the other way with the anaolgy) did Lancelot's affair with Guinevere cause AURTHUR to go over the edge? Mike </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Picket Fences berthiau@IRO.UMontreal.CA (Andre Berthiaume) 1992-10-01 06:31
Hm.. while flipping thru the channels the other night I happened upon
the tail end of an upcoming episode of Picket Fences....
I'll say just this: LMFAP
- Eva
(ignore following .sig *sigh*)
--
Andre Berthiaume | "Sometimes you're the windshield,
| Sometimes you're the bug"
berthiau@iro.umontreal.ca |
| Dire Straits, The Bug
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RE: Picket Fences (New TV Show) furesz_t@wums.wustl.edu 1992-10-01 08:32
WRONG!!! The TP pilot was done a full year in advance of the series (first season). TV people knew of TP witness the Lynchboro arc in the Wiseguy show which came out before TP the series was one but after the pilot had been made . TOdd </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: That GAP commercial dcoufal@athena.mit.edu (David E Coufal) 1992-10-01 08:51
In article <ukoga.717882489@mcl>, ukoga@mcl.ucsb.edu (Jeff "Koganuts" Koga) writes:
|> Is it just me, or does the model in the GAP commercial ("Sky fits heaven...")
|> look *a lot* like Madchen Amick?
|>
|>
|> --Jeff "Koganuts" Koga
It is. Both her and James Marshall (who played James Hurley) were/are
frequently used by The Gap in magazine advertisments.
-- "One time I removed all the David E. Coufal hair from a mouse with Nair-Hair BITNET:dcoufal@mitwccf just to see what it looked like. INTERNET:dcoufal@athena.mit.edu And it looked beautiful." - David K. Lynch dec@alumni.caltech.edu
</pre>
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other place floyd@maple.circa.ufl.edu (FLOYD) 1992-10-01 10:05
Maybe the place where all the lodge denizens come from is the human soul. Perhaps they need fear and suffering (fuel) to possess (go to) the human soul. The only reason Laura was not possessed by Bob is that she wasn't afraid of him. Perhaps the waiting room is simply a place to wait until a soul becomes filled with fear and suffering so that it may be possessed. That may explain why all these otherworlders are wandering around Twin Peaks, most of the population is good and friendly, thus creating a sh o . . . thus creating a shortage of souls to inhabit. Internet address: Floyd@ufcc.ufl.edu Bitnet address : Floyd@ufcc All opinions expressed are my own or mine. </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Little Things jes2x@fermi.clas.Virginia.EDU (John Sommerville) 1992-10-01 10:49
In article <ab16b0a1@Kralizec.fido.zeta.org.au> neal.pritchard@f605.n712.z3.fido.zeta.org.au (Neal Pritchard) writes: > >Original to: Blojo@Xcf.Berkeley.Edu [stuff deleted] > >BL> * Why Donna burst into tears when sitting at a certain booth in the > >BL> Roadhouse. > >Wouldn't have the foggiest, except that maybe that was their special > >seat in the Roadhouse. The way I see it, when the Log Lady said "The owls are in the Roadhouse," I took owls as referring to psychic sensitives, in this case, Donna and Bobby. I know there's no evidence to support any psychicness on their part, but while Maddy was being killed, and the Giant was saying "It is happening again." Donna started crying b/c she felt Maddy's death and Bobby was looking around like he knew something was up. Senor Droolcup was also there, and I think he told Coop "I'm so sorry." Obviously he knew what was happening. Anyway, that's my theory. -- John Sommerville (jes2x@Virginia.Edu) "I'll see you in the trees..." </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Phillip Jeffries 001201c@ace.acadiau.ca (NATHANIEL FISHER CRAWFORD) 1992-10-01 11:59
Can anybody offer a transcription or suggestions about the Phillip Jeffries sequence in FWWM? It seems as important as the dream sequence in episode 3 to me; all I got out of it was the conveinience store stuff and that he knew something was going to happen to Cooper. Also, upon viewing FWWM for the third time, I finally caught the dialogue about the creamed corn that Mike was screaming to Leland from his truck; he also mentioned something about the green formica tabletop, which was in the Jeffries sequence. I'd really like someone else's interpretation of all this stuff. And didn't anybody notice that the controversial 'whooping noise' the old guy made in the final episode was also the sound 'the arm' made in FWWM, and the sound we heard in the trailer park when we see that telephone pole? </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
FWWM in the UK?N chrisley@oxford.ac.uk (Ronald L Chrisley) 1992-10-01 12:06
Could someone tell when FWWM opened/will open in the UK? I saw an ad for it *once* in Time Out about a month back, but have seen no mention of it since. Please don't post the info; email me. I can't read this newsgroup, since just about everybody here assumes that you have seen the movie (i.e., few spoiler warnings, revealing subject lines, etc) Thanks -- Ronald L. Chrisley ronc@cogs.susx.ac.uk COGS, University of Sussex Falmer, Brighton, BN1 9QH, UK </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
12 CANDLES IN DREAM xxxx@peptide.ecn.purdue.edu (Name Redacted) 1992-10-01 14:17
Remember, there were 12 Candles in agent coopers dream. There are also 12 animals in the Chinese Calendar system. 2 of these the Year of the Dog and the Year of the Monkey were included in FWWM. </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Phillip Jeffries dtomack@adobe.com (Darin Tomack) 1992-10-01 19:18
In article <001201c.3.717965941@ace.acadiau.ca> 001201c@ace.acadiau.ca (NATHANIEL FISHER CRAWFORD) writes: [stuff deleted...] > > > >And didn't anybody notice that the controversial 'whooping noise' the old > >guy made in the final episode was also the sound 'the arm' made in FWWM, and > >the sound we heard in the trailer park when we see that telephone pole? Actually, it is played every time we see power poles, power lines, and electrical outlets. I didn't notice it the first time, but it was VERY apparent to me on my second viewing that the must be some connection between at least the LMFAP if not the Lodges in general and electricity. Another thing that no one has mention is that at the end of Jefferies' scene in Philadelphia, I believe just as Cole is saying something like, "He's gone.", there is a snowy (as in tv. snow, not the wet stuff ;-)) shot of power lines. Is this to imply that Jefferies left (was sucked out?) through the power system? I believe this shot was accompanied by the "whooping" sound. Though I could be wrong. Bizzare. And now for something somewhat different... I noticed this in my second viewing. In Laura's scene with Harold, I believe that just before she leaves (after the "Fire Walk With Me" segment) Laura mumbles something. To me it sounded like: "The trees, the trees..." Anyone else hear this? Was it something else? Anyone have any idea why she would be preoccupied with trees at that point? darin </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Re: Little Things etxjlar@eua.ericsson.se (Jorgen Larsson) 1992-10-01 23:53
In article 23521@murdoch.acc.Virginia.EDU, jes2x@fermi.clas.Virginia.EDU (John Sommerville) writes: > > In article <ab16b0a1@Kralizec.fido.zeta.org.au> neal.pritchard@f605.n712.z3.fido.zeta.org.au (Neal Pritchard) writes: >> > >Original to: Blojo@Xcf.Berkeley.Edu > > [stuff deleted] >> > >BL> * Why Donna burst into tears when sitting at a certain booth in the >> > >BL> Roadhouse. >> > >Wouldn't have the foggiest, except that maybe that was their special >> > >seat in the Roadhouse. > > > > The way I see it, when the Log Lady said "The owls are in the Roadhouse," I > > took owls as referring to psychic sensitives, in this case, Donna and Bobby. > > I know there's no evidence to support any psychicness on their part, but > > while Maddy was being killed, and the Giant was saying "It is happening again." > > Donna started crying b/c she felt Maddy's death and Bobby was looking around > > like he knew something was up. Senor Droolcup was also there, and I think he > > told Coop "I'm so sorry." Obviously he knew what was happening. > > > > Anyway, that's my theory. > > -- > > John Sommerville (jes2x@Virginia.Edu) "I'll see you in the trees..." Of course he knew what was happening, in the final episode, in the red room, Coop is told by the Dwarf that the Giant and Senor Droolcup are "the one and the same". In that case the same "crature" in different shapes first tells Coop "It is happening again" and then "I'm so sorry". Makes sense, doesn't it? J�rgen Larsson (etxjlar@eua.ericsson.se) </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]
Worried about Coop. etxjlar@eua.ericsson.se (Jorgen Larsson) 1992-10-02 01:10
In the very final scene in TP, Coop is looking into the mirror seeing Bob. Previously in that last episode Laura said to Coop, in the red room, "see you in 25 (or something, I dont really remember ?) years". If we suppose this means that Coop is going to live for another 25 years, posessed by Bob, wouldn't that be presumtions for making another film or TV series? He'd be able to do quite a lot of evil in that time. Does anyone out there know Lynch personally? J�rgen Larsson (etxjlar@eua.ericsson.se) </pre> <hr><a target="right" href="/fwwm/index.txt">Return</a></body></html>[src]